#victoria saxon

[globossum]

Had to show to a friend some of my notes on stuff for the thesis, kinda cool.

[nicolettecallednikki]

I didn't even make this connection 😕 uh oh!

S4E11, The Sinner's Sacrifice: Bess is left feeling concerned after speaking with Ace.

[af-otography]

©️Alistair Francis 2023

[gallifreyanhotfive]

Random Doctor Who Facts You Might Not Know, Part 2

While attending Jago and Litefoot's knighting ceremony, the Sixth Doctor had to go in disguise because of the grudge Queen Victoria had against him, which was started by the Tenth Doctor.

Once, the TARDIS jumped a time track, leaving the Tenth Doctor at Powell Estate for a week. During this time, he lived with Mickey.

A team called the "Plastic Surgeons," comprised of the Tenth Doctor, Rose Tyler, and a lone Auton, won a Mannequin Challenge competition.

The Shopkeeper from the SJAs may have been an incarnation of the Corsair according to RTD.

The War Chief once had an aborted regeneration, which left him deformed, his past and future selves joined together. He had a conjoined dual skull and an extraordinary set of limbs.

The Third Doctor took Jo back in time in an attempt to kill that same would-be-dictator baby but also failed to do so after seeing his Sixth try the same (some of you already know where I am going with this).

After being irradiated on Metebelis III, the Third Doctor was stuck in the time vortex for ten years, dying very slowly.

Ian and Barbara's son became a pop singer.

The Eleventh Doctor once traveled with a robotic copy of a Tyrannosaurus rex named Kevin. His tiny arms made him unable to help pilot the TARDIS.

Kamelion and the TARDIS had a child together.

Missy killed the incarnations that came both before her (Saxon Master) and also after her (the Lumiat).

The Venusian Lullaby sounds like God Rest Ye Merry Gentlemen because Jago and Litefoot sang it on Venus to soothe the Shanghorn.

The First Doctor caused High Tutor Albrecht to regenerate by experimenting with a perigosto stick and a temporal feedback loop.

The First Doctor rigged a drinks machine to produce mercury during his time at the Academy to experiment with, nearly causing his professor to regenerate.

The First Doctor's dorm room had posters in it and became timelocked after an experiment gone wrong. No one ever figured out how to get rid of the timelock.

Basically, the Doctor was a menace even as a student, but everyone knew that.

Part 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28

[teatimeatwinterpalace]

Princess Alice with her second daugther, Elizabeth, later Grand Duchess of Russia, 1864-1865.

Darmstadt, November 7, 1864 | The little daughter was but a momentary disappointment to us, which we have quite got over. We console ourselves with the idea that the little pair will look pretty together.

November 20, 1864 | Louis's mother is to be godmother, because it is customary here to ask someone of the name the child is to receive to stand on the occasion. We liked Elizabeth on account of St. Elisabeth being the ancestress of the Hessian as well as the Saxon House.

November 26, 1864 | I am very well and very careful; all people say I look better, and have more colour than I have had for long, and, indeed, I feel strong and well, and by fat Baby does perfectly, and is a great darling.

November 29, 1864 | I ought to mention the christening. My mother-in-law held Baby all the time, and it screamed a great deal. Victoria stood with us and was very good, only kneeling down and tumbling over the footstool every two minutes, and she kept whispering to me, 'Go to Uncle's.' I thought so much of the christening last year, when Victoria behaved much better than her larger dark sister. Ella measured twenty-three and a half inches a fortnight ago, and she had not grown then.

Kranichstein, July 10, 1865 | Ella already says, since some time, 'Papa' and 'Mama' and calls herself, and crawls, and is very forward and merry - such a contrast to Victoria, who is so pale and fair, and now thin, for Ella's eyes are so dark blue, and her hair of such a rich brown, that you would never take the little things for sisters. They are very fond of each other, and so dear together, that they give us much peasure. I would not change them for boys, if I could; this little pair of sisters is so nice, and they can be such friends to each other.

[cloudberriesforaqueen]

Elsa giving Anna time to process her new looks! 🤭

She was surprised by Elsa's new appearance. Her sister wasn’t just different, she was transformed. The woman standing there was the most beautiful person Anna had ever seen... Elsa looked, well, stunning. No, it’s more than the dress and the hair, Anna realized. She looks… free.

— A Frozen Heart by Elizabeth Rudnick

Then, with a magical flourish, Elsa created a new dress for herself, too. It was a long, frosty, pale green gown.

“Whoa!” Anna said.

— Frozen Fever: The Junior Novelization adapated by Victoria Saxon

The Water Spirit washed Elsa onto the shore and she stood there—tall, glistening, ethereal. Anna stopped before she reached her sister. It looked like her, but she was different.

“Is it really you?” Anna asked, not sure what to believe, thinking maybe her eyes, or her brain, were playing tricks on her.

— Frozen 2: The Junior Novelization adapated by David Blaze

I noticed Elsa does a thing where she stands in silence for a moment whenever she shows herself to Anna after a significant outfit change. We know it's because she is also glad to reunite with her sister, so they have an exchange of smiles and soft eyes— In Frozen 2, Anna literally thought Elsa died so, of course, she needed a moment to take in seeing her again.

But I like to think it's also because Elsa's giving her some loading time to process her new magical girl transformations 😆

Elsa doesn't like to show off, but I wonder if she ever gets excited to show Anna her new looks (as sisters often do), but is still somewhat shy to present herself for the first time! It's like when you're finally done getting ready for an event or a date, so now you have to exit your room and let your family see you lol

We also know that the Frohana does good-naturedly tease Elsa's extravagant sense of style which I think adds another layer of wholesomeness to it ♡

[memories-of-ancients]

The Milton Brooch, an Anglo-Saxon brooch uncovered near Kent, England, dated 600-700 AD

from The Victoria & Albert Museum

[bilehwit]

Just read your Bilehwit Au on Ao3 and was greetes by the amazing ref for the lamb here on tumblr!

And yes i absolutely love it when people explain clothing choices in character design especially since you wrote Lamb culture is based on the Old English pls do ramble 🙏

Well hello!! This my first ask from someone I've never met before, so I'll ask you to please be patient with my wild trails of thought.

This will be a long one, but I'll focus on two main outfits - the daily wear and the ritual outfit, as they have the most symbolism.

The easiest one is obviously the leaf outfit - cute, I love it so much!

The leaf was chosen for its symbolism in English mythology. The tree itself is well beloved as a symbol of strength and a symbol of fertility - acorns are often depicted as lucky, and an oak full of acorns is a good sign of fertility!

I also chose oak because I think they're very beautiful trees - they can live for up to 1,000 years, and they can grow to 30 meters wide in their leaves. That's amazing to me. They also smell nice, and I remember climbing them when I was little, so it's nice to share the oak with my lambsona.

Next, let's talk about the sacrifice outfit - it's oddly bridal, no?

Well it's intended to be!

The use of white/silver to denote Purity is an old concept, but white wedding dresses in England were only truly popularised after Queen Victoria wore the colour to her wedding - previously a mourning shade.

I chose silver satin as the fabric, and a simple design, as I wanted a bridal look but also something that felt sleek and pure. Bilehwit is a virgin (virgin sacrifice in all ways) and it's a cruel trick to play.

Also, Shamura in my fic struggles to see/differentiate between objects, so having an all white lamb made it easier for them to stay focused.

So while this outfit feels bridal to us, the symbolism in fic is more that it was easier than dying fabric, just raw spider thread spun into a dress.

Shamura did make the veil themself, though, for reasons you will see later ;3

Now, we get to the heavy hitters! First up, the daily outfit.

Now, Anglo-Saxons were all about those layers! So this outfit actually has more layers than you'd even think.

Under the base dress is a thin cotton chemise, or under dress, made to soak up the oils of the skin and sweat, changed most often. Bilehwit would use these as pyjamas in the summer months, too, to keep cool while covered and decent.

The next layer is the linen, with the thin dark band. This would be a slightly tighter layer to the body, and would be long sleeved to offer protection from the sun and the cold. Linen would be the lighter colours, as they'd be protected more, and linen was used as a middling layer to hold heat in winter. Air would be trapped between layers and keep people warm, and also it protected them from any scratchy wool. The woven ribbon at the bottom is decorative.

The next layer is my favourite. This is the red layer, the thicker dress, made often from wool or from linen again. This is made from wool, using a technique called naalbinding, which is what the Anglo-Saxons would have used, as they didn't knit like is common today.

Anglo-Saxon embroidery and weaving was actually really well known in Europe for its fine work and was gifted to Emissaries and Kings. The weaving and sewing business in England went hard as hell, and it's where most people would be employed for personal use or as gifts.

The embroidery of flowers on the cuffs of the red dress, as well as the colar, are those of Achillea millefolium, or 'Red Velvet', flowers. These tiny buds are native to Europe, western Asia and North America, and are small blooms that self seed and explode into colour. I chose them after seeing the flowers on a sketch, and decided that I had to include them.

Red in flower language is always to do with romance and passion. I wanted Bilehwit to show that desire, as they are a hopeless romantic at heart, and they also just feel a deep-seated loneliness that they want filled. The red flowers are the only flowers they've ever been given, and they've spent hours tracing the embroidery threads and staring silently at the sky.

The final apron layer is just that - an apron. It's a thin, boxy piece of fabric that is played on top to ensure the front of the dress stays somewhat clean, and there is a secret pocket behind it that they store honey-sweets in for children (and themself). Just a length of plain cut cloth!

Tied together with a woven belt, this outfit is my second favourite - I love every detail, and when I can talk in fic about it, I will spend thousands of words trying to detail what it means to me, and probably failing.

The final outfit now, one that definitely won't be seen in fic for a good long while - the Fancy/Ritual set.

Look at ittttt ahahahahagahqabqgagagquipqguqugjv

Okay, keysmash over, serious time!

Now, this outfit is interesting, because not only does it have embroidery and styles of old English culture, it also has mixes of Indian influence too!

"Well, that's random to add," I hear you murmur, and you're right. Why would I add that?

Well, because originally I was going to make Narinder have a more Egyptian vibe! I thought; ah, perfect, he'd do great as a Sphynx cat, the Egyptians loved those cats.

See, as it turns out, Narinder is actually a Sanskrit/Hindu name. It's a form of the name Narendra, a masculine name that means "Lord of Men". It's a very formal name, and one I immediately knew I had to switch things around for.

Following this, I was also able to determine the domains and cultures of each other Bishop, by tracing back names and meanings! That's a whole other post I fear.

Back to the dress!

The outline is far more recent than Old English, medieval style dresses, and that's because, uh... I wanted it. (This one is not very historically accurate. Forgive me.)

I wanted a mix of English style embroidery and Indian embroidery styles. Will come back and edit in which style I went with specifically, but I wanted the ritual set to be a touch more dedicated to Narinder, with darker colours, and more Indian fusion embroidery.

The black is velvet, the red is silk, and the white is linen - why? Again, it looks cool.

I can't lie, I have very little explanation for this besides the fact it looks bangin'.

But yes!! That's all my explanations at this current point in time for outfits! However, if you have any further questions, please ask away, and I will happily detail everything and anything about my AU and fic! Thank you for joining me on my rambling!

[amysstarlesslife]

thinking about tumblr in the whoniverse again

hyperpop-comics

my dealer: got some straight gas 🔥😛 this strain is called 'the mind robber' 😳 you’ll be high out of your mind 💯

me: yeah whatever

five minutes later: dude i swear that rapunzel is out to get us

my buddy, the doctor, pacing: victoria i mean zoe the wooden soldiers turned jamie into a cardboard cutout

#this isn't funny at all #but they keep CALLING ME VICTORIA... #idek who victoria IS !!! #also rapunzel is NOTHING like tangled irl #zoe.txt

54 notes

jamie-mccrimmon

who is hatsune miku

100 notes

the-lone-centuriandeactivated3773833

anyone else think this saxon guy is kinda weird

harold-saxon

what an odd thing to say!

670 notes

bad-wolf

i really feel like we forgot something at satellite five

face-of-boe

YEAH. ME.

56 notes

doctor-jones

hate unlocking new lore like. what do you mean you and your ex girlfriend weren't the only ones in the relationship wdym you have an ex boyfriend too??? WDYM YOU JUST LEFT HIM ???

#i feel like every fact i've learned about the doctor as of late has been against my will #he is literally all like 'oh rose i miss rose so much' all the time & then ???

10 notes

hyperpop-comics

wait no random girl that i met in a time period that is not my own before she left my life forever come back i haven't even told you the karkus lore...

#guys she called me photogenic. #she spent like Hours taking photos of me that has to mean something right... #then she fell in love with a soldier & left me :( #love is cruel

lady-me

Why do you guys still travel with the Doctor if they never manage to get you to the right place.

#as far as i'm aware he doesn't even have a license to drive the tardis

[merovingian-marvels]

Anglo-Saxon Disk Brooch

Disk brooches are an important style of circular brooches from the late 6th century and well into the Carolingian dynasty.

This magnificent example shows many jewelry making techniques, such as the inlay of garnets, filigree and shell bosses with garnets on top. Note the very small garnets in the rim of the brooch.

This style of brooches was exclusively found in England and was worn either around the neck to close of a dress or tunic, or on the shoulder to clip a cloak in place. The rarity of these brooches makes it hard to pinpoint if they were worn by men or women.

Their lack of pagan imagery ensured disk brooches a long life, as it wouldn’t clash with the elite’s new Christian religion.

Victoria and Albert Museum, South Kensington, London - England

Museum nr M.109-1939

Found in Milton North Field, Abingdon, Oxfordshire - United Kingdom

[v1leblood]

i think if the thorburns met the dallons, blake and victoria aside, it'd be on sight. white on white violence. anglos vs saxons

[rebelsandtherest]

ok so i’m going to preface this ask by saying that the name alfred is given to the first born males on my dads side, so it’s a name near and dear to my heart, that said, there’s an angle i’ve never (or in all likelihood missed) seen between alfred and arthur. and i crave your opinions.

growing up i knew that the name alfred became popular in the victorian period since the english started looking into history and saw king alfred and decided he was pretty great. so i wonder how arthur felt, to see and hear his estranged sons name so often. of course he’s glad that his country’s putting some respect on king alfred, but i can see him calling someone named alfred by their last name to avoid saying it out loud. “alfred, lord tennyson.” “who?” “lord tennyson.” “not a fan.” the man’s conflicted and petty.

or it could be the opposite, it could remind him why he chose the name to begin with. imagine him overhearing a man in a pub proudly boasting about how fast his little alfie is growing, showing off a picture he keeps of the lad. and arthur can’t help but smile to himself and feel a wee bit envious. a few situations like that, and he’s tentatively writing formal letters that go unanswered. a few decades and a great rapprochement later he can finally say alfred out loud without tasting bile.

or he could be so far up his own ass that he doesn’t even notice the trend in names. idk. definitely drunkenly hums ‘what’s it all about (alfie)’ in the 60s.

Ooooh man this is a good question! Thanks for sending in the ask.

This became an immensely long reply with a bad history lesson included (because I'm relying on my ADHD memory and hoping it doesn't scramble itself between my brain and the keyboard), so... sorry about the length.

Anyway.

I think the Victorian revival of "Alfred" as a name would have affected Arthur in a few ways, but within his context, I imagine that those moments would be relative sporadic.

So a few things:

First: The name itself is Anglo Saxon—the original ash (Æ) was replaced with an A to fit contemporary English spelling, and it would have been pronounced a little different obviously, but it is remarkably unchanged for an early medieval name over 1000 years old. So Arthur is probably used to hearing the name at least once in a blue moon, and I doubt anyone was much confused when he gave the name—even if it wasn't in vogue at the time—to his firstborn.

Second: The Victorian age for Arthur was absolutely chock-full of wars, particularly wars overseas. Victoria was called empress for a reason, because she had a penchant for stealing other people's land and sovereignty. So whether Arthur was enthused by the nonstop action or not (I'd wager he was, most of the time), he was incredibly preoccupied and probably didn't have time to mope about his son, so if the name ever made Arthur think about Alfred, it would be a short-lived reverie.

Third: The Victorian era was a historically interesting time for UK-US international relations. Your average USA citizen probably didn't spare much thought for English subjects an ocean away, but, on the whole, white Americans remained enamored with England as the "mother land", were keen on trans-Atlantic commerce, and eager to prove themselves as equals to their allies in Europe. This didn't exactly work.

Even so, Britain and the USA continued to host a bizarre mix of cultural proximity and mutual contempt. Bad blood had gone stale by the beginning of Victoria's reign, but stale blood bred an enduring sense of pettiness, especially on the British side. Though the two nations' diplomatic and economic relationships were strong and well-maintained, events like the USA's rather embarrassing showing at the 1851 Great Exhibition in London were devoured by the British public in a feeding frenzy of schadenfreude that solidified a kind of national desire to dunk on Americans whenever possible.

While Brits still relish dunking on Americans, the early Victorian need to put America down as an economic and cultural peer began to shift, at least in some ways, in the second half of the 19th century. The American Civil War devastated the English economy, particularly of the northern half of the country which depended immensely on American cotton to fuel its textile industry. The entire war, its fallout, and notably the end of slavery in the USA, were all topics that British citizens would have seen daily in their newspapers, a source of interest and immense anxiety. By this point, Britain as a whole had forcibly been made aware of how, like it or not, the state of the USA's government and economy affected their daily life in ways too large to ignore.

Whilst America quite literally murdered itself over the problems it'd decided to ignore for a century, Britain and Europe were all deep in the industrial revolution—hell, it started in England, hence the textile mills. England and the young German Confederation were both heavy hitters in the game, and improvements to seafaring technology as well as Britain's relentless expansion across the globe was continuously bringing in new wares from all around the world for European industrialists to copy and mass produce. European trade and industrial competition was booming.

Meanwhile, America remained intensely focused on itself, and understandably so. With the absolute disaster of Reconstruction, westward expansion, industrial revolution, and lest we forget, a bloody parade of genocides and land wars, the USA had plenty to be worried about within its own (expanding) borders. It was not isolationist in the true sense, but was not exactly competing for European attention at the same levels at it had earlier in the century.

However, when the USA eventually gathered itself to take more of an international presence, it would do so in a way that would take the entire world by storm. The sheer speed, size, and production volume of American industries began to challenge their European competitors. If you were white and well-connected or just immensely lucky, this was the age when the American Dream was born. The US military had undergone immense expansion since the Civil War, and they went from having a young navy only just big enough to form a blockade to having a navy large enough to send a top-of-the-line fleet around the world with literally no other purpose but to flex in front of their allies (and enemies) not even 50 years later.

.....This has been a very long winded way to explain that, while the Victorian Era was the heyday of Arthur's imperialist dreams and victories, it was also the very nascent stages of Alfred coming into his own and more or less forcing himself back into dear old dad's life. Coming hot on the heels of Victoria, The American Gilded Age, the Progressive Era, and the Great Rapprochement were all just around the corner. These shifts of history—to say nothing of the quickly-approaching storm clouds of World War—would bring father and son back together and force them to mend their relationship, at least as much as they could.

I think, in the early Victorian age, when 'Alfred' came into vogue after so many centuries, a part of Arthur would hear it with a sinking feeling in his gut, because he was certainly old enough to have seen the future on the horizon. Maybe it wasn't clear, or concrete, maybe he couldn't put it into words. But he would know, in some instinctual sense, that Alfred's star was rising in more ways than one, and that he'd would need to brace himself and his empire for whatever came next. So sometimes, when he heard the name, some indistinct prophecies would flash before his mind's eye, filling him with ominous dread that he couldn't have named.

Sometimes, if he'd been drinking or just in a sentimental mood, he would hear the name and reminisce on both the King Ælfred, and the golden son who bore his name. He would wax poetic about his firstborn and all that he'd accomplished in his life—daring even, perhaps for the first time in his life, to praise Alfred's tenacity, conviction, and strength during his fight for independence. He would of course be mortified by the drunken memory the next day.

Sometimes, it takes him off guard and he turns his head, fully expecting Alfred himself—a toddler, a child, a teenager, a young man—to step through the door and greet him. It lasts only moments, and the empty feeling that follows usually sends Arthur directly into some mentally or physically taxing task, to avoid uncomfortable emotions.

But I think more than anything, the re-emergence of the name would make Arthur feel old. So very, very old, when he continuously, despite repeated embarrassments, pronounces the name in the way he learned as a boy, with the long-i ash sound that his people forgot to pronounce somewhere along the last century or ten. The very same pronunciation mistake he couldn't seem to stop making all those years ago, when Alfred was small, still learning English and fully convinced a boy could have two versions of a name.

The same pronunciation that, even today, would make Alfred's head twitch up, looking for his father.

[palmviewfm]

mw?

there's a ton of mw faces that we'd love to see here ! i put it under a read more since it's a large list. but bring us whoever you've got the muse for, ofc !

taylor zakhar perez, nicholas galitzine, noah lalonde, danny griffin, jonathan daviss, drew starkey, darren barnett, elias kacavas, emilio sakraya, evan mock, eli brown, glen powell, zane phillips, john boyega, jordan gonzalez, austin butler, henry zaga, felix mellard, thomas weatherall, miles teller, sam claflin, penn badgely, chace crawford, lewis tan, lucas bravo, kit harrington, joseph morgan, josh segarra, harry shum jr, chris pine, ryan gosling, alex saxon, theo james, andrew garfield, gregg sulkin, ben levin, adam brody, logan lerman, pedro pascal, tom holland, mason gooding, lucien laviscount, ryan gosling, rege jean page, froy guiterrez, tanner buchanan, xolo mariduena, robert scott wilson, carson boatman, ross lynch, algee smith, cody christian, adam dimarco, alex fitzalan, daniel ezra, anthony keyvan, keith powers, keiynan lonsdale, joseph quinn, aramis knight, antonio cipriano, derek luh, leo howard, leo woodall, brandon perea, dacre montgomery, diego tinoco, mena massoud, maxence danet-fauxel, lorenzo zurzolo, michael cimino, paul mescal, callum turner, d'pharoh woon-a-tai, jordah fisher, josh heuston,l alex meraz, kiowa gordon, tom glynn carney, avan jogia, dylan minnette, josh hutcherson, assad zaman, gabriel basso, ross butler, robert buckley, james lafferty, david casteneda, brandon soo hoo, grifflin gluck, grant gustin, dylan wang, asa germann, alejandro spietzer, colin ford, alex landi, alfred enoch, aria shahghasemi, anthony turpel, cha eunwoo, aj saudin, danny ramirez, david iacono, chris briney, sabrina carpenter, ayo edibiri, madison bailey, samantha logan, kim doyeon, nichola coughlan, madison davenport, indiana evans, india eisley, lyrica okano, virginia gardner, liana liberato, kiersey clemons, lindsey morgan, liv hewson, emma d'arcy, victoria pedretti, logan browning, lola tung, louriza tronco, lorenza izzo, lovie simone, luca hollestelle, hunter schafer, zion moreno, taylor russell, laura harrier, lana condor, lauren tsai, anna sawai, jane de leon, kylie bunbury, kathryn bernardo, chienna filomeno, phoebe dynevor, simone ashley, maitreyi ramakrishnan, courtney eaton, nicole maines, jessica alexander, peyton alex smith, ella purnell, sophie neilsse, dev patel, rahul kohli, natalia dyer, danielle campbell, ella balinska, bailey bass, jessica sula, emma mackey, mia goth, melissa barerra, alva bratt, kiana lede, kiana madiera, olivia scott welch, kiernan shipka, meg donnelly, camila mendes, brianne tju, maddie hasson, dianna agron, emilija baranac, danielle rose russell, kaylee kaneshiro, isabella gomez, jenny boyd, lulu antarisksa, josephine langford, lizeth selene, marina ruy barbosa, kaya scodelario, katherine mcnamara, chloe rose robertson, kathryn newton, kristine froseth, pat chayanit, davika hoorne, mint ranchrawee, rabia soyturk, hande ercel, aslihan malbora, melisa pamuk, katie stevens, meghann fahy, merrit patterson, adelaide kane, alexxis lemire, adria arjona, amanda arcuri, sadie soverall, sara waisglass, chelsea clark, blu hunt, antonia gentry, brianne howey, bianca santos, bianca lawson, phoebe tonkin, shelley hennig, bruna marquezine, brittany o'grady, crystal reed, charithra chandran, jessie mei li, halston sage, carlson young, willa fitzgerald, halle bailey, chloe bridges, chloe bailey, margot robbie, anne hathaway, lisa yamada, raven bowens, olivia rose keegan, camryn grimes, gideon aldon, tiera skovbye, amy adams, jane levy, angela bassett, anya taylor joy, anya chalotra, ashleigh murray, lucy hale, troian bellisario, sophia bush, bethany joy lenz, shantel vansanten, hilarie burton, shay mitchell, sasha pieterse, janel parrish, malia pyles, bailee madison, chandler kinney, jordan alexander, zaria simone, auli'i cravalho, bebe wood, angourie rice, renee rapp, ashley moore, ashley park, aisha dee, alisha boe, elizabeth lail, alia bhatt, reina hardesty, victoria justice, liz gillies, bahar sahin, amber midthunder, gemma chan, madchen amick, marisol nichols, madison mclaughlin, malese jow, maris racal, maya hawke, jessica chastain, ana de armas, angela sarafyan, and anna lambe !

[royalty-nobility]

Alexandra Of Denmark When Princess Of Wales

Artist: Franz Xaver Winterhalter  (German, 1805–1873) 

Genre: Portrait

Depicted People: Alexandra of Denmark

Date: 1864

Medium: Oil on Canvas

Collection: Royal Collection

Description

Winterhalter was born in the Black Forest where he was encouraged to draw at school. In 1818 he went to Freiburg to study under Karl Ludwig Schüler and then moved to Munich in 1823, where he attended the Academy and studied under Josef Stieler, a fashionable portrait painter. Winterhalter was first brought to the attention of Queen Victoria by the Queen of the Belgians and subsequently painted numerous portraits at the English court from 1842 till his death.

Princess Alexandra of Denmark, or Alix, as she was known in the family, is wearing a white ball dress with the badge of the Order of Victoria and Albert. Her brooch and earrings were given to her on her marriage in 1863 by Prince Albert Edward. The Prince's elder sister, Victoria, the Crown Princess of Prussia, described her as having ‘a lovely figure but very thin, a complexion as beautiful as possible. Very fine white regular teeth and very fine large eyes – with extremely prettily marked eyebrows. A very fine well-shaped nose, very narrow but a little long – her whole face is very narrow, her forehead too but well shaped and not at all flat. Her voice, her walk, carriage and manner are perfect, she is one of the most ladylike and aristocratic looking people I ever saw’ and ‘outrageously beautiful’. Queen Victoria thought her a ‘dear, lovely being’.

When she came to England for her wedding she was received with great enthusiasm by the public and the poet laureate, Alfred Tennyson wrote:

Sea King's daughter from over the sea, Alexandra! Saxon and Norman and Dane are we, But all of us Danes in our welcome of thee, Alexandra!

[tbthqs]

Abaixo a divisão dos dormitórios e dos quartos:

Hedrick Hall

2o. Andar - Quarto 204: Harper Wang (OC) e Patrick McQuiston (The Prenteder)

3o. Andar - Quarto 323: Tyler Kendrick (OC) e (VAGO)

Olimpic & Centenial Hall

1o. Andar - Quarto 110: Arabella Dankworth (The Dramatic) e Sabine Rogers-Sinclair (The Activist)

2o. Andar - Quarto 207: Celeste Lockhart (The Bully) e Katherine Lewis (The Nerd)

2o. Andar - Quarto 221: Olivia Priestly (The Wallflower) e Victoria Pierce (The Wanderer)

Rieber Terrace

3o. andar - Quarto 337: Jawie Peralta (The Ambitious) e Eleanor Winters (The Loser)

Hitch and Saxon

4o Andar - Quarto 409: Vincent Kingsley (The Fallen One) e Stephen Pavel (The Delinquent)

[tricornonthecob]

Dialect notes! Dialect notes! Dialect notes!

Because I missed my calling in academic research, I've spent a non-zero amount of time going down rabbit holes on early North American dialect for Along The Northern Heights. Is it worth doing all this research for a fanfiction of a PBS kids show from 20 years ago? Well it gives me considerable amounts of joy to write, so yes.

Anyway! I want to share a massive infodump, because writing gives me goodfeels and so does sharing! Please let me know if I am inaccurate or wrong about anything. I am not an academic and furthermore I do not want to spread misinformation.

MASSIVE WORD BLOCK UNDER THE CUT

A Pregame With Disclaimers About "Good" English

The history of Modern English is rife with Big Oof moments, and I'm not just talking about The Great Vowel Shift or Noah Webster deciding that the "u" in "colour" was silly. Especially in the late 18th century, there was a push to make accents more uniform and to establish a single "Good" English - and there is so much aggression towards what those scholars considered "Bad" English. And, in my extremely uneducated opinion, it seems like it's a conveniently moving target, just like "whiteness." In the context I'm in when writing, it positively reeks of shitting on any of the world's population groups that aren't Southeastern England. And, being from the United States, I know all too well the absolute shit that's been lobbed at AAVE for not being "Good" English.

This "Good" vs "Bad" way of looking at dialect is reductive, destructive, and boring, and I think it goes without saying I don't condone it in the slightest.

A Further Pregame With Received Pronunciation, or RP

the "generic" British dialect many of us outside the UK think of when we think of a British accent (a shame, I think, because the UK is so dialect-diverse and there are some absolute bangers on that damp island!) There are certainly a myriad of reasons for this, but probably the most common reasons/claims I've heard through my life are

A) 19th-century upper-class British folk wanting to have a more separate dialect from the other classes.

B) associations with the way the Royal Family has spoken English since at least Queen Victoria (a generic reasoning that we see happen along populations: imitating those in power)

C) 20th-century RP became "generic" in a similar way that the broad North American dialect* now associated with the United States and, to some degree, Canada, did - that is, it was further developed and use encouraged as the easiest to understand when recorded and played-back on period audio recording equipment (specifically radio and television.)

*a timeout is to be made here for the so-called Mid-Atlantic dialect at the dawn of "talkies" and early Hollywood. Its the delightful way of talking you'll hear in old black-and-white movies: slightly musical cadence, and combining the broad north american dialect with a bit of the non-rhoticity of RP. This dialect was mostly affectation and as anyone with living American relatives born before 1960 can tell you, mid-20th-century Americans largely did not speak it in normal settings.

Now, all of this is to say, RP as a dialect doesn't really appear until mid-19th century (although it would seem the loss of rhoticity we so associate with RP was a gradual shift starting in the very end of the 18th century.) Furthermore, the ways that we, 21st-century denizens, know RP don't come into their own until the 20th century and proliferation of audio-based mass media.

On to My Actual Point : 18th Century American Dialect (non-AAVE)*

*I make this distinction because the history of AAVE is a massive topic all on its own and I feel even less qualified to speak on it

It can't be ignored that the base strata making up Anglo-American speech patterns would have been as varied as where the original settlers/invaders came from, nor can it be ignored that the American Colonies were made up of more than just Anglo-Saxon descendants. Even back then, they were a mosaic of cultural interaction, which is why Thomas Paine declared America (at least the white part) a European, and not British, culture.

That being said, multiple primary sources indicate that the dialect of Anglo-Americans at the late 18th/very early 19th century was similar to "well-bred" Londoner dialect of the time (assuming there's enough of a distinction here from broad Southeastern UK,) and that this particular dialect was broadly spoken with less regional variance than the family of dialects in the UK.

This is made clear in vol 3 of Timothy Dwight's Travels in New-England and New-York, a collection of letters sent to colleagues in England:

"I shall not, I believe, offend against either truth or propriety if I say, that the English language is in this country pronounced more correctly than in England. I am not, indeed, sanguine enough to expect, that you will credit the assertion, nor that you will believe me to be a competent judge of the subject. Still I am satisfied that the assertion is true. That you may not mistake my meaning, I observe, that by a correct pronunciation I intend that of London; and, if you please, that of well-bred people in London."

(Dwight, Timothy. Travels in New-England and New-York vol 3 p 265)

Now in context he is only speaking of the New England region, and he does make a disclaimer here that he's not "a competent judge" of the subject, and we are certainly ignoring his hope that he won't be cited on the matter. But, his observation holds true from other primary accounts, especially William Eddis' Letters From America, which are composed of his observations (mostly of Maryland gentry) from 1769 to 1777. (His letters also happen to be an invaluable primary source for observations on culture and political commentary on the rising crisis between the colonies and Britain, from the perspective of a loyal well-to-do British subject.)

On the uniformity of language, Eddis has this to say:

"In England, almost every county is distinguished by a peculiar dialect; even different habits, and different modes of thinking, evidently discriminate inhabitants, whose local situation is not far remote; but in Maryland, and throughout the adjacent provinces, it is worthy of observation, that a striking similarity of speech universally prevails; and it is strictly true, that the pronounciation of the generality of the people has an accuracy and elegance, that cannot fail of gratifying the most judicious ear."

(Eddis, William. Letters from America, Historical and Descriptive. p 59)

if the odd comma placements are making it hard to read, you're not alone. 18th century writing is choc-full of what we might today consider run-on sentences, comma splices, or just generally cumbersome. Here's me paraphrasing as best I can:

"In England, almost every county has its own dialect, habits, and modes of thinking, noticeably different inhabitants that don't live very far from each other; but in Maryland and adjacent provinces, there is a notable similarity of speech, and its absolutely true that the generalized accent/pronunciation has an accuracy and elegance that won't fail to gratify a discerning ear."

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All this background I'm giving comes to this point: late 18th-century "well-bred" Londoner is the dialect I have chosen to loosely base what I write in Along The Northern Heights. I listen to alot of Simon Roper's work on youtube regarding the topic. I would say these two are probably the most valuable videos on the accent.

He makes disclaimers about not being formally qualified to speak on linguistics, and I would be remiss to not pass along those disclaimers.

That being said, what's in my mind is pastiche of that, the local "country" (read: appalachian) dialect in rural Virginia, the dialect work used in Turn:Washington's Spies and HBO John Adams, as well as some of the dialect you hear in PBS Masterpeice's Poldark, and various media I've watched/read from Living History re-enactors about reconstructing dialect.

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Since I've made it a headcanon feature that James Hiller has a bit of a brogue that he feels pressured to correct, but slips into when he is excited or upset, I'd like to dig more into less-"proper" dialects of the time, and, if possible, the less-proper Philly accent. For shits and giggles, here's what I suspect is a dramatization of a modern-day Philly accent:

And then a very similar, a very real Baltimore Baldmer accent:

Honestly? Hearing both of these warms the cockles of my heart, because my late grandparents (especially grandma. *Especially* grandma) spoke with a Baltimore accent, which has similarities with the Philly accent. My aunts and uncles all speak it; its been normalized and blended with a virginia rural accent in mine (I say wadder, my grandma said wooder. I say toosdaye, my grandma said toosdee. I say ahn, grandma said ooowan. I say y'all, grandma said all youse/all you. I say "d'jeet," she said d'jeet, and you can pull d'jeet from my cold dead hands.)

In addition, you have the modern-day "High Tide" dialect of Okracoke, the Carolina Brogue.

trouble with Carolina Brouge, which is disappearing, is that its got too much modern-day southeastern drawl to really use as a basis for an 18th century Philly boy. Though it does seem like drawing out the "A" in water into wooder/woader is a commonality.

Anyway. That's been my infodump. I spent too long on this!