#very upset and mad about it

[lazulisong]

1. Still upset lmao

2. Went to get emotional support soft serve and they DIDNT HAVE CONES

3. When I got pretzel nuggies from the vending machine instead (a distant second) I found a dollar coin in the change return, tho

4. My head hurts because I am upset

[mossy-paws]

Clementine returns. (PHIGHTING!)

deciding to accumulate all of these into a singular post to make my life easier + so that I can have some more food for you all,,, anyways.

My. My son. Clementine my baby my sweet boy,,, Some of these ARE actually reposts but the first 2 are for sure not :3! (I think at least LMAO), enjoy this :3! I must go back to my hole /silly

(Also a bonus as well )

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[citricacidprince]

Sometimes I see the way certain people in a fandom treat a ‘tough love but well meaning and trying his best in the only way he knows how’ Dad and I can only think “You have a horrid relationship with your father, don’t you? 🫵👁️👁️”

[sparklingchim]

[lostburgerprince]

you can't "just add a few codexes". you have to write those codexes. you have to write them in the proper voice and style and so it doesn't just fit ONE specific person's worldstate but anyone who also may have made the same decision as them. (you might even have to write multiple variations of the SAME CODEX to account for gender/race/class/romance) you have to edit them. you have to decide where those codexes are going to appear. you have to put them somewhere where people who want to read them will find them. you have to program them showing up. you have to flag it so it only shows up in sPECIFIC versions of the game. (because god forbid it doesn't and breaks someone else's immersion) you have to bug test that. you have to hope it still works when it ships.

and after all that the people complaining might still pick up said codex and close out the window immediately. or run past it entirely and complain that they made a selection in the worldstate that never paid off.

and then you've just spent all that time fleshing out something that's just a small nod to a very small percentage of players. time you could have spent on the current plot or companions. time you could have spent on making *active* decisions matter. these things can easily take up weeks or months like you wouldn't fucking believe.

[thatneoncrisis]

the expendable child character is a narrative parallel to jinx reconciling her relationship with her sister and younger self. like i get not liking expendable child character but she does have an obvious narrative purpose outside of just being cutesy for sillies and then dying for sads. also she had like a cute hair dye montage and stuff man shit was tragic :( maybe im a braindead enjoyer of media trope slop but have you considered that shit was tragic

spoilersssss under da cut

hey have you considered that throwing a character in a show who barely has any personality or any inner world just for them to die because you KNOW theyre a cute kid that people will get attached to is uuuuuh cheap? like i fully understand why she exists, i get the parallels the show isnt subtle, they LITERALLY dye her hair blue and braid it, and she spends half her screen time being the symbol zaun wants jinx to be. how the fuck am i supposed to register her death as tragic when the writing was on the wall the moment she stepped on screen. how am i supposed to get attached to what is essentially a teddy bear filled with C4.

i dont like her bc the show knows how to write kids- violet, powder and mylo bounced off each other and the adults in their lives in such a natural way (excluding the other boy and ekko bc frankly they dont get enough screen time for me to judge them and the first guy was clearly doing double duty as comedic relief/oh wow another dead kid). i do not like child death as blatant manipulation, i do not like pretending that kid was a real and interesting character whos death i should be invested in, i do not like acting like recognizing what a show is doing is the same as them executing it well in any way. i understand CONCEPTUALLY why jinx likes her, omg the baby is just like me fr, they spell it out by having her look at the camera and go wow you remind me of powder who is who i used to be but then bad shit happened but youre cool, but thats not the same as like. building a bond with them, a rapport, shes just kind of this amusing Thing jinx has around and doesnt really care about outside of "kids dying is bad"

finally, do not do that fucking thing where youre like "oh well maybe i just like shitty poopoo tropes but i thought it was pretty good 🥺" how the fuck am i supposed to respond to that. im not like, upset at arcane for fun i like it when stories are told well and get frustrated when the pieces are there and just never connected. i feel like this show has reached a breaking point with how many people it can take from her without it meaning anything after a certain point. half the time its not even her fault it just kind of happens to her in some greek tragedy twist of fate, shes not allowed to have good things and instead of it being like, a conversation about children of war and how unfair shit is dropped on their heads constantly, jinxs motivations and energy is only tangentially related to zauns sovereignty movement.

theyre so like. fixated on her having this overly unserious attitude about everything around her, and i get its a coping thing to distance herself but it RARELY lets up during pivotal moments. its like a story is happening to her rather than her actively contributing- the people would have been taken to stillwater whether she was at the rally or not- sevika would have figured out a way inside that building with or without jinx, they did not escape stillwater thanks to her ingenuity, but because that guy summoned a big ass zombie werewolf who happened to also be her father. the ONLY reason she goes to that building is bc thats where the baby is, i dont think isha as a symbol of the inner child, was inspiring jinx to be a good person, shes just like, a creature of convenience. i guess while im here i can let you guys out or whatever. and what does it mean when that inner child, the living embodiment of whatever goodness and innocence may still exist in jinxs heart, is ripped away from her in a violent explosion exactly the same way as last time? she did the opposite of what vi did last time and the outcome was identical. is history repeating itself, will jinx change? is there any change that can happen that will negate the absolutely comical amount of bad shit that happens to her? this show does not in any way give me the confidence to believe that will happen

basically i think jinxs development thus far is repetitive and gives very little consideration to her as a character rather than an archetype, and isha suffers greatly for it. why show a relationship when you can simply imply it? why make the child any harder for jinx and the audience to project on? why does she need a history, or goals or any interests that arent a giant blue flag that shes powder 2

[clownery-blog]

[to-be-a-dreamer]

A brain dump of thoughts after Agatha All Along ep 6:

Okay but like. The parallels between Agatha and Billy that we get to see now????

Both of their mothers chose to protect other people, complete strangers, over their own children??? Like. We know Wanda made the right choice, sacrificing her family for the greater good, but in her own twisted way did Evanora believe she was doing the same? Did she ever love her daughter? On some deep level, beneath the anger and hatred and warped sense of justice did it hurt her to try to kill her own child? She believed Agatha would bring countless death and destruction, that she was destined to be evil. As warped as her justifications were did she see it as a selfless sacrifice like Wanda's? Does that make it right? Does Billy have as much reason as Agatha to be angry with his mother for choosing to let him and his brother die? Do her truly selfless intentions matter to a child was just desperate to survive? Will he be able to forgive Wanda before that resentment is used against him? Is Agatha just trying to manipulate him by taunting him about Wanda or does she truly see a bit of herself in a child whose mother tried to kill him? (Edited)

Both of them were forced to do something horrible just to survive??? Agatha had to murder her own family. Billy had to steal the body of a boy who had just died. He had to pretend to be the child of these poor unsuspecting parents who just want their son back. Who have no idea their child is dead. The Kaplans will never get to bury William. He has to look them in the eye every single day knowing he's not really their son but what else was he supposed to do? He hates what he's doing to these people but what choice did he have? Could he even control it or did his soul instinctively seek out a new vessel to protect itself? Agatha was just a child who didn't want to die. Billy was just a child who didn't want to die. Were they selfish? Could they control it? Can we truly blame them if they could?

Both of them do terrible things when they feel backed into a corner or overwhelmed or emotional??? Things that they come to regret as soon as the emotions clear??? Billy looked horrified when he finally realized what he had done to Lilia and Jen but he's an intensely powerful and traumatized child who was overcome with grief and anger. Do we really think every single one of Agatha's kills was 100% self-defense? Do we really think she never killed someone in a fit of anger only to regret it after? And maybe Agatha has come to accept and embrace that now but she must have been like Billy when she was young. (Billy is literally the same age Agatha was when she killed her coven and was even younger when he took William's body) She must have been horrified at her power, at the things she did when she felt trapped. She must have bent over backward trying to defend herself and justify her own actions before realizing no one would believe she didn't want to do those things so she might as well embrace her power to its fullest potential ("I'm not that nice").

Both of them are walking the road for someone they lost??? I know Agatha says she's on the road for her power back but that's not how the road works, right? It doesn't give you what you want it gives you what you're missing. I think if Agatha was really able to get anything at all in the world, it wouldn't be her magic. Agatha is looking for Nicky. Billy is looking for Tommy. I don't know if either of them will really get that at the end but they are absolutely in this for the same reason.

I know there are mixed responses to this episode (at least when I first scrolled through the tag) but I for one really enjoyed it. I was really worried they were going to half-ass the explanation for why Billy was being Like This and fuck up one of the only queer Marvel Comics characters but comparing his actions to Agatha's and showing us this kid who is SO MUCH like how Agatha must have been when she was his age is so much fun actually. Like, it would have been really great but pacing-wise we probably couldn't have spent the necessary time going back into Agatha's past and diving deep into her progression from "scared child who does horrible things out of desperation for survival" to "cutthroat witch who is more than eager to hurt and betray others for her own personal gain". But we get to see it happen to Billy over the rest of the season and maybe even multiple MCU projects!!! Or maybe we'll get to see him make different choices. Maybe Agatha will be able to give him the chance no one gave her. Maybe history doesn't have to repeat itself. Maybe Billy's journey will give Agatha the chance to change her own story once and for all.

Idk this is really rambly and maybe my opinion will change as I think about it more but my first reactions are positive. Yeah on a meta level it sucks that the wlw couple is moving so slowly in their own show while the young, conventionally attractive mlm couple got to kiss within their first few minutes of screentime and they probably could have put in the effort to intentionally combat the miserable lesbians trope. But on a story level, I'm personally glad they're not rushing Agatha and Rio's arc. They're definitely going to get their moment but the reason they're so compelling is because of their history and the tragedy between them. We don't have all the details of what really happened between them yet but I don't think it's something you can just kiss and make up about. Billy and Eddie are teenagers with no real baggage between them. Agatha and Rio have possibly centuries of hurt and anger and betrayal to work through Let Them Cook! It'll be that much sweeter and their relationship is one of the CORE overarching plots of the show you don't want them to rush it. (Also I personally am too ace for the "we're gonna make up by having hot sex about it" type of conflict resolution and would have hated if Agatha and Rio were intimate before sorting at least some of their shit out but that's just me ik a lot of people would have enjoyed it and I'm sure it could have been really compelling but I actually cannot stand those kinds of plots most of the time.)

Also just keep in mind that the only other named queer characters we've had in the MCU literally ever are Phastos and Ben in the Eternals and like. Yeah it shouldn't have taken this long for a queer lead but the massive jump??? We went from one character (out of like ten mains) whose partner has minimal personality traits and like five minutes of screen time to a show with two main character on-screen queer romances!!!! In the Marvel Cinematic Universe??? And one of them is a season-long complex and interesting story that is a central plot of the series and not just half-baked fanservice!!! And one is just sweet innocent love between kids who care about each other!!! I do wish wlw stories didn't always have to come with attractive cis gay men but do y'all understand how huge this is for the MCU????? It shouldn't have taken this long and we can definitely criticize the negative tropes the show falls victim to but net positive progress is always something to be happy about. If you're not familiar with the greater MCU and the history of Marvel in general just understand that this is actually insane for them and I'm so excited for the doors that just opened for future queer storylines, but that can only happen if we show Marvel that, yes we do want queer characters being openly intimate on screen. Be happy for Billy, keep being happy for Agatha and Rio during all stages of their story and maybe we'll get to see more of this!!!

[bumblingbabooshka]

I know it's just because he wasn't written to be a consistent character but it's hilarious to me how absent M'Benga is during episodes where Spock's hurt and Mccoy & Chapel are like "Is he going to be alright Doctor? / There's no way to tell with his crazy mixed up Vulcan internal organs..." like Hey. Hehehe you know who might be able to tell???

[eikichi-supremacy]

and they were singin', bye-bye Miss American Pie // american oldie i think kuwabara unironically listens to

(low effort lyric edit im queueing here in May cos im probably gonna forget it exists otherwise)

[sciderman]

Demanding more lisp

posts in which it is imperative that wade be read with a fruity obnoxious little gay lisp:

[moonfulmoony]

Full fledged Danny tribute because he deserves one and if VCARB isn’t gonna do it, Tumblr will.

So I got into F1 as many newer fans do, through DTS. Specifically, I think I fell in love with F1 due to none other than Daniel Joseph Ricciardo. It seems insane to think I’d just turned it on so I could find the appeal that someone close to me does and that day led all the way up to now.

Danny, if you couldn’t tell through my posts, was (oh god that feels horrid to write) and will always be one of my favorites. I don’t think it would be an unfair assessment to say that my adoration for him was the reason I first got hooked on to F1. Of course now, there’s many other reasons, including the fact that I simply enjoy the sport, but Danny deserves the credit for being not only my first favorite driver but also for making me interested and giving me a reason to finish DTS.

All in all, though, I think it’s more important to immortalize his legacy and impact. How many fans, who, just like me, love F1 because he introduced them? How many fans saw him in the DTS and fell in love with the sport and him? How many people has Danny single handedly given copious amounts of love and hope to?

I don’t think Daniel actually realizes how many people love him and how many are up in arms about RBR and VCARB’s blatant mistreatment of him, but I hope that there’s someone telling him about this. He may never see the amount of support he’s gotten from fans, non-fans, and even other fandoms because he isn’t very active on his socials (and probably doesn’t know about Tumblr), but I hope he realizes that no one stands with RBR or VCARB about this.

Thank you so much for introducing this sport to me, as well as many others, and providing us with some of the best memories, love. I hope you enjoyed the butterflies as much as we did.

Enchanté, 3 will always be one of my favorites.🫶

[filloas-e-blini]

All Americans acting like this is just

The Worst™

and the end of the world and "we all lost TODAY" and "I'm so shaken I gotta substance abuse and forget about the world pray for us" and "this SURE is stress awareness week amiright" while. Palestinian people have been living in literal hell not just for a whole year of continuous bombing, kidnapping and torture. But 76 years in a row. And not even to mention the rest of the horrors worldwide caused and funded by USA. Are you out of your mind

[jasperthehatchet]

I dont usually write posts about critical role but this episode did things to me and I have to talk about it right now right now right now don't mind me just yelling into the ether for a minute

the last half hour of ep77 just made me love Ashton (really everyone) so much more. They're being an INCONSIDERATE DICKSHIT and a HYPOCRITE with a MARTYR COMPLEX who makes HORRIBLE DECISIONS yesss gimme the complicated relationship dynamics and the morally gray moments AND THE ANGST. There's gonna be some good ass roleplay moments from this I feel it in my bones and it's gonna be DELICIOUS. Hey ashton greymoore my beloved shithead what is wrong with you <3

And it was such a sweet thing to look at Ashley Johnson/fearne and say "I see you don't want the shard and I want you to keep your characters agency I will take it" but then they were a fuckhead about it!!! Literally did a nice thing in the most fucked up way possible that it circled around to being terrible. I love that!!! Say what you will about this episode but by god is it entertaining. I ship callowmoore even more now that they have shit to work through. I love complicated relationships in fiction I am living!!!!

(i genuinely didn't like the very real tension at the table and had to skip it on Thursday night but! Im excited anyways!!! I'm having the time of my life)

Anyway <3 i love this show thanks for reading

[thepunkmuppet]

dude I’m not even a spuffy girlie but the way he fucking looks at her and talks to her in “after life”?!! there is so much genuine love there, so much development in the way he sees her and the way he feels about her. that is NOT the same person who tied her up in “crush”. THAT IS NOT A PERSON WHO WOULD FUCKING ASSAULT HER SEASON 6 WRITERS I AM IN YOUR WALLS