#very specific caveats

[mayapapaya33]

Knowledge and Power

I've been thinking about this for a while. They are in Vasselheim now, Is the Horn of Orcus ok? Has it been unsealed? Did someone manage to sneakily steal it when the solstice happened? I NEED TO KNOW MATTHEW!!! I'm mid episode 104. I know we have a lot going on right now, but Matt keeps dropping hints about what's happening elsewhere in the world, like Desirat being released from their prison, all of Vasselheim's dead rising, stuff like that. I need to know about the Horn! Come on Matt, give us a problem for Campaign 4! lol. It's great storytelling, fleshing out the reality that Bells Hells are one group of many fighting the good fight and a lot of shit is currently on fire right now. I've loved every bit of it.

The Horn of Orcus was also the first and most prominent time the concept of dangerous knowledge came up in the game. Not just in a "knowledge is power" way, but in that, by knowing the information you are giving power to something bad and opening yourself up to trouble, literally just by possessing the knowledge in your brain. It's such an interesting concept to explore in a magic setting. How knowledge and worship and power intertwine.

I myself am very anti-censorship Irl, but the very rare times it's justified in my opinion are for things like recipes for horrific biological or chemical weapons, stuff like that. That concept can be broadened in the context of magic, like in C2 when reading that book gave Beau and Caleb magic eye herpes lmfao. Usually I am very much on the freedom of information side of things, so Ludinus threatening to share information was a bit of a meh threat to me personally at first. While it would be very disruptive in the short term, and people may indeed kill each other over it, I do think historical truths should be freely disseminated, not hidden for fear that people are too stupid to handle it. (Even though people ARE often too stupid to handle it, we have a right to our own stupidity I feel).

What I'm wondering is if Ludinus is making a subtler play than they are imagining. Yes divide and conquer is a good tactic, and that information will help him get people disagreeing. But more than that, shaking the faith of mass swathes of people all at once CAN'T be good for a Godly constitution. I don't think it's just about swaying people to his cause, I think he's trying to strategically weaken the God's power base before the big throw down with Predathos. Kind of like what Vecna did/ tried to do in late C1. So stopping Ludinus from sharing this information might end up being VERY important in the grand scheme of things.

Yes people already knew the Gods destroyed Aeor, and I think it was even known that the Primes and Betrayers formed a temporary truce to handle the threat. But knowing that information academically and seeing it firsthand are two VERY different things. Seeing the Primes care about and bicker with the Betrayers like... well...siblings, may come as a slap in the face to the truly devout. Also how many people actually knew that about Aeor or that Aeor even existed? Not everyone is proficient in history nor religious studies. Not to drag this too much into the real world, but how many religious people actually read whatever book they claim faith in cover to cover and know the whole history of it? It's definitely not all of them lol.

I bet there's plenty of religious people in Exandria that don't know shit about Aeor. Most people in Vasselheim probably would, because that place is THE God city on Exandria and survived the Calamity, but everywhere else? Unless they were specifically interested in religious history, why would they know it? So the reveal has the potential to be very impactful still, both for it's visceral feeling in exposing a peak into the God's relationships, and their deeds, and it will still be new info for some.

[aro-in-danyl]

Alastor as a "Gift from God" AU part 2

I'll have you know it is very difficult to write from the POV of God so you get Roo instead. I had to look up bible verses for this.

PART 1 here.

-------------------

On the day of the first extermination cleanse.

When the first sinner was slain, Roo felt the soul attempt to rise. A fruitless endeavor, for their sinful deeds in life and in death ensured her roots bound the severed pieces of the soul to her.

Foolish angels, in culling the herd and stifling even the thought of rebellion, they only made her stronger. Roo tightened her vines around the soul and attempted to drag it down, down through the 7 rings, and to her.

Attempted, because before she even got past the Pride Ring, a stronger force yanked the soul upwards. Enraged and in disbelief she tightened her hold around the other souls being slaughtered by the dozens, but each and every time they were ripped from her grasp.

At the end of the day, when the exorcists were flying up and away from the slaughter, the portal to Heaven opened and Roo latched onto the connection and demanded an explanation.

"Have you gone back on your word?" her tone was taunting but her desperation and anger festered, "These souls are mine. Their punishment is meant to be eternal!"

Roo did not expect a response, God had not spoken to her since The Beginning, and God had no foothold in hell - usually. Today, apparently, was an exception.

God spoke to her, "My creations all return unto me in The End regardless. You know I cannot bare to be separated forever."

Roo did not buy this, "What ever happened to 'Depart from me, you who are cursed' was that not written?"

"Said by a King, not I." God refuted.

"But within your holy text." Roo sniped, "You reward their sin, their rejection of you, by accepting them back with open arms?"

"If you think that is what will happen to those who reject me twice, you know me not at all." And perversely, Roo felt relieved at this admission. "The righteous will have eternal life, the sinful - upon second death - nothing."

"And keeping them from me was merely a happy coincidence?" Roo felt emboldened, God must see her as a bigger threat than she thought, "To twist the meaning of your eternal punishment to exclude me, why I'd almost call that a quality worthy of a demon."

The portal, which had only been open seconds, pulsed with the force of God's anger.

Roo laughed. "You fear me enough to risk your angels falling into my grasp once again. Do you think this latest stunt of yours will keep me weak forever?"

"My angels have learned to evade you since then."

"Careful there." Roo feigned concern, "Anymore hubris and I'll have to save you a seat in Pride. I could put you next to your favorite child, wouldn't that be nice?"

God ignored the taunt, "I know your roots grow stronger on Earth. More fall to you everyday. Faster than even my best angels can catch them."

Roo smiled at the admission. To have her work acknowledged by the being who created everything, everything that would someday be corrupted and belong wholly to her.

God continued, "It is a testament to your strength that The End may be sooner than I thought."

Roo stopped cold. Her strength came from corrupting the creations of God, but if there was nothing to corrupt...

Ah. She thought. Nothing truly is an eternal punishment.

"Unless," God hedged. "We come to an arrangement?"

Suddenly the reason for God's desire to converse with her made sense. Here she was, weakened from the loss of over a hundred damned souls, from an event that would become a yearly occurrence. Here God was, with the threat of The End poised upon their fingertips, attempting to force her compliance.

And it was working.

But God had shown their hand too early, "How utterly demonic of you! You want to compromise with me? To reason with me?" She used her roots to trip a flailing exorcist trying to remove its spear from a corpse just because, "What can you offer me?"

"I will not hasten The End before its time." God stated, as if the threat of nothing was enough now that she knew God wanted something from her that they could not get themselves.

"You do not want to destroy everything you've created; you want it even less than I do. What is it you desire?"

The last few exorcists were getting ready to return via the portal, their clothes splatted in shade of red and an abundance of gore. They had yet to develop a tolerance to the violence they were perpetuating. Roo knew, just as God did, that many of the angels after slaughtering their first few sinners, had ripped their helmet off and vomited in disgust and despair.

Roo could feel their shock, their inner turmoil, their sense of righteousness, their loyalty to heaven. With time, and more exterminations cleanses, they would learn to enjoy the bloodshed. Or they would break. Such was the way of war.

"I wish to create a gift for Lucifer," God began, "A gift that will challenge him, embolden him, and remain by his side."

Lucifer! Why did it always come back to him? Around them, the corpses of the damned littered her domain never to rise again, God's angels grappled with the weight of their heavenly duty, and her influence weakened for the first time in decades. And yet it was Lucifer that made God lower themselves to speak with her!

Roo reigned in her rage, "And what does that have to do with me?"

"I am creating something unlike anything I've ever created before." God directed her attention back to the weak angel who'd finally pulled their spear from a corpse, "Immune to angelic destruction. Stronger than a thousand sinners, with the potential to stand against my Archangels, capable of vengeance and retribution."

Roo salivated. "And you're sending it here." Roo let the last of the shattered souls in her grasp go, not even paying attention as it shot upwards and away. "You'd create such a thing and put in my hands the instrument of your demise?"

"Which is why I appear before you. You know sin more intimately than I. So I implore you to cast off a piece of yourself for this gift and I shall do the same."

"And what is this gift?" The exorcist was attempting to clean the gore from the spear and failing. "And why should I give you anymore of myself when you've already taken so much?"

"A human soul."

"You intend to create a soul destined to hell before its first sin and gift it to the being who prizes free will above all else. Do you imagine he will thank you?" Roo didn't care about Lucifer's feelings regarding this gift, she couldn't wait to see the fallout actually, but she couldn't help but point out the obvious.

"No," God said, "he will not. As for you, this soul will bring a new age upon your realm. They will be The Avenger of the worthy. And a nightmare to everyone else."

"Do not repay anyone evil for evil," Roo quoted. "Is that why you need me? You want to avoid going against your own words, so you seek to blame me instead."

She did not give God time to respond, "But you still haven't told me what I gain. What do I care for this promised 'new age' or so-called Avenger when I am still trapped?"

"And that is my bargain," God attempted to comfort one of the angels weeping over a small sinner's corpse but their touch fell short. Seems they did not have power over anything in her realm but exorcised souls, she mused.

"With a piece of us both, this soul will have a direct link to us in a way no fully mortal being has before."

Roo would've gasped if she was capable of breathing, "Speak plainly!"

"They could free you."

"What's the catch? Why would you give them this power?" She could hardly believe it. It was too good to be true.

"You have the chance to be free. But you must convince this soul to do so of their own free will, knowing fully the consequences of your freedom." Roo dismissed this, she was The Root of Sin for a reason, and this soul was destined for her realm anyway.

"You are forbidden from interfering with their life before hell. And you must find this soul yourself once they fall."

A minor setback, but the call of freedom was strong. Still, she was not so blinded by this opportunity that she wouldn't ask, "And what, do you, The Almighty God, gain from this bargain?"

"A hellborn will become your greatest adversary, they will attempt to redeem sinners and remove them from your grasp." The portal to Heaven began to close.

"And should they succeed, your chance to convince The Avenger will begin to close. And you will never know freedom."

"A time limit!" She should've known they wouldn't play fair, "How long?"

They turned her attention to the newly built Tower in the center of the Pentagram. The timer below flipped through the numbers at record speed until it hit 365. "Seven full moons after the clock strikes zero for the last time. Do we have an agreement?"

God's voice was strong as ever, but the portal was now only the size of a quarter. Roo knew manipulation and this reeked of it, how clever of God to wait until the last moment to share all the details when she had so little time to think of it.

"When in hell, you use the proper term." Roo pretended to scold them. She reached out to the fading tendrils of God and sunk her thorns in as deep into the connection as she could.

"We have a deal."

[machinavocis]

cursed to arrive at every point of somewhat-popular media enjoyment like fifteen fuckin years after the Internet Culture Cringe Train has already left the station.

[kc5rings]

Rope bondage is one of those things I’m always really hot or cold on, if it’s a particularly complex/pretty binding or really clever use of how versatile rope can be I’m super on board

But if it’s just the basic like, a few coils around the wrists/body or a shibari tie I see a lot my interest fizzles out very quickly

[girderednerve]

https://www.washingtonpost.com/opinions/interactive/2024/michael-lewis-chris-marks-the-canary-who-is-government/

Right through World War II, miners had used timbers to support the roof directly over their heads. In the 1940s, a handful of coal companies showed that it was far more effective to bolt the roof, effectively to itself. It struck many miners, at first, as completely weird. They’d drill a hole into the mine roof and then drive a metal bolt between three and six feet long into it. The bolt pinned the sedimentary layers together the way a toothpick pins a turkey club sandwich. The success of the bolt — and the toothpick — turns on the presence of at least one solid, strong layer. Roof bolts, in effect, used strong rock to hold weaker rock in place. “The single most important technological development in the field of ground control in the entire history of mining,” Chris called them.

Roof bolts were adopted more rapidly than any other technology in coal mining. Someone had the idea, and almost instantly they were being drilled into mine roofs. They obviously worked and yet … they hadn’t. At least not for a very long time. In the accident statistics, Chris stumbled upon a riddle: The powerful new technology hadn’t reduced deaths and injuries. “The accepted story was someone invented roof bolts and it was safer right away,” he said. “I looked into it and saw it just wasn’t true. By the end of the 1950s, death rates had actually gone up!” It was a full two decades before roof fall fatality rates began to decline, and dramatically. That year, 1969, also happened to be the year that the Bureau of Mines was finally given the enforcement power it needed to properly regulate the industry.

The standard story — the story accepted by the coal mine industry — was that new technology had led inexorably to greater safety. What had happened was far more interesting — and told you how this little American subculture worked, rather than the way economists who had never seen the inside of a coal mine might imagine that it worked. Roof bolts were indeed more efficient and effective than timber supports in preventing chunks of roof from wounding miners. But they were expensive to install. The coal mine companies had, in effect, figured out how few roof bolts they needed to use to maintain the same level of risk their miners had endured before their invention. “Simply stated,” Chris wrote, “roof bolts can only prevent roof falls if enough of them are installed.”

And so, amazingly, for the first 20 years of its use, the main effect of the most important lifesaving technology in the history of coal mining was to increase the efficiency of the mines while preserving existing probabilities of death and injury. Taking advantage, essentially, of people conditioned to a certain level of risk by failing to ameliorate that risk.

[ratbastarddotfuck]

as a young queer whos pronouns are "eh whatever i dont care" 😭, ppl either default to "you look like a girl so its she/her for you forever" or violently shaking with anxious energy. helppp

Godddd i feel you. Stay strong brother.

[zelda-posting]

tears of the kingdom could have been so good if it were built around like, its story or its characters instead of being a clunky shell to show off the mechanic no one asked for that it forces you to use

[mitzirockerextendeduniverse]

.

[aroaessidhe]

2023 reads // twitter thread  

Song Of Silver Flame like Night

YA wuxia/xianxia inspired fantasy

a girl in a colonised country with a mysterious seal on her arm left by her mother before she was killed

when a state magician finds her, she escapes with a boy to his school of secret traditional magic practitioners, and discover the secrets her mother left her

powerful demon gods

[goatsandgangsters]

how to find literally any post on a blog in seconds (on desktop)

there are so many posts about ~tumblr is so broken, you can’t find any post on your own blog, it’s impossible, bluhrblub~

I am here to tell you otherwise! it is in fact INCREDIBLY easy to find a post on a blog if you’re on desktop/browser and you know what you’re doing:

url.tumblr.com/tagged/croissant will bring up EVERY post on the blog tagged with the specific and exact phrase #croissant. every single post, every single time. in chronological order starting with the most recent post. note: it will not find #croissants or that time you made the typo #croidnssants. for a tag with multiple words, it’s just /tagged/my-croissant and it will show you everything with the exact phrase #my croissant

url.tumblr.com/tagged/croissant/chrono will bring up EVERY post on the blog tagged with the exact phrase #croissant, but it will show them in reverse order with the oldest first 

url.tumblr.com/search/croissant isn’t as perfect at finding everything, but it’s generally loads better than the search on mobile. it will find a good array of posts that have the word croissant in them somewhere. could be in the body of the post (op captioned it “look at my croissant”) or in the tags (#man I want a croissant). it won’t necessarily find EVERYTHING like /tagged/ does, but I find it’s still more reliable than search on mobile. you can sometimes even find posts by a specific user by searching their url. also, unlike whatever random assortment tumblr mobile pulls up, it will still show them in a more logically chronological order

url.tumblr.com/day/2020/11/05 will show you every post on the blog from november 5th, 2020, in case you’re taking a break from croissants to look for destiel election memes 

url.tumblr.com/archive/ is search paradise. easily go to a particular month and see all posts as thumbnails! search by post type! search by tags but as thumbnails now

url.tumblr.com/archive/filter-by/audio will show you every audio post on your blog (you can also filter by other post types). sometimes a little imperfect if you’re looking for a video when the op embedded the video in a text post instead of posting as a video post, etc

url.tumblr.com/archive/tagged/croissant will show you EVERY post on the blog tagged with the specific and exact phrase #croissant, but it will show you them in the archive thumbnail view divided by months. very useful if you’re looking for a specific picture of a croissant that was reblogged 6 months ago and want to be able to scan for it quickly 

url.tumblr.com/archive/filter-by/audio/tagged/croissant will show you every audio post tagged with the specific phrase #croissant (you can also filter by photo or text instead, because I don’t know why you have audio posts tagged croissant) 

the tag system on desktop tumblr is GENUINELY amazing for searching within a specific blog! 

caveat: this assumes a person HAS a desktop theme (or “custom theme”) enabled. a “custom theme” is url.tumblr.com, as opposed to tumblr.com/url. I’ve heard you have to opt-into the former now, when it used to be the default, so not everyone HAS a custom theme where you can use all those neat url tricks. 

if the person doesn’t have a “custom theme” enabled, you’re beholden to the search bar. still, I’ve found the search bar on tumblr.com/url is WAY more reliable than search on mobile. for starters, it tends to bring posts up in a sensible order, instead of dredging up random posts from 2013 before anything else

if you’re on mobile, I’m sorry. godspeed and good luck finding anything. (my one tip is that if you’re able to click ON a tag rather than go through the search bar, you’ll have better luck. if your mutual has recently reblogged a post tagged #croissant, you can click #croissant and it’ll bring up everything tagged #croissant just like /tagged/croissant. but if there’s no readily available tag to click on, you have to rely on the mobile search bar and its weird bizarre whims) 

[cluescorner]

There's no feeling stranger than knowing that something is bad but liking it anyways. Not in a 'it's so bad it's good' way. Because that implies that it has become good. I'm talking like this thing is just kinda bad in the normal ways things are bad, but i like it anyways.

[prototypelq]

Big thank you to Deep Rock Galactic and No Man's Sky for being games that I can enjoy without any mental controversies

[doctorwhoisadhd]

demolition lovers is specifically the my 12jack fic song of all time.

[sunset-unbound]

that one gen 1 pokemon bug that makes it so there's a 1/256 chance even full accuracy attacks miss is a good description of like this whole website

[pleasantboatpress]

so, you wanted to start bookbinding?

so @princetofbone mentioned on my post for "factory settings" about wanting to know more about the binding style that i used for it. so i thought i might make a post about it.

i was as terrible as i always am for taking in progress shots, but i can link you to the resources i used in order to make my book. i would also like to point out that "factory settings" is my 120th bind, and i have been doing bookbinding as a hobby for just over 3 years now. unfortunately this means some of the methods that i used for that bind aren't particularly beginner friendly, just in terms of the tools and methods i have used, but i would love to point you in the right direction when it comes to resources. i dont say this to sound pretentious which i fear i might come across, just so that youre fully informed. getting into this hobby is fun and rewarding, but it can definitely be intimidating.

with that caveat, heres a list of links and resources that i have used for bookbinding in general, with additional links to methods i used specifically in regards to this bind.

ASH's how to make a book document. it gives you a great introduction into typesetting fics (where you format the text of fics to look like a traditionally published books) and then turning them into a case-bound book (the style i used for "factory settings"). it is comprehensive, and explains how to use microsoft word to do your bidding. it was invaluable to me when i was just starting out! currently i use affinity publisher to typeset/format my fics for printing, but i only bought and learned how to use that after i had been binding books for a year and a half. i made some beautiful typesets with word, and some of my close friends use it still and design stuff that i never would be able to in my wildest dreams (basically anything by @no-name-publishing)

DAS Bookbinding's Square Back Bradel Binding. a great style to do your first bind in! this method requires, when making the case, to attach the cover board and the spine board to a connecting piece of paper, which makes it so much easier to match the size of the case to the size of the text block (your printed out and sewn fic). using this method is what allowed me to get much more accurately fitting cases, and made me much more confident with the construction of the books i was making. a well-made book is something that is so wonderful to hold in your hands!

DAS Bookbinding's Rounded and Backed Cased Book. This is the specific method that i used to create my bind for "factory settings"! even before i could back my books, i found that watching DAS's videos in particular helped me see how books were traditionally made, and i was able to see different tips and tricks about how to make nicer books.

Book Edge Trimming Without... i trim the edges of my text block using my finishing press and a chisel i have sharpened using a whetstone and leather strop with buffing compound on it. i follow the method for trimming shown in this video!

Made Endpapers. i follow this method for my endpapers, as i used handmade lokta endpapers, and they can be quite thin, but they look beautiful! i used "tipped on" endpapers (where you have your endpaper and then put a thin strip of glue on the edge and attach it to your text block) i used for a very long time before this, but these feel like they are much more stable, as they are sewn with your text block.

Edge Sprinkling. this is the method that i used for decorating the edges of my text block. but the principle is basically clamping your text block tight and then sprinkling the edges. i do not believe you need to trim the edges in order to do sprinkles on the edges, and that's what makes it accessible! i personally just use really cheap acrylic paint that i water down and then flick it onto the edges with my thumb and a paint brush.

Double-Core Endbands. i sew my own endbands, which i followed this tutorial for. that being said, it's kind of confusing, and this video is a bit easier to follow, but it is a slightly different type of endband.

Case decoration. i used my silhouette cameo 4 to cut out my design for "factory settings" in htv (heat transfer vinyl). i also used my cameo 4 to cut out the oval of marbled paper on the front, as i honestly didn't want to try my hand at cutting an oval lol. i also glued some 300 gsm card with an oval cut out of the centre of it onto the cover before covering it with bookcloth, to get a kind of recess on the cover. i then glued the oval of marbled paper onto the top of the recessed area once it was covered with bookcloth, so that it was protected. the images i used were sourced from a mix of rawpixel, canva and pixabay. a more accessible way to get into cover decoration is by painting on a design for your cover as described in @a-gay-old-time's tutorial just here. or even doing paper labels, which look classy imo.

physical materials. sourcing these will depend on your country. i am located in australia, and have compiled a list with some other aussie bookbinders of places to buy from. here is a great post describing beginning materials for getting started binding.

@renegadepublishing. this tumblr is great! its what got me started bookbinding, and being in the discord has been inspiring, motivating, and honestly just one of the best online experiences i have ever had. it is full of resources, and most people in there are amateur bookbinders, with a couple of professionals thrown in. the discord is 18+, and anyone can join!

i'm sorry this post got so long, but i hope that this has a lot of information for you if you would like to get started bookbinding. its one of the best hobbies ive ever had, and i genuinely believe i will have it for the rest of my life.

[earlyspringtranscendence]

michael calling tbag ‘pretty’ its so stupid but it makes me crazy about him