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solynaceawrites · 4 years ago

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Wires [3]: Bearers Of

Rating: Mature Archive Warnings: Graphic Depictions of Violence, Major Character Death Categories: F/F, F/M Fandom: Devil May Cry Relationships: Dante/Original Female Character(s), Implied Nero/Kyrie, Implied Vergil/Original Female Character(s), Implied Lady/Trish, Dante/Lirael Thorne, Dante/Lir Characters: Dante, Morrison, Nero, Original Female Character(s), Lirael Thorne, Lir Additional Tags: Alternate Universe - Detectives, Violence, Gore, Dark, Horror, Supernatural Elements, Implied/Referenced Alcohol Abuse/Alcoholism, Serial Killers, Angst, Eventual Romance, Eventual Smut Summary: In Red Grave City, a serial killer stalks the streets. Lirael Thorne, recently transferred from Fortuna and looking for an escape from her past, winds up on his trail. Hunting him with her veteran partner, Dante Redgrave, they try to piece together the wires that bind the three of them together. In a race to catch him before he leaves more victims in his wake, the things thought buried will come to the surface, tearing lives and comfort apart.

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“It is much, much worse to receive bad news through the written word than by somebody simply telling you, and I’m sure you understand why. When somebody simply tells you bad news, you hear it once, and that’s the end of it. But when bad news is written down, whether in a letter or a newspaper or on your arm in felt tip pen, each time you read it, you feel as if you are receiving the bad news again and again.” — Lemony Snicket

»»————-　⚜　————-««

“Sure, I know her.” The waitress pops her gum, handing the grainy photograph back to Lir. “Comes in every Friday like clockwork, doesn’t tip, takes a new man home with her when she goes. She in some sort of trouble?”

Dante smiles charmingly. “You could say that. She wouldn’t have happened to pay by card, would she?”

“You’ll have to ask Joan. The bartender? She handles the tabs.” After a moment, the waitress bats her lashes, reaching out to place a hand on Dante’s arm, and Lir resists the desire to throttle one or both of them. “I can keep you company while your partner talks to her.”

“Who am I to say no to a pretty lady?”

He cuts his eyes to Lir. With a snort, she turns sharply on her heel, trying to keep her irritation from showing on her face, adding lady’s man to the list of ways she’d describe him. It’s far from the worst, but the bright giggles that follow her to the bar have her wondering if pig would be better. A woman emerges from the back as she claims a stool, pretty with her dark eyes and darker hair, and if she weren’t on duty, Lir might have considered leaving her number. Which probably only makes her slightly better than Dante, a fact that has her reaching into her pocket for her badge to buy herself a bit of time to settle.

“What can I get ya, sugar?” the woman asks.

“Are you Joan?” With a raised brow, the woman nods, and Lir holds out her badge. “I’m Detective Thorne with the Red Grave Police Department. I was hoping you’d be able to answer some questions for me?”

Joan studies her badge. “Detective, huh? Sounds like your questions are gonna be heavy enough to warrant a drink. What’s your poison?”

Against her better judgement, Lir replies, “Vodka sour, with Chopin if you’ve got it.”

With a smile that seems a little more than flirtatious, Joan gets to work. Lir watches her deft, slender hands scoop ice into a strainer before adding the vodka and sour mix and shaking, and that coy expression is still on Joan’s face when she sets it in front of her. “On the house for the city’s finest.”

“Thank you.” Lir takes a long drink, closing her eyes as her tongue comes alive under the bittersweet flavor. Then she slides the photograph of Jane Doe across the bar. “Your friend said that you might know her?”

Joan studies it, bracing her arms on the bar and giving Lir a very good glimpse of her cleavage. “Mm-hm. That’s Sophie. Pays with her Amex, likes a frozen margarita with sugar instead of salt on the rim. She the body they pulled from the alley yesterday?” Lir shrugs, and she sighs. “Shame. She was a sweetheart.”

“I heard the opposite.”

“I’m sure you did. She tips for the service she gets, and Lacey’s usually too busy flirting to pay attention to her tables. Never did me wrong, though, and most of the girls here will tell you the same.”

“I have to say,” Lir watches her sharply, “you seem awfully calm for someone who just found out there was a murder next door.”

Joan looks back at her steadily for a long time, not saying anything. When she finally does speak, her voice is quiet, “Don’t get me wrong, Detective. I’m pissed as hell about what happened to her. I read the papers, y’know? So I know that she was . . . If I could find the bastard, I’d wring his neck myself. But I’ve got to trust you to do it, and me crying won’t get you any answers. I’ll do it after you’ve left.”

“Alright. I’m sorry.”

Just like that, the tension is gone, the warm smile sliding back onto Joan’s pretty face. “No hard feelings. You can make it up to me later, if you want.”

“Maybe. Anything else you can tell me?”

The way she catches her plump lower lip between her teeth has Lir vividly imagining what it would be like to do that herself, and she breathes deeply to push the thought away. “Nothing unusual happened last night, not that I noticed. Sophie came in, sat at her table, ordered her drink. She was with some friends, but they split up to dance for a while, and I didn’t see her again until she paid her tab. We get pretty busy on Fridays,” she adds apologetically. “It’s easy to lose track of people.”

Lir takes another sip of her drink. “Did she leave with anyone?”

“If she did, I didn’t get a look at him. But it wouldn’t surprise me. Nothing against her, people can do what they want, but she knew the effect she had on others.” Lir thinks of the face on the slab, beauty made sorrowful by death. “Give me a moment, and I’ll get her last name for you.”

“That would be great, thanks.” As Joan moves to the register on the back counter, Dante slides onto the stool next to her, and Lir eyes him irritably. “Get anything from your witness?”

“Nah, she was too busy cryin’ to talk,” he replies. “Drinkin’ on the job?”

Before she can reply, Joan is back, and she hands a folded piece of paper to Lir. To her pleasure and amusement, not once does she look at Dante. “Here you go. Let me know if there’s anything else I can do for you, Detective.”

Downing the rest of her drink, Lir gives a little salute and heads out of the club, Dante at her side. She ignores him for the moment to unfold the note, a small grin breaking tugging at her lips as she reads over it; there’s a name on the top half, which she tears off to give to him, but on the bottom is a phone number and Call Me written in an elegant, looping script. “Sophie Marons,” Dante recites. “Wonder if there’s a connection to Simon Marons.”

“The lawyer?” Dante exhales slowly, and she curses. “Shit. Draw straws to see who makes the call?”

“Nope,” he drawls. “Your lead, your visit. Let’s go.”

Lir frowns at him, an expression that’s becoming more and more common the longer she works with her frustrating new partner. Her mother used to warn her that her face would get stuck eventually, and she’s starting to wonder if that’s true; at least he’s not sending her off alone, which she wouldn’t really blame him for but would still be angry over. And he turns the volume on the radio down once they're in the car when he notices her pulling out her bottle of aspirin and popping one into her mouth. It looks like he wants to say something and thinks the better of it. Good. The less she has to talk to him, the better. The drive to Marson & Co. passes with only the harsh strumming of rock and the quiet purring of the engine, and their silence persists into the lobby, where Lir speaks briefly to a receptionist, and in the elevator ride up to the seventh floor.

Dante whistles when they step off into an office that sprawls over the entire floor. Glass windows that stretch from floor to ceiling on three of the walls give a stunning view of the city, allowing plenty of sunlight in, and it glows over the interior decorations: a large oak desk, numerous shelves full of books, a sitting area, a bar set next to the elevator. It’s the office of a man who wound up rich and, as the figure behind the desk stands, Lir takes a look at him and decides it was probably inherited. Simon Marsons is as immaculate as the space he occupies, his suit pressed and his salted hair pressed back from a hairline that’s only starting to thin, a lavender handkerchief folded into his coat pocket and diamond cufflinks glittering at his wrists. Lir walks towards him, her boots thudding dully on the polished tile floor; up close, she can see the vibrant green of his eyes and that his teeth, when he smiles, are too even and straight to be anything but bought.

“My apologies, but I’m afraid I’m not open for visitors today,” he says, his voice pleasant yet oily somehow. “If you leave your name with Mary, I’ll try to—”

“Simon Marsons?” Lir cuts him off curtly. “I’m Detective Thorne. This is my partner, Detective Redgrave. Are you related to Sophie Marsons?”

His tanned face goes ashy. “Sophie? She’s my daughter. Has something happened to her?”

“You might want to sit,” Dante advises him, not unkindly.

Marson’s legs go out from under him, and Lir watches with embers of sympathy as he collapses into his grand chair. “Please,” he says, his voice shaking. “Where is she? Was she hurt? I knew I should have called when she didn’t show up for work yesterday, but I assumed she was sleeping off a hangover . . . Which hospital do I need to go to?”

Lir takes a deep breath. “Is your office always open on Sunday?”

“What? Yes, yes, I have a number of clients, and Saturday and Sunday are when I go over all of my notes. Please, Detective, Sophie . . .”

That ember sparks to a dull blaze. Speaking quietly, Lir says, “I’m sorry. We found her yesterday morning.”

A low keening erupts from Marson’s throat. It’s not unlike the cry of a wounded animal, caught in a trap from which it cannot escape and too weak to continue struggling, and Lir thinks of the fox her father had snared one year after it killed their chickens and her mouth fills with the heavy taste of iron. Dante steps around her, his own face displaying a hint of discomfort. It’s oddly reassuring to realize that he probably hates these visits as much as she does, the transformation from detective to confidante and terrible messenger that is a cruel necessity of their job. “When was the last time you saw your daughter, Mr. Marson?”

The man mumbles something incoherent, and the two of them share a look. “Sir?” Lir presses.

“I don’t know,” he whispers, his voice choked. “You’ll have to . . . Mary will know. I’m sorry. Excuse me, I can’t . . .”

Lir exhales slowly. “Okay. Thank you. I’m going to leave my card. Please call us if you think of anything.”

He buries his face in his hands, and she slides her card onto the desk before heading back to the elevator. Once inside, she leans against the wall, and even Dante looks tired, the hollows under his eyes dark and deep. “Never gets easier, does it?” he mutters.

She shakes her head. Outside, she turns to him, her mouth dry and her limbs heavy. “I’m goin’ home. I need sleep. You?”

“Can’t argue that. Want a ride?”

The idea of him knowing where she lives makes her skin prickle uncomfortably, which is strange, given that they work together. Still, she points to the road. “I’ll catch a cab. See you in a bit.”

“Mm-hm.”

Lir leaves him there, feeling his eyes boring into her back as she hails a taxi and slides inside, nearly slurring with exhaustion as she gives the driver her address. She dozes on the ride, woken by the cabbie tapping the glass partition between them, and she fumbles to pay and tip before heading into her building. It’s quiet inside, warm in a stuffy sort of way, which makes her more drowsy. Another short trip in an elevator, and she’s at her door, which she unlocks with trembling fingers and kicks shut. Too tired to bother showering, Lir strips as she walks to her bedroom in the back, where she manages to pull the curtains closed and set an alarm on her phone before collapsing into bed. Behind her closed eyes, visions of Sophie Marson’s body linger, chasing her into her dreams.

In them, she is once again in the morgue. The lights overhead flicker as she stares at the slab in the middle, upon which rests a form covered by a white sheet, and her breath frosts in the air around her and chills her lips. As she stands frozen, the thing under the sheet moves, pallid fingers poking from beneath to curl over its edge and push it slowly down, and a low whine locks in her throat, the remnants of a scream she cannot voice. Creeping, unhurried, the corpse of Sophie Marson sits up, her pale hair spilling limply over her shoulders; when milky eyes focus on her, Lir twitches. But she’s paralyzed, her legs unresponsive no matter how desperately she pleads with them to work.

A low rasp falls from the corpse’s mouth, which forms soundless words. With every attempt it makes to speak, air whistles from it, barely audible over the thrum of the air conditioning, until, at last, it stands on trembling legs, bracing itself on the slabs as it clambers towards her. As it draws closer, the whispers take form: “You saw . . . you saw . . . you saw . . .”

No, Lir tries to shout, no, no, I didn’t see a damn thing. There was nothing to see! Just you, dead on the ground, and if something else was there I had to ignore it because things like that don’t exist!

Grasping fingers reach for her. The murmurs take on a fevered rhythm, rising in pitch and volume until they devolve into a shrill ringing, those dead eyes bulging as its hands land on her face—

Lir snaps up with a strangled scream, reaching to grab and shove and fight. Yet there’s nothing there; just her room with unpacked boxes cluttered around, and she hunches over and presses her palms to her cheeks, fighting to get her panicked breathing under control. The ringing cuts off, then starts again. Cursing, she fumbles for her phone, finding it buried under the covers, and jabs to answer it, fear making her bark into it. “What?”

Dante’s voice comes through the receiver. “Sorry to wake you, sleepin’ beauty, but Marson’s at the station to make a statement and Morrison is liable to rip you a new one if you aren’t there soon.”

“Fine, just . . . Wait, there?”

“Yeah. I’m outside.” Startled, she darts to the window and peers out, seeing Dante parked on the street below, leaning on his car, looking back up at her. He waves as he says, “Better get your ass in gear, Thorne.”

Furious with him, she hangs up and stalks to her bathroom to brush her teeth and wash her face. Then she grabs a fresh change of clothes, tugging them on as she follows the trail of dirty ones she’d left earlier to her boots, which she slams her feet into. Keys, wallet, badge, gun, Lir grabs all of them from the table next to the door, then she leaves, choosing the quicker option of the stairs at the end of the building hall. Dante straightens as she emerges, his lips twitching like he’s trying not to laugh, and she glares at him as she yanks open the door and slides into his car, vindicated by his, “Hey!” when she slams it fiercely. It’s his turn to scowl, climbing behind the wheel, and he cranks the volume up to near painful levels before putting the car in drive and pulling away from the curb.

Tired of his dickish behavior, she turns the knob back down and snaps, “How the fuck did you find my apartment?”

He scoffs. “We’ve got personnel files.”

“For emergencies!” Lir shouts. “You don’t just go into them whenever you feel like it!”

“If you’d just told me—”

“I don’t have to tell you shit,” she seethes.

Dante slams on the brakes, yanking the car into a parking spot and turning to glower at her. “You’ve had a fuckin’ chip on your shoulder since we met. Like it or not, we’re partners, and that means I need to know where the hell you live in case somethin’ comes up, like it did tonight.”

“I could have gotten there on my own!”

“Yeah, sure, and Morrison would’ve reamed your ass out for takin’ so long. Shit, I had to call you four times before you answered your goddamn phone. You think he’d have stood for that?” Lir merely shakes her head, and he throws his hands up in frustration. “What the hell is your problem? Jesus fuckin’ wept, you’d think I’m the biggest prick you’ve ever met—”

“Because you are,” she says curtly. “You’ve been ridin’ me since yesterday, havin’ me run your errands—”

“Oh, so you’re above goin’ to the morgue—”

“—acting like I don’t know my head from my ass—”

“—or dealin’ with reporters—”

“What is with you?” she cries, exasperated. “I get it, you idolize Sam Spade, but do you need his fucking sexism along with the outfit?”

Dante closes his mouth, staring at her intently for a moment, and she realizes that, in their arguing, they had each leaned in, as if to intimidate the other. Then he grins, slowly, and this one reaches his eyes, melting the glaciers there. “You like Humphrey Boggart?”

Thrown by the question, Lir can only blink at him. “Uh . . . I guess? I watched his films a lot as a kid, so . . . What does that have to do with anything?”

“Got a favorite?”

“What?” He’s still watching her. With a groan, Lir slumps back into her seat. “I dunno. Marked Woman, probably.”

Dante nods solemnly. “Bette Davis was a babe.” He continues speaking as he eases them back into traffic. “Look, Thorne—”

She huffs. “Can you just call me Lir like a normal person, for the love of God?”

“Lir,” he amends without batting an eye. “Me ridin’ you? Sorry to break it to you, but Red Grave is a beast of its own. Maybe you were good in Fortuna. Hell, your record says you were. Here? You’ll get eaten alive if you aren’t careful.”

“What a load of shit,” she mumbles.

Dante sighs. “You know somethin’ else? It’s been buggin’ me since yesterday, and the only reason I haven’t suggested Morrison take you off the case is because I’m worried you’d get yourself killed if I couldn’t keep an eye on you. You’re too eager to prove yourself.” Lir bristles, but his next statement, spoken flatly with no hint of emotion at all, has a faint prickle of fear creeping up her spine. “You look an awful lot like our victim. If this guy’s gonna go serial . . . Well, you’d fit his profile nicely.”

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