#venete

[primepaginequotidiani]

PRIMA PAGINA Il Gazzettino di Oggi domenica, 11 agosto 2024

[kitsunetsuki]

Bert Stern - Catherine Deneuve Wearing Philippe Venet, Vogue Paris, 1964, from Brides in Vogue Since 1910 by Christina Probert (1984)

[oldsardens]

Bernar Venet - Arcs. 2002

[thislovintime]

With Valerie Kairys Venet on the set of the TV show, and in 2016. (The last photo is a selfie taken by Peter - as Valerie recalled and shared on Facebook.)

Q: “What was it like having Peter Tork as a roommate [after the pilot episode]?” Valerie Kairys Venet: “Oh, god, it was wonderful. Are you kidding? We made him sing for his supper, my roommate and I. See, I had a roommate and so I called her up and I said, you know, I said, ‘...there’s this actor that I worked with and, you know, he’s from Connecticut and he doesn’t really have a place to stay here and until… you know, we just finished the pilot and, you know, he’s gonna wait for the pilot to be sold. Is it okay if he comes and stays with us?’ She’s an actress, too, you know, and she said, ‘Oh, yeah, sure, we’ll give him the downstairs.’ And I said, ‘Okay.’ So he had the couch in the downstairs, and we made him sing. (Laughs) He was wonderful. He really did enjoy it too, come on, you know. Peter has just been so dear to me and to my son. He’s a wonderful person and I love him dearly. I hope that they all hear me and they know how much I love them.” - Zilch Podcast, No. 20, 2014 “I just fell in love with those guys. They were all so sweet. […] Really the nicest guys in the world. I do consider them family, my TV brothers. I know they do love me and I love them very much. And it was so great on that set. And you’re right, they had so much pressure on them and everything. But every morning on the set, you know, you walk out to see what they’re lighting, get your coffee and whatever, see what they’re lighting or what they’re setting up there, and here comes Davy, big hug, big kiss, you know, ‘Good morning.’ And then, you know, more arms around me, oh, there’s Peter and, you know, ‘Good morning.’ And, you know, hug Micky, hug Michael. And that’s the way we were, my relationship with them: very loving, very loving. To this day. These guys are so, so much a part of my life. [...] And then [Peter] went to stay with Michael and Phyllis, and I took him over to Michael’s house after that. But that was wonderful because Peter was a fine musician, and he — I said, ‘Where’s your banjo?’ And he said, ‘Oh, I had to pawn it, I was broke.’ And I said, ‘Oh, no!’ I said, ‘We can’t have that.’ And so, you know, we went to the pawn shop and I got that out for him. That’s the first time I’m saying this, telling this story publicly. But bless his heart, I loved Peter so much. […] [Peter] was brilliant [as a musician]. He was also a teacher, he was a high school teacher. […] And the students loved him, and that’s something in high school, you know? That’s something in high school. He was such a good person.” - Valerie Kairys Venet, The Vintage Rock & Pop Shop, 89.1 WFDU FM, July 14, 2019 (Photo 3) “Pantages Theatre. The last time I saw Peter. Thank God we got to say ‘I love you.’” - Valerie Kairys Venet, Facebook, September 2019

[thunderstruck9]

Bernar Venet (French, 1941), Composition, 2022. Serigraph, hand-coloured with oilstick. 110 x 73.5 cm. Number 7/20

[milksockets]

'88.5 arc x 8' by bernar venet, 2012 in xxl: when artists think big - éléa baucheron + diane routex (2014)

[chicinsilk]

US Vogue September 15, 1964

Philippe Venet Haute Couture Collection Fall/Winter 1964-65. Veruschka wears a sewn white wool cape coat, firm as felt, slightly fitted to the body under a cape that falls to the waist. Rounded collar, low pockets. Prudhomme wool. Kislav gloves.

Philippe Venet Collection Haute Couture Automne/Hiver 1964-65. Veruschka porte un manteau-cape en laine blanche cousue, ferme comme du feutre, légèrement ajustée au corps sous une cape qui descend jusqu'à la taille. Col arrondi, poches basses. De laine Prudhomme. Les gants de Kislav.

Photo Irving Penn vogue archive

[roeswater]

Bernar Venet, Undetermined Line, 1986

[topcat77]

Bernar Venet

[featherstonevintage]

Philippe Venet

L'Officiel Paris, September 1990

Photographed by Serge Barbeau

[ripplefactor]

Philippe Venet and Hubert de Givenchy at Le Clos Fiorentina .. Photograph by Bruce Weber, Saint-Jean Cap Ferrat.

[rabbitcruiser]

Public Art, Vancouver (No. 8)

Bernar Venet’s monumental work 217.5 Arc x 13 is part of his Arc series of sculptures which illustrate the beauty, balance, and malleability of raw steel. The name of this artwork is a precise description of its mathematical composition. All of the beams in the sculpture are nested and curved to the same angle providing a sense of balance and grace. Venet employs mathematical manipulations of this industrial material to explore the interconnected relationships amongst nature, humanity, and the universe. The repetitive thirteen curves give a resting yet rhythmic sense of movement and fluidity. The raw red-brown rust colour of the unpainted surfaces of the corten steel, an authentic surface upon which Venet insists, facilitates an interaction with the natural elements.  This sculpture was acquired by the Vancouver Biennale Legacy Foundation in 2007.

“Increasing levels of abstraction and complexity frighten those for whom art is a means to attain a comfortable expression of calm, luxury, and delight.” – Bernar Venet

Source

[kitsunetsuki]

Helmut Newton - Outfits by Jean Patou & Phillippe Venet (Vogue Paris 1970)

[oldsardens]

Bernar Venet - Lignes indéterminées Aléatoire

[lesbikyuu]

venet is awesome btw

[thunderstruck9]

Bernar Venet (French, 1941), 235° Arc, 1986. Charcoal drawing, black chalk and collage, 153 x 119.5 cm.