#value only one thing

[empressofmankind]

In light of my live-blogging #1088 comment on the One Piece and (the meaning of) freedom.

I don't know if this constitutes proof.

BUT - the amount of One Piece x Pirates of the Caribbean music-mashes out there surely means something?!

And.

They.

All.

Slap.

[vaguely-concerned]

rook falling asleep on the red couch in the lighthouse dining room while lucanis is making dinner....... they were helping out by keeping him company and peeling and chopping potatoes for a while there but then the potatoes are done and the room is so safe and warm and smells like coffee and good food and lucanis is trying to explain something to spite and his voice is low and soft and good to listen to and rook's eyes only slip closed for a moment. they'll get up to save the world again or whatever in a second just. one moment. while the world is warm and kind. and then they're being shaken gently awake an hour later because it's time to eat and everyone's starting to drift hopefully dinner-wards

[dykedvonte]

The Ghoul: Ain’t ya tired of bein’ nice? Don’t ya wanna go ape shit?

Lucy, going ape shit mind you: No! I’m tired of everyone being so mean all the god dang time!

[crazy-ache]

I’m never going to buy the “Elain is a spoiled rotten child” interpretation that I see floating around fandom. To me, Elain is a chronic people pleaser.

She desires to please everyone around her at the expense of herself. It is why she so desperately wants to be seen. She is deeply unhappy. Symbolically, Elain is described as a trembling fawn because she is frozen like a deer in headlights in the face of what she wants vs performing what other’s expect of her.

She does this because she is suffering from self worth issues and does not believe her needs or wants are important—and that she doesn’t possess value beyond her complacency and her superficial beauty.

In fact, I believe her book is going to be about becoming selfish. I HOPE it’s about finally becoming MORE SELFISH, which she has never afforded herself to be. I hope she’s selfish and leaves the cage of limitations that has been created for her in the Night Court. I hope she’s selfish and chooses love and a mating bond because she wants it. I hope she’s selfish enough to finally put herself first in order to become the strong and brave female character she was always destined to be.

[s-insomnia]

"artists deserved to be paid" and "this is a horrible decision" are two statements that should and do coexist

[turtleblogatlast]

[ cw: violence mention / death mention / ]

Will never stop thinking about how Leo, all alone in an endless void and being beaten again and again and again by the only other living thing around, still finds comfort in that space. The situation he was in was completely hopeless, and in any other circumstances he would not have escaped, at least not fast enough to save him from permanent (or even fatal) damage, be it physical or mental.

And yet, despite the bleakness of his situation, despite the agony and helplessness, all he needs is one glance at a crumbled photograph, one glance to remember his family, and that’s enough of a reason for him to smile.

Maybe that’s why his powers center around manipulating space - because no matter how much space is between them, no matter how dire his own situation may be, just the thought of his family, alive and okay, is enough to give Leo hope.

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[governmentmandatedryujinstan420]

releasing this from the hj discord dungeon because the public populace was in agreement also i'm chronically offline on tumblr and need to fix that for my chronically online ahh

[horrorshow]

i love when people point out the 'family is hell' theme in spn and then go like 'do not romanticise this!!! this post is not for you' as if spn itself didn’t end up with the family is hell brothers being soulmates happily meeting up in heaven after 15 seasons of dark romance tropes thrown upon them.

no one romanticizes 'family is hell' more than supernatural itself.

[novelconcepts]

It really frees up so much mental real estate when you start thinking of sex as just: a thing people sometimes do. Some people are super into it! Some aren't! It's for fun! It's for intimacy! It's the deepest connection some people will ever feel and totally meaningless to others! It's hot! It's boring! It helps some people sleep! It exists as an exciting construct solely in fantasy for others! What it isn't is some complicated moral ground that needs to be fought against at every turn. It's just A Thing. Which means people who have a lot of it, or none of it, or whatever in between are all worth the same. Which means stories that have a lot of it, or none of it, or whatever in between are worth the same, too. Smut isn't less valuable than "clean" stories. People who have a high "body count" aren't less valuable than those who have never had sex at all. It's just A Thing. Making peace with sex as just A Thing that is natural to consentingly have or not have, want or not want, really is a great adjustment to your brainspace.

[riversaremeanttobefollowed]

We all know that the reason why Bruce Wayne isn't religiously Jewish is because dc are cowards, but also because many of the community itself is cowards. I personally believe it comes from a lack of knowledge about what it even means to be religious because most of the community is Christian or culturally Christian. So as someone that would probably be considered not religious by Christians, but Religious by most other Jewish people, I think that Bruce Wayne fits in this section of being Jewish.

Bruce can't go to the Synagogue often because of the whole being Batman stuff, but he still goes on the high holidays when he can. He celebrates with the Kane family as well! And Kate would obviously understand if he couldn't come because she's Batwoman! Give me a Bruce Wayne says Yiddish curses. Give me a Batman that has a bunch of Chanukkiot that are just so pretty because they are rich and definitely have a ton. Give me Batfamily shabbat dinners when they are able to. Rest days on Saturday for the Jewish members when they are more members in the Batfam to make it work (and it being a mitzvah when he does have to be Batman on Shabbat because its a mitzvah to save a life). Give me Mezuzot on every entryway. Give me a Bruce Wayne who inherited his mother's seder plates and actually uses them. Give me a Bruce Wayne that says stuff like kein ayin hara before giving good news! Give me a confused Dick Grayson when Bruce insults him (its actually a compliment, but to ward against the evil eye you will say the opposite of what you mean) and then Bruce having to explain after he realizes that Dick has no idea why he just insulted him. Give me a Batman that follows Jewish values (more than he canonically does)

Just because someone ins't actively involved within a wider community of that Religion doesn't mean they aren't Religious! Or at least don't give me a culturally Jewish Bruce Wayne that doesn't do any of this. Thats just you stripping away all the Jewish parts of him.

Bruce Wayne is Jewish and you can't just ignore that

[fictionadventurer]

I think I have accidentally become very protective of the story of Snow White.

[triumviiirate]

saying this about bones is literally the funniest thing ever. please remind me which character spends the entirety of tos actively demeaning humanity as a whole. quick

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[ruegarding]

in relation to the last post, the entire plotline is poorly executed.

annabeth's reaction to percy in tartarus is normal, like, not good, but normal. percy's not only challenging the laws of the world, he's indulging cruelty. being afraid is a normal reaction to have. despite that, it's still a conflict that needs to be resolved...and it's not.

immediately afterwards it's like ok back to normal! the jagged edges of percy's soul smooth over and annabeth is back to business (which immediately begets the question: why did rick write that then? which is never answered. the point? missing*). like, the actual issue isn't even addressed. before turning the poison onto akhlys, percy is being tortured w it (and nothing annabeth tries stops it). percy isn't doing this bc it's fun and exciting. he's doing this bc he was feeling so angry, so hurt, so scared, so traumatized that he resorted to hurting someone to make himself feel better. this is literally never addressed.

even in boo, annabeth's arc isn't abt learning to not be afraid or to trust percy again, it's to allow herself to be afraid. w piper. away from percy. and she never confronts percy directly, she never reconciles her fear w percy, they never address how this changes their relationship. also piper is there bc annabeth is so freaked out by percy that now piper is freaked out by percy. which is. a separate issue that is only an issue bc once again it never gets resolved.

and then w percy obviously he has his suicide attempt. like, he thought what he did in tartarus was so unforgivable that he not only believed that he deserved to die, but deserved to die slowly and painfully from something that he could easily prevent. like. that's the thing. percy's powers come easily to him. do u know how low he would have to be to not even subconsciously try to save himself? and the only response is a "i think i get it" from someone who's perspective does not properly convey the severity of the situation (ppl read this scene without even realizing it's a suicide attempt). once again, percy and annabeth do not confront this conflict together. percy tries to kill himself and the narrative is like...anyway.

if rick didn't know how to handle this, or even if he just didn't want to write it, he didn't have to write it. any of it.

but it's not that rick doesn't know how to handle this situation bc he writes the same thing in boo and handles it a million times better. nico and reyna have a very similar situation to percy and annabeth and the inclusion of both of these scenes and the difference in how they're handled ends up vilifying annabeth in the narrative.

reyna and nico have known each other for less time. they have built up less trust. and yet. when nico challenges the laws of the world and indulges cruelty in a way that reminds reyna of her extremely traumatizing backstory, she comforts nico. she doesn't treat him like he's dangerous. hedge tells him "we all get angry" and reyna vehemently agrees. nico is given explicit support even before he can start spiraling. and when nico is told to not use that power, it's bc of how it affected him, not how it made them feel, not that it's unnatural.

this shows that there was a correct answer. annabeth didn't have it, and suddenly her "normal" reaction looks bad in comparison. but instead of addressing this in any meaningful capacity, we're going to ignore it and send p*rcabeth to college. #relationshipgoals.

it's such a narrative failure. and rick could've just. not written it.

[randomnameless]

Why do we still have in 2024 stupid takes like Rhea created and enforces the crest system?

Bcs Rhea BaD anon.

More seriously,

FE Fodlan is one of one of the most divorced FE verses from its fantasy elements (see : Nabateans being as important as Ignatz's leather shoes) : Tellius has the Laguz existing, Archanea/Ylisse has manaketes hanging around and being a core point in FE Archanea, Elibe has its entire history involving dragons and the best ending finally be about acceptance between the two races, Magvel has zombies, Valentia has terrors and in SoV we have dragons and magic dragon blood, Fates has dragons (and laguz-like!) and even Jugdral have people with magic dragon blood.

(i ranted and ranted and ranted under the cut, so it's a bit long)

Unlike Fodlan, Jugdral's "people with magic dragon blood" are a key element to the story told at large, and it bleeds through the mechanics used to tell that story. FE4 wise, toddler!Seliph has a S rank in swords when Beowulf, even if he trains his entire life, will never achieve A rank in swords. Base!Julia with her holy weapon can smack Loptyr, when max!invested (at least lore wise) Forseti!Ced will never be able to kill him.

It's unfair for Beo and Ced, but that is how the verse works because, in that verse, some people are mc guffins or "the only ones" who are able to do something, or even, straight out, stronger/have more talent than others.

In traditional fantasy settings we have the "same" sort of rules, you have elves who do X and Y, humans won't can't, dwarves who can't either but they can do W, orc who can do J, etc etc.

Even for all of the "deconstruction of the genre!" gimmick ASOIAF has, according to some people, Dany is fire-proof and Jon most likely survives after being assassinated because he is a Stark and can use his doggo as a back up save, both things Edmure Tully will never be able to achieve.

Tolkien has Numenoreans being straight up blessed by the Valar/stronger/longer lived/etc etc than middle-earth humans, on top of also having elves, dwarves and ents.

Ergo : power inbalance is baked in the fantasy genre.

And yet, the writers often manage to tell some version of "the ones who have less power are no less important", like with Tolkien, it's a bunch of hobbits who manage to take down the greatest "evil" of their era, or some message like "having more power/being more important means you are bound to help the ones who have none" thingie.

In Fodlan, the "beings who have more power" than humans are the Nabateans (+ Sothis herself!). Sothis can create life, her daughter - through unknown means - can create artifical beings, one her children can control weather (the one who was turned in a milkshake for Charon!), one of them has monstruous strength (the one turned in a milkshake for Blaiddyd), one of them could communicate with animals (Timotheos iirc - if we assume he was a Nabatean or got his powers from his crest), her granddaughter can set up an AOE to heal what would otherwise be fatal wounds (it's heavily implied this is what Flayn did when she overused her power and went comatose) etc etc.

This is the original power inbalance in Fodlan.

Then some humans "stole" this power from Nabateans, and got a share of it themselves, which is what is later called "crest" : aka, some humans got a part of the super/magic powers that Nabateans originally had and thus, because, for all intents and purposes, "super-humans".

Now, Fodlan discourse started with FE16 being released in 2019, not that long after GoT's ending - which was trash - and in an era where fandom turned from "harmless fun" to "something that looks like activism and earns you point if you manage to use it to express your real life opinions".

In 2019, after Dumb and Dumber tanked GoT and removed most of ASOIAF fantasy parts to deliver "sex that sells" with a moldy plot, some part of the fandom started to conflate and harass people over what they like, and how it, apparently, reflected on their real life opinions ("if you hate this female character it means you hate women!"/"if you think X becoming king is a good ending, you don't value democracy!").

So, we have this fantasy setting with its inherent power inbalance... that quickly became something that is/was unacceptable, because IRL, power inbalance is based on bullshit and something everyone decries - so if your beloved media reflects on what you like IRL, you can't like a setting with an objective power inbalance, even if is justified by magic which doesn't exist irl like shooting eyebeams or some people being more "special than others" who can live up to 1500 years old.

Fodlan's power inbalance, for some parts of the fandom 2019, cannot be justified by traditional fantasy settings so, those settings/fantasy elements are straight out ignored.

Thus the "crests"' magic effects/powers are ignored, and dumbed down to, roughly, what a middle school student would think "nobility" is/was in the Middle Ages/Renaissance.

Jean-François Marie Pierre de Bourbon isn't inherently better at smashing things with a sword than Bob, or at healing than Roger, any "advantage" Jean-François Marie Pierre de Bourbon has over them is, maybe, that he started training earlier.

In Fodlan?

If Jean-François Marie Pierre de Charon has a major Charon crest, he can dance and clap in his hands to summon rain. Bob and Roger, no matter how hard they train, will never be able to do that. Jean-François Marie Pierre de Charon will thus be seen as having higher "value" or being straight up "better" than Bob or Roger, because as long as he is here, your crops will never suffer from drought.

But... we can't have that, because if you confuse fandom and real life opinions and aspirations, you cannot admit that some people in Fodlan are inherently "better" at something, only because of their blood, otherwise, what would it translate to IRL?

This is why, imo, part of the fandom (and the game sure doesn't help! Fodlan is no Jugdral and its gameplay lacks coherence regarding the in-game lore! Remember how Raphael can use a relic and only loses 10HP, when Miklan, plot wise, was turned in a demonic beast?) that loves this take, arguably, reduces crests to a title and family name.

Why should the Bourbon family rule over us, when they're no better than Roger or Bob? Isn't it unfair the Bourbons are still valued nowadays when the only thing to their fame is their name, and not what they are actually doing?

The game plays coy about crests - we know each of them has a specific power - but it never reveals what are those powers (lore wise!) save for 2 of them. So are crests superpowers, or just a family name with a particle, or both? Is the "system" (a friend made a post debunking any idea of "systemic" application of this notion in the three countries) based on bullshit, or on, objective superpowers?

Dimitri tries to tackle the issue, but only around relic usage : the Gautiers are valued if they have a crest because they can use their superweapon to protect the border. But what about valuing House Charon's ability to bring rain and guarantee good harvests? What is the other superpower tied to the crest of Gautier that isn't "use a femur and wreck havoc with it"?

If Marianne's ability to talk to animals is tied to her crest, why isn't it more developed? Instead of having useless shit like talking and befriending horses like a Disney princess, we could have Maurice-blooded people be masters of counter-intelligence, imagine if they can talk to birds/rodents and ask them to scout various areas or spy/ask them what they saw ! Hell, we could have had a situation where in a fog of war map, where Marianne, if, idk, through Billy fed enough animals in the monastery, would have a better field of vision than anyone else, with some blurb/one-line about her relying on the animals around to know and see what is going on! Alas, it wasn't meant to be.

FE16 eludes the question, because the character who "questions" a world centered around "crests" is the marketable asset of the game, and cannot be challenged in any meaningful capacity v- she feels it's unfair that her crest seemingly dictate her life, and only in the gacha game with ery serious writing like the Heavy Plate Corps or Sniddies, does she get a modicum of self-reflection - or at least someone challenging her - where she is told that she could use the superpowers she has to help people instead of blaming the world for getting one.

In a traditional FE setting, where some Lords question why they were born with power/or are in powerful positions, the answer is always that no matter what they were born with (or without in Leif's case!) what is more important is what they decide to do with that power. Elincia never wanted to become Queen? She will still fight and protect Crimea and its people. Marth is the last hope of Altea, even if it means leaving Elice behind. Seliph doesn't want to fight in Thracia anymore or feels like he's a fraud? He can turn tail and return home, while the world around him falls apart. Leif also feels like a fraud because he doesn't have superpowers like his cousin? Does that mean he should turn his thumbs and watch as his people are being caught/enslaved/sacrificed?

In Fodlan you have no reflection like this : Linhardt is, imo, the best example.

Dude hates blood and has a crest (aka magic powers) geared towards healing, you could make a case that for someone who has hematophobia, being a healer is difficult and this would be the reason why he refuses to heal/use his powers to help people around him... but no. Lin's laziness is played for laughs, and his refusal to do anything not related to his topic of interest is never questioned/analysed under the angle of, say, a head nurse who has no crest and laments that she couldn't save everyone who was hurt during an assault, who snaps at him for having the "gift" he has and not using it for the sake of people around him.

"What Lin decides to do with his power?" : Well, nothing.

Instead we have a reflection on his bright mind going to waste if he lazes all day long, culminating in his Supreme support where an Imperial facility is created specifically to cater to his tastes, that will enable him to research crests as much as he wants...

But still, nothing about his innate "healing" power!

In the end, it's no surprise that part of the fandom latched on that "crest = nobility title" because the Fodlan verse refuses to develop anything about its fantasy elements (hell, iirc Nopes swaps "crests" for "blood" and "titles" in its Supreme route ?).

"Sure, but where does Rhea fit in this nonsense?"

Rhea is, in this vision, the ultimate target !

For all of the "I ignore fantasy elements", Rhea is always (in FE16 at least!) turning into a dragon : no matter how hard you want to ignore fantasy, she's here to remind you tht, in this verse, dragons exist.

But most importantly, as Fodlan must be analysed through an IRL lens otherwise modern fandom cannot engage with it, Rhea, by virtue of being the lady in charge of a religious organisation called "Church", is also seen through a lens : Rhea BaD bcs Religion BaD and Catholic Church BaD.

FWIW, thanks to the five years of discourse we had, I learnt more about cultural values and differences existings between, here and the rest of the world - especially a place that is overepresented on fandom spaces - on organised religions especially the catholic church. Of course this bled on fandom takes and analysis, which projected some users' irl bias against the Catholic Church on the fandom organisation and entity that is the Church of Seiros. Combine this with secularism being now weaponised and used to ridicule people in spaces like r/atheism and you have a perfect recipe for "Religion BaD = Catholic Church BaD = fictional organised religion with a catholic flair BaD".

Granted, given how a certain loLcalisation team also originates from this place, it's no surprise that some "creative liberties" they took tried to hammer even more, let it be in the script or the fucking "what is this game about?" page on their website, how this fictional organisation is basically a squenix trope of "evil cult manipulating everything in the shadows and sekritly controlling the world".

Besides, the main heroine of the game (even if that comes with a twist!) opposes this faction (CoS and especially its leader!) and, by the way those games are built, as seen earlier, they cannot disavow her too much, else the entire gut-punch the devs were gunning for (you are betrayed by your beloved character! But unlike what happens in Baten Kaitos, you only are attached to her because she is your avatar's simp) will fall apart. So she must be, somehow, right and not motivated by more personal and heinous reasons, like not accepting "non-humans" to have powers over humans, or thinking the world is not a place for them (this was carefully scrubbed out in Nopes, btw!).

If Supreme Leader, who we are supposed to root for and whom the game ultimately rewards because "reforms" happen in the endings, says that the CoS is the reason why humans value superpowers, she must be right, or at least, not completely wrong???

Which raises the final point on this topic : FE16 came in 2019, which was election year in the US, and we all know that election time in the US means the rest of the world is also affected, even if the rest of the world, well, isn't the US. As I mentionned, the US is over-represented in fandom spaces, and fandom is far from being a safehaven from all the mayhem and passion that always boil during election time and its immediate following.

Coupled with the "my fandom faves define my real life opinions" thingie I already wrote about, and we had an explosive cocktail for bad takes, needless aggressivity, ridiculing people with dissident opinions because they are seen as "wrong", etc etc. And let it be something trendy or not, especially when (young?) people are arguing about "politics" in online spaces, but it always boils down to gross simplification of various complex issues and/or using catchphrases or "shock-value" words to win over whoever is reading/listening.

(et je ne dis pas ça parce que certains de nos politiques font des "immigrés clandestins ou pas" la source de tous les maux, ou le fait que nos députés font la même chose en ce moment, Jonluk et Marine main dans la main, pour paralyser l'Etat afin de pousser Manu à la démission et éviter la case prison pour Marine)

I always thought the "CEO of racism" was a meme, but through Fodlan discourse, I started to wonder if it was something started seriously by someone who really thought that "racism" is caused by one person.

And we finally get to the point : somehow, somewhat, Rhea is supposed to be responsible for people/humans valuing superpowers.

Forget that the same "quest to obtain those superpowers" led to the extermination of her kin, or how the devs themselves explained that people - at least in their setting - always want more power :

As a result, what would happen to humans who gained power... they would want even more power, and find a dragon much stronger to beat in order to collect materials forcefully, in order to make even more powerful weapons... and so that was the cycle that was born. And that was the birth of Fodlan's Ten Elites

Wait, kill that, those superpowers don't exist since the game and the characters (bar Catherine, but I agree with @9thwither here, Cat is one of the most overlooked characters in this fandom!) never talk about them, so they don't exist...

Rhea is thus the reason why people value bloodlines - especially since those bloodlines don't come out with superpowers.

It sounds better and closer to what you could "hear" irl, from someone who's discoursing on the internet to explain "why" some people are more valued than other, it's because of religion and the Pope! It cannot be because of, well, human greed or just the need to have more power (for good or wrong reasons), no.

"But random, the Church most likely promotes a "divine right to rule" doctrine and let the 10 Elites' families rule over their clans in Faerghus thus gain nobility!"

Sure, but everything is moot if you consider this : to make this take viable, we ignore the game and consider that crests are just bloodlines, and not, objective sources of superpowers.

So why are we, discussing about this hypothesis/theory, even arguing about what the game says and/or does?

Bob Blaiddyd can kill a giant lion/wolf with his fists at base level, is it because of a supposed doctrine that people rally and want to be in Bob's graces, or because Bob has the power to protect them all? Karen Charon can summon rain, are people siding with her because Rhea told them to, or because Karen can make crops grow?

In conclusion : why people are still, in 2024, sprouting those takes?

1- Because they refuse to engage with the game and realise that it is a fantasy game belonging to a very specific genre

2- Because fandom opinions reflect on your real life opinions and likes : so they must find a reason to oppose what their perceive as an unacceptable power inbalance otherwise it means that they support the various inequalities that exist IRL

3- Because Religion BaD and bar the "projected takes from transposing feelings about an IRL church on a fantasy one" more and more people tend to prefer an "easy to proceed" solution than think about multi-causal issues and find solutions that might not.

Of course, I can already guess that some people might argue that they don't "refuse to engage with the game" since this take is more a less a condensed version of the Supreme spiel, and as developed above, the game does - willingly - a shit job at demonstrating that her spiel is nonsense (they had to add the "greed" part in an interview released after the game and its only and final DLC!), just like her sockpuppet who supposedly learns how misguided he was in certain routes... only to end with the same ice cream, albeit with a different topping.

However, Dimitri and Sylvain mention how crestless children are disowned in Faerghus... when Dimitri's own uncle is ruling over a domain himself, Ingrid's brothers exist in the background and Gustave is still Baron Dominic's brother, on top of having been the royal master at arms for at least, depending on the route, 3 generations of Faerghan kings.

In a game where Dorothea can blame the Goddess for fighting in a war her bestie started - without anyone pointing this out - it's obvious this verse has unreliable narrators, but after 5 years and having played all routes in both games + a DLC + a dev interview explaining how and why some humans acquired crests...

Tl;Dr :

Reason 1- is most likely the most prevalent why this take exists anon, "because some people refuse to engage with the game" with the added topping of "save for what Supreme Leader and her sockpuppet say that I can use to demonise the characters I don't like".