#value only one thing
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empressofmankind · 11 months ago
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In light of my live-blogging #1088 comment on the One Piece and (the meaning of) freedom.
I don't know if this constitutes proof.
BUT - the amount of One Piece x Pirates of the Caribbean music-mashes out there surely means something?!
And.
They.
All.
Slap.
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dykedvonte · 7 months ago
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The Ghoul: Ain’t ya tired of bein’ nice? Don’t ya wanna go ape shit?
Lucy, going ape shit mind you: No! I’m tired of everyone being so mean all the god dang time!
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crazy-ache · 5 months ago
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I’m never going to buy the “Elain is a spoiled rotten child” interpretation that I see floating around fandom. To me, Elain is a chronic people pleaser.
She desires to please everyone around her at the expense of herself. It is why she so desperately wants to be seen. She is deeply unhappy. Symbolically, Elain is described as a trembling fawn because she is frozen like a deer in headlights in the face of what she wants vs performing what other’s expect of her.
She does this because she is suffering from self worth issues and does not believe her needs or wants are important—and that she doesn’t possess value beyond her complacency and her superficial beauty.
In fact, I believe her book is going to be about becoming selfish. I HOPE it’s about finally becoming MORE SELFISH, which she has never afforded herself to be. I hope she’s selfish and leaves the cage of limitations that has been created for her in the Night Court. I hope she’s selfish and chooses love and a mating bond because she wants it. I hope she’s selfish enough to finally put herself first in order to become the strong and brave female character she was always destined to be.
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s-insomnia · 7 months ago
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"artists deserved to be paid" and "this is a horrible decision" are two statements that should and do coexist
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turtleblogatlast · 7 months ago
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[ cw: violence mention / death mention / ]
Will never stop thinking about how Leo, all alone in an endless void and being beaten again and again and again by the only other living thing around, still finds comfort in that space. The situation he was in was completely hopeless, and in any other circumstances he would not have escaped, at least not fast enough to save him from permanent (or even fatal) damage, be it physical or mental.
And yet, despite the bleakness of his situation, despite the agony and helplessness, all he needs is one glance at a crumbled photograph, one glance to remember his family, and that’s enough of a reason for him to smile.
Maybe that’s why his powers center around manipulating space - because no matter how much space is between them, no matter how dire his own situation may be, just the thought of his family, alive and okay, is enough to give Leo hope.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt leo#rise leo#the prison dimension is horrifying on its own#add in a monstrous being that towers over you and has vowed to ensure your suffering?#god I can’t imagine how scary that is#Mikey opening the portal was a miracle because if he hadn’t managed it there#it’s really up in the air what could have become of Leo#personally I subscribe by the theory that you straight up can’t die in the prison dimension#so it’s a prison in all ways#but the thought of a Leo who manages anyway who adapts and continues to have hope despite it all…#Leo saying he’s nothing without his family is a double edged sword really#because the thought of his family alone is all he needs to live. to hope.#to smile#nothing without them…but they’re EVERYTHING to him#and maybe he doesn’t realize it but…the feeling is mutual#one thing too is that hope that comforts Leo so much is not just that#should he think his family needs help - that hope can turn into determination#I’m unwell about this family#actually on my point of their powers - I truly do think the abilities tie in not only to their personalities#but to their relationship to family and love in general#kinda like love languages in a way#Mikey with his chains and time abilities values being around his family the most - he wants them to experience living in the moment togethe#Donnie is someone who is 100% a gift giver to show his love - his constructs are exactly that aren’t they? gifts of his mind#Raph is someone who willingly bears the weight of the shield - he protects his family like the best big brother possible#and Leo - he goes off on his own a lot but his mind is constantly on his family anyway#like a sailor at sea no matter how far he travels the compass always point in one direction - and for him that compass points home#even if he can’t make it back - it’s still there#and that’s enough
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horrorshow · 4 months ago
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I really wish things could be different, you know?
for @wincestwednesdays prompt: performance/underrated words: Warsan Shire
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fictionadventurer · 4 months ago
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I think I have accidentally become very protective of the story of Snow White.
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triumviiirate · 4 months ago
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saying this about bones is literally the funniest thing ever. please remind me which character spends the entirety of tos actively demeaning humanity as a whole. quick
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withthewindinherfootsteps · 1 month ago
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Wei Wuxian and Narrative Agency – Part Three
For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!
(Part One | Part Two | Full version on AO3)
The Power of Agency: Shaping the Narrative
When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.
This? Linking structure to a character’s in-universe preferences?
This is where we get unhinged.
Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).
To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.
This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.
In other words, its very structure is respecting Wei Wuxian’s agency!
Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!
Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation
Which, of course, is him dwelling on…
Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation
…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:
He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation
And Wei Wuxian’s own thoughts and words:
Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 
Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:
“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR
Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.
Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:
At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR
Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!
So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.
This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!
And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.
But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?
At The End Of The Road: Summary and Final Thoughts
In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.
It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.
(Or, if an image would be preferable:)
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Thank you for reading!
(Part One | Part Two | Full version on AO3)
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*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 
#get ready for tag thoughts because there are a LOT of them#it’s for THIS reason that fanon wwx bothers me so much (didn’t want to get negative on the acual post)#bc so often all the changes are changes that woobify him!#self-sacrificial idiot wwx?? only doing things because… poor him he has so many internal issues and values himself so little-#-so of course he’d sacrifice everything before thinking of another option? woobifying#(whenever he sacrifices something it’s a deliberate choice to act on his morals because he values his morals so much – and he’s also very-#-capable and DOES often find ways for no people to get hurt!)#wasn’t aware that what happened to him at lotus pier was wrong and needs lwj to tell him that for him to have any idea if it?#woobifying (as we see in the lotus seed pod extra he KNOWS it’s unfair)#(he downplays it retroactively in his memory (links into not focusing on the bad things in his life))#(but that’s the actions themselves that are being downplayed not their fairness!)#he chooses to act! he is defined by acting! not tragedy – all the more impressive in the face of the amount of tragedy that’s happened#he could SO EASILY have been a woobie but instead he’s the opposite of one: defined BY his agency instead of the absence of it#that doesn’t mean he’s not impacted by tragedy or trauma – he is! but it’s not the most important aspect of his character (bc he doesn’t le#it’s also something that bothers me about the changes cql made#by making qq path and nightless city the fault of someone else it means he IS someone who’s more a victim of circumstance than anything els#he had no control over the tragedies of his first life at all#apart from ig his death being controlled by him? because he just leaps off the cliff during the nightless city siege?? but in THAT case it’#i watched that part recently (i’m getting through it very slowly) and yeah it reaffirmed my love for this aspect of the book even more#despite. having these exact thoughts for two years already#he also dwells on the past events a lot more than book wwx which adds to that version of him BEING defined more by tragedy rather than who#anyway over 7.3k words total (and 400 more in the tags apparently)... it'll be posted to ao3 in its completion this evening!#mdzs meta#my meta#wei wuxian#mdzs#mo dao zu shi#魔道祖师#grandmaster of demonic cultivation#gdc
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ruegarding · 3 months ago
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in relation to the last post, the entire plotline is poorly executed.
annabeth's reaction to percy in tartarus is normal, like, not good, but normal. percy's not only challenging the laws of the world, he's indulging cruelty. being afraid is a normal reaction to have. despite that, it's still a conflict that needs to be resolved...and it's not.
immediately afterwards it's like ok back to normal! the jagged edges of percy's soul smooth over and annabeth is back to business (which immediately begets the question: why did rick write that then? which is never answered. the point? missing*). like, the actual issue isn't even addressed. before turning the poison onto akhlys, percy is being tortured w it (and nothing annabeth tries stops it). percy isn't doing this bc it's fun and exciting. he's doing this bc he was feeling so angry, so hurt, so scared, so traumatized that he resorted to hurting someone to make himself feel better. this is literally never addressed.
even in boo, annabeth's arc isn't abt learning to not be afraid or to trust percy again, it's to allow herself to be afraid. w piper. away from percy. and she never confronts percy directly, she never reconciles her fear w percy, they never address how this changes their relationship. also piper is there bc annabeth is so freaked out by percy that now piper is freaked out by percy. which is. a separate issue that is only an issue bc once again it never gets resolved.
and then w percy obviously he has his suicide attempt. like, he thought what he did in tartarus was so unforgivable that he not only believed that he deserved to die, but deserved to die slowly and painfully from something that he could easily prevent. like. that's the thing. percy's powers come easily to him. do u know how low he would have to be to not even subconsciously try to save himself? and the only response is a "i think i get it" from someone who's perspective does not properly convey the severity of the situation (ppl read this scene without even realizing it's a suicide attempt). once again, percy and annabeth do not confront this conflict together. percy tries to kill himself and the narrative is like...anyway.
if rick didn't know how to handle this, or even if he just didn't want to write it, he didn't have to write it. any of it.
but it's not that rick doesn't know how to handle this situation bc he writes the same thing in boo and handles it a million times better. nico and reyna have a very similar situation to percy and annabeth and the inclusion of both of these scenes and the difference in how they're handled ends up vilifying annabeth in the narrative.
reyna and nico have known each other for less time. they have built up less trust. and yet. when nico challenges the laws of the world and indulges cruelty in a way that reminds reyna of her extremely traumatizing backstory, she comforts nico. she doesn't treat him like he's dangerous. hedge tells him "we all get angry" and reyna vehemently agrees. nico is given explicit support even before he can start spiraling. and when nico is told to not use that power, it's bc of how it affected him, not how it made them feel, not that it's unnatural.
this shows that there was a correct answer. annabeth didn't have it, and suddenly her "normal" reaction looks bad in comparison. but instead of addressing this in any meaningful capacity, we're going to ignore it and send p*rcabeth to college. #relationshipgoals.
it's such a narrative failure. and rick could've just. not written it.
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releasing this from the hj discord dungeon because the public populace was in agreement also i'm chronically offline on tumblr and need to fix that for my chronically online ahh
#hand jumper#webtoon#sayeon lee#she couldn't even enjoy herself once she gets into the decent university because she got sent to the corps sayeon lee my giiirl#SHE'LL NEVER BE ABLE TO BASK IN THE GLORY OF VALEDICTORIAN BECAUSE SHE WAS CONSCRIPTED 😭#bro she's built like those kids in school who dump social interaction the moment exam season comes around#she's built like and earned that first honours fr.#but the corps said nah so she did the one thing those kids do make life even HARDER for themselves#even if in context it's no even hard it's just a matter of survival in the corps so success is the only option lest you die#hj reminds me of kaiji a lot with how they handle this but they're like two different genres but i digress#so she created TWO short term goals that forced her to hammer down her if not reinforce her previous values/beliefs#and if you read fp or wait until this tuesday lemme tell you rn it gets worse#which force her back into her shell and wall she's built#which is fucked up bc juni's wall is coming down when cell 4 didn't die as quick as she'd thought and surpassed her expectations#sayeon try not to be any characters narrative foil/parallel challenge fail 1000% speedrun#this only gets worse in fp and while this was in my drafts since the morning#i will say i literally just had a conversation abt this with my g bigbrainmanyvibes before prematurely leaving for lunch#but i set an alarm to actually post all the memes i made here so imma do this one now then the rest later#JOIN THE HJ DISCORD!!!!!!!!!!!!!!!!!!!! IT'S FUN!!!!!!!!!!!!!!!! AND AWESOME!!!!!!!!!!!!!! AND WAY EASIER TO USE!!!!![to me......]#PLEASE!!!!!!!!!!!!!!!!!!!!!!!!#that's it for my obligatory plug for the hj discord you can stop reading now i you haven't already stopped because i make this thing a diar#anw GLORY TO SAYJIN NATION!!!!!!!!!
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stagefoureddiediaz · 15 days ago
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Something something about the cursed mummy working at a rodeo and the connection to lassos and wrangling bulls and foreshadowing. Something something about buck wearing a moustache when he dresses up as billy boils which connects things to Eddie.
How rodeos are connected to Texas in the general psyche. The idea that Eddie needs to go and wrangle with his bull in the next episode - Helena.
That she has been constantly trying to Buck him off but he needs to hold on in order to break the curse she has been on his life - the play on Buck being a massive support to Eddie - that gives him the strength to stay on and win the fight and pen the bull.
That he needs to break free of that curse in order to transform into his true self and how the werewolf is a representation of that happening and also a foreshadowing for the shaving off of the stache
#thinking thoughts#transformation and moustaches and bulls and Texas and metaphors and foreshadowing#it’s such an interesting way of setting up Eddie’s arc#the way 805 and 806 are being set up to work as a pair and show the strength of buddie - Eddie being there for buck in 805#and buck returning the favour in 806#the idea that they’re both wrangling with something that’s seemingly different but is in fact the same thing#Bucks wrangling with a curse is about his wrangling with his sense of self - him embodying a mummy to try and break a curse is a metaphor#for the fact he’s never felt valued for who he is as a person - he’s only been valued for his physical attributes#in romantic relationships - that he’s never been true to himself and listened to his own wants#Eddie’s wrangling is with his identity as well but it’s about how he was denied the chance to be himself because of the environment he grew#up in - the fact he was forced into this parental role at a young age - before he got to transform into who he wanted to be not what someone#else wanted him to be. how both Buck and Eddie’s wrangling is with their sense of identity#and how each one of them compliments each other perfectly - providing the thing they are searching for - Eddie isn’t interested in bucks#physicality - he’s always treated bucks mind and personality and the most important things about him giving Buck the space to embrace that#side of himself - while buck has always held up all of the aspects of Eddie that he was told not to show - the parts of him that weren’t#acceptable in a man - buck sees the care giver and the tender parts of Eddie and he embraces them#and how all of that and these two episodes are about both of them learning to see that those parts are the parts that make them them#make them loveable in the most beautiful way how they each already have the person who completes them how they’ve been building it for years#how its transformative for both of them#how it’s a set up for realisations and pining and buddie#911 spoilers#eddie diaz#evan buckley#buddie#911 abc
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captainsparklefingers · 22 days ago
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Actually thinking about it a bit, and I admit that I did need to check the wiki because my memory is faulty, the only instance of resurrection magic being done was with Vex...and it was Kash who did it.
(we all know the reason it worked was because of Vax, but Kash started the ritual.)
Pike said at the time that she'd never done resurrection magic before.
Wouldn't it be...appropriate, or at the very least, interesting, if the first time she does it successfully is on the one person who's been shown to do it before?
Maybe I'm grasping at straws because I don't want Kash to be gone (because he gets a happy ending in stream and it feels so WEIRD, this particular change). But Pike has thrown away her holy symbol, has started to realize the power of her blood (whatever that may mean at this point, we still don't know), has successfully used her vestige through faith in herself.
Pike bringing back Kash as her first successful resurrection, setting in place that it can be done and that she can do it, could be a good way to set up bringing Percy back. Because we know he's not gonna stay dead, but resurrection magic isn't completely established in TLOVM the way it was in stream (thanks to dnd mechanics). Grog's death by sword soul swallowing was cut. Scanlan isn't dead (yet), he's not gonna be able to be used as a test subject here. Using resurrection magic on the many faceless and nameless dead won't have as much of a story impact.
But bringing Kash back could.
So maybe that's why he had to go down. To set up how Percy can come back, by bringing him back first.
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is-the-owl-video-cute · 1 year ago
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So anyway you repeatedly say we only feel corn husks and similar inedible parts to cattle but Never add a source to back it up. Having worked on farms I’m afraid for the most part the feeds I’ve seen have been parts entirely edible to humans. And like fuck man 5% of all grown soy is fed to humans or however the stat goes, do you really think the remaining 95% is inedible? really?
Anyway yeah I’m asking for a source here cause I don’t want to add this on to months old post
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Ingredients such as “grain by-products” are referring to the husks, stalks, and other “green” parts of the plant that we humans don’t actually have the digestive capabilities to eat. The breakdown of most livestock feeds looks like the above when you actually take a look at it.
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Different cattle feed, similar ingredients. Still primarily things that, and I have to stress this, you cannot eat. This one is slightly higher in quality and does indeed have actual grain products included. Some of those are edible to humans. Some are not. Generally cattle are fed cattle cubes with supplemental mineral licks and hay. Some also supplement with whole corn, but I can gladly assure you that corn is not in short supply and even if all the corn sold to animal feed was donated to the poor, you can’t actually live off of corn because there’s very little nutrition in it. Hence why in both human and animal food it’s typically seen as a filler ingredient. Keeps the mouth busy with a meal without making your stomach feel full and you end up eating more without feeling satisfied.
Soybeans are really only often used in feed for pigs because they’re a great source of protein for these animals. I would state that soy is also a terrible option to use as an emergency food for humans in need because while, yes, it is indeed a healthy bean, it’s also one of the top eight foods that humans are frequently allergic or intolerant towards. I’d also ask you for whether your 5% of all grown soy statistic is referring to the beans or the entire plant because yeah the beans are the edible part. The rest of the plant isn't especially healthy for humans to eat. I would say the beans are around 5% of a mature soy plant sure.
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kimasousparky · 1 month ago
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it'll never stop being funny to me how 6 years old me was so on spot when she imagined mario as "an average, kind-hearted guy who was really good at jumping, really loved his timid brother luigi and liked the princess he romantically" while playing SMW over and over again before she was exposed to media that portrayed mario with a personality
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turtleblogatlast · 4 months ago
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i see your post about leo being relieved that hes trans because he learned his stripes would go away and i raise you: leo, who spends his entire childhood in fear because donnie told him that he will lose his stripes when he is younger, only for them all to realize hes trans when they dont
Oh…Leo having so much value in his looks and especially his stripes because they’re what make him stand out the most, and in turn it helps solidify himself a role in the team as the “Face Man.” Sure, he absolutely thinks himself good looking with or without the stripes, but his stripes are striking and he knows it, and they mean more to him than just looks anyway. Knowing all this time that his stripes were going to fade and yet still taking on his title and still being as confident as he is - imagine he’d already come to the conclusion that his worth on the team, in his family, was always on a timer.
Then that timer goes away. And he’s left with relief and tells himself that hey, he’d have been just as cool looking without the stripes anyway! But…he’s glad to keep them. Even if his role isn’t quite just “Face Man” anymore, his stripes are a part of him.
And it’s been really scary to think that someday he’d look in the mirror and see a part of himself missing.
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