#v: way down hadestown
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heirtothetrib · 2 years ago
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“ your routine changed.” ( from Orpheus )
"Oh really? And what makes you say that?" Darcy smiled as he walked by his musician friend. His routine had changed at least a little, his work hours had shifted about two hours later in the day this week, getting him home about two hours later, but he was surprised Orpheus had noticed. They hadn't talked much beyond Darcy tossing him a few dollars every couple of days and complimenting his songs. But it was nice to know that someone had noticed.
@whcrycu
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thisshadeofred · 1 year ago
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brother my brother
There was a soft melody in the air as Rex walked towards the pub. It wasn't uncommon by any means- plenty of folks played guitars and lyres, drums and even the occasional set of keys near the pub, usually hoping for an extra buck or two. The weather wasn't as harsh, spring on it's way, but the musicians could always use a little extra help.
What was weird however, was the melody itself. Rex had heard plenty of songs, was plenty used to the standards that were played. But this wasn't a standard, and yet it was familiar a cozy like a warm hug. Where had he heard it from before? He didn't recognize the musician either. He was a sad soul it seemed, and Rex couldn't help but feel the need to reach out to him.
Rex wandered closer, grabbing a dollar to put in the sad musician's tin. "That's a pretty song," he said putting the dollar in. "Where's it from? It sounds familiar." He looked at the musician closer, trying to meet his sad eyes. "I haven't seen you around here before. Are you new here?"
@betterto-die-thanto-crawl
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the-great-bob-off2024 · 5 months ago
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let the bob-off commence!
submissions are closed, and we are ready to start round 1!
a few things to be aware of...
78 bobs have been submitted to the tournament, and the first round will consist of 39 matches
each matchup has been decided at random (some of them have put my beloved bob blorbos in dire situations but. we move) by a random name generator - I haven't selected the match-ups myself
each match will last for a week, and I will post two matches a day
you can still send bobaganda (bob propaganda) when the tournament is underway! stick up for your bob blorbos! each poll has a section for bobaganda, and if one of your faves' has been left empty, please help me out by sending some my way! you can even submit reasons that your faves bob should win if they already have bobaganda attached - you can never show too much love to your favourite bob!
enjoy the tournament, and bob speed to you all...
[underneath the cut, I have included the complete list of bob entries - tournament spoilers ahead!]
The Contestants!
Alexander Rozhenko (Star Trek: The Next Generation)
Amity Blight (The Owl House)
Anne Shirley Cuthbert (Anne With an E)
Anya Jenkins (Buffy The Vampire Slayer)
Armand (Interview with the Vampire)
B'Elanna Torres (Star Trek: Voyager)
Becky Botsford (Wordgirl)
Bruno Bucciarati (Jojo's Bizarre Adventure)
Buffy Summers (Buffy the Vampire Slayer)
Dr Charlotte DuBois (Falsettos)
Chris Noel (Dead Poets Society)
Christine Chapel (Star Trek: Strange New Worlds)
Christine "Lady Bird" McPherson (Lady Bird)
Colette Tatou (Ratatouille)
Dana Scully (The X Files)
Dora (Dora the Explorer)
Edna Mode (The Incredibles)
The Eighth Doctor (Doctor Who)
Elastigirl (The Incredibles)
Eleanor Levetan (Do Revenge)
Eliza Pancakes (The Sims 4)
Emma Frost (X Men)
Eurydice (Hadestown)
Fa Mulan (Mulan)
Go Go Tomago (Big Hero 6)
Haku (Spirited Away)
Han Sooyoung (Omniscient Reader's Viewpoint)
Helmeppo (One Piece)
Himiko Yumeno (Danganronpa)
Jane (Descendants)
Jenny Calendar (Buffy the Vampire Slayer)
Kathryn Janeway (Star Trek: Voyager)
Kira Nerys (Star Trek: Deep Space Nine)
Kit Kittregde (American Girl)
Komaru Naegi (Danganronpa) 
Lady Mary Crawley (Downton Abbey)
Lestat de Lioncourt (Interview With the Vampire)
Lindsey Bergman (American Girl)
Little Lad Who Loves Berries and Cream (Starburst Ad)
Lola Luftnagle (Hannah Montana)
Lord Farquaad (Shrek)
Lydia Deetz (Beetlejuice the Musical)
Mahiru Koizumi (Danganronpa)
Maria Von Trapp (The Sound of Music)
Mavis (Hotel Transylvania)
Mei Lee (Turning Red)
Mei Misaki (Another)
Monaca Towa (Danganronpa)
Mon Mothma (Star Wars)
Mystique (X-Men)
Nancy Downs (The Craft)
Nancy Landgraab (The Sims 4)
Poppy O'Hair (Ever After High)
Quinn Fabray’s blonde bob (Glee)
Quinn Fabray’s pink bob (Glee)
Quinn Fabray’s platinum bob (Glee)
Rapunzel (Tangled) 
Ruby Sunday (Doctor Who)
Sabrina Spellman (Chilling Adventures of Sabrina)
Sophie (Howl’s Moving Castle) 
Spock's ‘break up bob’ (Star Trek: The Motion Picture)
Stephanie (Lazy Town)
Suki (Avatar: The Last Airbender)
Tanya (Mamma Mia!)
Tashi Duncan (Challengers)
Taylor McKessie (High School Musical)
Tina Cohen-Chang - gaga (Glee)
Toralei Stripe (Monster High)
Tori Spring (Heartstopper)
Tracy Turnblad (Hairspray)
V (V for Vendetta)
Valeris (Star Trek VI: The Undiscovered Country)
Velma Dinkley’s live action bob (Scooby Doo)
Velma Dinkley’s animated bob (Scooby Doo) 
Velma Kelly (Chicago)
Willow Rosenberg (Buffy the Vampire Slayer)
Worf (Star Trek: The Next Generation)
Yuki Takeya (Gakkou Gurashi)
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nowandforalways · 1 year ago
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"Never to change, ever to share...": An off-the-rails analysis of "Now And For Always" from the Lord of the Rings musical
Good day to you, my dears.
"Now And For Always" is my favorite song of all time and has been since I first heard it at age 16. With the revival of the musical giving us a ✨whole new arrangement✨ of the song, I decided now would be as good a time as any to analyze it as a whole and take a look at a few of the changes made to see how each version accomplishes exactly what it set out to accomplish with it's storytelling from a musical perspective.
A QUICK NOTE BEFORE WE START: While in the original production of the show, "Now And For Always" is clearly diegetic (that is, the characters in the show are actually singing the song in the world of the show), it's a bit more debatable in the new production. Samwise Gamgee is a wonder, but I find it hard to imagine him schlepping an entire guitar to Mordor - this ain't Hadestown, after all (the "Wait for me"/"And I'm coming with you" thing would require an entirely separate post 😉). Regardless, for the sake of analysis and also my sanity, we are going to say that the song is 100% diegetic in both versions of the show.
Key: NA = new/revival arrangement
OA = old/original arrangement
SO
First lets take a look at what stays the same between both versions (which is most of the song, tbh) and see what can be seen. We're gonna get lightly music-y here.
This song is in 6/8 time signature, which basically just means that it's counted out in two groups of 3 notes each - 123, 456 - with a sort of slope-y feeling to it, like rising up to 3 and falling back down to 6. You can also count it in a very slow 2/2 (1, 2), with each of those being on the 1 beat and then the 4 beat of the 6/8 counting pattern. This time signature has the effect of making it slow and relaxing, but still sound Hobbit-y, in a rather country-ish way. This time signature could technically become a very fast waltz, and it does lean into a natural sort of swaying motion when you listen to it. Perfect for singing around the fire.
The rhythm of the song itself is interesting because it's very speech-like. If you try to speak the words out loud in rhythm, it doesn't actually sound that off from a typical English speaking rhythm. This makes it very easy to learn, and very easy to add your own words to, as its implied Sam and Frodo are doing as they sing it. Lassi Longren, the composer of the song, said that it wanted it to sound like an old song that the Hobbits all know and sing around the fire, and the idea of a song like this with a chorus that everybody knows and then verses that are improvised by individual singers makes a lot of sense (makes me think of, like, "The Campfire Song" from The Lightning Thief - a song that is also in 6/8 and with a very speech-like rhythmic pattern).
The chordal structure also contributes to this homey, comfortable feeling. The song is in the key of D major, which is a fairly middling key (it's the key that most pennywhistles are automatically tuned to!), and is constructed around just 3 chords, with 1 more thrown in there if you want the cadence on "strange and rare" to sound correct. This makes it extreeeeeeemely easy to play - like I can barely play guitar, but I can reasonably play this. For the music nerds, the chords are I, IV, and V, with a little vi for that one cadence I mentioned earlier. This is essentially the most basic group of chords ever created, and it seems very intentional to me - it makes the whole thing feel comfortable and familiar, like it's an old song you know, even if it's your first time hearing it (Fun fact: The Shire theme from the Peter Jackson films uses also uses this chord group!). The only this about the song that might make it tricky to sing along with is its range - it's more than an octave, which can be hard to span if you're not a practiced singer. But you know, sometimes you just gotta have that fun melodic contour. Song gets boring if it stays all within too small of a range. :P
Okay so that's all the basic musical stuff that's the same between both arrangements. Time for the differences.
The most major musical differences in the NA as I can see are: Frodo and Sam switching who is singing the higher vocal part and who has the lower part during the second chorus, different instruments being used for the solo instrumental lines, and the whole of Frodo's solo verse and chorus. These all serve the major thematic change in this moment in the NA, but I'll get to that at the end.
First, the vocal lines in the chorus. You all know how much I looooove that Frodo is always on the lower part in the original show (see this whole post I wrote about it here!), and I equally love Sam getting the higher part in the OA for this song. It fits his character and part in the song very well - he started it off, he's done the improvising bit; after one chorus of unison to make sure that Frodo has a handle on the melody, he can pop off. Young, dreamy, surprisingly poetical Sam, with his love for elves & beauty & all things that grow, gets the chance to soar, while Frodo stays lower, hanging onto the melody. It almost works like foreshadowing for their characters, with Sam audibly choosing to do so much while it seems like Frodo is just there, but Frodo's actually doing the arguably far more important part of carrying the melody.
In the NA, they are flipped - now Sam stays on the melody while Frodo pops up to the higher part, and it still works just as well. Frodo's actually been on the higher part for the whole show up to this point, cause that's just how Louis Maskell rolls (the one very significant moment where he sings a lower harmony to Sam's melody is right before he leaves at the Grey Havens, which I could probably write a whole 'nother essay about), but it doesn't screw with the character perception in the way I had initially feared. Sam starts the song, Sam's got the guitar, so Sam stays on the melody, to carry the thing through. This now leaves Frodo free to do his thing with Sam's support. And this is where I start heading into headcanon territory, but I can't help but think by the easy way he slipped into it that maybe Frodo has sung this part before. He canonically has a nice voice (the Breelanders like it so much that they make him sing "The Man In The Moon Stayed Up Too Late" twice in the book!), and it would make sense for a naturally talented singer to get enough experience singing that they are able to whip out a higher part just for fun - maybe, if they ever sang this one down at the Ivy Bush, or by the fireplace in the parlor of Bag End, this was Frodo's part. And speaking from the same character perspective, Frodo is also everything I described Sam as before - dreamy, poetical, sweet - he's just older and, at this moment, significantly more tired both mentally and physically. But, he hasn't lost his hope yet, so he can still reach down and bring out a past version of Frodo, one who could sing that part in the song.
Next, the instruments. This is pretty simple; there aren't a lot of changes, but the one significant moment is the use of a harmonica instead of a fiddle for the solo in the middle of the song. Both versions of the show have instruments associated with certain characters (harp for Arwen, whistle for Frodo, concertina for Gollum, etc.) but the NA has the advantage of having all the actors play instruments, so it becomes rather explicit. In this case, the harmonica is being played by and associated with Bilbo, and that's neat, because this is a continuation of a story that he was also a part of. The fiddle in the OA is more representative of hobbits as a whole, so it also works in context.
Aaaaand the last one, the arrangement of Frodo's verse and chorus. This one is a doozy, because this is where we will be involving my theory on the different reasons for Sam starting the song.
So, the first time I heard the NA "Now And For Always", I actually started yelling IRL "IT'S A HYMN" as soon as it got to Frodo's verse+chorus, because, well, it is. Lemme explain. The orchestrations shift from the guitar and strings of the rest of the song so that Frodo is backed primarily by the ensemble singing "Oohs" and some sort of drone bass note underneath that I can't figure out (probably like a cello or something). The tempo suddenly becomes a lot slower and a lot less "bouncy", so to speak - that 6/8 time rising and falling pattern that I described before is significantly downplayed, and there are a lot more complete rests in the music, and that gives the whole thing overall a much straighter feel. This all gives a very hymn-like effect, particularly the "ooh"s, because voices moving between chords like that in a homophonic way (that is to say, everyone changes notes at the same time) is common in chorale-style hymns, and the drone, because having something called a "pedal point" (one note held underneath multiple chords) makes the music sound a lot older and more solemn. This is in contrast to the OA, which has, while not the exact same backing in Frodo's verse+chorus (it does get slower, and more smooth and flowing in the instruments), certainly much less contrast between Frodo's bit and the rest of the song than the NA. They both do this, but the NA just a bit more emphasizes how serious Frodo is about what he's saying. It's also is a texture that we haven't heard yet in the show and won't really hear again, so it kind of demonstrates the changes going on in Frodo by this point, like he's becoming something not quite of the world (sort of like all those comments in the book about him being "clear" or having a light shining through him). From a practical standpoint, it's also because Sam had been playing the guitar this whole time, and now he has gone to bed, so no more guitar. But above all, the vibe that making it sound like a hymn gives it is reverence, and that is important for the next bit.
Hoo boy, it's extrapolation/headcanon time. I've done a lot of actual musical analysis, but there comes a point where you have to take all those things you've gleaned and start spitballing about what they mean when combined all together. Here's what I have landed in: The changes in the NA reflect a change in Sam's motivation for starting the song in the first place.
Lemme explain.
In the scene before "Now And For Always", the boys are discussing Frodo's realization that destroying the Ring means that the elves will leave, and that there will be no more magic in the world. It's as they reflect on these very big changes that Sam starts singing a song about how at least some things stay the same. NOW. In the OA, Sam and Frodo start off the song in much the same place, emotionally - they're both kind of moody and mournful, feeling shaken at the idea of everything changing in such a big way, and missing the days when they believed that stories always ended with things returning to a happy normal. Sam's line "We hobbits only really like stories that end just the way they started, don't we?" is sort of a rueful realization that they are both severely freaked out by all of this because they come from a place that values unchangingness so highly. Sam starts the song as a way to bring them both some comfort by reminding them of home. He then fills in the bit about Frodo during the second verse because Frodo mentioned special folk and great adventures, they're both so tired that everything's funny, and Sam genuinely adores Frodo and knows how brave and important what he's doing is. Frodo's verse about Sam, in turn, is sung almost like a lullaby, which makes sense, as lullabies are often directed at the person falling asleep. So Frodo sings to Sam as he falls asleep about how much he admires him right back, sort of returning the compliment, like in the book. The way he says "it's not me they'll remember, you know" just before he starts singing has this weird sort of regretful tone to it, as if Frodo has kinda always known that his would be a thankless task, and that Sam, taking charge and leading them around and taking care of them, will be the one who goes down in history as being instrumental. He has been seeing this whole time how much Sam has done for him, and he knows that in time, others will too.
In the NA, on the other hand, the vibes of the scene before the song are somewhat different. The lines do not change at all, but the attitude from each of them is different. Here, we have the exact same conversation, but Frodo is audibly more stressed about it (not to mention more audibly exhausted), and Sam, in response, is keeping his tone very neutral, almost lighthearted at times. That general vibe continues into the song, which I thought was weird at first, until I realized what Sam is doing. Frodo is very shaken by all the big changes that he sees coming, so Sam responds by reminding him about the songs that they used to sing the Ivy Bush - the ones where nothing ever really changes. He says the line from above about hobbits liking stories that end the way they started like he's reminding Frodo of a fun fact, which is that despite everything going on around him, there are still plenty of stories about heroes where things are allowed to go back to the way they were. In other words, while the OA of "Now And For Always" is two people trying to comfort themselves by singing something that reminds them of home, the NA is Sam Gamgee Is Going To Cheer Up His Best Buddy Or Die Trying, first by reminding him that plenty of things do stay the same, and then by getting a bit silly and describing Frodo as one of the heroes (who, I will remind you, are allowed to go home unchanged). He goes until he sees a sign that he has succeeded somewhat in his quest - remember my headcanon about Frodo singing the higher part being indicative of his old self shining through? That could certainly be a signal to Sam that his little idea worked. More likely, the fact that Frodo starts waxing poetic about plum cake (which is so valid of him, tbh) when a few minutes ago he had to be ordered to sit down and eat something is also a sign to Sam that Frodo feels better, at least for the moment. So he feels alright to go to sleep. And then Frodo sings his part. And THAT'S why the reverent tone I mentioned earlier is so important. Because it makes it seem like Frodo also realizes, in this moment, what Sam has just been doing, and what Sam has been doing this whole time. The pauses in the music make it seem like he's coming to awareness, step by step, of just how much Sam has done for him, and the only possible emotional response for something that earth-shatteringly loving is reverence. And THAT'S why the NA ending works so gosh darn well - it gets across everything that Frodo is thinking and feeling in this moment with the music as well as the lyrics.
So, yeah. I don't have, like, much of a conclusion for all this. These are just a bunch of things that I observed about these two songs and then my brain running absolutely buckwild with extrapolating conclusions from there. And a lot of this is my own interpretation of what I hear, so if you thought something different, that's totally fine! Also, this is entirely based on only being able to hear what's going on, so if you've seen the show and I got the vibes super off for part of it, please let me know. :)
Thank you for reading, and I hope to see you around! Heyday!
EDIT: The more I think about it and try to feel it in my body, I might call the time signature a very fast 3/4. Regardless, all my points still stand. Just wanna cover all my musical bases. :)
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adharaantheia · 6 months ago
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I've mentioned before that I love to dedicate songs to the Gods, so here's some songs I associate with the Gods that I work with (it all makes sense in my head):
Lady Athena:
^᪲᪲᪲ Labour - Paris Paloma;
^᪲᪲᪲ Paper Bag - Fiona Apple;
^᪲᪲᪲ Girl With One Eye - Florence + The Machine;
^᪲᪲᪲ The Great War - Taylor Swift;
^᪲᪲᪲ The Moon Will Sing - The Crane Wives;
^᪲᪲᪲ For me, even if Lady Athena is the Goddess of Wisdom, I also think that she's the type that would like songs that carry rage or deep meanings. I want to have more songs to her playlist, but I only put songs that I think matches the Gods (in my opinion. Lady Athena helped me a lot to understand that it's okay to feel anger at how we are treated in the society, especially if you are a minority. So even if these songs talk more about feminism, Lady Athena protects everyone equally, and she too feel rage when we are being mistreated, being a woman or not. ^᪲᪲᪲
Lord Eros:
^᪲᪲᪲ So High School - Taylor Swift;
^᪲᪲᪲ Feelings Are Fatal - Mxmtoon;
^᪲᪲᪲ Love Me Again - V;
^᪲᪲᪲ Somebody To Love - Queen;
^᪲᪲᪲ Serendipity - BTS;
^᪲᪲᪲ Lord Eros' playlist is filled with love songs, and I think it's good because I'm too used listening to melancholic music, working with him made me see that loving people is something that I do without any effort. Lord Eros may be for romantic love, but he helped me see that I have so much love to give, and in the right moment, I will be loved in the same energy that I love. His playlist gives me hope for the day that I will find my only one. And I think I need more love songs that aren't only Taylor Swift songs haha ^᪲᪲᪲
Lady Aphrodite:
^᪲᪲᪲ Riptide - Vance Joy;
^᪲᪲᪲ Brooklyn Baby - Lana Del Rey
^᪲᪲ 007 - Tabber feat. Syd;
^᪲᪲᪲ Invisible String - Taylor Swift;
^᪲᪲᪲ Clara Bow - Taylor Swift;
^᪲᪲᪲ I love the playlist I made for Lady Aphrodite, it has romantic songs but also songs that make you feel pretty. Lady Aphrodite is helping me not only in my love path, but also to find beauty inside me. Lady Aphrodite was the first Deity that I worked with, but we spent some time without working together and now she's back in my life. The song that most represent her to me, is Riptide, I don't know why, but every time I listen it reminds me of her. Maybe it's the comfort and the pure love this song is, but for me it's totally Aphrodite's vibes ^᪲᪲᪲
Lord Apollo:
^᪲᪲᪲ Which Witch - Florence + The Machine;
^᪲᪲᪲ Here Comes The Sun - The Beatles;
^᪲᪲᪲ The Archer - Taylor Swift;
^᪲᪲᪲ Would That I - Hozier;
^᪲᪲᪲ Long Story Short - Taylor Swift;
^᪲᪲᪲ Lord Apollo's playlist is, by far, the most intimate I have between the Deities. And no, I'm not picking favorites or something like that, is just that Lord Apollo has been in my lowest moments, he heard me cry and ask myself why I was still alive because of how much I was suffering. His playlist is filled with songs about all type of feelings, if I'm still alive, is because of Lord Apollo and how much refugee I took in music. I asked Lord Apollo if he wanted me to make a new playlist for him, because his was filled with sad songs, unlike Lady Athena's that has songs about strength, Lord Apollo have songs about melancholy. And I was surprised that he said no, maybe it was because every song has a meaning to us, either way, Lord Apollo's playlist have a special place in my heart^᪲᪲᪲
Let me know if you guys want me to share more songs that I associate with the Deities! By the way, I'm addicted to Wait For Me (Reprise) of the Hadestown musical, I swear that this songs always give me chills.
Also, every song can be associated with the Gods because it's more about your relationship with them and the feeling you have than about the song alone. And I highly recommend having playlists for them! It's a devotional act but also something for you to cherish when you're feeling insecure.
For example, when I'm feeling insecure to go out alone, I put Lady Athena's playlist because it gives me strength to not back down.
Anyway, hope you guys have a great day, stay safe, drink water and if you're feeling like it, do some tarot. Maybe the Gods have something to say to you today!
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exoplanetupdates-blog · 2 years ago
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Hadestown Musical - XIUMIN
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Promotions:
Interview [RAW]
Interview 2 [translation thread]
Amazing Saturday
OrpheuXiu V-log
D&E Show
Singles Korea Interview [1] [2]
SBS Power FM [RAW]
Clips & Teasers:
Xiumin's Introduction as Orpheus
Interview [RAW]
Interview 2 [translation thread]
Hey Summer Hey Samba with Hadestown Family
'Road to Hell' - Behind the Scenes
Highlight Clip [2]
Epic III by Xiumin
'Fate's Moment'
'Way Down Hadestown'
'Wait for me' 1st rank thanks message
Anaïs Mitchell reacting to Wait for me
Profile Poster Making
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westywallowing · 2 years ago
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if it's true from hadestown continues to be my favorite fucking song it is just CHILLING
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improvisatoren · 5 years ago
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@skyfulcfstars
What a dismal place it was, Gerda thought. The haze of smoke in the air, the steam puffing off machines that worked and worked, powering those electric lights that were a far cry from sunlight (of which there was none down here). The long way down was a chilly one filled with perils that were no easy feat to overcome. But now that she was here? Hadestown? Those terrors paled in comparison with the dead looks in the eyes of the countless tired workers. Hadestown was warm alright. Heated by the furnaces of machines and the sweat of the poor souls building that long, long wall. By the scaffolding she guessed it would be pretty high when finished.
To think of it, Kai really would love the machinery. He was clever like that, if a little full of himself.
Gerda tried to ask after her friend, but no one would so much as look at her, much less answer. It was hard to say how long she wandered around, asking and asking with not a word of information. She’d given up asking and just started looking, when she spotted someone who stood out from the crowd. And THAT was an understatement.
Clothes finer than anything anyone else here could dream of, a confidence and alertness beyond the workers’ too. With the boldness and courage that brought her this far, she walked right up the woman and said: 
“Excuse me, if I might have a moment of your time, I’m looking for my friend.”
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bruce-wayne-simp · 3 years ago
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Ok heres my semi-review of the tour cast of Hadestown:
Hermes is pretty good. He doesnt have the raspy? Dry? Tone of Andre de Shields and he opts up for some words which idk how i feel about. If you like Andre de Shields you may not like this guy, if you dont like Andre de Shields you might love this guy. Personally, i have mixed feelings.
Orpheus is perfect. I love him and will protect him with my life. To me Reeve always seemed like on the higher notes he couldnt quite get there? This dude can and does beautifully.
Eurydice is kinda standoffish? Like in the first part, i get it, shes been alone and depended on herself for her whole life and all that but even after she meets Orpheus she acts like she doesnt like him? It gets a bit better in the second act. Her delivery on "I did. I do." Is very defensive and 'wtf orpheus why are you here?' To me if that makes sense? Idk just not my cup of tea. Her singing is v v v good though. She didnt go as hard on Certain Parts but she did v well. (Edited 10/11 to remove the word 'mean' bc i dont think it fits and i felt icky abt it, anyway)
Persephone is v v high energy and i would die for her. Hades dni
Hades is pretty good. He won me over with Hey Little Songbird and in the second act. This man has insane stage presence.
The Fates are v good. They sang Nothing Changes kinda fast tho?? Like imagine kinda quickly running through Nothing Changes in your head and thats how it sounded.
The ensemble is great. I love them sm
During Wait for Me reprise, one of the ensemble opted up a note or so for the chorus and it was amazing
Trombone Lady in the band KILLED IT
They all got a standing ovation at the end (idk if thats commonplace but yeah)
Other Things (some stage-happenings spoilers??):
The set does break apart! I was worried it wouldnt lol
Wait for Me is absolutely gorgeous
"I CONDUCT THE ELECTRIC CITY" is so badass
So is Hades' entrance
Instead of the middle of the stage going up and down, there is a furnace lookin thing at the back of the stage they walk into to go to Hadestown and back. This makes the final scene where Orpheus turns around a bit awkward bc he is walking toward the side of the stage and she has to veer off toward the back.
Hades pulls a flower of his own out to give Persephone during Epic III.
Epic III is just very emotional and impactful in general
(Edited the next morning to add:)
Hermes and Persephone in the second act are v v playful with each other and its cute
Orpheus is visibly nervous and you can hear the nerves in his voice when he starts to sing Epic III which i love
During Way Down Hadestown after Eurydice's line, Orpheus jumps in front of Eurydice all protective and its cute af
Thats about all i remember rn. Its 2 am and i just got home and im still kinda emotional abt it lol
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mladylu · 3 years ago
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WELCOME, PRINCESSES, PRINCES AND ROYALTY...
First and foremost, this is a fanfiction blog, which means I will only be posting my writings and maybe a few fanarts (sketches, for the most part) that complement the writings.
So, this will be the post you wanna go to if you want to find: basic info about the writer (me, your damsel in [di]stress), how to make requests and what type of request I take, fandoms I write for and the link to all the masterlists.
That being said, let's the show begin.
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– ᴛʜᴇ ᴀᴜᴛʜᴏʀ
Once again, hello, lovely royalty.
This is M'lady Lu, you also may refer to me as May, Lu, or M'lady if you're a bit more fancy. I speak Spanish, English and Portuguese, and my main language is Portuguese.
I am currently 18, and will be at the age of 19 by the end of October.
You can feel free to contact me through the chat to discuss anything fandom related (Writings, collabs, suggestions to better my writing skills, fanarts, YouTube, content itself, etc.).
My hobbies are currently drawing fanart, writing fanfiction and other stories, making playlist, reading books, fanfic and webcomics; binging cartoons, anime, series or musicals; swimming, gaming, role-playing (text-based and tabletop) and cooking.
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– ʀᴇǫᴜᴇsᴛs
Simply submit an ask with the type of writing you want (Scenarios, imagines, headcanons, drabbles, smut, etc.), the fandom and the characters.
If you want me to write about a certain point in time in the show, webcomic, movies, series, etc., please, message me asking if I am up to date before sending the request.
Now, for the types of requests I take:
✅✍ Can write:
Scenarios
Headcanons
Fics
Oneshots
AU's
Some kinks
Triggering subjects
Fanfic Tropes
Fluff
Angst
Violence
Smut/Lemon/Lime/NSFW
Canon diversion (Warn me ahead of time in the requests)
💢✍Can't/Refuse to write:
Active Rape/Non-Con/Dubious Concent
Incest
Age-play
Suicide
Glorification of stalking, kidnapping, abuse, racial preference, prejudice and extreme humiliation (I draw the line in the humiliation one when it is starting to become toxic and affects someone in an emotionally damaging way, but I will accept of it is as kink and is light)
Necrophilia, Coprophilia, Gerontophilia, Foot Fetishism, Urophilia, Voraphilia
Loose requests (If you are requesting for a fandom with complicated dynamics and the requests focuses on that complicated dynamic, please... Be specific, this is not in the same range of loose as a hobby)
(Will add more later)
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– ғᴀɴᴅᴏᴍs
Anime:
My Hero Academia
Jujutsu Kaisen
Death Note
Food Wars
Scissor Seven
One Punch Man
Attack On Titan
Seven Deadly Sins
Kaguya-sama: Love Is War
Sailor Moon
Spy x Family
Kaiju No.8
Cartoons:
Arcane
Villainous
Avatar: The Last Airbender
Hazbin Hotel/Helluva Boss
Invader Zim
Eddsworld
Codename: Kids Next Door
Gravity Falls
Star Vs. The Forces Of Evil
Daria
Inside Job
Rick and Morty
Samurai Jack
Adventure Time
Regular Show
Close Enough
Final Space
Total Drama Saga
My Adventures with Superman
The Owl House
Digital Circus
Lackadaisy
Scott Pilgrim
Invincible
Webcomics:
School Bus Graveyard
Lore Olympus
UnOrdinary
Suitor Armour
Boyfriends
AntiSTALKER
Eaternal Nocturnal
Morgana and Oz
Down To Earth
Games:
Detroit: Become Human
Arcana
Duskwood
Mortal Kombat
Five Nights At Freddy's
Bendy And The Ink Machine
The Last of Us
Call Of Duty: Modern Warfare
Hogwarts Legacy
Movies and Cinematic Universes:
Marvel Cinematic Universe
DC's Animated Universe (Warner animations and the webcomic on Webtoon)
Encanto
Tangled
Wreck-it Ralph (ONLY THE FIRST MOVIE)
Disney Renaissance and the 2000's
Kingsman
Maze Runner
Harry Potter
Markiplier Universe
The Hunger Games
Spiderverse
Series:
Umbrella Academy
Deadly Class
Mandalorian
Young Royals
On My Block
Teen Wolf
Stranger Things
Gen V
Lessons in Chemistry
The Boys
Books:
School for Good and Evil
The Naturals
Warcross
Renegades
Cruel Prince
Harry Potter
Fantastic Beasts
Musicals:
Jekyll and Hyde
Hadestown
EPIC: The Musical
Hamilton
Virtual Bands:
Gorillaz
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– ᴍᴀsᴛᴇʀʟɪsᴛ ᴏғ ᴛʜᴇ ᴍᴀsᴛᴇʀʟɪsᴛs
Here you go! 🥨
47 notes · View notes
heirtothetrib · 2 years ago
Note
❛ i haven’t laughed like this in a long time. ❜ ( from Orpheus )
"Well, that's a good thing then," Darcy smiled along, happily patting Orpheus on the back. They had gone to an arcade bar just down the road from Orpheus' normal playing spot, and Darcy was doing a terrible job at playing a dancing game. For an IT person, he had about as much rhythm as one would expect. But it made for a wonderful night. "We should do this more often. It's nice to see that smile of yours."
4 notes · View notes
novaliae · 3 years ago
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Hadestown for the album ask
tysm for the ask! (but also fuck you for making me choose songs from such a banger album /a)
my favorite lyric
okay this is like,,, a whole-ass section, but the last verse of how long because it has such ✨v i b e s ✨and the motif from over the whole song climaxing into this section with the harmonies???? chef's kiss. was debating between this and hermes' spoken section at the beginning of wait for me (reprise), but i think i like this better slightly.
And how does the sun even fit in the sky/It just burns like a fire in the pit of the sky/And the earth is a bird on a spit in the sky/How long/How long/How long
my favorite song
shit this is HARD but maybe wait for me because a) iconic and b) the way it's staged gives me C H I L L S. like i started fucking vibrating in the audience and my friends had to hold me down lmfao (castles can attest to this).
the song that makes me cry
road to hell (reprise), hands down. all the tiny motifs and callbacks are everything to me, and when eurydice comes in and asks for a match i fucking lose it.
the song that's a fucking bop
this changes from day to day, but candidates include livin' it up on top, way down hadestown, and wait for me (reprise) (specifically the section that eva belts because D A M N). they all have such good energy and lyrics and the staging is so cool? can you tell i'm a persephone stan lmao
the song i most dislike/love least
maybe doubt comes in? just not really my vibes ig
this is a whole ass essay i am SO SORRY cloey lmfao
12 notes · View notes
internalsealpanic · 4 years ago
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Lover, Tell Me, if You’re Able
Summary: You trek down to the underworld to save a certain Robin using your admittedly limited knowledge of Greek Mythology. Nothing a little moxie can’t fix right?
a/n: I’ve been wanting to do an Orpheus Eurydice thing with Jason for a while now. I’m pretty sure this has been done but I really wanted to take a stab at it. 
listen to this song while reading: https://www.youtube.com/watch?v=zP47npl3rHo
warnings: angst, slight body horror, unhealthy grieving, bad decisions, and kind of an eating disorder caused by unhealthy grieving. There is some tooth rotting fluff though.  
word count:  5,049
You snorted in your usual short, breathy laugh—which according to certain asshats sounded less like a laugh and more like the death rattle of a hyena —as you nearly tripped over what felt like the fiftieth rock in the past half hour. You cursed quietly wrapping your shaking arms around yourself letting your unkempt fingernails dig into your thoroughly abused coat which probably had a few unwanted holes by now. It wasn’t even that cold nor was it even remotely scary. You know, aside form the ghostly moaning bouncing off the walls but that was par for the course in Gotham subways. No big deal. 
After what felt like the seventieth rock, you swore. You swore loud and vicious and cutting.  You swore to capital ‘G’ god that when you found Jason Peter Todd you were gonna curb stomp his ass into next week. This is his fault for being stupid enough to- to-
Just like that, your anger and frustration plummeted into grief.
Your mind fell back to the funeral, 
For the first since you entered the dark tunnel a few hours ago—a few days ago?—, you could feel the cavernous walls threatening to close in on you as you took another shaky step. 
To all the ‘I’m sorrys’ and condolences,
You could feel your rib cage fall open. Each gentle pat on, gentle look, and hushed whispers scooping out your insides leaving a vast empty cavity save for a heart that ached too much to beat properly and a pair of lungs clogged with too tar to breathe. The expanse of your chest feeling too full and too hollow at once. 
To all the ‘he died too young’ crap,
No shit!
No friggin shit!
He was 16. He was six-fucking-teen. He just got his fucking driver’s license. 
You wanted to scream but the words lingered in your bones. Instead, the nestled and furled into a mantra and worked their way up to your throat, burning. As if folding and creasing them into a perfect, proper eulogy of hand-picked words would bring him back. 
You knew it wouldn’t. You weren’t foolish. You weren’t that hopeful. You weren’t even disgustingly hopeful. You were Alley born. You were practical and brutally realistic. You were also not dumb. As much as people in Gotham Academy seem to believe, you weren’t stupid. You knew there was no ending to his story that involved a long peaceful life. He was also a child of the Alley, born of Gotham’s gutter, there was no way he would not die young. 
Your tongue felt heavy like a tombstone being set into place. 
And to all the ‘he’s in a better place now’
HA! 
The words set your grief a flame burning it into the kind of white anger that consumes even those around you. 
Fucking hilarious. 
Just fanfuckingtastic. 
You’d see about that. 
You took a long sobering breath holding it in afraid that if you breathed out the anger would seep out leaving you with nothing but grief. 
After what felt like an eternity, you breathed out sure that all the anger, all the irritation, and all the sputtering hope had settled in your bones. 
You were going to get him back. 
You will. 
——————————————————————————————————————————
Jason tapped the edge of your science textbook with his pencil morse coding something and clearly demanding your attention. You rolled your eyes, moved your textbook an inch closer to you, and continued reading through the passage electing to ignore your likely scowling best friend. 
He tapped again. You didn’t look up sure that he’d go away if you pretended his existence was an elaborate hoax. This ingenious strategy is probably why you two have been glued together for the last 10 years.  
Losing patience, he snatched up your textbook earning a petulant, half-hearted glare from you. “What the fuck do you want, Jay?”
“Do you remember the Myth of Orpheus and Eurydice?”
You blinked at him, honestly confused. 
He gave you a questioning look. He could probably see the gears turning in your head. 
You’d heard the names before but you were struggling to associate them with anything. Until it clicked. 
“Oh yeah, Hadestown the dude with the guitar-”
“Lyre,”
You made an affronted noise which made him roll his eyes at you but you could see the slight twitch in his lips at your antics. You would count that as a win. 
“He plays the lyre, you uncultured swine. Did you even read the packet?” He asked lightly tapping your head with your textbook. 
“Your posh bitch is showing,” you snorted.  he tapped your head just a tinsy bit harder with the textbook. You scowled at him. He gave you a gentle reassuring smile which roughly translated to ‘it was an accident I swear’. “Uh sure. Yeah. Course, I read the packet” you lied reaching over for your textbook which he sets down on the table behind him. 
“Are you even literate?” He joked. 
“Last time I checked I needed that to forge doctor’s notes for rich snots,” Jason wrinkled his nose trying his level best to scowl at you but from the crow's feet forming at the corners of his eyes the laughter bubbling in his chest was clearly winning out. You knew he was just worried about the unnecessary risk you were taking but it was a bad habit from the Alley days you couldn’t shake. It wasn’t like you were likely to get caught. 
“The In Class Essay is next period, dip shit” he sneered as harshly as he could. He was so bad at being a hard ass that you just smiled. “Yet here you are talking to me and depriving me of my education,” you snarked, gesturing vaguely to your book.
 You could technically get up and get it yourself but you were too lazy and you were pretty sure Jason wasn’t gonna let you get the book that easily. “Sides, it’s English who cares?” At that, Jason wrinkled his nose in disgust. “How am I friends with you again?”
You hummed, leaning back in your chair, tilting your head back dramatically before flinging yourself over the table to snatch up the textbook from the table behind him. You were a good amount taller than Jason which really wasn’t something to be too proud of. The bar wasn’t too fucking high. 
You plopped back down to your chair grinning ear to ear victoriously immensely enjoying his shocked look. Then he looked like he was about to deck you. 
“Well for starters, I’ve saved your ass from getting shanked about 15 times now. That’s just counting instances out of uniform,” He looked at you affronted. You simply rolled your shoulders. “Plus,” You reached into your blazer pocket and produced a beat-up looking tootsie pop ring.”You’re the one who proposed,”
Jason turned a luminescent shade of red as if you had just pulled out his entire cash of porn which you’ve done. “Why do you still have that?! How?”
“Because you still haven’t given me a proper one,” you said smugly tilting your head to the side inviting him for a rebuttal. He sighed exasperated. Resting his chin on his hand, palm covering half of his face, he glared at the opposite wall making damned sure that he didn’t look your way. The flush in his ears peaked through his cropped curls. It was hard to catch but your nosy ass definitely heard him mumble “I’m saving up,”. 
Your face broke into a stupidly wide smile, a warm feeling bubbling up in you. “I’ll hold you to that, lover,” you cooed cheerfully, giving him a quick peck on the nose as the bell rang. You could see the mortification attack his entire being in waves. 
——————————————————————————————————————————-
Stumbling out of the tunnel, you find yourself in a fray of souls all crowding towards the shore. You keep your head down and shuffle in step with the dead. 
‘The dead hate the living’ Constantine warned as he handed you the drachma and a beat-up old map. You handed him a wad of cash. He didn’t seem to care that money was dirty. 
You keep your expression carefully blank and focus on your feet but the sheer anxiety crawling up your spine rattling every vertebra was making that very difficult. You swallowed thickly trying to think of anything else but the depressing moans and absolutely haunted expressions were also making your life difficult. Instead, you focus on your award-winning bullshit speech that was surely going to win over the lord and lady of the underworld. Ok, sure, you weren’t half the thief Jason was nor were you even half as smart. But you were definitely the better conman. You might have had absolutely no interest in English class but words have always been your friend. You could definitely spin it with the best of them. It helped that all the rough edges that came with being an Alley kid tucked themselves neatly away behind trustworthy eyes and easy smiles. Even gods could be taken for a ride, right?
Somehow you made it to the shore without incident and even got yourself on the boat without even as much as a glance from the ferryman. That was a little unnerving but you weren’t about to complain. Not when it brought you a step closer to your goal. It might have been partially due to your unkempt appearance. Long nails, dead fish eyes, ratty coat, sallow cheeks, and dimming complexion all thanks to this wonderful diet called ‘grieving over your dumbass boyfriend/best friend because he decided to be a dramatic bitch and die an untimely death’. Part of you wonders if you simply want to bring him back so you could murder him. Maybe. Looking around at the haunted looks on your fellow passengers move that to a probably. 
Uncomfortable, you jam your hands into your coat pockets. One hand dug deep into the recesses of the pocket where the little ring was safely squirreled away. You fidgeted with it passing it from finger to finger like the coin trick you’d learned a while back.   
——————————————————————————————————————————
“Marry me,” Jason demanded unsurely, kneeling on one knee clasping your hand with both of his tiny ones. His little face ironed into something serious but cheeks flushed making them, what the girls called, pinchable but even at age 6, you were able to resist if simply for the fact that you were dumbstruck by the fact that  your best friend and crush was suddenly at your doorstep in the middle of the day and clasping your hand. 
“What?” You asked tugging your hand away but he didn’t let go. He absolutely refused to. 
“Marry me,” he insisted. “I’m proposing,” he added shyly seeing how the confused furrow in your brow did not disappear. “Lena said it was a good idea,” he added quietly.
A round of hoots and hollers exploded behind you including Lena who was laughing her ass off. Even Carol and Lassie who were busy doing their makeup were snickering  and giving you a thumbs up respectively. Your face burned hot and you scowled at all of them which just made them laugh louder. You snapped your attention back to Jason who looked at you with bright earnest blue eyes. Fuck. You crossed your arms trying to look intimidating and failing miserably because of just how goddamned cute he looked. Manipulative bastard. 
“Don’t you need a ring for that, bud?” you challenged. 
“Oh yeah,” He scrambled digging through his various pockets before producing a tootsie pop ring. Your hackles rose. What the hell Lena?
“Look at the size of that rock!” Josaline hollered from behind you. You could see the teasing smile on her face. You wanted to shrink. You wanted to maul them. You also wanted to burst because your crush likes you. You had a tiny, itsy bitsy crush on Jason for a while now. You’ve always declared that it was small but that didn’t stop the girls from teasing you relentlessly and this was just a nail in the coffin. You wanted to scream at Jason but the way he looked at you made your little heart flutter. 
“Fine,” 
He grinned wide. “Great! We can share rent,” he said his earnest smile turning cheeky. You swore some of the girls were choking from laughter. That was the moment you decided to make Jason Todd’s life miserable. 
——————————————————————————————————————————-
As it turns out, traversing the underworld wasn’t that hard. 
Nope. It wasn’t any harder than going around crime alley. At least here, you weren’t too worried about getting shot.
Nope. 
It was just incredibly. Fucking. Depressing. 
The atmosphere was suffocating and the only thing you’ve heard for hours were people listing their regrets when they weren’t too busy sobbing. Given they have every right to be this way. They did die after all. But Christ! You being able to understand it didn’t mean you could stand it. 
Jason owed you big time. 
Jason owed you the largest bowl of ice cream complete with 20 different flavors of your choosing, a mountain of whipped cream, a shovel full of sprinkles, and an ungodly amount of chocolate syrup. 
And a hug. A long ass, bone crushing hug. 
Yeah, you’re definitely demanding a hug. You don’t care if his pansy ass tries to break for it. You were getting the hug. 
Once this was done-
You turned the thought over in your head pointedly ignoring the fat droplets of tears now streaking your face. You weren’t entirely sure whether they were from relief or unrelenting anxiety. If you succeed, your 8 months of hell would have been worth it. 
But what if I fail?
What happens when I fail?
The thought seized your breath, your lungs constricting as if their cage of bones was threatening to collapse in on itself in your effort to shrink away from the possibility. You stopped breathing completely. A bad habit you picked up from your first foster home after social services took you from your home. Apparently, they didn’t think a group of hookers could provide a safe loving environment for a kid. Assholes. Breathing meant relaxing. Relaxing meant letting your guard down. Letting your guard down led to bad things. Jason never commented on your new habit after you two reunited. After you both found yourselves at the mercy of Gotham’s streets. 
“Lover tell me if you can~” You paused but not quite long enough for a response. Not like a few months ago when you’d wait catatonically for Jason to respond with the verse you’d forgotten in his oddly melodious voice. Singing was the one way you’d learned to breathe out after locking up without triggering a panic attack. Sure, it annoyed the hell out of a lot of people but who cares. You liked it. Your voice was decent. Plus, Jason loved it when you sang. Your breaths flowed easier accompanied by a melody and the smile on Jason’s face every time you sang always took your breath away.  
——————————————————————————————————————————-
“ Lover, tell me if you can Who’s gonna buy the wedding bands?~” You hummed the rest of the forgotten stanza under your breath as you wrap the ‘acquired’ blanket around the both of you. Gotham winters were a bitch but you tried your best to keep your spirits up which basically meant teasing Jason to hell and back. Who knew calling him lover would annoy him so much? 
Instead of the intended reaction, Jason simply continued to the next stanza sounding a lot more in tone than you. You huffed partially from amusement partially from frustration. 
“Figures you would know this song,” you teased.
Jason scowled tugging more of the blanket around himself as a lame form of retaliation. You leaned in closer to him and wrapped your arms around him. He huffed not really able to stay mad at you for too long.“It’s from Hadestown. The old woman at the pawnshop always plays it when she’s working,”
“Horse shit, all she ever plays when I’m there is Madame Guillotine,” You wrinkled your nose.”She probably hates me,”
“Gee, I wonder what that’s about,” Jason smirked. 
“You know, she probably has a crush on you,”
“EW! Shut up!”
“Come on we gotta milk it-”
He elbowed you. 
“Fine,” you relented, rubbing your chest and letting your head lean on his. You watched the snowfall basking in what little warmth you shared. 
“Promise me you’ll sing that when-”
“IF”
“When we get married,”
“Fine but ya gotta sing the entire GI Joe theme song plus the Baby Shark Song,”
“BET”
——————————————————————————————————————————-
You stood before large obsidian doors bouncing on the balls of your feet. The doors were carved elegantly with swirling patterns and sprawling carvings of flowers and bones. Dramatic but very pretty. Your stomach churned as the doors lurched open. 
You were going to be sick. 
Before you were a long table piled high with every kind of food you could think of. Likely you would have had to pick up your jaw and mop up a cascade of drool from the floor if not for the last few months. Your stomach threatened to implode if you kept looking. Months of not eating properly did that to you. The first few months were the worst. You were barely able to keep a  bite down without your body convulsing and rejecting it. Sadness had hollowed you out and filled you with something else during those months. 
Now,  you shifted your gaze to focus on the tall man sitting imperiously at the other end of the table on a throne carved out of precious metal. How someone looked imperious while eating was a mystery to you. It might be the fact that he was abnormally large looking to be around 10 ft tall. His frame was broad which contrasted greatly with the regal features of his face which were set in a rather loving configuration as he stared deep into the eyes of the dark-skinned woman as she recounted what sounded like a hilarious encounter with a dryad. The woman was unnaturally pretty with sculpted features and wild curls. She looked right at home underneath the sun which made her presence here ease your fraying nerves. They smiled at each other smitten with each other’s presence which almost made you feel guilty for interrupting their moment of marital bliss. 
You clear your throat as politely as you could drawing their attention and possibly their ire towards you. You took a deep breath, the kind that inflated your entire body, and forced it out through your nostrils as your mouth was busy reconfiguring itself into an easy smile. 
“My Lord Hades. My Lady Persephone,” You greeted bowing your head courteously. Your gestures were less grandiose and theatrical as the ones you used on the rich punks in Gotham which they happily lapped up. No, you made sure every movement, every posture, and every word was quieter, trying your damnedest to radiate sincerity and reverence from every pore in your body. Sure, you didn’t have Jason’s easy charisma and sure, you didn’t have the power Dick had for making everyone fall in love with you instantly but you were damned if  you were going to make a fool of yourself in front of two literal gods and squander your only chance at getting your boy back. Not when you’ve come so far. Not when you’ve done so much. Not when you’ve dirtied your hands this much. 
Hades looked neither pleased nor displeased by your presence. Good enough. The fact that you were still intact might have something to do with the mischief in Persephone’s eyes. She looked extremely amused despite your interruption. You hoped, which you didn’t normally do, that that boded well for you. 
“I am her-”
“We know,” Hades interrupts. 
Your body twitched. Rude. But you schooled your features into something resembling pleasantry. 
“You’re here for the boy,” He adds, waving his hand. Without time for your brain to process. Jason is there battered, bloodied, and bruised. The dazed look in his eyes made him look haunted which made your breath seize. A cocktail of anger and sadness and relief swelled in you as your body twitched forward. All you wanted to do was hold him, to stroke his hair, to sing to him, to take him to Dr.Thompkins to get his injuries sorted out, and possibly watch the old woman thwack him on the head half a dozen times. Hell, you would offer to count. Your stomach churned and you felt dizzy. This is the most alive you’ve felt in months. This is also the most fearful you’ve felt in months. You felt like you were going to fall apart and recongeal into an entirely new person. 
Focus. 
It was hard to do when you saw how tattered his Robin uniform looked but you managed to straighten yourself out enough in time to catch Hades as he watched you appraisingly, searching for raw desperation in your features. You tucked it away in your bones and in the deepest recesses of your chest. He seemed amused and even mildly impressed by your restraint so he dined to push further. 
“What are you willing to trade for him?”
Everything. 
Your mind screamed automatically. The word dangled thickly at the edge of your tongue. 
You would have plucked each and every star out of the sky and fashioned them into a necklace that would adorn Lady Persephone’s neck.
You would have used Poseidon’s ocean to douse the sun. 
You would have used the fires of Tartarus to set the world ablaze. It deserved it for the hand it dealt  Jason. 
You would do anything if it meant having Jason back in your arms. 
You bit your cheek hard forcing yourself to refocus. You shifted your posture making a show of thinking if only to gather yourself. You knew the answer. It might not have been the right one and if you’re being honest, it wasn’t even a good one. You rolled your shoulders trying to mold yourself into a more sure version of yourself.  
“My future,”
The room plunged into silence. 
Jason who had looked like he was not all there widened his eyes and shook his head at you. You simply leveled him a smile full of cocksure and hot air. Sure, your future wasn’t worth much. People have told you as much. But it was a novel offer. It wasn’t every day that a mortal offered their fate to you and gods love nothing more than novelty. 
Both gods remained silent. Hades narrowing his eyes at you and Persephone stared at you with an unreadable expression. The longer the silence wore on the more your confidence waned. The treacherous chorus in your head began to sing of the failure that has yet to happen. 
Persephone let out a trill of delighted laughter and Hades shook his head in amusement, his solemn lips twitching into the beginnings of a smile. Both you and Jason stiffened. 
“My love, just let them go,” Persephone pleaded sweetly cupping Hades’s face gently. It was an intimate gesture that made even you soft. 
“My dear…”
“It was not the boy’s time, my love,”
Damn straight, it wasn’t!
Hades let out an exasperated sigh before looking at you again. “I will grant you both freedom if you pass my trials,”
“Anything!” The word spilled out of you too quickly, too raw. A satisfied smile wrinkled at the corners of Hades’s eyes. Fucker. 
“I will have you do three trials-” He flicked his hand and Jason materialized beside you. “-with the boy’s aid,” Without an ounce of hesitation, you gathered him into your arms with all the bravado and restraint giving way too stupidly unfiltered happiness.  Without meaning to, you let fat droplets of tears streak your face. Jason copped your face giving you a wry smile and wiping away the tears with his thumb. 
“You look like shit,”
“So do you,”
You both laughed. You kissed his palm and took his hand from your face and kissed his knuckle. A flush crept on to Jason’s face but he couldn’t hide that any better than he could hide the loving look in his eyes when he looked into yours. 
The trials were almost insultingly easy especially when you had the world’s best Robin with you. Sure, you were battered and bruised but it was nothing you could not handle. You suspected that Persephone was rooting for you. That or Hades just wanted you out of his hair. Either way, you didn’t care. There was no way you were failing. 
You returned to Hades’ hall, arms full of spoils, and Jason’s hand interlaced with yours. You both try to fight off the hopeful feeling bubbling in your chest but there was no helping it when his hand was warm in yours. You smiled gratefully at Persephone who returned it in kind, looking sincerely happy for the both of you. You made a note to send her an appropriate sacrifice once you were back on the surface. 
Hades inspected your spoils and hummed. Your stomach lurched. Jason squeezed your hand and kissed your nose. Persephone practically squealed at the adorable gesture while Hades just smiled at his wife’s antics. 
“You have succeeded,”
“Thank you-”
“But I have one last trial for you,”
Hades holds up his hand before you could protest. 
“Do you recall the deal I made with Orpheus?”
You nodded almost numbly. Jason gave you a surprised look which you returned with a scowl. 
“Good. I will make the same deal with you. Does that sound fair to you?”
You both nodded frantically. You knew this would be hard especially with your frayed nerves but it was nothing you could not handle.
On the way to the tunnel, you held each other close, soaking up contact while you could. When you reached the tunnel, you hesitantly let go of his hand making sure to remember the feeling of your fingers intertwined together. He pressed kisses to every inch of your face likely feeling guilty over your haggard state. You whispered jokes and half baked promises to appease him in return as you squeezed him harder.  You walked tensely up the tunnel trailed by his ever quieting footsteps. You began to hum every song you could think of including the very annoying ones which earned you a lot of annoyed grunts and critiques from your ghostly companion. You also chattered about everything you could think of. All the latest gossip. All the things you learned during your global crime spree. You may have left out the crime spree but you could deal with the fall out later. Instead, you focused on the happy things. The things you wanted to do with him once you two got out. Once, you brought him back to Gotham. Sure, Bruce was probably going to maul you for all the trouble you’ve caused the JLA but fuck them.  Seriously fuck them. 
After what felt like an eternity, you saw it. You saw light. Bright, crisp, and blinding. You were going to cry. You were almost there. You were almost out. Your body launched into a sprint. Your chest felt like something in it shook loose and your body was lighter than it had ever been. You were almost there. You could almost feel the sun on your skin. 
You ran into the light and -
——————————————————————————————————————————-  
You woke up on the damp earth. 
Everything ached. 
Your veins felt rusty and sluggish. 
Your mind even more so. 
Snow flitted down to the earth in gentle feathery flakes. 
Your senses returned to you one by one. 
The sound of shouting and car horns littered the periphery of your consciousness. 
Your fingers felt cold and numb. 
The familiar smell and taste of Gotham smog overwhelmed your senses. 
That wasn’t right. 
That wasn’t right at all. You were in Mani in southern Peloponnese. You were face to face with one of the Gates of Hades just a few hours ago. 
You shuffled through your coat. You did not have your drachma. You did not have your map.
You snapped your head in every direction looking desperately for any sign of Jason. Not even a single footprint. 
Your stomach dropped as despair took hold of you and clung to every bone in your body. Pulling yourself up unsteadily, you stood taking baby steps towards a thoroughly battered brick wall. Fishing your phone out of your pocket, your phone began dialing a number automatically. 
“You have reached Wayne Manor,” Alfred’s posh voice carries over the phone. 
Your breath stutters. The words claw their way out of your chest.
“Jason- Jason, he-”
Alfred remained silent. Alfred was likely shaking his head in pity. You couldn’t stand that. You could barely stand the feeling of your skin right now. Your resounding failure rippled underneath your skin making you tremble on to your knees. You could do nothing but crumple to the ground in pathetic sobs as the weight of agony and despair weighed over you. 
“Jason. Jason. Jason.”
You whispered apologetically, reverently. The words would not call him back. Those words could never call him back. 
—————————————————————————————————————————–
Piece by piece Jason returned to himself. 
Jason woke up swallowed in darkness. It was deep and unyielding. Even his training with Batman could not alleviate the anxiety that brought. 
The second thing to return was his hearing. It was deathly silent save for the pounding of his own heart and his frantic breathing. 
 Where was he?
The air around him tasted stale and the resolute smell of formaldehyde was inescapable. 
Then the pain lanced through and all his memories came back in a splotchy kaleidoscope of fear, fire, and pain.
  He was dead. 
  He died. 
  He was in Ethiopia. 
  He was trying to save his mom. 
  Oh god. 
  Oh god. 
  Oh god. 
  Where is Bruce? 
  Where is he? 
  Why is it so dark? 
  Jason tried to move his limbs but it was no use. He was boxed in. 
  That’s when the smell of earth hit him. 
  Jason pressed his hands every which way. 
  He was literally boxed in. 
  Was he in a coffin?
  He tried to scream. 
  His mouth was wired shut. 
  Oh god. 
  Oh god.
  Oh god. 
  He was going to die.  
------------------------------------------------------------------------------------------------------
The ending was a bit rushed. I might edit it later. Thank you so much for reading. Feel free to roast me in the comments. 
(Note: I tried editing the ending to make it more panicky and claustrophobic. I don’t know if t worked.)
This was inspired by the fact that Jason Todd: Not-So-Outlaw by goawayolivia never answers how Jason came back. 
Here is my answer. It is pure dumbassery.
taglist: 
@birdy-bat-writes (enabler)
@idkmanicantenglish (sweet heart)
@batarella (Because I honestly blame you for this)
@multifandomgirl-us
@foenixphire
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that-was-anticlimactic · 3 years ago
Text
interests tag
i was tagged by @capt-snoozles es and @sheimagineddragons :)
MUSIC
Fave genre?
theatre !!! i listen solely to theatre and cartoon music [i.e. mlp songs, steven uiverse sings, etc...]
Fave artist?
uhhh my favorite musical is aladdin and my 1.5 favorite is a chorus line and my second favorite is come from away if those count haha
Fave song?
always: high adventure from aladdin broadway | idk why, but this song always helps me calm and down and take a breath and ground myself no matter what i’m feeling.
at the moment: safer from the musical first date
Most listened song recently?
nothing left to lose from the tangled series but like... the danish version...
and i listen to chant from hadestown a lot too oops
Song currently stuck in your head?
heroes on fire from kipo and the age of wonderbeasts
5 fave lyrics?
"it’s addictive the minute you let yourself think / the things that i say just might matter to someone” - you matter to me, waitress
"only one dad / only inspiring one son / edward, you’re done / writing your perfect tale / telling the perfect tale / it was a perfect tale” - what’s next, big fish
"but wishes are dreams and dreams are pretend / so science and reason win out in the end / science says you’re dead and gone forever / reason says i’m talking to the air / but something in my heart / some secret hidden part / illogically insists that you are there / somewhere” - if i believed - twisted
"and though the people around me / their mouths are still moving / the words they are forming / cannot reach me anymore / and it is quiet / and i am warm / like i’ve sailed / into the eye of the storm” - quiet, matilda
"i’m the son of poseidon / i never asked to be / but i’m the son of poseidon / now face the tide / inside of me” - son of poseidon, the lightning thief
[bonus] “i love a lilting line of lyrical alliteration / who doesn’t love alliteration?” - i love the way, something rotten
radio or your own playlist | solo artists or bands | pop or indie | louder or silent volume I slow or fast songs | music video or lyrics video | speakers or headset | riding a bus in silence or while listening to music | driving in silence or with radio on
BOOKS
Fave book genre?
uhhh i don’t think i have a specific genre, but anything that talks about the morality because i love that kind of analysis
Fave writer?
uhhh it changes, but i usually say chris colfer or edgar allen poe
Fave book?
the land of stories, chris colfer / an author’s odyssey, chris colfer
the lost hero, rick riordan [look it’s my favorite one...] 
murder on the orient express, agatha christie
heart of redness, zakes mda
king lear, shakespeare
Fave book series?
the land of stories series by chris colfer :)
Comfort book?
angels at the table - debbie macomber
Perfect book to read on a rainy day?
how to speak dragonese, cressida cowell
Fave characters?
goldilocks / conner bailey, land of stories series
piper mclean, heroes of olympus
camicazi, how to train your dragon series
ron weasley, harry potter series [love ron, not the author tho]
matilda, matilda
5 quotes from your fave book that you know by heart?
"be brave, children. courage is the one thing no one can ever take away from you” - land of stories
"there’s no such thing as im-POSSIBLE, hiccup, only im-PROBABLE. the only thing that limits us are the limits of our imagination” - how to train your dragon
“i like it when somebody gets excited about something. it's nice” - catcher in the rye
“self-love, my liege, is not so vile a sin as self-neglecting” - henry v
“do you think, because i am poor, obscure, plain, and little, i am soulless and heartless? you think wrong! — i have as much soul as you, — and full as much heart! and if God had gifted me with some beauty and much wealth, i should have made it as hard for you to leave me, as it is now for me to leave you” - jane eyre
“so matilda’s strong young mind continued to grow, nurtured by the voices of all those authors who had sent their books out into the world like ships on the sea. these books gave matilda a hopeful and comforting message: you are not alone.” - matilda
hardcover or paperback | buy or rent | standalone novels or book series | ebook or physical copy | reading at night or during the day | reading at home or in nature | listening to music while reading or reading in silence | reading in order or reading the ending first | reliable or unreliable narrator | realism or fantasy | one or multiple POVS | judging by the covers or by the summary | rereading or reading just once
TV AND MOVIES
Fave tv/movie genre?
uhh pretty much any cartoon tbh
Fave movie?
the my little pony movie (2017)
the lego ninjago movie (2017)
finding neverland
coraline
Comfort movie?
the my little pony movie (2017) [once watched it six times in one day]
the friendship games
Movie you watch every year?
the my little pony movie (2017) [i watch it once a month over zoom with my internet friend shannon]
Fave tv show?
the hollow
avatar: the last airbender
kipo and the age of wonderbeasts
lego ninjago: masters of spinjitzu
my little pony: friendship is magic
miraculous: tales of ladybug and chat noir
psych
Comfort tv show?
the hollow [specifically s2 ep6, dead end]
Most rewatched tv show?
the hollow
my little pony: friendship is magic
miraculous: tales of ladybug and chat noir
5 fave characters?
sokka sokka sokka sokka sokka, atla
vanessa, the hollow
cole brookestone, ninjago
nino lahiffe, mlb
benson, kipo and the age of wonderbeasts
varrick or bumi ii, legend of korra
tv shows or movie | short seasons (8-13 episodes) or full seasons (22 episodes or more)* | one episode a week or binging | one season or multiple seasons | one part or saga | half hour or one hour long episodes* | subtitles on or off | rewatching or watching just once | downloads or watches online
hehe this took awhile, but this was fun :)))
okay so uhh, imma tag [with no obligations so sorry if you were already tagged], my fellow thespians @bisexuallsokka and @bobisahandsomeskull as well as @leesbian42 and @fixationsbigandsmall
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businessbois · 4 years ago
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Oh boy back on my Hadestown BS again. Anyway, the song "Flowers" fits really well with Tommy's death, especially the fact that they literally mention flowers that are "lily white and poppy red". Those are literally the same colors as the flowers Ranboo left. I've always thought Wilbur also makes a good Orpheus parallel as the once idealistic musician who becomes disillusioned. The lyrics "I used to see the way the world could be, but now the way it is is all I see" feel especially on point.
YES HADESTOWN BS CMERE
i mean “dream’s are sweet until they’re not” i think flowers is a really great song for him and the only reason i don’t really associate it with tommy is the strange sort of “i trembled when he laid me out/’you won’t feel anything when you go down’” but honestly bar those lines, the flowers motif and the exact colors are really perfect. also the field of flowers being remembered and the person who “turned his face to mine” could totally be a tommy and tubbo moment /p. and then “is anybody listening? i open my mouth and nothing comes out” because v o i d. 
i also love the idea of wilbur being orpheus. i’d always had tommy because the line you mentioned was when i put him in an exile mindset. “doubt comes in” is the peak of exile. also the epic iii animatic with quackity as orpheus is genius because quackity also a musician boy and him suggesting them playing the anthem and coming in with the second verse during doomsday is so orpheus. 
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rated-r-for-grantaire · 3 years ago
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IM GOING TO SEE HADESTOWN IN SEPTEMBER!! (liteerally just bought the tickets) Im v excited bc i live down here in chile but im travelling to ny and oMG!! i was a bit heartbroken today when I saw that Patrick Page wasn't going to be when i go but ive made my peace with it, but i wanted to ask you if you could tell me more about tom's hades? I wanna know if he hits those low notes bc i know his voice is not as deep as patrick's but maybe its because i haven't seen the rights clips of him trying xDD
That's so exciting! I hope you have so much fun. But don't worry, Tom's Hades was incredible and honestly I liked him just as much as I like Patrick. He does sing an octave higher than P does, but I think that's true for most non-Patrick understudies. The only person I've ever heard hit the G1, actually, is Adam Bashian, who is not cast as Hades yet.
If you want some "right clips" there's definitely, uh, footage, of Tom's Hades online if you know where to search, and I can send them your way. It was interesting bc there were a few moments where it felt like Tom was trying to make his voice sound deeper - but it wasn't to emulate Patrick, it was almost as if Tom made the character choice to play Hades as a guy who tries to feel more threatening than he actually is. Tom is a fun Hades, actually, he's basically a jazzy-but-deceitful businessman and I had a great time watching his performance.
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