#usually when I draw a piece with a background saving the characters for last is like a lil treat for me since obviously drawing the bg

[hydrossity-zone]

autism be damned I can paint some nice cabinets

[puckpocketed]

who is #43?

Hello !! First off thank u for visiting. If you clicked read more by accident rip sorry it’s a lot of text. ENJOY!!! <3

1. This was the photo reference I used. I really did mean it when i said he photographs well!! I really like how scrungly he looks at times lol. v paintable

2. here’s a timelapse for your viewing pleasure in video + gif form <3

3. Process breakdown below. I am not formally trained, so don’t take any of this as professional advice!! The way i paint has been compared to channeling some evil contract with a demon also. So um . Im saying that i dont remotely think that this is efficient or correct, its just whats comfortable for me <3

3a) the dreaded lining phase. I have 2 modes of operation when it comes to painting - either i go full-dick with fancy inking/sketching + cel shading (rare, unrefined, haven’t figured out a nice workflow yet) OR i do a very very basic chicken scratch set of lines like so:

It’s less about being realistic here and more about laying down some guide lines for the chaos ahead. If i thought i could get away with it, I would start every rendered painting i do with laying down colours — but unfortchh ive tried that before and it usually ends in really weird proportions. Even with the lines i still need to make adjustments. This is something no people except me would notice but look at the above sketch; the eyes are too big and slightly too far apart, the forehead is too small and thus the hair is also not quite big enough… I have a bad habit of drawing eyes too big on faces, they’re my favourite facial feature to draw.. i barely resisted giving him big cow eyelashes (I love big cow eyelashes… all of my OC’s and most of my more stylised fan art of characters get big cow eyelashes… god…. Big cow eyelashes SAVE ME……….)

Anyway. Structure of the face + hand somewhat established. <3

3b) Underpainting!! Okay stay with me here . Ever since i figured out i dont have to paint in 03925893853 different layers, I’ve joyfully painted on 1 layer as much as possible. I dont have the brain power all the time to be managing layers so I simply dont work with that many layers. For this painting, the skin in its entirety was painted on one layer, the hair on another layer, and the effects on the last layer. There was a placeholder background off-white/grey colour for a while there, and I duplicated the line layer — one for figuring out where to lay colours, and one hidden for later so i could check back to see how accurate to the sketch/proportions were to the actual painting. 6 layers, 2 of which i painted the bulk of the piece on, 1 more at the end.

3c) here’s where I started carving out features. I think about objects in terms of volumes and light rather than lines. i love painting and sculpting because of this!! Here you see where I’ve begun to define his features — his eyelids, his bags, his nostrils. Just refining what was there before. The suggestion of facial hair before i gave it up and left it for later (his face is so naked the WHOLE time)

3d) nose bridge highlight, suggesting his eyebrows, a cheek highlight. A touch more coral red and muted yellow pull away from the grey/blue underpainting. Strategically leaving some of it peeking through.

3e) i truly start messing with the fidelity of his features here. Red lipstick <3 and some violet/blue for shadows on the right side of his face.

3f) the part where it starts looking like q.hughes to me (though, my friend said i got his vibe pretty early on which is such a compliment.. waaaaa…..) I love this part of every painting i do. I know it’s definitely not the Correct order since other parts of the entire painting are simply Not Rendered or Done, but whos gonna stop me?? :3

I love love loveeee painting faces. Adding the little shinies to his eyes + lips + upper lip + nose … you don’t know how much of a difference it makes until you do it. Also i snatched his eyebrows

3g) i really pushed the red/coral/ochre/orange here. Note the yellow highlights on his cheekbones, the forehead, and the thin thin line of pink right between where his bottom lip ends and his chin shadow starts <- very important . To ME!!!!!!! Also highlighting his waterline and adding his lashes was so so fun <3

3h) FACIAL HAIR!!! And I started rendering his hand. Some micro adjustments made to his face for proportion check.

3i) i start painting his hair in earnest and realise his forehead is too small so i make the adjustment. I really love how it falls into his eyes in this photo. <3

3j) i make some final adjustments to his eyes — a bit smaller, closer together. And i refine the outline of his jaw, push the stylisation of it just a little.

3k) Finishing details; his flyaway hairs, his moles, a bit of texture on his face, shadows cast by his hair, his little forehead cut <3

3l) i adjusted his hand here, added more texture to his skin, refined his hair a tiny bit more, and made the decision not to fuck around painting his jersey because i wanted the focus to be his face <3

3m) Canucks blue and green. Captain at 23. His form bleeds into the background. He is the franchise.

theee most fun ive had painting anything. and i finally feel... warmed up? if that makes sense. art for me is like. if i dont do it in a while it feels like nothing goes right when i come back to it. i hate that feeling, and the most difficult hurdle to clear is letting myself feel that until i get back into my Zone. after all this time i feel like im BACK !!!!!!!

i loved painting this fella. hes SO Shaped. <3

Apologies i simply do Not have the energy to write the alt text for all of these so i hope the little blurbs are okay aslkjasdklj. i gotta post and go to bed . if u made it this far, thank you for reading!!

[sorenphelps]

All the artwork I made for the fanfic Crazy Ex-Boyfriend by @amethystheart2421 for this year's @rsbigbang!

It was a wild run, we got paired up quite late due to our original pairs dropping out of the Bang, and even though it was already December and time was running thin, I decided to make this whole deal a way bigger challenge than it supposed to be... So I ended up drawing all 7 fantasy sequences, trying to mimic a different style for all of them, and finishing both versions of the banners I had in mind. I know, I know, but I swear even I wasn't aware that I am such an overachiever either!

Also, I usually like to hide little details as easter eggs on all of my artwork, so naturally this was the case with these too. I'm gonna list them one by one, also share a little story about each piece, sort of like a "directors cut werk", just so we stick to the screenplay motif. The numbers in brackets lists the order in which I drew the pictures.

The banners (1.,9.): I haven't watched Crazy Ex-Girlfriend the show, so I really had no idea about this whole thing, hence my initial idea of re-drawing one of the official promo posters of the show as the banner. But then Nicole shared the first scene with me when we got paired up, and also told me that her original artist wanted to draw the stargazing scene, which I also really liked. I sketched out both versions to see which one would look better, and also to warm up a bit for this version of the characters. (Nicole also shared some faceclaims, so except Sirius' and Lily's design, I tried to stick to her vision as much as I could.) The Netflix poster was considered the final one for quite a while. The stargazing banner was the last piece of artwork I finished, which I also edited to be used as Chapter dividers. I liked the idea so much I actually referenced the starry sky on the other pictures too. On the Netflix banner, Remus' socks and Sirius' suit handkerchief (how do you call those things in English, gahh) both have the starry pattern.

The western (3.): By this time it was decided that I'd do all fantasy sequences in a different art style, but I couldn't really come up with any specific style which could have fit the western vibes, so the characters are drawn in my own usual style, only the colouring is different. I tried to go for a sepia effect, without using a filter, I think I could pull it off well enough. I was considering to draw Sirius as a Native American for this, because I just don't see him as Caucasian in general, and also, Black Dog sounds like a badly translated indigenous name... But I discarded this idea for the sake of "historical accuracy" (and to save time, haha), as I think they wouldn't visit a saloon this way. I added the starry sky pattern to Sirius' handkerchief and... scarf? (I really should learn how certain textil items are called in English...) There is a wanted poster in the background with Voldy. And I swear I didn't mean to draw Remus looking this horny, it just kinda happened by accident! He is sure VERY fascinated by Sirius'... pistol.😜

The Star Trek (6.): My original idea was to draw like usual and just add so many lensflares to the picture that it's not visible if I copied another style or not. But in the meantime I started to watch Star Trek: Strange New Worlds with my bf and also found out that there is a new cartoon too, so it was then settled. This style is very different from my own, but it was so much fun! It was weird not to draw every single strand of hair in excruciating detail, actually that was the hardest part, haha! I struggled a bit with the placement of the lensflares too, the first version had too many and too bright, it had a disco vibe rather than a spaceship. I wanted to add easter eggs to the background screen, but I was running out of time, so there's only one light blue star similar on the screen! Also now I know that the uniform colors are not really consistent in Star Trek, and Remus’ might have had to be gold as Captain…🤷🏻‍♀️

The Disney (2.): This one sparked the first idea in my head after I read all fantasy scenes Nicole kindly shared with me. When I first sketched this, I still had no idea that I will end up drawing for every chapter and the style copying was not settled either. It started with this piece, I had the vision of the wolf chasing scene from Beauty and the Beast, and we were discussing whether it's plausible to collect berries during the winter or not... I've tried to make the final piece look as classic Disney as I can, and since I could pull it off, it was not a question anymore whether I'd try to do this with other styles for the other scenes. Retrospectively, this one was the easiest to make, apparently my usual style is not that far from Disney (I grew up watching those movies, so it's not a surprise), but I had to really focus on drawing the animals, it's been ages since I last drew any! (The trick is to give them eyebrows, and bam, it's Disney style!) Sirius' armour, clothes and sword has the star, and I also designed his own "crest" with the black dog and a star on his shoulder plate. The whole concept of the picture is Sirius' side being very bright coloured, while Remus' with the scary wolves in the background being very dark. This might have worked better if it was not set in the winter, but I wanted to stick to the Beauty and the Beast vision I had.

The Comicbook (4.): I was very excited for this one, I really like the looks of the old Batman the animated series, and the way some of his comics are drawn. It's such a unique style, I really like the simple shapes and bold contrasts. Well, it turned out I am very bad at this! I struggled quite a bit trying to capture what I had in mind, but I couldn't even come close to it... So I kinda cheated a bit because I just traced the lineart directly from the reference pictures of Batman comic books I found online. I tried to make Remus less buff, but it looked very weird, so I let him keep his muscular Batman body instead. I drew the wolf mask and the whole Sirius panel, and the coloring went smoothly after I finalized the lineart, even though I only realized that I switched the colour schemes of Remus' superhero outfit when I looked up the quotes for the comic panels, oops. Overall I like how it looks, but I am not that proud of it as I had to "cheat".

The Hobbit (5.): I've probably spent the most time with this one! I actually really like Martin Freeman as an older Remus FC, so I was quite excited to do this piece. My original idea was to mimic John Howe's style, as he is the Tolkien illustrator god, but his level of skill and mine are very very far from each other... and as I struggled a lot with the Batman piece, I felt like going for a smaller challenge. That's why I decided to have a go at Alphonse Mucha's art nouveau style. Turned out it was the worst possible idea! 🤣 The whole point of art nouveau is depicting attractive ladies in an ethereal way... But if you switch the ladies with a fat hobbit, the vibe def won't be the same! The first version just looks so extremely absurd, it's both awful and hilarious. By the time I could fix the pose so it wouldn't look as ridiculous, the final style looked nothing like art nouveau... I still have no idea what style it is now, not my own or any of the ones I tried to capture, that's for sure. I considered adding the star pattern to that tablecloth, but I decided that the lupin flowers in the foreground and the whomping willow-like tree are enough reference for this pic! I like how it turned out in the end tho, I think I could do justice for the watercolor-looking coloring technique, and the end result looks a bit like a fancier version of old children's book illustrations... Which is essentially what The Hobbit is, so it all sorted itself out by the end.

The Anime (7.): I like anime (I'm a little picky about them tho), so it was not a question that I would give this style a try! I am a huge fan of cyberpunk (the genre), so initially wanted to do that, I'm such a slut for Ghost in the Shell and I really like the aesthetics of the Akira posters, but after reading the actual scene, it was not really fitting. So I saved the cyberpunk AU for later, and went for the post-apocalyptic vibe instead. Obviously anime had a great influence on my art style, so similar to the Disney one, it was not that much of a challenge to mimic it. However I'm not that good at drawing backgrounds, and oh boy, I really made myself get over this obstacle with this series of pictures! Also as I was more comfortable with this piece, I actually added the starry sky pattern from the beginning to the scarf/blanket Remus has on this picture!

The Sitcom (8.): The original idea was to copy Hanna Barbera's old family cartoons' style, but as my deadline was very close and after reading the scene I realized that it will have a shitton of characters, I quickly abandoned my original plan. So this one is drawn in my own style, sort of, the designs of the characters are more aligned with Nicole's vision (sans Sirius, Lily, and partly Peter). The hardest part was definitely to figure out how I could fit 10 characters into one picture, let alone sitting in a living room! Also, I had to actually draw the living room too, considering perspective and scaling... Something I am not that good at. In the end the coffee table is maybe a little too big, but I needed that to hide the legs of the characters sitting on the sofa, haha! Also, the sofa is the Millennial Dark Green Velvet Sofa, because I also want to have one and it really emphasizes the general existential dread! (Just kidding.) Also also, I just realized that I have no idea how to eat tacos without making a mess (they are not that popular where I live). I added the starry sky pattern to Sirius' shirt, and gave a Teenage Mutant Ninja Turtles T-shirt to Peter, as he is talking about that in the scene. I wanted to squeeze in further references to the newspaper Remus is holding, but it was too tiny. The star from Knight Sirius' armour is in the background on the bookshelf. Also that globe just makes no sense but I had no better idea how to fill the empty space 😅. Molly is holding a mug with "BEST MOM" written on it, and I intentionally made Marlene's eye colour the same as Remus', who btw should have worn a bathrobe according to the original scene, but it was too late to fix that by the time I realized it. All in all, I am quite satisfied with how it turned out, it has the necessary sitcom vibes. And it is kinda a record for me in terms of number of characters drawn (the most was 12, but that one has no background, so I'd call it a tie!)!! I am very proud of myself for pulling this piece off, it really is the achievement of the year!

TLDR; (I mean really, my rambling is just too long!) I am happy that I was paired up with Nicole, working with her was such a creative process! My absolute favourite thing to do is work on AUs, and she has provided me with the opportunity to do so, I am grateful! It was truly a pleasure to participate in this (even if it's not that clear from all the complaining I just had above, haha)! If you ask me nicely I might show you the cursed first version of the hobbit picture!

[dualityvn]

Hey Nightmare! I replayed your game recently and wanted to explain why I chose music in the survey. I love the game on almost all of its sides, and a lot of them just stayed with me. The sprites are so afshsg, Keith's smug expression portrays a lot of the character that I saw in the blog when he gains confidence. His jealous/worried expression frightens me because he looks very unstable. And about Tene, he really looks like the socially awkward /and dangerous/ dork he is. I can see when he's nervous and when he's relaxed. I can read his face and not misunderstand when making choices around him. Their sprites are more than good for me, they're charming. If I have to be picky I'd say maybe the backgrounds could improve. The characters don't mix well with it, but sometimes that's good because contrast;; and also gives you a mysterious, foggy vibe like everything is just a bad dream and you don't know what is going to happen.

I love the writing too, especially the last date! I got the scary vibe (and the fae painting was great!), it gave me chills. The writing stays with me during my daily life, I love the dialogues and I repeat them all through my brain. I like how you show things, imply things instead of just saying them. I like that the MC is smart enough to know what to do in different, unexpected situations. If anything, I think you could make that feel more natural. For example, sometimes you can choose "I'm not scared" after a scene that freaked your character out. Maybe make us choose the option earlier and show during different scenes how the MC is not scared, that way MC's acts match their words. Still, the writing is awesome for me. The romantic scenes just make me all giddy amdjsk, I wouldn't change a thing about that, and the MC's options during them (i like that I have the option to say I'd put a collar on tenebris, and you can also not be into that just bc tene is). But ofc changing the writing and art is up to you! I shouldn't mention this because it's evident but it's your game and more important than making a game that people will enjoy is making a game that you'll enjoy making and you're satisfied with!

My point is (sorry that was long!) the only thing I don't remember after closing the game is the music. I slightly remember Tene's main theme (which I find funny when it starts playing because it's like HELL YES TENE IS HERE TO MAKE TROUBLEEEE BABY) but the rest doesn't really stick with me. This doesn't mean it's bad, it's actually good but I know it could be better, it could add a lot more than it does. There are some moments when the music goes off (like the first date) which I don't think is a good moment to go off because you usually get worried/scared when that happens. Walking home after the date during night should feel more tiring and nostalgic, yet romantic. There should be a way to differentiate a happy charming, magical night with the boys from a calm, nostalgic nightly path. And if there's a way to add more life to a VN, that's music! It doesn't have to be a masterpiece, but feel more 'full of life' if you get me.

I hope my review is useful and not bothering agshsgs. This is all me trying hard to find things that could be better. The demo is already so so good as it is! I was surprised to see the survey in the first place when you're already doing great and hard work. If you have to point a gun at me to choose, music is my choice. I think a lot of VNs underestimate it (not that I think you do!). I say this as a person who used to undervalue music, I can draw and write but cannot make music to save my life, I suck at it 😭 but now I wouldn't be satisfied until finding the perfect piece.

Take what I say with a grain of salt Nightmare!! Thank you for giving us this masterpiece already. 🙇 Hope you're doing great!!

Hi! Thank you for your feedback and for all the praise! 💕

Honestly, I absolutely get where you're coming from in terms of the music. But sadly, music is something I can't do all that much about. I don't have the budget to hire a composer, so I'm stuck with using whatever royalty free music I can find. I will try to plan it out a little better in terms of when certain tracks play, though!

[mayordea]

TIME FOR THE LONG ASS 2024 REVIEW

i am once again gonna review each highlighted piece i have made in 2024 so far like last year even though it's sort of unnecessary i have a bit to commit to

yappery under the cut

JANUARY

jan's piece is my smash poster celebrating the 25TH anniversary! this after i got rlly into making giant multi-character ensemble pieces, and i've wanted to do a poster like this to celebrate smash, so i'm glad i was able to step up to plate. usually i think my art from january ages pretty bad in these reviews, but i actually still like it from the composition, colors, and the drawings of the characters. i still have the print of it hanging in my room! ^o^ other highlights from the month is the complimentary poster i did with smash ultimate's dlc cast... well i kinda mention that out of obligation because i actually do think this one aged like ass, mainly the shading on the characters looking pretty bad (especially as a print). i think i shoulda saved this idea for later in the year to time it with smash ultimate's release day of december 7 (i am extremely deadline-pilled) but i probably wouldn't have cared by then so i just did it like, immediately after the 64 poster. so it probably smacks of burnout + i can't shade with blue that well

FEBRUARY

this one sorta represents seven whole drawings i did for one series. it's my seven piece set of artworks based on mothy's evillious chronicles, and i chose rilliane's because i think at the time i was putting this together i thought she came out the best (i began assembling this starting april 2024 lol), but idk! i still think she's pretty solid but i think she's tied up with kayo and banica. one thing's for sure, i know sateriasis is my least favorite of the bunch by a wide ass margin, i really wish i executed it better! not much other interesting highlights for this month besides my other vocaloid art series, the alice of human sacrifice ace cards. i think they aged alright but again this is another idea that i wanna execute better in the future.

MARCH

oh boy another series!!! this was part of my four part series redrawing the crossed paths artwork from octopath traveler ii. i chose the one featuring partitio and osvald because it was my favorite at the time. i still think it aged pretty nicely but it has some rendering hiccups that rlly bother me but in terms of colors/the background i still like it. if i had to pick a new favorite, it might go to throné and tenemos or cassti and ochette. another notable highlight of this year was a piece of oc art i made. i need to do something unabashedly overdramatic and angsty with my ocs again cuz i still like this one too. i think i opted out of selecting this one to highlight since cropping a face was kinda awkward lol.

APRIL

an overdramatic oc art has been highlighted! another one i like (it's almost like i picked my best for this chart). it was sorta the origin of me using my favorite watercolor brush in procreate to have an extremely rough idea of the colors that naturally blend together, creating a pretty cohesive palette when i render it (which is the current basis for how i render in my current style). april otherwise is kinda boring idk i don't like a lot of the other drawings here lol. this utsu-p album redraw ft robin is still pretty cool tho imo.

MAY

i feel like i had some nice variety to pick from, but i chose my improvisational and edgy grima drawing since i think stylistically it stands out the most. i found my new favorite sketching/doodling pencil brush in procreate and made a whole drawing using it, and the texture is so niiiice. other highlights: COOL OC ART (ft kandy). part of me feels like it's kinda corny but i was born on da cob so whatever, this one was fun and i still like it!!! there was also my art based on bad end night. i'm a tiny bit mixed on the rendering/colors, idk i was experimenting with a different brush for lining and shading and the slight difference in texture makes it a little weird but that is shit that only matters to me. i think it's a hell of a lot better than the bad end night drawing i made back in 2022, so in terms of "redemption" i think it was successful.

JUNE

kind of a boring month tbh, i got miitopia-pilled again so i was probably busy playing that this month + i was home for the summer and i am extremely lazy when i am at home lol. but to compliment the dive back in my miitopia era i made a sorta sketchy drawing with kandy as my great sage. check it, it's another with my new pencil brush, and i definitely remember having fun with this one (though her robe physics kinda make no sense based on how i drew her ref, i never look at my refs for my ocs/i usually break their designs to fit certain poses silhouettes 💀💀💀). uh i guess the one other interesting piece (imo) from this month was my giant miitopia poster that i was too chicken shit to share proper until recently (if you missed the edit where you can fully see it, there ya go). it's kinda oversaturated vomit and i'm not crazy proud of the execution but it was ambitious and kandy's section still looks really good imo so it has value in that regard to me.

JULY

i participated in my first artfight this july! i drew many cool ocs. by about the halfway mark i got hella burnt out tho and started doing my own stuff to freshen things up (it was also around here when galasynth entered production and i met MANY AMAZING VOCALOID ARTISTS!!! SHOUTOUT TO THOSE MUTUALS :)))))). for this month i chose my poster based on touhou eosd since i think this might be the most gracefully aged piece the whole year (it's probably my favorite!!). the colors just came out real nice.... idk!! a notable piece from this month that couldn't be posted in july cuz of zine nda's was my actual galasynth piece. this was a pretty significant piece since it permanently altered my current rendering/coloring workflow (sorta established in the highlighted piece in april but now with lineart and with a differently textured brush). the touhou poster was created shortly after as a response to this new workflow! other one of note was my perfect cherry blossom poster

AUGUST

brave frobin's design for feh was revealed and i drew it 😼😼😼 (AND I CALLED IT earlier this month. not that i needed to use a lotta braincells but). this was a further step in practicing my new rendering style and see how detailed and meticulous i could get with the colors when i had ONE character to focus on with NO background and i think it was pretty successful. though im glad i posted the wip cuz the colors were probably better there than the rendered... what overthinking does to a mf. another banger from this month was a piece of oc art, it's nothing special but it was a rendered panel redraw of an unpublished comic i made of them and i liked it so yeah. (i also posted my decora una drawing this month which was my scrapped concept for galasynth, but according to my notes it was actually finished in july... but shoutouts to it regardless)

SEPTEMBER

aaaagh this month didn't have much goin on, probably cuz i went back to school around here and the work was getting crazy 💀💀 but i still found time to make something i'm proud of! i drew my oc based on a twitter prompt a mutual of mine shared and i reeeaaally still like it!! especially the details on the corals waow... (i don't really have much else from this month that i consider noteworthy enough to mention here so :P)

OCTOBER

spooky art!!!!! i didn't have much interesting going on this month because again i got very academically demanded of and didn't have much time to draw, BUT i vowed to make a tribute piece to "trick&treat" by oster project for halloween, so i hauled ass to get something ready for that and to have ONE traditional drawing this year (yeah i didn't draw a lot on paper this year unfortunately ☹️☹️☹️☹️☹️). other highlights: a traditional drawing of gekiyaku pills for vsynthtober which i did a whole two prompts of (you just saw all of them) + a digital drawing of geki (i really started to like gekiyaku around this time). as much as i still like the latter's colors and texture it sorta started a bad trend where i sorta just drew characters from the shoulders up with not much pose to speak of + no interesting background just for the sake of coloring it. not that it's completely devoid of value but it was a pattern i was starting to get a little to comfortable with. i'll touch more on this in the closing thoughts section, but this new rendering style did sorta hinder my want to experiment with my digital rendering styles compared to previous years where i prided myself on having a bunch.

NOVEMBER

BOTH of my favorite pieces from this month fall in the same trap as the thing i mentioned above. i picked my drawing of hibiki koto for the chart since the pastels added a nice value shakeup. i STILL LIKE IT, it's nice, but did perpetuate this bad habit/shortcut. the other one was my drawing of great sage kandy (current pfp!). the colors here are pretty fuckin nice still imo, so as a coloring tech demo like this flavor of drawing i was doing i think it succeeded.

DECEMBER

AND FINALLY, the end of the year. i finished my december piece early in the year kinda just to check the box off and get this chart off my back (a totally normal thing people do when drawing art throughout the year). i have wanted to do a legacy of lunatic kingdom poster like my eosd one for a while after falling in love with its ost, but it just felt scary. the characters were very detailed and also there were moreeee 😭😭😭 but i got myself to do it cuz i found myself tempted to fall in the same trap as described in october/november (i was gonna draw koishi with the same crop/thought for the bg/emphasis on rendering. you might see her done by the end of the year), but i was like "NO, i must earn this laziness" and finally did something ambitious again. and yeah, i think i did pretty good with this one, even if the crowding of characters and details is sorta unruly.

ok so maybe i'm a little artistically constipated rn

doing this thorough review has sorta gotten me worried. i talked about this in my review last year, but i wondered if my progress has plateaued since i liked a lot of my art throughout the year and didn't see much significant improvement. but looking back no i definitely improved from 2023, and i'd say i broke some new ground with experiments i did throughout the year (the piece from december is still my banner!!). i also had a few different digital rendering styles i played around with for some variety.

this year, after the completion of my galasynth piece, i got really stuck in a specific rendering style and didn't rlly experiment that much with shaking it up. i also didn't feel compelled to try doing solid lineart or rough paintings, and i got stuck in a "halfbody with basic poses and backgrounds" pit when i know i can do better and more cool if i just TRIED.

i am writing this pretty early in december so hopefully i can bring something new to the table..... idk, maybe the differences in my digital coloring styles are only visible to me, but i certainly notice this repetition and wanna break out of my current bubble! i am working on a collab piece that should go live by spring next year that will hopefully do this :) (and i certainly won't be abandoning my current style, at least not overnight/without trying to evolve it, cuz i really like it and have received many kind compliments from people about it! so thank you thank you!!!!)

i look back at some of my pieces from last year and earlier this year and see some variety in how i go about rendering or textures or colors and wanna go back to that. so that'll be my goal for the rest of december + 2025!!!!! ^_^

anyway that's that, it was a good year despite my current crisis, i think i made some good art. also don't be like me and feel obligated to make nice art every month for an aesthetic chart, i do it cuz i draw fast and i am easily satisfied by them. take breaks touch grass drink water, play and draw. yay!

[scyphosunny]

vargastober day 1 !! time to make pretty pieces !!!

HUGE RANT INCOMING !!!! LET'S GET TO IT

okay so it's currently almost 5AM and i set up an alarm in four hours but hey let's just write an entry right now :DDDD ( at this rate i will die soon

i remember that when i saw this prompt in the list , my brain immediately said " 20 / 21 " . YOU KNOW ME , I JUST LOVE THIS ONE SO MUCH . and once i had all of the prompts , i put all of them in one of those websites to randomize the order of something ??????? yeah . and " memory " was the first one to appear . ( smiles mischievously

okay . . . of course i had to get something to do on the very first day . i'm going out with my famiily today , and i won't be back until tomorrow . . . great timing isn't it

so idk like three hours ago i had to SIT DOWN and work on this . i was extra stressed because i chose to work on some edgar / jake first , for some reason .

then my sister got home and YOU KNOW WHAT THAT MEANS , IT'S CODE LYOKO TIME !!!!! it was like 10PM and i didn't want to get myself to work on it . i really didn't feel like drawing yesterday . but i still did , because usually that means i can just push myself a little bit and if i get something that i like at least a bit , i'll probably just work with it and enjoy it !

for this whole thing , i had an extremely specific reference saved SOMEWHERE on my phone . that thing when you see something neat , and you're like " hey i want to draw that " then , take a screenshot and forget about it forever . I HAD THIS ONE REALLY FRESH ON MY BRAIN THOUGH !! and even if there's plenty of things i could do for this one ( fuck , i even have a whole pinterest board for them !! and for the rest of the characters , really ) i really REALLY wanted to get this one done taking that picture as a reference .

it was a picture of a little girl kneeling down to get some flowers . . . and the whole thing just screamed childhood for me . i could probably just do the whole thing without a reference but i wanted to see the background and overall the slight blurriness to it . that would be harder to recreate without a reference . but i just had this picture floating somewhere on my phone's photos . i didn't even remember the year i took the screenshot ! and i didn't want to check through 13k pics on my phone to find it . i used to clean my gallery a lot , but since i got a phone with a fair amount of storage ( unlike last one ) i stopped doing it so much because it isn't really necessary anymore lolz . so yeah . . . i didn't want to look for it . last time i checked my phone's photos from last year i got depressed because i fully believe i had everything and lost it all . but hey that's not the point-

at the end , i did find the picture ! didn't take too long , too . . .

and here it is ! a tiktok screenshot of an age regression post . really fitting . i wanted it to have this kind of , hazy dreamy end to it . a memory . ( laughing

GOT TO WORK . I HAD TO . THERE WOULD BE NO TIME THE NEXT DAY !!!!!!!!!

first i made this incredibly poor sketch to see how bad it'd look because HONESTLY i didn't think i'd get it right first try . AND I HAD NO TIME TO TRY AGAIN

i've been working with backgrounds for a while , and one thing is certain . i SUCK at them i've already had two pretty pieces ruined by shitty / unfinished backgrounds . last one i made ( the fireflies one ) was at least a bit better . and well , IT WAS FINISHED .

the main problem i had with backgrounds is that , my art is pretty line heavy . and the way most people do backgrounds is just like , scribbling things around with big brushes and stuff . first time i tried . idk it just looked odd ! the characters were so sharp looking and the background looked blurry , almost . i don't even have a picture to show because the file of the piece i'm talking about got CORRUPTED at some point , so . . .

there's this guy on instagram that makes tutorials and just MAKES IT LOOK SO EASY IN WAYS I COULDN'T UNDERSTAND . i did notice something , though . . . this person started with the background first , then drew the character . made sense . i mean yes , that would make the character actually fit in the piece . . . . . . it's funny because yeah common sense OF COURSE you start with the background but MY BRAIN REFUSED TO ACCEPT IT FOR SOME REASON i don't want to draw boring backgrounds I WANT TO MAKE PRETTY CHARACTERS WITH PRETTY HAIR AND PRETTY CLOTHES

( by the way , this is the guy and this is the tutorial i followed ! check his art everything's so cool

i COULDN'T ALLOW MYSELF TO FAIL THIS TIME so i tried it this way . didn't take a lot of screenshots of the progress because i was like JUST FOCUSING ON GETTING THE PIECE DONE but hey i had some screenshots i sent to brusk

started with the sky . . . then added clouds , some mountains . . . brusk told me she liked it ! that it had undertale vibes lolz

then adding bushes . . . some trees . . . the place scri would be standing on . . . i watched the tutorial , got similar colors but still took the reference pic as well , a reference lolz

if there's something i hate , is detailing grass . really really hate it I CAN NEVER MAKE IT LOOK RIGHT . seeing just a nice , open field like this one made me think of another drawing idea i have for them

i have at least three pieces like this on my pinterest ideas board . i was like " what if i do something like this instead " but NNNOOO !!!! I HAD A REFERENCE TO FOLLOW ! and quickly got back to the original idea . hmm . . . i still want to draw a piece like that , though . . .

then , i just detailed the grass a bit more . . . added pretty yellow flowers .

i liked how it looked so far ! which was surprising . i usually never like my backgrounds .

then , TIME FOR THE FFFFFFUN PART !! SKETCHING THE CHARACTER !!!

this was the initial sketch . i keep saying " YYEAHH I DON'T DRAW LINE !! MY SKETCH IS MY LINE !! I'M COOL AND SUPERIOR " but nah this piece and most of them have at least the smallest sketches . i lied to you guys .

honestly . . . i didn't really liked how it looked . bleh .

still , chose a nice , pencil-like brush to work on the line . the background doesn't look really sharp , and i wanted to avoid the problem i talked about before ! characters looking solid and background looking blurry . i used this brush before for a little thing before and i thought it'd be harder to use . but everything okay .

this is what the line looked like at first ! love detailing lines and stuff but i didn't really give myself enough time to detail this one as much . half of the details would be lost , at the end . . .

flat colors ! and a pic of william looking like he's constipated on top lolz . that frame is so funny . i know he's suffering and getting his memory back BUT IDC . I KEEP WATCHING CL ANALYSIS VIDEOS . I CAN'T HELP IT , THEY'RE SO COOL TO WATCH

i had to make my colors a bit less saturated for them to fit the piece . you can't really notice at the end , since the filters i added made it look normal lolz

little break to talk about mmmusic !!! okay so , you know . i really like code lyoko . they have this fake band called " the subdigitals " and one of their tracks was used on the credits of the show . nice song . well , once i read in reddit that they had actual songs ! so , i searched in youtube and THEY DO HAVE MORE SONGS ! a fair amount of them , too . . . so i've been listening to them for days now . THEY'RE REALLY GOOD I CAN'T HELP IT

i really like how distorted XANA's eye looks here lol

( also this is just an excuse to show my old youtube . i love add-ons

BACK TO DRAWING . after flat colors , shading was next ! and oh i've seen people shade with purple since i was a kid . but i was like " that doesn't make sense . I'M DIFFERENT AND I'LL DO IT ANOTHER WAY " so i did , but IT JUST DIDN'T LOOK RIGHT . so i had to . ( sigh ) . shade with purple . ( and it looks great !

TO BE FAIR i do add a bit of a darker blue when shading but this time i just used it as it is .

oh also i did have to go back and correct the colors a bit for it to fit better . this time , i didn't color his hair like i usually do ! i wanted something less scribbly , more solid . . . i think it looks pretty . his hair is shining !

SCRI DIDN'T HAVE FEET AT FIRST i didn't draw them because i mean you can't really see them on the reference picture . but here it just looks like he's SINKING INTO THE FFLOOR OR SOMETHINg so i went back and added them . . .

coloring the line was really important on this one ! at the end , scri did look sharper than the background AGAIN so i tried and colored the line in a way that it wasn't that noticeable . i like it . should do it more often .

even after colring the line he still didn't so i had to save the background and a png of scri's character , set them on a different canvas and then blur scriabin just a little . I REFUSE TO MERGE MY LAYERS . YOU CAN'T MAKE ME

once the colors were set and done , i went to add a bunch of filters ! only to notice that !! i forgot the freckles !!!!!!!!!!!!!!!!!!! way to go , sunny !

( most of the pics i added here do have freckles on them because i took them after finishing the piece but . yeah

so i had to GO BACK get everything set and add the filters again . AND , AFTER 5 HOURS OF WORK , WE HAVE THIS PIECE !!!! i forgot the freckles because i don't add them as part of the line anymore . they were harder to color like this . . . so i just paint them on his face when i'm rendering . ah well .

i was strugggggling to find a way to crop it , and now half of the background it's gone . gggreat . i don't think i achieved that hazy feeling , if i'm honest . . . but i still like it a lot . so i'm pretty happy with the result .

( also , i should sign these . it's been a while since i signed any of these ! i just don't know where to add the watermark !

this is the pic with and without the filter !

then , i go to bed , get comfortable and warm . only to realize . . .

I FORGOT . THE YARN . ON SCRIABIN'S HAIR .

GOD DAMMIT

i tried to add it on ibis paint because i DIDN'T WANT TO COME BACK TO THE FILE , ADD IT , CROP IT , PUT THE 999999999999999 FILTERS I ADDED AND GET IT ON THE POST . let's just say it's on the bit of hair we can't see on the picture .

i fforgot it because !!!!!!!!! i ddddon't know !!!!! HOW CAN I FORGET THE MOST IMPORTANT PART WHAT'S WRONG WITH YOU

oh , and also . this is how my canvases usually look . i make huuuge files just so i can have lots of spacte to add a bunch of references in the canvas and then crop everything out when i'm done using them .

like this piece i made for the askblog ! hahahahah

i don't really know if there's anything else to add . just that i'm glad i'm doing this , i'm glad i got this one done on time AND I'M EXCITED TO WORK ON THE REST OF THESE

happy october , expect more pieces soon ! :D

( also , as an extra ! here's the piece my 10y.o sister made for today ! lolol

( bbbbefore you come at me and be like " why did you show vargas to a ten year old WHAT IS WRONG WITH YOU " i kind of . didn't ? and did at the same time ! she saw me drawng them a year ago , got interested and i explained their dynamic to her . now she knows them ! of course , she doesn't know the DEEP PART OF IT lol

[boop-comic]

I wanted to show the progress checkpoints of the latest page 'cause when I tell yall I was in my zone- I was IN my zone.

Why am I sharing this? Well, mostly because I love it when artists show the progression of their work. By the end of the day that's what art is. The creating bit is equally, if not more important, than the final product.

Thumbnailing

Quick doodles that get the point across of what I would like on a page. Most things on these thumbnails are subject to change. During this step I try to focus on conveying the emotion of characters and where to break apart speech.

Frames usually get added as I start on the actual page to convey movements that are implied. I try not to prioritize frame location since they usually move, but I always keep them in mind. This is a comic after all.

Sketching

Here is where I focus on frame size and overall clean up of the rough thumbnails. The sketching feels like sculpting as a mold and move the characters' limbs and facial features around.

The thumbnailing step saves me time with sketching since all I have to do is draw the characters in place.

Background

This step was a combination of sketching, line art, coloring, and shading. For the three frames I added a gradient to avoid an all flat color, and for the bottom I referenced the sketch from the previous step to figure out the size and location of the pumpkins.

The colors I choose during this step influence the values of the colors I will pick for the characters. We need the colors to be cohesive and work together in unity.

Alright, there's a lot happening at once here.

I was working on the Line Art and Coloring at the same time. It just so happens to be the way I draw Boop. And since I was drawing the line art for Lily as well... I decided to color her at the same time too.

Afterwards, I added texture to the sky with the squiggles and a ground for Lily to stand on.

Shading

Low opacity on a black overlay are used to create hard shadows.

And soft shading is used for the light that Boop emits onto Lily.

The exact same steps happened for the last frame as well.

((Go figure.))

The only thing done differently was that I used a grayscale filter to push Contrast behind Rose's head and onto the background on the bottom left. This can avoid the piece from feeling flat.

Final TouchUps

These same steps are applied to every page.

- An off-white border - Grainy noise - Speech bubbles

- My signature

And the most recent pages get a faint purple wash.

This is why the contrast is important to push. This purple filter lowers the contrast a bit.

Why the purple filter? Well, it's the progression of pages showing how it becomes nighttime.

Also this page was completed in late June so these steps move around a bit, but thumbnailing and sketching will forever be the first two.

[ridl]

ask game: 2 9 17 30 🫰🫰🫰🫰

Hi anon, thanks for the numbers!

2. Is it easier to draw someone facing left or right (or forward even)

Front is the easiest because i don't have to figure out the nose and lips as much lol. With a side profile, whether they face left or right isn't that much of a difference. But i think i tend to draw characters facing left more, if it's a solo drawing.

9. What are your file name conventions

Already answered here! But I can add that i'm obsessed with saving files. Which means I have multiple versions with slightly different names or added numbers, and later i have to delete a lot lol.

17. Do you eat/drink when drawing? if so, what

If i eat while drawing, then i'm not actually drawing lol. I can't properly multitask the two, so i usually eat before bc once i get focused on art i might not want to interrupt it much. It's either sandwiches/cereal/porridge as my last bigger meal of the day (bc i draw in the evening), or random stuff ranging from fruits (bananas! grapes! strawberries with sour cream and sugar during summer! mandarins during winter!) to salted crackers and dried sausage lol. And water. I always have a bottle of water next to me.

30. What piece of yours do you think is underrated

Also already answered 😅 Still hard to choose, but i think i can pick another one! It's just a redraw of my old furry oc, which is a strange overgrown undead werewolf-like creature taken by the forest. Not much lore abt em, just an idea. And i think it turned out pretty nice. 2019 vs 2023

No background bc i just focused on redrawing the character. Making them seem more like a creatue-plant decomposing zombie, rather than just normal green furry lol

[millustracoes]

Here is the full piece! It’s not perfect, but I really like it. It’s the first time I’ve ever tried to draw a character with an actual background, and I think it turned out pretty well! I did a day version and a night version, which is this one. But I think I’ll only post this one for now. The differences aren’t very many.

And now! A bit of background for this character!

The pillaging was nothing new. Every day it seemed, news of another settlement or village being pillaged came in, and every account was the same. Every pillaged village burned, only if by luck you got away were you able to survive; only if you were a coward were you able to survive. But were you really a coward if there was no way to defend your home? Either way, her village was different. It was hard to find. It was big. It was well protected. It was a very good prize. One night, the time came. Their village was the target. It was all so sudden. One minute the night was calm, the next, everything burned. People ran, screamed, and slipped. The ground was more slippery than usual. Although she barely could keep herself up, she had to run, she had to hide, she had to protect her children. But she didn’t know how. For now, they were hiding. But this wouldn’t last long, the pillagers were starting fires everywhere they thought people were hiding; to smoke them out. She told her children. She told them, “hide, for as long as you can. Do not move, do not make a sound, and if you need to, don’t even take a breath.” She thought she could drive them away. She was only one person. Then she thought she could fight them. She was only one person. Then she saw her house burning.

It was far away. She ran. As fast as she could. The hienas she passed laughed as they saw her. She stabbed a pillager that thought it was a good idea to get in her way. He fell. They laughed. She ran. But they were too many. She was thrown into a burning house. No matter how much she tried do get up and leave, she was always kicked in. She was desperate, tears running down her face, and she screamed in frustration. Was there nothing she could do? Suddenly, a bright light came down, and as it did, the pillagers became silent around her. A calm could be felt, as if something had answered her prayers. A voice. A calm voice, she heard. When she opened her eyes, she could see, floating above her, a woman, dressed in black, her hair waving in the hot breeze of the fire around her. She lifter her bloodied sword forward and said “I heard your suffering, do you wish to end it?”

Without a though. Her head nodded yes. Another bright light, and everything is a blur. When she came to, she was exhausted, blood covered her sword, her face, hair, clothes. No more screams. The only sounds were the crackling of the fires. She was inside her house. Hurriedly, she took out the slabs of wood from the floor. Her children! She remembered. She had to save them. And there they were! They didn’t move. They didn’t make a sound. They didn’t breathe.

She remained in the ruins of her village for a few days. Surrounded by rubble, burned down homes, and bloodied bodies. Her children always in her arms. One day, another woman, dressed the same way as the one who appeared to her that awful night, showed up. She kept calling her a strange name. “Ylise”. She didn’t know who this Ylise was. The woman explained she was following another whose description fit that of the one who appeared that night. Apparently, she passed down her powers to her. This woman then offered to bring her with her. She had nothing left. So, why not follow? Maybe she could help other people, now that she had the power to. She joined the Sentinels, and was given a new name - Irenia.

However, she could not judge who needed protection. The Balance. She now had to protect the balance of the world. People who had to die, could not be protected.

[antimonarchy]

How to Create Image Descriptions

So I’ve been creating image descriptions on tumblr for about a month, and I wanted to share some helpful guides I’ve found on how to create them as well as my own tips that I’ve picked up. Video descriptions and transcripts are also necessary, but since I mostly focus on image descriptions that’s what this guide is about. This might get a bit long, so fair warning. 

What are image descriptions?

Image descriptions are a textual depiction of what is going on in an image, as shown with the image below. 

[Image ID: A picture of a person with short black hair working on a computer. They are sitting at a wooden table with a large blue pot of pink flowers in front of a grey brick wall. A guitar is propped up against the wall in the background, and there is a string of lights near the ceiling. /.End ID]

Why create image descriptions?

The primary reason for creating image descriptions is to allow people who are blind/have limited vision to experience visual content. Many people who are blind/have low vision use screenreaders, which read text out loud when it is clicked or hovered over with a mouse. A large amount of online content, such as pictures, graphics, or drawings, is visual and so possibly cannot be experienced by someone with vision problems. As a general rule of thumb, anything that can be dragged or dropped most probably requires a description. In addition, if someone has partial vision and attempts to zoom in on an image, sometimes it can become pixelated and impossible to understand. 

Some neurodivergent people might need a description to understand the tone of an image, such as the meaning of facial expressions of a person to understand what emotion the artist is trying to depict

Some people might not have high speed internet or have low computer memory, meaning that they turn off images in order to save space. This means that they as well might require descriptions of visual content

Are image descriptions the same as alt text?

no, alt text and image descriptions serve the same purpose, but they are different in how they are presented. Alt text, short for alternative text, is included in the html of an image and can be read by a screen reader. However, there are many reasons why many prefer image descriptions over alt text. 

There is a limit of 200 words in alt text on tumblr specifically (and not in other contexts, which makes this information only applicable here), which means that detailed images or graphics are unable to be described fully without possibly cutting out important information. 

People who require descriptions, but who do not use a screenreader, must right-click and search through the html of an image in order to find alt text, but with an image description they are saved that work. 

Who should create image descriptions?

Everyone who is able to should create image descriptions. A content creator is best able to communicate the message of their work through text, as they are the one who created it and thus understand its message the best. While of course it takes practice when starting out, over time image descriptions become second nature when posting visual content. Always check the notes of a tumblr post for an ID rather than reblogging without one. 

What should be included in image descriptions?

There is no simple answer to this question, there are a variety of resources and guides on how to create one, and you should not accept my advice as the ultimate authority, as I am by no means a professional, and only create descriptions in my spare time as part of the effort to make Tumblr more accessible. However, here is my information for those starting out. 

First, consider what type of visual content it is. Is it fanart of a tv show, a screenshot of a tweet, or an informational graphic meant to educate people on a particular issue? 

Then, consider what information is most important in the image. If the visual content is an image of a famous building, then in writing the description the focus should be on the building, rather than describing for instance the color of the sky, surrounding buildings, or the clothing of the people walking by, as they are not the information that is being presented. 

Perkins ELearning has an excellent list of things that should generally be included, which I will include here. In my experience, these are the most important elements to describe

The people and animals in an image

The background or setting of an image

Elements that relate to the context specifically, so if it was an image of a congested highway on a news website, the description would mention the packed cars

The colors of an image (don’t overdo it however, a simple ‘light blue’ will suffice, no need to say something like ‘a color blue that is similar to the color of a robin’s egg’ unless it is crucial to the viewer’s comprehension of an image)

Context for an image. For instance, imagine if someone had drawn a version of the Bernie Sanders ‘I am once again asking’ meme, with Eleanor Shellstrop from the Good Place saying “I am once again asking for there to be a Medium Place.” Rather than provide a description to the example such as:                                          [Image ID: A drawing of Eleanor Shellstrop saying “I am once again asking for there to be a Medium Place.” /.End ID] you would instead say                                                                                                [Image ID: A redraw of the Bernie Sanders ‘I am once again asking’ meme with Eleanor Shellstrop from The Good Place saying “I am once again asking for there to be a Medium Place. /.End ID]

If the image is of a social media post, include the username/handle of the creator as well as the reactions (likes/reblogs) if they are visible in the image, as they may be cut off by the original screenshotter. 

If it is a drawing or piece of art, always look for the artist’s signature when writing a description

How do I write an image description?

To start off, here is an example description written for a piece of art I made myself. 

[Image ID: A digital drawing of Suki from Avatar: The Last Airbender over a gold background.  She is shown from the shoulders up facing the viewer, and has a neutral expression. She is wearing metal armor over a light green tunic, and is wearing her Kyoshi Warriors facepaint and headdress. The artist’s signature ‘Astra’ is written in the lower right of the image. /.End ID]

In this description:

I made clear where the description begins and ends, so that someone with a screenreader is not confused. I usually use brackets ([ ]), write the words ‘Image ID’ (or video/gif/other) and finish with a slash, period, and the words End ID. (/.End ID)

I emphasized the type of image, in this case a digital drawing

I said the character’s name (obviously this may not be known if describing a photo or something you are not familiar with)

I described the background and the character’s clothing

I described her expression

I included the description of my signature.

This is my basic process for writing a description

I first say what the content is, such as a drawing, photo, or screenshot of a tweet.

I then use what is called Object-Action-Context for the most part, which UXDesign has a long article on https://uxdesign.cc/how-to-write-an-image-description-2f30d3bf5546. For example, [Image ID: A photo of a person standing in a crowd waving to someone out of view in front of a river. /.End ID] While obviously I would usually provide more information than that, Person = object, standing + waving to someone out of view = action, and ‘in a crowd’ = context. 

I describe the clothing that might be worn

I talk about the position that people in an image might be in, such as leaning against one another on a couch, or standing with their fingers intertwined

I talk about the expressions on their faces, if shown

I talk about their general appearance (if important to the description) such as hair color/length

As said before, I talk about the context of an image if necessary

If the background is a simple color, I usually include it in the first sentence of the description. However if it is more complicated, such as a river winding through a dense forest, I include that at the end of the description after describing the important elements. 

Typically if I am reblogging an image, I do not add on any commentary after creating an image description, as this allows others to reblog my description without my personal reaction. If I want to add on to an image, I usually reblog my description post. 

In general, it is best to remain objective when writing a description, meaning not including your opinion of the content. However especially in an informal setting, say for instance you were describing an adorable cow, I would see it as fine to say [Image ID: A small drawing of an adorable cow. /.End ID] because the emphasis is on the appearance. There isn’t a clearcut answer, and it really depends on the context. 

What are some tips for writing descriptions/common pitfalls?

If there is an element of an image like a line that represents an emotion, or a sound effect like ‘clang’ if something falls, include that in the description. For instance, [Image ID: ...beside the mug that has fallen on the floor, there are the words ‘sploosh’ indicating the sound of the water that has spilled out. /.End ID]

Put image descriptions first. Don’t hide them under readmores or any other text. If you have something with multiple images and you are the creator, place the description under each image in succession rather than all at the end. Readmores are ableist, as they require someone who has vision problems/one of the conditions described above to do more work to access the message of visual content. 

If you are mentioning the skin color and/or race of someone in an image, make sure you describe it for anyone else who might be in an image. Don’t just describe the race of someone who appears to not be white. This doesn’t mean that you have to describe race, such as if the character is one whose race is commonly known, just that if you do, make sure you do it for all characters/people in an image. 

In order to write IDs effectively, I’ve found it useful to download a screen reader. I use NVDA, which is entirely free and easy to use and can be downloaded here: https://www.nvaccess.org/download/. 

Insert + Q turns it off

While my guide has focused mostly on image descriptions, video descriptions are also necessary. However they are not my area of expertise, and differ slightly, so I would recommend anyone interested in them to check out this website https://www.washington.edu/accessibility/videos/

Transcripts, for those who are d/Deaf/Hard of Hearing, are also necessary for making content accessible, and might be required for content that also has a visual format, such as a Tiktok. I would recommend this website https://www.w3.org/WAI/media/av/transcripts/ for anyone interested in writing transcripts

What are some more resources I can check out?

Here are a series of websites that I have found while researching how to write descriptions

UX Design -  I mentioned UX Design earlier when talking about Object - Action - Context, this article is very useful and examines how to structure a description and provides very useful examples for beginners

Perkins E-Learning - This article is very useful in helping someone what to include in a description, such as clothing or background information, as well as providing some additional information on alt text if you are interested

Meloukhianet - This blog post by s. e. smith goes into detail on the elements of an image to emphasize depending on its context, using the example of a picture of their cat sunning himself. 

SOAP - This article by the Stanford Online Accessibility Program (SOAP) provides a large amount of information on the purpose of image descriptions and what content requires them

HubPages - This article by SOTD and Zera discusses the difference between sparse, lush, and overdone descriptions, which is the amount of information included, and if/when each should be used. 

I hope you found this information helpful, I encourage everyone to check out these websites, and my inbox is always open for questions!

[withcolebrock]

I Drew That

Corpse Husband x fem!reader

Summary: Corpse finds out that Y/N has a drawing of him as her background

Warnings: swearing :)

Word Count: 1,818

Author’s Note: I’ve spent weeks trying to write this piece :/ I just couldn’t find a way to make it how I wanted it if that makes sense but I tried my best. This idea was very cute because I can totally see this happening lol. Especially with like the whole flirty voice thing Corpse has been doing with like Brentman and like James and stuff haha. I hope you guys enjoy it!!

~~~

Tonight was one of the many nights that she was playing Among Us. It had taken over her life, a flood of success followed her once she had played with Sean and Felix. She had gained over two hundred thousand subscribers on her YouTube channel. It had changed her life for the better, in many ways.

For the last three rounds, it had been strict imposter wins. Felix won two of those. Everyone was shocked when it was him the second time, Felix was getting great at the game. The group then decided to switch lobbies because Felix was throwing a fit about getting imposter too much. It was the usual group of Felix, Sean, Poki, Rae, Sykkuno, Leslie, Toast, Dave, Corpse, and Y/N.

Over the last few months everyone in the group had gotten a lot closer. Especially Corpse and Y/N. After the first time they played together, a lobby Sean had created, they had talked for hours after the first game they played. This had continued almost every time they had played  Most of the time, Corpse would be editing his videos while talking with her. It calmed him as he worked. She would be working on her art or scrolling through Pinterest or Tumblr.

They had even FaceTimed several times, where Corpse revealed his face to her. He made a big deal out of it, saying a whole monologue before he turned the camera to his face. She followed in pursuit being very dramatic as well. Whenever they would talk he would play her his music, waiting to see if she liked it. She loved any song he put out, despite it not being her usual music taste.

One night she was scrolling through Tumblr and found an artist who was drawing Among Us players with their little characters. One particular character made her smile and her heart flutter slightly. It was an amazing drawing of Corpse and his little character sitting on his shoulder. It was an art style she was familiar with, she loved supporting smaller artists. It was the cutest thing she has ever seen. Weirdly, it perfectly described him. She loved it so much, she decided to keep it as her phone Wallpaper.

The round started on Mira, where Y/N was a crewmate again. Throughout the whole night, she still hasn’t gotten imposter. “Dammit,” she groaned at the screen. She stood still at the start of the map, waiting to see if anyone would fake tasks at the start. Everyone ran off, not doing them. She quickly followed.

After a long thirty seconds lights get shut off. She ignores the emergency and continues doing her tasks, she stood by the vending machine when Felix killed her. “It’s fucking Felix again!” she leaned back in her chair groaning. She covered her face with her hands. “He’s gotta stop killing me first,” she shook her head. She tried to hide how annoyed she was.

Her body was called by Poki, she was the only dead one. “Oh my god,” Poki said once the screen popped up.

“Y/N no!” Rae yelled, “You guys, she’s died first the last three rounds,”

“Wait really? Oh Jesus, sorry Y/N,” Sykkuo said, a breathy laugh leaving his lips.

“I’ll protect you next round, Y/N, I promise,” Corpse said. Y/N tried to hide her smile and the heat rushing to her cheeks.

“We’ll avenge you, Y/N!” Sean yelled. Soon after everyone grieved her death they began asking each other where they were. Everyone had a solid alibi making it impossible for them to figure out who did it.

“Guys, guys, Y/N died first the last three rounds right?” Toast started, everyone hummed, “Who was imposter these past few rounds?” he explained. Everyone gasped.

“You really think I would kill her first three rounds in a row?” Felix tried to defend himself as the voting time clock turned red.

“You’ve done it twice already!” Sean yelled, voting Felix. Felix was saved since half of the group skipped. She floated around the map trying to get her tasks done quickly so she could talk to her chat without holding back the rest of the group.

She glanced towards her chat, reading a few questions, she shifted her gaze to the game and thought about the questions. “I’ve been working on a cute little animation for you guys, I might do another art stream with you guys. Only if you guys want it, of course.” she read through a few more questions while answering them, while she waited for the meetings to end.

Once all of her tasks were done, she began to talk about her art and fanart. “Yeah, there’s an artist on Tumblr, they are amazing, they deserve so much more recognition,”  she explained as she showed them her lock screen with the drawing of Corpse; without thinking about her chat being curious as to why it was him. Turning her phone back towards her, her eyes widened as realization dawned on her.

The chat began to flood in with questions, begging Y/N to tell them why she had Corpse’s drawing as her background. She chose to ignore the question and continue talking about her own art and showing fan art. Despite trying to change the subject, she sighed dramatically. “Chat, there’s no reason why Corpse’s character is my background, the artist is just good, stop talking about it,” she giggled as the victory screen popped up on her screen.

“Felix what the fuck!” she unmuted in discord. He began laughing as he began to defend his actions. “No, no it doesn’t matter if I know your liar voice, Felix-” After about five minutes of everyone talking the next round started. She was a crewmate again, “I feel like I’m bugged,” she groaned as she started running around doing her tasks. Corpse’s little black character was following her.

“Looks like I got myself a little body guard,” she smiled as she spoke. They walked passed the medbay room, as Corpse moved his character dramatically. She rolled her eyes as they both walked into the medbay room. She didn’t have medbay, but she sat waiting for Corpse to finish. They continued doing tasks together until a body was called. It was Sean’s.

“Y/N’s cleared I was with her the entire time,” Corpse said confidently into his mic. She said the same about him. Poki was acting a little weird during the call, which made Y/N a little suspicious of her.

~~~

When the lights were shut off Corpse was killed by Poki, and he groaned as his body was killed immediately. Poki called out Y/N right away, saying that she was with Corpse the whole time. Corpse glanced towards his chat, finally able to try and read everything everyone was saying. His eyes lit up as he saw her name flash the screen several times.

One person kept spamming the chat saying, Y/N’s has your Among Us character as her background, he smiled as he read it. He knew exactly what the picture was, “Oh really?” he hummed as he continued reading. Everyone was saying how nervous she got when they kept asking her about it. He pressed his lips together nervously. He decided to drop it for now, but he was curious. He looked back up to the screen and began to listen to what was happening during the meeting.

“...You really think I would spend this whole game marinating Corpse for me to kill him in front of Poki? What about that double kill that happened, there was no way I would’ve done that if I was with him.” Y/N explained, over Poki trying to defend herself.

“I think she’s got it guys,” It was down to Toast, Y/N, Sykkuno, and Poki. Everyone quickly voted for Poki. The Victory screen popped up. “I knew you had it, Y/N,” Corpse said as everyone started shouting into the discord.

After a few minutes of them discussing the round, they decided to switch over to Polius. “Hey, Y/N, can I ask you something?” Corpse asked, the group quickly went quiet.

“Sure,” she giggled.

“My chat keeps saying you have my character as your phone background, is that true?” he asked, teasingly. He smiled widely. The entire group started cheering while teasing Y/N and Corpse.

Her mouth dropped open as she tried to find a way to explain it, “Well, uh,” she cleared her throat, “I do actually, it was great art, what was I supposed to do?” she laughed.

“Oooo, someone has a little crush,” Sean teased, Felix quickly joined. The rest of the group was simply laughing along. Corpse stayed silent while the group was teasing Y/N, and Corpse for that matter.

He pulled up Y/N’s Twitter and began to scroll through her feed to find the perfect drawing. He took the drawing that Y/N did of her own Among Us character. It was a drawing of Y/N holding her little character in her hand. It was his favorite piece of art she has done. Mainly because she drew it while on FaceTime with him. He quickly changed it to his iphone background, he glanced back towards the screen, seeing if the game started. He took a screenshot of it and immediately texted it to Y/N.

“Y/N, look at our messages,” he said simply into his mic. The group slowly stopped talking as they waited for Y/N to open the message.

“Corpse, I’m scared,” she whispered, everyone started laughing.

“Just open the message,” he giggled.

She sighed dramatically while she pulled up the messages with Corpse, seeing the screenshot. Her lips fell into a pout as she saw it. “I drew that,” she mumbled into the mic.

“You did,” he whispered, as he felt heat rise in his cheeks. He loved hearing her voice. “It’s my favorite,” he continued.

“Corpse,” she whined as her eyes began to tear up. She didn’t know why, but her heart felt so full. “You didn’t have to do that,” she mumbled, readjusting herself in her chair. She shifted her gaze towards the contact name, Corpseyyy.

“Of course I did, It was beautiful art,” he muttered while he looked back towards his phone, admiring his new phone background.

“Is this..a possible.. New relationship starting?” Sean whispered dramatically into his mic.

“It sounds like it,” Rae interjected. Corpse rolled his eyes dramatically, but he didn’t oppose the idea; neither did Y/N. Rae quickly started the game, letting the tension ease between everyone. Corpse and Y/N got imposter together.

“Oh my god finally,” Y/N said into the mic as she started faking tasks, “Chat, please stop saying I’m blushing, you aren’t helping,” she giggled as she continued the game. She raised her hand to her cheek, feeling the warmth.

[csmeaner]

I’ve been thinking a lot about my CS purchases for the last few weeks since I used to buy and trade designs frequently, and I’ve come to a realization. It’s not the character itself that drew me in, it was the specific art piece - the character and how it’s presented on the background. Too many times I’d fallen in love with the character, or so I thought, only to realize that once they’re drawn in any other way they’re not as cool as I originally thought.

The character didn’t look good in my style when I drew them, and seeing it drawn in other people’s styles still didn’t make me happy, and I found myself growing discontent and wanting to keep the one specific art but get rid of the character and that’s when I realized the issue. I never wanted the character in the first place, I just really liked that one specific piece of art. So now, I just save the image for free and look at it any time I want.

Before you all get mad about theft, I don’t use the character, and I don’t claim I own it or the art. I just look at the pretty pixels from time to time and appreciate the artist’s talent, as in “wow this image/composition is really nice!”

It helped me break free of my FOMO and desire for CS as a whole, and it’s been a huge relief on my wallet. I still buy adopts here and there though, they’re just way cheaper ($20-$50 instead of $300+) and usually don’t have any elements that detract from the character itself, which helps me decide if the design is one I’d actually draw and use.

It’s been a huge relief on my wallet and I’m struggling a lot less financially as a result.

understanding why you engage in fomo and these shitty practices helps a lot with deciding how to help it especially if people start getting spending addictions

[bastardbites]

9, 14, 29, 30 >:3

9. What are your file name conventions

hmmm. I don't have anything as Specific as your file names, but my file names are usually one or two words, that indicate (only to me, and for a short period of time) what the thing is. So, for example, we have "car", "squid", "Beach", "Beach looks back", "good girl", "cuddle", "McDonald's", "druid", "sipsip", you get it. The ones where I'm fucking around without direction are the worst because I never share them and I never finish them and I end up trying to save three different files as "pose" and then change the name to something that doesn't mean anything to me.

14. Any favorite motifs

God. Ok, ok ok.

I don't do motifs, because - and don't fucking come @ me for this - I draw but I don't do it Artistic Style? I don't trust my colours and backgrounds enough for that and I get frustrated too easy to get better really, but anyways - I would love to do one of those things of. Art in the center and then in the back stark contrast between single colour background + one stylized thing coming out of the character?

But uh yeah. Motifs. I really like eyes (have had three ideas of things that involve eyes opening and closing, did none of them), I also really like blood (again did none of it) and also things like. Tree roots/tree branches/deer horns. Oh. And mushrooms.

29. Media you love, but doesn't inspire you artistically

god ok ok ok ok. So. In the sense I think "that's pretty" but don't particularly feel the thing of "oooh I should do that" 3d models, but the stylized ones like in Disco Elysium or Borderlands. I like when people have an artistic vision and they get them through 3d models. This is most likely because I spent a long time hating 3d model art because of the games I saw using them.

Also, hyper stylized comics style. Sometimes I like them, but I almost never have the thing of "oooh, I should Do that". I had a phase where I kind of wanted to, but now I'm just not really into it.

I want to take this moment to also shout out a specific thing where I am "Oh my God I wish I did that" and like. Do full on 🥺 eyes at, but Do Not try to Replicate because I would Die I know I would, which are the kind of backgrounds that have a lot of stuff and it just feels *lived in*? Urg god. So good. (@/anonbeadraws and @/littlestpersimmon are some of the two that pop in my head for things like this, this, this and all of this coming but especially the last bit of the first page)

30. What piece of yours do you think is underrated

I'm the master underrater of my pieces, I am not qualified to answer this 😂 if anyone is underrating them I am the first in line. There is this Hau piece I am really proud of, but I have this weird relationship with it where I fucking love it when it's zoomed in, but on the full my brain keeps going Something Is Off, but also. I made it in December 2021 and I was proud of it and I am proud of it and I'm not fiddling.

(doesn't post the image like the question probably intends you to)

[littleoldrachel]

"well, it's the thought that counts"

for the wonderful @rachfielden-xo who literally sent this in a month ago (sorrrrry and thank you!!) and asked for well, it's the thought that counts with scott and alan from this prompt list.

this legit turned into scott teaching alan to make pancakes and i'm not even mad about it. the recipe the boys are using is [here].

[if you wanna prompt me, hmu!]

*~*~*~*~*

There are lots of things Alan doesn’t understand.

Black holes. Why his momma isn’t coming back ever again. The reason a Mars sunset streaks blue. Why Virgil has become some soulless cavity and John won’t say a word. How, despite year after year of technological advances, there’s still no evidence of alien lifeforms out there.

Why Scott never has time for him anymore.

It’s been days since Scott even said more than a few words to Alan, weeks since he last crushed Scott at videogames - he hasn’t even taken him to the park since -

Well.

And it’s not that he doesn’t love spending time with his other brothers; Gordon annoys the heck out of him on a daily basis but makes him laugh till it hurts far more. John is the one who gets him, who refuses to dumb down scientific explanations, who shares his passion for all things space. And Virgil - Virgil Before, that is - is the only person who knows how to hug him just right, who listens no matter how banal Alan’s worries are.

He loves them so much his heart might explode apart like a zombie’s head meeting his videogame character’s bazooka - except Alan’s not ever leaving them, not ever, not now he knows what that does to them all.

It’s just that Scott is fast turning into Dad, notable only by his absence.

And Alan doesn’t need another one of those.

More than that though, he can see the way his brother is running himself ragged trying to be mother and father and everything in between, and despite Virgil’s interventions and John’s best efforts, it’s not getting any better.

Which is where Alan comes in.

Alan is going to save his brother because he’s no baby, despite what everyone thinks.

What he lands on is simple but effective: he’s going to make Scott his favourite breakfast and draw him a card to say thank you, because he wants Scott to know Alan sees everything he’s doing to keep them afloat.

The card is straightforward enough - he’s no Virgil, but he’s pretty sure it’s clearly a rocket that he’s drawn. His tongue pokes out as he colours in as carefully as he can, only going over the lines a few times. He draws himself and Scott in the window of the rocket, grinning wildly (perhaps a little manically if he’s being honest) and adds Mars to the background.

Inside, in wobbly, looping script he prints:

Deer Scotty

Thanks for bing the best. I love you.

Love

Alan

Mission: Amazing Card - completed.

Now he just needs to make the pancakes.

Right then. First step is the ingredients.

In theory, this should be straightforward enough. Alan has seen Scott do this numerous times, had half-listened when Virgil taught John, and has eaten more of these pancakes than he can begin to count (but never enough!).

Alan pushes a chair against the counter, uses it to hoist himself onto the surface, and scrambles to the cupboard.

He knows that there’s a mountain of flour involved, because the little puffs of white powder always fluff through the sieve and make him sneeze. What he didn’t anticipate was that there would be different types of flour, in neat colour coded packages. He picks red, because it’s his favourite colour, and dumps as much of it as he can through the sieve, poking at it with his fingers to push it through.

It doesn’t look as neat as when Scott does it, and the entire surface is already dusted with flour, but most of it is in the bowl, so he’s doing okay.

He goes for brute strength with the eggs, smashing them into the side of the bowl. Little pieces of shell slide into the mixture with the yolk, but it’s so slippery he can’t get them out. Fingers coated in sloppy flour, he retreats. Maybe Scott won’t mind the crunchiness.

The milk carton is far heavier than Alan anticipated, and he loses his grip on the condensation-slick handle, watching in slo-mo horror as a glug of milk hits the side of the bowl, ricochets off it -

And splat!

It lands straight on top of Alan’s card, and Alan -

He’s not going to cry, he’s not -

His mom always said he shouldn’t cry over spilt milk, except this time it’s ruined everything.

Milk drips off the counter and Alan clenches his fists, willing the baby inside him to shut up. Eventually, the upset reassembles itself into a grumpiness that has him whisking furiously. The mixture slops all over the place, decorating the floor, countertop and his too-big apron with splatters of batter. It’s a lot runnier than Scott’s usually is, but by now Alan Does Not Care, he just wants to get this done and hug Scotty.

He’s just standing in front of the oven, wondering which dial is for which of the flame things, when the kitchen door opens.

Sixteen-year-old Scott, whose eyes have circles far deeper and greyer than they have any right to be, is standing there, and Alan becomes Very Aware all of a sudden of what the kitchen must look like through Scott’s eyes:

Flour absolutely everywhere (he can feel on his eyelashes and tickling his nose), little pools of batter all over the floor, Alan with his hand on the stove to work out how to make the fire come out -

“What the hell.”

Scott takes a deep breath, presses the heel of his hand to his eyes and says, “what are you doing, Alan?”

Alan forces himself to stand up tall like Dad always says. “Making you breakfast.”

There’s a pause, and Scott surveys the disaster zone once more. “I can see that,” he says finally, voice a little faint.

Alan swallows because this isn’t at all like he wanted it to go, but he brandishes the bowl of batter and does his best to peel the card from the surface. “For you!”

Scott stares, but takes the bowl. “Is this.... pancake mix?”

Alan nods eagerly, “your favourite! And here.”

The cursed milk smudged his amazing drawing, but it’s still sort of a rocket. Scott carefully prises open the card, and his whole body softens as he reads the message inside. “Allie,” he manages, “Allie, this is so -”

He presses a fist to his mouth and Alan watches in horror as his Neptune eyes shine overly-bright. This was supposed to be a nice thing, but he got it all wrong -

“I’m sorry,” Alan cries, flinging himself at Scott in a hug. “Don’t cry, I’m sorry! I didn’t mean to make such a mess -”

“Allie, no -” Scott’s voice is firmer now, but Alan can’t bear to look at him falling apart like Virgil and John and Dad, because Scott is Scott and he can’t fall apart. It will obliterate Alan’s heart like a grenade in a zombie hideout if he has to see Scott cry.

Scott crouches though, and Alan’s forced to make eye contact. He’s relieved to see that Scott’s face has lost its sadness.

“Thank you so much for all of this, Allie,” Scott says, so sincere and so strongly, it washes something warm and safe over Alan’s shoulders.

“But it’s t-t-terrible! The pancakes are all wrong and I don’t know how to cook them and the card got milked and - and -” Alan can hear the wail in his voice and he resents it; it knocks hard into the defiant figure inside him that insists I’m not a baby!

“It’s not terrible, Allie. It’s - it’s lovely.”

“You’re saying that to make me feel better.” He can’t help but pout.

“No, I mean it. I love it - all of it.”

“Even the mess?”

“Even the mess.”

“Why?”

“Because… Well, it’s the thought that counts, Allie.”

Alan wrinkles his nose and Scott grins, using his sleeve to wipe off some of the stray flour. “I mean it. The fact that you wanted to do something nice for me makes me really happy.”

Alan hmphs, but tucks himself into Scott’s side and Scott obliges, squeezing him tight in one of those cuddles Alan has missed so much.

“I’m sorry I haven’t been around much, Allie, but I love you and I’m gonna do better, ‘kay?”

Alan stiffens and pulls away. “Wait no! That’s what this was for, Scotty.” He wants to stamp his foot in frustration so bad, but knows that’s Baby Behaviour and so he settles for a scowl. “I don’t want you trying to do more when you already do everything! I just miss you, I don’t need you to do anything better. I just need Scotty.”

Scott is blinking too fast for the second time in ten minutes. “Did Virg put you up to this?” he says a little hoarsely.

Alan frowns. “No. But if he thinks the same thing, shouldn’t you be listening?”

Scott’s eyes widen, and he ducks his head, covers his eyes again.

Alan goes back in for a hug, presses his cheek into Scott’s chest and listens to the steady thump-thump of his heart. He feels Scott take a deep breath and put his armour back up, and Alan’s heart makes a sad little clench.

“What do you say we make some pancakes together? Ones that are actually edible?” Scott clambers to his feet with a grin.

“Hey! They would be!” Alan protests, but then he looks back at the mixture, which is congealing in watery lumps and he fights a smile.

“But first,” Scott flattens the card and clips it to the fridge with a magnet, and Alan -

Alan’s heart skips.

It’s been a long time since any of them - even Virgil - have had anything hung on the fridge. But his little card - his silly, ruined card - is up there in pride of place and that means more to him than he knows what to do with.

Scott ruffles his hair, dislodging the flour that’s gathered itself there, and for once Alan doesn’t have the words to protest. Scott half-turns, catches Alan’s lost expression, and shoots him the gentlest of smiles.

“Ready to make the best pancakes in the world?”

As if he even needs to ask.

Scott easily sorts through the cupboard, drawing out the blue flour, a pot of baking powder, and some sugar. It’s all white.

“Why do they have to make all the important stuff the same colour?” Alan complains, and Scott laughs, loudly and easily. It’s a wonderful sound.

“Here’s something that’s a different colour,” Scott says, tossing eggs between his palms with an assured ease. “It’s egg time.”

He passes one to Alan, and Alan goes to smash it against the bowl, when -

“Wait!”

Alan pauses, mid-swing, and Scott plucks the egg from him.

“Gently, Allie. Like this.”

Scott repositions his hands so that his grip on the egg is looser, then gently moves his wrist to give one sharp tap against the side of the bowl. The egg breaks, golden yolk dripping out, but miraculously, no shell escapes.

“Reckon you can do the next one on your own?” Scott asks, and Alan nods at once. He looks to Scott to check he’s doing it right, and every time Scott is there to meet his gaze.

(As he always is, always will be).

Scott helps him to lift the milk carton, and between them, they pour it into a little well that Scott instructs him to dig in the mixture. Scott hands Alan a whisk with a solemnity that Alan recognises from Gordon’s pranks, and sure enough, no sooner than he’s taken it, Scott is brandishing a spatula and yelling “en garde!” and then it’s all out war.

“Loser has to whisk the mixture!” Scott says between parries, and Alan knows he’s being deliberately slow and clumsy but if that’s how he wants to play, then so be it. Alan blocks a few of Scott’s easy strikes, and feigns left, before darting right to jab him in the ribs.

“Victory!” he yells.

Scott crashes to his knees in mock agony. “You got me!”

Alan pushes the bowl towards him smugly. “Your punishment.”

“So merciful.”

“No talking! Only whisking!”

With Scott’s expert hands, the batter turns into a smooth, creamy mixture, and he guides Alan as the chocolate chips are poured in. “And now we fold.”

“Fold? Like paper?”

Scott grins, and Alan scowls. “Don’t laugh at me.”

“Sorry kiddo. Like this.” Scott shows Alan a gentle scraping motion that turns the mixture towards the centre of the bowl.

“Are we there yet?” The chocolate chips are making Alan’s mouth water, and as messy and inaccurate as his recipe might have been, it was at least quicker.

“Nearly. Let me just heat the pan.”

Scott dashes the pan with a blob of butter, and smiles softly as it begins to sizzle and melt, before he turns sharply to Alan.

“Hey, Allie?”

“Mm?”

“Please don’t use the stove without me or Virg there, okay?”

A ladle of pancake batter goes into the pan, and Alan stares at it in anticipation.

“But it was an emergency.”

“And you could have asked Virg, even if you wanted to surprise me.”

Alan frowns, crosses his arms. “He wouldn’t have helped, he’s always in bed these days.” Scott swallows, the crease of concern back between his eyebrows and Alan’s heart sinks. “I didn’t mean that. He would help, really.”

“He’s just really sad, Allie. Give him some time.”

“We’re all really sad,” Alan says, in a smaller voice than he intends.

There’s a pause, and Scott says, equally small, “I know.”

Scott removes the pan, passes it to Alan, and gently adjusts his grip, until -

“One, two, three, flip!”

The pancake does a perfect somersault, landing uncooked side down in the pan, and Scott beams, even though his eyes look so sad.

Silence falls once more, and Alan finally looks up at Scott, surprised when he’s already watching him.

“I love you, Allie. So much.”

Alan blinks, but the words come easily - he’s not yet at Gordon’s age where such declarations are Deeply Embarrassing. “Love you, Scotty.”

“I know the last few months have been really rough,” Scott says slowly, as though he’s measuring each word out like ingredients. “But never forget that I love you and all of us love you. It’s okay to be sad, but you don’t need to deal with it on your own, okay?”

Alan nods, tucks himself into Scott’s side once more, because the contact feels more important than words right now. Heck, he doesn’t even know what he could say to that. It’s everything he knows technically, but hearing it said out loud? It hits different in a way that knocks all the words right out of his head.

On cue, the pancake has turned into a golden-brown puffed up beauty, and Scott grins widely.

“Bets on who’ll be the first to smell this and make their way down to join in?”

Alan laughs. “Definitely Gordon.”

“Nah, Virg has a weird sixth sense about pancakes.”

*~*~*~*~*

They’re both wrong as it turns out.

John slinks into the kitchen, followed shortly after by a bright-eyed Gordon (“that doesn’t count, Allie!” “Does too!” “Does not!”) and a dull-eyed Virgil.

Whilst Scott and Alan stack up the pancakes, Scott corrals the others into beginning the clean-up process. There’s some good-natured ribbing about the Disaster pancake mixture, which has started solidifying alarmingly quickly, and Virgil spots the card on the fridge, turning to Alan with the first genuine smile he’s seen from him in so long.

Everyone is ravenous by the time there are a sufficient amount of pancakes for them all, and then it’s every man for himself as they wrestle for sauces and squabble over the last pancakes.

It’s the first time they’ve all eaten a meal together in so long, and it’s the best gift he could have ever given Scott, even though he couldn’t have planned the highs and lows of this particular adventure. Virgil is actually laughing about something with Gordon, and John is inserting the occasional comment with a smile, and Scott -

Scott meets Alan’s eyes with a proud smile.

Alan’s heart feels like it’s actually glowing, a soft, golden light in his chest, because he did that - he and Scott.

They make a good team.

And they always will.

[hms-no-fun]

Here is an odd one maybe, but I think it's potentially interesting. When in the writing process did you decide/realize or whatever, that Roxy is trans? It is possibly my favorite "reveal" in story telling just for how it was built up to.

i literally did not have it in mind as a reveal until writing the final version of the epilogue. based on screenshots in the work server, i wrote that conversation on december 30th, 2021, just a few days before the epilogue would go up!

so initially what this epilogue was gonna be was the scene with VV saving July and sending her on her way to do tasks, and then they would deliver to us some basic narrative mechanics exposition. then at the very end there would be a reveal that the "you" they were talking to throughout the epilogue's narration was not us but Roxy and Callie, and that'd be the end.

i had MOST of this written back in july (the month), but as i was writing the descriptions of VV's room it hit me that this would be a perfect time to do some spritework. by that point we'd long since decided to turn 3.2 into something approaching a more traditional mspfa, so it made sense to use the epilogue as a testing ground. this turned out to be an excellent choice because we learned a LOT about what is and isn't sustainable-- ah but we're getting off topic.

when janet showed us her Roxy and Callie sprites, i knew i couldn't just leave 3.1 on that cliffhanger. these two have been orbiting the background of this story for a while, particularly in chapter 8, and where i think Jade & June's sides of the story going into 3.2 have been set up relatively well, Roxy and Callie were a big blind spot.

as per usual with godfeels, once i started writing them as characters in the scene instead of plot vehicles, a whole whole lot of important shit clicked together for me. the epilogue was always meant as a statement on the metatextual nature of godfeels up to this point, and to draw attention to some of the weirder implications thereabouts, but it was only at this point in the writing process that i understood how it mattered on a personal, emotional level.

so both Roxy and Callie get important character moments in the epilogue. Callie, of course, deliberately lets VV deliver whatever exposition they want so they can piece together what's really going on, because of course Callie has ample experience being a semi-omniscient narrative guide. but it was really Roxy that i puzzled after the longest.

honestly, Roxy has probably been the single hardest character for me to wrap my head around. partially this is an inherited problem, in that i wrote gf1 & 2 under the assumption that no one else but June was trans, and much as i prefer transfem Roxy as an interpretation of her character, transmasc Roxy from the epilogues looms large. if she were to be transfem, not only would that contradict the epilogues timeline in a weird way, i was also worried that it'd piss off the fandom crowd who were still up my ass all the time in late 2019/early 2020. that latter bit isn't really a problem anymore, thank fucking god.

i'd never considered making Roxy textually trans until VV blurted it out on the page. me, as the writer watching the scene, just sorta stopped and stared at my screen. there's a lot of stuff in the wider expanse of godfeels that i only know in abstract, stuff that i've earmarked for explicit development once we start the planning phase in a couple months. chapter 8 is constructed in a way that tactically obscures certain information and plot beats that i didn't want to introduce yet or that i felt like i didn't have a strong enough grasp on to feel okay committing to canon. Roxy and Callie were in that camp, and to an extent a lot of VV's stuff was in that camp. one of my frustrations while writing the ch8 epilogue was the realization that i basically had to rapidly go through the planning phase for this particular corner of the narrative out of the blue. 3.1 just had to get one last surprise hit in on its way out the door i guess.

so i spent a lot of time running over transfem godfeels!Roxy in my head, and the more i thought about it the more perfect this reveal felt. there've already been so many gestures at Roxy's voidy relationship with narration & internality, but i think what really opens the door to it IS VV's bastardization of reader response theory (itself an evolution of Alt-Callie's "a martyr died and said fuck" speech from the epilogues). after the realityquake and VV's exploration of cosmic relevance & denexustic radiation, the very same inconsistencies that made me shy away from exploring Roxy's gender in the past suddenly became the very reasons it was worth doing.

that epilogues timeline Roxy is transmasc but godfeels timeline Roxy is transfem feels narratively curious and interesting and troubling in a way that is so much more compelling now than it would have been at any other point in the story. and it just made sense that of course someone else would reveal the fact of her transfemininity to the audience, and then directly call attention to the ways a non-binary construction of gender just feels completely incompatible with dramatic storytelling. like the idea of someone just having a moment and realizing, no, i'm a different gender actually, it just comes outta nowhere! it doesn't feel satisfying in a story because it doesn't feel satisfying in real life, either (assuming you're a cis person who's never or only rarely encountered a trans person).

it works in tandem with June's own coming out, too, where everyone was skeptical of her insistence that she knew herself better than her friends did- only now the relationship has been elevated by an order of magnitude, making it a conflict between the character and the reader, making us the outsiders to her internality and being forced to ask ourselves, "does this make sense?" and just like Rose et al back in gf2.1, we don't MEAN that question in a transphobic way. obviously trans characters are great! we're more interested in whether or not it's a satisfying dramatic beat...

writing the scene, VV just kept vocalizing these thoughts i was having as an imagined audience member running over the story in my head through the lens "does this make sense?" ironically i don't think i could have given Roxy a satisfying gender reveal without this context, and doing it this way just... i mean, i dunno how to describe it exactly. it's juicy. it's interesting. there's a lot of gas in that tank, you know? and i still don't think i fully appreciate the ramifications of it. like so much of godfeels it just sorta worked. it feels like a magic trick that someone else is pulling on me every time this happens, and it's precisely what makes working on this behemoth so worthwhile

[sprawa-przybyszewskiej]

Ekphrasis in The Danton Case, Thermidor, and their adaptations

Ekphrasis is invoking a piece of visual media into a literary piece. It can be done for a variety of reasons, from entirely pragmatic (mostly grounding the literature in reality - if the invoked piece is a real piece of art, one you could find in a museum, for example) or more poetic (drawing some symbolic meaning between the piece of art and the idea behind the text).

In Przybyszewska's plays ekphrasis is nonexistent, at least on the foreground. I don't recall any clearly established visual, given to the readers by the original author. It's not weird in any way - how many pieces of medai do you recall which refrain from its sophisticated and additional piece of subtext and iformation? Hundreds, probably. The only other artistic thing that she has weaved into her plays is La Marseillaise, which is invoked twice in The Danton Case. There are also three book references to Othello, Orlando furioso and this one book Robespierre summarizes to Saint-Just when he's talking about hatred (but of which I have no idea if it's a real one - it probably is - or not). Other than that - nothing, plus the books count only a little, forekpfrasis should be, as I said, visual in nature.

Of course, the historical aspect of her works is what grounds them in our reality, and so cleverly, too (seeing as they're not really historical plays in any way or form, but manage to fool most anybody). And thanks to her extensive stage directions, we have no need of any additional element helping us visualize the scenes, for she does it perfectly enough on her own.

However, seein as these are plays calls for a mirror ekpfrastic effect and thus theatrical and cinematographical adapations are born. And they, on the other hand, have a potential to be filled to the brim with visual refernces. Here I would like to have a look at a few, which are taken from one of the most well known staging and the famous Wajda movie (plus some). In no particular order, there goes:

This is the very first scene of a controversial theatre adaptation of The Danton Case. Instead on portraying Robespierre as a firm leader, who only in the very end collapsed temporarily under the huge responsibility he now had to bear, the director decided to portray him as someone physically weak, not in the sense Danton meant when he called him a weakling, but in the sense of somebody who already bears so much responsibility, pain, physical ailments, doubts and whatnot. Just: everything, everythin a human could possible deal with, he deals with, and has to do so in a way that doesn't make people suspiscious about his "shortcomings". There is a interesting parallel between him and Saint-Just, whose upright and unbreakeable character is symbolised by a neck braces, something which people wear after a spine endangering accidents - and incidentally, wasn't it Saint-Just who accused Robespierre of "breaking his spine"? But not in this adaptation, oh no - here their very last scene is cut extremely short and they recite the last few sentences along with some Thermidor lines as two floating heads, a vision into the future which awaits them.

Enough about Saint-Just, though, let's focus on Robespierre and Marat. I must admit I know next to nothing about him, only what some passage here and there in this or that historical study might tell me, but I know, as does everybody, that he was known as L'ami du Peuple, which is why of the reasons, I think, why the director took this image and transposed it onto Robespierre: to make him even more likeable, to show for the umpteenth time that it is Robespierre whom we should cheer on and whom we should feel sorry for. This might also be a parallel between their both's tarnished health, their premature deaths and - last but not least - the role of an icon of the Rvolution both of them play in nowadays' audience's minds. You don't have to study history to knowwho Robespierre was, you don't have to study art to know this painting. Even if you don't agree with some more in-depth explanation of linking this person to this painting, it is a good opening image. It captures our attention in a good way.

I had mention Saint-Just and there he is, in the background of the picture, symbolically assisting Danton and his clique in their last moments. Instead of shwoign them in torn shirts, the director went into another direction altogether and enshrouded them in white sheets from heads to toes, making them all look like very stereotypical ghosts, whom they will all become in just a couple of moments.

In Polish culture, the first thing that comes to mind when talking about ghosts is Dziady, an old slavic tradition that is now replaced with the Catholic All Souls Eve. Dziady is no longer, apart from perhaps some small minorities who still practice old pagan faiths, but as a ritual, they are immortalised in a play by Adam Mickiewicz, undoubtedly the greatest Polish poet ever. Everybody know this play, some scens - by heart, and they were and are being staged pretty much constantly from one point on. Needless to say, they inspire a lot of art, and I decided to show this very fmous poster by the most famous Polish poster designer, Franciszek Starowieyski…

…who is important in this case, because he played David in Wajda's movie.

Not many people know - because his other carreer overshadowed by a lot his first one - that Wajda was a painter. Who actually hated his art, some of his pieces are in the national museum of contemporary art in Łódź alongside stars such as Władysław Strzemiński (the hero of Wajda's very last movie), which is a fact he absolutely detested. I dont know, nor do I care, why was that, because what matters is his previous education as an artist at the very least helped him not only to envision the visuals of the movie, but also acquainted him with great works of art. On which he could model this or that setup. I think it's a nice little detail he catsed Starowieyski as David, a real painter acting as another real painter, it adds a layer of reality onto the movie, and presumably makes for a more natural acting in the few scenes he was in his studio (I also think they look alike).

Speaking of David's studio, I once stumbled upon a lecture which drew parallels between some scenes in the movie and some paitings, which was mostly focused on character and costume design, and truth be told didn't contribute much to the overall watching experience of Danton. However, I must admit the lecturer had a very good eye in this one particular case, in which he pointed out that this quick shot in David's studio pretty obviously invokes the Fussli's The Artist's Despair Before The Grandeur Of Ancient Ruins. I don't think it's a coincidence (or at the very least, would be funny if it were) this shot is shown during the scene where Robespierre starts to grasp at desperate measures to save the country/save his own face in the trial. It is an artist's despair, only artist of a different kind. And it is a despair when being faced with a (possible) ruin of something great, even if its greatness is not yet formed, as opposed to the greatness passed.

The very last example I was able to think of was this photo I found of The Danton Case from 1975. It is one of those old, very classical (I presume) adaptations, which are mostly filled to the brim with riddiculosly attractive people and very often deliberately drew from other sources of artistry, like the one pictured above. No matter what the real relationship between Louise Danton and her husband was, in the play it is portrayed as something atrocious, and I cringe whenever directors try to make it something else without good reasons for doing so, so I am very glad in the past at least they stuck with classicaly depicted acts of violation against women, not because it is a violation, but because in the classical stories (like the myth of Persephone shown in the sculpture above) the woman will usually get her revenge. Just like Przybyszewska's Louison did.

Thank you for bearing with me until the end, and if you have any other examples of this come to your mind, I compel you to share them with me!

List of pieces of art in the order of their appearance:

Jacques-Louis David, The Death of Marat

Franciszek Starowieyski, Dziady

Jacques-Louis David, Self-portrait

Heinrich Fussli, The Artist's Despair Before The Grandeur Of Ancient Ruins

Gianlorenzo Bernini, The Rape Of Persephone