#used google docs

[renthony]

I am begging people to use LibreOffice and personal storage devices like hard drives or USB sticks instead of relying 100% on Google Docs. LibreOffice is free and open-source, it saves files to your own computer, and it lets you save as many different file types. You can write in it, format ebooks in it, and do everything you might possibly need to do as a writer.

"Oh, but I'll lose my USB stick--" Fine, back things up in whatever cloud you use as a form of extra protection, but you should also try your absolute damnedest to also put them on some form of storage that isn't a cloud.

I know it's not accessible to everyone, but if you at all have the ability, don't rely on shit that lives on other people's computers. Especially with everything going on with AI theft and aggressive censorship of adult media. If you don't store your files on your own personal computer that you have control over, your files aren't fully yours, and they're at the whims of whoever owns the cloud.

Learn where your files are stored and how to access them. Get into the habit of backing up your files to your own personal storage. Even if you're not up for intense tech research and you don't care about how the computer actually works, please stop letting your art live in corporate clouds.

[sendpseuds]

if you write fic and haven’t ditched google docs for ellipsus yet, you really should

[eldritch-ambrosia]

Do you ever think about how for almost 1000 years there's this story about a King named Arthur with an old man wizard advisor named Merlin and then in 2008 (and onward) it got rewired to where we're writing fanfiction and making art and edits of them kissing?

If you told someone 20 years ago that you wanted to see King Arthur and Merlin kiss they would've thought you were crazy.

[dnpbeats]

(Almost Solid) Proof That Dan Ran PhilsLion

I'm convinced that Dan was the person who ran the PhilsLion twit and I have receipts.  For anyone who doesn't know, PhilsLion is a twitter account that tweeted from the POV of Lion. It's commonly thought that this account was run by Phil. Besides the fact that he would interact with the account, there are multiple tweets that seem to be about him and dan. Unfortunately there's good reason to believe it wasn't Phil running it. HOWEVER there are many reasons that lead me to believe it was Dan who was tweeting from it, some of which is evidence based and some of which makes logical sense.

DISCLAIMER: All tweets I've included that are ostensibly about dan and phil's relationship are in reference to things that are confirmed by d&p themselves (e.g. the fact that d&p were romantically involved when they first met). I will not discuss anything that is not supposed to be public knowledge.

First let's look at when the Twitter was created. (Note: I am in UTC-8 so all screenshots will be in that time zone. I will say what time it would've been in UTC+0 (d&p's time zone) for clarity.)

Dan’s twitter account was created in May 2009. The first tweet from him (assuming he did not delete any older ones) was May 15 at 1:18pm. Presumably this is the day he got twitter.

On May 16 2009 at 3:19am Phil tweeted that he uploaded “I was kidnapped.” 

In this video he mentions his own personal twitter account, and there is an annotation of Lion saying “i want a twitter” (20sec into the video)

About 3 hours after the video was posted (6:26am UTC+0), we get the first tweet from PhilsLion (presumably this was right after the account was created)

May 16th 2009 was a Saturday. We know from Dan’s video “THE POWER NAP” that he worked at ASDA on Saturdays and Sundays from 5am-10am. So he would’ve been awake shortly after Phil posted the video. Also note that Dan presumably had an iPhone at the time (he tweeted something about iPhones in June 2009 and had no previous tweets before that about getting a new phone). He specifically tweeted in Sep 2009 about tweeting from his iPhone. Based on the fact that Dan literally showed up to work drunk and took a nap, I don’t think he is above going on twitter at work.

While this is not proof that Dan created the account, we can see that it’s definitely possible for him to have created the account. We know he would’ve been awake at the time the account was created, and it was approx. a day after he created his own twitter account, so making a twitter account would've been fresh in his mind.

We do have proof that Phil did not create the account. First, he edited the description of “I was kidnapped.” to say that someone [else] created PhilsLion:

He also tweeted May 16th (10:35am UTC+0 if that matters to anyone) basically saying the same thing as the video desc, implying that someone else made the account:

Finally in “AmazingJason” (posted May 26th) he mentions, again, “someone [else]” creating the Twitter account (about 20seconds in, the timestamp is linked). He encourages everyone to follow it and links it in the description of the video:

So unless Phil was really pushing that someone else created it even though he himself made it, it wasn’t him.

If you want to skip to Proof™ scroll down to the next photo of Phil. Before that, I’d like to debunk the 11:11/different time zone thing–I think this is the biggest reason people have claimed that the account was not run by Phil or Dan but rather some other random fan. On May 30th at 4:12pm UTC+0 and June 3rd at 4:19am UTC+0, PhilsLion tweeted about making wishes at 11:11. In order for these tweets to be made at ~11:11 local time, they would need to have been made in either UTC-5 or UTC+7. UTC-5 is US Eastern Time. UTC+7 is a time zone mainly consisting of Southeast Asia. This includes parts of Indonesia, Cambodia, Laos, Thailand, and Vietnam. I have an explanation for this, which is certainly the biggest reach of this whole thing, but it is a plausible explanation :p

It’s very possible that it was Dan who tweeted this if he was on vacation with his family at the time. We know Dan and his family have vacationed in Asia many times (at the very least they went to Thailand in 2006, India in 2010 and 2013, and Sri Lanka in 2016). So while there’s no proof (that I know of) that Dan was on vacation at this time, it’s certainly possible that he was. The location of the tweets would fit with where we know his family likes to go on holiday. Additionally, the second tweet talks about water skiing, which tends to be a fun vacation thing rather than something people do regularly (note this tweet would be at 11:19am in UTC+7)

There’s further proof that PhilsLion was not always in UTC+7. On Christmas 2009, PhilsLion tweeted “goodmorning” at 6:21am UTC+0. This would be 1:21pm in UTC+7. It makes a lot more sense for this to have been tweeted in England.

Then fast forward to January 8th 2011. PhilsLion tweets “I was up all night” at 8:05am UTC+0. This would be 3pm in UTC+7. So again, it seems that PhilsLion was not in UTC+7 at this time.

Okay, now onto much more solid evidence. First, the handwriting of PhilsLion. This is the most tangible piece of proof. On June 25th 2009 Phil posted “AmazingAlex,” where Lion can be seen behind him in one of Phil’s shoes:

Lion tweeted a photo the next day, saying “I’m on a boat :)” in reference to being in Phil’s shoe

Note that the drawing/writing does not appear in the video and therefore was done by whoever runs PhilsLion. Here is some of Dan’s writing (found in TABINOF) for comparison:

This is from the “how to draw cat whiskers” page. Notice how the As all have the crossbar quite high up, just like in the twitter picture. Additionally, the top loops in the Bs are all very skinny compared to the bottom loop. Here’s another one of Dan’s capital Bs from the blindfolded portrait page, which is similar to Lion's writing:

I’m not a handwriting analysis expert, and yes it’s different drawing on MSPaint vs. a piece of paper, but the handwriting certainly has similarities.

And now, the more circumstantial evidence, but things that seem (imo) to be too big of a coincidence to not have been written by Dan (FYI these are going to be added in order of how much of a reach they are, not chronological order, lol). First we have “I month you”:

This tweet is proposing an alternate word for “love” and ends with “I month you” (i.e. is replacing the word love with month), and was tweeted on November 19th 2009. AKA exactly a month after dan and phil met IRL for the first time.

Another one that seems very related to Dan and what we know of his situation is this tweet about “Lion’s” dad:

In Dan’s own words in BIG: “I didn’t think I could ask my family for help or share my feelings about this, mainly due to my dad. Funny guy, kind of a woke hippie who did and said a lot of things I did respect but at the same time used to walk around the house saying how he hoped someone he had a problem with at work would 'die of bum cancer.' Yep, so picked the one area to be a bigot that would further traumatize your child. Nice! This experience coming from a childhood hearing the word gay meaninglessly thrown around as an insult at home[.]” 

Note that Dan was still living at home at the time, so if this tweet was made by him, it wouldn't have meant literally “getting away.” Also, Dan was at home when this was tweeted but it was 3 days before he was going to see Phil.

Next there’s this tweet:

The “admirers” thing could be referring to anything really, but was tweeted during the time that Dan (and Phil) were in the Clipstar video contest. Also, Dan posted this dailybooth two days before this tweet, and most of the comments are just gassing him up, so lol (the pic doesn’t load but based on the comments I think it was a screenshot from his clipstar vid).

This tweet from Christmas Eve 2009. Dan and Phil were together and filming the interactive Christmas adventure:

Proof they were together if anyone needs it:

This tweet (tweeted November 26 5:45am UTC+0)

Many things to note here. The song linked is called “When I See You Again.” It’s by Dave Bullas (one of the founders of SiTC), whom d&p were/are friends with. (They had other friends who were friends with him as well. PJ has the top comment on the video.) The lyrics of the song are not really happy as they insinuate a breakup. But it’s interesting to think about them in the context of wanting to see someone who you are not able to. This tweet was 3/4 days after the “I wonder how biology…” tweet and 3 days before Dan went to see Phil.

Also, Dan just LOVES recommending music to people. He does it a lot.

(^ Proof Dan was seeing Phil on the 29th if anyone needs it)

Now a tweet exchange which doesn't technically prove anything, but I thought was curious. Phil tweeted December 29 2010 about getting a new camera:

Lion tweeted in reference to this 20 minutes later:

I find this interesting because Phil made no comment anywhere about manuals or ignoring them. So it could just be PhilsLion making schput, but a lot of the other Lion tweets are in direct reference to something Phil said/did. It would make sense if Dan ran the twitter acc and he was talking about something that he witnessed Phil do that we don’t know about. Also note “my new camera is here” vs. “phil picked up his new camera” (Lion giving more specific detail than Phil in terms of the manner in which he obtained the camera).

Some Tweets (1, 2, 3) which aren’t proof of anything but just sound like things Dan would say:

For context, this is about floods that happened in Queensland. Again, I have no way to prove Dan said this. But if you’ve ever read, like, anything Dan has said in a print interview ever or watched any of his liveshows, you know that he often tries to say stuff with superfluous/pretentious language and then ends up not making a whole lot of sense. Things that he’s said have been misconstrued so many times, or just outright don’t make sense to anyone but him. So this series of tweets checks out, if it is Dan who ran the account.

This Twitter exchange which doesn’t actually prove anything but is very sweet if it is dan who tweeted it:

The photo is a screenshot from “AmazingJason”:

Note that two weeks later (October 23) in “Life without the internet!?” Phil says the internet led to him “meeting the best friend of [his] life.” The comments all assume he is referencing Dan, but in the video he holds up Lion, so presumably that’s actually who he’s talking about. That is, unless Lion represents Dan :p

Lastly, this tweet which is a Fall Out Boy lyric, but again would be cute if it was Dan:

There's a few more tweets that are interesting to think about being from Dan but don't actually prove anything so I won't put them here lol.

So, at the end of the day, could it be some random fan* who made the twitter account? Yes. But in my opinion there isn’t really anything proving it’s not Dan. On top of that, there are enough things that fit with what we know factually about d&p now, but were not well known at the time, that make it seem much more likely that Dan ran this account vs. a random person.

*technically when the account was started, Dan himself was a random fan. So there’s that too ;)

P.S. best practice is to not interact with old tweets, so pls don't go on a retweet spree

[fisherrprince]

I laughed at that post that’s as like “I read through a whole fic and realized at the end that I wrote it” but that exact situation is happening to me currently. Did. Did I write this. It’s by orphan account did I write this

[koroart]

Look at how young and bright they are — boutta traumatize both of them soon ✨

Young Lambrigue for my Pacific Rim AU! I’ll draw them when they’re old….eventually ( tomorrow )

In case it’s hard to read, their Jaeger’s name is Llŷr Aegis! ✨

[juniperpyre]

What are your thoughts on gender in the wizarding world? Do you think there’s a strong patriarchy, and if so how do you think it formed?

I feel wobbly about how powerful patriarchy would be in the wizarding world before answering this question. let's see what conclusion i come to lol

table of contents—you could skip to gender in the text if you don't want the connections to the real world and don't need the foundational ideology of my argument

1: where did patriarchy originate in the real western world? & what assumptions am I working off of?

2: gender in late medieval and early modern england & western europe

3: gender in the text 3.1: younger women 3.2: older women

4. conclusions

1. where did patriarchy originate in the real western world? & what assumptions am I working off of?

mona eltahawy called patriarchy "the oldest form of occupation", speaking to the way women & people classed as women (or gender deviant or ungendered) are treated as commodities to own. this BBC article argues that patriarchy was created as a way for the proto-state to leverage control over the population. the enforced social roles of males soldiers & female reproducers made groups bigger & more powerful.

I will take the article's assertion (it's very well sourced) that one of the first instances of patriarchy developing starts about 5,000 ago in Mesopotamia, when records show women disappearing from public life, at face value. then, ofc, in the mediterranean world we "soon" after see the Mycenaeans & Greeks & Romans, in that order, develop, all of which had patriarchal societies—tho to different extents.

as I have stated previously, the wizarding world loves Greek & Roman shit, as does the real western world (and we have! for centuries!). I like to consider their cultural norms, especially as they were interpreted during the Renaissance, when thinking about wizarding culture.

so, yes, the WW is patriarchal, since for at least 1,500 years, but probably more like 4,800 years. and for most of that time there was no wizarding world, just the World, and the WW had the same histories as the muggle world.

2. gender in late medieval and early modern england & western europe

so sorry, you've unlocked an info dump cutscene. it can be skipped.

I want you to imagine the traditional gender roles for men and women in western society. write them down, even. what should women be like? what is the inherent nature of women, if one exists, according to traditionalists? according to society at large? according to you?

in early modern england there was a HUGE shift in the perception of women and gender roles.

in "'The Good and Bad of that Sexe': Monstrosity and Womanhood in Early Modern England," by Alletta Brenner, the epistemological history of womanhood in the middle of the sixteenth to the end of the 17th centuries, is analyzed.

epistemology is about the study of knowledge, so think intellectual history, a history of what ideas and thoughts people are sharing and the patterns of those ideas and thoughts.

long story short: for about 1500 years, western culture regarded women as lesser versions of men, who are the perfect form of humans. male and female were not regarded as opposite, but two versions of the same thing. eve was made from adam’s rib, she’s a knockoff.

“Monstrosity and Womanhood” discusses two cultural differences between then & now that are significant to my argument. 1: people of the middle ages & early modern europe regarded the monstrous as a part of God’s creation, possibly frightening, but not unnatural. 2: women were regarded as too sexually driven, lustful temptresses. this is a stark contrast to the Cult of True Womanhood that we see in the 19th c, submissive, gentle, spiritually included, a soft place for her husband to find comfort in after being in the chaos of the outside world.*

(lily kind of embodies the late middles ages dangers of womanhood & it’s monstrosities in earth after rain.)

so, the answer to “what is a woman?” is changing rapidly right before the WW cuts itself off from the MW. I expect that, since the bio-essentialism of today started in the 19th century, post SoS, there is a significant difference in what the WW settles on.

the changing views on women in the MW are also influenced by and/or create the atmosphere wherein the witch trials are born. midwives and other women who transgressed their gender roles were targeted in the witch trials. the WW reacts to the witch trials by going into hiding (I don't believe this, I think it's part of the WW historical mythos used to uphold their society & it's fucking issues)

*this ideal of womanhood is only accessible by white middle and upper class women. other women are in many ways, monstrous, but they are also degendered.

3. gender in the text

in the books we see multiple examples of sexism, and a large chunk of these examples involve over-sexualization or sexual policing. our entry into WW culture, ron weasley, displays these views multiple times. he does not seem to believe that women are less intellectually or even less physically capable. he also doesn’t have a problem being defended by harry potter or hermione granger, or defending harry or hermione.

3.1 younger women

the threat of love potions is also brought up a few times throughout the books, and they are solely seen as a woman's weapon.

in Goblet of Fire, once skeeter turns on hermione, she asserts in a PUBLIC NEWSPAPER that hermione is possibly using love potions to seduce powerful men (pg 357). this is after harry's friendship with hermione is portrayed, again, in a public paper, as a romance (pg 225). hermione is pretty and smart when she's "with" harry, but when she is associated with a second man, thereby betraying the englishman who must be the hero of skeeter’s stories, she's ugly and smart enough to drug him. mrs. weasley, an adult woman and frequent caretaker of hermione, believes this and is cruel to her, a child.

over sexualization is used as a highly effective weapon against hermione. the WW easily accepts a young woman's sexuality as a threat to the men around her; she is voracious. i'm sure hermione being muggle born does not help.

merope gaunt is also accused, by dumbledore, of drugging tom riddle sr. with a love potion (pg 154 HBP). no evidence is given. we, the reader, are meant to assume the accuracy since dumbledore is making the claim. once again the sexual appetite of a young woman is dangerous. her misdeeds, brought about by choices made clouded with lust, only the short term considered, end up creating a fucking super villain. what's interesting is that this isn't only a belief of the characters in-text, it's the perspective of the author. nonetheless, dumbledore's quickness to blame a young woman's desire for driving her to violence and bringing misfortune, indicates that the sexuality of women in the WW is easily seen as dangerous.

i think this well establishes women's sexuality as a dangerous, insatiable threat in the WW culture. this is clearly a patriarchal ideology. the systematic reinforcement at the nuclear family level becomes clearer when we look at how the weasley brothers treat ginny's sexuality. they, just as men in the MW do, see their sister's sexuality as their business. however, this is not because men are a threat, but because ginny is unrestrained in her expression and exploration of her sexuality. I do not recall anyone ever worrying for ginny’s safety—women are competent and intelligent enough to defend themselves. 

here are two instances from HBP where we see the brothers judging their sister and trying to control her sexuality:

fred and george are selling love potions, but not to ginny, because she's used her wiles to collect enough men. ron is also reporting on ginny’s romantic endeavors to their older, of age, brothers (pg 91 HBP). Is this to leverage additional power and to control her? Later in the book ron doesn't want people to see ginny engaging in sexual behavior because of what they might think of his sister (pg 204). being a slut is bad in the WW too. :/

So, the two young women we focus on the most have their sexuality picked apart and policed.

3.2: older women

What of the older women? 

There are women in positions of authority in the WW, but most of the women who work and have positions of authority are not mothers in canon. The women with the most authority, mcgonagall, umbridge, arguably amelia bones though she is tertiary, are not mothers and remain, in canon, romantically unattached. pre-fudge there is a woman minister, who i imagine was put into power as a part of the glass cliff phenomenon, when shit hits the fan, women are more likely to be hired to oversee the shit hit everyone, and then be blamed. 

Marriage & motherhood remove agency. The important mothers of the series, lily, petunia, narcissa, molly, to a lesser degree alice and tonks, do not have children until they are married. Half of them definitely do not work. two have jobs, tonks and alice, and they + lily are in the order, activities unspecified. 

The lack of women occupying both domestic and public spaces indicates patriarchal control. There are two options. The married mothers we see occupying both spheres are all taking part in the public sphere with their husbands. Even tonks, who works were remus does not, is in the order with him. Mothers & wives are not unchaperoned.

It is also notable how young people are when they get married and have children. This is explained by war in the text. I posit that it’s actually another element of the patriarchal control of women’s sexuality. Since women are insatiable, those that are linked to a man must be kept under a higher level of control to ensure she stays loyal to her husband. Marriage in the teen years is younger than the average in MW in the 1970s (22.8 for women, 25.1 for men). the average age of women entering into their first marriage has consistently been 24 or older in england and wales since the 1550s—it dropped in the 1950s and 60s. 

Sidenote—during WW2 the age of marriage in the UK seemed to stagnate, and then it dropped at the conclusion of the war. 

We don’t have the stats for the WW, but we know james and lily married and had harry before 21, we know from the black family tree that narcissa had draco at the average age of marriage in 1970s MW UK, which indicates a younger marriage. We do not know alice and frank’s ages. tonks actually meets the average age for women in the UK in the mid 90s, but her husband and she are half bloods. it is possible that the average age of marriage in the WW is younger than the MW, especially among the upper classes. 

4. conclusion

The main element of patriarchy in the WW is control of women’s sexuality, because women are too promiscuous to control themselves, and this poses multiple dangers. Love potions, pursuing a man to near death, tarnishing the family name, etc. This has created cultural norms of younger marriage and women, especially upper class women, not working outside of the home once they are married. Women who choose not to tie themselves to a man through marriage may be seen as inherently less sexual, as adult women who do not marry are not put through the same scrutiny as women who express sexual inclinations. 

It is possible that we don’t see the scrutiny adult, unmarried women endure because harry is a child the whole time and does not think about his professors getting their backs blown out on the weekends. It is also possible that the women we see, namely umbridge and mcgonagall, put up a non-sexual persona to avoid this scrutiny, a childish feminine and de-sexed school marm respectively. I’d edge my bets towards the latter. 

Magic allows a significant portion of reproductive labor to be automated, and in the MW reproductive labor is designated to women and made invisible as an element of maintaining the nuclear family to uphold capitalism. Therefore women in the WW are partially freed from this element of capitalist patriarchy. 

Women are not seen as less capable with magic, intellect, or physically, so their voracious sexuality creates a greater threat. The patriarchy in the WW seeks to control their sexualities, but not much else. The desire to keep pure blood families “pure” likely increases the drive to control women’s sexuality in the upper classes. I’m not seeking to make this argument here, but I believe this element of policing would have evolved in the 19th century, parallel to the evolution of the bio-essentialist ideal women of the MW. the reason I am not making this argument here is that this post is long as shit, and making the point requires a lot of details about fascism and the history of the WW and MW.  

I do think patriarchy is “weaker” in the wizarding world, but still exists. Due to the SoS and magic much of the modern elements of capitalist patriarchy did not develop in the WW, instead, elements of the early modern patriarchy were carried over and intensified. At the same time, women in the WW always had a level of agency and power unreachable to muggle women, which carried over to the SoS society. Perhaps magical men treated muggle women how we treat marginalized women in the real world, and continued to do so after the SoS ended. Perhaps the WW is a secret upper class that exploits the MW without muggle’s knowledge. Perhaps.   

I can’t believe I didn’t talk about the witch trials at all. I have thoughts on those! They are forthcoming when i finish the wizarding world & colonial era meta.

[minty364]

DPXDC Prompt #58 Part 4

The living room and kitchen were deserted, neither Danny nor Jazz expected anyone as it was normal for their parents to essentially live in the basement only coming up for meals once or twice a month to ‘eat as a family’, these would consist mostly of fast food as no one trusted anything cooked in their kitchen.

They shared a glance as they opened the basement door and headed down. The dimly lit basement held the giant hole in the wall, the so-called portal, a massive metal spectacle with wires and interconnected circuitry met together to create an unholy abomination of science. Or at least that’s what Jazz called it once when they were in her room venting about the situation. 

“JAZZ!! DANNY!!” their overzealous father yelled as he bounded over.

Their mom walked over too, seeming to be happy for their return, “your father and I could barely contain our excitement all day!! Go on put on your hazmat suits.” their mom gestured over to the lockers that held the suits. Both of their parents' lockers tended to be quite empty since they practically lived in them, to the point where they had several copies of the same suits that they’d wash and reuse. Danny and Jazz only had the ones, Jazz had a nice dark violet color with black gloves and boots. Danny had black gloves and boots too but his was white to make it look like he was an astronaut, something that he had mixed feelings on. Both of these used to have a giant picture of Jack’s head on it but it was quickly removed by both siblings. 

They quickly put the suits on over their uniforms and joined their parents behind some glass near the portal. It wasn’t closed off or anything and Danny didn’t think it would be able to prevent something like an explosion from charing all of them but it’s hard to have faith in parents who've missed so much because of the stupid portal, or at least that’s how Danny felt. 

Jazz and Danny huddled together behind their parents as their mom did some final checks on a clipboard, “alrighty we should be all good, Hun you ready to throw the switch?” their mom asked their dad. “As ready as I’ll ever be!” Jack yelled as he threw down the switch.

…

A few sparks erupted from the portal but other than that nothing happened. 

Their dad, frustrated at this angrily tried turning it off and on again but nothing but another smaller spark and then truly nothing. 

Another low frustrated growl left their dad as he and mom walked back up the steps, “alright I’m taking a break.” Jack said, almost defeated, sounding, “I’m sorry but I really thought we had it this time.”

“Oh come on, Jack, let’s go out, I’m sure the kids were probably going over to the Wayne’s again anyways. Let’s go out and have a fun night then sleep on it.” their mom said, patting dad on the shoulder. They shared a fond look and then went upstairs probably to get ready. 

Danny and Jazz stood at the bottom of the stairs and shared a look.

“They gave up too fast again…” Jazz noted.

“I guess, what do we do now?” Danny asked.

“I’m still a little curious about the portal but I don’t want to keep Damian, Tim or Alfred waiting,” Jazz said with a hand on her cheek.

“We could invite them in, I know we haven’t before but maybe Tim would know how to get it working, he is pretty good with technology.” Danny reasoned. Neither of them really wanted to involve the Wayne’s in their family’s shenanigans but at this point they were all friends and Damian and Tim were bound to find out how weird their family was at some point anyways.

Jazz stood there seeming to think things over before she nodded, “alright I trust your judgment but we’ll have to be careful okay?” 

Danny smiled at her, “of course, what’s the worst that could happen?” 

This is what led to the four of them standing at the bottom of the stairs. Their parents had left about an hour ago. Danny and Jazz were still in their suits with Tim without one and made to sit with Jazz behind the glass and Damian and Danny planning to explore the actual tube.

“I don’t want to chance you getting hurt,” he said to her as he made her stand next to Tim.

Damian and Danny shared a look and nodded before heading into the tube. 

They looked around for a while but didn’t see much besides the interconnected wires on the floor of the lab. Damian took the right side while Danny took the left. They worked their way up and down the tube. Damian was a little ahead of Danny on their way out. Nothing seemed to be out of the ordinary.

When they were almost out Danny lost his footing, his hand flying out in front of him. A soft click was heard and time seemed to crawl to a stand still.

Danny couldn’t stand the thought of his friend getting hurt because of him and he felt a rush of adrenaline. He ran as he felt a swirl of energy and electricity surround his body. 

“DANNY!! DAMIAN!!” he heard both Tim and Jazz shout as he reached Damian who was at the mouth of the portal.

A quick shove was all it took to get Damian, who had turned towards him at the sound of the shout, out of the portal. 

“DANIEL!!” he heard Damian shout as the portal activated on top of him, surrounding his body with swirling green.

Blinding pain shot through Danny, feeling as if he was being torn apart and put back together again and again.

He figured he was dying but at least he could protect those he cared about. He was able to shove Damian out of the portal in time, and Tim and Jazz were safely behind the blast glass.

He wouldn’t ever be able to fly among the stars as an astronaut but he was able to protect. His family and friends were safe and that’s all that mattered. 

He could allow himself to succumb to the darkness as the electricity and pain consumed him whole.

[tragedynoir]

— server exclusive: CYBER ROMANTICISM + [ link ]

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happy holidays! this is the last installment of our holiday advent, thank you so much for sticking around until the end of 2024 with me. to access the template, join my discord server (in the link above or in source) and find it under the new releases channel. enjoy!

feel free to edit as you please, but please do not remove the credit, resell, redistribute or claim as yours whether wholesale, in part, or modified.

if this tickled your fancy, please reblog to share the love! ♡ thank you so much for the generous support, as always.

[chick-it-out]

hope i am not bombarding u with posts today,,, got a words question!

what word processor or documents program do you use when writing stuff up for AO3? have you found anything that makes the copy-paste formatting transfer nicely?

like basically my options rn are to load my rich text from docs into AO3 and preserve the italicized text, while turning the line breaks and spacing super wonky — or to paste plain text in, keeping the spacing the way i expect, and losing all the italicization in AO3's text window. either way, it means spendin time going through the whole draft for manual edits when it's time to post :')

[faynthearted]

god I love rediscovering half-finished tianshan fics/drafts that I started years ago and completely forgot about. it's like I'm reading someone else's work and it's fantastic! there's so many.

in case anyone is interested, so far I've found:

a WIP named "leverage" that seems to be about guan shan having to stay at the He estate for his own protection against whatever mess the He family has gotten into. I feel like someone might have requested this a long time ago and I forgot?

another WIP named "p.s." that's about tianshan being bitter exes and yet somehow guan shan finds himself housesitting for he tian while he travels for work because he tian has a dog that they adopted together that needs to be looked after and guan shan still cares about it -- and, clearly, about he tian too. I honestly still like this idea and the writing isn't too awful... hmm.

a VERY primitive draft of desecration, probably written when I was just beginning to brainstorm. it's crazy to see how much the story has evolved based on this flimsy WIP draft. I'm half-tempted to post it just for shits and giggles even though it's poorly written

another very short, primitive draft of desecration, written from zheng xi's perspective

a WIP named "smoke and mirrors" for a switched family background AU for tianshan. I actually got pretty far in writing this (~7k words) and I don't remember a single thing about it. veryyyy interesting. I kinda want to post this one too, or at least one scene that stands out

a WIP (unnamed) that seems to be about guan shan conning he tian at the train station for some money. I'm almost positive this was a tumblr request, but based on the date/time stamp of the draft's document, I'm not surprised I never finished it. life was crazy and miserable at the time

and while I'm here, I might as well mention the WIPs I do kinda remember but decided not to pursue in favor of desecration:

a WIP named "patchwork" set in historical China, wherein guan shan (a potter/artisan) has the ability to see and manipulate (i.e. tie and cut) red strings of fate. he's commissioned by the he family to participate in a traditional wedding ceremony for he cheng. of course, he tian takes an interest in him while he's there. the only issue is that guan shan cut his own red string when he was younger, an irreversible action -- and, for some reason, he tian's is cut too. weird, right? yeah. but he tian doesn't know this, and guan shan isn't planning on telling him anytime soon 😌

a WIP named "arsonist's lullaby" written from he cheng's POV throughout he tian's childhood. I'm not going to say much about this one since it might actually be written/posted one day as part of the terra firma series...

and finally, a WIP (unnamed) for an AU in which guan shan is a retired police dog trainer/handler (??) who now works at an auto shop. he adopted some of the dogs that either flunked out of the academy training or developed medical issues that required their retirement, and the dogs hang around the shop while he works. one day he tian shows up and asks if guan shan would be willing to do some off-the-books commission(?) work. the he family business has a drug/weapons problem, and they need the dogs' trained noses -- and their handler's experience -- to fix it. (I'm still obsessed with the idea of the dogs being fiercely protective of guan shan. he tian not only has to earn guan shan's trust, but the dogs' too)

I love the variability in all these AUs/ideas. I wish I could work on them all at once but that's frankly impossible. but I'll consider posting a few snippets if anyone is interested! (no promises about the quality of writing, though!)

[thecousinsdangereux]

i just recently discovered your soulmate au and i loves it so much. so incredibly intriguing and well written and damn is it hot 🔥 thanks so much for sharing with us. in your mind, does it have a happy ending for them?

also wanted to ask if you'll be checking in to see the big warrior nun announcement coming tomorrow?

Ahhhh thank you! This ask is kind of tragic now given how everything with Warrior Nun ended up going, but I thought I'd use it as a way to share my ideas for the rest of a beggar in the morning, if anyone is interested in learning how it was going to go. Long story short, it was going to have a happy ending. :)

Here's a full outline for what I had in mind for the second half of the fic. Under the cut because it's very detailed in the parts that I'd started writing. Also in case anyone cares about spoilers? At the moment, I don't plan on finishing this fic, but I do plan on returning to writing in general, so guess there's a non-zero chance that I could come back to it. Stranger things have happened.

Beatrice keeps looking for the recipient of the Letter she's been trying to deliver and starts taking trips out into the countryside. She takes Ava's advice and takes to enjoying the journey - stopping into small cafes for lunch rather than eating in the car, taking the long way when it means she can enjoy a new view, etc.

During one of these side quests, she's told about a man who lives way off in the middle of nowhere who has the last name of Reis (the last name of the Letter recipient: Lara Reis), and she tracks him down. He had a sister who had a child with someone who was not her Match. I wanted to go more into what this looks like (and how the church is still anti-abortion in this world, because they think this could potentially ruin a future match, cue eye-roll) but in this case, the woman was basically run out of town. The man directs Beatrice to an orphanage where the child was raised.

This trail eventually goes cold because the orphanage has no records of the girl. They only know she left when she became of age.

The end of chapter six is basically Beatrice being frustrated and taking some 'advice' from Lilith to find someone to fuck hfkjshlk so she goes to the bar and ohhh nooo Ava is working that night, filling in for someone. Ava gets jealous, Bea does some shots, and it's basically a rehash of the lemon drop scene from the show, but hornier. Eventually, they make out, and decide to be friends with benefits.

Chapter 7 was honestly just going to be porn. lol. It's actually some of the first stuff I wrote for this fic - just a page of porn. Beggar came out of a Secret Santa fic exchange, and my friend Alex asked for lots of sex and a soulmate au. So... Chapter 7 was the payoff (part 2). Here's a few disjointed scenes, in case anyone is interested in reading some unedited very E-rated stuff.

A few months go by and all the nuns visit Beatrice for her bday and they're like huh so what's going on here and Beatrice has to pretend that it's not that serious with Ava (lol). I also wanted to do a conversation between Shannon and Beatrice where Shannon talks about the whole Mary thing and loving someone against the will of god (or at the very least, in the very gray areas).

The end of chapter seven is Ava finally talking about her past, which is that Ava doesn't remember hers. She woke up in a hospital without her memories and then spent the next decade traveling around trying to find something that felt like home.

In chapter 8, a lot of time passes, and the fucking continues. Beatrice is kind of losing it, poor girl.

I hadn't exactly decided what was going to happen next, but Ava was going to overstep in some way (or in some perceived way) and Beatrice was going to panic. Either Beatrice was going to have a brief thought about being in love, they were going to have reallyyyy soft sex, or something like that, but either way, Beatrice was going to have to admit she has deeper feelings for Ava than what's allowed allowed, so she goes back to Spain and ignores Ava's texts/calls/etc.

Eventually she realizes she owes Ava closure. She comes back and kind of explains why she's reacted the way she has. She gets more into why she joined the church and it's not for God or the Church itself, but because she does genuinely believe that love itself is holy. She admits she's falling in love with Ava, but she can't break her vows. She believes giving into her feelings would be putting herself above the whole history of love... the sanctity of the entire universe... and to be that selfish would be monstrous.

There's a callback to their early game of three questions, and how Ava still owes Beatrice one answer. Beatrice nearly asks if Ava loves her, but pulls back because she's scared of the answer. They basically break up, but Ava tells Bea to let her know when she's ready to ask her last question.

Beatrice takes it HARD. She buries herself in her work and starts visiting hospitals in various towns. She finds a Spanish doctor and he recognizes the number (or rather, the system behind the number) that is on Letter Beatrice is still trying to deliver. He tells Beatrice she's not looking for a hospital in Portugal, but rather in Spain - one in a small town in Andalusia. He mentions a patient who was in a coma, who woke up without her memories.

At this point, Beatrice obviously knows and she flies to Spain in daze. She visits the hospital, gives them the number, and asks for the name of the patient. When they'd brought the girl in, no one knew where she came from, she didn't have an ID, memories, etc. Nothing except for an old receipt from a restaurant in Portugal. ("Beatrice braces herself for what she already knows, but doesn't want to face.") The nurse at the hospital tells her they used a generic Portuguese name for the girl and it stuck: Ava Silva.

Beatrice visits Cat's Cradle because what else is she supposed to do? How is she supposed to deliver this Letter to Ava, who she's obviously in love with. She talks with Mary and we get the other side of the whole Mary/Shannon thing, and Mary is kind of like, okay, the Letters matter but they don't Matter. Beatrice asks Mary what she would do if she got a Letter (since Mary isn't a nun and could get one, but Shannon never could) and Mary basically says she would throw it away without opening it because she wouldn't want to give Shannon a reason to go self-sacrificial.

Of course, Beatrice doesn't really think this is her call to make. She's going to deliver Ava's Letter. There's this whole scene of her very dramatically and angstily getting ready for the delivery in the Official White Habit, then walking through the town she's come to associate so completely with Ava. And chapter 9 ends.

When Beatrice walks through the doors of the bar, Ava looks up, but doesn't seem surprised, even says 'oh, finally', which is pretty much the last thing that Beatrice expected, but then again, maybe it should have been the first, because Ava is always surprising her, and shouldn't she expect it by now? She asks Ava if she'd known that she was the person Beatrice had been trying to deliver to all along and Ava looks confused at this, like she hadn't considered that at all. "It's not that. I just knew my Letter would be coming because I'd already met you."

Beatrice is like, no no no. That's not how this works. It can't be me. I've been carrying this Letter with me this whole time - before I met you - and the Letters are only sent to a person when they've met their soulmate. And obviously, Beatrice is a nun and can't have a soulmate, etc. etc.

And then Ava says something like this: “Maybe every once in a while, God -- or the universe or whatever it is -- knows that it’ll be really hard to make two people meet organically, so it fudges the rules a little bit. Makes one girl a nun, makes another one hard to find, and sets up the dominos really early on."

And when Beatrice says she's being ridiculous/it's impossible, she says, "I know what’s in that letter. It’s you. I don’t need to open it to know it's you." and "Maybe it’s like some people say and god arranged it all. Fine. Then god chose me for you. Simple. He made me in this exact way, down to my hands and toes and whatever, so that I was perfect for his favorite creation in all of the universe. Because that has to be you."

And: "Or maybe it’s like what those other people say. You know - the past lives reincarnation stuff. Fine, then in our first lives we fell in love and then I found you in the second and third and the five hundredth. I found you and I picked you and I wanted you every time. Or okay, fine, maybe it’s what the the pseudo science people say. Even if those guys are right, I still know. It’s you because at the very start of the universe - at the very beginning of everything - we were the first two bits of something. The first two tiny little sparks. One of those was you and one of them was me. And even when we split off into a million trillion billion infinite pieces, the core of one was you. And the other one was me."

And: "In every religion or in any theory, the world exists so that I can find you again, and the world will do whatever it takes - bend the rules in whatever way - to make sure that at the exact right time, we would meet. And maybe it wasn’t perfect - maybe it was stupid hard for us to get to this point - maybe there was an easier way to make it happen - but I don’t care. Because it worked and I found you and I fell in love with you and I would do anything for that. So yeah. This Letter is telling me that I’m for you. That’s easy. It’s not faith. It’s just a fact.

And: "Besides, whatever’s on that paper? It’s going to be you. If it’s a picture of a butterfly, then it’s going to be you because of that time we went to the dam and one landed on your hand and you said “isn’t the world beautiful?” and that’s when I knew I loved you for the very first time. If it’s the notes to the first bar in At Last, then it’s you, because we used to play it all the time in the bar and I always thought it was fucking stupid to think you'd know like that right away, before everything, but it was the song that played in my head anyways when you walked in the bar that first night. There she is, I sort of thought, a dream that I can speak to."

"It could be any single word or phrase or letter and it would be you, because I love you and I love you so much I see you in every part of this entire world. I love you and I want to keep you with me always, and so you’re always there in my thoughts, slipping over and into everything else and I love it. It makes me love everything I see a little bit more, because it reminds me of you. It makes the world more beautiful."

"So, no offense, but I don't really give a fuck about the Letter. I already know it's going to be you. But I think you need to see it. So you know you’re not as selfish as you think you are."

And Beatrice admits that she wants to be with Ava anyways. Even if it makes her selfish. (Even if it makes her heretical.) Love is holy and what she feels for Ava is holy too, even if it's a sort of holy no one else will ever understand.

I went back and forth about whether they actually SHOULD open the Letter. lol. But I think I eventually settled on that they should, and that when Ava does open it, it's a blank page with like, 7 little dots and Beatrice is like??????????????? But Ava recognizes it instantly and it's the freckles on Beatrice's cheeks, the ones she's always tracing, and she does that again, following the ink on the paper.

Beatrice had been ready to give up her religion for Ava, so getting to keep it, maybe, suddenly is a LOT. She can't quite believe something divine would do something like this for her. But maybe she can believe that something divine would do something like this for Ava.

Later, I wanted Beatrice to have a conversation with Mother Superion. I thought it would be interesting to get into the philosophical bits of it. To debate if Ava could actually be right in her ideas about how this could be, and still fit into what they know about god/Letters/religion. I liked the idea of the conversation ending with neither of them really knowing, and Mother S being like, look girl, you'll never know for sure, but that sounds like faith to me. And Beatrice says no, no this is different, capital F Faith is for the divine. This is just trusting that Ava isn't lying about the freckles thing, or won't get tired of me, or won't find someone else. Etc etc etc. because it's panicking time for Beatrice, suddenly. And Mother Superion just raps her knuckles sort of in the most gentle way she can manage and says "That's love, Beatrice." in the way way someone might say "That's pussy, babe."

Beatrice does leave the church (though she eventually goes back to 'consulting' kind of like Mary). And when she does actually physically leave as well, Ava is waiting outside on a bench. Beatrice asks why she didn't just come inside, and she says something about being a little afraid of churches these days. She did steal god's favorite, after all.

And then they walk off into the sunset, with Beatrice being like wait a second, I thought you said this was all God's plan. And Ava shrugs and says that she would never willingly give Beatrice up, so god might come to her senses and change her mind.

I was going to end it there, but I did consider doing an epilogue as well. Early on in planning I had this idea where, years later, all the nuns regularly come over to the Silvas (because Ava does keep her 'second' name, though she does start to learn more about the Reis family, and meets her Uncle - the dude Beatrice learned about the orphanage from). And on one of these occasions, the nuns are all in white, and they're delivering Beatrice's Letter, which is addressed to Beatrice Silva. In the end, I decided against this, because I liked leaving it more open-ended, but nothing had been set in stone at this point, of course.

So yeah, that was going to be a beggar in the morning. lol. I plotted most of it out before I even started writing, because it wasn't the sort of story you could make up as you went and still tell it well. And I did want to tell the story well! There's a part of me that's sad that I wasn't able to, but I do think it was worth writing what I did. I really loved seeing people realize that Lara was Ava, even as early as chapter 5! And I also loved people coming up with theories about how Avatrice would be endgame. Some of them were honestly really good and maybe better than mine fhdskjhfd I had one person be like PLEASE let Ava's Letter be for someone else so they can metaphorically spit in god's face and honestly that was valid.

I don't know if anyone is going to bother to read this very, very long reply to an ask that doesn't actually ask for any of this, but it honestly just feels nice to put all these ideas together and 'complete' the story. Even if I've done it in the most half-assed way possible I am so sorry fhadskjlfhldsj

[sagegreenfrogs]

GODS I need some 30s-40s domestic married sorvus right now

[delimeful]

me: wow i wonder why i can never find anything in my files

my files:

[venufey]

🪩 MA MEILLEURE ENNEMIE (membership)

link

♡ ᵔ ᵔ) how to use: go to file = make a copy

♡ ᵔ ᵔ) membership doc! this is free when you subscribe monthly

♡ ᵔ ᵔ) mobile friendly. feel free to change any and everything, but please do not remove the credits. please turn on copylock!

♡ ᵔ ᵔ) DO NOT distribute without permission.

♡ ᵔ ᵔ) characters: ekko and powder from arcane

[hannieehaee]

ive been told another one of my fics (over my head) seemingly draws too much inspiration from another preexisting fic (hits different cause its you).

while i 100% do not believe this belief to be true, ill be taking it down to avoid any issues (ill be leaving it up for the rest of the day in case you'd like to save/archive it for ur own reading and then will be removing it altogether). my fic and this fic were posted one month in difference and my full-length fics usually take me months to complete, so any similarities in plot were purely coincidental.

id like to take this time to clarify that a few of my fanfics do utilize tropes/concepts ive seen other authors use but that id never actually copy or steal the actual subject matter of someone else's writing in my own. i was told by this same author that apparently there's been other writers who have issue with some of my fics copying their own, so if you're one of those people, i invite you to come forward and let me know so i can remove whichever fic you feel is similar to your own.

i want people to understand that a lot of writing on here will reminisce one another due to being about the same thirteen individuals who all share specific dynamics and personality traits, along with tropes and trope progressions being similar (if you read my fics i use the exact same trope progressions 90% of the time). and that i could easily pull up a few fics that read similarly to each other but are not the same.

i will remove any 'copied' writing (despite me knowing this is false) to avoid any issues because i dont want to entertain this. though i completely admit my fault regarding my imitation of another writer in my previous post, i wont entertain the idea that most of my writing is copied, because it is not.

with this, i will post the last few works i had already been planning on posting and move onto removing the rest of my work from tumblr altogether. for full transparency, i have a few other works i am in the middle of writing and will be posting those to patreon (i frankly dont care about anyone's opinion on my use of patreon, by the way).

i have a lot of stressors in my personal life, which is why i would only ever pop in here to post writing and leave immediately after, so i am not entertaining anything that makes this space the slightest bit uncomfortable/annoying for me lol sorry! writing has been fun, and the few people ive met on here have been very nice and i will miss them, but im not sitting and waiting for false accusations about my writing due to a mistake i made and admitted to as soon as it was pointed out to me.

id also like to clarify about my patreon since ive gotten complaints before: i do not feel any type of way about it. that money has been incredibly helpful for real-life money issues ive had and im incredibly appreciative of anyone who's supported me. ill continue posting there for a while before ultimately stopping my writing altogether.

im sorry to anyone who liked my writing on here. i'll keep it untouched for a few days in case anyone would like to save it or archive it for their own personal reading. and if anyone would like to read 'closer' (the fic i took down yesterday) message me and ill send you a google docs of it so you can personally keep it for yourself.

bye lol idk if anyone will be sad about my departure ik i sure as hell wont be