#ur fuckin kidding me.

[supercantaloupe]

our next performance is OUTSIDE? girl.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[littleplantfreak]

sending u shitara peppering kisses to help with the cramps <3

EVE??!?? crying…shaking…hugging and kissing you….

[luck-of-the-drawings]

VIOLATOR!! DESECRATOR!! TURN AROUND AND MEET THE HATER!!

VEEERRRY HAPPY WITH WILLIAMS LIL SCARY ARC. HORROR MOVIE BOY. LIL ZOMBIE GUY. UNDEAD AND PIIIISSED OFF LIKE CMAAAHHHNNN I HOPE HE KEEPS THAT CHAINSAW FOREVER. IF YOURE UNDEAD CAN YOU STILL GET A NICOTINE ADDICTION? I SURE HOPE SO!

[mariatesstruther]

okay just hear me out modern au where tommy ends up picking up ellie from pre school almost everyday since joel is busy but he keeps meeting teacher maria

okay bestie as a preschool teacher you GOT me with this one. like you got me SO GOOD. this might actually get published to ao3, you got me soooo fuckin’ good right now. i have so many unnecessary details for such a simple plot so here’s a cut

tbh i feel like even as busy as joel is, he’d prioritize picking up and dropping of sarah as much as he can, so maybe he and tommy would alternate???? so on days when tommy drops off, joel picks up and when joel drops off, tommy picks up. sarah goes to a public preschool with a lot of kids, so she gets easily overwhelmed and sometimes needs extra cuddles or kind words in the mornings to make it out of the car.

one monday, a couple months into school, sarah is particularly VERY anxious because there’s a new teacher to replace ms. doherty, who quit unexpectedly on friday “because she said we gave her alooooottt of headaches, daddy.” now, sarah knows nothing about the new teacher except that shes a girl from a place called new york—and sarah doesn’t even know what new yawk IS like, thats So Far Away??? (“it’s not really that far, baby,” joel says to her. “and it’s new york. with an o sound.”) still, sarah is VERY concerned:

is new yawk like another planet???? (no, babygirl.) but what if she’s an alien???? (the school only hires human teachers, baby. they promised.) but what if she’s a SECRET alien??? (she won’t be, i promise.) okay but what if she’s mean???? (if she is, you tell me or tommy and we’ll talk to her about it, okay? she shouldn’t be mean to you.) what if she doesn’t play good music at quiet time???? (you can ask her nicely and i bet she will, baby. just say please and thank you, okay?)

still, even with her questions answered, sarah is very nervous on monday. both joel and tommy go with her in an effort to start her day off extra good, especially because joel can’t pick her up. they reassure her that new york has plenty of nice people and her new teacher will probably be one of them. she also gets TWO WHOLE extra minutes of cuddle time with BOTH of them before she and daddy have to leave the car—it’s half for her and half for them, because they’re honestly pretty anxious for her to like her new teacher too

joel is the one to hold sarah’s hand and walk her inside, because the school prefers only one guardian to drop off at a time. tommy’s nervous, but joel actually seems pretty pleased when he gets back to the car with no sarah in tow. surprisingly, he’s back faster than any time they’ve ever dropped sarah off before. with a proud smile, he tells tommy is that miss maria seems really nice. more importantly, she’s Black, which joel says Sarah got really excited about. tommy pries for more details, and he’s glad he does: apparently miss maria has locs, a few even blue and purple, and the first thing sarah’d said to her was an emphatic “😲😍🤩 i like your hair!!!!!!!!,” to which she had responded “thank you! i like your hair! what’s your name, sweets?” and that’d been that

later, when tommy does pickup that day, he doesn’t know what to expect. most times at the end of the day, sarah is super reserved and a bit cranky, eager to get home to finally have time to herself. tommy’s goal is usually to try and get her to at least wave goodbye to her teachers like joel asks—but, more often than not, she opts for reaching for uppies and hiding her face in his chest until they leave.

today??? no. it takes sarah a full two minutes to even notice tommy’s there because her and this drop-dead-fucking-gorgeous woman in a soft-looking lavender pants and blouse set are finishing up a painting at the easel wall. they’re working on what looks like a brown and purple butterfly, probably the most carefully shaped sarah’s ever made.

tommy’s heart stops when this goddess miss maria finally looks over at him and smiles with perfect pearly-whites, waving him over behind sarah’s back. when she says “sarah honey, i think someone’s here for you!” in her sing-songy toddler-tone, tommy swears an angel gets his wings. sarah turns around, shrieks with joy upon seeing him, and runs down to him with her arms out, yelling all the while: “THOMMYYYYYYY!!!!!”—because sarah’s still working on her hard ts—“thommy!!!! thommy thommy thommy come look!!! i made a butterfly for u!!!!! look!!!!! it matches ms. maria!!!!!! it’s gorgeous!!!!” (she’s been obsessed with calling things gorgeous ever since she heard tommy say it about a harley motorbike last week. joel especially thinks it’s cute, especially because of how she over-emphasizes the j-sound: gor-Jus.)

tommy’s never seen her so excited to show her art off at pickup-time before; usually, she waits until they’re home and she’s feeling less shy to start showing off, but she’s babbling and pointing to it as he picks her up and sets her on his hip: “it’s brown and purple like miss maria!!! isnt it so gorgeous, unca thommy??? do you like it???? aren’t they SO gorgeous????”

and now miss maria is looking at him. and he’s looking at her. tommy knows he’s blushing, and he hesitates—which sarah does NOT appreciate, so she says: “unca tommy!!!!!!! don’t be WUDE! thell miss maria she’s gorgeous!!! she is!!!”

luckily, miss maria saves him by explaining, in a slightly firmer teaching voice: “sarah sweets, that’s okay! we’re only just meeting, and that’s not really something you say to a stranger, okay?”

“but why noooooooot?? you are gorgeous! like my butterfly! isn’t she so gorgeous, thommy?”

“well, yeah, of course,” tommy agrees easily, because she obviously is—and shit. now miss maria is looking at him like he’s a fucking bonehead, because he obviously fucking is. “but—uh, i mean—she’s right, hon’. you gotta listen to your teacher, and that’s not somethin’ you say to a stranger, okay?”

but then, after thinking to her tiny self for a few seconds: “well if she stays my teacher then she’s not a stranger, is she???” sarah asks tommy, then turns her conniving little head towards maria, too. “and you said you’d stay! so can he say you’re gorgeous tomorrow?” then, without waiting for an answer, she’s back towards tommy to finish: “i think you should call her gorgeous tomorrow.”

“i think we should go home, s’what i think,” tommy says, finally deciding to save himself from four-year-old torment. he sets sarah down and pats her on the end with a gentle but firm request to go get her stuff from her cubby, which she goes to do without her complaints of being too tired to walk. maria watches them closely with a close-lipped but relaxed grin. when sarah’s out of earshot, he apologizes. “sorry ‘bout that, ma’am.”

“don’t be,” miss maria teases, crossing her arms. “you did call me gorgeous, after all. i’ve had worse introductions.”

“tommy miller,” he offers, moving to shake her hand. he notices her nails are done-up, a sparkly blend of pretty shades of purple that look tie-dyed on somehow. her hands aren’t soft, not really, but they’re smooth enough to make him shiver as he pulls away. “sarah’s uncle.”

“oh, i know,” she reassures, then nods her head pointedly towards sarah. the little one is coming back towards them with her lunchbox in one hand and her water bottle in the other, walking extra careful so she doesn’t trip over herself like she did last week, tommy guesses. clearly fond, maria continues. “she spent all day telling me about you and her daddy. you’re doing great with her.”

“unca thommy! i’m ready to go!” sarah sing-songs, interrupting whatever miss maria might’ve said next. internally, tommy thanks his niece—the you’re doing great was already enough to make him cry, and he’d rather not do so in front of either her or her amazing new teacher. plopping her lunch and bottle at tommy’s feet, sarah gives not one, but two eager waves to miss maria, hands flapping madly up towards the woman’s face. “bye miss mariaaaaa!!!! i’ll see you tomorrow!!!!”

“bye sarah sweets!” maria says back, waving just as enthusiastically. to tommy, she raises an amused, teasing eyebrow. just loud enough for him to hear as he turns away, he hears her say “bye, gorgeous,” and laugh, giving yet another angel a pair of wings.

it takes everything in him to not fall straight to the floor, toppling his own precious niece, right then. he doesn’t think he even breathes until both he and Sarah are secured in the car, him in the front and her in her carseat. she’s already babble singing mary j. blige’s “just fine,” which they usually play and sing on their way home from school to help her regulate. when he plays the song this time, sarah smiles bright at him through the rearview and says “i already feel just fine, unca tommy!!! but can we still play it, just for fun?”

“of course, baby,” he says, and start singing along with her. he’s feeling just fine, too.

🫶🏾🫶🏾🫶🏾🫶🏾🫶🏾🫶🏾🫶🏾

tagging some homies (btw just let me know if u wanna be tagged in this kinda stuff or not guys! im never sure lol): @becomethesun @clickergossip @boilingcowboy @bumblepony

[itachis-eyes]

Sasuke Every Day Until He's Freed From Tree Prison: Who Is He

March 26th, 2024

Got an idea? Askbox!

Send me a Kofi maybe? :3

[helianthologies]

i think part of the reason tbk were so quick to jump on kalina "betraying" cassandra and conspiring against her is probly bc of the ankarna plotline with porter and her other followers betraying her only to kill her but like..... i think the key difference is that porter was just some fucking guy who wanted power and kalina was cassandras Familiar. her most loyal confidante. like im sure kalina DID want power but i think her trying to bring back the nightmare king was more a desperate move to save her goddess. and maybe a misguided idea that shed be "safer" and more able to protect herself from her followers if she was the nightmare king instead. bc it WASNT kalina that killed her! it was the mortals! kalina just followed her where she went!!

[foryouthegays]

i feel like i need to preface this post with it is NEVER FUCKING OK to hurt ur kid etc etc.

anyway

some kids have never experienced pain and i think that negatively stunts their growth

like. ok. i teach aerial. there is no part of aerial that isnt at least a little uncomfortable or painful. most kids are like oof this kinda hurts but i can deal. and im like yeah! [alt version] might feel better or u could try [modification] if its bad but yeah it feels kinda hurty doesnt it? and thats fine! thats a kid expressing what their body is feeling, which is a mild amount of pain, and learning how to deal w it (either by pushing through, changing what theyre doing, or stopping) in a healthy way!

but SOME FUCKING KIDS. havent had a single goddamn papercut in their life. and it SHOWS. i show them something? owwwww this hurtssss i cant do this why does it hurtttt and im like. yeah it does hurt a bit doesnt it? you are sitting on a small metal bar after all :3 why dont you come down take a quick break and let someone else go? and they get off and are like acting as if they just broke their fuckin foot and its just bestieeeeeeee have you never tripped and fell have you never accidentally slammed a finger in the door have u never walked through thorns to get the juiciest berries.

i think kids need to have experience with pain so they can learn what is Uncomfortable what is Pain what is Sore etc. and sheltering kids to the point of them not being able to hang onto a bar for longer than like two seconds--not because they arent Strong enough but because it Hurts their Hands--is literally just setting them back in life.

kids are smart! they learn fast! let them be stupid and make mistakes and get hurt! theyll be smarter for it! idfk its just also kinda impossible for me as a teacher to work w a kid who wants to do all the cool stuff but cant deal w even the mildest of pain bc they havent been exposed to it.

[im-a-lil-bitch-boi]

my mom: ur not autistic, stop

also her: describes aspects of my childhood that r v obvious signs of autism

[desastre-fag]

being misgendered at work fucking sucksssss but theres not much i can rlly do abt it i dont like correcting ppl especially after theyve done it a bunch and i havent said anything :( didnt realise how much i hate not passing until i got a fucking job >:( im so used to queer spaces that now im like what the fuck D:

[kiingbiing]

-

[emeraldoo]

im so fucking mad r u kidding me

[a-ikuoliver]

i gen can’t do this bruh what the fawk

[gifti3]

im eating my words (thoughts) so hard rn

[ragingtwilight]

BRUH

EVERYTIME I feel like im starting to feel better my body just turns around and flips me off

mf sends me off w a shove down the stairs, nausea, sweating/tremors, headache, confusion, dizziness, it pantsed me, it stole my lunch money, it gave me a swirlie, i cant fuckin win

[jrueships]

if gup gets shopped out im gonna be so pissed yall