#uphill battle of I really want to draw it

[nocek]

dads' day out ;)

wip is here but final comic version will be a bit different because "plot" reasons ;) (if you even can call my comics a story XD)

[fiendishartist2]

//today, today, is one of those days, stuck between yesterday and tomorrow//

[witchkami]

Goodbye for a while ♡

I need to take a break for a long time. I'll explain why, but I'd like to start by saying I'm going to be pausing my Patreon's billing, which means none of my patrons will be charged any money in the time that I'm gone. Since I won't be posting art, that only seems fair to all of you.

I don't normally open up about my personal life, however this is one of those rare cases where not only do I feel I owe it to you, but I'd also like to give an explanation. Back in March of this year the most terrifying thing I've ever experienced happened to me, and I was hospitalized for a week and a half. I hope it's understandable that I don't quite feel comfortable sharing what it was, but what's important is that I am currently okay and safe.

When I got out of the hospital, I started working as soon as I could. I've always been the type of person who could still be productive and work despite any hardships I've been through, but even though the drive to create art was there, I found this time was different. It was difficult to put myself together and draw. Everything started becoming an uphill battle. Every month I would try to push myself to draw as much as I could, but I would continue to feel disappointed because of my own expectations for myself. I realized that my mental health wasn't where I wanted it to be, and it was going to take a long time to heal.

Five months later, and although I'm doing a lot better, there are still broken pieces I'm trying to put back together. Which is why I'm making the decision that I need to take a long break to focus entirely on my mental health. This is not a decision I came to easily, I really didn't want to step away for a while. I kept wanting to believe that if I just kept pushing myself then one day it would all feel normal again, but that's not how these things work. And so as sad as it makes me, I truly do think taking time off is the best thing for me right now.

I don't know how long I'll be gone. It'll probably be multiple months. I want to give myself however much time I need to feel better, and I hope you understand. I wish to come back stronger than I've been this year, and stronger than I am now. I look forward to when I will eventually return and be able to share art with you again. I make art to comfort myself, and it means the world to me that someone could feel that way about the things I draw too. Truly, thank you so much, for everything. Although this is goodbye for now, I can't wait for when I'll return.

Much love, -Kami

TL;DR I'm going to be taking a mental health break for a couple of months. I'll be pausing billing on my Patreon so no one will be charged anything during the time that I'm gone.

[lemonhemlock]

I think a thing that bothers me the most is how fragmented TG (the fandom) is now. After season one, many of us had issues with character writing, but it still felt like we were largely on the same page. Now, some people can accept Aegon got bad writing but not Aemond, Alicent, or Helaena. They are all “good�� or “bad”characters depending on how much they hurt Aegon this season. I’m so glad he got the time to be well rounded, and that TGC delivered on all his scenes, but I think people forget Aegon has received some poor writing as well even this season. His whole outburst about Jaehaerys’s death is not about his son, but the impact on his legacy- I thought this very odd at the time, but realize it’s because they can’t have him mourn Jaehaerys for a long time either. Nobody on TG is allowed to focus on this dead child, least of all his mother! Aegon goes out drinking with his friends next episode 😭 seemingly unconcerned. But somehow only Alicent and Aemond are called out for this, when it is a clear problem that Daemon is more affected by this loss than the greens. It feels like such an uphill battle to even discuss the faction and family anymore.

This is such a good point!

I know I am so contrarian about this rn, but I have had some issues in connecting with Aegon's grief scenes over Jaehaerys this season. And it's such an opinion I DON'T want to have, bc I'm fully on the Aegon/TGC bandwagon and I do think TGC is a competent actor.

But it's something about the general clownery of the framing, how everything is gloomy and dark but at the same time no one gives that much of a shit over Jaehaerys? It's very weird to describe. I know Olivia also shows Alicent crying and swallowing sobs and trying to conceal her grief, but, if you think about it, Alicent is just Kind Of Like That in a lot of her scenes anyway. Big doe wet eyes, filled with regret and unspoken emotions etc so that her acting similarly after B&C kind of doesn't hit as much?

And, in that context, having Aegon rage over this event is rendered kind of.....hammy and, honestly, comical. I'm reminded of the scene of the small council where everyone is somber and quiet and he kind of looks like he's pretending to cry. In other moments it's fine but there are frames where I can't take it seriously and it registers in my brain like a parody.

I realise how I sound right now, like I'm not satisfied with the subdued performances, but I'm not satisfied with the expansive ones either. IDK. I have a huge problem with the framing and direction this season, I think it's a huge impediment in making me enjoy the supposedly emotional scenes.

All of this to say that I agree, Aegon has also received some bad writing this season, especially him ALSO being kind of over Jaehaerys the next episode. But people tend to overlook it, because when you draw the line, the writing for him is still so much better than what he got in S1.

And, yes, this is why I can't really join the choir in blaming Alicent and Aemond for how they act with him, because it's not a naturalistic and organic progression, it's shoehorned in with little buildup or motivation and not even drawn to its natural conclusion. For example, Aemond should have been toast the minute Aegon woke up, because Prince Regent or not, Aegon is still the King and has the power to remove Aemond if he fears him. He doesn't have to justify himself in front of anyone, just give the order to arrest his brother and name someone else as regent, then just go back to sleep.

[creatingblackcharacters]

hi there; first, thank you for making this blog and all the lessons you do, i really appreciate them as a Black person because it highlights a lot of struggles i face with fandoms in general, and why i dont interact more in certain spaces. it makes me feel seen

with regards to your questions, i'd also like answers to them from nonblack fans, especially nonblack anime fans. i don't even mean consuming anime with overtly racist caricatures of black characters (because numerous anime fans pirate their anime and never send a cent to the creators anyway), i mean how can they make fanworks of it?

how can they look at something that they are told is wildly offensive, but then defend with "well, this is how it looks in canon"? where is the line drawn between what's okay and what isn't? as long as it's slow and gradual, is there no line at all?

these are probably just rehashings of your own followup questions, so please excuse that, but i do have an anecdote

i joined a casual anime server the other day and a lot of folks were lamenting one Black character's racist design and how often those on social media will replicate it without thinking/caring. The thing that struck me is that, I've checked this character's tumblr tag regularly for a long time. There are always people who will post art/fanworks of this character with his racist design. Yet hardly ever, if ever, (outside of Black fans) have I seen any of these folks- the ones in the discord server- try to talk to artists/writers/fan creators/etc via asks/replies/etc. There's a notable amount of people in that server and a notable amount that agreed the design was outright racist and that they'll never make fanworks like that, and yet still silence

i'm not entirely sure what would be the line, or the "okay, that's enough" moment to spur any of these folks into action. i'm not sure if there is one. the only reason i don't make my own "hey what is wrong with all of you" post and blow up is because I've made a wonderful little friend group in this fandom who get it, and I don't want them to get caught up in whatever happens if I were to make a post like that

And this is just for getting people to stop using the canon design of the character, i.e., to stop drawing him as a racist caricature. This isn't touching on the people who 1) lighten his skintone [he's been horribly whitewashed over time, which has been reflected in some fanarts and fan merch], or 2) give him a looser hair/straight hair texture, rather than his type 4 hair (there's also #3, which is fanfiction with straight up slurs, and horribly racist writing in it that my friend heavily warned me not to read, but that was more of a one-off case and I've had the creator blocked a long time now).

my point being, we (Black fans) can't even get folks to stop with the caricatures, which we have to start with, and then there's even more of an annoying uphill battle with the other stuff. I'm just so tired of all of this; it makes me want delete my own works and turn away from fandom all together because i can't stand it.

trying for polite and assuming ignorance hardly ever works, speaking bluntly doesnt work at all, making public posts hardly goes anywhere (partly because of how rarely people reblog things anymore, partly because it makes people 'uncomfortable' to share this information with others). Black fans so obviously need help to combat this, and yet it's like sitting at a tea party and hearing all these pretty words in this one setting, yet nobody does anything different/better when the party's over/outside this setting.

sorry for dooming a bit, but like, genuinely i would like to know where the line is for nonblack folks? what is the point/are the points where you would speak up against antiblack racism? have you ever considered speaking up? if there's ever a moment you recognized antiblack racism and didn't say anything, why didn't you? did you consider how your lack of speaking up might affect your fellow Black fans? or how Black fans may be interpret this as silent agreement with the racists/with the racist 'norm'?

..those could maybe be alternative ways of asking your last followup question?

(if i've made any blunders or overstepped here, please let me know!)

No, I'm glad you spoke up! I too would like to see answers!

[ozzgin]

Today, something wild and unexpected unfolded, and I can't help but share it! Growing up, I have been inundated with words that cut deep: "You look unpleasant to be around." "You seem super scary; if I didn’t know you from school, I would never approach you." “You have a lovely personality, but when you walk by, you look like you’re ready to attack—could you smile?” It’s as if the world has constantly painted me with the brush of an intimidating image, completely at odds with who I truly am.

I recognize that my appearance might give off a certain vibe, yet it baffles me! When I see someone who might seem unapproachable, I often think it’s simply a choice of aesthetic—like goths, rockers, or punks who wear their fierceness proudly. But me? I’m just a girl in the simplest of outfits: a plain T-shirt and jeans. I don't believe I have a frightening visage; in fact, I perceive my face as quite pleasant. Yet, I’ve been labeled with the dreaded "resting bitch face." This misunderstanding makes forging friendships a steep uphill battle.

So here I was, just trying to navigate the mundane task of grocery shopping, but fate had other plans. For nearly an hour, I felt the unsettling presence of some random guy following me, and it was so perplexing! I sensed that he was going to linger since, honestly, I take my sweet time shopping.

As time dragged on, a thought crossed my mind—maybe he just has a preference for big girls, considering their rarity in my small town. But every time I mustered the courage to approach him, he would abruptly retreat. Frustration bubbled inside me until I exploded, shouting at the top of my lungs, “Are you a chubby chaser, bitch boy?” My words echoed through the aisles, drawing the startled gazes of everyone at the checkouts.

To my astonishment, he bolted from the store like he’d seen a ghost. Maybe that moment encapsulates why my circle remains so small—why relationships seem just out of reach. I just wanted to share this wild experience from my day with you, Ozz!

Hah, I have a feeling we would’ve gotten along really well in real life!

In my second year of high school, I ended up sitting next to a transfer student out of sheer coincidence. She was a bigger girl, knew how to box, smoked like a chimney and had a terrible temper; most of my classmates were afraid to approach her. I was the shy, studious class president.

One day - she later told me the silence had become unbearably awkward - she asked me if I liked Naruto. That was it. From that moment we’ve been best friends. Went on multiple trips together, hung out every weekend, moved in together for the first year of college. We went our separate ways since, but every time we meet it’s like we just left off the day before.

I'm sure one day that special someone (whether romantic or platonic) will just show up out of nowhere, under the most ridiculous, coincidental circumstances. Think of yourself as a mysterious, difficult to unlock game character. Is it because you're unpleasant? Nah, it just means that only the special few can achieve that kind of prize. 😎

[skunkes]

for me, the loveliest parts of your drawings are the construction. like veryyy inspired and true to anatomy but very clearly your own flavor. your pdf has really really put that "spark" for me in drawing again 💖 especially since I also draw doodley & small. unfortunately, with my ADHD/current workflow it's a real uphill battle to not give up a study despite desperately wanting to get better at construction. :(

if you use studies a lot, do you have any tips on how to keep studies fun? What sources have worked for you in the past? (especially for fat/wrinkles/clothes)?

This is getting to be a pretty specific ask haha sorry if it's a lot. I hope some of it made sense tho :)

hi hi so idk that i'd endorse it per se but what worked for me was only focusing on stuff i was interested in for years LOL

so in high school i loved drawing hands and arms... so i only ever focused on hands and arms...

i literally did not start fully focusing on/trying to learn Legs (for example) until the last 2 years. you can see even now that idk how to draw shoes (and idk that ill ever learn because ive never cared about em irl and only really use one pair LMFAO but that could change!) and then its slowly come together like puzzle pieces.

All of this came from personal interest....i was fascinated with hands and arms at first, the shapes the forms. then u can combine it with other things. i became determined to draw all sorts of bodies well so i could depict my ocs accurately. i had a focus on noses because i love noses and wanted to have ocs with their own unique noses, so i had an excuse to draw said ocs more to learn. (and then becoming enamored with all the ways skin and flesh can sit and squish helped with wanting to draw bodies more).

stuff like that helps keep it fun. sometimes when i do body studies now i dont draw the heads/faces because its less fun (TO ME) to do that and i know ill end up focusing more on that than the learning of the body.

sometimes i draw the bodies with my ocs heads so i have more fun. when i first started learning legs i only drew disembodied ones.

im not saying to do dis and yes you have to leave your comfort zone to get better sometimes but you have to find what works for YOU... bc if you get too "uncomfortable" then u wont wanna do it at all (see again: i could force myself to draw a page of shoes but i genuinely just dont want to adn i dont care. maybe in a few years ill be obsessed with them. im king of not leaving my comfort zone. i love being comfortable. but i make it work)

however you Learn you can always expand upon it once u have the foundation! like how over the years ive added more little details to some forms (because i like seeing them!)

idk how i learned to get better at drawing fat but i recommend sources like fatphotoref, morpho's book on fat and skin folds, and (18+ recommendation) subreddits for nudes, especially if they're focused on fat people. i like this last one bc you can truly see a range of difference in body proportions and fat distribution etc as well as seeing how other people stylize such things

im going to be real with u and say i SUPER dont know how i learned folds. im actually still learning now that im exploring more fashion in the real world, but even now i kind of just guess from what i know theyre meant to look like. if i REALLY want it to look accurate ill wear a similar garment and use that as a ref and then keep that in my mental library. here's 2 examples i can think of where i really had to take a pic because my imagination wasn't cutting it (and even then the 2nd was exaggerated of course.) this seems like a "leaving the comfort zone" moment but it was truly fueled by curiosity and fascination more than anything, which is good. (but AGAIN. you could not get me to care this much about drawing shoes. so it really depends on You and your interests in order to make it fun.)

otherwise i kinda just guess 😭 this is where i excel at focusing on making something look Good instead of right. i just see what shapes look fun, sculpt them around the body...

morpho also has a clothing + folds book though, so i wld look there ^_^ perhaps try putting a subject you really enjoy into your favorite outfit for practice? stuff like that... that post about how improvement comes from being insanely obsessed with something is real u just gotta find and latch onto whatever that may be

[avoidcrowdraws]

Might be too long of a comic so a list of your headcanons is fine too but you mentioned in the ds au that Chilchuck was a bit hesitant to take on Laios cause he doesn't really work with other races often, so maybe a peek as to what that first meeting/contract negotiation was like???

It is a little too long to draw all of it, but here's some doodles, and a ton of thoughts below the cut!

Warning again for kink and sexuality discussion

Dandan is the one to introduce them, they meet at a cafe, and from the start Chilchuck is exasperated because Dandan didn't tell him Laios is a tall-man. They have a brief row about it to the side while Laios waits (see Chilchuck's rant in the bottom image here)

Chilchuck isn't completely opposed to other races, but as in the Dungeon Meshi canon half-foots are looked down upon. I imagine he has to fight an uphill battle for respect among non-half-foots, and that's before even introducing himself as a Dom

Fortunately Laios doesn't question Chilchuck's Dom capabilities, which Chilchuck had been expecting, which puts Chilchuck more at ease with the situation. Laios does immediately overstep and start calling him 'sir' before they've agreed to anything, Chilchuck has mixed feelings about that, but he sees it as a trainable offense

Laios becomes more more confident when he starts talking about what he wants, kink is one of his special interests in this AU so he's pretty knowledgeable even if he's less experienced personally. Chilchuck becomes legitimately interested when Laios lists a bunch of their overlapping kink preferences, because Chilchuck's current sub roster is a little more softcore

This might make some people unhappy, but my headcanon is that Chilchuck doesn't participate sexually with his subs himself. He'll get them off if they want, but he doesn't enjoy sex in a D/s context. He separates his sexuality from his kink entirely, and also in fact he considers himself largely straight

But I just want to mark this last paragraph with huge 'FOR NOW' signage

Chilchuck has brought a trial contract along, that outlines a short but non-personalised agreement, one with strict limitations, and that expires quickly. If they like what they're doing (which they do) Chilchuck will help them write a longer one together, with more specifics

[goddessofroyalty]

Hi, I know you're getting back into your brainrot zaun family so I wanted to participate with an ask: the young parents silco/vander got an artist to do a portrait of them with their first baby. and then a timeskip at viktor's graduation with the whole family but this time it's a professional photo shoot.

Yes! Help the brainrot set in! We might even get it to produce some fic again

It really is one of my favourite aspects of the verse - how you can contrast what their life is like when Viktor is first born with what they're life is like when he's an adult (and especially post-Hextech).

They likely didn't commission the first one. And if they did it likely wasn't paid for with money but rather a barter. Done by someone they knew and probably another of the early members of their planned rebellion who happened to have an artistic-bent. The paper torn around the edges and was brown from the smog of the Zaun underbelly even before the first lines of the sketch were laid down. Done in watercolour (because that's the kind of paints that's easy to carry around and quickly used) with limited colours. But it still captures their likeness well and is probably foreshadowing of where Silco wants to position his family in society.

Silco had probably been planning on getting a proper professional photo portrait done for a while. He's the Zaun Representative now and while he does hold himself out as Different to Piltover's aristocrats he also wants to hold himself (and his family) as having the power and wealth they now have and a professional portrait does just that. It's just trying to wrangle his mate and children (apart from Viktor who while doesn't have as bold of a fashion sense as Silco does prefer to dress well and neatly) into any kind of formal of 'fancy' clothing is an uphill battle and akin to pulling teeth. But Viktor is graduating so they're all going to be wearing the nicer clothes anyway so they can get it over with at the same time and he only has to have the clothing fight once.

It's still probably chaos getting it but by the end of the experience they do receive a nice photo of the family that reflects the influence and affluence they now have. Silco gets two copies - one of his office in Zaun and one for his office at Piltover. He still has the old watercolour one in his draw in Piltover when he needs to remember where they started and why he's doing what he's doing (especially after especially frustrating Council meetings)

[amalgamateofficial]

A Quick(?) Update

Hey, everyone. I never know what to say, and then because of that, day after day passes in silence. I guess I just want to say that yes, I’m still working on chapter 21 of Amalgamate, and also that I’m sorry for the absolutely ridiculous amount of time that’s passed between chapters. I know I’ve been “absent” a lot online, too. Rarely commenting on fics, taking days to respond to DMs, hardly livestreaming…

I’m sure it’s a no-brainer that the kind of person who writes a story like Amalgamate isn’t exactly a “well” person. Those who follow me on social media for my cosplay and art content see such a small, curated snapshot of reality. The smile doesn’t exist until I hit record, and it ends when the video stops. So every day, my followers see videos of me at my “best,” but I film as much as possible on a single day because the next “good” day could be weeks away. Sometimes I worry that the next good day isn’t going to come at all.

The most frustrating thing about it is that I’m well aware of the cycle. Every year, starting in August, the darkness starts to creep in. By September, it takes hold. By the end of October, it’s inescapable. November passes, then December. Last year, December almost ended in the worst way possible, but as cheesy as it sounds, Amalgamate convinced me to turn it around. I thought, “What kind of example am I setting here? How can I let people down like this?” 

So this year, I tried to prepare for the inevitable… and failed. I thought if I could post chapter 21 before the end of August, I could just curl up alone and wait for 2024 to be over. But then everything went to hell and I missed my goal, and when the darkness started to creep in at the edges, I tried to make another goal, and then another, but every single time, I was dragged right back down.

Then a mini cycle started to form within the larger cycle. Every day that goes by in which I don’t post chapter 21, I think the chapter needs to be even better to make up for how long I’ve kept everyone waiting. Then the pressure overwhelms me, and the terrible thoughts creep in, and then the guilt sets in, and then I’m curled up in the corner again with nothing accomplished. DMs are left to fester. Fics I want to read collect dust. I drift away, and I let everyone else drift away, and I sit and stare and wish things could be different. 

I suppose it’s not all doom and gloom though. I tried really hard to work on myself this past month, and I was actually successful in a few ways. I tried to clean myself up, and in some ways, I did a lot better than expected. I’m hoping that means I can turn things around again. I want to finish chapter 21, catch up on all the fics I want to read, start drawing regularly, and be an active participant online instead of just tossing out content in a desperate attempt to keep up appearances.

But it’s such an uphill battle. I feel worse now than I did last year, so I’m trying really hard to cling to that self-awareness and prevent things from going the way they did in 2023. But I know that’s not realistic. Everything in life is worse than before, and I see no evidence that it will improve anytime soon. So that means it’s on me to simply power through it and do the best I can.

So, for the sake of my own sanity, chapter 21 will get finished as soon as possible. I don’t know how much longer I can survive with this awful feeling, and that feeling will go away once the next chapter’s posted. In the meantime, I’ll try not to miss the mark with all my other goals. No matter what, I’m going to finish my Halloween cosplay special for 2024. Last year, I had some funds to help me. This year I don’t because I dropped out of most of my conventions, made a lot less art, and overall just kinda gave up on everything. 

But it’s not too late. I’ll dive into as many dumpsters as I have to in order to make a Halloween cosplay that will hopefully be as good as Mangle. This year, I’m gonna be cosplaying Spamton NEO – which is probably cheating since I’m already a failed content creator past their prime who has no choice but to wear clown makeup and wave their arms at anyone who happens to scroll by.

I never know what to say, so I guess all I can really say is that I’m trying my absolute best. I know my best is often really disappointing, but it really is the best I can manage sometimes. Even when I’m distant, just know that it doesn’t mean I love you all less, or appreciate you all less, or feel any less gratitude. It just means I’m in the dark, and I’m trying to crawl my way back. Which is very tiring. And overwhelming. But I never stop trying. In part because you all mean so much to me. Last year would’ve ended differently if that wasn’t the case.

Anyway, I don’t know what else to say other than thank you all for your continued support. I’ll try to make it all up to you and then some. Maybe this year I can end things on a high note for once. I’ll certainly give it my best shot.

Uuuh… I guess if you do want to see me at my best, though, you can always follow me on TikTok, Instagram, and YouTube. That’s the best version of me in between Amalgamate chapters, and I recently shared a ton of Danganronpa cosplay videos because of Dragon Con. I have a Patreon now too, and even though it’s a ghost town, I’m still posting as much content there as possible. I’ll keep dancing until the stage lights are forcibly shut down. I think that's the best way to guarantee that I can turn this ship around.

[lillified]

hello….. I’m sure you’ve maybe probably been asked this but how did you come up with the designs you have now? I feel like they look like them while looking different. ALSO LOVE UR ART GAH!!!!!!!!

thank you very much!

well, it started out just that I wanted my own versions of the characters to work with because all of the “transformers art” I wanted to make was totally disconnected from continuity or canon—I believe I came up with my first iterations of the main decepticons when I was 17? and just sort of mashed together a bunch of my robot influences/inspirations. I’ve held onto those original designs for the most part because they’re iconic to a lot of people who followed me and because I like drawing some of them, but you can usually tell the age of a design by how many little details have changed over time, lol. some of those bots are a major ship of Theseus situation

design is fun, but I’m really not a character designer by trade (I almost was for a little while, but that’s a whole other story). honestly designing the mechs has always been a bit of an uphill battle and it’s only recently that I’ve started to feel more satisfied with my ability to draft them more spontaneously! I’m happy people like them regardless, I know they’re not the prettiest but I did dedicate a lot of time to them

I hope this answered your question! thanks again!

[ponyprideful]

✏️ Paper Plane, Element of Patience ✏️

Paper Plane (she/her) is one of the main characters in my oc Mane 6, the master post for which can be seen here!

Paper Plane is actually my oldest mlp oc, with her first design made in 2016. She’s changed a lot since then, obviously, but she’ll always hold a special place in my heart. The Paper Plane you see here is a low-energy unicorn, very casual about the life-altering Element she’s been chosen to represent. She’s pretty lukewarm about the whole “evil villains are coming and we have to stop that” thing, which drives Equius up a wall… at least, at first.

That’s a basic summary, but there’s much more information about her under the cut, if you’re interested. :}

(Family tree icons courtesy of UnicornGutz)

Paper Plane is a freelance commissions artist, as her cutie mark entails. She lives in Ponyville with her younger sister, Puppy Love, who she shares an incredibly close bond with. Although she once lived in Canterlot, she has since moved to Ponyville to afford housing for them. Her relationship with her parents is… complicated, but to make a long story short, she’s determined to make it on her own.

She has a reputation for being somewhat lazy and sarcastically dry in conversations and transactions (which is admittedly true), but she still gets a good amount of requests from ponies who want themselves, or characters of their own, drawn. Art doesn’t make her a whole lot of money, and dealing with rude customers is an uphill battle on the best of days, but she’s passionate enough about it that she doesn’t really care. Still, though, she has to do a lot of it to make sure she and her sister are comfortable.

Paper Plane is very assertive and stands up to others easily, but make no mistake: she’s a strangely good listener and very calm with how she handles non-business conversation, even if socializing isn’t her favorite. She is self-preserving and never gives what she can’t spare, but despite seeming dismissive and even just flat-out unobservant at times, she’s surprisingly generous with her time and very attentive when it comes to listening.

A little fun fact about her to close off the description- she’s very talented at magic. Being an artist formerly residing in Canterlot, she temporarily studied under the Ruler of the Painting Domain, Chroma. To be an artist was to harness every ounce of magic possible for the sake of creative expression, and oh boy did she. Of course, at the current moment she doesn’t really use it for much besides drawing and holding coffee mugs, but it’s… there, I guess.

[genericpuff]

Hi! Maybe this is a difficult question with no answer, but as a fan of Rekindled who might want to start their own comic, what do you suggest to avoid burnout? Do you start wiht writting the script right away, you doodle a bit,..? Thanks for reading, I love how you draw big noses, makes me more comfy with mine!

no fr my dark secret is that i've been experiencing burnout with my main original project that I've spent the last decade working on for literally a year now. this isn't the first long hiatus i've taken, the longest one i've ever been on has lasted two years, and it's undoubtedly not the last i'll experience because the lump of salt and fat and tissue that is my brain often overworks itself into exhaustion like a big dummy

rekindled has been my reprieve from the burnout. it has been my vacation from years of working on the same project, meeting the same deadlines, drawing the same characters, over and over and over again since before i was in college.

if there's anything working on rekindled has made clear to me, it's that i'm still capable of drawing comics. the comic-making isn't the problem. it's just that when you work on the same project for years and trap yourself in an uphill battle, eventually your climbing gear is bound to break.

if there's another thing that rekindled has opened my eyes to, it's the insanity that i put myself through prior to rekindled that led to my burnout in the first place.

i get people telling me that they couldn't imagine doing what i do, that even before i had my assistant helping me out, i was still able to put out 30-40 panel updates every week.

but before that, i was putting out 70-90 panel episodes of my original work. every week. full color. full spread action scenes. no assistant. very little financial gain aside from a couple patrons on patreon and one dedicated viewer on twitch, which i was also streaming on 2-3 times a week.

and now that i've been working on rekindled and even finding myself often crunched for time with that, i have zero clue, no idea, a complete lack of comprehension of how i pulled off 70-90 panels a week for months on end. there's a reason it resulted in burnout and i know that now. this comparison is not for the sake of a flex - this comparison is to make it clear that much of what i do isn't the norm and isn't exactly a healthy standard. case in point, i sneezed while sweeping up yesterday morning and it caused a muscle strain in my lower back/hips and i've been working out of my bed since, i'm in a lot of pain and it might mean i don't make any money this week if it's not better by the time i have to do my appointments at my day job on thursday. my need to create my personal passion projects is often at odds with my bad habits of not taking care of myself 。゜゜(´Ｏ`) ゜゜。

when it comes to tackling burnout, your guess is as good as mine. really it just comes down to rest. when burnout - real, true burnout - hits, it's not just "man i'm bored of working on this", it's "i can't even think of looking at this thing let alone working on it", it's basically akin to depression and it's an awful thing that i wouldn't even wish on my worst enemy (even with Rachel, I don't want to psychoanalyze her mental health but it does seem like she's possibly been experiencing burnout with LO for years now and that really sucks for her if that's true). so the solution is just as complicated as the cause, it's not something that you can just rest from for a week and come back from, it takes real long-term healing.

when I found my way out of that 2 year hiatus, it was in spring of 2019 and I decided to just work on a random comic page that wasn't even in the comic I was working on. and then suddenly it was like a switch flicked back into the on position and i didn't even finish what i was working on, i just went back to my original project and i kept working on it until it was finally finished at the end of 2021. as suddenly and randomly as it had set in, it was gone. but i can't just do the same thing this time, it just doesn't work that way.

that said, through all this, i've learned that my need to create is not restricted to any one tangible thing, i'm not doomed or designed to stick with the same words, the same faces, the same ideas until the end of time. while i do try to keep up healthy routines for myself to ensure i'm looking out for my future self and their deadlines and their upload schedules, sometimes the heart wants what the heart wants. and in my case, the heart wanted to take a break from the self-reflective psychological analysis dark fantasy weebo stuff and just draw some pink and blue characters a little less ugly. the self-reflective weebo shit will still be there when i'm done with the pink and blue stuff, and i'll surely have loads of new things to unpack through it once i return.

there are still times when i'm working on rekindled and i'm feeling the creeping hand of my routine destruction digging its claws into my back. the reality is that 30-40 panels is still a lot for someone like myself who's doing this entirely for free, but my definition of normal for a while was so insanely inhumane that even what's still considered a lot by most people's standards feels sane and normal to me after what i put myself through.

i've learned to be more gentle with myself, and to loosen my own expectations of what i'm capable of to ensure i don't do anything like that to myself, by myself, again. i give myself room to create without expectations or the pressure of eyes watching when i can, and i remind myself that even if burnout rears its head again, and again, and again, the will to create is not gone. it's just tired, and resting, and growing, and healing as i am.

anyways that turned into a self-reflective essay post, to answer your question about making stuff ahead of time, i find that's more helpful with just like, planning out a structured story (so you don't write yourself into a corner) but whether or not it helps with burnout kind of depends. because it can just as also easily be the cause of the problem because constantly seeing the stuff you wanna be drawing so far away can be just as much of a morale killer as a motivator. some of the stuff i'm super psyched to write and draw with time gate is years away and that timeline grows longer the more the burnout goes on which makes the struggle feel even more overwhelming and pointless and defeating. so plan ahead, but keep it all within your means if you can. i find what works for me is planning out just general beat-to-beat plot structures (to ensure i at least have a plot skeleton going on so i know where i'm going) then i leave the finer details to when the actual episode i've planned gets closer to fruition and i can get myself in the headspace to write it fully.

also remember that just because you're really excited and motivated to work on your comic doesn't mean you should work yourself into exhaustion - it's a good thing if you're going through the mundane of your daily routine and the whole time you're hyped af to work on your hobby/personal project/etc. because that's what will keep you moving forward, so don't spend all that hype in one place by working and working and working until you're exhausted, because that hype is REALLY hard to get back after you've spent it all.

long post over! hope that helps! best of luck in your projects! ( ´ ∀ `)ノ～ ♡

[trinketiers]

hey as it turns out i totally forgot to mention it here but i graduated art school last december (exactly one year ago on the 16th) !!!

it was a wild six years so here's an unorganized mess of some of my thoughts looking back at it:

The tldr of it: - enjoyed art school 👍 came out of it with wrist & thumb issues and debt 👎✌️ - i learned a lot of things that i wouldn't have sought out on my own, and so much of that information is still useful in varied ways now - also i'd say the most important thing i learned wasn't necessarily drawing/painting but moreso learning 'how to learn' (it was all an uphill battle though lol) - wish i put myself out there more with all the opportunities literally available in front of me but i was too scared and anxious. Regret. - would i recommend it? In general, no. Not unless 1) money isn't an issue. 2) you're serious and dedicated about working hard, otherwise its kind of a waste of time and money to just coast. And 3) if a competitive environment is something that works for u

----

I think there were a lot of eye opening experiences for me. like, something about being able to actively see how you and your classmates all learn and struggle and create, and that the hard work WILL pay off, even if its not instant, or within that same year, bc knowledge adds up over time… i think really helped my confidence(?) in trying and learning new things and failing a few times. Because i used to get so disheartened when i couldn't understand how to draw something, but now i feel like i have a better ability to problem solve why that may be. Or honestly, to just come back to it later instead of completely abandoning it!!

genuinely enjoy having my work critiqued now. I hated it at first bc it made me feel bad and i didn't know how to go about resolving my problems, but over time i realized that like. Literally all the critique i got were on things my own eye couldn't see until they were pointed out to me. And i feel like that was the point where i finally felt as if i was understanding what it meant to actually learn something. Or, i guess, i was learning how to learn lol. But i think that getting over the initial feelings that come with critique is, yeah it's hard, but it's really integral to improvement as well as to how you perceive your own work. failure doesn't equal not being able to do something, it just means if you can't do it now, come back and tackle it again from a fresh angle later ^_^ !!

buuut unfortunately that lightbulb moment happened… i think during the last two-ish years i was in school. Two years of classes from the six years i was there is…. its rough HDHFKGH i really ended schooling wishing i could retake some classes bc if i sat through them now, i feel like i would be able to learn deeper about the concept of something vs getting stuck at the first hurdle and struggling to catch up as the class kept moving forward. alas...

the constant struggle to keep up did end up in more all-nighters than i would have liked. i already had some wrist problems prior to art school so i already knew to give my hand regular breaks, but with all the work and deadlines it kind of became less and less important because i just wanted to get the work done. Uhhh well seeing as its been one whole year... yeah my wrist is still a little messed up LOL but i AM much more conscious about how i use it, both w/ art and just (unfortunately) every day life like lifting heavy things. but i am also (unfortunately) currently wary of applying to any jobs that may have a heavy workload, so it's definitely limiting + makes it a bit harder to break into the industry.

hmm. i actually really regret not participating in campus events/opportunities more. Things like studying abroad, joining a club, doing more workshops, or even joining gamejams, which always caught my eye when i saw the flyers looking for artists… but i was too intimidated. by.... my lack of knowledge 😔 (which is dumb btw bc the literal purpose of being in school is to LEARN).

I've never been super social either and i did lose contact w a lot of classmates when things went virtual for a year+ but the experience of being surrounded by people who are so passionate about the same things you are is unparalleled. Truly. And the friends i did keep are people i would love to keep in my life for a long time :')

also i really regret not branching and exploring outside of my major more while it was still relatively easy. When i started in 2018 i think there was a lot more freedom in being able to take classes in other fields so long as there were vacant spots in a class, and all you needed were a few signed approvals from the departments. But when i ended in 2023… like. Financial aid was no longer covering non-mandatory classes??? The last class i took was paid out of pocket bc i had already completed all my requirements smh. no clue if its still like that now though. but subjects like typography or shop class were very cool and i'm glad i took them when i had the chance.

-

Aaaaanyway. These are just my rambling unorganized thoughts about my personal experience at ArtCenter in California. If any prospective artists happens to be keyword searching and researching before applying (like i did LOL) then hi. Grain of salt and all—i had a decent experience overall (largely thanks to the people i was around and the teachers I was able to have) but its absolutely 100% not like that for everyone

And just for fun if anyone read down to this point, lets all point and laugh at past nikki for not being able to do one 4 hour art class while i regularly stacked two 5 hour classes into one day at art school:

[majorasnightmare]

lorewise, dirges parents fled menzoberranzan to the surface to escape being assassinated (potentially for their relationship, undecided). both their scars are from the escape attempt.

they eventually end up settling in baldurs gate (two bedroom cottage. relative squalor. poor part of the city). given baldurs gate having a track record of not being the greatest towards both refugees and drow, life post-underdark wasnt kind to them. id imagine that they always wanted kids but never had the time, as both of them had to rapidly adjust to a new culture and quickly build up the labor skills needed to survive without the support of a noble House and without any money or anything to sell, so those first couple of years mustve been ROUGH. i think that like, after they settle into a kind of rhythm with work and getting stable, they have a kind of aimless lull period where theyre wondering why theyre doing this, what theyre working towards, etc, thats resolved by finding dirge

in a lot of ways, dirges appearance is kind of like a dark miracle. hes a tiefling child, spattered with blood, wandering the alleyways in the middle of the night. no one besides specifically a poor drow couple is likely to both be in that area AND be willing to adopt a child. the circumstances lead them to draw their own conclusions (hes specifically a tiefling and theyre both experienced enough with racialized prejudice to Come To Some Conclusions regarding why a walking-aged tiefling toddler might be alone in the Bad Part of Town). dirge answers the question of what theyre going to do, or why, because now theres someone here who needs them. if it wasnt them, it definitely wouldve been one of the more unsavory elements in baldurs gate, but because theyre drow, with darkvision, who prefers the nighttime becuse of the light sensitivity, who happen to live in this area because they fled their home, theyre in the right place at the right time and find someone else who probably ALSO just lost everything they had known, and now is lost in a world theyve just recently figured out how to navigate

it goes in reverse too, because despite being a bhaalspawn, dirge LOOKS like a tiefling, and tieflings arent well understood, and frequently demonized besides. the 5e PHB makes mention that tieflings will occasionaly be beset by dark aggressive urges, but even if we understand that as just superstitious prejudice, it still goes a good ways for justifying the oddities dirge experiences as a bhaalspawn. and the only people really capable of meeting that middle ground of being understanding enough to handle dirges quirks with compassion while being just out of the loop enough to be put off by all the myriad ways hes Not A Tiefling, would be this specific couple of lolth sworn drow.

if hes drawn to violence, well thats probably a tiefling thing. and violence itself isnt bad, it just needs to be channeled. a lot of the techniques for child rearing in menzoberranzan are unironically helpful for dealing with a growing bhaalspawn with awakening violent impulses, and a lifetime of dodging poisons and assassins and being permanently on guard just happens to be well suited to fending off the advances of a clumsily run deathcult looking to elevate their newborn scion into a position of dark worship to usher in the end of days

if bhaal ever wanted dirge to do anything for the cult, the only real option was to have his first Dark Urge be to kill both of them before they had time to raise their guards and plan around the situation, because otherwise it wouldve been an uphill battle to get dirge away from them (and one bhaal wasnt likely to win)

[artemistorm]

For the ask game: Hyrule and fire.

Here you go, I ended up writing an actual oneshot XD.

******

“—And Hyrule, your job is to stay here undercover, and at my signal, take out the monsters guarding the cage,” Warriors said, handing out battle orders.

“Got it!” Hyrule nodded.

“Ad whatever you do, don’t use fire, got it? This place is a dry as a stalfos. One spark—from any of you��and you’ll trigger a raging brushfire that’ll race towards the town and destroy the very thing we’re trying to save.”

“Yes sir!” Hyrule stood up straighter and mock-saluted, which Warriors ignored and led the rest of the heroes along the outskirts of the monster camp to be positioned in various locations in preparation for their attack.

The monsters had been kidnapping villagers from at least three different local towns and villages and forcing them to mine ore in the canyon caves. The plan was to destroy the monster camp, free the kidnapped villagers, and then raid the caves and free the slaves from the mines.

It was all very simple really, Wild and Twilight would pick off the lizal archers on the watchtowers, Four and Wind would sneakily freeze as many monsters as possible with borrowed ice rods and take them out of commission without the main horde noticing, Then Time, Warriors, and the rest would charge, the elder two taking out the dynalfos boss and the younger heroes routing the lesser monsters. Then in the ensuing chaos, Hyrule’s job was to free the prisoners and lead them away from the battle and back toward the village.

Waiting his turn to act, Hyrule crouched behind a stack of weirdly eroded boulders just uphill and downwind of the camp, drawing food in the orange dust of the desert canyonland. Mmm, fish skewers. Peaches. Deep fried rice balls. Apple nutcake. So tasty. Hyrule was starving. It was late afternoon, but Warriors wanted to get the battle done before nightfall, so they only had snacks with a plan to delay dinner until after.

Hyrule heard a commotion in the camp—shouts and squawks of surprised monsters and the yelling of Links. Hyrule climbed up the rock formation and poked his head just over the top. In the middle of the camp surrounded by lizalfos were Four and Wind! A pair of aeralfos swooped down with Twilight and Wild in their claws and dropped them in the dirt next to Four and Wind. Oh no! They had been caught!

The dynalfos roared and a third aeralfos appeared, straining to fly and carry another iron cage which it dropped over the four captured heroes, nearly crushing Twilight’s arm in the process.

A yell came from the west and Time, Warriors, Legend, and Sky charged the camp, splitting into pairs in an attempt to get to the trapped heroes from either side, but with most of the monsters in the camp still on their feet and going after the four heroes, Hyrule was more than a little concerned they all might be captured—or worse.

What to do? What to do? What should he do? Hyrule was rather small and he wasn’t very mighty, though he did have some powerful spells in his repertoire, the most powerful ones were fire-based and he wasn’t supposed to use them here.

But then again, the original plan was to thin the crowd, then cause enough chaos that he could rescue the villagers. Certainly four mighty warriors tearing through the camp was chaotic, but Hyrule had the power to cause even more chaos, divert even more attention away the captured villagers and heroes. With any luck, he could free the heroes and turn the tide of the battle in their favor.

It was time for… Maximum Chaos.

First things first, Hyrule snuck around to the cage of villagers and jumped out, startling the lone lizal guard and quickly dispatched it into a puff of smoke. He picked up the key and tossed it to the villagres reaching their hands out of the cage.

“Free yourselves and flee away from the setting sun to return to your village!” He instructed and slipped away, as quiet and unseen as a mouse.

The monsters didn’t have buildings per se, but they had erected a number of tents and shelters made of wood and cloth and old hides. Very flammable tents and shelters, ehehe.

Hyrule snuck behind one and channeling fire into his blade, he swung and sent a flaming phantom sword straight through it, setting fire to the structure. Then Hyrule bolted and ran to the next tent, chopped off the grabby claws of an aeralfos that tried to snatch him up, and he quickly set fire to the second and larger tent. It burst into flames even quicker than the first one did and Hyrule darted away.

Monsters noticed the rising flames and panicked, diverting attention away from the rest of the Chain. They rushed the larger tent and attempted to put out the flames. The dynalfos bellowed but the lizalfos and aeralfos paid no heed and instead fixated on rescuing pots and crates of provisions from the blazing tent.

Hyrule snuck up behind a lizalfos and shoved it into the flames with his shield before leaping away and out of reach of the blade of another. He skirted the edges of the camp and observed the battle. Now that the monsters attention was split, they had a much better chance. Warriors and Time kept the dynalfos busy (how much health did that thing have??) while Sky and Legend pressed inward toward the caged heroes, destroying any monster in their path.

“Hyrule!” called Warriors. Hyrule froze for a moment and turned his way. Oh no, was Wars going to yell at him for using fire? (This was hardly the time, wasn’t it?)

“More fire!” Warriors gave him a quick thumbs up before catching the blade of the dynalfos in a parry. Hyrule grinned and returned the gesture even though Warriors was too busy to see it.

Hyrule made quick work of the last three tents, then finally joined in the fray. He watched as between Legend’s power glove and Sky’s hysterical strength, the two of them lifted one end of the cage and sent it tipping over and crashing into two distracted lizalfos and a random chuchu. And with that, all the heroes and the villagers were free! A quick glance away toward the village showed Hyrule that the villagers had indeed escaped and were sprinting away from the battle and out of sight amongst the boulders and sandstone.

“Hyrule! Watched out!” Wind shouted and Hyrule looked up just in time to see an aeralfos diving towards him, its clawed feet outstretched. Suddenly the aeralfos froze solid midair. Hyrule rolled out of the way as it smashed into the ground and shattered into chunks, that poofed away a moment later.

Legend trotted up to him and helped him to his feet.

“It’s your turn to use the ice rod,” he said holding out to Hyrule. “Freeze any monster that moves and keep the fires you started from spreading into the brush. Got that?”

“Yeah!” Hyrule exclaimed and eagerly grabbed the ice rod. He’d always wanted to wield one of Legend’s elemental rods!

“Go do what you do best, go wreak some havoc!” Legend pushed him into the monster camp.

“Whoohoo!” Hyrule cheered and jumped into action.

A few minutes later, the battle was over, and the fires put out, and the Chain regrouped in the middle of the now-empty camp.

“Well that didn’t go according to plan,” Warriors acknowledged. “It was messy and chaotic, but it got the job done. The monsters are defeated and the villagers freed and there aren’t any major injuries.”

“All thanks to this little gremlin!” Legend said and ruffled Hyrule’s hair.

“Even though you used fire when I specifically told you not to, your quick thinking saved the day and prevented this battle from turning disastrous,” Warriors said.

“And for that, you get the first of the spoils!” Wild called from the burned-out ruins of what had been the monster camp’s food storage. He tossed a roasted bird leg to Hyrule who had to jump to catch it.

“Mmm! Dinner! It’s about time!” Hyrule cheered and took a bite. “Tasty!”

“Alright, alright, we can all have something to eat, and then we’ll head out for the mines in fifteen minutes,” Warriors relented. “Go enjoy the spoils of victory.”

“Ehehehe, maximum chaos for the win!” Hyrule laughed.