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webfactor · 8 months ago

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Wikipedia editors push offensive language to delegitimize some Native American Tribes

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Wikipedia editors push offensive language to delegitimize some Native American Tribes

By Sherry Robinson

Special to The Independent

ALBUQUERQUE — When Lily Gladstone won a Golden Globe and Oscar nomination for her role in “Killers of the Flower Moon,” the public recognized a Native American actress. But to Wikipedia readers, she is an American actress whose father was Blackfeet and Nez Perce and whose mother was white.

Three long-time editors at the online encyclopedia argued that even though Gladstone grew up on the Blackfeet reservation, she couldn’t be called Native American unless she was an enrolled member of the tribe. When Gladstone’s uncle weighed in to say she was enrolled, they dismissed his comments. She is still, in Wikipedia’s view, “an American actress.”

In recent years, outside of a national debate in Indian Country over fake tribes, a handful of Wikipedia editors have been deciding who is Native American and who isn’t.

Look behind the curtain of the sprawling site and you will find a network of 265,000 volunteer editors writing and editing within a Wiki universe that has its own rules, language, police and courts but no traditional hierarchy.

Wikipedia’s structure allows likeminded editors to work together, but it also permits editors with a bias to advance their agenda. The site has drawn criticism from media and academics for slanted articles on Blacks and Jews. Wikipedia documents its own systemic bias in an article by that name and attributes the problem to too few minority editors. The typical editor, it says, is a white male.

By Wikipedia's definition, the only real tribes are federally recognized; editors of Native American material denigrate state-recognized and unrecognized tribes and seem preoccupied with revealing fake Indians.

The fakes are out there, and they’re a problem. But there’s a big difference between people who invented a Native ancestry and people who have a long, documented heritage.

For this story, aggrieved tribal members didn’t identify themselves because they fear the site’s size and power – it reaches 1.8 billion devices a month – and some editors’ vindictiveness.

Behind the curtain

Wikipedia is transparent about its process. Click on “talk” at the top of each article and you find the (sometimes endless) debates among editors about an article and see the site’s rules in action.

Editors are anonymous because the Wikipedia Foundation has a strong commitment to privacy, says a spokesperson. However, readers don’t know what expertise editors have or whether they’re Native American.

Editors select their subject matter. With experience they can rise in the pecking order until they gain authority to reverse or eliminate the edits of others. They quote the site’s often arcane rules in Wiki-Speak to anyone who disagrees. While Wikipedia espouses objectivity, neutrality and civility, discussions can take the low road.

On Lily Gladstone’s talk page, a newish editor, user name Tsideh (Apache for bird), asked, “What are your sources supporting the idea that Native Americans are only those who are enrolled in a US recognized tribe?”

A Wiki editor, user name ARoseWolf, answered: “A notable subject can make a claim… but you must have that respective tribal nation’s acceptance as verification through enrollment."

Gladstone’s uncle wrote: “I’m a primary source for Ms. Gladstone’s tribal heritage. Her father is my brother. Through our father, we are both enrolled in the Blackfeet Tribe in the USA,” he wrote. “Our mother is enrolled Nez Perce. So Ms. Gladstone is a direct descendant of both Blackfeet and Nez Perce.”

ARoseWolf shot him down. “We can not use primary sources to verify such information and, you, as a claimed family member have a WP:COI which means we need an independent source.”

WP:COI is the Wikipedia rule on confl ict of interest. Wikipedia forbids primary sources, and yet they’re the gold standard for journalists and academics.

Tsideh challenged the position that only enrollment in a recognized tribe “entitles somebody to claim to be a Native American” as an unfounded, minority point of view that Wiki editors didn’t support with a citation or explanation.

ARoseWolf and others chastised Tsideh for violating Wiki rules on bullying, false accusations and arguing Wiki policy. Tsideh countered that Leonardo DiCaprio didn’t have to prove he was an Italian American, but Lily Gladstone had to prove she was a Native American.

As the back and forth continued, ARoseWolf slammed a new editor who "just happened to find this discussion,” a dig that implies one party enlisted another to join the debate. That too is a Wiki violation.

Bohemian Baltimore, another regular, insisted, “If she’s not enrolled, she may be a descendant, but she’s not a Native American.”

Who is Native American?

Terry Campbell, a Navajo born in Tuba City, Arizona, who lives out of state, has been studying Wikipedia for five months, after friends complained about poor treatment in trying to edit Wiki pages.

One friend wanted to add some facts to an article about a tribe. “These changes were rejected by a handful of editors who cited other Wikipedia pages as sources,” he said, “and I thought that was very, very odd.”

A friend citing sources that prove her tribe survived the Indian wars and received state recognition ran up against Wikipedia guidelines on determining Native American identities that were largely crafted by two editors, user names CorbieVreccan and Yuchitown. Wiki editors used the guidelines to reclassify dozens of state-recognized tribes as “heritage organizations” and removed “Native American” from biographies of prominent tribal members or, worse, called them a "self-identified Native American.”

The implication, Campbell explained, is that the tribe no longer exists and that its members are suspect or even “Pretendians.” Wikipedia has a page for that too.

The same group has shaped many articles on Native subjects. Campbell said he combed through references and found they were misrepresented, taken out of context, sourced from far-right academics, or unreliable.

“The scope of this issue is huge,” Campbell said. “It permeates all the Native articles I checked.”

Campbell recognized talking points from what he called a far-right movement in Indian Country intent on erasing state-recognized and unrecognized tribes. (New Mexico has no state-recognized tribes and six unrecognized groups or tribes.)

Some Native Americans and Anglos, he said, believe that Indigenous people outside the circle of federal recognition should be considered non-Native. They also want to prevent members of the disenfranchised groups from selling their art, receiving ancestral remains, accessing disaster relief or re-establishing their homeland.

Outside Indian Country, it’s not generally known that U.S. Indigenous groups live within a caste system based on government recognition, with 574 federally recognized tribes on top, dozens of state-recognized tribes second, and several hundred unrecognized tribes last.

In 2021, Yuchitown wrote, “The overwhelming majority of ‘List of unrecognized tribes in the United States’ are completely illegitimate.”

There are many reasons why groups aren’t recognized. Some avoided the reservation. Some lost their recognition during the termination era. Some were broken up and scattered during the Indian Wars. Some went underground, practicing their culture secretly while passing as Hispanic. Many simply stayed put.

When Wikipedia editors claim that “Native American” is a political status conferred by the U.S. government, that an individual can only be called a “descendent” until their tribe is recognized, they push this narrative, Campbell said. It’s a contradiction of federal Indian law and the United Nations Declaration on the Rights of Indigenous Peoples.

According to the U.S. Department of Justice, “As a general principle, an Indian is a person who is of some degree Indian blood and is recognized as an Indian by a Tribe and/or the United States. No single federal or tribal criterion establishes a person’s identity as an Indian. Government agencies use differing criteria to determine eligibility for programs and services. Tribes also have varying eligibility criteria for membership.”

Extreme points of view

Campbell has contributed to a lengthy report, as yet unpublished, that identifies biased editors. They include Yuchitown, CorbieVreccan, ARoseWolf, Indigenous girl and Bohemian Baltimore.

“It was like a tree with many interconnecting branches that had been created over time by the same small group of people pushing extreme points of view,” Campbell said.

Initially the group made changes slowly, he said, “but they started pursuing their agenda aggressively after November, when state-recognized tribes retained their voting rights in the National Congress of American Indians (NCAI). Essentially, after the movement to delegitimize state-recognized tribes failed officially, the key players doubled down on altering and controlling the flow of information about Native Americans through Wikipedia.”

Campbell observed widespread violations of Wikipedia standards: “I found evidence that they blatantly misquoted and misrepresented sources to push extremist political beliefs; teamed up to manipulate the consensus system by voting in blocks; exploited Wikipedia rules, such as conflict of interest, to block outside editors from making changes to Native-related pages; excessively cited opinion pieces from fringe political figures, including those accused of racism and anti-semitism; blocked the use of legitimate primary and secondary sources that contradict their extremists beliefs, which violates Wikipedia’s rule against information suppression; posted originally researched, politically motivated essays instead of well-sourced articles; and harassed and defamed Native American tribes and living Native American people.”

Reacting in February to an early draft of the report posted on Google, the editors were incensed that anybody would voice complaints “off-Wiki.” ARoseWolf wrote that “we have been attacked, threatened with legal action and had misinformation/ false claims spread against us.” She and Yuchitown denied being part of a conspiracy against tribes or organizations and said they were just following Wiki rules. Yuchitown accused critics of being “meat puppets” of a person who objected to some Native content and enlisted others to back them up. In WikiSpeak this is meat puppetry.

“Volunteers on Wikipedia vigilantly defend against information that does not meet the site’s requirements,” the Wikipedia spokeswoman wrote. “These volunteers regularly review a feed of real-time edits to quickly address problematic changes; bots spot and revert many common forms of negative behavior on the site; and volunteer administrators (trusted Wikipedia volunteers with advanced permissions to protect Wikipedia) further investigate and address negative behavior. When a user repeatedly violates Wikipedia policies, Wikipedia administrators can take disciplinary action and block them from further editing.”

Inaccurate and insulting

In 2006, Wikipedia established the WikiProject Indigenous Peoples of North America to improve its Native-related content of 14,000 articles and more than 37,000 pages.

Recently, a hot topic on the project’s talk page was a proposal to change a category name from “unrecognized tribes” to “organizations that self-identify.”

On April 15 Melissa Harding Ferretti, chairwoman of the Herring Pond Wampanoag Tribe in Massachusetts, wrote, “The proposed renaming of the category on Wikipedia is not only inaccurate… but also insulting.”

Ferretti is one of the few Natives to take on Wiki editors openly.

Herring Pond was originally listed with other Wampanoag tribes. In 2022 Yuchitown stripped “state-recognized” from the page, even though the state Commission of Indian Affairs regularly engages with them. Last year Yuchitown created a separate page for Herring Pond. Wiki editors resisted attempts to make changes or corrections.

After Wikipedia called Herring Pond a “cultural heritage group" and a nonprofi t that "claims" to descend from Wampanoags, Ferretti wrote in a Wiki discussion, “There is no claim, it’s a fact! Might I add, nonprofit status was imposed upon Tribal nations in the ‘90s because we didn’t have our federal recognition yet.”

Her tribe has a well-documented history. “We still have care and custody of our sacred places, burial grounds and our 1838 Meetinghouse, one of three built for the Tribe after the arrival of the colonizers. Our continuous presence and stewardship of these lands are recognized by historical records, deeds and treaties.”

Ferretti wrote that tribes without federal recognition already face significant hurdles to gain recognition, "and being labeled as 'self-identified' can add to these challenges by casting doubt on our legitimacy.” Mislabeling unrecognized tribes “can lead to the spread of hate, misinformation and further marginalization.”

Some Wiki editors agreed. One wrote that “there are strong negative connotations to saying someone who is Native 'self identifies,' because the inference is that they are Native in name only or falsely claiming to be Native. A change like this will impact countless articles…” Bohemian Baltimore, ARoseWolf and Yuchitown insisted there were no negative connotations. They opposed calling an unrecognized group a tribe because it legitimized groups with unverified claims. ARoseWolf said, “If they had proof of their connection to the original people they would have gotten federal recognition.”

This is a frequent refrain among the insiders, who apparently think the application process is a slam dunk instead of the long, difficult, expensive journey it is.

Yuchitown noted that “all of the editors who actively contribute to and improve Native American topics on Wikipedia have voted to support the renaming.” It’s a remarkable declaration that he and his allies act in concert.

The insiders took even stronger action against Lipan Apaches in Texas.

Late in 2022, Yuchitown changed the entry of the Lipan Apache Tribe of Texas to say that NCAI recognizes the tribe as state-recognized but the National Conference of State Legislatures (NCSL) does not. In fact, NCSL took down its web page listing federal and state-recognized tribes because it couldn’t verify the accuracy.

In boilerplate that appears on all the Texas unrecognized tribes’ websites, Yuchitown said Texas has no legal mechanism to recognize tribes, citing an online article that in turn cites the discredited NCSL web page.

In 2022, a tribal member and Yuchitown fought back and forth, reversing each other’s edits. In WikiSpeak, it was edit warring. The tribal member informed Yuchitown that the NCSL page he quoted no longer existed. CorbieVreccan told the member she was up against “two experienced editors,” and Yuchitown accused her of conflict of interest and edit warring. His fellow travelers demanded to know if she had an official position with the tribe. She didn’t.

ARoseWolf wrote, “As Wikipedia is not a state or government-controlled entity it can make up its own rules for what content is allowed on its platform.”

The Wikimedia spokeswoman says that in some extreme cases the foundation relies on a trust and safety team that will investigate and may also take action.

Campbell wrote in the report that many Native American communities and people “have been targeted by the small group of propagandists in this complaint… And the thousands of people who make these communities have been slandered and assaulted on Wikipedia through the actions of these propagandists.”

Link to the original article:

#Native News #The Gallup Independent #Wikipedia #Wikipedia News #Racism on Wikipedia #Indian Country

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captain-kit-adventuress · 2 years ago

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For those that don’t know, the man in the gif is Russell Barkley, who has spent a large part of his career studying ADHD and is considered one of the world’s most foremost experts in it. He’s also one of the few who actually frame his research in a manner sympathetic to people with ADHD.

no one ever talks about the part of adhd where everyone in your class has got their group of friends and you’re just there, mindlessly tagging along with anyone who is willing to put up with you for a few minutes. either you’re too loud or too quiet. if you’re lucky, it won’t affect you much. you’re a loner, so what? but then the moments come around where you find yourself yearning to be like the others. you’re not depressed, why would you be? you’re a child who just happens to be a little different. sure, you’re usually the last choice when it comes to groups and you’re rarely, if ever, invited to birthday parties but… it’s alright. everything is fine. or is it?

#I wish I could reblog this a hundred times in a row #a friendly note for those who may not know what second grade is: age 7-8 for most kids #american kids with adhd are overwhelmingly rejected by their entire peer group before they are 10 years old #imagine what kind of effect that has on a small child’s overall development #and I would argue that unless they become utterly adept at masking for every second they’re with other people #that statistic doesn’t go down as they age into adults #especially because if the ADHD is disabling enough in the right ways #those kids grow into adults with no real supports or the ability to lead ‘productive’ lives #and in most places in america #that’s the only thing that makes you have worth to most anyone in a position to help you survive #adhd #actuallyadhd

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ghost-with-a-teacup · 2 years ago

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𝐖𝐡𝐚𝐭'𝐬 𝐈𝐧 𝐁𝐞𝐭𝐰𝐞𝐞𝐧

Pairing: Miguel O'Hara x F!Reader

Summary: Everyone at HQ was convinced there was something going on between you and Miguel. Just...no one knew what. But one group of spiders were determined to figure it out.

Warnings: None! Just a lot of goofiness and a whole lot of fluff :3

When you have a superhuman with superior senses, they’re bound to be perceptive to their surroundings. Now when you have an entire lobby the size of multiple football fields filled with superhumans with superior senses, very few things will go unnoticed.

It’s why people very quickly realize that you and Miguel have…something between the two of you. It’s just that no one is quite sure what.

Camaraderie? Maybe, you were one of the first spiders to join the society.

Friendship? Perhaps, but it was known that Miguel wasn’t one to do friends. Not with the amount of loss he has gone through.

A relationship? This one seemed the most unplausible. Miguel was, well, Miguel. Stoick, cold and calculating. Meanwhile, you were you.

You had a light that drew people in, kindness that knew no bounds and warmth like a fire on a cold winter’s day.

Everyone knew the saying ‘opposites attract’, but it was like comparing night and day with the two of you. Regardless, a small little group within the society were set on trying to figure the two of you out.

“Ain’t no way the two are together, she’s too good for him!” Hobie argues, his legs kicked up on the table in front of him.

“I don’t know, maybe that’s why they work together. Because she makes him better?” Miles says, but his tone of voice failed to hide his skepticism.

“I think you should just leave the two of them be. Besides, what happens if you figure it out or not anyway?” Peter says, feeding Mayday as he does. Immediately a chorus of arguments breaks out from the group.

“OKAY! Okay, forget I asked,” he says with a shake of his head, while Mayday just laughs at the commotion.

They spot the two of you walking into the cafeteria making conversation none of them could make out.

“Look at them,” Gwen says, “have you ever seen the guy happier than he is with her?” she asks, and Hobie snorts.

“C’mon mate, you call that happy? Mans got that frown tattooed on his face, can he even be happy?” he says, but they all continue watching intently.

You glance over to the table they were surrounding, and they all brush off your gaze pretending as though they weren’t just studying the two of you like specimens under a microscope.

You wave your hand, a bright smile on your face while Miguel only glances over for a moment before continuing to walk. You jog to catch up to him, grabbing a tray and picking up things you wanted for lunch.

They watch as they see Miguel pick up the empanada, the last one left. He pauses for a split second, holding it before turning to place it on your tray. Almost as though they were straight out of a cartoon, they freeze at the interaction.

You seem to be slightly surprised as you, saying something to him but he only brushes you off before continuing on.

“Did…that just happen?” Pavitr asks. Everyone at HQ was aware of Miguel’s fondness for the food (even if he did hurl one right at Miles when they first met), there was no way he would give one away so easily for just anyone, right?

“Somebody pinch me,” Gwen says, and Hobie jumps at the request.

“OW!”

Miguel never lets anyone help him out when he’s injured. That was just a known fact. He could walk into HQ battered and bruised and wouldn’t even look in the infirmary’s direction once. After depending on himself for so long, he wasn’t going to stop now. Besides, what were First Aid kits for after all?

The only way he was going to the infirmary was if someone dragged his unconscious body there themselves.

Well, unless you were there.

“Miguel O’Hara I swear to god, you better get your ass to the infirmary or so help me I will tie you up and drag you through the halls myself,” you say sternly as you both reemerge in the Lobby. The rest of the Spiders there continued with what they were doing, but their attention was zeroed in on you both.

“I’m fine,” he says, glaring at you as if trying to say ‘Just try’. Had you been anyone else, you would have backed down by now but you didn’t.

“You wanna test me right now? That was a nasty hit, I will not be letting it get infected under my watch,” you retort, and he puffs.

“This is nothing, I’ve dealt with worse,” he scoffs, and in an instant your finger shoots out, making contact with the side that got hit with the anomaly’s flames. Miguel can’t help the sharp intake of breath as the pain from the impact hits him.

Your eyebrow raises, an expression of disbelief on your face before it softens. Murmuring softly, you say something that only he can hear.

For a moment he studies your face before sighing, finally relenting. With a triumphant smile, you place a hand on the man’s broad back, leading him towards the infirmary with a gentle but firm hand.

There, Pavitr is laying in bed recovering from an awry mission of his own. The doctors had ordered bedrest for the next 2 hours at least. Superior healing or not, they were not going to risk it. So there he lay, slinging his golden bangles up and down bored before he hears the two of you come in.

“Mr. O’Hara-" a doctor’s voice can be heard, but he is quickly interrupted.

“She’s got it from here,” he says, Miguel’s tone final. A small “yes, sir” can be heard before footsteps fade away, the doctor’s office door closing once more.

“You know, you should really let the professionals help you,” your voice can be heard.

“You dragged me here, you can deal with the consequences,” he says, and you just laugh fondly before your voices quieten, murmuring too quietly for Pavitr to hear.

Curiosity builds as he recalls the conversation he and his friends had, and before he can stop himself he shifts silently to the side, just enough to be able to catch a glimpse of you both from the small gap between the hospital curtain and the wall.

There, Miguel sat on the bed, a disgruntled expression on his face but his eyes were soft as he watched you fuss over his side.

He only watches for a few seconds before pulling away, this being a clear invasion of privacy, and his boss’ privacy no less.

It wasn’t going to stop him from telling everyone else though.

“This is a bad idea. This is a really, really bad idea,” Miles says, grasping onto the ceiling like his life depended on it.

“It’s only a bad idea if we get caught, so Shut. Up,” Gwen says sharply, hanging from her place on the ceiling as they watched the fight from above.

Gwen had come up with the mighty fine idea of sneaking into a mission between the two of you. It wasn’t often that it happened, Miguel more often than not only went on missions with only Lyla by his side. But when he needed a partner, it was always you.

“Why did you have to bring me with you,” he whispers, “Miguel already doesn’t like me. He doesn’t need more of a reason to.”

“Because I needed backup and you can turn invisible. And let’s be real, Hobie would be laughing his ass off getting us caught, Peter would bring Mayday which would get us caught, and Pavitr is already on a mission, now shhh,” she whispers, turning back to watching the scene below.

You swung from pillar to pillar in the abandoned factory with practiced ease, a carefree laugh escaping your lips as Miguel stands on the ground fiddling with his watch.

“The anomaly’s last known location was here,” Lyla’s voice echoes out, and you let out a sigh.

“Why can’t villains have easy powers. Maybe a giant blob that is easy to take down? Why do they have to be so complicated? What’s this one again, a freaky shadow monster?” you think out loud.

“Where’s the fun in that?” Miguel retorts, glancing up toward you for a moment before turning back to Lyla. “Do a scan of the place, will you?”

“What do we say~” Lyla responds, and you giggle softly while Miguel huffs.

“Please,” he mutters.

“What was that?”

“Please, Lyla,” he says a little louder now, irritation growing in his voice.

“Already done,” the AI snickers, and he groans out loud as your laughter bounces off of the walls, a fist held out for Lyla to bump.

“The two of you will be the death of me,” he says lowly.

“Oh, don’t be like that, grumps. You’d be too stubborn to die,” you retort before tensing up, the hairs on the back of your neck rising with the familiar feeling of your heightened senses at work. The moment you sling yourself up is the moment a loud thud sounds out from where you once stood.

“Oh, I forgot to mention that the anomaly was in the far right corner,” Lyla says before disappearing.

“I really need to do a rewrite of her code,” Miguel mutters to himself.

In your previous spot emerges a dark figure, plumes of smoke emerging and dissipating from its form and allowing it to disappear into the shadows with ease.

With a simple nod, you get to work. Like a well-oiled machine, you work in practiced synchrony, bounding across the walls and slinging webs.

And just like that the anomaly is captured, the force field around it effectively trapping it for the ride back to HQ so it can be sent back to its own universe.

“That was…kinda lame,” you snicker, pulling off your mask

“Told you so,” Miguel says as he opens up a portal for you both, dragging the anomaly behind him.

“Don’t say that to me,” you pout.

“What, can’t handle the truth?” he retorts, a smirk playing across his lips as your bickering voices fade through the portal.

“…was that a smile,” Gwen asks as she watches the spot where they both had stood.

“Was that what it was?” Miles asks, a shudder racking through his body.

It was late at night at the HQ, and at this time everyone else had already gone back to their own universes. The few that lingered were the ones finishing up after a late-night mission.

Or, you were Peter B. Parker frantically searching through the kitchen for a bottle of milk for Mayday after a playdate with a select few spiders that went on for way longer than expected.

Mayday was an easy baby. Always happy and smiling, but that all disappears when she was hungry and you did not want a spider baby on a rampage.

“Alright, alright, give Daddy a few seconds to warm up your milk please?” Peter pleads as Mayday continues to babble angrily, crawling all over him.

She pauses for a moment, attention drawn elsewhere as she hangs off of her father’s back before leaping.

“Hey, lil spider!” You say with a laugh, catching her in your arms. “What are you doing here so late?” you ask.

“Playdate with Miles, Gwen and Hobie. Time really flew and she refused to leave until now,” Peter sighs tiredly, and you pat him on the back before putting her up onto your shoulders. “What are you doing here so late?”

You shrug, grabbing two mugs from the cupboard.

“Working late. Like you said, time really flew,” you say, but Peter knew that wasn’t the full truth.

“Working so hard that you need two cups of coffee?” he asks, holding out the bottle for Mayday to take, which is what she does happily as she snuggles up in her father’s arms.

“What can I say, caffeine doesn’t really work on me,” you grin, pouring the coffee from the machine. “Goodnight, Peter, Mayday,” you say, ruffling her red hair fondly.

And as quickly as you appeared, you disappear.

People didn’t often disturb the big boss man Miguel when he was working. Not if you wanted to stay on his good side.

It was even less often that someone barges into his room full of screens as he monitors the Archno-Humanoid Polymultiverse, let alone a group of them.

“We heard you talking to someone! And laughing,” Gwen says hesitantly as if she couldn’t even believe it herself. But she was invested in figuring out what the deal was between the two of you now.

“Well, do you see anyone around?” Miguel deadpans, his arms wide and gesturing around broadly. You could barely stifle the giggle as you sat on a beam high up on the ceiling, going unnoticed.

“W-well, no…But!” she says, and Miguel raises an eyebrow which makes Gwen shrink in her spot slightly before recovering. “But we heard you. There was someone here, wasn’t there?”

Hobie, ever the perceptive one tracks his eyes along the ceiling before spotting you swinging your legs with an amused look on your face. It seemed as though no one else had noticed though.

Miguel watches Hobie spot you and his eyes narrow in his direction, as if saying ‘I dare you to say anything’ to which the spider only raises his hands in mock surrender.

“No. There wasn't." He says, his tone final. "If that’s all you’re here for, I have important work to get to. So why don’t you go bother someone else, yeah?”

“I give up,” Gwen says, slumping in her chair. “We’re never going to figure it out.”

“Figure what out?” Jess asks, walking up to the group.

“Whether or not there is something going on between those two,” Miles says, nodding towards you and Miguel talking over in the corner of the room.

Jessica only hums, a knowing look in her eyes but she doesn’t say anything. Only asks a simple question.

“What makes you think so?”

“Everyone here knows that there’s something there, even if they want to admit it or not. She’s one of the few people he tolerates, they’re together almost all the time and he actually seems happy around her,” Gwen reasons.

“You could have just asked, you know,” you say, coming up on their conversation with an amused look on your face.

Their expressions range from flustered to simply amused and you can’t help the laughter that bubbles up as you make eye contact with Jess.

“And to answer the question,” you reach down your suit, pulling out a simple chain with a ring dangling off of the end.

“We’re actually married.”

The group goes silent for a moment, eyes wide as they stare at the necklace in your hands, trying to process your words.

Then, all hell breaks loose.

A/N: Hehe, I'm quite happy with this one :3 This is my first attempt at writing Miguel, sorry if I butchered him but I am absolutely hyperfixating on him after seeing ATSV in theatres yesterday.

Based on the prompt by @imslightlycreative though slightly changed :)) I hope you all enjoyed <3

Part two out now!! Read it here.

#miguel o’hara x reader #miguel o'hara #across the spider verse spoilers #across the spiderverse #spiderman across the spiderverse #spiderman 2099 #spiderman #miguel x reader #miguel ohara x reader #spiderverse x reader #miguel o hara #spiderman 2099 x reader #marvel

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hazelcallahan · 1 month ago

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ok “all vi needed to do was call caitlyn cupcake to make her turn on ambessa” is a fun little bit that i will participate in but i really feel like it’s contributing to two major misconceptions/complaints:

1. that caitlyn’s heel turn was sudden, and

2. that vi and caitlyn have reconciled

so let’s break that down, shall we

1. every single hint was there that caitlyn was chafing against ambessa’s regime and doing every little thing in her power to resist without putting herself and her loved ones at great risk. from the first scene with maddie - hell, the opening montage - you can tell cait is fucking EXHAUSTED. weary. that’s a woman who has spent months suffocating, doing desperate damage mitigation when put into an impossible situation. she didn’t want the mantle of leadership, and what was she going to do, say no and let someone worse take it? so she’ll take it. she’ll ban the use of solitary confinement cells. she’ll argue against ambessa’s soldiers attacking civilians. she’s in too deep to really do much else.

additionally, there are hints that she’s been planning on ways to take down ambessa for months. that one scene with dialogue over them sparring is literally there to symbolize how every single conversation between them is a battle, both of them looking for openings, and no matter how hard caitlyn tries ambessa always seems to come out on top. you also don’t just come up with the plan she did entirely on the fly - tracking things like guard rotations is something only a schemer does.

2. sure, “cupcake” is a fun little pet name, but it’s so much more than that. the most obvious is an olive branch. vi doesn’t want to hurt caitlyn. there’s so much affection still there.

the bigger thing, though, and the thing i believe caitlyn is reacting to there, is it’s a sign of distance. vi used “cupcake” as a way to needle at caitlyn when they first met, when she didn’t quite trust her even though she’d broken her out of prison. after that, we hear her use it twice more in s1: on the bridge during their parting hug, and after the council meeting as she’s trying to leave. both instances where she, in that moment, believes they’re never going to see each other again, and so she has a vested interest in creating that distance. on the other hand, we hear her use caitlyn’s name after she hears the gunshot on the bridge, in a moment of genuine fear and affection.

come s2, vi doesn’t use “cupcake” at all in act 1. she used “cait” a lot. still a nickname, but also caitlyn’s actual name - i know you, i see you, i care about you. caitlyn’s observant enough to notice this, even passively, even if she didn’t realize it until she heard “cupcake” months later, but i can’t help but feel like she takes that nickname as a sign of how they’ve drifted. she feels like she has to start over again with this woman she clearly loves. the meaning is clear to her: i won’t hurt you unless you give me a reason to, i’ll work with you if that’s what you need, but i’m not going to let myself get close to you just yet.

#caitvi #speaking my truth!#arcane #arcane spoilers

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cruel-seduction · 21 days ago

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Theodore Nott Headcanons

Warning: This piece contains themes of possessiveness, obsessive behavior, and dark romance undertones. Theodore’s devotion might be overwhelming, intense, and not suited for everyone’s taste. Reader discretion is advised.

(+ Requests are open so if you wanna request something, go ahead)

mdni 18+

Theodore Nott

6’4 | He’s taller than Mattheo, and yes, he lords it over him (quietly, of course, because Theo is above petty behavior… unless it’s funny).

Lean, but don’t be fooled—this man is cut. He’s that deadly kind of fit where you don’t notice at first because he’s always wearing loose sweaters and looking like a poetry major. But the second the sleeves roll up? Oh. My. God. Veins for DAYS, hands strong enough to snap a wand in half (or your will to argue).

He doesn’t work out. Like, ever. He’s just naturally like this. Probably from lugging around all those dark magic books and the emotional weight of his trauma (we love a man with issues!).

(He could choke you with one hand while quoting Dante and your ghost would thank him. RESPECTFULLY!)

Has that sleepy, “don’t bother me, I’m too cool for this” kind of vibe. Until he’s pissed, and suddenly it’s quiet rage central. A single glare from him could silence an entire Great Hall—and probably has.

His abs? Unfair. They’re there, but in the casual, effortless way that makes you want to cry because why do they look that good without trying? If you’re lucky enough to see him shirtless (bless your soul), you’ll be rethinking your life decisions.

Quidditch player energy without ever actually playing. His thing? Sitting in the stands, sipping black coffee, and judging everyone while looking hot.

"YOU WANNA KNOW IF I’D FOLLOW THEODORE INTO A CURSED FOREST AT MIDNIGHT JUST BECAUSE HE SAID SO??? THE ANSWER IS YES. I’D GO, NO QUESTIONS ASKED."

You think he’s calm and controlled until you see him in a duel, and suddenly he’s throwing hexes like he’s possessed. It’s giving “do-not-poke-the-bear” energy, and it’s hot.

His smirk? Criminal. It’s the kind of smirk that makes you forget how to breathe for a second and then hate yourself because he definitely knows the effect it has on people.

“Mia cara,” he says, and you’re done for. No wand needed. He just obliterated your whole existence.

Theodore Nott | Personality

He’s quiet, but it’s that kind of quiet. The "I could verbally destroy you with a single sentence but choose not to because I have better things to do" kind of quiet.

(WE LOVE A MAN WITH RESTRAINED CHAOS!!! IT’S SO SEXY!!!)

His reputation is split down the middle. People either think he’s the chillest guy in Slytherin or they’re low-key terrified of him. There is no in-between. He doesn’t go out of his way to make people uncomfortable, but if you catch his bad side? RIP to you, my friend.

Very composed most of the time, but don’t mistake that for softness. Theo doesn’t raise his voice; he raises his eyebrow. And somehow, that’s worse.

"You really thought that was a good idea? Cute."

Stone-cold when it comes to confrontations. No yelling, no theatrics—just a quiet menace that makes you wish he’d scream at you instead because this is SO MUCH WORSE.

However, if it’s for his friends? Oh, baby, the gloves come off. Someone messes with Mattheo? He’s done. Someone insults you? They’re not showing up to class tomorrow. He’s terrifyingly efficient when it comes to protecting the people he loves.

Doesn’t talk a lot in fights, but his insults are cutting when they come out. And he does it with a smirk that makes you want to both slap him and kiss him.

"What’s the matter? Spellbook too heavy for you? Or is it just that your brain isn’t working?"

Unlike Mattheo, he doesn’t get in trouble for starting fights. Oh no, Theo’s the one who talks his way out of detention, leaving the professors wondering how they ended up apologizing to him.

Let’s be real, Theo has layers. He’s the kind of guy who looks calm and put together on the outside, but his mind? A mess. Overthinks everything, but you’ll never know it because he’s mastered the art of hiding his emotions. (He’s good at this, but it’s also probably why he sleeps like four hours a night.)

Moody, but in a subtle way. You’ll notice when he’s upset because he’ll get even quieter, or start tapping his fingers on the table. He’s not the type to vent about it—he’ll just say “it’s nothing” while his jaw clenches so hard you swear you hear it crack.

Theo loves order. He’s a perfectionist and gets mildly stressed when things don’t go according to plan. He doesn’t lose his temper, though—he just sighs dramatically and mutters something in Italian like "Per l’amor del cielo..."

(BILINGUAL KINGS ARE UNFAIR. WHAT DO YOU MEAN HE CAN INSULT ME IN TWO LANGUAGES?)

A total academic weapon. Not because he tries super hard, but because he’s just naturally brilliant and does the bare minimum to get top marks. He can explain a spell you’ve been struggling with for days in five seconds flat, like it’s the easiest thing in the world.

Always looks like he’s in control, but put him in social situations? Total disaster. Theo’s not awkward, but he doesn’t do small talk. Half the time, he just nods politely and hopes whoever’s talking gets the hint.

Has the driest sense of humor. He’ll drop a sarcastic one-liner so deadpan you’re not even sure if he’s joking.

"I think your essay was… bold. Choosing to write it in such a confusing way must’ve been a creative choice."

Drinks coffee like it’s water. Black coffee, of course. None of that sugary stuff, though he secretly loves when you make him try your sweet drink.

Doesn’t like parties but goes because the group makes him. He’s the guy sitting on the couch, watching everyone else make fools of themselves while holding a drink he hasn’t touched. (He’s your ride home because you know he’s always sober enough to apparate responsibly.)

Theodore Nott | Boyfriend

Ah, Theodore Nott, the walking paradox of calculated charm and quiet vulnerability. Having him as your boyfriend is like playing chess against a master—except the stakes are your heart, and he already has you in checkmate before you even realize the game started.

Manipulation, Thy Name is Theo:Theodore isn’t one to beg for your love; oh no, he’s too smooth for that. Instead, he’ll make sure you think choosing him was your idea all along.

He’ll subtly nudge you into needing him.

He anticipates your desires before you even say them aloud:

"Thirsty? I grabbed your favorite drink. Tired? Don’t worry, I already finished that essay you were stressing about."

He’s not loud about his possessiveness, but it’s there. You don’t realize it at first, but suddenly, every other guy who tries to get too close to you is either giving you a wide berth or “just happened” to fail their next exam. Coincidence? With Theo, nothing is a coincidence.

(We love a man who’s low-key terrifying but only in a protective way!)

How He Realized He Was in Love:Theo didn’t believe in love. Love was messy, uncontrollable, and entirely too risky for someone who thrived on precision and control. But then you came along, and everything changed.

It was slow at first. He didn’t notice it happening until one day, you smiled at him across the library, and he felt his carefully constructed walls crack.

And then it hit him.

“Merlin, I’m in love with her.”

Of course, Theo didn’t panic outwardly. No, he spent the next week internally spiraling.

"What does this mean?"

"What if she doesn’t feel the same way?"

"How do I tell her without sounding like an idiot?"

Eventually, he decided that subtlety was overrated. One evening, while you were sitting in his dorm, flipping through one of his books, he just said it.

"I love you."

You froze, unsure if you heard him correctly. He didn’t look away, his intense gaze pinning you in place.

"You don’t have to say it back. I just needed you to know."

Affection, Theo Style:Theo isn’t flashy or over-the-top, but he’s deeply romantic in his own way.

Words of Praise: He’s a master of compliments that don’t feel like compliments until you think about them later.

"You’re too brilliant for this school, you know that?""How do you manage to look stunning even when you’re furious with me?""You’re the only person who’s ever managed to make me lose focus, mia cara."

Subtle Acts of Service: He’s always doing things for you without making a big deal out of it. Your favorite quill broke? There’s a new one on your desk the next day. You’re stressed about a test? He’ll quiz you until you feel confident (and then reward you with a kiss for every right answer).

The Praise Kink Is Real, Babe:Theo doesn’t just praise you to make you feel good. He needs you to know how much he adores you. Whether it’s your intelligence, your kindness, or just the way you look in his sweater, he’s always quick to remind you of your worth.

"You’re too good for me, you know that?" he murmurs against your ear, his hand resting on your hip. "But don’t think for a second I’ll ever let you go."

(Is it hot in here or is it just Theo?)

The Possessiveness Comes Out in Subtle Ways:

At parties, his hand is always resting somewhere on you—your lower back, your shoulder, your thigh. A quiet signal to everyone else: She’s mine.

If someone flirts with you, he doesn’t cause a scene. Instead, he’ll step in with that dangerously calm demeanor, his words laced with thinly veiled threats.

"I believe you’re in my seat." Translation: Touch her again, and you’ll regret it.

Theodore, the Unexpected Softie:For someone so composed, Theo is surprisingly soft when it’s just the two of you.

He loves curling up with you on the couch, one arm draped over your shoulders while he reads aloud from a book he thinks you’d enjoy.

Sleeps with one hand always touching you—your waist, your hand, your hair. It’s the only time he truly relaxes.

Occasionally whispers “I don’t deserve you” when he thinks you’re asleep.

Having Theo as a boyfriend is a rollercoaster of intensity and tenderness. He’s the type to protect you from the world while also making you feel like you’re the center of his universe. And honestly? We’d ride that roller coaster over and over again.

Theodore Nott | Obsessive Devotion

If Mattheo is chaos in bed, Theodore is calculated destruction. Theo doesn’t rush—no, he takes his time. He knows every move, every word, every touch is designed to drive you absolutely insane.

The Slow Burn King:Theo isn’t just about getting you off; he’s about making you beg. He’s not the type to drag you into the nearest broom closet and go at it like a madman. No, Theo prefers to let the tension build—catching your eye across the library with a smirk, his hand brushing yours during dinner, leaning in close to whisper something sinful in your ear when no one else is looking.

"You’re squirming, mia cara. Tell me, what’s on your mind?"

Possessive but Polished:He loves control—holding you still with a firm grip while his mouth works wonders between your thighs. Theo thrives on the sound of your moans and whimpers, each one a confirmation that you belong to him.

But don’t get it twisted: his possessiveness is refined. He’s not shouting it from the rooftops; instead, he’s branding it into your skin with every kiss, every bite, every low growl of, “Mine.”

(We love a man who can ruin our lives with just one look.)

Praise You Like a Goddess:Theo is the king of praise. He’s not subtle about how much he worships you, and he makes sure you know it.

"You’re so perfect, amore mio. I could stay like this forever, just watching you fall apart for me."

He’ll kiss every inch of your skin like it’s holy ground. He’ll tell you how beautiful you are when you’re flushed, trembling, and completely at his mercy.

And if you praise him back? Game over. Tell him he’s a good boy, and suddenly you’ve unlocked the most obedient, eager-to-please version of Theo. He’ll do anything to hear you say it again.

Control with a Dash of Chaos:Theo’s not loud, but his intensity is deafening. He thrives on being in control, but sometimes he loves to break his own rules. If you push him just enough—maybe tease him in public or drag him into a forbidden situation—he’ll snap in the most delicious way.

"You think you can play games with me? Let me show you how this ends, bella."

Experimentation, but Make It Sophisticated:Theo isn’t one to dive into wild kinks without purpose, but he’s creative when it comes to trying new things.

Silk ties? Check.

Blindfolds? Of course.

Whispering Latin endearments in your ear while he has you completely at his mercy? A standard Tuesday night.

And don’t get me started on the way he uses his fingers—this man could write symphonies with how skillfully he plays your body like an instrument.

Stamina for Days:Don’t let his cool demeanor fool you—Theo can and will go for hours. He has the patience to draw out every moment until you’re gasping and begging for release, and then he’ll do it all over again.

"Oh no, dolcezza. We’re not finished yet. Not until I’ve had my fill of you."

Switch Theo = UNLOCKED:Normally, Theo’s the one in control, but when you take charge? When you straddle his hips, grip his jaw, and order him to behave? He’s putty in your hands.

"Tell me what you want, bella. Anything—it’s yours."

And the best part? He loves it. Watching you take what you want from him, hearing you praise him as he falls apart under your touch—it’s enough to drive him to the brink every single time.

In Private, He’s All Yours:While Theo keeps his emotions tightly guarded in public, behind closed doors, he’s all in. He loves to hold you afterward, running his fingers through your hair and whispering sweet nothings as you both come down from the high.

"You’re everything, you know that? My whole world."

Having Theodore Nott as a lover is like being the muse of a masterpiece—every touch, every word, every moment is designed to make you feel like the most desired person on the planet. And honestly? We’re not complaining

♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡♡

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artist-issues · 1 year ago

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If you haven’t seen Wish yet and you love Disney, do not go see it. I am telling you now. It is ripping out the hearts of the Disney movies you love and then waving their corpses around as if celebrating those hearts.

I’ll explain why, again: the message of Wish? Awful. Anti-Disney.

But they've been doing this for a long time. Saying one thing with their movies, and saying another with their PR and Disney Parks Soundtracks.

I'll explain.

Main Idea of Disney's Wish (and the You Are the Magic theme park song and merch): "The power to make your wishes come true is in you."

≠

Most Disney Movies' Idea on How to Have Wishes: "Do what's right, (trust a higher power) and something even more wonderful than what you wished will happen."

Don't try to argue with me about this. You have to look underneath the slogans and the sweater designs and the song titles to what the stories actually support to acknowledge this.

Because you can’t say “do what’s right” has power unless you answer the question “who gets to decide ‘what’s right?’” (Which, coincidentally, is a question Wish brings up and then doesn’t answer.)

Audiences of Disney used to accept that wishing on a star was much like prayer; there’s something you long for, and it’s out of your hands, but you wish for it and you do what you know is right in the meantime. And you’re not crushed, you’re not downhearted, because somewhere in your mind you trust that the combo of those two things—wishing on a higher power and diligence to do what’s good—will be what makes your wish come true.

Trust in a higher power—COMBINED WITH:

—diligence to do what’s good.

The Blue Fairy (higher power) gave Geppetto his wish specifically because he had demonstrated commitment to do good, whether he got what he wanted or not. The Fairy Godmother (higher power) gave Cinderella her wish specifically because she kept on being kind and good to low creatures like mice and wicked stepsisters, whether she got what she wanted or not.

Do you know why that combo (higher power + diligence to do good) is impactful? Timeless? Important?

Because it’s selfless. You want something, but you’re not going to sacrifice doing the right thing to get it. You’re not going to focus so hard on making what you want a reality, on your own, that you miss out on things that could be more important than what you want. And, you’re not so self-focused as to believe that if you don’t do it, it won’t get done.

Jeez, that’s the whole point of The Princess and the Frog!

Tiana wishes to have her own restaurant, and she believes that only her own hard work will grant that wish. She misunderstands her dad’s advice before he dies. She isn’t willing to trust a higher power combined with her own diligence to do good—she only trusts her own ability.

It’s not until she realizes that Ray, the character of faith, was right all along that she learns—what she wished for was too self-focused. It wasn’t complete without love. Something bigger than herself. And getting that was never going to happen just based on her own hard work.

But you know what? It was never going to happen just by a “higher-power” flavored shortcut, either. Because Facilier offers her her wish if she’ll just trust him, no hard work needed. But what does she say?

Trust in a higher power + diligence to do what’s right = selflessness, and getting more than you could have ever wished for. And if your wish is selfish, doing those two things will change your wish into something selfless.

More examples? Get ‘em while they’re hot, in case Wish made you forget, just like the current #NotMyDisney executives have forgotten, what real Disney wishes are for.

Belle wishes to have adventures in the great wide somewhere--but when she's imprisoned and that chance is taken from her it's not reversed because she worked hard to make her wish come true. It's granted because she gave up her wish for her father: she just did the right thing, regardless of her wish. And in the end, she does get what she wished for, which is adventure in an enchanted castle...and much more, because she gets true love, a throne, and a castle full of friends.

How about the One Who Started It All? The one Wish is failing to pay genuine tribute to?

Snow White wishes for someone to love her, and he does--but when they're separated, she does not exercise power to make The Prince come back to her. Instead, she loves who she can where she’s at—the Dwarfs. In the meantime, she has faith that he will keep his promise, and that pure trust in a higher power outside of her control is a big contributing factor to why the Dwarfs come to love her, and learn from her...and in the end, even more than she could've wished happens. He does take her to his castle, but she also has seven new friends who also love her, and the Queen is dead. And she didn’t need to use “the power in her” to work harder and get it done. She just needed to not focus so much on herself at all.

How about a male main character? One who’s wish starts out selfish, but after learning to wish on a higher power and be diligent to do the right thing, gets more than he could wish for?

Aladdin wishes to be somebody different (somebody he believes Jasmine could love, somebody who lives in a palace and is respected and “never has any troubles at all.”)—but doing everything in his own power for that wish proves that it was selfish all along; so he switches to doing the right thing, regardless of if his wish comes true, and he gets even more than he could’ve wished. He gets real love with Jasmine, he gets his friend Genie, and he gets to be free from feeling “trapped” because he doesn’t have to hide who he is anymore.

Or Simba?

Simba wishes to get to do whatever he wants as King—but when Mufasa dies and he’s convinced it’s his fault, it isn’t for that wish that he goes back to Pride Rock to confront his past and his Uncle. It’s because he had an encounter with a higher power—his father—that helped him to realize his wish was selfish all along. He gives up the selfish wish, and he goes back to take his place as king, not so he can do whatever he wants, but so that he can take self-sacrificial responsibility that comes with ruling. And because he just does the right thing, finally, he gets more than what he wished for.

How about something more recent? Zootopia.

Judy wishes to make the world a better place by proving she can be what she wants to be and catching bad guys—but when she tries to make her wish happen on her own, in her own abilities, she fails and is forced to realize that she should’ve been looking for help by understanding “bad guys,” like Nick. It’s only after she humbled herself, admits she’s wrong, and changes her wish from “proving I can be what I want and catching bad guys” to “proving that understanding each other makes the world a better place” (much less self-focused) that her wish comes true—and so much more. She does make the world a better place, and she does get to catch bad guys, but she also gets to befriend one who was a good guy all along, and become all-around more effective at her dream job.

This is how Disney always has been. Because it’s at the heart of good storytelling, and even life (not to get too dramatic.)

The power is not in you. Because it’s not about you. Self-sacrifice, faith, and doing the next right thing regardless of if you get your heart’s fondest desire is what makes more than just your wishes come true. And there has to be belief in a higher power to make that message powerful.

But Wish?

Not only is it bad at showing instead of telling. Not only is it lazy and soulless.

But it’s characters rip the Star out of the sky and say “don’t wish on this. Wish on yourself, to get what you wish for. You don’t need a higher power. You don’t even need to sacrifice to do what’s good—whatever you do is good, because you are the one doing it.”

That is wrong. That is not true, and it is not powerful. There’s no sacrifice in focusing on or placing your trust totally in yourself, and it undoes every good thing Disney has done up until now.

And it undoes it on the 100th anniversary, and it flaunts Easter eggs of the very things it’s undoing.

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supercutszns · 1 year ago

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Hi!! Just had to drop in and say I LOVED your Luke fic and I can’t wait for more. I would love protective Luke with hurt/comfort, if that sounds interesting at all. Thanks for sharing your writing!!! 🌸

fighting chance; luke castellan

wc + pairing: 4.2k, luke castellan x daughter of ares! reader

synopsis: when an enemy takes advantage of your kindness during capture the flag, luke intervenes with a sword in hand.

warnings: a creepy boy👎, threats/harm to reader, she’s going through it, blood/injuries (nothing major), angry ANGRY luke, violence, lots of fluff/reassurance at the end<3

notes: thank you SO much for your kind words & your request!! hurt/comfort is my bread and butter my favourite fic genre of all time i think. & protective luke is just a bonus bc he’s already crazy so it can go as far as i want🤭 i’m not exactly sure what this turned into but if i fix it any more i'm going to go insane so hope you like it!

You’re not much of a fighter.

That alone is a normal thing to admit—plenty of people don’t like violence, the frisson of a challenge, the bruises that come with them. It’s nothing to be ashamed of.

Unless you’re a child of Ares.

People at camp often ridicule your gentle nature when they see you with your half-siblings. They’re all gritted teeth and sharp edges, born warriors that take up all the space they can get. You, on the other hand, are lousy with weapons and even lousier with your fists. You’re quiet, attentive. While your siblings charge into battle without second thought you stay back, flitting around to adjust armour, change out weapons, oversee the terrain. Planning isn’t Ares’ style so you’re pretty much useless but nobody wants to admit it. You’re usually mistaken as a child of Hephaestus or Athena.

Unfortunately, you are a child of Ares, through and through—just in none of the ways that matter.

There are rare times your father’s influence peeks through. Not with bursts of rage or fists flying, but with thoughts. And sometimes those thoughts turn into words. Well, not sometimes. One time. This one.

The evening before the camp’s Capture the Flag game, every cabin gathered around the bonfire past dinner. To burn offerings, to chat, or in Luke Castellan’s case, to admire.

He watches you laugh with Clarisse from a distance. The Ares cabin leader always had a certain fondness for you. When Luke first started dating you he had to ask Clarisse for her blessing beforehand just to be sure she wouldn’t kill him. He’d do it a million times over just for the moment you look back, your face warming when you catch his stare. He rolls his eyes at you to lessen his smile, but he’s not sure it works. You giggle and turn back to your friend.

He’s always loved your softness; your capacity to defend and not attack. Your body rejects any skill you could possibly develop for violence. Believe him, he’s tried to teach you sword fighting, but the last time he gave you a lesson you nearly impaled yourself thirty seconds in. He loves your wit and your tenderness, your proficiency at preventing conflict, your refusal to argue. But a selfish part of him loves the fact that he’s your protector even more.

The night wears on with the flickers of fire and friendly banter. One of the times Luke looks back at you, his brows wrinkle. There’s a guy talking to you. A group of them, actually, but there’s one clearly leading the pack. Some Aphrodite kid. Luke’s jaw twitches.

“Hey, princess,” the voice makes you pull away from your talk with Clarisse, but you’re confused. Luke is the only one that calls you that.

“Um, me?” You ask when you see the boy in front of you. He’s tall, chest puffed out. It’s not an endearing silhouette. “What’s up?”

“You wanna be on my team for Capture the Flag tomorrow?” He asks nonchalantly.

You laugh politely, “Sorry, but I don’t think we’re allied with Aphrodite tomorrow. That’s your cabin, isn’t it?” You feel bad that you can’t remember—his face is so … plain.

He chuckles back, but it’s a lot less nice. “No, doll, that’s not what I mean.” He steps a little too close, and even though you know Clarisse is behind you it feels like she’s a thousand miles away. “Well,” he drawls, a smirk drawn out, “you meet me in the forest after we start, and then we can … you know. Confer.”

“Confer?”

“Yeah. You get what I mean, pretty girl, don’t play dumb.”

A revulsion coats your gut. “I’d appreciate it if you didn’t call me that,” you say as firmly as you can.

“What, pretty or dumb? Why not both?”

It’s demeaning, the way he says it, and it stirs a temper in your stomach you know you inherited from your father. You’re not big on confrontation. Or embarrassment. But this weirdo is talking to you out in the open and people are starting to stare. He wouldn’t dish it out if he can’t take it, right?

“I’ll pass on your offer. I have a boyfriend and I’m actually on his team tomorrow, so I’d rather confer with him, sorry.” Your hands wring together but you do your best to quell them, imagining it’s the string of Luke’s camp necklace, threaded between your fingers. You try to look for him out of the corner of your eye.

He snickers, even though it’s common knowledge you and Luke have been together for months now. “So you are dumb, huh?” He tries to smirk and you assume is supposed to be sexy, but it’s just gross. His hand tries to slide around your waist.

“Don’t touch me, please,” you hit his hand away. Your skin is crawling and the knot inside you tightens.“Just leave me alone. People are looking, you know.”

“We could go somewhere where nobody looks,” he sneers, and the grin on his face is so sleazy that you just can’t stand it anymore.

You pray to your father for strength. And to yourself for forgiveness.

“I’m sorry, are you stupid or something? I told you, no.” You snap. “Maybe you’re the pretty dumb one, but for a child of Aphrodite it’s shocking how little the first one applies.”

His eyes are wide, and the posse he’d assembled behind him has attracted quite the view. You almost feel like crying, all these eyes on you, but you’re so sick of people thinking they can walk all over you just because you’re not like your siblings.

“What the fuck is wrong with you? I’m just trying to be nice—” He grabs your wrist as you leave but you yank it hard.

“Don’t. Touch me.” People are staring at you now, but the only one you care about is Luke, who looks equally ticked and equally proud, and all you want to do is kiss him. “Hope the only time we confer tomorrow is if somebody’s sword is at your throat.”

It’s the last thing you say to him. He starts to go after you but Luke is already at your heels. “Back off, man.” You can spot how all his muscles are already rearing themselves for a fight. You wrap a hand around his wrist, and he meets your eyes. Not now.

The altercation is lost the second the two of you leave the bonfire. Nothing matters when Luke has you in his arms, kissing you outside of your cabin, telling you how damn beautiful you looked.

You’re fixing a new Ares boy’s armour when Luke finds you. “Hey, angel,” he says, leaning down to press a kiss to your cheek. He relishes in the way your face heats up. “You ready for battle?”

You smile, “Always.” You pat the kid on the cheek and send him on his way. He gnashes his teeth and roars, joining his siblings at the front. Luke catches the longing in your expression.

“All good?” He asks gently.

It takes you a second for your eyes to meet his. “Mmhm,” you swallow. “Just hope his armour doesn’t fall off.”

Luke sighs for a moment, then wraps his arms around you. “He’ll be fine, sweetheart. Be safe, okay? Stay close.” He kisses your temple, rubbing circles on the nape of your neck.

“Yes sir,” you reply against his chest. His insides flutter.

He pulls your face up to his and kisses you, tender and wanting. “Let’s show these hooligans who’s boss,” he quips.

“You’ll show them. I’ll hide in the woods until some idiot comes along and tries to ambush you.”

Your dulcet tone has him wrapped around your finger, and you don’t even know it. “You’ve always got my back,” he croons, kissing your brow.

“And you’ve always got our flag.”

You kiss him again and he lets you slip out of his arms no matter how badly he wants to keep you there forever. He watches you vanish into the trees, and his heart goes with you.

He gears up with his team and the horn sounds. Game on.

There’s yelling, sweat, adrenaline, and Luke embraces it all like a man starved. This is his chance to be ruthless, to let all his untapped rage cycle through him. This is why he’s unstoppable. This is why he’s the best.

Clarisse is unusually cooperative today, but competent as always, and whenever someone’s weapon breaks or they lose their team she just barks at them to go find you. You, the smartest person in Ares, who can mend a weapon with nothing but blades of grass and determination. Luke is pretty sure your cabin would be lost without you. He wonders if you know.

The groove of the game has fully enthralled him. He’s alert, his wrist nimble, his sword a living, breathing part of him. There’s almost nothing that can take him out of his victory path until he hears one of the younger campers tell Clarisse he can’t find you anymore.

Whatever nincompoop he’s dealing with is left groaning on the floor. “What?” He barks, hand flexing around his sword. “Where is she?”

“Probably just moved,” Clarisse grunts as she kicks back an opposing camper. “She knows where everything is. Maybe she’s—oof—safer.”

“But how am I supposed to fix my spear?” The kid frowns.

Luke runs his tongue along the roof of his mouth, dry and laden with salt. He told you to stay close. Where would you go? “I’ll find her,” he decides, already sheathing his sword to walk towards the trees.

“Luke—”

“I’ll find her!”

He barely pays attention to the calamity going on around him. With a flick of his wrist he knows he can take out any person he wants. The second he gets to the trees, where the air is cooler, it’s startling how much quieter it is. No wonder this is your preferred hiding spot.

He thanks the quiet a thousand times over because if it had been any louder he wouldn’t have heard you scream.

It’s so short it’s almost indiscernible, but he knows it’s you based on how his body movies before his brain does. It snaps something in him, the adrenaline transformed into something acerbic, determined.

“Don’t fucking scream again.” A cluster of boys are stationed around you. You’re leaning back in the dirt. You barely feel the earth sticking to your skin. Just your heart jostling madly, your fingertips shaking in the ground beside you. “Okay, I won’t, just put the sword down—”

The snarling Aphrodite boy from last night takes a swing at you, and you scramble back just enough to avoid it. “No can do, doll.” His face is twisted with rage. The lackeys he had when you told him off are there too, cornering you against a cluster of trees like you’re some caged animal. There’s a dagger clenched in one of your dirt-ridden fists but you know it won’t do you any good. You can’t fight; you don’t have it in you. But these boys do. And they’re angry.

“Tell me where the flag is,” he orders. The tip of his blade comes under your chin, fogging up with the labours of your breath, your head pressed against the trunk of a tree.

You stutter, “You’re not—You’re not supposed to threaten like this—”

“You embarrassed me in front of all those people yesterday,” he cuts you off. “Thinking you’re so fucking smart. I didn’t even say anything that big a deal but you run your mouth to the entire camp and make me look like the idiot. I thought you were nice.”

The words are laced with poison. You know from the wild look in his eyes that this isn’t about the flag at all.

Tears sting your eyes and the sword grazes your throat. Of course this is happening to you. The one time you feel your father’s rage, when you exemplify the thing you’re told to be, you are punished.

You are never going to be the right kind of daughter.

“I didn’t mean to hurt you,” you try to say it evenly, but your breath is so ragged it’s barely audible. “I’m sorry, I shouldn’t have said all that.” You mean it, but they won’t care.

The boy’s face looks pleased at your tears. It makes you inexorably ashamed. “Some fucking Ares kid,” he snorts. “Can’t even fight, can you? Can’t even pretend to.” His sword leaves your throat and travels up to your quivering jaw. You’re wordless, white-knuckling the dagger at your side, praying that Luke is somewhere nearby.

“No wonder they stash you back here. You’re useless.” His eyes scan every part of you, and the idea of him knowing what you look like forever is so revolting it makes you want to vanish. “Too bad you’re alone, though. Nobody’s gonna know I was here because nobody’s gonna hear you.”

Your eyes get wide, and something in your mind rumbles through you like an engine. An urge buried in your blood.

Your dagger tears into his leg just as his sword dashes your arm. The pain is sharp, stinging, but the boy winces and you know you hurt him too. It gives you just enough time to roll out of the way as he lurches forward. “The fuck is wrong with you?” He swears.

Blood drips onto your shorts, splotched with tears. You know you can’t go anywhere because his friends are here and you’re almost certain you’ll be maimed, but you tried. At least you tried.

The Aphrodite boy picks his sword back up, stalks towards you, and then freezes.

Because Luke has just spotted you. And he’s spotted the boy that has you on the ground.

And he’s the best fucking swordsman Camp Half-Blood has seen in three hundred years.

“If you don’t get away from her right now I’m putting this through your skull.” He emerges from the foliage, his sword raised, sweat dripping down his face. You have never seen anyone look angrier. He has never felt angrier.

The boy blanches, and Luke sees how easily his lapdog friends shrink in his presence. Good.

“Woah, easy,” the boy holds his hands up in mock surrender and tries to flash a smile but it’s just fucking pathetic. His arms are shaking and his throat bobs about a million times. “We’re just playing the game.”

“Like hell you are,” Luke spits. “You gang up on my girlfriend and you expect me to believe this is fair play? Want me to tie you all together and push one of you off a cliff to keep the spirit going?”

“Didn’t know she was yours,” the boy tries to shrug but again, it’s a miserable attempt that only makes Luke feel stronger.

“Not that it matters but yes, you do,” Luke chuckles thickly. “I beat your ass in sword training last week. You know exactly who I am. And I’m sure you know who you are, so it’s obvious you’re playing out of your league here.”

Out of the corner of his eye he sees you still cowering, blood dribbling down your arm. He wants to tear the world apart. “Apologize and maybe I don’t send you to the infirmary.”

“We just want the flag, man,” the boy swallows.

“And I want your head on a stick. Want to see who gets what first?”

It’s too provocative an insult for a moron like this to ignore, so soon Luke has the pleasure of disarming five bitter boys that have clearly never been good at a single thing in their life. He tears through them like sheets of paper, knocking them to the dirt, ripping their clothes. He thinks of you, just you, your honest heart and patient hands, and it’s enough to fuel him for a millennia.

The last boy, the leader, is at Luke’s mercy, and he has none to give. The flat of Luke’s blade is pressed horizontally against the boy’s neck, an angering similarity to the position he had you in earlier. “If you ever do this again, I’m going to kill you.”

“You’re—fucking—crazy—” The boy wheezes, the length of the blade squeezing his throat against a tree trunk. “I’ll—I‘ll tell Chiron.”

Luke has to bite the inside of his cheek to keep him from doing something he regrets. “Oh yeah? You want me to tell Chiron how you harassed and terrorised a girl in the middle of the forest all in the name of play? Want me to tell him what you said to her last night at the campfire? Because I’m sure it won’t take much for him to get rid of your ugly face as it is, and I’m a camp counsellor.”

He knows it’s not the most morally correct use of his title. He knows he might be stepping over the line. But he also knows you’re always being ignored or trampled over and he’s tired of pretending like he doesn’t give a damn. He’s tired of people trying to force you into something you’re not. Of you crying in his bed at night because they’re trying to drag a violence out of you that isn’t there. Always in the name of fucking play.

Luke takes the sword off the boy’s neck and shoves him backwards. His calf is bleeding, not a deep wound, but a wound nonetheless, and Luke is full of pride when he realizes you did that. The boy’s bad leg makes him wobble and fall at the force of the push. Luke enjoys watching the scramble. “I—I was just trying to be nice, it’s not my fault she took it the wrong way!” The boy flails his hands in the air, rising to his feet again, and Luke shoves him down twice as hard. A piece of his shirt tears off in Luke’s hand.

“You’ve gotta stop talking or I really am going to kill you,” he seethes. “Don’t touch her ever again. Go.”

Luke is sure he looks homicidal right now because the guy finally tumbles his way down the hill. His body fades into the distance, swallowed up by shrubbery and sweat.

The second he’s gone Luke tosses his sword and armour and gets back to you. “Shit,” he mutters, kneeling down. You’re still shaking, your head in your arms, and all his hatred morphs into a love so desperate it terrifies him. “Angel, come here. Let me see.” He lifts your face with his hands and scans you rapidly. “Did he hurt you anywhere else? Anywhere?”

“Just my arm,” you whimper. “My arm.”

He knows it’s not the cut that’s hurting you; it’s long, but thin, and it’s not bleeding too thickly. He takes the cloth from the Aphrodite boy’s shirt and wraps it around your arm, knotting it at the end. “All right, that should be better.”

You look at him with watery eyes, and he knows all you need is for him to hold you. He folds you in his arms and leans against a stump. You can’t get close to him fast enough. The tip of your nose buries itself in his neck and he feels the dampness of your cheeks on his skin. “It’s okay, sweetheart, you’re safe,” he soothes, pressing a kiss to your hair. “I’m so sorry.”

Guilt swaths over him for a brief moment; he wonders if he shouldn’t have done all that, if he should’ve been more sensible. Then your lips form a ‘thank you’ against his skin and all is forgotten.

You feel so small. The shock is still running its course, so all you can do is cry it out. Your hands still shake when you thread your fingers through Luke’s necklace to steady them. He soothes you the best he can, running his hand along your spine, all the sharpness of his voice softened just for you. “You’re all right, angel. I’m not going anywhere.”

You stay like that for a while. The sounds of the forest return to you; leaves in the wind, birds chirping, Luke’s breath tickling your hair. You crane your head up to nuzzle your nose against the faint stubble of his jaw. “My hero,” you murmur, and feel his skin shift as he smiles.

“Couldn’t have done it without you. Saw the cut you gave him on his leg.” He kisses your temple. “I hope it gets infected.”

You giggle weakly no matter how you try smothering it in his chest. “Gods, you’re awful.”

“He deserves it! I probably should have killed him!”

“You came pretty close, didn’t you?” You mumble. Luke’s expression is wary, but you smile to yourself and it dispels everything. “I was hoping you’d come.”

“Good. Serves them right, messing with you like that. Fucking idiots.” He kisses your face again for good measure, “You sure they didn’t get you anywhere else, princess?”

You nod but you know you look wounded. You nudge into the crook of Luke’s neck again. “They … you know, it’s just … the usual stuff.” Every word weighs a pound as it comes out. Your heart feels sore.

Luke tenses again instantly. “What usual stuff?”

“Um, just—” The shame gets caught in your throat. “They all think I’m useless, Luke. Why can’t I do this right?”

You start to cry again, but he just holds you closer. Sometimes it surprises you how much patience he has. He prides himself as the harsher one between the two of you, but you don’t know who he’s fooling with the way he always knows how to comfort people.

“I don’t know what to do,” you continue, blinking back tears, “I’m not—I’m just not good at this, I don’t know why I’m in Ares, I don’t know why I can’t … be that. Why is he my father? I’m no good at being angry. I want to be angry.”

Luke’s quiet for a moment. Nothing changes except his hand rubbing circles on the nape of your neck again. Then he sighs deeply and says, “You don’t owe your father a damn thing. You don’t owe anyone anything.” He’s resolute, firm, a sharp contrast to his gentle kiss on your hairline. “You’re the smartest, most generous person I know. You need those people in battle. You’ll lose if you don’t.”

The warmth of his skin prompts you to look up at him. He looks different so often, the way he can shift between so tough and so gentle. Sometimes, like now, he’s caught in the middle, the remains of a furious sweat hardening his face, but his eyes are nothing but tender. You think it’s how you like him best.

“Besides, we’re not our parents, right? Who cares about Ares anyway?” Luke shrugs.

“Luke! Don’t say that!” your tears turn into a giggle. “The Gods might punish you!”

“I’ll handle it. There’s enough fight in me for the both of us.”

“Okay, tough guy,” you mutter with a weak smile.

You’re still sniffling. He runs his thumbs across your cheeks, and his gaze softens. “You’re an Ares kid because you are a fighter, angel. You just fight a hell of a lot smarter than the rest of us. Best one I know. Well, other than me.”

It makes you smile. “So second-best?”

“Tied for first.”

He kisses you with that stupid roguish smile. It’s salty with tears and sweat, but it mends your heart anyway. There is nowhere in the world you’d feel safer.

“I love you,” he says against your cheek. “Be as sweet as you want. If anyone has anything to say about it I’ll mess ‘em up good.” Your face warms as his voice drops to your ear, “And I know you’re an Ares kid because you’ll encourage it every time. You might not have a violent bone in your body, but you sure don’t have a problem with me using mine.”

“Diplomatically, Luke. Diplomatically.”

“Sure, sure. Whatever you want.”

You can’t help but kiss him again. You’re not entirely sure why he loves you so much, why you love him so much, but you never feel quite as secure as when you’re with him.

Cheers boom from the other side of camp. Luke’s head perks up like a dog, and you turn back to search for spots of red or blue. “Did we win?” You ask, craning your head to get a better view.

“Don’t care,” Luke says.

You look back at him. His anxious face says it all. “Yes, you do.”

“Okay yes, I do, and I need to see if those douches found our flag so I can choke them out with it.”

You laugh, standing so Luke can jog off to see the state of your team. But before he goes, he picks you up and smothers you in kisses, holding you like you’re his prize.

You are not a fighter, but your boyfriend sure is. And you’re perfectly okay with that.

#perrie’s fics #perrie’s requests #luke castellan #luke castellan x reader #pjo #pjo x reader #charlie bushnell #luke castellan comfort #luke castellan x you #luke castellan imagine #luke castellan fic #luke castellan fluff #percy jackon and the olympians #pjo fic #i kind of hate this i think I’M SORRY #but some parts of it are interesting so oh well #luke castellan you are fucking crazy.

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hoshifighting · 5 months ago

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when you make seventeen cry in an argument WARNINGS: angst, lots of crying. a/n: just a question, why do u guys enjoy angst this much?

seungcheol he hates crying in front of you, hates feeling vulnerable. he’s the type to hold everything in, trying to stay strong for the both of you, even when the argument gets intense. but when the words cut too deep, when he feels like he’s failing you, you’ll see his eyes gloss over. he won’t let the tears fall right away; he’ll turn his head, rub the back of his neck, trying to keep it together. but when you keep pushing, maybe saying something that hits a little too close to home, his voice will crack. “i’m just trying to make this work,” he’ll say, and that’s when you know he’s really hurting.

jeonghan is the last person you’d expect to see cry during an argument. but he won’t cry unless he feels completely misunderstood. he can handle a lot, can take the back-and-forth of a heated argument, but when he feels like you don’t see him for who he is, that’s when the tears start to build. he quickly turns his head, not wanting you to see. “do you really think that about me?” when the tears come, they’re quiet, more like a silent plea for you to understand him. hates that you’re seeing him like this, but he can’t help it.

joshua tries so hard to stay composed during an argument. he’s the peacemaker, the one who wants to talk things out rationally, but when the argument drags on and you keep circling back to the same painful points, it wears him down. he’ll keep his tone calm, even when his heart is breaking “i don’t want to lose you over this,” he’ll say, his voice shaking as tears spill down his cheeks. it’s the thought of losing you that makes him break.

junhui is a bit of a mystery when it comes to his emotions tbh. he’ll stay quiet during most arguments, letting you vent, but when he starts to feel like he’s being taken for granted or misinterpreted, that’s when the tears threaten to spill. he’ll bite his lip, trying to keep it together, but when you push just a little too hard, he’ll crack. “why do you think i don’t care?” it’s not that he’s weak; it’s that he cares too much.

soonyoung is passionate in everything he does, and that includes arguing. he’ll fight hard, push his point, but he’s also quick to feel the weight of the argument. he cries when he feels misunderstood, when he feels like no matter what he says, it’s not getting through. the tears come when the frustration boils over, when he feels like he’s failing to communicate how much he cares. “why can’t we just talk this out…,” he’ll say, his voice breaking as the tears start to fall, showing just how much he’s been holding in.

wonwoo is the type to hold everything in until he can’t anymore. he’ll stay quiet during an argument, letting you say what you need to say, but when he feels like you’re not hearing him, not seeing him, that’s when the tears start to build. he won’t cry easily; it takes a lot to get him to that point, but when he does, it’s heartbreaking. “i just want you to understand!”

woozi is tough, or at least he tries to be. he doesn’t like showing weakness, especially during an argument. he’ll try to fight it, to keep going, but his voice will start to crack. “why do you have to say it like that?” he’ll ask, and you’ll see the tears welling up in his eyes. he won’t let them fall right away; he’ll try to brush it off, to focus on the argument, but eventually, he’ll have to turn away, wiping at his eyes with the back of his hand, hating that he’s crying but unable to stop.

minghao is usually the one trying to keep things calm, trying to deescalate the argument before it gets too heated. he’s not quick to cry, but when he does, it’s because the fight has gone too far. when the tears start, he can’t stop them. they come silently, slipping down his cheeks as he takes a deep breath, trying to steady himself. “this isn’t what i wanted,” he says, voice trembling. he hates that it’s come to this, hates that he’s crying in the middle of a fight.

mingyu is sensitive, and that sensitivity often makes him emotional during arguments. he tries to keep it together, tries to stay strong, but it doesn’t take much to push him to the point of tears. it’s when the fight gets too intense, when it feels like you’re pulling away from him, that he starts to break down. he doesn’t try to hide it, doesn’t try to stop the tears from falling—he just lets them come, his shoulders shaking as he sobs. the fear that this fight could be the end of something he cares so deeply about.

seokmin always try to avoid conflict whenever possible. but when the argument gets serious, he can’t help but cry. just the sight of you upset, the sound of your voice cracking under the weight of the fight, and his own tears start to flow. he’s not good at hiding it, not good at keeping his emotions in bottled, so when he starts crying, and it’s hard for him to stop.

seungkwan wears his heart on his sleeve, and that makes him quick to cry during arguments. he’s not ashamed of it, not afraid to show his emotions, but that doesn’t make it any easier when the tears start to fall. he tries to keep talking, tries to work through the argument, but his voice breaks, and suddenly he’s crying, his shoulders vibrating, and he can’t hold it back once it starts.

vernon is usually pretty laid-back, but when something really matters to him, he’ll fight for it. he doesn’t cry easily, but when it feels like it’s breaking something between you two, it hits him hard. the tears come when he feels like he’s losing you, like the fight is pushing you further apart, and then the tears will come, slow at first but then all at once. he’ll hate that he’s crying, hate that he’s showing this side of himself.

chan is still figuring things out, still learning how to navigate arguments and everything. he is sensitive, but he’s not quick to cry during an argument. but there’s a limit to how much he can take. when he feels a lump form in his throat. he tries to push it down, tries to keep his voice steady, but when he sees the pain in your expression, it’s too much. his eyes well up, and he has to pause, taking a deep breath to keep from breaking down completely. he can't understand.

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