#univibe

[digitalcreationsllc]

Eventide Dot9 range expands with new Riptide | Juno Daily

The pedal brings stereo overdrive and Uni-Vibe tones to the series. [embedded content] Eventide’s new Riptide pedal is now in stock, featuring a unique mix of stereo overdrive and Hendrix-style Uni-Vibe modulation effects. Compatible with both guitar/bass and line-level signals, the Riptide features two distortion voicings, allowing you to choose between classic transparent tones or tight…

[mini-usb]

Moen AM-VB Jimi Nova

"The smaller lighter brother to the Shaky Jimi which is popular with other players looking for a chorus / vibrato / univibe type swirling effect in a inexpensive and quality made package. Ain't no joke, this is one amazing pedal you won't take off your board and your friends will be like "How much was that crazy new boutique pedal? $200?""

[wilsoneffects-blog]

Looking good @conanthebeatbarian ! • Today's tonal adventure sees us setting off from D*A*M Meathead via Barber LTD SR and a lovely Italian Colorsound Powerboost clone into a very clean Boost with EQ before finishing off with a 3 flavoured muff circuit in the Barber Trifecta. While making this journey we shall be accompanied via FX loop by some locally made Univibe, a cheeky dual delay from Wilson Effects and finally some haunting vintage spring sounds via Subdecay's Spring Theory ❤️ Your journey today will be taken on the @orangeamplifiers Terror Stamp into a @suprousa 1x12 cab @barberelectronics @wilsoneffects @subdecayfx @ffxpedals @ftelettronicahandmadepedals #becausetone #electricguitar #guitarpedals #pedalboardoftheday #pedalporn #pedalnerd #fuzz #overdrive #univibe #delay #reverb #boost #guitaramp https://www.instagram.com/p/CpjhuE5uuSo/?igshid=NGJjMDIxMWI=

[pinkfloydbt]

OBSCURED BY CLOUDS, 1972

Wedged between Meddle and The Dark Side Of The Moon, Pink Floyd released Obscured By Clouds. The band's second outing as composers for a Barbet Schroeder film (the first being More), the material consisted of music for the soundtrack to the movie La Vallée.

Either side of a Japanese tour, the songs had been hastily written and recorded during two one-week periods in February and March in the Strawberry Studio at the Château d'Herouville, near Paris. Musically ahead of its time, it contained excellent harmonies between David and Richard Wright both vocally and instrumentally. Along with the bullet Strat, David Gilmour used The Black Strat for the recording.

Exploring what could be achieved utilising the additional second socket, an XLR wired as a send and return that David had recently fit to the guitar, he used it with his usual set up of equipment consisting of Hiwatt amps with Wem 4 × 12 cabinets plus effects: a Binson echo, Fuzz Face distortion, Dearmond 610 volume/tone pedal, Vox Wah-Wah, Univibe and Colorsound Power Boost. The recently acquired newly developed EMS VCS3 and AKS Synthi synthesisers offered an additional range of sounds.

Despite the hectic recording schedule the album gained critical praise and contains some powerfully sublime moments, exhibiting elements of what was to come with The Dark Side Of The Moon

Disc & Music Echo called it "an amazing album” …

credits | Phil Taylor - JD Mahn - Nick Mason

[fuzzkaizer]

Humphrey Barclay - phaser-collection

"All phasers (or PhasOrs), all different. One cannot have too many phasers. . The two black Maestros (PS1A and PS1B) are slightly different. The much scarcer PS1B revision on the right has a rate control. . The Shin-Ei Univibe is not usually thought of as a Phaser, but that's what it is. As is the Schaller Rotor Sound from Germany. These were all rotating speaker emulators, to begin with. . The big orange Schulte Compact Phasing A top left is the "krautrock" phaser. The Mu-Tron BiPhase is in the short lived violet colour. . The EH Polyphase and Roland Phase Five are envelope sensitive, so the phase effect varies according to pick attack, which is trippy and expressive. . Controllers - Univibe treadle and Schulte control box omitted for space reasons. The Maestro PS1B has the hard to find foot controller (these were originally designed for keyboard players and were positioned at that level - hence the coloured Lowry switches. The Mu-tron Opti-Pot allows for real time control of several parameters. . There is a notable omission, the MXR Phase 90 - I'm waiting for a Bud box at a less than extortionate price. Also I forgot my Boss Ph1-r, which is a worthy box, if a bit newer. The DOD Vibrothang is newish, but discontinued and in my view a classic."

cred: instagram.com/humphreybarclay

[musicmonger]

Jimi Hendrix, the iconic guitarist, left an indelible mark on music history. His groundbreaking techniques and innovative approach continue to inspire generations of guitarists. Let’s delve into the musical genius of Hendrix and explore the theory behind his captivating sound.

The Hendrix Chord: A Signature Sound

The Hendrix chord is a distinctive voicing that Jimi used extensively. It’s a 7#9 chord, combining a major third with a minor third (enharmonically, the #9). You’ll recognize it in songs like “Foxey Lady,” “Purple Haze,” and “Spanish Castle Magic.” Hendrix’s rhythm playing drew heavily from funk. He incorporated syncopated rhythms, muting, and slurs. Here are some funk-inspired techniques:

• In “Foxey Lady,” Hendrix uses an F#m7 chord (F#-A-C#-E) against a low F#. The 4th finger bars the notes E and A at the 5th fret. This shape is synonymous with his style.

• Single-Note Riffs: Songs like “If 6 Was 9,” “Voodoo Child,” and “Gypsy Eyes” feature single-note riffs within the A minor pentatonic scale. Use muting, trills, and bends for authenticity.

Sonic Innovation 🎸

Hendrix’s mastery extended beyond technique. He experimented with effects like Dunlop Rotovibe, Univibe, and wah-wah. These psychedelic sounds became integral to his sonic palette. And even beyond all the theory and technique, Hendrix poured raw emotion into his playing. His solos told stories, evoking feelings of love, freedom, and rebellion. Listen to “Little Wing” or “Bold As Love” to experience this lyrical magic.

The Jimi Hendrix Experience.

The Jimi Hendrix Experience was the band that catapulted Hendrix to international fame. Formed in London in 1966, it consisted of Jimi Hendrix, Noel Redding and Mitch Mitchell on drums. Their chemistry was electric. Hendrix’s guitar wizardry, Redding’s solid basslines, and Mitchell’s intricate drumming created a sonic landscape that defied conventions. Together, they produced hits like “Hey Joe,” “Purple Haze,” and “The Wind Cries Mary.” The band’s collaborative spirit fueled their creativity. Hendrix’s songwriting blossomed, drawing inspiration from blues, psychedelia, and rock. Redding and Mitchell provided the canvas for his musical visions.

The Essence

Hendrix’s relationship with his bands was complex—part friendship, part artistic collaboration. They were his canvas, amplifying his genius. Whether in the studio or on stage, these musicians shaped the magic that became Jimi Hendrix’s legacy.

Remember, the synergy between Hendrix and his bands transcended mere music—it was an alchemical fusion of talent, passion, and innovation.

In summary, Jimi Hendrix’s genius lies not only in his technical prowess but also in his ability to connect with listeners on a profound level. His legacy endures, inspiring guitarists to explore new horizons and push boundaries. Remember, as Hendrix once said, “Music doesn’t lie. If there is something to be changed in this world, then it can only happen through music.” 🎸🌎

[blskng]

東京パルス(Tokyo Pulse)

The Bear Flag Trio

Live show at Kamakura Univibe

2023 03 10

[effectsdatabase]

Last week's top 20 videos (2023, week 16)

Top 20 videos last week (April 16-22)

Spellbook Guitar Pedal - Kickstarter Introduction (by David Ross Musical Instruments)

Top 10 Spectacular New Guitar Gear Releases at NAMM 2023 (by TheGuitarGeek)

Solar Guitars 2023 NAMM News (by Solar Guitars)

2023 Winter NAMM Show Recap (by BassGearMagazine)

The Closest Pedal to a REAL Dumble (by Vertex)

Ibanez PD7 Phat Hed - the next Bad Monkey? #bass #overdrive #demo (by Soundfare)

Boris "Vomitself" featuring the Sunn O))) Life Pedal V3 (by EarthQuaker Devices)

Sharp PLASMA Sounds by @lizbrasher ?#plasmapedal #gamechangeraudio (by Gamechanger Audio)

DARTA EFFECTS TV 2023 - REVIEWS DE NOVOS PEDAIS, PEDAIS CLONES, COMPARATIVO ENTRE PEDAIS E MAIS! (by Darta Effects)

PAL800-V3 GOLD Overdrive, Drop D Riffs!!! (by PAL)

This One Is Impressive. All Pedal Slamurai! (by Sasha Ivantic)

Ryche Chlanda (Nektar) is with Greg Lounsberry (Lounsberry Pedals) (by Lounsberry)

Kevin from Oozing Wound loves his ZVEX Woolly Mammoth (by Z. Vex)

EarthQuaker Devices Spatial Delivery (by PJ and the Beard)

Greer Amps Super Hornet - My Goodness This Is Good... OCTAVE FUZZ! (by Buddy Blues)

The Best Univibe under $50? (by Pedalboards Of Doom)

Boss Compressors Through The Years (CS-1, CS-2, CS-3, CP-1X) (by Jason Ayala Spare)

EarthQuaker Devices overdrives battle: White Light Legacy Reissue, Special Cranker, Plumes, Westwood (by We As A Company)

Swirlpool spin cycle. Boss TE-2 Tera Echo and Leslie model 700 Roto-sonic (by SoaringTortoise)

Reply Time #1 - Can the Behringer FX600 Digital Multi-FX? (by Ryan Lutton)

Overviews of the previous weeks: https://www.effectsdatabase.com/video/weekly

from Effects Database https://bit.ly/41DqOda

[guitarbomb]

Capture the iconic chorus and vibrato effects of Hendrix and Trower with the Voodoo-Vibe 2024.

[sealcub]

Check out this listing I just added to my Poshmark closet: Univibe Long Sleeve Striped Tee Shirt Size XL Red, Gray and Black.

[dyllan85forever]

Check out this listing I just added to my Poshmark closet: Univibe Blue Striped Boys Shirt.

[ttpllc]

Check out this listing I just added to my Poshmark closet: Boys univibe hooded top NWT.

[sharingamorcupcakes-blog]

Check out this listing I just added to my Poshmark closet: Univibe boys large heather gray jogger new.

[sellbuysellbuyposher]

Check out this listing I just added to my Poshmark closet: UNIVIBE Boys Shorts. Size 10. Elastic inside waist. Belt loops too. Excellent.

[fuzzkaizer]

SUPER-FUZZ - brand collection

"some history about the legendary Super Fuzz ... it got its humble start in 1967 as a stand-alone unit called the "Baby Crying" Fuzz, made by the Japanese brand Honey. ... A: the original designer of the Super Fuzz is still a mystery! (yes, Fumio Mieda, designer of the Univibe, did NOT also design the Super Fuzz)  B: production of the FY-6 (Super Fuzz) ran for 10 years! And,  C: in that time they were licensed to an almost endless list of brands, small shops, importers, and distribution companies. ... We find plenty of Super Fuzz wedges dated well after 1970, with the latest I've come across is 1977! And that's a pretty insane revelation considering that most of us thought they were somehow all made between 1968 and '69."

cred: tonemachinesblog.com/2023/05/super-identity-crisis

[auntehkmusic]

About

Kelsea Armstrong (they/she) is a multi-faceted creative based in Hawaiʻi with a background in traditional jazz, rnb/soul, reggae and beyond. With experience as the premier vocalist for critically acclaimed groups like Nā Hōkū Hanohano award-winning Honolulu Jazz Quartet and the University of Hawaiʻi at Mānoa jazz ensemble, Armstrong has left an indelible mark on the local jazz scene. Their performances have extended to prestigious platforms including Blue Note Hawaii and the state art museum's jazz and cultural events at Capitol Modern.  

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Beyond the realm of jazz, Armstrong has worked as the resident hook singer in a hip-hop/neo soul freestyle jam alongside some of Hawaiʻis finest emcee’s and jazz musicians. Their freestyle performances have also been featured in toasting sessions of Honolulu’s underground Rub-a-Dub parties.

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As a songwriter, Armstrong has showcased an extensive catalog of unreleased music on KTUH’s college radio live music segment "Monday Night Live", opened for local bands like Ragamuffs and The Mauve, frequented the iconic stage of Blue Note with her own compositions and arrangements, and performed other various live events that highlight original music and songwriting. In 2023, Armstrong released music on Nick Kurosawa and Ohtoro' project, "UniVibes" in collaboration with several esteemed local writers and producers of the Honolulu scene which is currently nominated for Nā Hōkū Hanohano R&B album of the year.

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Now, Armstrong is brewing a self-produced recording project with plans to release later this year. The project is a highly anticipated endeavor that promises a balance of their live music background and production informed by their vinyl curations.