#underbeats

[theartsynebulawhodoodles]

𝄞music friends 𝄞

{Beats Sans and Tear Sans Friendship}

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I think these two would be friends and listen to music together.

[Beats Sans belongs to Flotts, Tear Sans belongs to @eriscary , dividers belong to sister Lucifer or other creators]

[howlsofbloodhounds]

@unazmi, that’s both hilarious and adorable. I’d like to imagine that Color knows a lot of flower and flower themed names from listening to Beats, a flower fanatic, talk all about them and on the rare days that Beats allows Color to help them on their flower documenting journals—especially since Color tends to lend them his camera and scrapbook supplies sometimes.

So all the Killers are never out of options, even if they do try to stray away from flower themed names but somehow keep coming back to them anyway.

[underbeatsarchive]

The AU Underbeats—its plot, concept, characters, drawings, lore, art (such as the one in the pfp), everything—belong to phaunicier here on Tumblr. I am merely archiving everything, because I found myself interested in the AU and its characters. Every reblog is queued.

Main tags:

#underbeats, #au lore, #maestro!gaster, #beats!sans, #nico!papyrus, #asks, #drawing, #abyss team, #kin!sans (important character to beats from a different au), #monsters of sound, #writing, #the miserable prince, and #the human.

Probably more to be added. Not sure how “canon” everything involving the Abyss Team is too Beats or Underbeats, besides Kin!Sans and his au.

[pachiiblr]

Tumblr I had a idea for a underverse AU that's just all the sans are replaced with more ""Underrated"" ones (at least partially) so here's what I have for the role swaps which is very subject to change

(Ccino was originally Horror but I feel like horror is everywhere and also I hardly see Ccino so)

Anyways thoughts?

[lucygriefer]

Mermaid Beats designs

Okay I can't decided what type of mermaid I'd turn Beats into. A friend of mine suggested a hermit crab but I had to point out that if he was a hermit crab then either he would be super tiny or have to build all his shells as he grows. So I'm not going with a hermit crab (But I tried to draw him as one cause I was curious). Also never drew a hermit crab before so that was interesting to draw.

The other mermaid design ideas I thought of was a Leaf slug but couldn't decided if I should give him legs or not so I drew him with both. Then I thought why not a sea bunny? Both are adorable. Then I thought of a seahorse design. Then I remembered that axolotls are adorable sea creatures and I just can't decide! Yes the feet look a little strange mostly because I was not drawing all the little bones in the feet. Like you can see the problem I'm kinda running into.

Trying to find a sea creature to best match his personality and that would have to be an octopus but Nightmare is an octopus and leviathan. So I went looking at other sea creatures. Trying to best match his personality and adorableness without having him be toxic or deadly like the glaucus atlanticus (A small adorable sea slug but is very deadly as it can carry the man o' war's venom on it). So I'm a little stumped.

Maybe the axolotl as while that would make him a freshwater mermaid it would also be very interesting to see. Plus the interactions of the freshwater mermaids and ocean mermaids could be interesting.

[bluedollyy]

Beats Sans!

Beats sans by: @phaunicier

Art by: @bluedollyy

[blinddreams24]

I had this idea awhile back and thought it’d be cool, so here you go! One Underbeat Saber sans!

Saber is introverted, quiet, and defensive.

That’s all I got.

Sorry

[glitchedspace]

So, I don't have any Undertale art to fully celebrate it's 9th year anniversary didn't realize it was today. I do have something I drew and colored a couple of years ago for a Thanksgiving contest on Discord that can still be applicable for the anniversary.

Looking back at this, Ori's expression kinda bothers me. But, I really am thankful for this fandom. It's probably my favorite fandom I've been in and a bit less toxic than others I've been in. I've met a lot of cool people and I love both UT and the AUs people have come up with.

The little purple and orange Sans is called Beats Sans and they're my favorite Sans and such a comfort character (really underrated AU as well). When I used to work an overnight job I'd get stressed and overwhelmed to the point I'd have to isolate myself to not publicly bawl my eyes out. There's an image the creator of Beats made with them holding a flower (the one drawn to represent it) with them saying "Smile" that helped me so much. I know it probably sounds silly, but it helped.

Meeting and befriending people online, both in VR and on social media, does help a lot. I'm thankful to have met so many cool people and reading or looking at what people have come up with. Thank all of y'all.

Origami belongs to me.

Beats Sans belongs to @phaunicier

[mywifeleftme]

315c: Various Artists // Top Teen Bands Vol. 3

Top Teen Bands Vol. 3 Various Artists 1966, Bud-Jet

Doing a three-for-one today on this trio of Minneapolis-St. Paul garage rock compilations originally issued in 1966 on the Bud-Jet label, and mysteriously bootlegged on CD and vinyl around 2005. With the exception of bluesman George “Mojo” Buford (on Vol. 2), none of these acts ever managed to cut an LP, and a few barely managed to get a single out. The Twin Cities had a decent little rock scene, and these comps give us 16 bands across 36 tracks, good, bad, and bluhgly. First time opening these guys that have been sitting on my shelf for ages, let’s see what we’ve got.

Top Teen Bands, Vol. 3

Gregory Dee & the Avanties — Nervous Breakdown (Maybe a shade of the Who in that quavering vocal; one of those nearly-blitzing, nearly-heavy numbers the Avanties’ might've really figured out how to tear into if they'd made it to a post-MC5 America.)

Underbeats — Route 66 (A Holly/Berry-ized version of the Nat King Cole chestnut, totally fine, though the drums are practically inaudible, both on my pressing and the version on YouTube—there's basically just a faint clattering of cymbals in the background, like steam hissing in a distant room.)

Canadian Lady Bugs — Tra-La-La-La-La (A complete rip off of "What'd I Say," though it would've been fun enough to twist to at a sock hop.)

Deacons — Candy Man (Bit of a low energy recording for what it is, but that guitarist really throws it down on the lengthy solo—imagine if someone could’ve told them a little feedback would drive the kids nuts?)

Accents — Road Runner (Sick guitar tone on this one; teenage boy attempts bluesman Blaccent with mixed results; let's say "inspired" by the Jr. Walker song.)

Bandits — The Crusher [actually King Krusher and the Turkeynecks – King Krusher] (Oh hell fucking yes, where do I even begin with this? So, in 1964 the Novas [who are themselves all over this compilation series] had a national #88 hit with a novelty song called "The Crusher" in honour of the Wisconsinite wrestler Reginald "The Crusher" Lisowski, including vocalist Bob Nolan's memorable impression of the gravel-voiced grappler. What we have here is ANOTHER Minnesota band, the aptly named Bandits, ripping off the Novas' tune later the same year with "King Krusher" (issued under the name King Krusher and the Turkeynecks), only this time the track seems to feature the actual Crusher on guest vocals. Lisowski (or a good soundalike) gives probably the closest thing you're going to hear to a death metal vocal on an early '60s recording, and while the track isn't as catchy as the Novas' original, it certainly weaves a more elaborately eye-gouging narrative.)

Rave-Ons — I Want You to Love Me (Not very sneakily rips off at least three massive hits, including "La Bamba" and the Beatles’ version of “Twist and Shout”; unsurprisingly, the result is decently catchy.)

Satisfactions — Bad Times (Kind of Animals-y, one of the few things on here that I would say has a sense of Cool to it; this is really on the cusp of that long-haired late '60s sound that was taking shape. It's not a classic, but it's right on the cusp of Nuggets-quality.)

Novas — Novas Coaster (Speak of the devil, it's the Novas with a semi-instrumental that won't change your life, but suggests it was probably between these guys and the Avanties for the title of best live act in the Twin Cities at the time.)

Bandits — Downtown (Fun, peculiar, faintly Tiny Tim-ish take on Petula Clark's "Downtown"; sounds like me doing Brian Ferry at karaoke.)

Only Ones — The Party's Over (Still not any of those Only Ones, but this is a really fun doomed teenage death wish track in the classic style—a great song to close a night with, for anyn vintage wax DJs reading this.)

Gregory Dee & the Avanties — Olds-Mo-William (I read this title for the first time immediately before listening to the track and clocked the dumbshit pun [Oldsmobile, the beel pronounced like "Bill" in a certain type of Southern accent] just as the band kicked in. Decided right then and there that I was all in for whatever. Some Dr. Demento-quality Chuck Berry worship here, chaos, great way to end the comps.)

Overall: I’d say Vol. 3 gives you the best bang for your buck of the three sets, with King Krusher and the Turkeynecks’ “King Krusher”; Satisfactions’ “Bad Times”; Only Ones’ “The Party’s Over”; and the Avanties’ “Olds-Mo-William" being some of the highlights of '60s Twin Cities garage rock. Some of them haven't even been uploaded to YouTube, so if you want 'em this is one of the few places they can be heard.

See also: Vol. 1 / Vol. 2

315c/365

[sandeewithtwoe]

Could you please please please draw Underbeats Sans?? I’m sorry your art is so delicious I need to see this somehow

(Artist/creator is: Flotts on Devianart.)

Oh alright, only because you said please three times /j

He would taste like raspberries I feel like

[theartsynebulawhodoodles]

Beats!Sans ♪ ♪ 𝄞 Art!

I love Beats!Sans a lot. Their design is very endearing! (˶◜ᵕ◝˶)

[Beats!Sans by Flotts, dividers by sister lucifer]

[howlsofbloodhounds]

Not sure why but I always pictured that colors favorite types of candies would be those candied fruits and flowers, or those in the shapes of things like flowers and stars and fruits—especially gummy ones or any with gold or silver on or in them like these. Especially the ones shaped like roses at the end. Also candy rocks, he loves the crunch sound.

When it comes to making candied flowers—often for cakes and cookies—he sometimes seeks out beats (and by extension kin) for help on seeking out and identifying safe edible flowers, or if beats has any they keep in supply.

color makes sure not to seek them out so often, knowing that even if beats is growing more comfortable around him they prefer to interact on their own terms with people and can only handle so much interaction at a time—and color doesn’t want to put beats in the uncomfortable position of being torn between their desires to help and their desire to be left alone.

I also like to think beats keeps a supply or small collection of flowers that were dying or not doing well in nature for whatever reason, hoping to attempt to nurture them back to health or just making use of petals and stems if not possible. I also like to think that beats has an entire journal filled to the brim with info on various flowers, their names, histories, uses, etc.

color often lends beats his camera and scrapbook supplies so they can make their journals organized and eye catching.

Color often tends to prefer to learn recipes himself and find ingredients himself because he enjoys the sensory experience of baking and cooking and making things—and Beats just loves flowers, and the fact that Color won’t push them to do anything they don’t want, or force them to stay, and doesn’t need constant conversation either.

Beats and Color and Kin are pretty great at doing different things at the same time in the same room, or even the same thing at the same time in the same room separately—and so long as Color has sounds and the company of people, he doesn’t feel the need to fill any silence with talk or conversation too much.

I also like to think that Color never lies to Beats. Even Abyss lies to Beats or allows them to think t things that aren’t true because he doesn’t want to hurt its feelings, which in turn angers and upsets Kin.

So this is at least one thing both Beats and Kin like about Color: he can be direct, blunt, honest without being cruel about it (not to say Abyss is cruel obviously, just that some people think being an ass is the same as ‘just being honest.’)

Color’s favorite fruit is pomegranates. Mostly because he enjoys tearing them apart and getting the juice all over their fingers, it appeals to his dragon side—especially when he bites down and there’s that satisfying sound, the crunch, like eating a gemstone or a rock. He doesn’t use a knife or anything to break the skin, he enjoys tearing it apart and open with his hands and picking out all the seeds to eat.

I think he prefers eating with his hands. If asked he’ll say it’s just because his depth perception and only having one eye make using utensils a fucking chore, which while not untrue, it’s also because eating with his hands is just what’s natural for him.

While reading this post, I had the thought of Color with a color changing nose ring that changes color with the souls’ flames or some type of jewelry. Could someone with a skeleton body have a nose ring? No probably not. But they’re drawn to it anyway.

He also definitely has and wears one of these on particularly dysphoric days. He could’ve made one himself, but considering that Maestro!Gaster—Beats’ parent—appears to be able to make & design dresses and outfits, I was thinking maybe either Mae made it (and potentially other dresses) for Color and the Abyss Team. Or, Maestro taught Color how to sew and they make clothes together.

I also think that Beats would love to try melon and banana milk, they love all kinds of milk. Beats also loves the spiced pumpkin pie that Color makes, and whenever Beats is sick but doesn’t want to see or interact with anyone, Color will bake a spiced pumpkin pie and give it to Kin (often the only one Beats consistently wants to see and spend time with) to take to Beats.

Color doesn’t use nicknames for Beats and Kin as they suggest familiarity that neither may feel comfortable with, although Beats does giggle whenever Color calls Kin “pump-kin” on the notes he leaves on the boxes or bags he sends the pumpkin pie in. Sometimes Color also draws a little bee or a WiFi symbol right after to signify Beats.

Beats keeps all the little notes Color gives them.

[cittythekitten]

The Electric Peacock!! I might change some of their designs later but Beats is so adorable.

Undertale by Toby Fox Mecha by Wolf-Wrath-Knight V!Sans by Hammie-Heart Firefly by Water-Dragon-Angel Kin by Bun-Bunmuse Beats by Phauncier / Flotts Brute by Clacy2812 CAREFREE by me :)

[temp-unu]

PART TWO OF DA SPRITES.

OK SO!

@gogonini16 req da nightmare and dream (BTW YES! i do OCs too, but i cant PROMISE ill get to em!!! I mostly stick to things that super interest me- IF ITS AU OR DESIGN I REALLY LIKE, ill probably do it!!!)

(SORRY FOR DA @ BTW.)

OH AND AN ANON ASKED FOR GRADIENT :3

at da bottom is. my boyfriend. spinnin. ehe. AND my boyfriends oc.

Like last time ill tag them in the order of who they are!!!

lil utmv sprites >:]

DA ORDER OF WHO DEY R WILL BE IN DA TAGS EHE. use for. whatever. if u want.. :3

if you request some, theres a good chance ill do em!!! especially if they like.. never get any art ehe.

OK TATA~

[lucygriefer]

Lamia Tune Reference Sheet

Here is the Lamia Tune character/reference sheet that I've made. I've never made a character sheet before so when I made this one it was an interesting experience. I'm working on a few other character sheets to upload when their finished.

Also the hammer weapon on the left side of the hammer that is a stereo. If attacking with his hammer, he can boost the speed of the swing with the stereo as it plays a random note or beat.

So far IDK when I'll be to upload the comic, as I'm writing down notes and a draft for the story so it makes sense. So far the comic title name idea I have is Scaly Friendship. Though this title might change in the future.

[omgthatdress]

Sometimes, the line between "drag artist" and "performer who is queer" becomes incredibly blurry and hard to define.

One of the most famous queer artists of the Harlem renaissance was Gladys Bentley, who was openly a lesbian and who wore men's clothing as a part of her stage persona.

Bentley sometimes used the term "male impersonator" as a way of being able to wear masculine attire on stage, but she was never fully pretending to be male. She was always being herself.

A virtuouso piano player, she was called "America's Greatest Sepia Piano Player" and the "Brown Bomber of Sophisticated Songs" She headlined at places like Cotton Club and the Ubangi Club, and always drew in massive crowds.

Described by Langston Hughes, "For two or three amazing years, Miss Bentley sat, and played piano all night long … with scarcely a break between the notes, sliding from one song to another, with a powerful and continuous underbeat of jungle rhythm. Miss Bentley was an amazing exhibition of musical energy – a large, dark, masculine lady, whose feet pounded the floor while her fingers pounded the keyboard – a perfect piece of African sculpture, animated by her own rhythm."

Gladys Bentley was far from being the only queer woman blues singer of the day. Lucille Bogan, Bessie Smith and Ma Rainey also had sexual relationships with women, and sang songs about same-sex desire and "bulldaggers."

Even still, Bentley stood out for her unabashed queerness. When performing at the Ubangi Club, she had a chorus line of drag queens performing behind her.

As time wore on and America became more conservative, Bentley's career struggled. In the 1950s, she renounced her old ways and claimed she had been "cured" of lesbianism and "become a woman again" through a regimen of estrogen shots. It was the only way she was able to maintain a career through the McCarthy era.