#under threat

[msclaritea]

Benedict Cumberbatch, Olivia Colman to Lead 'War of the Roses' Remake

"The Roses’ is a wildly funny, bigger than life, and yet deeply human story,” said Searchlight president Matthew Greenfield announcing the project. “With Jay at the helm, and Benedict and Olivia and Tony, we have a dream team bringing it to life.”

So Matthew Greenfield at Searchlight is dirty...BEYOND dirty. No comment on Olivia Colman as of yet, but we all know now that actors and actresses usually have NO SAY I'm the projects they're currently put in. This film should not be made. It's another horrible, cruel joke to play on the fans of Benedict Cumberbatch and the people pushing it are on the same level as that jackal Jay Z and the NFL This is pure, sick, Freemason, ancient bullshit. Also, how is it this project is STILL in development, when it's BEEN in development since 2017?

And Benedict, if you go along with this project, it will be revealed to the public that you are going along with your own public humiliation, in order to enrich human traffickers.

Was Clarence really not enough for you?

Or Eric?

How about pissing on yourself in Louis Wain?

AND HEY, DISNEY...BIG FUCKING MISTAKE!

[silvashapeshifter]

uh, idk. got inspired.

anyway, meet Revenge, my lovely gay dumbass ✨

TW: kinda suggestive under the cut ? yeah.

he's so bad at flirting istg-

[nonooddo]

Taken in the wild areas of Cedar Creek, on the morning of March 14, 2024. ©️

This is one of the reasons we don’t want Oddo. We already have enough neighbors - and, unlike Oddo, we like them…!

[howifeltabouthim]

Sylvère wonders if the only way that he can feel close to her is when someone else is threatening to tear them apart.

Chris Kraus, from I Love Dick

[andersunmenschlich]

"When the Supreme Court overturned the landmark abortion case Roe v. Wade this summer, Justice Clarence Thomas’s concurring opinion named several other cases he wants the high court to reconsider, including Obergefell v. Hodges, the 2015 case that made same-sex marriage legal in every U.S. state."

[bigfatbreak]

Birds of a Feather previous / next

[rebel-hunk-enjoyer]

Look at him doing his outlandish villainy. His comical menacing.

He doesn't know he's 15 episodes away from wanting to get dicked down so bad he betrays a lifetime of Imperial service. Idiot.

[sakuravalelp]

The Dance Academy isn't a gang- DC X DP Prompt

Inspired by this prompt

Clockwork suggests to Danny, who's been the king of the infinite realms for 6 years now, that he should take sometime off in a mortal realm. He doesn't feel like going back to his own dimension (you choose the reason), so Clockwork suggest another dimension where he thinks Danny might have fun.

Danny investigates the dimension, and finds it is a dimension where some humans, who are called meta-humans, develop powers, mostly during their childhood. Danny knows how tiring and alienating it is to grow with powers that one have to hide. He wishes to give this kids a safe space to experiment with their powers, but not as a weapon, just as part of themself.

He chooses to create a dance academy, because dancing is something in which you use your body and express yourself. It would be an excellent way to encourage this kids to use their powers while enjoying themself. He decides to open the dance academy in Gotham, were it seems metas may feel more pressure to keep themself hidden. With his ability to see and feel the differences in soul it's easy to identify metas, so he starts scouting kids for the academy.

Of course convincing the kids that it's just a a dance academy that wants to create a save space for metas, instead is of a trafficking ring, is difficult. But once he gets the first couple kids in, slowly more come too.

-.-.-.-.-.-.-

Bruce is worried about the new possible meta gang that it's forming on Gotham, and sends Duke undercover.

It's hasn't been long since Duke joined the bats, and this is his first official undercover mission. He's excited at the start, feeling proud that he's been trusted with an independent job, but then he finds out that the "gang" it's just a dance academy. He's a little disappointed, thinking that this job is more of a probation thing than anything, since there isn't anything suspicious.

The bats tell him to stay in the dance academy, because maybe the dance thing is just a cover up and they'll reveal their real motives when he's actually accepted in the group. And Duke takes it as them wanting him to have a meta support system. See? He's learning to understand how the bats show love to each other!

Duke finds himself enjoying being in a dance group. It's a lot of fun. Danny it's fantastic, he has a lot of powers and isn't scare to show them. Which makes everyone in the group feel so much safer to use their own.

Danny encourages them to integrate their powers in their dance. It's freeing. Their powers are treated as a normal part of them, and not as this exotic ability that has to be controlled. It's such a safe space that all of them have gotten used to using their powers for day to day stuff when in the dance studio. It all feels so casual because no one bats an eye to it. There's no talk about how they should try to do things "normally," or limit their use of their power.

Danny: "Why would you? That's your normal, and this place is safe for you to just be you."

Duke realizes a bit late that the bats were actually suspicious of the group, and that his placement there wasn't really a probation. He's glad to know he was actually trusted with a job, but, he had really thought that every time they had asked about his day with the group was because they were interested in how he was doing. That they were showing love and interest in him in that evasive ways the bats did, and it kinda suck to know it wasn't the case. It also meant that he had to confront their family in their clear meta-discrimination.

"Would you have been so suspicious if it wasn't a meta group? No. Other than them all being metas there wasn't anything off. No proof of fights, no proof of robberies, no proof of trafficking, nothing.

There's no proof of anything other than a group of teens dancing, and you know that because you checked it out before sending me.

Like, I don't blame you for checking it, I'm not naive, but you were so sure it was a gang, just because they were metas. That's fucked up guys."

[eggnogtoast]

hire this man to find your missing brother

[msclaritea]

This is another person who tweeted sick crap at Benedict. Team Z drags so many sick people around, with them. Something is VERY wrong with this girl. She is surrounded by Child Sex Abuse symbols, including, you guessed it: A Bunny!

[edenfenixblogs]

For real.

[twistedshipper]

Gothic fiction is characterized by an environment of fear, the threat of supernatural events, and the intrusion of the past upon the present. . . . From the castles, dungeons, forests, and hidden passages of the Gothic novel genre emerged female Gothic. . . . Female Gothic narratives focus on such topics as a persecuted heroine fleeing from a villainous father and searching for an absent mother.

When the female Gothic coincides with the explained supernatural the natural cause of terror is not the supernatural, but female disability and societal horrors: rape, incest, and the threatening control of a male antagonist. Female Gothic novels also address women's discontent with patriarchal society, their difficult and unsatisfying maternal position, and their role within that society. Women's fears of entrapment in the domestic, their bodies, marriage, childbirth, or domestic abuse commonly appear in the genre.

After the characteristic Gothic Bildungsroman-like plot sequence, female Gothic allowed readers to grow from "adolescence to maturity" in the face of the realized impossibilities of the supernatural. As protagonists such as Adeline in The Romance of the Forest learn that their superstitious fantasies and terrors are replaced by natural cause and reasonable doubt, the reader may grasp the heroine's true position: "The heroine possesses the romantic temperament that perceives strangeness where others see none. Her sensibility, therefore, prevents her from knowing that her true plight is her condition, the disability of being female."

🌹 𝔐𝔬𝔯𝔤𝔞𝔫𝔞 & 𝔱𝔥𝔢 𝔉𝔢𝔪𝔞𝔩𝔢 𝔊𝔬𝔱𝔥𝔦𝔠🥀

[syn0vial]

okay, so i've mentioned before how boba isn't above using wordplay/intentionally ambiguous wording/verbal loopholes to get out of rules or agreements he doesn't like while maintaining a front of ~*being true to his word*~. i believe the phrase i used was, "like some fucked up fae creature."

HOWEVER, after a review of additional expanded universe materials, i have come to the delighted realization that he has truly been doing this shit non-stop since he was a child. it's literally like,

"dad says i'm supposed to feed these feeder mice to this eel while he's gone, but TECHNICALLY, the words he used were, 'we'll be back when these are gone,' which doesn't necessarily mean dead. ALSO he's said that "patterns are traps," and killing a mouse each day would be a pattern, so if i let some of them go instead, then TECHNICALLY, i'm just following his advice :)" and "dad said i need to be in this apartment when he gets back, which TECHNICALLY means he said i could sneak out as long as i'm fast enough to get back before he does :)"

which leads to

"jabba said he wants me to destroy every last member of this smuggling ring despite the fact that the majority of them are enslaved children but i only promised to 'deal with' them, so if i kill their master and send them away, i've still technically destroyed the entire gang and 'dealt with' the members :)"

which leads to

"the hutts are only paying me to kill this dude and deliver them a grisly video of his death, but they didn't say i couldn't do a bunch of extra stuff like torch his merchandise afterwards, just that i wouldn't be paid for it :)"

which leads to

"it would technically be a breach of code for me to kill these guys unrelated to an active bounty, even though i really want to and it would be necessary to save the life of a third party, but oh would you look at that, said third party happened to find three credits in his pocket, and as long as i verbally agree to said fee, this is now an ongoing bounty, and i can kill with impunity :D"

which leads to

"based on your promise, i hereby verbally agree to backstab my entire galaxy and help deliver it to the yuuzhan vong for purging and enslavement (but since i know your promise is a lie, my promise "based on" it is also a lie and i'm actually going to secretly go behind your back and do the opposite :)"

basically, if you're gonna hire boba fett for something specific, you better have outlined at MINIMUM a 12-page document outlining exactly what he can and cannot do, or he WILL just fuck off and do whatever the hell he wants

[elumish]

Hi friends!

I know it's only March, but I'm going to start talking about elections again (just for this post, I promise).

We are in as much of an off-season as American electoral politics gets, which means that there are two really important things for you to do in terms of elections:

Understand when the next elections that you can vote in are. Two states (NJ, VA) have gubernatorial races this year. I'm sure some places are having local elections, state-level elections, and/or special elections. There may also be primaries or elections held in months other than November. You don't need to spend a huge amount of time on this, but don't forget to look up the election schedule for your area to know the next time you'll need to vote.

Work on any organizing that isn't feasible or useful during election season. If you're always unhappy with the candidate options or party platforms come election time, this is the time to advocate for certain positions and organize for potential candidates who you do like. Come November 2026 or 2028, you'll be stuck with whoever is on the ballot--so now is the time to try to influence who gets on that ballot and what they are fighting for.

Everything is terrifying and hard right now, and it can feel like there's nothing you can do. And what I've listed here barely scratches the surface of what you can do to support democracy in the United States--but it's something.

[secretmellowblog]

Another reason I dislike Les Mis adaptations that make Jean Valjean constantly openly angry/violent is because they miss that Jean Valjean is not allowed to be angry. The fact he is forbidden from expressing anger is, I argue, actually a very important part of his character in the novel!

One of the subtler political messages of the story is that some people are given freedom to express anger, while others are forced to be excessively meek and conciliatory in order to survive.

Wealthy conservatives like Monsieur Gillenormand can “fly into rages” every five minutes and have it treated as an endearing quirk. Poor characters like Fantine or Jean Valjean must be constantly polite and ingratiating to “their superiors” at all times, even in the face of mockery and violence, or else they will be subjected to punishment. If Gillenormand beats his child with a stick, it’s a silly quirk; if Fantine beats a man harassing her, she is sentenced to months in prison.

(Thenardier and Javert are interesting examples of this too. Thenardier acts superficially polite and ingratiating to his wealthy “superiors” while insulting them behind their backs. Javert, meanwhile, is completely earnest in his mindless bootlicking. But I could write an entire other post on this.)

The point is that….Jean Valjean has to be submissive and self-effacing, or he puts himself in danger. He can’t afford to be angry and make scenes, or he will be punished. The only barrier between himself and prison is his ability to be so “courteous” that no one bothers to pry into his past.

Jean Valjean is excessively polite to people, in the way that you’re excessively polite to an armed cop who pulls you over for speeding when you secretly have a few illegal grams of marijuana in the your car trunk. XD It’s politeness built on fear, is what I mean. It’s politeness built on a desperation to make a powerful person avoid looking too closely at you.

It’s politeness at gunpoint.

Jean Valjean has also spent nineteen years living in an environment where any expression of anger could be punished with severe violence. That trauma is reflected in the overly cautious reserved way he often speaks with people (even people who are kind and would never actually hurt him.)

So adaptations that have Jean Valjean boldly having shouting matches with people in public and beating cops half to death without worrying about the repercussions just make go like “???”

Because that’s part of what’s fascinating about Jean Valjean to me? On one hand, he is a genuinely kind compassionate person, who cares deeply about other people and behaves kindly out of altruism. But on the other hand, he was also “beaten into submission” by prison, and forced into adopting conciliatory bootlicking behaviors in order to survive. And it can sometimes be hard to tell when he is being kind vs. when he is being “polite” — when he is speaking and acting out of earnest compassion vs. when he is speaking and acting out of fear.

The TL;DR is that I think it’s important that even though Jean Valjean is very (justifiably) angry about the injustice that was inflicted on him, his anger is harshly policed at all times— by other people, and by himself. He has been told his anger is wrong/selfish so often that he believes it. His anger takes weirder more unhealthy forms because he has no safe outlet for it. His rage at society becomes a possessiveness towards Cosette and silent hatred of Marius, but primarily it becomes useless self-destructive constant hatred of himself. And while I might be phrasing this wrong, I think that’s what’s interesting about Jean Valjean’s relationship with anger— the way his justified fury at his own mistreatment gets warped into more and more unhealthy forms by the way he’s forced to constantly repress it.

[houip]

Playing in stars and time, then coming to the conclusion that the forgotten country is any English majority speaking country is like just wild to me. You looked at a storyline of the crushing trauma cultural erasure and thought "this must be the UK".