#under nemesis's orders
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more wolf (and ethan)
#pjo#pjo fandom#pjo fanart#wolf hu#ethan nakamura#original character#pjo oc#percy jackson#theyre on a brother bonding roadtrip#under nemesis's orders#ethan does not want to be there#someone save him#nemesis bros
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#turboriginal#Turbo#also known under his Sugar Rush persona King Candy#is the main antagonist of Disney's 52nd full-length animated feature film Wreck-It Ralph.#He was originally the titular racer of the in-universe arcade game TurboTime before he abandoned it to take over the more popular RoadBlast#leading both of the games getting crashed and being put out of order. Following this#Turbo infiltrated the world of Sugar Rush under a false identity so he could maintain his popularity. He is the former boss of Sour Bill#Wynnchel#Duncan and briefly the Cy-Bugs#as well as the arch-nemesis of Vanellope von Schweetz and the movie's titular character.#He was voiced by Alan Tu
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eldest son's soul died and now his body's morphing into a horrific monstrosity? gave birth to omens? don't like that one group of merchants? some guy is running around yammering about corpses and defilement? spicy fingers want to burn your house down? put them in the sewers below leyndell! you certainly will not regret putting them in the sewers below leyndell!
#the nemesis speaks#elden ring#this is not in chronological order. obviously#i just think it's funny how right under the erdtree is like a seven layer dip of fucked up nightmare fuel
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I have such mixed feelings about the love languages thing specifically, because, like, gary chapman fucking sucks and there's no scientific validity to his work BUT
at the same time, i do think there's some value in recognising and discussing the fact that different people need different expressions of love in different amounts? Especially in relationships.
Like, I have just recently been having a discussion with my partner about how he really doesn't tend to express his affection through gifts, whereas (as someone who is mega-bad at expressing sincere feeling) I do rely heavily on giving gifts and doing things for people as a less scary way to express love. Joe doesn't like giving gifts, because he's scared he'll do it wrong, and is only so-so on receiving them. He prefers to express love through physical contact and saying nice things. I hate having nice things said to me unless I am allowed to immediately rebut them with a joke or sarcastic comment that makes them less scarily close to emotional honesty. too many words of affirmation and i will genuinely just start avoiding you because it is painfully awkward to me.
and none of that means we are fundamentally different categories of people, which is where the 5 Love Languages stuff falls into being absolute bollocks. but I have seen, and done, enough throwing the baby out with the bathwater on that to be a little defensive - I think reasonable applications of the concept are actually really quite valuable. and for me, the taxonomy Chapman suggests (words of affirmation, quality time, gifts, acts of service, physical touch) while not at all exhaustive or thorough, is a useful framework to hang those conversations on. bc, like, no, the way people communicate and receive affection is not universal, and from personal experience, assuming that it is can have really significant problems for a relationship.
...you could argue that this is parallel to BMI in terms of "tools being used in totally not the way they should be used" though, tbf.
I can't keep having the same conversations about love languages, mbti, iq, bmi, "brain fully formed at 25" and shit over and over again...
#bmi is my nemesis because i used to write health information for a living#“unhealthy bmi is” NO SHUT UP DON'T MAKE ME WRITE THAT BOLLOCKS#one of my pet projects in my last job was a complete overhaul of all our healthy eating stuff because GAWD#but also my honours project ended up with an interesting potential Science Development coming out of BMI data#which i still think merited further research#ALMOST LIKE BMI IS DESIGNED FOR LARGE-SCALE STATISTICAL ANALYSIS AND NOT INDIVIDUAL USE#i will say though: it doesn't JUST “hang around because of fatphobia and insurance companies”#in scientific use it hangs around because we don't have a better metric#we've been trying to develop a better statistical metric for subcutaneous fat makeup for DECADES#since before bmi even entered common use actually#you don't need to know someone's BMI for healthcare. you do need to know population BMIs for epidemiological analysis.#but under testing other measures of fat distribution#(e.g. hip:waist ratio; waist circumference; net mass; various adjusted combinations of the aforementioned with height)#just do not meet even BMI's fairly low bar for correlation with detailed fat deposit analysis#but the thing is that BMI is a quick and dirty estimate of a complex topic. which is fine when you're looking for population trends.#it is NOT fine when you're trying to make an analysis of an individual person's health or body composition or anything else#it is the equivalent of eyeballing a room full of people and putting them in order based on how old you think they are#it probably does mean you put the OAPs on one side of the room and the babies on the other!#but if you then went up to one individual person like “according to my calculations you're 65 so you must be retiring this year"#there is a high chance that you would have fucked up#both because you probably did not get their age that accurate AND because you are making a bunch of associated assumptions about them#this was a long tangent about a different topic to go off on in the tags#tl;dr BMI isn't completely useless. it's just not remotely useful for any individual person ever.#(see also: biological sex)
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what a mess~
pairing: miguel o'hara x reader cw: smut, established relationship, superhuman stamina, overstimulation, cum EVERYWHERE, 'use a condom, it's too messy X(', 'bitch stfu i'll show you messy'..., so many sheets, reader is a pushover (bc I WOULD BE TOO) wc: 1k + a/n: i um... just take this and I'll go to a corner of a room and think ab what I've done.
---
Having a superhero boyfriend is great – he gets you discounts at your favorite restaurant, he easily carries you home after a long night out at the bar, he saves you from getting kidnapped by his arch-nemesis for the fourth time this month (though isn’t that his fault in the first place?....) – but there are aspects of the relationship that you didn’t consider before.
Apparently, with great power comes great… stamina.
To put it plainly, Miguel’s (sex) drive is unheard of. You better clear out your schedule for the whole day because he can go for hours. And most nights, you can barely sit up after he fucks you.
You like that – or you did when you could afford to be sore every other day. You like how enthusiastic he is – how much he wants you. It makes you feel desired and beautiful. But it’s not just the intense workout you risk every time you steal a kiss that turns into more – it’s the number of times he can…finish.
Every time you think he’s finished, he’s still hard and thrusting into you, overstimulating you until black stars start to fill your vision.
It’s a mess in the end.
You lay on top of him, filled to the brim, dripping all over his lower stomach and onto the sheets under you, breathing so hard you’re sure you’d rupture a lung. You feel like you’re barely conscious on the bed as your heart beats harshly against your chest from how hard you came. Hair sticks graciously against your forehead as your eyes struggle to stay open to see Miguel, who gently pulls out and watches his mess spill out of you.
He whispers sweetly of how well you took him, how pretty you look all fucked out, how much he loves that he can turn you into a blabbering – mindless whore. Being the possessive man he is, he attempts to shove it back in, using two of his thick fingers to gather and push his essence back into you, hoping that, against all odds, it’ll take, despite the fact you take your birth control religiously.
Of course, when he sees how your thighs shake and squeeze around his hand from the overstimulation of him fucking his fingers into you after you just came, he immediately gets hard again.
He gazes down at you with apologetic red eyes as he bites his lip under a sharp fang, “I can’t help it when I see how wrecked your pussy is for me…”
It’s nice – it’s hot – but you end up having to change the sheets 5 times a week. He’s insatiable… well ok, you’re just as thirsty as your boyfriend, but the amount of maintenance you need for each session is ridiculous. You basically gave up washing your sheets after every fuck, and instead ordered several identical sets of bedding to make the process easier.
Many sheets have been destroyed beyond recognition. Okay, maybe you’re being a bit overdramatic, but the amount of cum-stained sheets in your linen closet is insane. How are you supposed to hide this if you were to have guests over?!
After staring at the layers of folded-up and stained sheets that you’ve accumulated over the past few months, you decided you were going to do something about it.
You can still have fun without the mess.
…right?
—
Miguel has you on your back at the end of the bed with your legs resting on the crook of his arms. You have on a cute little nightgown – white to symbolize purity (though what you were about to do was far from pure) – with nothing underneath. It was one you bought just to get a reaction out of him – and now you got it.
He holds you open for him, regarding you like he would a special gift – though there’s nothing to really celebrate (unless you count his raging erection). He breathes harshly against your neck as he paints your skin with kisses and nips. You’re nearly folded in half with how closely he’s pushed against you, but you can barely recognize the mere tinge of soreness in your legs with how fluidly pleasure seems to travel from his lips down to the apex of your thighs.
Miguel O’Hara, the strong, independent Spider-Man, is truly a mess in front of you. His once neatly ironed tie now hangs loosely around his neck, his crisp white shirt unbuttoned halfway down, and his hair a tangle of unruly curls. His fingers, now caressing your body, are already dripping in your slick from when he forced a couple of orgasms out of you right when he got home.
You find a sense of satisfaction in the disheveled state of his appearance, relishing how his once meticulously groomed demeanor has been disrupted – how his eyes transition from their usual chocolatey brown to a striking blood red, how his lips swell sweetly with lust.
Miguel groans deeply as he grinds his clothed hardness against your wet center, “Mm…I want you so bad.” He unbuttons and unzips his pants, sighing as he releases himself from the tight fabric. No underwear?
“Wait, Mig." he pauses his movements, waiting patiently – prepared to do whatever you want. “Get a condom.” …Except maybe…that.
“Condom?” He could barely hold back his sneer, but you could faintly hear the growl vibrate from his chest.
“Mhm, we’ve been too messy lately. We can’t just keep buying new sheets every week!”
“...We could…”
“Miguel!”
“I don’t see what the problem is… this is just how it is.”
“But it’s too messy.”
“I thought my baby likes to be filled up…”
“...I-I mean, I do sometimes, but –”
“Don’t you like it when I get you all messy?” He leans in close, distracting you from denying him. “Have you dripping with me for days?” He presses closer, and you can feel his hard cock slip against your wetness, dragging against your sensitive clit.
“Miguel.” You whine.
It’s so hard to deny this man.
“How about we just try to be more careful, hm?” He presses against you gently, nearly entering you, but not quite. It feels so good, the tip of him barely stretching past your entrance.
“Okay…j-just this once though…” You surrender with a whisper.
#miguel o'hara x reader#miguel ohara x reader#miguel o'hara smut#miguel ohara smut#miguel o’hara x reader#miguel o’hara smut
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Ghost Eater
Summary: You don't like exorcists. They don't much like you either.
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You’d always thought big restaurants like the Brownie Industry only did well in small, midwestern towns like the one you came from. A year working in LA has taught you that, no matter where you go, people will always love garlic bread and sugar.
It’s your day off which means you’re pulling a double shift. You haven’t had time to wash your hair for the past two weeks so it’s frizzing out of your claw clip and flying wild around your face. The lighting is so dim that you’ve tripped over two black purses already, luckily not while you’re running food. The big dining room sounds like an apiary with the tittering laughter of the later adult crowd that’s filtered in from the theater across the four lane road. The main difference between the Brownie Industry here and the one back home is size. The ceiling soars overhead, supported by a series of concrete pillars separating the dining area into three sections.
Normally it would be three servers per section. Today, it’s just you in yours.
One more hour. That’s what the manager promised you. It might even be true if the host stand quits seating you after the table you’re approaching.
There are three people at the table. A woman whose hair might be light blonde or gray in the light of day, her eyes light and piercing. Her face is soft from age, emphasized by the tight, lace collar of her off-season sweater. She reminds you strongly of your mom’s nemesis on the HOA board. The man couldn’t be more out of place next to her despite their equivalent age. He’s wearing a leather jacket – again, it’s not cold here – and a Norwegian metal shirt underneath. His hair is definitely white, so white it almost glows. He’s frowning at the teenager across the table as if she’s touched his motorcycle without permission.
The teenager might be the first you’ve seen all night who doesn’t have their phone out. She’s decked out in what you consider grandma florals – a t-shirt scattered with daisy chains, a bucket hat made out of nana’s carpet bag, and a hand-crocheted scarf in pastel. You can’t really see her face under the shadow of her hat and there’s an odd, blurred quality to the way she fiddles with her napkin. You let your eyes skip past her and back to the two adults. Teenagers don’t pay the bill.
“Welcome to Brownie Industry!” you chirp. You’re sweaty and red but the faded yellow light hides that. You’re a service industry pro so none of your exhaustion shows on your face when you ask, “Is this your first-time dining with us?”
If you weren’t so burned out, you’d have noticed before you introduced yourself.
“Are you Grady?” the woman asks. Her voice is more posh than you expected even with her lace collar. “Grady Pace?”
Fuck. There’s a noticeable temperature differential now that you’re close to them. The restaurant is warm from the number of bodies, maybe even warmer than the summer air outside, but stepping up next to their table feels like walking into an ice rink.
“I’m your waitress,” you say. You don’t have time for this conversation. You’ve got five minutes in your cycle to take their order and then you’ve got food to run. “If you need any other services from me, I have a website.”
“We messaged you,” the man says. His lips thin to the point his thick mustache covers them entirely. “You never responded.”
Because you’ve been making more money at the Brownie Industry than your other job. “I’ll take a look at it tonight.”
“Wait,” the teenager says, sitting upright. She looks from you to the adults and back again. When she smiles, there’s no humor in it. “This is why we drove eight hours to have dinner at the Brownie Industry? For her?”
“Katie, be polite—”
“I’m sorry,” Katie says, “It’s just—I found a priest, you know? An actual exorcist priest and you guys want to trust a waitress over him?”
“Ugh exorcists,” you say. The memory of sour cabbage is so heavy on your tongue that you stick your tongue out in disgust. When you see Katie’s look, you backtrack. “Effective! Definitely effective.”
“Your mistakes have cost us too much already,” the man says, shaking a finger at her. “We are not converting just for an exorcism.”
“I normally don’t agree with your father,” the woman tells Katie, “but in this case I would like to leave conversion as a last resort.”
“We wouldn’t actually convert,” Katie says, rolling her eyes.
“Pretty sure exorcists can tell when you lie,” you tell Katie. When her scowl deepens, you clear your throat. “Did you all need another minute to think about the menu?”
“We need you to help us,” the dad says. He scrubs a hand over his face. “Look, I know you’re at work and I’m sorry we’re bothering you.”
“We’re desperate,” the mom says. She reaches for her purse. “We’ll pay you. Triple the rate on your website or even quadruple. We need that thing gone by tonight.”
Katie covers her face. “Mom. You’re embarrassing me. Terry isn’t that bad.”
“Oh, he’s bad, young lady,” the dad says sternly. “A bad influence.”
“We caught her trying to perform another séance yesterday,” the mom confesses to you. She leans forward with a pinched expression. “So Terry’s friend Larry could visit too.”
“Interesting,” you say. The food bell rings, but you think you can ignore it for another minute. You study Katie’s blush. “Why did you do that?”
If she was being compelled, she won’t have an answer to your question. You’ve dealt with a lot of ghosts in your time, but so few are sentient enough – or powerful enough – for compulsion.
“Go on,” the dad says, gesturing at you. “Tell her.”
“Leroy, she’s embarrassed enough,” the mom says.
“No, she’s not, Sarah.” The dad – Leroy – gestures to you again. “Tell her.”
Katie huffs, clearly resistant. But when her dad huffs back, she caves. “So,” she says, “I have this YouTube channel—”
“I’m off in an hour,” you interrupt. You don’t care that you’re being rude. Your patience ran out as soon as she said YouTube. “I’ll meet you in the parking lot.” You turn to go.
“A moment!” Sarah shakes out her menu. “How’s the nicoise salad?”
Of course they’re going to order. They’d better tip too if they want you to help them with their ghost problem.
----.
“You said an hour,” mom Sarah says when you leave out the employee entrance. She’s shivering next to her daughter. Leroy is off smoking behind his motorcycle, parked next to the Tesla Katie is leaning on, but he stubs out his cigarette on the asphalt when you walk up. “It’s been two.”
“I had side work,” you say instead of it would have been one if not for you. You rub your bare arms when the familiar ghost chill washes over you. You want nothing more than to go home and wash the scent of garlic and brownie batter out of your hair. “Was there something wrong with my service?”
“No?”
You try to make your voice light. “I see.”
Sarah frowns at your tone anyway. “Why?”
“You tipped five dollars.”
Katie jolts like a scalded cat. “Mom!”
Leroy scrubs a hand over his face. “Sarah…”
“What?” Sarah throws up her hands. The parking lot lights catch on her Swarovski charm bracelet. “I tipped!”
“Like ten percent,” Katie says. She pulls her bucket hat over her eyes for a beat and then peeks at you from under it. “I’m so sorry. It’s not you, she’s always like this.”
“It was actually a six percent tip,” you say. You’re getting a clearer picture of this little family now. It’s becoming more and more understandable why Katie might have started summoning ghosts. “If you want to be precise.”
Leroy reaches for his back pocket. “Let me.”
Sarah swats at his hand. “We’re about to pay her a lot more than that!”
“For a completely separate job,” Leroy says. He pulls a twenty from his wallet and hands it to you with a grimace. “Sorry, Grady, I should’ve checked.”
“You should’ve paid if you cared so much,” Sarah retorts. She folds her arms over her chest. She taps her cheek and widens her eyes. “Oh wait… you never pay.”
“Sure,” Leroy says. This time it’s his turn to throw his hands in the air. “Sure, Sarah. I don’t pay for anything to do with our daughter’s private school or her dance classes or her health insurance—”
“If the court hadn’t mandated—”
“You make twice as much as me—"
“Guys!” Katie says loudly. Her mouth is a thin line of upset when she says, “Argue about what an expensive burden I am later when we don’t have an audience, okay?”
Her parents speak at the same time.
“You’re twisting my words,” Sarah says. “I never said—"
“Sweetie, you’re not a burden—”
“Can you just get this ghost out of me?” Katie asks you. She goes for nonchalance and falls short. “My parents haven’t been in the same room for the last five years for a reason.” She fakes whispering. “They don’t play nicely with others.”
Sarah bristles. “Katie.”
“God, I know how that is,” you say. The whole interaction is giving you the worst case of sympathy for Katie. Before her parents can say anything else, you change the subject. “How long have you been haunted?”
“Six months,” Katie says. She fiddles with her bucket hat so that you can see her eyes for the first time. They’re brown, like her dad’s, and have heavy bruises underneath. She shrugs. “They only noticed a month ago though.”
“I noticed your behavior had changed,” Sarah defends. Like her daughter, she fidgets. She plays with her bracelet and clears her throat. “I thought it was a teenage thing.”
“What signs did you notice first?” you ask the parents. They glance at each other and then away.
“Let’s just say we noticed different things,” Leroy says dryly. He pulls out his phone.
“Moodiness,” Sarah says. She ticks them off on her fingers. “Laziness. Disrespect. Over-sleeping.”
“Those are just teenager things,” Katie says with an astounding level of self awareness. She shrugs. “I’m a senior now. They’re lucky it didn’t start sooner.”
“I,” Leroy says, “noticed this.” He turns his phone towards you.
“Ah,” Sarah says, “Yes. That.”
You examine the picture. It’s of Katie on a small dirt bike. She’s wearing a helmet in the picture, but you recognize the fashion sense in the floral boots she’s wearing. The scene behind her is of the hills, low scrub brush recognizable to someone who’s lived in LA for the past five years. On the bike behind her is a smudge. It could be a cloud of dirt blown into frame or maybe a camera glitch. It could be if it weren’t for the leering face emerging from the cloud right behind her head.
“I just want to say I did not agree to getting her a motorcycle,” Sarah says.
“Mom, not the point,” Katie says.
“Look how close that creep is to my daughter,” Leroy says. He jabs a finger at Katie’s waist in the photo where you can see a ghostly hand. “I want him gone.”
“Dad, he didn’t mean anything by it!” Katie turns to you earnestly. “Terry never rode a bike before and I thought, like, what if he moved on after he got a chance to? It was a philanthropic effort!”
“Plant a tree if you want to be a philanthropist,” Leroy growls. “I want this guy away from my daughter.”
“He doesn’t mean any harm really,” Katie says. “He would move on if he could! He says he’s stuck to me because of how I summoned him. He’s like, really sorry. He even spelled out Sorry in the bathroom mirror once.”
“What,” Sarah says in a dangerous voice, “was Terry doing in the bathroom with you, Katie?”
Katie splutters. “Mom, don’t be gross!”
The family descends into bickering. You have heard about ghosts being stuck to a person before, but usually that’s when the person has some sort of psychic powers. Katie’s wearing crystal in her ears, but they aren’t charged. She might develop some talent later in life, but right now she’s a normal girl.
The parking lost is nearly empty now. You recognize a few employee cars, but very few customers. The kitchen will be cleaning for another half hour before they’re ready to go home. The reality is that, if Terry is stuck, you might not be the best way to handle the situation. If he’s not…
Well.
It’s time to talk to Terry.
Opening your ghost sense is hard to describe. Some psychics liken it to a third eye, right in the middle of their forehead. You’ve always thought that sounded really cool like maybe the world gets cast in a blue hue when they do it and the dead appear like they do in movies. You’ve met other psychics who say it’s like a sixth sense. They know where the ghost is and it’s like they download all that information until their minds can just sort of conjure their image.
For you, it���s like letting your body remember it has a second mouth. Cats have an extra sensory organ on the roof of their mouth that lets them detect scents better. Your second mouth is a bit like that. You can still smell brownies and garlic and the city air of LA, but you can also smell/taste something else.
Something like…pepper?
Your eyes water and you sneeze so viciously that your eyes close. When you open them again, four people are staring at you in surprise.
“Gesundheit,” Leroy says.
“You sneeze like Dad does,” Katie says.
“Did no one ever teach you to cover your mouth?” Sarah asks in disgust.
“I wish you would’ve sneezed on her,” Terry says, nodding to Sarah. “She’s such a bitch.”
“Thank you for the commentary, everyone,” you say. You wipe your nose with the collar of your shirt as you consider Terry. It’s dirty anyway. “Terry. Interesting name for a ghost.”
Terry hasn’t noticed that you can see him yet. He’s floating behind Katie, one arm casually flung over her shoulder. It’s hard to place when he died based on his appearance alone. His hair is chin length, emphasizing the width of his jaw. Squire cuts have been popular for several decades and the bowling shirt he’s wearing could either be a modern fashion statement or a dated uniform. He looks to be in his mid-twenties, sun-kissed and with the air of someone who tells a lot of jokes at the expense of others. His arm around Katie strikes you as possessive, the glare he gives her parents venomous.
“I didn’t name him,” Katie says. “He said it’s short of Torrance.”
You blink. “Wouldn’t he be Torri then?”
“That’s a girl’s name,” Katie and Terry say at the same time. Their cadence is so close that it actually sounds like Terry’s baritone comes out of Katie’s mouth. For a moment, his arm flickers, clipping into her shoulder like a bad animation. When it does, Terry’s form grows brighter, more solid. Then Katie shivers and he’s forced out of her.
You and Terry click your tongues at the same time.
You remember how Katie’s hands seemed to blur at the dinner table. Terry’s not just haunting Katie. He’s trying to possess her. You wonder if that’s why Katie looked up an exorcist rather than a simple spiritual cleansing. Did she know how much danger she was in?
“Okay,” you say. You tear your attention away from Katie and Terry for a moment. Business first. “Sarah. Leroy. Who was it that found my site?”
“I did,” Sarah says. She raises her chin when you can’t hide your surprise. “When Katie was looking up exorcists—”
“She didn’t mean it,” Terry says. He pats Katie’s hat. “Right?”
“—I looked up alternative solutions,” Sarah says, not having heard Terry. Her confidence falters for a moment and she rubs her arm. “I have had some… negative experiences with exorcisms. I don’t want my daughter to go through that.”
Katie’s head whips towards her mother. “What? I didn’t know that.”
“It was a long time ago,” Leroy says. For the first time, he reaches out and hugs Sarah with one arm. You don’t know what surprises you more; Leroy hugging Sarah or Sarah leaning into his side. “When Sarah told me, we decided to put our differences aside. I vetted you through some of my contacts and they all agreed you’d be a safe bet.”
“I am,” you say. You’re not bragging either. You’re probably the safest bet in half the western states besides your older sister. “There are some…peculiarities in my method.”
“Charlatan,” Terry whispers in Katie’s ear. He’s grinning now. “Only charlatans are that confident. Look! She can’t even see me!”
Katie looks doubtful.
Usually, you’d try to talk to Terry at this point. Sometimes spirits can be negotiated with. They can be encouraged to move on or to take on a less aggressive form of haunting. Those that are truly stuck can be helped with the right sort of ritual work. But the way Terry’s affecting Katie’s mood and that fucking arm around her shoulders…
You don’t really want to talk to Terry.
“We can ask Terry to move on,” you tell the family.
“Nooooooo,” Terry says and flips you off. “Pass!”
“Sometimes spirits don’t realize how deeply they’re affecting their hosts,” you say.
“You don’t even know how deep I’m about to be,” Terry jeers at you.
“Many ghosts are confused when they’re called to interact with the living,” you say. “It can blur their understanding of death and, as a result, they cling to life. If they stick around long enough, their presence will affect the living like what’s happening to Katie. It’s not always malicious. It can be a symptom of that confusion.”
“Katie, tell her to piss off,” Terry hisses in the teen’s ear. “I’m not confused, I’m bored.” His voice deepens. “Tell her we don’t need her help. Tell her we’re going home.”
Katie opens her mouth robotically. “That’s…” Her brow creases as she tries to figure out what she was going to say. “It seems like we don’t need help then. Terry will move on when he’s ready, like I thought.”
“We aren’t paying you for a ghost therapy session,” Sarah snaps. It’s only because you’re really focusing that you can see the unease under her anger. She’s noticed something wrong with Katie. “Katie, Terry is going away today.”
“Fuck you,” Terry says.
“Fuck you,” Katie says.
Leroy’s head rears back. “Katie, you don’t use that language with your mother!”
“Fuck you too,” Katie and Terry say. The parking lot lights flicker.
“No, fuck you, Terry,” you say, stepping between Katie and her parents. Leroy starts like he’s going to pull you out of the way, but he doesn’t.
“Terry?” Leroy asks. He looks scared. “Terry said that? Is Terry possessing my daughter?”
“Not yet.” You eye Terry’s arm and the way his fingers are sinking into Katie’s arm.
“Oh fuck,” Terry says. He doesn’t look scared. Not yet. Instead, he grins. “You can see me.”
“Not every ghost is malicious,” you tell the parents without taking your eyes off Terry. “But some are.”
“I’m not malicious.” Terry runs a hand through his hair, still grinning. The parking lot lights flicker overhead again. “I care about Katie a lot.”
“Terry’s never hurt me,” Katie says.
You ignore her. She’s not even shaking Terry off now. Her gaze is dull on your face when you say, “I don’t mean to sound like I’m some sort of ghost therapist. However, it’s important to differentiate between malicious and non-malicious hauntings in my practice. My methods are unconventional and, if used indiscriminately, I can get in a lot of trouble.”
“We won’t tell anyone,” Leroy says. He steps into your periphery. His gaze flicks from you to the spot you’re staring at over Katie’s shoulder. “We want Terry gone.”
“Not a soul,” Sarah promises. She comes up on your other side. “Please help our daughter.”
“Terry,” you say. Your second mouth is yawning wide somewhere in the back of your brain. The taste of pepper isn’t as overwhelming now. “Last chance. Renounce your claim on Katie’s soul and slither back into whatever hole you came out of.”
“We’re soulmates,” Terry says. He bares his teeth at you. “Go on, Charlatan. Call on your God to banish me. I’ve been around for decades and no exorcist has ever been able to put a scratch on me. And when they manage to push me out?” He laughs and the temperature drops another ten degrees. An unholy light flickers in his eyes. “I just come right back.”
“Then I guess I won’t feel guilty,” you say.
“Guilty?” Katie asks.
You walk forward two steps and grab Terry’s face. Terry’s skin is soft and jelly-like. His facial bones undulate like rubber under your grip. “Hi, Terry.”
Now Terry’s afraid. “What the fuck, you can touch—?”
“Bye, Terry.” You drag him towards you. His fingers pop out of Katie’s arm with a wet sucking sound, and he claws at your wrist.
“Wait! Waitwaitwaitwait--”
You eat Terry.
People come from all around to eat at the Brownie Industry. They love the density of the desserts and the heaps of garlic spread over home-baked (shipped frozen) rolls. It’s a treat to know you’re always going to enjoy the meal even if you’re far from home or eating at the same location a hundred times. It’s consistency, sugar and butter. An easy addiction to have.
Eating ghosts is like that for you. They fizz in your second mouth like champagne and melt like fudge. It’s hard to describe and the ephemeral quality of it sends shivers down your spine. Somewhere Terry is screaming in anguish, maybe crying. You think that the family you’re helping is screaming something too, but the sensation of eating is so consuming you can’t hear the words.
Terry is younger than other ghosts you’ve eaten. He doesn’t have the depth of flavor you’d once been addicted to back in Illinois. The best ghost you’ve ever eaten had been like a six-course meal with all the centuries she’d been carrying. In comparison, Terry is like a bag of pepper chips. Interesting, but gone in a moment. Still, he hits the spot.
When you’re done, you burp a purple cloud of ectoplasm into the still night air.
Leroy is the first to speak. His eyes are so wide you can see the whites all around them. “Pay her, Sarah,” he says breathlessly. His hands shake as he reaches for Katie, steadying her on her feet. “Now.”
You smack your lips and graciously accept the wad of cash Sarah hands you. You raise your eyebrows. “This is more than three times my rate.”
“Consider it a tip,” Sarah says. She’s more composed than Leroy, but still pale. She studies you. “That was…revolting.”
“You didn’t have to watch,” you say. You put your money away and then perk up at a sudden thought. “Hey, if you can, can you leave me a review on my site?”
“I thought you didn’t want us to tell anyone?”
You wave your hand. “Secrets are bad for business. Besides, Terry deserved it. I’m sure they’ll understand if you write that in your review.”
“They…?”
You smile and don’t answer.
The family don’t ask many more questions after that. The parents promise to leave a review and Katie just stares at you as if concussed. You assure the parents that she’ll be back to normal as soon as the soul-shock wears off.
“And if it doesn’t?” Sarah asks.
“Message me,” you say.
“You don’t check your messages,” Leroy says.
“Oh,” you say, patting your stomach, “I’ll be checking them a lot more often now.”
You’re hungry again.
---
(Patreon)
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Miraculous Ladybug Season 6 Airdates January and February (+some other junk)
THAT'S RIGHT WE ARE FINALLY BACK!!
These dates have been out for awhile now, so I'm sorry for how late this is! My motivation for this blog has been entirely tied to personal life/ interest in the show, and since it hasn't been airing consistently and I've been busy with school it's been rough. But... here we are!
Before I get to more yapping, here are the dates! All of these can be found on the Disney Channel US website (if you're looking for a source), but honestly I wouldn't be surprised if another international network beats Disney in premiering at least one of these episodes in the next month or so. However, I'll make sure to be on the lookout so I can let you guys know/ update the post if necessary.
THE ILLUSTRHATER ✔️ Airdate: January 24th Time: 7:45 pm Brasilia Standard Time Channel: Mundo Gloob Language: Portuguese
THE ILLUSTRHATER ENGLISH DUB ✔️ Airdate: January 25th Time: 11:00 am Eastern Standard Time Channel: Disney Channel USA Language: English
SUBLIMATION ✔️ Airdate: January 31st Time: 7:45 pm Brasilia Standard Time Channel: Mundo Gloob Language: Portuguese
SUBLIMATION ENGLISH DUB ✔️ Airdate: February 1st Time: 11:00 am Eastern Standard Time Channel: Disney Channel USA Language: English
DADDYCOP Airdate: February 7th Time: 7:45 pm Brasilia Standard Time Channel: Mundo Gloob Language: Portuguese
DADDYCOP ENGLISH DUB Airdate: February 8th Time: 11:00 am Eastern Standard Time Channel: Disney Channel USA Language: English
WEREPAPAS Airdate: February 15th Time: 11:00 am Eastern Standard Time Channel: Disney Channel USA Language: English
REVELATOR Airdate: February 22nd Time: 11:00 am Eastern Standard Time Channel: Disney Channel USA Language: English
So- it seems like this new era of miraculous is already off to a great start in the world of out of order airing with episodes 2-5 airing before episode one [EDIT: WE ARE NOW ALSO GETTING EPISODE 11 BEFORE EPISODE ONE ARE YOU KIDDING] , so I'm sorry to anyone who wants to watch it in order! However, hopefully nothing too crazy happens in the first episode that isn't recapped by the 2nd, so maybe you can watch these episodes as they come out anyway without too much confusion (doubt) [AGAIN, PROBABLY NO LONGER APPLIES W/ EPISODE 11 AIRING BEFORE OTHERS 💀] Either way, I'll try to let you guys know what the vibe is in that department (in the least spoilery way possible) , and at the end of the day its entirely up to you guys as viewers what you want to do! I'm sure we all have our routine with out of order airing by this point in time haha.
As for the blog, new pinned post dropped, partially revamped the look, and I will continue to post as necessary!
Excited to go on this journey with y'all, and here's to the new season :)
(Chronological order under cut)
MIRACULOUS LADYBUG SEASON 6 CHRONOLOGICAL ORDER
S6E01- Climatiqueen
S6E02- The Illustrhater
S6E03- Sublimation
S6E04- Daddycop
S6E05- Werepapas
S6E06- Sleeping Syren
S6E07- El Toro De Piedra
S6E08- Vampigami
S6E09- Mister Agreste
S6E10- The Dark Castle
S6E11- Revelator
S6E12- Wreckless Driver
S6E13- Yaksi Gozen
S6E14- Grendiaper
S6E15- The Ruler
S6E16- Noe
S6E17- A Fairy Good Night
S6E18- The Dirtifiers
S6E19- Riginarazione
S6E20- HeartFixer
S6E21- The Chained Titans
S6E22- Lady Chaos
S6E23- Sadnansi
S6E24- Queen of the Dreadzone
S6E25- Secret Protocol
S6E26- Nemesis
#first post of the new season babyyyy#trust I will be yapping more in the tags of the pinned post#miraculous ladybug#ml#mlb#ml season 6 news#ml season 6#ml news#miraculous tales of ladybug and chat noir#miraculous#miraculous news#miraculous: tales of ladybug & cat noir#mine
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These obsessed Orian and Optimus fics have got me thinking about what if Megatron was just as obsessed with reader as Optimus, and they have a tug of war sort of battle between them where one side snatches you for their leader back and forth.
It has gotten to the point where you couldn’t even sleep in your own home anymore without some decepticon destroying your ceiling in order to take you away to their leader like a toy.
Megatron would definitely see reader as a tool to further his goals as well as leverage to use against Optimus. He laughed out loud when he heard about his nemesis having feelings for a puny human. If Megatron could punch his past self for daring to think so lowly of you, he would do it without a second thought. He is so much worse than Optimus because he doesn’t allow you to leave him sight even when you plead that you have to go to work.
Work? What work? You don’t need to work anymore now that you’re his queen. Don’t be ridiculous.
Oh, but Optimus… He. Is. Pissed. He would never rest until you were back in his servo safe and sound. He would quite literally crash out as soon as he found out Megatron took his beloved.
I love having two obsessed bots fight over me <3
YOU ARE SO BIG BRAINED OMG, these ideas are so tasty
okay, this scenario could unfold in several ways, but i see a huge comedic potential here. at first, of course, there's nothing funny about it at all, because being kidnapped by the leader of the decepticons himself to be used as a bargaining chip is far from humorous. but! let's say that despite the hopelessness of your situation, you dare to resist, to fight back, because you know that megatron doesn’t have the guts to hurt you. he knows you’re too important to optimus, and killing you gains him nothing. the problem is that by being defiant, you end up sealing your fate because megatron starts to take an interest in you. at first, he’s just fascinated by you, maybe even slightly amused. but this unimportant infatuation quickly turns into something more, something that terrifies megatron himself. it’s stronger than him, more powerful, more aggressive, and more relentless. suddenly, you’re no longer a bargaining chip—you’ve been promoted to a much worse position. you’ve become his partner, his second-in-command, his queen. someone who suddenly holds immense significance for him. and that is absolutely terrifying.
megatron doesn’t get to enjoy your company for long, though, because you’re quickly rescued by the autobots. optimus is, of course, ecstatic that the mission was a success and that you’re finally safe, but for a few days, you’ll have to kiss your social life and work goodbye, as optimus will insist on you being under constant supervision at the base. maybe during this time, the two of you grow closer despite the circumstances of your house arrest? and despite the paranoia wreaking havoc in optimus's processor, part of him is content with having you constantly in sight and that your relationship has warmed even more.
the same can’t be said for megatron, who is, to put it mildly, tweaking out. is he just supposed to let you go after he’s had a taste of you? after he’s grown to enjoy your company and having you always within reach? ha! he’s not letting go that easily. a few days after you return to your normal life, a random vehicon gets the order to bring you back to nemesis, straight into his master’s hands. megatron is satisfied—you, not so much—and optimus is losing his mind. this time, however, the rescue mission doesn’t go as smoothly. the leader of the decepticons personally keeps an eye on you, and you’re constantly watched by soundwave. but let’s say the autobots manage to rescue you again... until you’re kidnapped once more.
and here’s where the comedic aspect kicks in. at some point, your fear for your life shifts to irritation. by the tenth time you land in the servos of the great leader of the decepticons, whose most sinister plans apparently involve just keeping you here against your will and occasionally you patting him on the helm, it’s honestly just exhausting. the most troublesome part is the lack of autonomy—otherwise, you’re pretty much chilling as long as you don’t tease or provoke him. although, even that gets boring after a while. you just want to live a normal life... you never asked to be sandwiched between the boobs of two leaders who do nothing but bark at each other...
#transformers#transformers x reader#optimus x reader#obsessed!optimus#megatron x reader#obsessed!megatron#tfp
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Writing Notes: Plot Method
The Save the Cat! Beat Sheet was originally developed by Blake Snyder to help screenwriters plot movies, but it works just as well with novels.
It breaks down the 3-act structure into small, specific sections (sometimes just one scene long).
Each section pushes your story forward in its own way.
The exact word count/page count of each section depends on how long your novel is and what type of story you’re telling, but you can use the colored chart below and the percentages in the instructions as a guide.
Context Note: This method is based on the concept of the Three Act Structure, which is an inherently Western approach to plot. It can be a useful way to tell a story, but it is by no means the only one.
ACT 1
Opening Image (0-1%)
Show a “before” snapshot of your protagonist and their world.
What is life like before the adventure begins?
It represents the struggle & tone of the story.
Set-up (1-10%)
Expand on the “before” snapshot.
Explore your protagonist’s life, including the internal flaws and external challenges they’ll have to overcome in order to change for the better by the end of the story.
Present the main character’s world as it is, and what is missing in their life.
Also introduce important supporting characters.
Theme Stated (happens during the Set-up)
What your story is about; the message, the truth.
Usually, it is spoken to the main character or in their presence, but they don’t understand the truth/lesson…not until later, when they have some personal experience and context to support it.
Thus, include a scene where a character says something that hints at what the protagonist’s big life lesson will be - how they’ll have to change and grow by the end of the story.
Catalyst (10%)
The moment where life as it is changes.
Examples: It is the telegram, the act of catching your loved-one cheating, allowing a monster onboard the ship, meeting the true love of your life, etc.
There’s no going back to the “before” world from here… What is the inciting incident that pushes the protagonist into the next phase of the story?
Debate (11-20%)
But change is scary and for a moment, or a brief number of moments, the main character doubts the journey they must take.
Show the protagonist questioning themselves and resisting the path ahead - wondering whether they have what it takes, or whether or they should just run home and hide under the bed.
“Should I just…?” “I really shouldn’t because…” “But what about…” Can I face this challenge? Do I have what it takes? Should I go at all?
It is the last chance for the hero to chicken out.
ACT 2
Break Into 2 (20%; Choosing Act Two)
The main character makes a choice and the journey begins.
We leave the “Thesis” world and enter the upside-down, opposite world of Act 2.
They make the choice to begin their adventure/transformation/journey/new thing.
Show your protagonist deciding to plunge into Act 2.
The Promise of the Premise (21-50%)
This is when the reader thinks “Ah, now we’re getting to the good stuff they hinted at on the back cover of this book!”
It’s also one of the longest sections in your book.
Show your protagonist getting used to their new world - loving it, hating it, making mistakes or doing well, meeting new people (see more below) and keeping the reader entertained.
This is when the main character explores the new world and the audience is entertained by the premise they have been promised.
B Story (happens during The Promise of the Premise)
This is when there’s a discussion about the Theme – the nugget of truth.
Usually, this discussion is between the main character and the love interest.
So, the B Story is usually called the “love story”.
Introduce a new character or characters who will eventually help the protagonist learn their life lesson.
Friends? Mentors? Love interests? Nemeses (nemesi?)? Who are they? How will they help?
Midpoint (50%)
This moment is when everything seems “great” or everything seems “awful,” depending on your story.
The main character either gets everything they think they want (“great”) or doesn’t get what they think they want at all (“awful”).
Either the Fun and Games section has lead to a false victory for your protagonist (they think they’ve been doing great so far) or a false defeat (they’ve been having a hard time so far).
What happens in this moment, halfway between beginning and end?
But not everything we think we want is what we actually need in the end.
Bad Guys Close In (51-75%)
Get ready for a bumpy ride. If your Midpoint was a false victory, now things start to go wrong for your protagonist.
If the Midpoint was a false defeat, well, things seem to be looking up, but the bad guys are getting closer and will have something to say.
Note: Bad guys can be actual physical enemies, but they can also be emotional enemies, like doubt or jealousy or fear.
Doubt, jealousy, fear, foes both physical and emotional regroup to defeat the main character’s goal, and the main character’s “great”/“awful” situation disintegrates.
Show the protagonist’s newly-built world beginning to unravel.
This will also be one of the longer sections in your novel.
All is Lost (75%)
This is when something happens to make your character hit rock bottom.
It’s the absolute lowest part of your novel.
Maybe someone or something dies (either literally or figuratively).
The initial goal now looks even more impossible than before. And here, something or someone dies.
It can be physical or emotional, but the death of something old makes way for something new to be born.
What does this moment look like for your protagonist?
Dark Night of the Soul (76-80%)
Your protagonist now has time to react to their “All is lost” moment, to mourn what they lost and wallow in hopelessness.
They’re worse off than they were at the beginning of the novel.
Show how low things have gotten.
Mourning the loss of what has “died” – the dream, the goal, the mentor character, the love of your life, etc.
But, you must fall completely before you can pick yourself back up and try again.
ACT 3
Break Into 3 (80%; Choosing Act Three)
The “aha!” moment; the “lift yourself up and try again” moment.
Show the protagonist realizing what they need to do in order to tackle their problems, both external and internal.
Thanks to a fresh idea, new inspiration, or last-minute Thematic advice from the B Story (usually the love interest), the main character chooses to try again.
Finale (81-99%)
The protagonist does what they decided to do in the Break Intro 3 beat, and (because of all the learning/growing they’ve done and the support or insight from the B Story), their plan works.
This time around, the main character incorporates the Theme – the nugget of truth that now makes sense to them – into their fight for the goal because they have experience from the A Story and context from the B Story.
The Bad Guys are defeated, the world is changed for the better.
What are the battles? How will the protagonist triumph (or not)?
This is another longer section, so you’ve got the space to make things dramatic and intense.
Act Three is about Synthesis.
Final Image (99-100%)
This is the opposite of the Opening Image, the “after” snapshot instead of the “before.”
Show the reader how the protagonist and their world have changed.
THE END
Sources: 1 2 ⚜ Writing Notes & References
#writing notes#plot#writeblr#fiction#on writing#writing tips#writing advice#writers on tumblr#dark academia#spilled ink#writing reference#literature#writing prompt#poetry#poets on tumblr#creative writing#writing inspiration#writing ideas#writing inspo#light academia#studyblr#writing resources
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Controversially, I think it was a logical and potentially even fairly interesting writing choice to give Ziyal romantic feelings for Garak, and it’s also totally believable that he didn’t have the emotional intelligence/wherewithal (or willingness to isolate himself even further) to reject her outright. I do get why it bothers people, and obviously the meta context is really unpleasant!
…but then I think about what Ziyal’s situation is. ‘I got rescued from a Breen camp as a young adult, and now I’m alone on this space station where almost everyone low-key hates people who look like me. Also, my dad who I just met sucks SO bad, but I am very traumatised and deeply alone and have been for a very long time so I want some kind of relationship with him. There’s one Cardassian here. He’s a screaming queen who is also my father’s arch nemesis, making him simultaneously the most dangerous and safest target for my sexual desires’. Like?? Yeah girl!! I’m sorry about all that but honestly, makes sense!!
Meanwhile, Garak is kind of a fucking loser (affectionate) whose Obsidian Order training did NOT prepare him for dealing kindly with a misguided young woman’s advances, but who absolutely would love to do anything at all to get under Dukat’s skin.
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can you do another story like closer it was so good im obsessed.
MAKE UP OR MAKE OUT?
𝐩𝐚𝐢𝐫𝐢𝐧𝐠: chris x fem!reader
𝐬𝐮𝐦𝐦𝐚𝐫𝐲: stopping by to give your enemy a piece of your mind doesn’t go as planned.
𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: SUGGESTIVE, swearing, making out, ass grabbing lol
𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 525
𝐚𝐮𝐭𝐡𝐨𝐫’𝐬 𝐧𝐨𝐭𝐞: this isn’t really like closer but also kind of is? possibly?
i was going to add onto this to make it longer and i can probably make a part two (hint hint: sub!chris, perhaps😉)
❝it’s like i’m powerful with a little bit of tender
an emotional sexual bender
mess me up, yeah, but no one does it better
there’s nothin’ better.❞
⋆⁺₊⋆ ❦ ⋆⁺₊⋆
how the fuck did this happen? is the only thought rushing through your brain at this very moment. along with the plump pair of lips moving in sync with yours.
minutes ago you were standing on your arch nemesis's doorstep, having a screaming match about whatever it was that ticked both of you off. now you're inside of his home, pushed up against the door by his weight with his tongue down your throat; the muscle intertwining sloppily with yours. chris's body is hot against your own, causing your cheeks to flush.
brunette strands of hair feel soft between your fingers, the tips of them tugging and pulling at the rest under his hood. legs starting to give out from being on your tippy toes for a long period, chris pulls away slightly. “jump.” he whispers against your lips.
obeying his order, he grips onto your ass and massages it as your legs wrap around his waist. you whimper, this new angle making the bulge poking through his jeans rub gently against your bud. your hands roam down his neck to his chest, bunching into fists at the collar of his hoodie to pull him impossibly closer.
fogginess starts to form in your head, bliss rushing to your veins. it's getting harder to breathe, the two of you panting loudly. lewd and wet sounds fill the empty house, that alone making you needier. he bites your bottom lip before pulling away to where your noses touch.
his mouth is swollen and red, your pink lipstick smeared around it. yours doesn’t look any better. “i can't stand you.” you complain.
all he does is let out a hum, looking at your mouth and leaning into where he needs you most yet again. you're like a magnet to him. “i'm not kidding.” you continue. “god, i hate you so much.”
“good.”
diving back in, he kisses you harder than before. jesus, what's wrong with you? making out with chris was not on the agenda for today, or any day for that matter.
gasping and moaning softly into his mouth, your phone starts to ring. you take it out of your pocket and answer it without looking.
you pull back to talk. “yeah, what?”
not bothering to listen to what the voice on the other end has to say, you get in a few more kisses before pulling away abruptly. “right now?” you say into the phone, pushing the boy away so you can get back on your feet. “fine. i'll be back soon.”
clearing your throat, you try to make yourself look presentable by straightening out your clothes, wiping your mouth, and fixing your hair. “i have to go.”
a mixture of shock and confusion overcomes chris's face. “you're going to leave me like this?”
glancing down, you see the raging boner between his legs. “yup.” you nod with a smile.
grabbing your bag you've thrown on the floor in the fit of rage you had when you first got here, you walk out the door and down the steps to your car without turning back. “fuck you, y/l/n!”
“maybe next time! if you're lucky!”
𝐭𝐚𝐠 𝐥𝐢𝐬𝐭!
@bunbunbl0gs @lexisecretaccx @thy-mission @angelic-sturniolos111 @sophssturn @moncherriis @janiellasblog @blahbel668 @meg-sturniolo @mattslolita @sturnbaby @imwetforyourmom @tillies33ssss @sturnifyed @raysmayhem-72 @ripmattitude @p1xieswrld @alorsxsturn @multiluvr @delilahprentiss @tworosesblackthorn @luckistar-posts @gnxosblog @junnniiieee07 @flowerxbunnie @imaslut4kehlani @sturniolosandmoree @hearrtsturns @stars4matt @freshsturns @sturnlcvr @tpvmz @lalalands86 @sukiipjs @h3arts4harry @sturnioloblogs @creamoncreamoncream2 @ivyyyyyysposts @iluvm4ttsturni0l0 @mbsbaby @mattsdollie @thesturniolos @nononopenono1 @bitchydragonparadise @gdsvhtwa @hrt-attack @dwntwn-strnlo @venusbabysblog @meerkatzthings @bernardsbendystraws
#✎ ⤾ haleigh’s requests!#chris sturniolo#matt sturniolo#nick sturniolo#christopher sturniolo#nicolas sturniolo#matthew sturniolo#sturniolo x reader#sturniolo imagine#sturniolo fanfic#sturniolo smut#chris sturniolo fanfic#chris sturniolo smut#matt sturniolo fanfic#matt sturniolo smut
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helloooo!! My request is kinda small, but can I request TFP decepticons reactions to a fem reader with a tiger alt mode?? (Colors are just white and black) she’s aggressive, but also gentle to ones she trusts and loves. Hope you don’t mind adding slight romance in it😓 Ty!<33
Reader with a tiger alt mode + the decepticons
Oh my god i love this😭🫶 btw there will not be anything about starscream except him hatin' predaking and reader :D since they're both like animals. Hope you enjoy!!
CW: there's a few dirty jokes so beware!! XD
-----------------------------------
Megatron
Finds you a good weapon in the battlefields ofc, but he does want you to be in best shape after every battle. Admires your strength to even defeat the last prime and almost eliminating him.
He rarely needs saving, but when you turned up, ripped optimus away from megatron, something lit up in him. The need of having you.
Talked to you after the whole battle and gave you best treatment he could with ordering knockout!!
The way you're actually gentle and caring didn't interest him before, but now he actually finds you slightly cute if he dares to admit it to himself.
Does like your choice of colour and style. Tigers do represent strength, courage and commanding respect! Like himself.
If he ever got the chance he would tell you he likes you and he will have you in his arms the rest of the day/night
Is really dominant in a relationship of course, but he knows how to be caring atleast.
If you insist of becoming his personal bodyguard he'd let you. Not because he's "weak", but so everyone knows not to challenge him even clearer.
Starscream yelling anything bad about you BANG He'll be getting treated by knockout soon enough. It was either you or Megatron but who cares, you both kick ass.
Any Autobot scum dare to hurt you? He WILL have their helm in under a week.
He actually loves you even if he doesn't say it :) You're on his good side with soundwave!
Soundwave
Does he care at first when he meets you? uhhh, no :) but when you start to check up on him while he works does make his spark a bit warm.
Stalks where you are going once he starts to take interest in you, but not in a creepy way ofc! He wants to know if you're safe or fragging somebot
Finds you pretty when he has time to look at you. Black and white is pretty old style, but fancied after all this time.
If you get injured in a battle he will make the autobots chase laserbeak and he'll comes and gets you back to the nemesis.
If you stay a lot in tiger form he gives you pets if you ask. He ain't that mean and can't say no to that face. (He can :))
He serves Megatron with huge loyalty so he's a busy bot, hope you can live with that. (just stay in the room with him and cuddle his pedes in tiger form)
If he he's busy any other way laserbeak will stay with you. Your little baby bird :)
He doesn't speak so he will just display hearts on his or any other monitor close to you <3
He's just a sweet quiet bot with speaking issues xD
Dreadwing
Treats you decently at first which is so cute. Since you're caring, sweet and follow rules well he thinks you're not that bad.
Once he sees you beat half of the autobot team, he wanted to stay on your good side ALL THE TIME.
Once he catches interest ohhoh, you will be smitten!
I imagine he's more of a gentleman so he would let you go through doors first and help you when needed.
Patrols together? Do you even have to ask :)
Admires your style and the way the black and white bring the best parts of your frame out.
If you're big as a tiger jus give him a ride to battle and just chuckle at autobots' faces.
Spends time with you much as possible, but serving Megatron is most likely higher priority to him than you.
HAND KISSES TO SHOW AFFECTION!!!!!!!!
Injured and need help? It's already taken care of since Dreadwing is in the battlefield with you.
Does say that he loves you multiple times in the week. (Maybe even in a day)
Doesn't like starscream, never did and doesn't now either since he's always trash talking you down.
"Stupid pest! You trashed the whole control room! Can you do anything good in this primus forsaken ship!?!? I might aswell rip you spa-"
"Whose the second in command, starscream? You better shut your intake and not speak a WORD of my love like that again!"
That would turn me on WHO SAID THAT?! NOT ME :)))
Loves you unconditionally and shows it much as he can <3
You kept his knife/sword after he got killed :((
Knockout
"IS THAT A BEAUTIFUL PAINTJOB I SEE?!" his first reaction of you be like :D But like actually he loves it.
That's what he liked in you at first only, but once he gets to see your sweet and caring personality...oh he's probably passing out.
"Since you're the only medic here, I thought you'd like some help :)" You went to help Knockout with something and he didn't even ask? He must be in heaven/one with the all spark?? idfk
Imagine if you save his aft and his fabulous paintjob? He would give you big grin "So you do admire my paintjob, doll? I knew it ;)" Such a fragging dork he is
Go racing with him please!!! Your and Knockout's quality time is racing 100%
Oh and the drive-in theaters he mentioned in season 3! He takes you there for a "date" but doesn't say it is.
Just confessed a random day when you came to check up on him
"Helloooo Knockout, do you need any hel-" "I love you..." "I love you too dummy" *Smooch* Cute
Poor breakdown, now he's the third wheel :,) UNLESS POLYAMORY IS FINE WITH YOU ALL IS FINE ALL IS PERFECT <3<3<3<3
But when he dies you'll help Knockout with buffing :,( and support aswell.
The corniest couple of decepticons or any living cybertronian couples. Just cuteness everywhere nonethless!!!
Breakdown
He was intimated by you at first like he found Arachnid intimidating.
But once you show your sweet and caring side he lowers his walls. He also loves your style (And you already <3)
Talks about you to knockout and asks for advise since he's so clueless.
Seeing your strength in battle made his optics shaped like stars and he admired you for like a week after. He wants to challenge you, but holds his request back.
If your alternate form is a automobile...PLEASE GO FOR A DRIVE TOGETHER
He ain't got the balls to confess so ofc you made the first move
The big bot team in battles!! Go on and beat bulkheads aft and laugh together when you recall those fights back at nemesis (or when he's gone :(
POLYAMOROUS WOOOOOOO GET KNOCKOUT OVER HERE!!
Shows his love for you when there is not many bots around. (Professionalism!!) You're at work so behave!
Hugs, hugs, hugs and HUGS! He's a bigbuly bot so he gives good bear hugs <3
The only thing you have left of him is a pretty crystal he brought you before he died :((
Predaking
Another beast on nemesis? He makes sure you know who's stronger, mightier and loyal. But you managed to surprise him by actually being sweet once you get to know him.
Wants to protect you and if you both are in beast mode you WILL play fight
He might offer you a flight if you are nice enough to him
Fell in love with you when you bit Starscreams wing after he hit Predaking.
Most likely the deadliest duo on the ship unless Megatron joines too >:)
Autobots can go panic into a corner when you two show up on the battlefield :D It feels like a morning stretch to you two xD
You join Predaking if Shockwave decides to "borrow" him for a little bit and it makes his whole frame warm up.
Actually loves you show much and shows it even. SNUGGLES AND CUDDLING DURIN RECHARGE PLS
Wants to spend the future with you. And after the whole Megatron posessed by Unicron thing you both go and live on your own <3 Just him and you, no one else.
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AN: TWO POSTS IN ONE DAY WTF?!?!?! But here you go! Don't mind if the writing is a little scoodaddle, I wrote during the middle of the night and the next morning so it's what it is :)) Hope you like it and don't be afraid to request more!!!!<3333
#tfp megatron x reader#soundwave x reader#dreadwing x reader#knockout x reader#breakdown x reader#predaking x reader#tfp x reader
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In light of Hades 2 adding new designs and MORE Nyxblings, here's a little face study I did of Chaos, Nyx, and their family. Someone once mentioned that Nyx's children who's got features she doesn't have actually have Chaos' features instead, and I wanted to compare and see which child resembles who more.
Additionally, shoutout to @blood-starved-beast for their post about the age order of Nyx's children because it has helped immensely with the brainrot.
Detailed analysis under the cut.
Firstly, the parents:
For parent and daughter, Chaos and Nyx don't really look the same. However, the cheekbones and jawline that could cut glass is hereditary lol. I wonder if there are other children of Chaos who look more similar to them?
I also like how Chaos' Hades 2 appearance could be a nod to them reconnecting with Nyx and probably wanting to look more "normal" (or as normal as they could get) for the family reunions. The exact same makeup style is cute.
Next up, we have the older children (excluding the Fates, whom we haven't seen yet):
Charon is a tough nut to crack because his portrait is so heavily shadowed and he also wears a bigass hat, so I don't really know his facial structure, but from what I could see, it's more like Chaos'.
Moros' eye shape is weirdly different from the rest of the siblings, but they appear to be downturned and large, which is closer to Nyx's eye shape. While his facial structure is more like Chaos', his eyes in particular make him look softer.
Nemesis actually has a different face structure from Nyx. Her coloring is the exact same (sans skin tone), but not the face. However, her hairstyle is similar, including the updo.
Lastly, the younger children:
It's probably because Hypnos' expression was drawn more comically, but as soon as I take a good look at his new portrait it's made greatly apparent that he and Thanatos are actually identical in terms of facial features. What makes them appear even more different is the hairstyle; Than's go straight down, Hypnos' is fluffy and piled high on his head. They also have similar face shape as Nyx, but with a squarer jawline.
You'd think their hairstyles are radically different. However, this official art of long-haired Than shows that his hair curls at the ends. His hair is straight now, but I'd like to think he straightens it out, because otherwise it would look a bit wavy still.
As for Eris, people keep saying that Nem looks like Nyx the most, but Eris looks astonishingly similar to Nyx. Oh, the irony of looking like the parent you detest.
Summary (and some thoughts):
Face structure-wise, the older children look more like Chaos, while the younger children look more like Nyx.
Of all Nyxblings we've known, only Nemesis has black hair.
Except for Charon, the children's eye art style is reversed between Chaos' and Nyx's (the ones with purple eyes have visible pupils and highlights, while the gold-eyed ones have no visible pupil or highlight).
Where did the curly hair genes come from? The twins are explicitly stated to be fatherless, too. Maybe some other children of Chaos have curly hair? Maybe Gaia, as she was mentioned in Hades 2?
I have a theory that the older children look more eldritch (more similar to Chaos), and only started to look "normal" during Nyx's separation from Chaos, and the cutoff point is Moros, unless Momus is older than him. Would be cool if the Fates are an amalgam of three bodies, because they're triplets and older than Charon.
Thanatos cutting his hair was actually a smart decision because his new hairstyle flatters his face shape more. I'm sorry darling but you don't have game in styling long hair. Too bad he and Moros don't know each other, big brother could've given him tips.
The entire family is hot. Nuff said.
#ksadraws#ksatalks#i love the variety and slight differences between the nyxblings so much :))#hades 2#hades game#hades 2 fanart#hades fanart#chaos hades#nyx hades#charon hades#moros hades#nemesis hades#thanatos hades#hypnos hades#eris hades
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Character Analysis Of Luis Serra:
I just think someone needs to do this here on Tumblr so here we go…
Born in the remote and devoutly Catholic village of Valdelobos, Spain, Luis grew up in a reclusive, pre-industrial community that shunned modernity. The death of his mother during childbirth left him in the care of his grandfather (Man in the picture above together with Luis), a hunter whose wisdom and love shaped Luis’s early years.
From a young age, Luis displayed an insatiable curiosity and intelligence that set him apart. While his peers clung to the village’s traditions, Luis dreamed of the world beyond its mountains, finding solace in fairy tales and stories, particularly the adventures of Don Quixote. His grandfather recognized his potential, lamenting the limits imposed by their isolated life.
Later on his grandfather was attacked by a wolf and succumbed to a mysterious illness. Rumors of madness swirled, and fear gripped the superstitious villagers. The village’s chieftain, influenced by paranoia, ordered the family cabin to be burned to prevent the spread of the supposed "infection." According to the texts found throughout the game, the boy stood outside the house the whole time watching the flames, the next day he had disappeared from the village and nobody knew where the boy was.
In the modern world, Luis thrived, earning recognition as a prodigy in biology and securing a position at Umbrella Pharmaceuticals. Despite his remarkable achievements, including work on groundbreaking research, his tenure at Umbrella left him disillusioned. For example, we know that he was an employee of Project Nemesis (note to Racoon City - Nemesis T-Type).The corporation’s ethical compromises clashed with Luis’s growing moral awareness, leading to his resignation. This decision underscored a recurring theme in Luis’s character: the struggle between ambition and conscience.
Luis’s return to Valdelobos in 2004 placed him at the center of a nightmare. The village had fallen under the control of Los Iluminados, a cult manipulating the villagers’ religiosity to propagate a parasitic organism known as Las Plagas. Saddler, the cult’s leader, enlisted Luis for his scientific expertise, tasking him with enhancing the parasites. Initially compliant, Luis became horrified upon realizing Saddler’s true intentions. His guilt over his role in the cult’s atrocities drove him to seek redemption.
This is where Luis’s complexity truly shines. Torn between his past mistakes and a desire to atone, he takes enormous risks to undermine Saddler. Partnering with Ada Wong, Luis orchestrates plans to escape with the cult’s critical research sample, the Amber.
Here, too, I would like to emphasize a particular passage from the Separate Ways DLC that was already a bit of a foreshadowing of what his fate would be: Namely, during the scene in which other village members fell victim to the cult, Luis spoke of the fact that the next dance would be his… It should also be noted here that the already deceased was lying in exactly the same posture as Luis will later do… So it really was his “last dance”, so to speak (You can see it a little in the photo below, but it is clearly visible in the game itself)
Luis’s interactions with Leon S. Kennedy in the main game reveal yet another layer of his character. Despite their initial mistrust, Luis proves his worth as an ally, displaying a blend of wit, vulnerability, and a desperate need to make amends. His decision to assist Leon and Ashley, even at great personal risk, underscores his transformation from a man driven by self-interest to one guided by selflessness.
Ultimately, Luis’s arc concludes tragically yet heroically. Fatally wounded by Jack Krauser, Luis uses his final moments to ensure Leon and Ashley have the tools to fight back against Saddler. His death is not just a sacrifice but a culmination of his redemptive journey—a final act of defiance against all the things he did in the past. There is also the fact that Luis has doubts. Mainly about the things he himself has done in the past - And it is precisely these doubts that seem to characterize his last moment.
Something I would like to add: Krauser threw his knife directly into Luis’s spine. I mean clearly he aimed to kill. When a victim is stabbed in the area of the spinal cord, the spinal cord can be severed, sheared, torn, or otherwise damaged. This will result in a loss of function below the point of injury. That’s why it’s so impressive and powerful that Luis was able to muster up the last of his strength and force his hand to shoot at Krauser-hitting directly at his knife that could have killed Leon. That would now also explain why Luis can’t properly use his lighter and needed Leon to do it for him. Because after the lighter drops we can not see him move his body again…
Luis Serra is a character defined by contradictions: a brilliant scientist haunted by his complicity in unethical experiments, a dreamer shaped by the harsh realities of his upbringing, and a man who ultimately chooses redemption over survival. Something I would also like to point out is to link the whole story to Don Quixote. Because just like the self-proclaimed knight, he also had this urge of idealism throughout his life - which also led Don Quixote to make mistakes in the end and ultimately to his death... But in the end he became a hero and more or less passed on the title of knight to Leon...
#luis serra#serennedy#resident evil#leon kennedy#serrenedy#re4#re4 remake#leon s kennedy#luis serra navarro#resident evil 4#headcanon#analysis#character analysis#luis sera navarro
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Okay so I wrote a bunch in the tags instead of here for some reason
dp x dc prompt: the runaway heir
danny is damian's brother who ran away from the league and got adopted by the fentons.
a year and a half after he became phantom (i'm thinking good parents!maddie and jack found out and everything has settled down), the league finds him. the assassins kill jazz, jack and maddie and sedate him to take him back to their base.
when he wakes up, the fgiref he feels breaks him. he proceeds to kill all the league members he comes across, promising he'll save ra's and talia for last. talia runs to gotham and begs for bruce's help, revealing she has hidden yet another son from him and that said son is going mad from grief and loathing.
bruce is devastated but determined to both help and stop the child he never knew. damian had spent his entire childhood scorning danyal, the heir who ran away, as weak and though he had questioned that after becoming robin, the truth of how strong his brother actually was shakes him.
can they bring danny back to the light before he can become dan?
#dcxdp#would love for danny to scorn bruce's guilt trips and “help”#it's kinda B's fault#he gets through maybe half the LoA before the Bats and Team Phantom arrive simultaneously#Danny's against killing for killings sake#but there's a difference between an accident and deliberate murder after escaping your abusers#also Danny's gotta be leaning HARD on the ghost side with freezing temps inspiring terror and knowing where everyone is#so he knows when Talia gets back with a group this time#he also feels his friends arrive#they may or may not have Danny but the do have some of the ghosts#Bats are still under the impression that Danny is a meta#Ra's was until corrected#they have no idea what they're getting into#B starts in with the cold condescending orders to stop and Danny ignores him#B can't combat a ghost#no ecto weapons = no threat#he can talk all he wants#they try to surround him and Danny goes through them to get to more of the LoA#skip to parts I have ideas about#B tries to stop Danny from maiming and killing Ra's and Danny laughs#does the whole 'do you know what he did/who your defending'#B spouts some hypocrisy of not syncing to their level#(I know that in canon B has a whole explanation of why killing is bad but this is the cliff-ish notes)#tries to leverage parental authority#FAILS SO BAD#enrages Danny who loves his dad so much#who has a whole nemesis that he consistently saved his dad from#who B is trying to REPLACE#it backfires#Danny freezes B in ice
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Nemesis with Benefits - Part 1
Summary: “You got cheated on, and Harry is the one your ex cheated with. You hate him, he hates you, and the universe seems to hate the both of you, because you keep being thrown into the same spaces.”
Wc: 3.3k
Tropes: enemies to lovers
Warning: mentions of cheating, foul language
A/N: Hey guys! I’m going to see Taylor this weekend, but I wanted to give you the first part of my new series before I log off for the weekend. I know Harry is sounding quite unlikable, because he is, but it is a slow burn so give it some time and let him explain!!!!! Enjoy xxx
General Masterlist
Series Masterlist
Part 2 is up!!!
It has been almost three weeks since you and your ex-boyfriend Dylan have broken up. You were heartbroken when you found out he cheated on you, and you still aren't over it in even the slightest. It was just unfathomable to you. How could he cheat on you and just step from one relationship into another?
Yes, that's right, Dylan immediately started dating the guy he cheated on you with. You couldn't believe when you first heard who it was, but it also didn't surprise you much.
Harry has had it out for you from the moment you and Dylan first started dating. You had no idea why, but now that those two are together, you finally understand. He was jealous of you. He wanted Dylan all to himself and— well, he succeeded. The fucking prick.
You had been trying to get over the humiliation and sadness, but it proved to be very hard. You had been in love with Dylan for so long, long before the two of you even started dating, and it was your first real relationship. You couldn't just move on that quickly.
But you were done. Done with crying and whining and bitching about it. It was like some sort of switch had turned, like the first stage of the moving on process had worn out. It was time to try some other methods of getting over Dylan. You finally took the advice from your friends, and tonight was your first date since the break-up.
You had downloaded tinder, and found yourself multiple matches. One guy named Brady, asked you out for drinks tonight, and you said yes. And so, the second stage of moving on commenced.
Now you're in one of the bar's booths, waiting for Brady to show up. He was handsome in his pictures, and he seems like a nice guy. You fiddle with your hands as you wait. You know that if something is going to happen between the two of you, it won't be serious or permanent, but you can't help but be nervous anyway.
You agreed to meet up at nine, and right now it's ten minutes past nine. A pit grows in your stomach as you sip on your beer. He wouldn't be standing you up, would he?
You wait and wait until it's a quarter to ten, and tears prickle in your eyes. What a disaster. How could you even think that this was a good idea?
You flag down a waitress and pay for the beers you drank as you waited. It isn't until you stand up that you realize how many it were. You are quite the lightweight, so five beers on a stomach filled with only a salad for dinner wasn't the best idea.
You walk out of the bar, and grab your phone to order an Uber. That is when you spot someone sitting on the bench in front of the bar, and you groan aloud.
Sitting on the stupid bench is stupid Harry, the guy which Dylan cheated on you with. Out of all people, you just had to run into him. He looks up upon hearing you groan, and the distaste on his face at the sight of you almost makes it look like you're the one Dylan cheated with on him.
"What the fuck do you want?" Harry asks, putting a cigarette to his mouth, and holding a lighter to it to turn it on.
"To ruin your relationship with your boyfriend— Oh no wait, that was you! Asshole..." You mutter as you roll your eyes. You turn around, almost falling over at the speed with which you did, but you are quick to steady yourself. You squint at your screen as you search for the Uber app in your phone.
"Fuck you." Harry murmurs under his breath, and you flip him off without turning around. You don't want to be around this guy, so you start walking away from him. Might as well warm yourself up as you wait for your Uber to arrive. If you can find the damn app...
Then a car honks and before you have time to look up, you are pulled into someone's arms. You look up from your phone and see a white car driving by, still honking at you, and when you turn around to see who is holding you, Harry's eyes meet yours. Once having regained your senses, you push him away.
"Get off of me!" You growl at him, dropping your phone accidentally.
"Are you stupid?! How fucking pissed are you to not notice a car coming straight at you—" Harry barks back at you as he picks up your phone, and hands it to you. You snatch it away, disgusted with the fact that he is touching your stuff.
"Shut up!" You shout at him with a wavering voice, too overwhelmed by everything. You are on the brink of crying. He seems to notice and quiets down.
"I'll bring you home." He mumbles softly, after you had time to breathe for a second and steady yourself. You frown at him, looking for even the slightest hint of deception—because what else is there to the guy who your boyfriend cheated on you with—but you can't find it.
"You are the last person I would ever step into a car with." You glare at him, crossing your arms. Harry rolls his eyes.
"You think you're my number one choice? No, but I'm not gonna let your drunk ass get run over." He argues back, seeming to be equally as irritated with you as you are with him.
"Yeah, because you're the picture of decency and chivalry." You cross your arms. The nerve of this guy! Trying to be all gentleman like when you know that he is nothing more than a pig.
Harry clenches his jaw, and you can tell he is ready to snap at you. You are waiting for him to start cussing you out—and there is a clear hesitation in his eyes—but he doesn't follow through. He merely sighs.
"Look, I'm not going to force you into my car. Because contrary to what you might believe, I do have some common decency, but I am not going to leave you outside a pub, drunk and alone." Harry explains, trying to catch your eyes as best as he can but you are avoiding his stare, afraid to see the sincerity behind them. "So, I either bring you home, or wait for an Uber with you."
You think it over for a few seconds, but your train of thought is interrupted when your name is shouted from a distance. You look in the way where the sound came from, and see Rebecca—a friend from class—wave at you with a big smile on her face. You wave, then turn back to Harry.
"Fuck. you."
You articulate the words slowly, hoping they marinate in his head, as you glare him down with the genuine spite you have felt from the moment you were made aware of the betrayal. You don't give him the chance to respond or even process what you just said, you just walk away.
You don't look back at Harry either, because you are sure that the hint of guilt that presses down on your chest is translating to your face, but you don't want to give in to it. Dylan betrayed you, and while he is the more culpable one in the situation, Harry did this too. He knew you and Dylan were together, and he still did what he did. The guilt transforms into a sadness as your mind wonders, how much did he have to hate you to do this to you?
You shake off the thought and paint a smile on your face as you reach Rebecca. She pulls you into an embrace and asks you how you are doing, and you answer that you're doing well.
"Was that... Harry?" She asks, whispering his name as if it would be a crime to say it out loud. The corner of your mouth tugs up.
"Yup." You nod.
"What did he want from you?" She glares at the place where Harry stands— or stood, because by the time you turn around, he is gone. You stare at the pavement, your body trying to push away that wave of emotional pain that seeing Harry instigated.
"I have no idea."
*************** *************** ***************
Few days later
You stare at yourself in the mirror of your vanity desk. Lipstick still in hand, you analyze your own face. Your make-up sits pretty on your face, painting the image of a woman who has her life together. But the truth couldn't be further from that.
Tonight, you're attending a birthday dinner of one of your friends, Benjamin, in a restaurant in the city. You truly were looking forward to it, but now that you and Dylan aren't together anymore, the fun event has turned into something you have been dreading.
You got to know Dylan through Benjamin. Benjamin was in your first project group ever at Uni. The two of you bonded and have been very close ever since. Benjamin is the type of person that knows a lot of people, and Harry is one of those people
Harry and Benjamin went to high school together. At least, that's what Benjamin told you when he introduced you to Harry at that one party all those years ago. It was at a random fraternity party on campus at the end of the first year, and it is where you met Dylan. Harry and him were roommates, so they had come together.
It was a cobweb of connections, and you have met a lot of people through Benjamin, but you really clicked with Dylan that night. Of course, now that doesn't seem to hold any value anymore, but you can't change the night you met Dylan into a rotten memory. It is sealed with some kind of glass that will always keep it pretty, innocent, sweet, and— well, just lovely.
It's what is going to make it extra hard to see Dylan with Harry tonight. You were happy to celebrate the birthday of your friend, of course, but you definitely weren't looking forward to seeing your ex and the guy he cheated on you with be together, as like— a couple.
You were aware that things like this would happen eventually—because that's what happened when you date someone in the friend group—but that doesn't make it easier. Luckily, a lot of your other friends will be there too.
Rebecca picks you up a good half hour before the dinner starts, and you drive into the city with music blasting through the speakers. You try to clear your head by letting the music take over every part of your brain, but the anxious pit in your stomach can't seem to be contained.
After parking the car a bit further down the street, you and Rebecca make your way to the Italian restaurant. You're about five minutes late—the traffic was worse than expected—so you both hurry over to the corner where the others are already sitting and chatting.
Benjamin gasps when he sees you and pulls you in for a big hug. You smile and congratulate him before handing him the bag which contains his gift. While he turns around and places it on the table, you take the opportunity to scan the room. It doesn't take long to spot Harry—you had felt his presence since you got here—but your eyes can't seem to find Dylan.
You don't allow yourself to feel any relief, as there might be a chance he is still in the bathroom. But when Benjamin tells everyone to sit down, placing you on his left and Harry on his right, you see that all the chairs are filled. Apparently Benjamin senses your confusion, because he leans in and whispers in your ear:
"He didn't come."
The words grant an overwhelming release of emotions that were making you feel like shit, and you start feeling like maybe you can enjoy tonight after all. Partly, at least. You frown; It is weird that Dylan wouldn't come to Benjamin's birthday. He was invited; you were next to him when he got the text.
You take a deep breath and decide that this isn't something you should be focusing on tonight. Alas, you are freed from the fucker for now. You should least enjoy it while you can.
You are seated next to Benjamin, on his left side. Harry is seated on his right side, keeping you apart. Since you are both important to Benjamin, he wants the two of you close to him, but not to each other.
The first course comes around pretty fast, and along with the two glasses of wine you down in record time, everything seems to be going quite smoothly. You avoid any contact whatsoever with Harry, and try to be as invested in Benjamin as you can.
After the main course, you excuse yourself to go to the bathroom, and sneak away from the watchful eyes of the others. Instead of going to the bathroom, you go outside and light up a cigarette. It is an unfortunate habit you have began succumbing to since everything that happened. The smoking takes your mind off the stress for a couple of minutes, and it is the only thing that has kept you from going insane.
"Are you smoking?" A voice filled with disbelief asks from behind you. You freeze when you recognize the depth of it, along with the unmistakable accent. Well, there goes the cathartic part of smoking that cigarette.
You don't turn around, and so Harry walks up to you in order to check whether it is really you. He frowns at the sight of you with cigarette.
"Thought you hated smoking." He throws in the comment like it's nothing. But it isn't. You hear the resentment hidden in every word that comes out of his mouth. The grudge that he has held against you from the moment you two met is something you think needs to be studied. To this day, you have no idea what you did to make him so mad at you. But instead of worrying about it like you used to do, you are getting annoyed by it.
"Shitty times call for shitty measures." You take another drag from the cigarette before putting out the bud and throwing it in the bin. You are about to go back inside when a collection of bravely morbid words leave Harry's mouth.
"You don't have to act like I murdered your entire family." Harry growls, clenching his jaw as he reaches for his own cigarettes in his pocket. You turn around to him, thunder written all over your face.
"What did you say to me?" You ask slowly, taking a few steps towards him. Harry doesn't see it, as he is also searching for his lighter.
"Look, I know I did a shitty thing but..." His words come to a halt when he sees how much closer you are to him than before, and you don't miss the hint of shock in his eyes.
"But what, hmm? But it's not that bad? But I don't have to be such a bitch about it? But I shouldn't let it influence my behavior towards you? Is that what you were gonna say?" You ask him as you push against his chest a bit, urging him to answer you.
"I was gonna say—"
"I don't give a shit about what you think about my behavior. You didn't give a shit your behavior when you went behind my back and fucked my boyfriend, now did you?" You pose the question, rhetorically. Harry just sighs. "Yeah, I thought so... I can't believe you have the nerve to try and tell me how I should handle you and your new boyfriend fucking me over. Don't do shitty things if you're gonna cry about the consequences. And especially don't go crying to me about."
Harry doesn't look at you, but the tension in his jaw makes you brace yourself for an outburst of some kind. You did pretty much still him to the ground just now. But nothing of the sort happens. Instead, Harry says something unexpected.
"He's not my boyfriend."
You physically take a step back, genuine confusion on your face. What? You were certain that Dylan and Harry were together. It had been all over campus after you first broke up.
"He— he cheated on me. Broke up with me a couple days ago." Harry confessed, still not meeting your eyes. A whole lot of nothingness fills your organs as you stare at him. You have no idea what you are supposed to feel right now. The overwhelming amount of emotions has turned into one empty space that leaves room for nothing but a blank stare.
You feel like you're supposed to laugh at him—in your head at least—and tell him that he had it coming. He did, of course, but you just didn't expect it to happen so soon. You had no idea that Dylan was such a loose canon. At least you are rid of him, that is one positive thing about this whole messed up situation.
Nevertheless, anything that you think you are supposed to feel, is not there. There is no relief, or joy, or lightness that brings a cocky smile to your face as you soak in the karma that was clearly on your side here. No, you are filled with a dull ache that you recognize to be faint sadness. It's too distant to drown in but the familiarity of it still manages to make it sting a little bit.
Harry takes a deep breath, waiting for whatever you are going to say. You can tell that he mentally preparing himself for the humiliation to come, and as much as you'd like to give it to him, you can't find it in yourself to do so.
"That sucks. I'm sorry."
"Th— thanks..." Harry responds slowly, not sure how serious to take your words. You know he was expecting an entirely different reaction.
"I know I had it coming." He adds with a a hint of frustration that makes it seem like you already told him that. Of course, you had the comment in your back pocket already.
"I mean... I wasn't gonna say it so soon, but—"
"Yeah, I thought we would get it out of the way." Harry interrupts you with an annoyed smile. Your previously sad face had turned into more of a smug one and it was more than he could bear, so he just had to say it before you did. He didn't want you to rub it in his face.
Silence creeps upon the two of you. Awkwardly, you stare into the distance as you ponder the new information. It made Dylan even more of a dick than you already thought him to be.
At first, you had thought that Dylan cheated on you because he was in love with someone else— Harry. And while it is still unacceptable, it seems less heartless than cheating with no other intention but sexual pleasure. You could see in Harry's eyes that he didn't expect Dylan to cheat on him, so he must've thought it was love. But it wasn't. That just makes it more shitty than it already was. You find the stinging feeling of sympathy entering your chest when you think of Harry, but you don't want to feel that about him, so you squint at him.
"I still hate you, you know." You say to him.
"Right back at ya, sweetheart."
#harry styles#fanfic#writing#blurb#fanfiction#harry#one direction#mini series#harry styles one shot#harry styles fic#styles#enemies to lovers
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