#ultimately how I view things as well
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6, 7, 8, 10, 13?
YES THANK YOU. BLESS YOU.
6. Which ship fans are the most annoying?
Oh, God. Um. Most of the popular ones, if I'm being honest. There are a bunch of different ways I could answer this, from "it's everywhere" to "people misunderstand this canon dynamic" to "people make disgusting bigoted comments toward another, '''in the way''' character" to "most destructively moralistic" so I'll talk about the fanbase that historically has encompassed all of these, which is. The J*hnlockers.
I don't think I can EVER explain how utterly unhinged (derogatory) this fandom was when the show was airing. People straight-up labeling their analyses as a "conspiracy," convincing others that there was a Super Secret Actual Finale Episode that would "fix" their ship not being canon. They paired the main villain up with a character who didn't even exist in canon because doing anything involving the women was, presumably, too much to ask. The absolutely horrendous things they would say about the female characters, ESPECIALLY to fans of them who were minding their own business. (Also, they called one of the gay co-creators "actually a straight man" for not canonizing this ship which is completely and utterly WILD to me.) Genuinely there was NO space more unsafe fandom-wise that I have EVER been in. I cosplayed Irene for a con one time and, though luckily nothing happened, I was AFRAID FOR MY LIFE THE WHOLE TIME. Like. The level of vitriol and misogyny and biphobia (I'm not even going to get into that one) was UNREAL. To the point where genuinely I hope we never get new content of any kind so I don't have to think about people who act like this ever again.
7. What character did you begin to hate not because of canon but because how how the fandom acts about them?
...........at the risk of getting murdered. MCU Steve. He was just kind of. There. To me. I didn't particularly care about him because he read to me as "generic good guy" which isn't an archetype that particularly resonates with me, but...then the fandom just. My God. Saying that EVERYTHING he ever did was right, that NO ONE had any points when they questioned him, that he EPITOMIZED goodness in a way no other character did ever, that anyone who liked Tony (or anyone who was ever perceived as being in Steve's "way" about anything, don't get me started on how people treated Sharon) was A War Criminal Apologist Irl and was Singlehandedly Upholding Every Type of Oppression, like it was. SO annoying. I went from indifference to borderline-hatred out of spite.
8. Common fandom opinion that everyone is wrong about
GOT SEASON 8 WAS NOT THAT BAD, GOT SEASON 8 WAS NOT THAT BAD, GOT SEASON 8 WAS NOT THAT BAD, GOT SEASON 8 WAS NOT THAT BAD, GOT SEASON 8 WAS NOT THAT BAD, GOT SEASON 8---*I am forcibly removed from the building*
(On a more, uh...eloquent note, Lady Macbeth is not a badass gender-binary-shattering Girlbossâą femme fatale, she is a complete mess struggling with layers and layers of psychological issues that she does not let herself process, as well as a HELL of a lot of internalized misogyny. I love her, too, but this creation of her into some sort of suave or cool monarch lady genuinely baffles me. But then again, this play was my Capstone Research Project my final year of college and I wrote a 50-page paper on it, so maybe I'm a little too invested in how people present her, lmao.)
10. Worst part of fanon
Tbh, everyone who insists that two characters [usually (cis, white, abled) men] MUST be in romantic love because they care about each other. Like...don't get me wrong, I love looking at a LOT of non-canon pairings through a romantic lens because It's Neatâą, but showing physical affection or willing to throw down/break the law for someone or calling them things like "admirable" or "amazing" are not? Inherently romantic?? Like by so many people's standards I'd be in romantic love with all my platonic friends, I guess, and that's very annoying. Romance isn't the only kind of love that exists!!! Nor is it the only important or significant one!!!
(On a more specific note, there's a fairly pervasive idea that Aki/Himeno is...a grooming relationship? When according to the established timeline and personal events that would. Literally be impossible. People take the "I'm not old enough to smoke" line that happens not long after they meet as some sort of confirmation that Aki was, like, fifteen or sixteen at the time? Or something? Instead of like. Nineteen. Dude has to have time in the three years he's known her to change significantly in appearance, become old enough to smoke (the legal age for that is 20 over there btw), and develop a substance dependence. And given the visual markers of Himeno's appearance when the two of them meet and how drastically her appearance changes in the intervening years, she can't be more than a couple of years older than him? People also take a comment that's meant to convey that he's been at his job three years longer than another character as saying that he's only three years older age-wise than said character. Which, again, given the timeline. Would be impossible. And also. There is an example of grooming in this story! It's really important to the plot actually! It's meant to be seen as horrifying! You would assume that the fact that this relationship is not presented in the same way means something! Don't get me wrong, Himeno's done her fair share of shitty things, but grooming her fight partner was not one of them. There are plenty of reasons this ship isn't for everyone, you don't have to make shit up, lmao.)
13. Worst blorbo-ification
Genuinely I cannot choose between these two, so we're gonna make this post even longer.
Why do people like K*lo R*n. I don't understand. He was given the barest hint of sort-of, hazy tragic "backstory" and people...very much disagreed with me when I said I didn't think that was enough from a narrative standpoint to actually mean anything. And that's not taking into account that this blorbo-ification happened before we even knew that. When all we knew was that he felt kind of lost sometimes and killed his dad while helping head up a fascist empire, people went wild, and not in a "I like villains" kind of way. In a "he's MEANT to be read as mentally ill" kind of way (my God, please stop saying this about every character who is mean and exhibits one emotion) and "his parents MUST have been abusive to him" kind of way. Neither of those things. Has any basis in canon. Just. Just admit you like a character who's not a good person. And that you like a ship that's a dark romance. You won't explode, I promise.
The other one is Light. People want him to be a tragic anti-hero SO bad, I am incredibly tired. He went from zero to beyond 100 in the space of a couple of in-story hours. He's not some misguided utopian visionary, he's a hypocrite with a god complex. I have met too many people like this irl to get behind any positive or sympathetic interpretation of this character. (And don't get me wrong. I think in order to most effectively present the Themesâą of the work as a whole, he had to be written like this. I don't begrudge the creator (in this instance, anyway), I begrudge the fanbase. There's actually a lot I could say about this piece of media and general reaction to it, but my God this is already long enough.)
I choose violence asks
#tw: grooming mention#tw: abuse mention#long post#hope y'all like me being salty lmao#prepared to get a small slew of unfollows as per what usually happens when I do things like this lmao#multi t(ASK)ing#re: the last part-I saw something that said coming into contact w/the title object only allowed him to fully embody the person he was all#along. that he now had something that gave him the permission & ability to do what had always been simmering under the surface. and that's#ultimately how I view things as well#salty mc13 is salty
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Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet
Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)
Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked
#these just sum up my personal takes at the years in question and also what i'm seeing on tumblr/other social media#bbc sherlock#sherlock holmes#and i actually have a lot more thoughts to share on this series#specifically relating to the cultural impact#there is SO much about the show that goes unappreciated in hindsight because of how public perception of it has soured#and i totally fell into this as well--i still regularly rewatch hbomberguy's video absolutely dismantling the series and he isn't wrong!!#but what i'm saying is that i think it's easy for us to look at a piece of media (especially one so massively popular) like sherlock...#with very black-and-white lenses. it wouldn't have become so popular if there wasn't something inherent in it that resonated with people#and that's being buried (and i totally forgot it) because 'sherlock is cringe and problematic. can't believe i liked that'#which again it IS full of issues and those are well-documented as they should be. future portrayals should not repeat those mistakes#BUT being able to impact so many people is a merit in itself. and that's only possible because of other genuinely good things about the show#yes the way they handled the relationship between john and sherlock was riddled with problems YES it was often queerbaiting#AND the way they portrayed that relationship had a deep effect on me. i saw a lot of myself in sherlock and the complex way he loved john#the nuanced feelings he had about john's marriage to mary. the part (in s4!) where john calls him inhuman for not feeling romantic love#there was genuine intention and care put into some parts of this show and it comes through in scenes like those. they impact people.#and because of this realization i'm going to (eventually) do a rewatch of the show. i'm much older and i want to see how i'll view it now#but i want to go into it--and i want everyone who engages with it still--to have an open mind and evaluate it for what it is#not what we expected it to be (secret episode anyone?) or what the cultural drift has turned it into (the tiktok of sherlock's mind palace)#but the messy problematic somewhat-heartfelt massively significant and ultimately meaningful piece of media it actually was#anyway that's my thoughts would love to hear y'all's perspectives#funny how after all this time making a sherlock post still feels like i'm poking a bees' nest lol please be kind!#kay can i just catch my breath for a second#kay has a party in the tags
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Here's the thing about politics, and ultimately, the world: you are going to be biased, and you are going to have a limited understanding of others to an extent. The key is to not deny that this exists because you will be ignorant when you are biased and limited in your worldview.
Yes, absolutely listen to multiple voices and points of view and a variety of different types of people. But know that this isn't the same as erasing all biases and "self-centered" views. Strive to do better without denying that you are fallible.
#politics#this is how growth happens too#it is natural to be almost self-centered because you both live with yourself but also view the world as a self/selves#and it IS better to strive to remember inclusivity and sensitivity but that doesn't mean that you will NEVER betray those goals...#...and that's not because you are Bad Person Number One but rather because you are fallible...#...you will try your best and sometimes fall flat on your face regardless. that's the POINT of being alive...#...what you do is recognize that you're fallible and learn how you fumbled and remember that for next time...#...arm yourself with that knowledge and you will be better for it.#you can never reach this magical point where you Never Do Wrong because that Doesn't Exist#so what you do is learn. and keep learning. and challenging yourself. and not blame yourself for being an Actual Person#i would rather somebody stumble but ultimately mean well and actually learn than somebody who assumes that...#...'oh well because i say i believe and do Good Things that means i'll NEVER do ANYTHING bad EVER'#inspired by me realizing that a question i had stemmed from a limited worldview because i live As Me and don't know anything else truly#even i am fallible much to my chagrin (lighthearted)
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there's an essay jumbled up in my brain about dunmeshi's beginning and how clever and deceptive it is as a sleight-of-hand trick that distracts the audience from the depth and scope of the worldbuilding and foreshadowing that's being set up the entire time by dangling zany characters and wacky dishes and biology fun facts in front of us, and how that serves to catch invested viewers off guard when those elements come to the forefront, but also how it works against it with other viewers wanting "more" and not seeing it because the plot bait isn't laid out up front
how people getting frustrated with the characters "not taking things seriously" is mirrored and refuted in the confrontation between Laios and Shuro. how the characters' attitudes aren't just a result of shallow low-stakes "comedy rules" where nothing matters, but are an extension of their personalities (Laios's nonstandard expression of emotions being offputting even to people he knows) and the world and social environment (adventurers being desensitized to death and injury because resurrection magic is commonplace). the way the party refers to "saving Falin" instead of "retrieving Falin's corpse," indicating that they still see her with full personhood, and how that phrasing leads to some readers/viewers believing that Falin is alive in the dragon's stomach, conscious of being slowly digested while the party carelessly fucks around "wasting time." how the weird tonal dissonance makes sense in-universe and yet is deliberately challenged more and more the deeper the party goes
all the character building and pieces of lore slowly weaving together the shape of the larger world, laying the groundwork for the major themes that will surface later. so much is right there in the "low-stakes" early episodes if you know what you're looking for (or pass the perception checks).
it can be so satisfying to see new viewers/readers pick up on the clues even in the earliest "simple" episodes, or notice new things and make connections yourself....and it can also be frustrating to see people dismiss oddities and dissonance as shallow or bad writing because they don't expect a "cooking anime" to have depth like that. why try to question and understand and peel back the layers when you don't expect there to be any layers?
why can't laios take things seriously for once?
#mypost#i'm majorly out of practice for doing any real critical cohesive writing lol#trying to put this into coherent words has been such a mess so here's a vague gesture at my thought process about it#it's both my favorite and the most frustrating thing to see#because i've seen SO MANY people say they dropped the show after a couple eps thinking they know what it's about and where it's going#a cute but ultimately unsustainable gimmick#people for whom the characters and the food/biology infodumping weren't enough of a hook#but i wouldn't change anything about the structure to put a more obvious plot hook in the beginning#because it would give the game away TOO much#i LOVE how the audience has to acclimate to the characters' attitudes about death#only for our assumption that it's all normal and fine in this world to be thrown back in our faces#how we're left to notice the winged lion appearing in statues and carvings and coins and armor in the background#long long before it's ever brought up as a real entity by the plot#the history of the kingdom laid out in plain view but nevermind that. magic painting food!#i've seen the language around falin and her resurrection cause so much confusion#but of COURSE the characters involved wouldn't directly say 'we need to get her corpse to revive it'#bc pragmatically they already understand that as their goal. it doesn't need to be stated out loud; it's just how this process works.#but also they don't SEE her as an object. a dead body.#they need to 'save her before she's digested.' 'the spell couldn't reach her in the dragon's stomach.' 'hang in there falin'#death isn't real to them. not really. and so it doesn't quite feel real to the audience either#not until they find her skull and that realization slams home#like......i keep comparing it to gravity falls#which is episodic and goofy in the beginning but also has a much more obvious plot hook to keep people interested#(a main character entering a secret bunker indicating that he's lying about his ignorance of the town's mysteries)#the main characters in gravity falls are AWARE that there is a mystery to be solved and are trying to find more information#but i don't think that approach would work as well for dm!#laios's goals were never that lofty. not until they HAD to be because the situation demanded it of him#it's the characters trying to solve one personal problem and finding themselves entrenched in something vast and dramatic#that they weren't even fully AWARE of when they set out. and we the audience are on that journey with them!#it's SUCH a good structure i wouldn't trade it for anything. but also. tragic to see people give up and dismiss it so fast.
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Chapters: 1/1 Fandom: Miraculous Ladybug Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Félix Fathom & Amélie Graham de Vanily Characters: Félix Fathom, Amélie Graham de Vanily, Colt Fathom Additional Tags: POV Second Person, Writing Exercise, Quintuple Drabble, Experimental Style, Implied/Referenced Abuse, POV Félix Fathom, Pre-Canon, Bad Parent Colt Fathom, Sentimonster Félix Fathom Summary:
Open your eyes. Breathe. Remember that you are alive.
--
so @torvalvt recommended me The 3AM Epiphany the other day, which is a book full of âuncommonâ writing exercises, and i decided to give it a try! 1 out of like...200 done đȘđœ
#felix fathom#miraculous ladybug#ml fanfic#amelie graham de vanily#colt fathom#nem drabbles#this one was interesting! i wouldn't say challenging#though that's probably bc i picked what seemed like the easiest one to me first HAHA#this one's from the point of view chapter!#and he says that this one is ultimately an exercise in constraint#which is definitely true both with the word count limitation and the actual prompt itself#but it did help me reframe how i think about the passage of time in writing!#i think sometimes i can fall into the trap of feeling like i need to describe every single thing that's happening#but no! you can show the passage of time with just a sentence!#and playing with that even more can help push the unreliability of your narrator!#anyways in case you couldn't tell i love this book#i love the word count limits as well#partially bc i love writing drabbles#but also bc a lot of other writing exercises i've seen don't have them#and then i end up writing full out stories which kind of defeats the point of it being like#a quick warm up exercise#if you're kind of feeling in a rut with your writing or just wanna try something new check this out!
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Brain in Daylight Hours: There is no mental or emotional space for writing. There are no new ideas, and no structure for old ideas.
Brain after Dark: Here's 38 new ideas, 3/4 of a structure, official permission to write, and -- oh. The only place to write in the dark is your phone? ... Never mind.
#writing#well#not writing at the moment#I saw a post about characters doomed by the narrative#and the fridged wife trope#and it got me thinking about Apricots#about whether Jess should be dead from the start#and how much it matters that it's a multi-POV story with hers as one of the vital points of view#and whose POVs are ultimately included#and how they kind of mimic the classic 5 stages of grief in a way#but each has to escape their part of that cycle in one form or another#and about how each is a reflection of me in some way because of course they are because that's how I write things#and about how the villains are a reflection of my views about certain things too#and about how the story takes shape#and how it's someone who was dead long before Jess was ever born who's really been doomed from the start#Basil is doomed by the narrative and he knows this#Jess thinks she's doomed by the narrative but she has the chance to change that#Noah resents the narrative because he believes someone has to be doomed by it and he hates the idea of anyone being doomed#Ian thinks there has to be a way out of the narrative if he can just move props around the stage the right way#Kade finds the events of the narrative lonely and sad but knows that clinging to a prologue only makes the rest harder to read#Luciana has believed most of these things at some point#now she believes that while the narrative deserves to be destroyed the characters in it do not so all she can do is endure#and none of these are exactly organized thoughts#or give me any insight into the structure of the plot#or the things I've been struggling with#but it was almosf coherent for a whole hour tonight#and only the idea that writing on my phone until 2 or 3 am would hurt my wrists/hands/eyes stopped me#if only I could keep the light on just a little longer at night#it's a risk to my budgie's health and I refuse to do that#but I wish I could write in the hours my brain says I'm allowed to write...
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the way my brain comes up with extended metaphor explanations for shit i will never be asked about, but it always seems so accomplished when it manages it so i just let the fucker keep doing it
#this brought to you by a new metaphor to explain disconnects in interpretive viewing of media#the tl;dr - media is like an illustration from those kids' 3D books#you know the ones with layers of red-blue color you needed to wear 3D glasses to get the full effect for#in the metaphor everyone gets a pair of those glasses#but most people only use them as directed - with both lenses at the same time#doing that lets you see the illustration as presented#but getting funky with the lenses - looking out of only one side or retrofitting other lenses in - strips away different layers of color#and sometimes you'll end up seeing shit under those layers that no one realized would ever be included#(and sometimes you'll see shit someone *definitely* wanted to be included)#and ultimately it no longer becomes a question of 'which of us is seeing the real thing'#because you're looking at the same illustration - the same piece of media - the same colors available to everyone#and now it becomes a question of 'well which lenses are you using'#and 'how do i see the shrimp colors as well'
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âEdward IV was never the sole, undoubted representative of the kingship before I47I. The crowned, anointed and, most important, de facto king of nearly forty years standing, was still alive, never abdicated and was never deposed; he was free until I465 and safe thereafter so long as his heir was beyond Edward's reach ... Barnet, Tewkesbury and the prompt murder of Henry VI, the moment it was safe to do so, alone changed all this and secured Edward's de facto kingship at last. The 'first reign' was in fact the road to the throne.â
- B.P Wolffe, review of âEdward IVâ by Charles Ross
#edward iv#english history#that's a really good point I think#Edward IV was definitely in a wildly different and far more vulnerable situation from other 15th century usurpers#Henry IV and Richard III both had the usurped kings in their control and both Richard II and Edward V were childless so their usurpers#didn't have to worry about direct heirs#Henry VII defeated Richard in battle and was thus not only able to avoid the stain of regicide but was also able to gain added legitimacy#God-given victory in battle; divinely ordained triumph etc#Richard III also didn't have any legitimate heirs & hadn't formally declared anyone else his heir either#(and was himself viewed as an usurper himself by many)#So without discounting their difficulties they were all ultimately 'de-facto' kings from the beginning. Meanwhile Edward IV lacked that#across his 'first reign' and still somehow managed to get through which I think is actually pretty impressive imo? All things considered?#Ofc that's not to say that the circumstances were totally neat-and-clean for Henry IV Richard III and Henry VII - that's laughably untrue#But it was fundamentally different and more 'secure' in comparison to *Edward IV's* specifically#(John Guy talks about this in 'Tudor England' as well)#That's not even getting into how Edward IV was so much younger than the other three usurpers (he was 18 to their 32 30 and 28 respectively)#when he ascended the throne. So ultimately I think that his first reign was certainly very different and more vulnerable#which I definitely think this should be kept in mind when evaluating it - particularly if the evaluation is comparative in nature#(eg: in terms of internal opposition; foreign opposition; support; room to make mistakes etc)#On the flip-side it's also VERY indicative where Richard III is concerned. Because however morally distasteful his usurpation may have been#on a personal level - he WAS ultimately the de-facto king and the best option for dynastic continuity. And was clearly attempting a#policy of pardon and reconciliation where his brothers' followers were concerned. So it speaks volumes that despite that - despite#having nothing to gain and everything to lose - so many people rebelled against him or defected to a rival claimant who could#at that point offer them no such manifest advantage whatsoever
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every single day i log onto this app with hannibal on the brain is one day closer to my inevitably 5k word essay on the similarities and differences between zenoswol & hannigram. these are not at all related but they are both part of my special interests so they are now
#sonething something mutual destruction & love through violence & affection/hatred &-#but also something about how zenos assumes a lot which hannibal tends to leave up to will. statements & questions. therapist & enemy.#the difference in setting. the all of it. i am going insane thinking about this and i am alone jn this#its the autism.#it is 4 am i have exams tomorrow i should not still be awake but im THINKING. AGAIN.#also the way hannigram definitely affected the way i viewed zenos like. in general#aromanticism also factors into this#i like exploring my own psychology its like pretending to feel my emotions by being aware of them#surviving things they shouldnt?? doing things that in a normal person relationship would be absolutely horrible???#(idk whether hijacking someones body to kill their friends or trying to saw someones head open is worse)#(but neither of those things really seem like a healthy thing to do)#the whole 'idk what this emotion is so im killing you' vibe. 'try to kill me you are the first and only one i want to die to'#theyre like cats bringing home dead mice. i dont want ur dead mouse but i know you do it out of love so thanks man. pls stop tho#also one of my ocs (tma oc actually) served the end & sacrificed those they loved to it.#killing as a form of love. not a mercy kill (tho ive used that as well!) but just.#fucked up little guys who believe that killing someone is the ultimate show of love. who cannot see past the violence#oughhhhh#i miss my tma oc they were cool i should go back to them
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I often see posts about curating your own online experience that make the point, âcontent creators arenât your parents.â And, yes, that is absolutely true! And I try not to be like âas a parent,â but as a parentâŠ
EVEN PARENTS ARE SUPPOSED TO ENCOURAGE RESPONSIBLE READING/VIEWING BEHAVIOR. NOT filter everything ahead of time for their kid.
When my kiddo was 5, his pediatrician was asking him the usual Well Child Visit questions (âWhat are your favorite foods? What do you do to get your body moving? Do you know what to do if you get lost in a public place?â Etc.) and she asked, âWhat do you do if you see something on TV that scares or upsets you?â
I piped up like, âOh, he doesnât watch TV without one of us in the room,â which was true at the time and is still largely true now. She said, âYes, but that wonât always be the case, so make sure youâre talking to him about what to do if he sees something that upsets him.â
So we started talking to him about that, and the answer is simple: âTurn it off or leave the room, and talk to someone you trust about what you saw and what youâre feeling.â
The answer is NOT âAsk your parents to make sure you never see anything upsetting again,â because thatâs just not possible â and ultimately that would be doing the kid a disservice, since sooner or later heâs going to be out in the world where we canât control what he watches or reads. That doesnât mean we donât try to make sure heâs watching/reading age-appropriate stuff, it just means thatâs not the only safeguard he has â and thatâs a good thing.
So yes, content creators arenât your parents and arenât responsible for making sure you never see anything you donât like â but also, your own parents should have taught you what to do when that happens. So if they didnât, take it from me, your internet mom:
Turn it off.
Walk away.
Talk to someone you trust about how youâre feeling.
And leave the person who created the thing that upset you alone.
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Post-recovery Summiya concept sketch :)
#my art#artists on tumblr#the legend of korra#Kat and Nia and their multiverse of madness#original character#more like mid recovery but same difference#I think she deserves a cathartic hair cutting scene after 35 years of not being allowed to control any part of her own appearance#and also her hair is completely fried by constant straightening so it needed to go anyway#and now her natural curls are coming in :D#in my view she chops most of it off herself and then Mekhali evens it out a tad#not too much since it being messy is kinda the point. but enough that she doesnât suddenly start mirroring Zaheerâs bird nest#hey. you know whatâs really apparent to me now?#just how much Nazra takes after her dadâs side of the family#like. thatâs Nazra hair. almost exactly the way I draw it#meaning she takes after her aunt and grandmother in this regard#hey Kat. if youâre reading this. can we at some point discuss Summiya and Aiza in the Ultimate AU?#I assume things work out the exact same way for them as in the original verse#Aiza/Emran joins the acolytes. Liba and Abyan join them 15 years later. Summiya has her breakdown. etc etc#but since the RL arenât imprisoned.. thereâs a chance they could reunite with Zaheer earlier. right?#and Summmiya and Aiza can get to know their niece?#idk. Iâm a little soft for that idea#and hey. theyâd get to meet Lien-Hua too!! the RL sisters club is finally together#that makes me think that maybe.. the Ultimate AU can have a better ending in store for Haya as well#I donât want to water down literally everyoneâs character for the sake of softness but.. fuck it. I ache for Haya too#in a better world things would be different for her. in a different world sheâd mend her relationship with Ghazan#and would be a good if emotionally distant (she really doesnât like kids) aunt to the girls#and the RL sisters club will be complete!! unless you count Meifeng I suppose#but anyway. you know what I think? Hayaâs queer but is ridden with internalised homophobia#itâs so bad that sheâs not even aware of it. and I think she and Summiya should fuck nasty about it#<â things unhinged people running on little sleep with a pounding headache say at 1 a.m. please ignore me (I mean. unlessâŠ?? đ)
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Sodachi & Nadeko as a pairing â Yay or nay?
Sorry this is late! đ„Č I canât say I ever thought about it, so I wanted to consider my answer a little more. Iâm not much of a shipper in the first place admittedly đ€§
My answer is âthis is not a ship for me." The difference in age/where they are in life is a little too much (now in the anime, with Sodachi being in university while Nadeko being in middle school). I also view their relationship to be more like siblings, since Nadeko knows Sodachi as the friend of her best friendâs older brother.
If weâre talking later in life when difference in age/where they are in life is not as large of a factor to affect the power dynamic of their relationship (consenting adults, etc), I do think that Sodachi would still be an older-sibling-figure from Nadekoâs past⊠I prefer if Nadeko wouldnât deal with that kind of situation again (speaking about her âcrushâ on Koyomi). I think an element of Nadekoâs arc is about the deconstruction of the stereotypical anime âimoutoâ charatype that she was introduced as. So to me, it would be nice for Nadeko to have a partner that doesnât have that kind of faux older-sibling relation to her, past or present.
Apologies for the long answer! Itâs a little jumbled but I hope that this suffices! đđ
#anonymous#đŹ#this is my huge bias bc i have a significantly older brother and close-in-age sister so i understand the araragi household age-range well#this is all speaking in the context of when i was younger because i think when you're teen it makes a HUGE impact on your relationships#it feels similar to me (a younger sibling) dating one of my brotherâs friends (older) which is fucking weird bc of the context they know me#that context is first-and-foremost as a younger sibling of my brother regardless of whether or not we get along afterward#my bro will always be the crux of our relationship (how i view it) bc we wouldn't otherwise know each other and i... do NOT like that lmfao#which imo is different from if my broâs friend had a younger sibling my age bc this other sibling and i would be actual peers at that age#last tag is about the case of the NadeTsuki ship bc that to me reads more like two childhood friends rather than siblings because#they're similar ages and that helps a lot relating to people when you're young and might struggle with grasping worlds beyond your own one#Nadeko & Tsukihi are friends first so their relationships to Koyomi ultimately aren't THE major factor in how they relate to one another#vs. Nadeko & Sodachi where Sodachi is Koyomi's age and was Koyomi's friend then so he IS the major factor in how they relate to one another#at least from what is presented in canon from what i remember... Koyomi literally is what allowed that Nademono convo to happen (in spirit)#again this is my massive bias bc i cannot even fathom a romantic relationship with someone who is friends with my own older brother lmao#for other people who are actually ok with that thing like you do you but that is NOT for me at all and that will affect my ship opinions!#not me posting a whole other discussion in the tags đ€#i hope this makes sense??? anyway LOL SORRY AND THANK YOU ANON have a good weekend!!! đ«¶#please feel free to send asks to my side blog âsengoku-nadekoâ now bc i probably won't be doing fandom stuff on my main anymore!!!
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A question unrelated to being deaf: How does one separate the artist from the artwork in the modern age?
#hear here#I've seen/heard(?)/read the views for both side (and the centre too) but...I'm not sure how to look at it#I understand supporting those whose creator's have done spectacularly shitty things - especially to their sub-creators - is really shitty#But when one sees the artwork that comes along and the way it can positively influence those around? It creates a conflict#You don't want to financially support those who are bad for humans.. but art has a way of being transcendental from individual humans#It's easier to think about when the creators are dead and no longer really affecting the world around them#But when the creators are alive? It's...complicated#Like I genuinely believe Helluva Boss is good art.. even despite some of the offensive jokes (the r-slur.. even if no word replaces it well#is still a horrible slur) but I don't want to be encouraging those who put down other creators and make them feel their efforts are not#something that will support them and their families#So yeah. How does one support the art that they feel is an ultimately good influence when the artist themself is bad for fellow creators?
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>Simon has a neet weirdo as a best friend Or Simon Riley lets his best friend see his naked body for art references.
This wasn't the way Simon was expecting to spend his PTO; naked in his best friend's bed with his hand covering his soft cock, hoping not to make you uncomfortable as you took notes of his body's reactions.
âCan you like... get hard?â He was trying his best not to get hard, going as far as to think about gross things he's seen throughout the years to distract himself from the feeling of your nails raking up and down his bare stomach, defined muscles tensing and bulging beneath your palm.
â'S not how it works.â He grumbled out, tired brown eyes looking away from you. Simon isn't embarrassedâ not at all, he's simply not used to someone inspecting him the way you are, curious eyes fully focused on his body, taking in every single tattoo and scar, living proof of how many times he's kicked death's ass.
âWell, just think about... I don't know, tits.â He lets out a dry chuckle at the awkwardness in your tone, trying your best to keep it professional in the name of art. He looks down at you with pure amusement the moment he sees your hand drifting up, tracing the outline of his defined, muscular pecs.
You take a second to fully admire the view in front of you, absent-mindedly starting to play with his erect nipple, not registering the way his breath hitches. Simon looks like a gladiatorâ lightly tanned skin making his rippling muscles stand out greatly, becoming the virtual image of ancient Greek fantasies, a plethora of scars showing how often he crosses the edge of death.
âGettin' a bit touchy there.â His playful tone doesn't save the mild embarrassment, about to let go of his nipple before his rough, calloused hand grasps your wrist, encouraging you to keep touching him.
â'S working.â Simon's other hand moves out of the way slightly, just barely enough for you to see his hardening cock, veins starting to become more prominent along his long, meaty shaft. He doesn't protest when you move his hand out of the way, getting a perfect look at him.
âThat's... oddly interesting.â The awkwardness coming from you never fails to amuse him, only making his ego inflate by the second, even when you look down at your notebook to keep taking notes of his body's reactions.
âDoes it feel weird to get a boner?â He thinks about it for a few seconds before shaking his head, holding back a laugh at the blunt questions. In the name of art, she says.
âNot weird, just... I don't know, bird.â The expectant look that you give him distracts him for a second, trying to think of a better way to explain it.
âFeels good. Bit tingly most of the time, and you can feel it... y'know, grow.â Explaining what getting a boner feels like isn't the weirdest thing he's done for you, half-lidded brown eyes focused on the way you simply nod and keep taking notes, using his words as inspiration for the erotic novels he knows you write.
The room is almost quiet for a few minutes, Simon's breathing becoming harder being the only sound, feeling your soft hands caressing every single inch of his skin, feeling him up more than he can take... and ultimately edging him without even being aware, stopping to take notes every once in a while.
âI can show you how a man jacks off, too. For the sake of art, yeah?â
#cod mw2#cod mwii#call of duty#simon ghost riley#ghost mw2#simon riley#simon ghost x reader#simon riley x reader#ghost cod#ghost simon riley#simon smut#simon x reader#ghost x fem!reader#ghost x reader#ghost x you#ghost x y/n#ghost x female reader#simon riley x f!reader#simon riley x you#simon riley x y/n#simon ghost x you#simon ghost smut#simon ghost riley x reader#simon ghost riley smut#mw2 ghost#mw2 x reader#mw2 smut#mw2 2022#neet!reader#weirdo!reader
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I'm to the point where if I hear you're endorsing/voting for Kamala Harris and you're publicly getting mad at people for not voting for her, I'm not even going to listen what you have to say, you've made it clear you have to strong principles to guide your decisions beyond "what's worse for me personally?" I think Harris voters have no actual ideologies to live by, despite claiming they do, and I fundamentally don't respect them for it. It's one thing to be angry at people who won't vote for Harris, but it's another thing to pretend you're doing it because you have some sort of moral authority and not basing it off pure selfishness. You think that solidarity is posting about things and that's it. You refuse to make yourself uncomfortable, even momentarily. And you get mad at people who are willing to go through discomfort for the sake of others. You call them names, ans claim that THEY are the selfish ones in this scenario. You've given up on making a change in the world for the better, or maybe you were never interested in it. All of your arguments pale in comparison to reality, because Harris is actively funding a genocide. She has even refused to acknowledge a reality in which she does not fund that genocide. Has made such a thing clearer and clearer. All my problems here in the imperial core are secondary to that. I'm about to go through multiple personal issues that are made increasingly hard by political factors and I still think that's nothing in comparison to what Palestinians and Lebanese are going through overseas. You've placed yourselves as the ultimate victims in the world and to me it's laughable and completely out of touch with just how fucked everyone else is because of the imperial beast that is Amerikkka. And speak nothing of the way the victims of Amerikkkan imperialism on Turtle Island bear the brunt of societies' woes for your personal comfort and refusal to make any meaningful change. Not ev baby steps! You think trump is an accidental anomaly and not a product of a larger issue within white amerikkkan politics. Is it not shocking to you that so many people here are voting for trump so enthusiastically?
Seeing things like the weaponization of personal identity, like "Muslims for Harris," used so plainly is an insult to the ideas of internationalism that you all claim to follow. What use is solidarity with the victims of imperialism if you refuse to acknowledge the entirety of the imperial complex? That includes the democrats you hold so dear as well as the Republicans? What use is any of this if you only think for yourself?
You claim to be thinking of others, and that's why you vote for Harris... but what is so incomprehensible to me is the comfort in which you accept the inevitability of Palestinian deaths. Why are you so willing to accept that reality? Why are you comfortable with that reality? It shocks me and disgusts me in a way that I can not really describe. You lot argue and argue and argue, but in the end, the difference between you and me is that I refuse to engage in a reality where Palestinians must die in any case. You have yet to refuse that. In actuality, you all refuse the baby steps, the bare minimum, of refusal to engage in continuation of that reality. And because of that, I do not take you seriously, nor do I view you as being moral in your decision to sacrifice Palestinians.
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do you think Falin's chimerism would affect her lifespan and behaviors? or just her body? maybe she can make more animalistic noises or has vague dragon-like instincts?
thatâs a really good question! I think we could probably figure this out by taking a look at what we know about Falin, what we know about red dragons, whether these things would apply to Falin, and go from there.
The obvious external changes Falin has are: her eyes, her teeth, and her feathers.
Itâs hard to pin down what Falin is like! Throughout the duration of the manga, she wasnât really a character so much as a plot device. We have almost nothing told from her point of view, and the majority of her unbiased (as in, weâre seeing her through a neutral lens and not another characterâs perception of her) characterization is from the post-canon omake.
Even Falin believes that her wanderlust might come from her dragon side, but she's not sure. Personally, I think itâd make a lot of sense if it kind of does, in the sense that she has 20/20 vision now, haha! For most of her life, she could probably only see clearly within a relatively small sphere surrounding her, and now she can see everything. She can look up and around freely in a way she couldnât before. Fuck man, if I had magic lasik Iâd probably go out more too.
Some other quirks that are really unclear whether itâs typical for Falin or chimera-influenced:
she enters rooms through windows, sometimes. And given the leaves in her hair, I think itâs reasonable to assume this is not the first floor đ But who knows! Maybe thatâs not new for Falin.
She points out that Laiosâs scent could deter monsters. Maybe she has enhanced smell. But again, it isnât unreasonable to think this is something she would have said before. (I think even Chilchuck and Izutsumi, whose senses of smell are enhanced, canât identify scents well. Kuro, however, can.)
VIOLENCE! But again, weâve seen her beat shit with her staff before, and she also used to wield a flail. It IS a trait for red dragons to fight any large threat, so if anything, sheâs got even better monster fighting instincts than before. I don't think this would carry over to people. Falin has always been better with people, and I'm personally not a fan of seeing her depicted as territorial or possessive. Marcille is already the possessive one, and didn't need dragon blood to be like that.
Ultimately, I don't think her dragon traits extend much farther beyond this. Especially when you consider How Little the dragon is represented as in her conscience.
it's not like it's a 50/50 split. She's like a person with a dragon ratatouille. I don't think she'd be able to make dragon noises. I don't think her body is built for that. I know there's like, a set list of tropey characteristics that are given to almost every non-human character in fiction. and sure that's FINE but they tend not to be especially personalized to the character, and tend to just be an excuse to write them OOC. Like, sure, dragons may have instincts regarding sleep habits, hunting, courting, raising young, etc etc, but so do humans! And we don't compulsively act on every instinctual whim we have. I don't see why it'd be any harder for her new dragon instincts.
If anything, I think she'd feel more affected by the fact that she has part of the demon in her.
I don't think Falin's in any sort of trouble. All the demon was was a way to communicate with people. Here, it's representing Falin's tether to the infinite realm, to mana itself. The winged lion no longer has the desire to consume anymore because, yknow, Laios has that now. This is very likely why she no longer needs to chant to cast magic.
But what else does this mean for her? She already had unusually high reserves of mana + an innate connection with spirits, but is her mana essentially limitless now? How would that affect her lifespan? I'm leaning towards, it wouldn't really?? But is she immune to mana sickness now? Is it more like her magic is just sort of amplified like it would be in a dungeon?
We can infer that having more mana doesn't increase your lifespan, because-- while elves and gnomes have both naturally high levels of mana and longer lifespans-- dwarves live longer but have lowest levels of mana of all.
So to answer your question! Maybe a little bit?? But I don't think she'd change a whole lot.
#dungeon meshi#dungeon meshi spoilers#long post#falin touden#laios touden#chilchuck tims#marcille donato#my art#comic
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