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4k words of mean streets meta-analysis
so remember that analysis post i made about mean streets thru the lens of noir film, buddy film, and framing perspectives yEAHÂ
idk how well written out my thoughts are, but some dots were connected and imma let the thing speak for itself lmaoo, its written in APA style cuz ive got nothing better to do w my life, so im not really going deranged and just saying oh yes, they were totally in love,, like i had to work around and stick to a sorta academic language,, and yanno i tried using film think piece ideas to gently nudge the idea that these dudes are in fact so immensely dependent w each other lmaoo,, anyways as far as im concerned all the quoted info is cited and some of these essays really are cool :>>
here it goes lmao, its for the long haul, liKE its really really stupidly long
The Streets Sure Were Mean:Â A Homosocial Reading of Martin Scorseseâs Mean Streets (1973)
âYou donât make up for your sins in church. You do it in the streets. You do it at home. All the rest is BS and you know it.â The ascribed phrase succinctly summarises the ethos and crux of the film. Mean Streets (1973), directed by Martin Scorsese, on the surface, is all about punk gangsters living in their own sin (Ebert, 2003). In the context of meta-analysis, drawing away from the characters, conditions, and plot points of the film. Mean Streets is described by Raymond (2006) as a movie operating within the genres of crime, buddy, noir, and musical (p. 3). The streets sure were mean. Definitely. Homosociality in my 70s buddy film? Surely. The following essay aims to explore a homosocial reading of Mean Streets (1973) specifically through the archetypes and tropes of the noir film genre, buddy film genre, and in-film framing.
1. Noir Film
Analysing Mean Streets through the lens of the noir film genre allows for several interpretations and narrative implications. The femme fatale is a staple trope within the noir film pathos. According to Nesbitt (2009), the femme fatale is the character through which masculine fears are articulated. Her power lies in bringing out uncontrolled drives, losing subjectivity and agency within the male character. Because of this, the femme fatale is evil, and must subsequently be punished by the narrative. The punishment or penance of the femme fatale is a reassertion of power by the threatened male subject (p. 15).Â
Scorsese films tend to operate within the genre and limitations of the noir film. About this, Stern (1995) considers that there is no femme fatale figure in his films. The bad-object for whom the male subject is drawn and tempted is absent externally. Stern suggests that the male subject may be fascinated by his own repressed femininity or homosexuality. Identification with the bad-object allows for narrative resolution and a characterâs resolution, either the femme fatale is turned good or is punished by the narrative (p. 26). Raymond (2006) suggests that the femme fatale is internalized by the character of Charlie through his obsessive guilt, yet the figure of bad-object choice may also have been projected onto Johnny Boy, whom he has to save (p. 10).Â
The internalized femme fatale falls in line with other Scorsese films, wherein the threat to masculinity is drawn from within the characters. The male subjects are those whom the narrative has to either punish or turn into good objects to achieve narrative resolution. These male characters have to be transformed into good characters or punishedâ in order to affirm and assuage the male fears. For Charlie in Mean Streets, his punishment as an internalized femme fatale is failing to save the individuals he took under his wing, be it Teresa or Johnny Boy. That is the tragedy Scorsese paints of Charlie, his greatest punishment isnât that of death, but of the spiritual anguish of inadequacy and failure, not only to protect but also to achieve penance. An extension of this, is Charlie failing to attain penance for the surmounting guilt he feels. His failure to protect Johnny Boy is failing to achieve that penance for his sins. The punishment of the internalized femme fatale as that failure to protect, serves to revoke the sense of control of the male subject instead of reasserting that control, which makes the ending even more tragic. But the femme fatale is all about becoming good or being punished, so either way, the film reaches its conclusion in accordance with these archetypes.
In analyzing Johnny Boy as a femme fatale figure, Charlieâs religious fixation must be considered first. Traditional Christian imagery prevails throughout the film. Described by Ferrante (1994) as containing imagery of the sacrificial crucifixion, scenes of confession, religious statues, and iconography (p. 12). Charlie is the penitent figure seeking forgiveness. Although the film is rife with Christian imagery, penance never occurs in the Church but instead upon the mean streets of Little Italy.Â
The penance which he seeks is ascribed to the character of Johnny Boy. The way in which Charlie interacts with him and whether through his actions Johnny Boy is redeemed dictates the potentness of his penance. Maxfield (1995) likens Johnny Boy to an anti-Christ figure, in that these two figures are consistently associated with rooftops. Christ is a white statue on the rooftop in the Feast of San Gennaro sequences and Johnny Boy is shown twice on the rooftops of Manhattan. In this framing, Christ and Johnny Boy are juxtaposed against each other, and Charlie defined himself as a Christian in his interactions with Johnny (para. 25). Charlieâs saintly fantasies take shape and gain expression in his relationship with Johnny and oftentimes his Franciscan moral imperatives trump his own self-interest (Quart and Rabinow, 1975).
Bliss as cited in Maxfield (1995) puts it that Johnny Boy is the cross that Charlie must bear as a prelude to his own redemption (para. 7). Yet tension arises when Johnny plunges himself into deeper and deeper trouble with his debtor because he is testing the limits of Charlieâs devotion to his penance and by proxy, his devotion to Johnny Boy as well. As the object of his penance, Johnny Boy is an object of fascination. Yet many of the problems later on faced by him, stem from his interactions and proximity to Johnny Boy. There is a loss of agency within the male subject, as a result of his interactions with the femme fatale. Though Charlie himself never does anything to genuinely put himself at risk and at odds with the favor of his uncle, which may say something about his role as a penitentâ in that he is half-hearted and reluctant to sacrifice anything of value, to attain penance through Johnny Boy. Nonetheless, his âvouching forâ Johnny Boy undoubtedly puts him at odds with several of âthe boysâ of Mean Streets.
At the tipping point of the film, when Michael hires a gunman to chase after the trio. As described by Librach (1992), Charlie chooses discipleship when he chooses to act. Acting out by defying his uncle and helping Johnny Boy escape, both Michael and the âneighborhoodâ law which these characters represent (para. 3). The neighborhood law is that of masculinity. Giovanni as the immovable godfather is an object of masculine strength and the law of the patriarch. On the other hand, the law of the neighborhood is machismo, both of which the three attempt to escape from.Â
Whether or not he is saved due to Charlieâs interference or further damned by merely postponing the inevitable, Johnny can be read as a femme fatale figure whose ultimate fate in the filmâ punished with a gunshot wound to the neckâ serves to affirm Charlie as the male subject. In the externalized femme fatale, the character of Johnny Boy is the bad-object choice who has to be saved or otherwise punished. His punishment at the hands of the narrative, affirms this reading. Johnny Boyâs role is to dictate whether or not Charlieâs penance has come to fruition. As cited in Librach (1992) the idea of spurting blood is like a purification within the Scorsese canon. The blood which spurts forth from Johnny Boyâs neck serves a similar symbolic function as that of the Christ-like young criminal of some of Scorseseâs earlier films. The blood of the sacrificial object only purifies if there is a subject worthy of purification (para. 5). By the end of the movie, Charlie fails to attain penance through his interactions with Johnny Boy.Â
Johnny is a sacrificial object of purification, with Christ metaphors made using rooftops, and is the gauge by which Charlie measures his penance and fails. While Charlie is the subject of purification, only if he happens to be worthy of it. Woodsworth (2014) describes that the suffering of male characters as they sacrifice and devote themselves to each other pose as arguments of each characterâs inner goodness, thereby allowing for masculine redemption (p. 24). Charlie never sacrifices anything meaningful or valuable to himself in order to help Johnny. Never risks his favor with his uncle, and never sacrifices his position to help Johnny. This reveals him to be an inadequate penitent, unable to follow through with virtuous suffering in order to acquire redemption for himself. Yet a change occurs in the last arcs of the film, Charlie choosing to act by aiding Johnny despite posing a risk to himself. This action thus earns him the blood of the sacrificial object that purifies. The fact that both he and Johnny Boy are shot and bathed in their own blood, legitimizes the reading of both the internalised and external femme fatale. Internalized, Charlie acts in earnest goodheartedness, thereby resolving the insecurities posed by the femme fatale. Penultimately, the filmâs ending reveals him to be an inadequate penitent, and despite his efforts, he only manages to damn them bothâ and living through the crash and despite itâ is the tragedy which Scorsese paints.Â
2. Buddy Film
Mean Streets may also be analyzed through the lens of a buddy film. The narrative structure, tropes, and common characteristics of the buddy film lend a homosocial reading of the film. It is valuable to highlight the particular structures of the buddy film genre as recounted by Wood, cited in Raymond (2006). Wood describes the buddy film as such, where female characters are marginalized. He expounds this by pointing out that the central characters are typically male, and female characters are presented only after the male ones are developed. Within the narrative of Mean Streets, female characters are objects to present the cultureâs racism and sexism (p. 6).
Farber as cited in Woodsworth (2014) describes the nature of male relationships as portrayed in buddy films, as films where the male protagonists share the purest kinds of love and women are merely detractors and derisions of a beautiful friendship. Women are depicted as civilizing forces from whom the male subjects must escape (p. 20). Raymond (2006) claims that normality, ie. heterosexual romance, and monogamy, are linked to the figure of Teresa (p. 7). These characteristics are evident in Mean Streets in that the most developed and focal relationship within the movie is that of Charlie and Johnny Boy. Most of the plot revolves around the interactions between male characters while the females are reduced to objects through whom issues such as sexism and racism are portrayed. Particularly, Teresa is used to depict racism, in how she treated the black housekeeper and ableism, in how she is treated and regarded by most characters aside from Charlie. Diane is also an object through which racism is portrayed, in that she is a viable and available sexual figure but Charlie, despite his interest, never pursues her because of her race. The same could be said of the Jewish women whom Johnny enters the bar with, they are objects of desire, surely. But they are never given much thought nor development beyond the figures which they stand for in the eyes of the male characters.
Schuckmann (1998) states that buddy films feature a marginal female character who serves as a token object of exchange (p. 6). Similarly, Raymond (2006) states that the presence of women in these films only serves to affirm menâs heterosexuality (p. 9). In the buddy film, the male relationship is never validated, it is off-set and diverted by the film's ending. Any depiction of tenderness or intimacy between men is often offset and rectified by affirming the male charactersâ heterosexuality. This is where the female character finds herself, as an object by which that masculinity is affirmed. Charlieâs relationship with Teresa may be read as such, as described by Maxfield (1995), the audience has no idea when the affair between Charlie and Teresa began, nonetheless, it is brought into the audienceâs minds well after the closeness between Charlie and Johnny has already been well-established (para. 19). From the intimate apartment scene, the film cuts directly into an almost dream-like sequence of the affair, where until a few minutes into the scene the audience is left doubting the reality of the affairâ whether or not it is the mere fantasy of a voyeur looking into the window. Maxfield (1995) describes that Teresa may be read as a proxy towards whom Charlie resorted when consummating the male relationship is prohibited (para. 20). After the apartment scene depicting an easy intimacy between men, there comes the need to affirm the male characterâs heterosexuality and Teresa serves as a vessel to portray that, and this role is one typically relegated to women in buddy film genres.
Wood, as cited in Raymond (2006), describes the absence of home, as another characteristic of the buddy film genre. The idea of home does not exist, the journey always leads to nowhere. Home is not a place but an ideological position. Wood likens the concept of home to normality as in, heterosexual romance, monogamy, family, status quo, and the law of the father. Normality in Mean Streets is found in the figure of Giovanni and Teresa, as the law of the father and heterosexual romance, respectively (p. 6). Each of these characters also offers a physical and concrete home to Charlie. A restaurant from Giovanni, which further encroaches Charlie into the world of Little Italy; and an uptown apartment with Teresa, which pulls him out, literally and figuratively, of the so-called mean streets. Yet at the end of the film, Charlie rejects both notions of home, be it by will or by proxy. According to Maxfield (1995), in the original script, due to his prolonged interactions with Johnny and Teresa, Charlie is disavowed by Giovanni, and is given money so that he may leave the streets of Little Italy for good (para. 3). So in his only genuine act of personal sacrifice, Charlie rejects the notions of masculinity and normalcy provided by the figure of Giovanni. In his desire to stay among the streets and act upon his penance, Charlie time and time again rejects Teresaâs offers of moving in with her, thereby rejecting the promise of home.Â
Woodworth (2014) states that women no longer serve as a mirror through whom masculinity is confirmed, instead, other men provide and affirm masculinity for the male subject. (p. 16) It is not Teresa who affirms masculinity for Charlieâmasculinity in the sense of providing, vouching for, and a general figure of guidanceâ it is his proximity and treatment towards Johnny which validates this.Â
Lastly, Wood, as cited in Raymond (2006), describes the buddy film as having a male love story. The emotional charge and center of the film lie in the male/male relationship. It is the relationship between Johnny Boy and Charlie that lies at the crux of the filmâs narrative and structure (p. 7). Teresa may be read as an off-set of the central male relationship because it is only after Johnny Boy and Charlie spend the night together at the apartment that she is introduced in the film.Â
Kimmel, as cited in Woodworth (2014), describes that masculinity is a homosocial enactmentâmen greatly need the approval of other men. Bech as cited in Woodworth (2014) amends that being a man entails an interested relation from man to man. This male interest includes the act of comparing and mirroring, and that of companionship and mentorship. Though he does not necessarily equate homosocial desire with homosexual desire, Bech suggests that a distinct line between the two may not exist, and that distinction is not unbreakable. Â To quote Woodworth (2014), âThe connections between wish, longing, body, male images, togetherness, sharing, security, excitement, equality and difference in relation to other men which are intrinsic to identification make it impossible to keep it apart from eroticism.â(p. 51) There is this sense that only men are privy to each otherâs camaraderie and regardless of their intimacy with womenâ be it their girlfriends, wives, or beausâ togetherness and intimacy are things only truly afforded to other men. Maxfield (1995) describes Charlieâs desire to conceal his affair, and Johnnyâs visible jealousy may point to a latent layer of homosexuality in their relationship (para. 18).Â
Masculinity is male-loving. Â It is gauged by the evaluation and response of other men towards it, and this aspect is clearly portrayed within the film. In the many moments of intimacy between the characters. There is a blurred line between seeking external approval from other menâasserting themselves towards othersâ and homosexual inclinations. The feminine role of affirming the male subjectâs masculinity is one that Johnny takes in. By being vouched for, and helped by Johnny is this passive figure and he is the gauge by which Charlie measures not only himself but his penance as well.Â
3. In-Film Framing
Lastly, Mean Streets may be analyzed through the lens of its own filmmaking and in terms of the filmâs own language instead of through the implications of its genre.Â
Within its own cinematic language, Raymond (2006) describes âothernessâ in Mean Streets as a means of attraction. Particularly induced by the transgression involved in acting upon it. Sobchack, as cited in Raymond (2006), describes that the âothersâ who are displaced and distant from the cultureâs signifiers of place and function are attractive for the very idea that they are socially problematic, ambiguous, and dangerous. The manner in which Scorsese frames the world of Little Italy, effectively presents the undesirability of home and its sense of security (p. 11). Ultimately, by the end of the film, Charlie rejects the notion of home and stability, offered by Teresa and Giovanni. Though throughout the film he is reluctant to act out contrary to the norms and rules of the streets. In his inability to bring up Johnnyâs debt to Giovanni, out of fear of falling out of favor with the patriarchal figure of the uncleâ the godfather; and in repeatedly rejecting Teresaâs invitation to move into an uptown, upscale apartment away from the petty violence of the streets.
Quart and Rabinow (1975) describe the relationship of the male characters to those of the âoutsidersâ. Homosexuals are regarded with contempt, black people are sexual and erotic figures, and Jewish persons are similarly erotic figures. Though these individuals are considered othered â- marginalized people in that community â despite their âothernessâ they can be desired, joked, and drunk with (p. 5). Charlie desires Diana, and that much is evident, yet he does not commit nor choose her, instead he leaves her hanging and waiting under some stoop. The same could be said of the Jewish women Johnny enters with at the bar, though he considers them attractive or a viable lay, he does not care to remember their names at all. Charlieâs relationship with Teresa, as an epileptic, and Johnny, as a delinquent to the internal rules of the streets, both put him at odds with his uncle. They are similarly transgressive options for Charlie, ones that may leave him out of favor, that are dangerous, and contrary to the norms of the streets. Both are relationships that he desires to pursue, though with varying degrees of success.
Schuckmann (1998), describes that in the buddy movie genre, though homoeroticism is evoked by the literal coupling of the male partners as buddies, this homoeroticism is offset and dispelled by homophobic jokes and remarks. As part of this dispelling, an outright depictionâ caricatures even â of gay characters are present to safely dispel and offset homoerotic tensions (p. 6). Johnny and Charlie are a buddy duo, though they arenât necessarily on good terms or buddies in a conventional sense, the bond cannot be understated and despite their bickering, they fall under the category of buddy film couples. In the apartment scene, there is an intimacy and vulnerability presented, and just as the window scene serves to affirm the charactersâ heterosexuality, the many homophobic remarks spoken throughout the script serve to offset and dispel the homosociality between the two main charactersâ just as overly performing masculinity and machismo may serve to quell any internal insecurity.
Raymond (2006) highlights the two homosexual characters riding along in the car after the bar shooting incident. These characters parallel Johnny Boy and Charlie. One is loud, belligerent, and out of control while the other attempts to calm him down and steer them both away from trouble (p. 8). A reasonable man attempts to restrain his irrational and unruly partner to minimal success (Maxfield, 1995). Wood, as cited in Raymond (2006) points out that these characters serve to prove that the main characters are not like that. The homosexuals serve to both prove and disprove the relationship between Johnny and Charlie (p. 9). In inadvertently presenting them as parallels, Scorsese entertains the idea that the coupling of the main characters is legitimate. The colors and framing of the scene exemplify this, Johnny wears a similar-looking outfit to the loud, unruly partner, while Charlie wears similarly muted colors to the reasonable partner. Yet the manner in which they exit the frameâleaving in opposite directionsâasserts the fact that the central main buddy relationship does not in fact âswing that wayâ. Though in their âbuddy-nessâ, homoerotic implications may be derived and construed, it is ultimately disproved by the film's text. These characters mirror Johnny Boy and Charlie and displace the homoerotic tensions as described by Schuckmann (1998).Â
Raymond (2006), describes that Charlie and Johnny mirror that of the musical romantic couple, wherein the surface qualities of the other, correspond to the repressed personality of the other. Evident in how Charlie is all inward repression while Johnny is all outward expression (p. 17). Another reading of their âcouple-nessâ aside from the plausibly deniable buddy trope, is that of the musical couple wherein the characters are two sides of the same coin. These two characters are integral and deeply tied to one another because they are reflections. Maxfield (1995) describes Johnny acting out aggressively in ways that Charlie may want to but is too repressed and cautious to express. Charlie likes Johnny Boy for his capacity to act as his own surrogate id (para. 16).
Maxfield (1995) likens Johnny to the tiger cub which Tony stores in the backrooms. It represents an inherent feral and fierce nature. Tony believes that he can tame that fierceness, and hones it with enough affection, but it may someday turn on him. For Charlie, Johnny plays a similar role, as an incarnation of wild instinct (para. 17). Johnny is volatile and violent, and Charlie does his best to rein him in with little success, his tiger turns on him, in the endâ with Johnnyâs self-destructive tendencies, damning all three of them. Johnny being a dangerous, destructive, and contrary option for Charlie may tie into the idea of transgression as an object of desire. Though Johnny is by no means marginalized, his manner of conduct puts him at odds with the rest of the streets. Thus, Charlie objectifiesâ because he tends to sublimate the individuals not for who they are but for what they represent; ie. Johnny as penanceâ those who are outsiders to the normality and standards of the streets as attractive pursuits. Though this does not necessarily mean that the subject of the desire acts upon it, for within the world of the streets, this desire is often repressedâ via religious guilt, dispelled and distilled into prejudiceâ via homophobic or racist remarks. In the language of Mean Streets, those who are transgressive and contrary are objects of desire. Desirable, for the otherness of their race and identity; as well as characteristically, attraction to wildness and fiercenessâ as portrayed by the tiger cub.Â
Similarly, both the marginalized individual and tiger cub pose a sense of threat, potential danger, and a source of conflict for Charlieâ and for this, they are all the more enticing. So whether it's for its potential as forgiveness and penance or challenge and 'contrary-ness', Charlie is drawn to âotheredâ individuals. Perhaps in Johnny, Charlie seeks out an individual more volatile and destructive than he would ever allow himself, because of this, the intricacies of the main buddy couple cannot be understated.Â
TLDR;
To put it succinctly, Mean Streets employs the conventions of noir film not only to shape the mood and form of the film but to implicate Johnny as a femme fatale figureâ being the bad choice path for Charlie that must be either punished or turned good by the filmâs resolution. Johnny is reckless, destructive, and contrary to the conventions of the streets. Thereby Charlieâs prolonged interest and interaction with Johnny puts him at odds with the world he finds himself in. In the end, Johnny is shot in the neck bathing him profusely in blood, likened to an act of Christ-like cleansing which ties in with him being an object of penance. This penultimate tragedy and punishment in the hands of the narrative serve to legitimize Charlie as the central male subject of the film and resolve the insecurities posed by the femme fatale.
Mean Streets is categorically a buddy film, with a central male relationship at the heart of its plot. As per the conventions of the genreâ women are marginal, home as a concept is absent, and male relationships surmount all else. This lends itself easily to a homoromantic reading, since women are marginal they typically serve to displace and dispel homoromantic tensions and prove the heterosexuality of the central male characters, beyond that, they are marginal to the plot. These female relationships serve as a proxy for the unconsummated male relationship. Conceptually, home is absentâCharlie rejects Teresaâs offers of moving together, thereby refuting home and heteronormativity, and refutes home in the streets by making himself unfavorable to Giovanni by constantly vouching for Johnny. The immense importance placed upon the central male relationship may cross the line of homosociality into homosexuality. Masculinity is inherently male-loving, thereby, there is a blurred line between seeking external approval from other menâasserting themselves towards other menâ and homosexual inclinations.
Lastly, within the language of its own film-making, Mean Streets uses transgression to punctuate and define objects of desire. Teresa, Diane, and Johnny are all similarly transgressive options for Charlie, ones that may leave him out of favor, that are dangerous, and contrary to the norms of the streets. The women are desirable for the otherness of their race and identity. On the other hand, Johnny represents a volatility and brashness, much likened to Tonyâs tiger cub. One that could perhaps be tamed with enough affection yet holds within it wildness and fierceness that could very well turn on its keeper. Though Johnny is by no means marginalized, his manner and self-destructive habits have put him at odds with the rest of the streets. Similarly, both the marginalized individual and tiger cub pose a sense of threat, danger, and a source of conflict for Charlieâ and perhaps for this, they are all the more enticing. It is also of note that the pair of homosexual caricatures mirror Johnny Boy and Charlie, both in their clothing and the roles that they play to one anotherâ one unruly and the other restrained. By inadvertently presenting them as parallels, Scorsese entertains the idea that the coupling of the main characters is legitimate. In their âbuddy-nessâ, homoerotic implications may be construed. Yet as the characters part ways in opposite directions, and as the script dictates more homophobic remarks, any homoromantic tension is immediately dispelled.Â
References
Ebert, R. (2003, December 31). Mean Streets. RogerEbert.com.        https://www.rogerebert.com/reviews/great-movie-mean-streets-1973Â
Ferrante, L. A. (1994). Redemption in the narrative films of Martin Scorsese: Related critical essays, with emphasis on" Mean Streets"," Raging Bull", and" Goodfellas". The Union Institute.  https://www.proquest.com/openview/59a2087263ebf282115193b09a2cc876/1?pq-origsite=gscholar&cbl=18750&diss=yÂ
Librach, R. S. (1992). The Last Temptation in Mean Streets and Raging Bull. Literature/Film Quarterly, 20(1), 14. https://www.proquest.com/openview/91587245032050f8dbb7a447b3dd91c6/1?pq-origsite=gscholar&cbl=5938Â
Maxfield, J. F. (1995). " The Worst Part": Martin Scorsese's Mean Streets. Literature/Film Quarterly, 23(4), 279. https://www.proquest.com/openview/51f346d0182670237ef161cf32fa7291/1?pq-origsite=gscholar&cbl=5938Â
Nesbitt, R. C. (2009). The femme fatale and male anxiety in 20th century American literature,âhard-boiledâ crime fiction, and film noir. State University of New York at Albany. https://www.proquest.com/openview/f5b767ce0cecb085b64c8e99993ab04c/1?pq-origsite=gscholar&cbl=18750Â
Quart, L., & Rabinow, P. (1975). The Ethos of Mean Streets. Film & History: An Interdisciplinary Journal of Film and Television Studies, 5(2), 33-34. https://muse.jhu.edu/pub/39/article/487229/summaryÂ
Raymond, M. (2006). The Multiplicity of Generic Discourses and the Meaning and Pleasure of Mean Streets. Canadian Journal of Film Studies, 15(2), 62-80. https://www.utpjournals.press/doi/abs/10.3138/cjfs.15.2.62Â
Schuckmann, P. (1998). Masculinity, the male spectator and the homoerotic gaze. Amerikastudien/American Studies, 671-680. https://www.jstor.org/stable/41157425Â
Stern, L. (1995). The Scorsese Connection. Indiana University Press. https://books.google.com.ph/books?hl=en&lr=&id=8HGq0WCJ8gEC&oi=fnd&pg=PP10&dq=The+Scorsese+Connection&ots=QwtOXWM_c4&sig=I_7F9WZd7OseVsdohi3W8pen6DQ&redir_esc=y#v=onepage&q=The%20Scorsese%20Connection&f=falseÂ
Woodworth, A. J. (2014). From buddy film to bromance: masculinity and male melodrama since 1969. Temple University. https://www.proquest.com/openview/14b2bdc7ed5646e64de79408809c266d/1?pq-origsite=gscholar&cbl=18750
#mean streets#if i spEAK#i think i spoke too much lmaOO#anyways#mean streets meta#this IS for the gays ahcktually#mean streets gang#uHM yea h
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Do i make you nervous?
shy, nerdy Armin x bold black fem reader
wc- 1.4k!
â warnings â: js a lil smth for my armin girlies! very light smut nth too crazy 18+, oral (f receive, you sit on his face đ), armin is obsessed with you, so when you asked him to be your tutor he thanked his lucky stars.
"Excuse me, Miss L/n, could you stay after class, there's a pressing matter." your chemistry professor Mrs. Clark announced whilst sending you a look after she graded your assignment. "Yea i'll stay." you mumbled opening up your macbook, checking the damage, '13% no. fucking. way.' sure you weren't the best student but it was never this bad.
Class was finally over and honestly you wanted nothing more than to go back to your apartment and take a long ass nap. "Miss L/n, don't keep me waiting! Come here please." honestly you didn't want to hear what she had to say, but if you wanted to pass this class you would have to work your ass off. "Yes ma'am, what's the matter?" you were trying to be polite and sweet so maybe she'd have mercy on you but, that plan didn't work.
After 25 minutes of her lecturing you about your grades, she finally offered some help. "I would suggest you get a tutor, it could give you that extra push you need. Hearing the same stuff from me everyday clearly isn't helping you." She looks at you and shrugs, "You can see yourself out now, enjoy your afternoon." As much as she annoyed you, your professor was right, and you had the perfect tutor in mind.
Armin Arlert. Not only was he smart as fuck but he also had a gorgeous face. It made perfect sense, if that pretty boy had been teaching you chemistry you probably would've had perfect attendance and 100's on all your assignments. You saw him walking off campus and rushed after him, you weren't sure if he would help, but what's the harm in asking?
"Hey Armin!" he turned around looking for who was calling him then he spotted you waving him down. 'is y/n looking for me?' he felt his stomach do an olympic level gymnastic routine (đ) and swallowed the lump in his throat. He was captivated by you, there was just something so perfect about you. The way you laughed, your voice, your beautiful eyes, your entire being had him enthralled.
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"s-so you need m-me to tutor y-you?" he stumbled over his words, an hour and thirty minutes alone with you, luck really was on his side today. "Yup, that's it! Think we could start today?" you checked the time, it was 3:47. "You could come to my house now if you're free! There aren't any distractions and it would be just me nd you!" There was no way Armin was turning this down, "yes that works for me." 'fuck yea i finally made it through a sentence without stuttering' he smiled softly showing his teeth, and your knees nearly buckled.
You opened your door, the scent of vanilla and strawberries clouded Armin. Your place was comfy nd clean, "You can sit at the table over there, I need to shower quickly if you don't mind!" He nodded his head 'i can't believe im in y/n's house right now' he pulled out his textbook nd laptop, not that he would really need it.
"Thank you so much for waiting!" you walked out of your room in your pj's and matching house slippers. "You want anything to drink? I've got dr pepper, pineapple fanta, nd water." Armin watched you walk to the kitchen, your small shorts shrinking with every step, "u-uhm dr pepper is fine. thanks." You sat back down with the two drinks, your boobs bounced slightly in your exposed cheetah print push up bra. you noticed Armin's face heat up and slightly turn pink, you decided to tease him.
you leaned over the table and showing more cleavage and placed your hand on his arm, "Do you mind explaining this to me? I don't get it" Armin tried not to make eye contact with you and took a sip of his drink, but when he finally gave in your seductive eyes almost killed him. He choked on the dr pepper, "um y-yea it's dea-" "Wait.. do i make you nervous?" you cut him off, not caring about chemistry anymore, that assignment could wait.
You scooted closer to Armin and leaned in close to his face, "you're a very pretty boy Armin, did you know that?" You looked at his lips and back at his eyes, "n-no I've ne-never-" You went to kiss him and he immediately took the chance. His soft hands instantly squeezed your tits, and you ran your fingers through his soft blonde hair. The kiss was sweet but it was also passionate, it felt desperate like you both needed more. Armin slid down the straps to your top and bra, freeing your boobs. His soft hands pinched and rolled your nipples, you softly moaned into his mouth and he slipped his tongue in. But he still wanted more.
Armin pulled away from the kiss, face flushed and cheeks red, with a light sheen on his lips from your lip gloss. He lowered his mouth to your right nipple, slipping it in while still playing with the left. Your hands were still tangled in his hair, tugging at his locks. Armin left hickeys all over your chest, wanting to mark you, he needed to know that this wasn't a deluded dream and that you were right there letting him touch you. He looked up at you while sliding your tit out of his mouth with a pop, "c-can we go to your room?" his face was filled with lust, he looked so divine. "of course" you stood up and grabbed his hand, leading him to your room. Armin was anxious obviously, but the was something he needed.
You laid in your bed with your legs propped up on Armin's shoulders as he sloppily ate you out. "Fuck Armin! right there please!" He sucked on your clit, he needed you to cum, he wanted to taste how sweet you were. "o-oh fuck armin, mmhm, right there" He came up, his lips covered in your arousal, " I want you to cum in my mouth y/n." He went back to sucking your clit, you felt a familiar pressure build up in the lower half of your stomach,"a-ah mm armin. That feels soo good!" You could feel yourself about to unravel as he pushed his tongue in and out of your hole. "Cmon y/n, c-cum for me, please." he felt you pulse on his tongue and pull his hair, he started getting sloppier.
Your thighs squeezed his head as you felt your high coming. "ah Armin 'm gonna cum, fuck!" you moaned out as he sucked on your clit, making you throw your head back and squeeze your eyes closed, mouth dangling open. You felt yourself squirt and looked down at Armin watching him lick up everything.
"Can, can you s-sit on my f-face?" He wanted you to say yes, he needed you to say yes. You looked at him puzzled, "You want me, to sit on your face?" "Yes. please y/n." You nodded your head at the blonde, Armin quickly sat down, laying down fully when he saw you stand over him. You straddled his face, not fully sitting down all the way. "Y/n sit down all the way please, I promise I'll be alright." You listened and sat down.
"o-oh fuck armin, oh my god please!" his nose rubbed your sensitive clit as he continued tongue fucking you, his groans vibrated against your core. He loved the way you moaned, it sounded so heavenly, it was his new favorite sound. You needed more, you started to slowly grind on his face, "c-can you go faster y/n please." You picked up the pace, his tongue worked wonders, it was like Armin knew exactly what you liked. "a-ah Armin! 'm too sensitive, gonna cum again" You were on cloud nine, his tongue continued the ravaging pace. "c-cum for me sweetheart." The overstimulation and sloppy licks to your clit drove you over the edge "Fuck! ah Armin!" your vision went clouded as you came down from your high. Armin was satisfied, this was all he needed, to taste every bit of you.
a/n â: hiiii my lovebugs!! firstly i js wanna say i'm so grateful for all the interaction with "Never get yo bitch back!" also next part will be coming soon! lmk if y'all wanna get tagged in my future projects!! (y'all like the color switch for different characters or js keep pink?)
-with lots of love, gabrielle <3
#armin arlert#aot smut#armin x black reader#aot armin#armin x black y/n#armin x reader#x black y/n#aot x black reader#aot x black y/n#aot x female reader#x black fem reader
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"middle school shenanigans!"
synopsis : tom goes through his 'first love' experience with y/n! WARNINGS: there is none, its a fluff story !!
authors note: once again, @rottinglilys helped me with the plot of the story ! i hope you guy enjoy my lovies<3
it all started back last year in grade 7, tom had a MASSIVE crush on y/n. he would always catch himself staring at her in classes because they had most classes together.
he always adored how she looked; her hair, her eyes, her bubbly personality, her willingness to be kind towards those who dont deserve it. but most of all...her smile. toms heart used to explode like fireworks whenever he was blessed to see her smiled.
then on the day before spring break started, tom slipped her a note in her locker.
"Hey, ich bin in dich verknallt. Magst du mich auch?
ja oder nein ?-t.k"
y/n was so confused when she got the note. she didn't know what 't.k' stood for, until the very last hour of school. when tom decided to man up and go up to her.
"y/n!" he yelled, jogging up to her to catch her attention. she turns around "oh hi tom!" she said, smiling. tom almost fell to his knees right then and there, but no! he needed to tell her how she felt! "did you get my note?" tom asked, his hand wrapped around the back of his neck. then it hit y/n straight in the face, t.k = tom kaulitz, how could i be so fucking stupid? she thought to herself. "o-oh uh yea!" she answered nervously. "c-can i see it?" tom asked, y/n nervously giving it back. he opens it to see that it wasnt answered "you didnt answer it, do you not like me back?" tom felt his heart sting a little but it was soon reassured. "n-no i do like you, i like you a-a lot!..." y/n blurted out "i just didnt know what 't.k' meant at first until now..." tom chuckled, "what did you think it meant?" "i-i dont know...t-turkey kabob?" she joked, causing them to both laugh. after a moment of silence, tom speaks "so, are you my girlfriend now?" tom asked, not knowing where to go from here. y/n nods, giving him a hug. tom feels his heart flutter at the feeling of y/n in his arms. "you wanna hangout this weekend? ill ask my mom if its okay" she asked, tom nods "yea for sure! ill see you then"
-----------------------------------------------------------------
it was now grade 8, tom and y/n have been dating for a year! their families have grown fond of each other and they hangout at each others house after school most of the week and sometimes on weekends...
with the condition that the door must stay open of course...
today they were at toms house, tom was showing her a song he was playing some guitar for her and she just peacefully watched. y/n always admired toms talent on guitar, she knew he was gonna make it big one day.
after a little while, he puts the guitar away and pats a spot next to him "wanna cuddle liebe?" he asked, she smiles and lays next to him. he pulls her into his embrace, her pretty head rests upon his chest as he strokes her hair.
as tom stroked her hair, y/n found herself staring at a particular feature on his face, his lips. the pretty pink color, the way they curved into a smile whenever he was happy, and oh my god his lip piercing...y/ns never kissed anyone before, but she wanted to kiss him so bad. "is something wrong?" tom asked, slightly nervous. "nothing its just..." y/n took a breath before she finished her question "h-have you ever kissed anyone?" tom sighed "uhm, yeah..my babysitter when i was like..9" "oh.." "why? have you ever kissed anyone schatz?" tom asked, y/n looks down; embarassed "n-no, i havent.."
then almost immediately, tom got an idea in his little brain>.<
"do you want to have your first kiss?" "well, yeah every girl wants to have their first kiss" y/n joked "no schatzi..." tom chuckled "i mean do you want to have it...with me?" y/n hesitates for a moment, nervous of if shes a good kisser or not. shes really new to this! what if shes a bad kisser? what if she goes too far? but it couldnt be that bad right? its just a kiss for christs sake!
"yeah..is that okay tommy?" "its more than okay with me schatzi.." tom sat up, scooting closer to her "you ready?" he asked...
y/n nods, shakily moving her face closer to him. tom places a hand on her cheek then boom! their lips were sealed together! (aww so cute! >.<) y/n places a hand on his shoulder, deepening the kiss. then they let go because if they kissed any longer they would suffocate!
"woah.." y/n mumbled, tom chuckling at her reaction "did you like it?" "yeah i did" y/n said, softly smiling... "then we should kiss more often then hm?" tom said, smirking at his girlfriend.
#tokio hotel#bill kaulitz#tom kaulitz#georg listing#gustav schäfer#bill kaulitz x reader#tom kaulitz x reader#georg listing x reader#gustav schafer x reader#bill kaulitz fluff#tom kaulitz fluff#georg listing fluff#gustav schafer fluff#emo#y2k
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Emily x an immortal reader soulmate au
Not proofread, I'm way too tired, and this took forever to make with my writersblock
Also, should I do more Emily x reader? And possibly do some Sera x readers as well? Or?
Masterlist
-------------
In this universe, everyone had a soulmate, sometimes more than one. And to know who your soulmate is, you would need the same tattoo that was placed on your shoulder.
You, a simple human who was cursed with immortality, had not found the one you love.
Then again, you have only been on earth for about 24 years. The only reason you knew you were immortal was because you fell off a skyscraper and lived with only a few scratches.
But to say the least, you were worried your soulmate or soulmates would be simply mortaliezed.
Now we turn to Emily, a seraphim who was given a mission to come to earth to collect your human soul, to come to heaven, and reside there due to you being registered as dead and being on heavens list.
Emily went into the portal that was shown to her after being instructed on her mission. Once entering the human world, she put on her human form to go find your soul, which she assumed was just floating around.
Now back to you, who was at an internet cafĂŠ studying for your college test that was coming soon. After a while, your eyes started to get sore, so you decided to look away from your computer for a few seconds to give your eyes a break. And when doing so, you saw a woman walk through the cafĂŠ door, and you knew she just looked stunning and you had to introduce yourself.
And lucky you, she was walking just your way!
But before you could say anything, she spoke to you. "Hi, my name is Emily, but you can call me Em or Eme. uhm, your name is reader? Yes?
What. The. Fuck? How does she know your name?
"Yea, hi. Emily. H-how. How do you know my name?" You asked her, a bit creaped out. "May I sit here?" She asked, ignoring your question. You agreed, wanting to figure out how she knew your name, even though you were pretty freaked out.
"Sooooooo," you started. "How do you know my name?" She then responded,"Will it explain myself if I told you I knew you were dead? or well immortal from what i can see." She asked.
"What?" You whispered,"I sai-" "no, how do you know this?" You asked, interrupting her. "Well i-" "Wait, no. Let me pay for my stuff and we can talk about this at my place." You told her, putting your hand up so you could tell the waiter that you were ready to pay.
Once paying, you left the cafĂŠ with Emily and took a two minute walk to your home. while walking home, Emily talked your ear off about things she likes. Yes, it was annoying, but you enjoyed it in some way, You weren't sure why, but you tried not to question it.
Once you got into your home, Emily immediately complemented it. You thanked her and told her to follow you to your lounge. Once in your lounge, you both sat down on your couch, and you asked your first question.
"How do you know im immortal?" You asked. "Well, you see, I'm a Seraphim from heaven," your jaw dropped. Emily continued, "And well, I got a mission to come down here and bring you to heaven because you were registered as dead, and you are on our list," Emily told you simply.
"I-" you started. "Give me a few seconds to process this Em," you told her as you got up and went to your room to think.
-------------
You walked back into the lounge and sat down on the couch. "So... you were told to take me to heaven because you were told I'm registered as dead?" You asked."Yes, I was told to do that" Emily told you.
"Can I not go? I like it here on earth, and i still wanna meet my soul mate." You told Emily. "No, I don't think so... but I can see if I can convince Sera, " Emily told you. "Yea sure, thank you Em"
--------
It was the next day. You were jalaxing on your bed, scrolling through tiktok when a bright light went into your room. You closed your eyes until you felt the bright light go away.
Then you saw Emily in angel form looking beautiful. "Oh hey there, Emily, so what did Sera say?" You asked her "well reader i-i tried to convince Sera, but. She said no. She said it was- "what? B-but Emily, I like it here!" You started tearing up, being passionate for where you live.
"What about my soulmate?! I'm just never going to meet them?! I want to at least let them know I love them!" You told her passionately "well they might end up going to heaven- "no! No, that's a might! I just want to meet them once! Atleast!" You told her tears falling down your cheeks alot of emotions spilled.
"Ugh, get out of my room Em" you told her, hugging your torso. "I- ok then." Emily then walks out of the room.
-------
Emily sat on your couch, feeling sad that she could not convince Sera to let you stay on earth and upsetting you. She felt that you should be happy.
After a few more minutes of Emily sitting on your couch and thinking, you walked into the lounge without the hoody that you always wore, or at least around Emily (Which makes sense since you've only known each other less then a day if you put all the hours together) you were now wearing your black tank top due to it being hot.
You then sat down on the couch and looked at the floor. "So... I'm sorry for shouting at ya Emily, " you told her."I was angry and just really emotional, you did not deserve that, I hope you can forgive me, I know you were just doing your job, im sorry." You said you continued to look at the floor anticipating for her answer.
After about 30 seconds, you looked at Emily and saw her jaw was dropped. "Em?.. Emily?" Emily slowly brought her hand to her sleeve and brought it up to reveal her soulmate mark.
You were. Shocked, to say the least.
"Your. My soulmate, " you said in shock
Your body suddenly moved on its on and you passionately kissed her. Emily kissed back. "I guess I would not mind going to heaven with you, Eme," you told her.
Well uhhmmmm
Hope yall enjoyed it
-L.B Creations
#hazbin hotel#hazbin hotel x reader#emily x reader#emily hazbin hotel#emily#hazbin#x reader#reader#immortal reader
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sun and earth (LS2 x reader)
sun and earth (LS2 x reader)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ synopsis: you love him. he canât love you back. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ pairing: logan sargeant x reader w/c: 1077 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ a/n: kinda poorly written but i hope it still makes you cry!! i'll edit it soon. sorry for lack of fics, i've been sick (very). masterlist(read more) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
You love Logan. You definitely do.
âYouâre such a dickhead.â Logan says as he punches your shoulder gently, but hard enough to cause you to stumble.
âIâve got a very strong point there!â You regain your balance and punch him back.
âI do not⌠look like a cat.â He says, his smile growing as he does so.
âYouâre literally doing it right now.âÂ
âI am not.â
âYou definitely are. Look at yourself.â You shift to the side so Logan can see himself through the glass panel.
âOkay⌠well I donât see it.â Logan crosses his arms, making his chest bulge in a way you would never get over.
âWellâŚâ You stutter slightly, keeping your eye on his chest.
âWell?â He questions, causing you to snap out of your staring.
âIâll put them side by side, then maybe youâll see!â You quickly regain your composure.
He scoffs and ruffles your hair which sends a weird chill down your spine, you shiver slightly.
âYou know, I think youâre like⌠the sun in my life.â Logan stuffed his hands into his pockets as he says.
âWhat a weird analogy.â You comment, scoffing as you do so.
âShut up. Iâm trying to compliment you.â He says, rolling his eyes and punching you on the shoulder.
âFine. If Iâm the sun,â You drag the last word, âThen you are the Earth!â
He raises an eyebrow and gives you a blank stare that screams âI donât know what you just saidâ.
âYouâre pretty, and gorgeous, or something like that.â You say, trying to sound as nonchalant as you can.
âAwâŚâ He drags the aw and scrunches up his face.
Itâs adorable, youâve never seen anything like it and you donât think you will. Logan makes your heart flutter in ways you never knew could ever happen. Before him it was always you in charge, but somehow, someway, Logan changed everything.
All of a sudden you were killing to get him to look in your direction and nothing meant more than him smiling at you. You knew you liked him but did he like you back? You didnât know and you werenât willing to take any chances.
-----------------------------------
âHello?â Loganâs voice comes from across the phone when he finally picks up your call.
âHi.â You say back, loud music blasting in the background.
âWhatâs up?â He asks you, concern rising in his voice.
âI need⌠uhm⌠a ride back home.â You reply.
âSend me your location, Iâll be there in 10.â He says.
âThanks Logs.â You say as you hang up and send over your live location.Â
You clutch your phone tightly as you wait outside the door. The party had gotten hectic and chaotic within minutes and you donât think you have the energy to deal with all of that.
Leaning against the wall, you wait patiently for Logan to come over.Â
It takes him about 20 minutes to get here, which felt like forever, but when he pulls up, you waste no time before getting in the car and slamming the door shut. You take a huge sigh of relief as you lean back into the chair.
âJeez, was it that bad?â He says, driving off.
âHorrible I say.â You sigh loudly as you buckle your seatbelt, âThanks⌠for coming to get me.â
âNo problem. Sorry I was a little late.â
âDonât worry, you were- like the 50th person I called.â You admit, leaning back further into the comfort of the chair.
âReally?â He says with a tint of confusion.
âYea, no one else was free.â
âDamn⌠glad I could help you out.â
âYouâre an amazing friend. Sometimes you feel like my boyfriend.â
What.
What did you just say?
The words that escaped your mouth finally process and your eyes widen as you pray hard Logan doesnât react too much about the words.Â
âWhat?â He says with a chuckle.
âNothing.â
âBoyfriend?â He teases, wiggling his eyebrows up and down.
Itâs hot, unbearably so, but you push the blush that wants to surface back down. You take a deep breath and try to quickly diffuse the situation.
âYea, because youâre- like really close and really protective and all that,â You start rambling, âNot because of- like, romantic or anything, you know?âÂ
âMhmâŚâ He says, clearly suspicious.
The next few minutes are awkward, the tension could be sliced with a knife.
âDo you⌠want me to be anything more than a friend?â Logan breaks the silence.
You shuffle your feet and fiddle with your seatbelt. You know your answer, and youâre pretty sure he does too.
You clear your throat.
âRightâŚâ Logan responds, turning the corner, getting onto the street your apartment was on.
âYou knowâŚI have to make quite a lot of sacrifices to be where I am and to maintain that.â He starts.
âYes, of course, and I donât want to get in the way of that.â You desperately hope this doesnât go south.
âAnd you know how itâs sometimes really hard to make those sacrifices.â He continues.
Itâs starting to become draggy.
âWell, I hope you understand, that you and I being friends⌠is going to have to be one of those. Those hard sacrifices.â Logan says, his tone growing solemn.
âRight⌠you canât exactly⌠be something with me because of⌠things.â You reply, shuffling your feet more.
âI love you.â Logan says as he pulls up to your apartment.
âBut sometimes, I canât love the people I want to.â
You nod, the tears fighting their way out, streaming down your cheek. You look down, hiding the tears from Logan as he stops to let you exit the car.
âIâm sorryâŚâ Logan says. He doesnât strike any eye contact and his face is gloomy. He hates that he has to do this and you know that.
âItâsâŚâ You say between the sobs, âYea no, Itâs fine.âÂ
You donât make any eye contact as you exit the car. The tears become real and you try your best to wipe them away as you walk into your apartment. Once youâre in the safety of your house you break down. Falling to your knees, you drop everything else and just cry.
It hurts you knowing you could never have Logan.
The Sun and the Earth. The Earth needs the sun for its life, but if it gets too close, it burns; so whether they like it or not, theyâll remain the same distance apart for their entire lives, never being too close to each other.
#f1#formula 1#formula one#f1 fandom#f1 fanfic#f1 fic#f1 imagine#f1 x male reader#f1 x reader#f1 x female reader#f1 x you#f1 x y/n#y/n#f1 x gn reader#romance#f1 fluff#not beta read#not proofread#established rp#established relationship#kiss#logan sargeant#logie bear#love#hugs#ls2#ls2 x reader#ls2 imagine#williams racing#williams f1
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âđđđĄđĄđđđ˘ đźđđŠđ¤đŁ đ đ¨đŠđ¤đŁđđ§!đ§đđđđđ§â
đ¸đŠđş'đĽ đşđ°đś đ°đŻđđş đ¤đ˘đđ đŽđŚ đ¸đŠđŚđŻ đşđ°đś'đłđŚ đŠđŞđ¨đŠ?..
âĽđ¨đ˘đŞđŠ
đŽ/đŁ đđ¨ 18+
đđ§đđđđđ§ đđđ§đŁđđŁđđ¨ / đđ¤đŁđŠđđđŠ - stoner!reader and William going AT IT, rough sex, smoking weed, William smoking weed, getting William high :), Williams HANDSS, foreplay, fingering, choking, mentions of past knifeplay/gunplay & past sexual encounters, crying during sex. Reader is specified as having female anatomy (might make a male or nb version if I have motivation!!)
â
Youâre sat in your bedroom, the room is filled with the musky stench of marijuana. The air is thick as you sat on your bed, a blunt in your hand as you take hit after hit.
You slowly start feeling the euphoric feelings that the drug has caused. Your senses are heightened, and your inhibitions are lowered as you feel the heat between your legs becoming stronger.
Your mind is clouded with sexual desire and lustrous thoughts. And Before you know it youâre already dialing the one person who can satisfy your deepest desires.
đđŞđđđŞđ˘đŽ đđ§đľđ°đŻ..
The phone rings twice before he picks up, muttering a soft but bitter hello followed by incoherent mumbling.
âHey William how are you.. uhm I-I have a questionn.. uhm c-can you come overrr?..â you said. Your words slightly slurred as you waited intensely for his response your heat aching and your mind clouded with lust.
You heard him sigh on the other end wondering what you wanted from him this time before he responded.
âYea Iâll be there.. whatâs wrong with you right now? Are you okay dear? Your speech is awfully slurred..â he said taking one last puff of his cigarette before putting it out, he could tell you were high.. but he needed to see it for himself.
You processed low but stern tone and his words for a few moments before speaking.
âY-yeaa Iâm fine.. when will you be h-here?..â you said, anticipating his arrival.
William sighed but then said âIâll be there in 15 minutes, loveâ he said before jamming the phone back into the receiver, he pinched the bridge of his nose for a moment but then got up. He Muttered as he got his jacket on. William got into his car and started it he turned on the radio and started to drive.
â
William was a few minutes away. You stumbled you way to the couch and sat on it, phone in hand was you waited for him. Your other hand on your thigh as your fingers twitched, and while you fiddled with them you kept anticipating Williams arrival.ďżź
A few moments later You heard a knock on the front door. You slowly got up and stumbled to the front door. Your hand trembling from excitement.
You opened the door and saw the familiar face of William afton. His tall and slightly scary stature quickly came in and closed the door quickly before looking down at you.
âYouâre high arenât you?. Dammit Y/N.. what do you want right now?â He said, His voice stern and full of slight disappointment.
âI-I just need you..â you said as you looked up at him, your eyes begging for his touch.
He sighed but then replied, slightly convinced by your puppy eyes.
âAre you sure about this dear?..â he said, making sure you were okay for what he was about to do.
âPleaseee..â you said desperately as you clutched onto his white dress shirt.
William took your hand and led you back to your bedroom, making sure you donât trip or knock into anything.
Once he stepped in he was quickly overcome with the musky stench of marijuana, but he then pushed you on the bed leaning down slowly to caress ďżźthe fat of your thighs.. slowly moving up from your thighs to your stomach. And then feeling your breasts. Making sure to grasp at them and squeeze them teasing and manipulating your nipples through your shirt with his long and slender fingers. You made sure to slowly take off your shirt, leaving your chest bare for him to see.
You could feel yourself getting wetter by the moment. You felt intoxicated from not only the drug, but by William.. one of his large hands slowly caressed up from your breast and then to your neck. His hand slightly squeezed on and off, he enjoyed teasing you. Making you feel like putty under his touch. William slowly came up to kiss you.
The kiss was rough but passionate, you melted into his touch pathetically. But You then felt the warmth of his tough slip into your mouth, you could barely do anything under him. You felt so helpless but so aroused. You then took off your pants.. leaving you only in your panties.
You remember all the times you and William had sex, your mind clouded with the memories of him pleasuring you. Feeling his knife against your throat as he pounded into you at an animalistic speed while you laid there helplessly. Tasting the metal of his loaded handgun as he forced it in and out of your mouth. All the times you cried under him. You just melted under his touch.. William then let go of the kiss.
You then felt one of Williams hands reach under your shirt. His hands caressing your stomach before reaching up to your tits. As he squeezed and played with them softly and slowly. You then slowly reached to your blunt. Picking it up gently before taking a hit and putting it up to Williams mouth.
He took a hit, inhaling it before blowing the rest into your face. William then took another.. before kissing you, the smoke still in his mouth as he passed it to you. William took another, and then another. Euphoria filling his body as he started to get rougher with you.
âI need you so badly my dear..â he said. Lust clouding his mind as he started to unbutton his dress shirt. Quickly getting it off before kissing and sucking your neck roughly, you heard his little growls as he listened to your whimpers.
He quickly took off your clothes. He didnât care if he was being rough he đŻđŚđŚđĽđŚđĽ you.
William quickly picked you up and put you on his lap, one of his large and rough hands clasped into your hip. The other slowly slipped under your panties as he slowly but surely started rubbing your clit. Taking joy in listening to your whimpers and soft moans as he kept going. He then slid to fingers into you, going gently as to not hurt you. Yet. He kissed and sucked on your neck as he slowly pushed his fingers in and out of your aching heat.
He started to go faster to your dismay. You started to squirm in his lap, mewling as he want faster and faster. his fingers drilling in your g-spot over and over again. As you could only whine from the constant stimulation on your aching clit and g-spot
âSuch a fucking whore.. are you fucked dumb already?..â he spat out, his voice almost like a growl as he kept his fast pace with his slender fingers.
William then put his hand over your mouth, pushing the two fingers he used on your aching clit into your mouth.
âSuck on them.. show me how much of a slut you areâ he growled out. His fingers inching down your throat trying to make you suck on them. And as you started to get to work on his fingers his other fingers went faster in your poor little hole.
Your hands clung onto his arm to support your body as he fucked his fingers knuckles deep into your hole, clenching around him in a needy grip with your ecstasy dripping down from your hole onto his thighs.
"Cum for me, pretty thing, wanna see you cum on my fingers.. I know you wanna," he said, curling his fingers once more before you saw white, clutching onto his arm, his face in the crook of your neck you saw his fingers pull out of your spent hole as he then licked up your slick.
âThat was barely anything my love.. yet your shaking like a frightened little bunny.â He said, nearly taunting you with his words as he toyed with you.
William then placed your spent body gently on the bed. You looked up at him with puppy eyes as he slowly unbuckled his belt, unzipping his pants and pulling down his boxers. His hard and aching manhood sprung out, He could feel how he throbbed against the steamy yet musky marijuana infused air as he looked down at you. Drinking in the sight of your flushed body.
William pushed your panties to the side, making sure your hole is slick enough, as he lines up his length with your hole. Running it up and down your slit, as the then sheathed himself inside you. Listening to your whines as he did.
his hands held onto your waist as he pushed himself deeper into your pussy. All you could do was let out whimpers and low cries as he started to pound into you. đđđđĽđđ§ and đđđđĽđđ§.
You're limp in his hold as he bounced you on his dick, your hands clutching onto his shoulders, your slick running down his legs and onto the floor. Double the force, double the pleasure. Your tongue is hanging out of your mouth as he pounds into you, William only ignored your cries and whines as he kept going.
You were fucked dumb. no words could come out or your mouth, only whimpers and high pitched moans. You started to feel the knot in your stomach tightening, hearing and feeling Williams thrusts go faster but sloppier. He suddenly put his hand on your throat, squeezing as he growled and grunted out guttural moans. You knew he was close enough, as you watched him above you as tears streamed down your pretty face.
You felt yourself come undone underneath him. Almost screaming when your climax hit your poor spent body. Your legs shaking as he kept going.
his eyes shut as he landed one final thrust inside you, his tip rammed into your cervix. His tip twitched as he unloaded his seed into you, painting your pretty walls white with his seed. <33
â A/N!
This is probably really sucky so Iâm sorry!! This is my first time writing smut and my friend gave me motivation to finish this!! Iâm not good at writing/punctuation so Iâm sorry!! :D
- sincerely,
âNicole
#william afton smut#william afton#filthy smut#fnaf smut#smut#âNicole speaks the truth!!#fnaf#fnaf william afton#william afton x reader#william afton x you
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Sky Cotl x ISAT Fanfic!
Performance Guide and Siffrin (strictly platonic)
Summary: Rekindling bonds Warnings: MAJOR SPOILERS FOR ISAT (?) Word count: 1951 PART 1 HERE
âMom! Mom, hurry! The play is about to start!â You say, pointing towards the path leading to the Theater, where vibrant lights shine, the sounds of the people fill your ears as you feel your fate changing with each step you take towards the theater.Â
You grab your Momâs hand and hurriedly pull her towards the theater, she laughs at the action and taps your shoulder âStarlight, remember what the director told you? About patience?â
You nod excitedly âYes I do! They saidââ you clear your throat and try to emulate the Directors voice ââFor patience is key, the best performances come from those who take their time and let the magic unfold naturally.ââ Your Mom giggles and ruffles your hair âThat was pretty good! Youâre really paying attention at those theater workshops huh?âÂ
You breathe in and out, the tension slowly begins to ease from your body. You look ahead at the Village Theater, its familiar silhouette becoming clearer with each step. Memories flood backârehearsals, acting classes, script writing, shared laughter with your classmates, and the Director.
When you first step foot on the island, your memory of them becomes even more clearer with each step you took, and you honestly can't believe that your home was just mere seconds away.
Home.. Ha! That word seems so foreign to you now, you had a home before, but that was so long ago.. You donât know what it's like anymore. You have a family, (not that you aren't grateful for them!) You love your found family, but that never really stopped that yearning feeling of wanting a family, a permanent home.
You stop walking, Do they even want you? Do they still consider you as family? You start to panicâ what if they really don't want you? Oh stars, what if they hate you? You feel a large hand on your shoulder âSif?âÂ
"Nervous?" Isabeau says softly, as if reading your thoughts. "Yea⌠itâs just, I haven't seen these people for so long, years⌠Decades! have passed for us, to them itâll feel like only seconds, would they even recognize me? Would they still see me as family?âÂ
Recognizing your distress, your feelings buddy, Mirabelle, holds your hand. "Time may have passed, but family doesn't forget," she says reassuringly. "They'll recognize you. To them, you'll always be family.âÂ
âJust like weâll always remember you Frin!â Bonnie buts in. âAnd, no matter how much time has passed, youâll always be Family to us.â Odile added.
You smile and stay quiet, despite the reassurance of your family, it's still very nerve-wracking to you; you canât stop the millions of thoughts racing through your mind. But, with your family with you, you know youâll be okay.Â
And so, with a very nervous heart, you all walk hand in hand towards the theater.
You see four people huddling around a person, from their body language, you assume theyâre helping the Directorâ ⌠âDirector?â
They all snap their heads towards you, Your body trembles with anxiety; Lifting your leg to take a step feels so hard to do. itâs like all the strength from your body has disappeared. You try moving forward but it's as if a heavy boulder weighs you down. Stars! Why is this so hard? Harder than all the things youâre used to doing. because at least with those, you had some idea of what to expect. Now, you're stepping into the unknown, uncertain of what lies ahead. Bracing yourself, you hear the sound of footsteps approaching.
You see the Director staring back at you, their expression hidden by their penguin mask âH-hello..â you stutter, your voice breaking âdo you all-.. Remember me?... I donât know if you guys recognize me but uhm..âÂ
Your voice trembles and you avert your gaze from them. Your breath hitches in your throat. âI-I.. Used to take classes⌠here.. Iâd tell you my name but⌠I guess Iâve forgotten my linesâŚâ you chuckle pathetically.
âAstrophelâŚ?â You look up, their mask now replaced with a quivering lip.
They move closer to you and wrap their arms around you âDirector..â you whisper.
Stars⌠You haven't felt their embrace in ages; you can hardly remember the last time. It's almost unbelievableâhere they are, holding you, and it's real.Â
You start to hold on to them for dear life as you cry on their shoulder and your knees start to give out as your eyelids become heavy. You feel them carry you towards...
You slowly wake up, your eyes adjusting to the lights of the building. You find yourself on a makeshift bed made of pillows.
As you take in your surroundings, you see that you and your makeshift bed is beside the mini stage.
You gasp, you remember this stage! This is where the Musician held their music lessons! You laugh as you remember the Musician teaching an easy music sheet to play, but when it got to the actual recital, the Musician accidentally taught the wrong song to half the group, leading to a very chaotic performance.Â
Sitting up, you gaze down at the floor below. You see Isabeau, Mirabelle and Odile conversing with the Director, nearby, little Bonnie is clumsily playing the kalimba on a table, using it as a makeshift stage. Despite the awkward notes, the rest of the performance crew cheer them on, clearly enjoying the impromptu performance.
You walk over to the table where the Director and others are at.
âAh! Afternoon Astrophel! How was your nap?â The Director Asks. âAstrophel⌠Do they mean Siffrin?â âMaybe.. They look like an Astrophel.. I do wanna know what it means though " "You want to know everything about Siffrin, IsabeauâŚâ
You notice that the Director has their mask on again and that theyâre holding a book, you walk over to them and point at the book âWhatâs that?âÂ
The Director blinks at you âA book..?â âNo- like.. Whatâs in the book?âÂ
âOh! I was just showing your friends all the photos I took when you still attended my classes!â
âŚ.what.
âSiffrin! You were such a cute child back then!â Mirabelle exclaims.
What??
Odile asks âYou seem to be wearing the same cloak as you did in these photos⌠do you even wash it..?âÂ
WHATâŚâŚâŚ.AND OF COURSE YOU WASH IT????????
âYou look very edgy in your tween years though.. So much eyelinerâ Isabeau observed, looking at the rest of the photos.
You lift the collar of your cloak to cover your face. Oh my stars! you can't believe he saw thatâŚ..
You see Bonnie walk up to where the Director is sitting âFrin when they were a baby? I wanna see!â
NOPE! You try to grab the book as fast as you can from the DirectorâŚbut CURSE THIS HEIGHT DIFFERENCE! Theyâre hanging the book from right over your head!
The Director runs to the side of the table opposite from you. You run to the right side of the table; the Director goes the opposite way. And it becomes a game of cat and mouse.Â
You fly over the table and he dodges.
âIf youâre both gonna run then do it outside!â The Dancer shouts.
You see the Director give them a thumbs up before they bolt out the main entrance. Without hesitation, you run after them.
Exiting harmony hall you see them leaning on the building, book in hand. You try to get the book from their hand but they stop you.
The Director chuckles âDonât worry, your emo phase is safe with me.â
âThen why even try showing it to them..?â
They think for a second âI⌠wanted to get an excuse to talk to you I guess.â
You blink at them in surprise. They raise their hands defensively. âYou know, I find it awkward to ask people to talk. I know that sounds weird coming from me, but...â
They pause, then continue, âEven though my job needs me to communicate constantly, I struggle with initiating personal conversations. I always worry I'll come across as intrusive or awkward.â
You nod at that, finding what they said relatable. âLet's talk then?â
âShall we go to Hermit Valley? I remember that little piece of land you liked to go to when you wrote your plays.â
You both land gently on the giant rock that sits in the middle of the sea of clouds. Before you, the sky is filled with the colors of the setting sun, casting a warm, golden glow across the ethereal landscape. You hear the sound of their mask drop to the ground.
âThe sky looks so different now that those⌠shades..? Are here.â âColors.â
You look at them; you see them looking back at you âWhat..?â âThat âshadeâ is called a color Astrophel⌠or would you prefer Siffrin?â
âOh! Uh.. Astrophel is fineâŚâ
They nod and turn their gaze back to the sunset.Â
A peaceful silence envelops both of you. You feel the urge to speak, knowing that's what they wanted. After a long moment of contemplation, they finally break the silence.
"I've missed moments like this," they say softly. âI remember when your mother used to have me babysit you⌠we used to go here.â They gesture to the rock.
They sigh âIt feels like yesterday you were only thirteen.. But⌠It also felt like I was in that void for an eternity.â
â....thirteen years,â The Director blinks at you. âWhat..?â
âThe⌠island has been gone for thirteen years.â you repeat.
The Director's eyes widen in shock and disbelief, and they stare at you, trying to process the words. "Thirteen years..." they whisper, the weight of lost time settling heavily in the air between you.
You take a deep breath, and exhale slowly, gathering your thoughts. As you begin to speak, the words come hesitantly at first, but soon they flow with the tide of pent-up emotions.
âI remember the day the island disappeared," you start, your voice barely above a whisper. "I⌠foolishly ran away from home because⌠I didnât want to eat my vegetablesâŚâ you cringe âI.. wanted to scare my parents a bit⌠So I took my dads boat and then sailed a few feet from shore, then⌠I just saw it disappear.â
You glance at the Director âIn the aftermath, I could not remember anything related to this placeâŚâ
âOne dayâŚâ you continue âI saved these three people from a very strong monster. Because of that, they asked me to join them to save their country⌠and I did.. Because I had nothing better to do. Little did I know that these people will become.. My rock just like this oneâ you chuckle, patting the surface beneath you.
You pause, taking another deep breath, feeling the weight of your next words. âAnd then, there were the loops. They helped a lot at first⌠but when we beat the King⌠I realized that I was trapped. Everything after that was just me doing horrible stuff to get out of my horrible situation. Time became a relentless, unyielding cycle.â
Tears well up in your eyes, your voice trembling with emotion. âItâs been thirteen years, and so much that i remember has changed. Iâve missed you so much. I'm so sorry to have forgottenâ no⌠to have abandoned you.â
The warmth of their embrace envelops you. You feel their heartbeat, it reminds you that you are present in this moment; you lean in, crying into their shoulder. âDon't say sorry⌠you couldn't have known that the island would disappearâŚâ You hear them sniffle. âAnd Iâm so sorry I wasn't there for you⌠you shouldn't have gone through that.. The King.. The loops.. Having to fend for yourself at such a young ageâŚâÂ
The two of you sit there, your bond now rekindled. The silence that follows is not empty but filled with warmth.Â
A/N: YAYYYYYYYYY PART TWO IS FINISHED AFTER DAYS OF PROCRASTINATING!!!!
ugdhjdkjdxcnzkxjz this was so fun too write...
i was ubering people today and told them about my ifc... they asked for the link and they said theyll read it for their bed time story JKDAKDKNANKJX
aaaaaaaaaaaaand tysm for @kyri45 for being an inspiration! LOVE YOUUUUUUUUU
#isat#isat siffrin#isat sky:cotl! au#sky children of the light#sky cotl#isat boniface#isat au#isat mirabelle#isat isabeau#isat spoilers#in stars and time#in stars and time spoilers#miles morales x reader#isat king
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If you start writing fics, can I suggest writing some miss peregrine centric fics, either fluff or angst, as there is no way near enough of it
Teachers Pet
Alma Peregrine x Reader wlw
Warnings: Legal age gap, no others I think?
"Are you paying attention?" Miss Peregrine snaps, she's my history teacher. But the problem is, she's gorgeous and im gay.
"Yes ma'am. I'm paying attention." I respond, her green eyes boring me. Her black hair is in a bun, there's only a few bits of hair it from the wrong hair. Her hair amazes me, the way the bits of blue show in the sun.
After a few seconds she turns back to the board. We're currently learning about 1940. She's always so knowledgeable it's amazing. Her black button up, and skirt. I can't help zoning out into a daydream. Which I'm knocked out of by the bell.
"Miss y/n. Stay behind please." She sounds slightly frustrated, which is terrifying. "Yes ma'am." I still place everything into my bag so I'm ready to leave.
After the last student files out she focuses her attention on me. I'm still in my seat which makes her look taller than me, and oh lord. "Yes miss?" I ask uncertainly, I'm not sure why I'm here, well not a definite reason. "Because miss y/n. I want to talk about you paying attention more. You've been distracted off in la la land. And i need you to focus on class." Her voice sounds so h- professional. So i nod and look down. "I'll let you off this time, but I want your attention Monday, you hear me? Now go on" She finishes. "Yes ma'am."
I'm rushing down the halls, her class is the last of the day. So I go out looking for Jacob. Jacob is one of my best friends. Finally finding him I call out; "Jacob! Wait up!" I wave out to him and he looks over smiling. "Hey y/n, wanna come to my place this weekend?" He offers, he's my friend because he's the only person who's genuinely been my friend without trying to get in my pants. And so I agree.
One hour later
Knocking on his front door I readjust my bag on my shoulder. He offered to have a gaming sleepover. And of course I said hell yea. But when I tell you the last thing I expect happened, it did. And that's when my teacher, Miss Peregrine opened the door.
"Oh hi, Miss? Uhm, what are you doing here?" I'm nervous and it definitely showed on my face. "Because dear, I live here." Oh. Oh my lord. For one, she just called me dear. And two, I'm about to have a sleepover in my teacher crushes house. "Oh? I wonder why Jacob didn't mention you?" I laugh as if it's a light joke. "Well he mentioned you. Come in dear, he's upstairs in his room."
I've never gone up a set of stairs so fast. I burst into if room and in a panicked whisper ask; "Why the hell didn't you tell me Miss. Peregrine lives with you?!" He looks confused for a second before laughing. "I totally forgot that crush you have on-" He's suddenly cut off with a amused look on his face. "Crush on who?" I feel my stomach drop at the familiar voice. I still jump slightly in surprise. "Anyways, I need to talk to you Miss y/n."
I take a deep breath and turn to follow her. She walks at a reasonable pace while I follow. She finally turns into a random room and looks to me as I follow her in. She then closes and locks the door behind me. And to my surprise, she kisses me.
I'm so taken by surprise I stiffen. Her hands are on my face and her lips on my lips. And after a second, I melt into her. Her lips taste like coffee. And she smells like roses and the ocean. And when she pulls away I already miss her. "I've known you liked me since the beginning. You don't zone out dreamily staring at someone you hate." She whispers then kisses me again.
#alma peregrine#alma peregrine x reader#miss peregrines home for peculiar children#miss peregrine x reader#miss peregrine book#wlw
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Aot characters when they see you at a party
Fluff!<3 slightly suggestive possibly !Fem! Reader
-âĄ-â¤-âĄ-â¤-âĄ-â¤-âĄ-â¤-âĄ-â¤-âĄ-â¤-âĄ-â¤-âĄ-â¤-âĄ-â¤-âĄ-â¤-
CONNIE
â˘connie was eating snacks in the kitchen with jean and Sasha
â˘you and onyankopan walked into the kitchen so that he could introduce you to everyone and let me say when connie first layed eyes on you he almost dropped his foodđ
â˘he couldn't help but look you up and down. You looked so fine in your outfit
â˘from the moment you sat down he tried his best to sound cool so he could impress you. He even went as far as trying to impress you with his Spanish but somehow he forgot how to say some things (his momma would not be proud đ)
â˘eventually you and oyankopan got up so you could go meet the others. After you left Jean and Sasha would not stop making fun of connie
â˘he was so embarrasedđ
â˘at the end of the night he went home disappointed at the fact that he didn't get your number but then his phone buzzed with a text that said, "hey this is the girl from the party I got your number from sashaâď¸đ"
â˘this man almost squealed like a little girl when he saw that it was you that texted him lol
-âĄ-â¤-âĄ-â¤-âĄ-â¤-âĄ-â¤-âĄ-â¤-âĄ-â¤-âĄ-â¤-âĄ-â¤-âĄ-â¤-âĄ-â¤-
ARMIN
â˘Armin was carpooling with eren and mikasa when they made a quick stop to pick you up
â˘when he saw you walk out your door his face immediately began turning a shade of red.
â˘when you got in the car and looked at armjn you noticed how red he was and asked him if he was sick or somethingđ (he face reddened even more when you talked to him)
â˘"uh-uhm yea I'm good" he tried to make his voice deeper so he would sound more attractive (eren and mikasa noticed the change in pitch and tried their hardest not to laughđ)
â˘the entire car ride he avoided looking or talking to you (he was so nervousđ)
â˘the entire night at the party he avoided you as best as he could, this man went to extreme lengths just to avoid you so he wouldn't embarras himselfđ
â˘at one point you, eren, and mikasa walked over to check on him but he quickly stood up and claimed that connie needed his help in the kitchen
â˘imma be so honest, armin tripped like five times around youđ
â˘at the end of the night eren and mikasa claimed that they were gonna help clean the house so they were staying back, so that meant that armin had to drive you home
â˘he was a nervous wreckđ he was tripping over his words, stuttering, his hands were shaking toođ
â˘when you arrived at your place you got out and quickly walked to his window. He rolled it down and look at you curiously. You leaned down and kissed his cheek before thanking him for driving you home and heading inside
â˘when you walked in the house he giggled like a child and ran his fingers through his hair
â˘that was his first time getting a kiss from a girl
âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-
ONYANKOPAN
â˘he was not messing around
â˘from the moment he saw you walk in he was already walking towards you to go introduce himself
â˘he was not wasting any timeđ
Y: can I ask your a question?
O: yea wassup?
Y: why did you come and talk to me so fast?
O: because you look amazing tonight and I wanted to make sure I talked to you before any of the others could
â˘you end up spending the whole night with him even after the partyđ
âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-
YMIR + HISTORIA
â˘ay listen if they both want you they both want youđ¤ˇââď¸
â˘ymir and historia where sitting down on the couch when historia noticed you walk in
â˘immediately she brought ymirs attention to you
â˘Sasha, annie, and mikasa all walked over to the couch and introduced you to ymir and historia who were very excited to meet you
S: hey guys this is y/n! We're just kinda introducing her to everybody so she can get comfortable. Y/n this is ymir and historia
Y: uh, hey wassup
H: hi!
Ymir: hey
â˘you were lowkey nervous with how they were staring at you but in the end you ended up sitting on the couch and talking with them for most of the party
âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-
HANGE
â˘neither you or hange remember how it happened but one minute you were being introduced to eachother and the next yall were upstairs, in a room, with barely any clothes onđ
â˘I don't even know what to say about hange bro like everything happened so fast that you don't even remember walking up the stairs and into a room with hange
â˘now does that stop what is occurring in that moment between the two of you?
â˘yeah no. Absolutely not, it's a confident no from međ
âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-âĄ-
#drabble#aot fanfiction#attack on titan#hange x reader#shingeki no kyojin#ymir x reader#historia x reader#onyankopon x reader#connie x reader#armin arlert x reader#female reader#aot fluff
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heyo! could you do some jealous Caine headcanons? maybe reader is hanging around Zooble and Pomni too much, and Caine isnât getting as much attention as he used to. they can be sfw or nsfw, I donât mind either! ^^
CAINE GETTING JEALOUS HCS?! WOAH
READER IS GN!!!11!!1
this sadly doesnât have nsfw I canât image him acting really that diffrent to make hcs abt it sorry to disappoint GRRRR
(not proof read)
ok where do I start
this man tries to hide his jealousy but fails MISERABLY
your like his main attention giver you mainly talk to him a lot so the most and also most times the only one
of course there are exceptions you can still talk to people without him immediately getting jealous
but when you talked to letâs say Zooble and Pomni instead of him he was displeasedđżđż
like heâs really bad at hiding it
he thinks heâs good at it but he isnât
he will either quickly float over to you or teleport directly next to you
never in front of you if your talking to a person since he tries to be discreet
as soon as he does that heâll go something along the lines of âHELLO Y/N YOU ARE LOOK GLAMOROUS TODAYâ and will try to turn you away from whoever you were talking to
if you try to protest heâll continue to yapp to you abt anything
it doesnât matter as long as you are giving attention to him
if he would manage to do that until youâll give in and turn all your attention to him
(always leading to you swiftly excuse yourself)
heâll then proceed to talk abt what he thinks are interesting things for you
he wants you too think heâs the most interesting person in on the whole grounds
if he doesnât manage to however
he will try to be a part of the conversation
he will also look at the other person looking at the from the side
(I do not wanna use side eyeđ)
he will actually very subtle pat you on the back or accidentally let his hand bump against your arm ectâŚ
since I think most circus member would either want to be nice and caine and you alone or just would get embarrassed by the whole situation they would excuse themselves
âââââââââââââââââââââââ
examples:
Pomni, Ragatha: âOh uhm I think I left something in my⌠room I-I gotta go sorryâ
Gangle: âI uhm⌠Iâm gonna go take a nap bye you twoâ
Kinger: âOh yea I just remembered I uhm gotta do other stuff I TOTALLY have to leave you two alone nowâ (try to be smooth but heâs bad at pretending)
Jax: âOh shucks I just remembered I left some of my stuff in Gangles room I will have to leave you two all alone now⌠byeeeeâŚâ (with a very smug expression)
Zooble: â⌠oh pschh yea I actually uhm lost one of my limbs I gotta look for it without any help far far away from you twoâŚâ
âââââââââââââââââââ:3ââââ
after they excused themselves caine looks after them with an questioned look
however he quickly turns his attention back to you and will proceed to to the things he would if he succeeded from the start
blablabla
after all that heâll make sure to extra catch your attention even if you are or arenât talking to anyone else
he even might try to send you a rose
he wants you to put it in your room so every-time you enter it or look around it youâll think about him
he of course is assuming you place it somewhere very visible where itâs standing very prominent
the first time this happened he send bubbles to bring you the rose
bubble ate it on the way
after that he always teleported to your room while you werenât there and leave it on your pillow
EXTRA:
if he catches someone (the only person to do this would be jax) flirting with you (he did it as a joke) he wouldâŚ!11!1
he wouldnât even try to hide it he would quickly be next to you grab your back and teleport you to the lake/ carnival/ your room
there he would talk to you about what his plan for his new adventure would be and make sure you look at him
after that heâllâŚ
đť(hihihi)
âŚheâll tell you how your secretly his favourite and about 'how your always doing the best in the adventures'
that would quickly turn into him just praising you about how nice you are too him
eventually heâll just praise you in general
tell you how beautiful you are how funny you are ectâŚ
besides these sweet things caine also turns slightly mischievous
he will make the next few adventure have parts where specifically only the person who flirted with you (jax and he did it as a joke bc he goofy) will have more problems then the others
sadly couldnât think of any examples for this sorry :(
âââââââââââââââââââââââ
erm⌠dude what the scallop ;-;âŚ
I DONT LIKE HOW RHIS TURNED OUT AT ALL RAAAHH IT FEELS SO SLOPPY TO ME BUT ITS SO MUCH I CANT DELET IT YEJEIRKENWJEJE
I swear Iâll try to make it better next time this fella so messy GRRRR
I will probably regret uploading this but I will anyways bc Iâm abt to take a big nap
sincerely
-@cainesrealwife
#caine#tadc#tadc caine#the amazing digital circus#the amazing digital circus caine#caine x reader#i need caine so bad#ngh I canât#tadc x reader
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Eddie grew up being told what to do.
Well he grew up being told what he cant do
It was always
âEdmund you cannot touch that!â
And
âEdmund! You canât go in thereâ
And after a particularly bad one,
âEdmund James. You cannot like boysâ
As he grew up of course he tried to not listen to those who told him what he can and canât do
When he began high school and started dressing as he wanted, Wayne was actually the first to protest
âNow eddie you know Iâll support yaâ but do you really thinkâ, he looked at Eddieâs interesting choice of studded bracelets and ripped jeans,âyer cominâ on a little hard..?â
Eddie huffed and crossed his arms âno I donât. You know I donât like meant told-â
âI know I know. And Iâm not! But-â
It settled with Eddie changing into blue jeans with holes at the knees and a black band tee.
Eddie never went further than that. Heâd have a small protest or ignore the comment in general.
This was time was the last straw.
Eddie had been hanging out with Steve a lot more, now that Robin was away at band camp and Nancy went off to college and the Byers were still in the process of being able to move back.
Theyâve shared tender moments, longing stares and a couple of flirty words.
Eddie had to tell him how he felt. had to
So there he was.
Hands shaking nervously as he sat in his van, waiting for Steve to come out of his house. He had honked his horn in to quick sessions like he always does (neither cared if it was too loud)
Steve came out soon after. His hair a mess, his sweater a little out of place as if he had just thrown it on before opening the door
Jesus H he probably just threw on that sweater
Focus Eddie!!
âHey Edâs!â Steve pulled open the door and hopped in
âHey Stevieâ he smiled back
âWhere we off to?â Steve was buckled in and staring at him with a small blush on his cheeks
âOh. Just somewhereâ Eddie pushed in a tape he had set and pulled out of the driveway
âSomewhere? You suck! Why canât you tell meâ Steve crossed his arms, turning in his seat to face Eddie
âIsnât that uncomfortable? What happened to safety Harringtonâ Eddie rolled his eyes, ignoring the butterflies he felt
Im gonna throw these butterflies up if he keeps looking at me
âYouâre up to somethingâ Steve mumbled, turning back
Eddie hummed at let the silence be filled with the sound of Black Sabbath
Finally, they arrived at the quarry.
Steve looked over to him with a confused look as he reversed towards the edge.
âCmonâ Eddie smiled, anxiety high in his chest.
Steve followed with out a question as they made their way to the back of the van.
Eddie opened the doors and arranged the blankets he had set back there. Sitting with his legs hanging out of the van.
Steve shuffled next to him, hands centimeters apart.
âSo?â Steve said, staring out to the water
âSoâ Eddie replied taking a deep breath
Now or never.
Donât run
He swallowed down his nerve before pulling his hand hand into his lap before setting it back, their pinkies touching now
âI- I hope it isnât just me..Iâve been known to uhâ he cleared his throat âjump? To conclusions I guess. At least thatâs what Wayne says. Says I used to say dream a lot and would get distracted easily and sometimes not reply when-â
Steve set his pinky on top of the others
âUhm. Yea. So. I know weâve been hanging out and stuff. Probably because robins gone and Nancy- yeah. Uhm what Iâm trying to sayâ he took a deep breath before turning to Steve, body fulling facing the younger boy
âI-I think im in love with you. I know thatâs crazy- and I know itâs Hawkins but we can be together and not tell anyone- or tell the party because I know Will-â
Eddie paused and looked into Steveâs eyes.
They were tears rising the the surface and he looked like he was holding his breath
Eddie felt ice run through his veins, he pulled his hand back
ââŚor. I mis- Im sorry. This was stupid. I can-I can take you homeâ Eddie went to stand, shaking his head hiding the tears threatening to fall behind his mane of hair.
âEddieâ steve whispered, voice shaking
Eddie turned to look at him, biting feverishly at his lip
âYou..you canât love meâ Steve shook his head
Eddies eyebrows furrowed
âYou canât- Eddie Iâm not a good boyfriend. I- youâre so smart! You deserve someone smart. I donât even understand your nerd game- I call it a nerd game! Thatâs so mean! You deserve someone nice Edâs. You-youâre so good. You canât love meâ Steve shook his head
Eddie took a deep breath, his hands starting to shake. Anger replacing the saddens in his chest
âYou.â He shook his head âyou cannot tell me what to doâ
Steve opened his mouth
âNo. You know me better than anyone. You cannot tell me what I can and canât do Steve! I make my choices. I do what i want when I want and Iâm tired of running. You know that. You cannot tell me I canât love you because..â
he kneeled down grabbing one of Steveâs hands
âbecause itâs too late for that. I love you..i do. You canât tell me I canât because I wonât listen. Whoever made you feel like you canât be loved well..I ought to..I dunno what but Iâll do it!â Eddie huffed out a laugh
Steve looked at him, a smile smile on his face
âYouâ he shook his head âyouâre so stupidâ he smiled wetly, drying his eyes with the sleeves of his sweater
âNow donât cry,sweetheart. I made sandwichesâ Eddie got back up, teaching behind the passenger seat and came back with a plastic bag
âSandwiches?â Steve laughed
Eddie stared at him, a smile on his face
âI love when you laugh like thatâ
He took out the sandwiches and handed one to Steve
He didnât even notice the blush high in Steveâs cheeks
#steddie#steve harrington#eddie munson#idk im soft#eddie fights for what he WANTS#and he wants steve#i also donât know how to write#blurb#nonsense#steve the hair harrington#bi steve harrington#gay eddie munson
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Carol: Stop drooling and just talk to the guy
Y/N: Last time we talked it didnât go well. Heâs gonna have to come to me if what youâre saying is true that he likes me too
Carol: Swear Y/N. Last time wasnât bad
ââ
Y/N: H-Hey
Daryl: Hey, yea need somethin?
Y/N: U-Uhm
Daryl: Y/N?
Y/N: Nope. Shut up. Iâm leaving
Daryl: *watches them go* what the fuck
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So many book titles / titles for protagonists are "the girl/boy who talks to dragons" and it's honestly like ....yea? Is..is that something special? Was I not aware that this is special?
Like what does that even imply? Out of context like nothing more than a simple conversation, right? Like anyone could do it? Welp, time to be a protagonist!!!!
Uhm....shy anime girl voice. h-hi @ouroboros-sys ...nice weather, isn't it?
#now where's my love interest bitches#dids I do this right? when does my radically coloured hair start growing in?
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⤯ đđ§ đđđĽđĽđ˛ -> đŠđđŤđ đ˘đ˘đ˘
Ellie Williams X Fem Reader
HIIII this is the pt 3! Again, not a lot of the hot and heavy and fun stuff, but it's getting there trust. Ok bye wash your hands and be safe ok love you! <3
(CW: blood and violence are mentioned and described briefly)
âŚâ§âŚâ§âŚâ§âŚâ§âŚâ§âŚâŚâ§âŚâŚâ§âŚâ§âŚâ§âŚâ§âŚâ§âŚâŚâ§âŚâŚâ§âŚâ§âŚâ§âŚâ§âŚâ§
With a nod, you two were off. The galloping of hooves brought up loose dirt behind the two of you as you headed north and the rest of the patrols headed west. Soon enough the gate was nothing more than a checkpoint now, and off to Kelly you guys went.Â
You followed tightly behind Ellie as you rode Challenger steadily. Your hands gripped the reins as you looked around the rural area. The gentle breeze followed by the steps made back the horses made for a relaxing and peaceful ride up north. As you guys make your way out of eye and earshot from Jackson, the quiet finally gets to you. The sound of the trotting echoed against the trees. Entering a dense forest nearby, you decide to strike up a conversation to fill the empty air.
âSo,â You sigh, looking around while holding the map below you. âYour friends donât seem to like me that much.âÂ
You sat there upright in your saddle while you held your map open in your lap, trying to pin-point Kelly and the Northeast post.
âI guess not,â Ellie states, turning her head to the side to showcase her side profile as she speaks. âLong storyâŚâÂ
Your interest was officially peaked. What could she be on about?
âHm?â You ask, trying to peer more into the conversation, you unknowingly tilt your head slightly, your ponytail falling behind you. âI mean, weâre gonna be out here for a while, plenty of time for a good story.â
She turned her head forward again. Shit. She probably doesnât want to talk, just run the patrol and be back h-
âI think one of them used to be your neighbor or classmate?â She stated abruptly. âDonovan? He said you were a nerd.â She snickered.
âNerd?â You reply. âHow was I a nerd?-â completely oblivious to the fact that you aced each Math and English exam, true loser at heart. âDonât answer that.â You reply sharply.
Ellie giggled, her teeth smiling through her rose lips as you two climbed through fallen trees and tall grass. You followed her hoof prints in the light coating of snow, ducking from low-hanging branches and searching through the open landings of trees and rocks. You watched her lead you two through this trail as if she knew exactly where you two were going. The sunlight that shined through the canopy of leaves above you two shined onto Ellie and her red hair, it gleamed in the sun, her light skin glistening from the rays that beamed through the branches.Â
âDo you know where weâre going?â Ellie asked suddenly.
âN-No? I thought you knew?â Y/n replied nervously with a chuckle. âYou seem very confident on your path.â
âRight,â She responded. âRight yea, I know where weâre goingâŚâ She looked down at her map, obviously anxiously not sure.Â
âI can help, I have my map right here-â you try to butt in, but quickly she snapped back.
â-No,â she countered, âI know how to get us there.â
You nod silently, trying to let her do all the work so you could simply just sit and watch.Â
-
After a while of just tense air and painstaking silence, you both overhear sounds from the distance. A creek, then a groan, then-
âFucking stalker,â Ellie states under her tongue. âSit here, Iâll take care of it, I only see one.â She squinted as she looked into the maze of trees. She slid down from her horse and gripped her knife firmly in her right hand.Â
âUhm no?â you reply, stopping in your tracks, grabbing your rifle in your hand. âIâll go with you, I-âÂ
âJust fucking listen and stay here,â she barked back at you. âIâll be quick.â she shook her head, walking into the distance careful to not step on any loud giveaways.Â
Appalled at the remark you just heard, you sat back and watched, keeping a strong hand on your rifle.Â
Ellie got closer and closer to the clicker in the opening of trees, it was glowing by the sunlight as if it had nowhere else to scurry off to. Step by step, Ellie got significantly closer. Her silent footsteps inched her closer and your grip on your gun got tighter with each step. Your knuckles whitened as you held the barrel tight.Â
The sound that the clicker made echoed through the woods. Its wet and gnarly cracks and irks filled your body with goosebumps and shivers running down your spine. Ellieâs footsteps grew closer and closer. Her breath became dense and low, holding onto its lingering exhale and staring down at the crouched figure in front of her. Ellie then suddenly shot lead directly into its back and stabbed its neck, blood following the end of her blade in a single trail. Itâs arms flailed in the air, grabbing all it could. The motions flew through the wind, Ellie dodging each swing by a hair, just missing each flying limb. Suddenly, with a jolt, it gripped onto Ellieâs bicep. She groaned in pain, seething in agony and struggling to unlatch herself from the locked hands that held tight onto her shoulder. Claw marks ran down her arm, the nails of the stalker embedded into her skin, and she screamed in agony.
Your heart stopped as time itself paused. You shuffled around for your trigger as you slowly made one step and instantly, as time continued, you ran faster than you ever have ran before, your hands gripping the rifleâs barrel as you aimed down, past Ellie and her agony below you. Your aim was shaky, seeing Ellie seething in pain in your peripheral vision, praying your shot doesnât go rogue-
âBANGâ You impaled your bullet into the skull of the infected, sinking its skull into the dense dirt. The crimson blood pooled around its landing as you swung your gun over your shoulder, laying it on your back by its strap.
âShit,â Ellie hissed, holding her hand to her shoulder. You could see the ends of the scratches below her hand. Blood seeping through her bony fingers, trickling down her arm and dripping slowly. âFuck-â She groaned in pain.
You held her hand up, trying to look at the wounds located on her upper arm. It was bad. After lifting her hand you instant held it back down, pressing it tighter, âHold this, do not move.âÂ
The birds chirping in the background followed by flocks of crows screaming in the trees influenced such a tense moment. The ground was as cold as ever as you sat beside Ellie, reaching for your bag.
She nodded, rolling her head back with a deep inhale as her palm held tightly against her skin. So you turned around quickly, opening your back with one swift movement, your medical supplies owning their own pocket. You dug and dug, getting gauze, tape, and glue.
âOkay, sit still,â You looked at her, through her deep green and hazel eyes, seeing the actual pain that was encased behind her thick exterior. âAs best as you can.âÂ
Quickly you wiped down her hand, removing it slowly. Ellie grunted as you opened the wound back into the air, the bleeding had stopped significantly, but it still beaded up to the surface. As you wiped it with a cloth covered in alcohol, Ellie grabbed onto your shoulder with her other hand, her grip tightened as she sunk her fingertips into your shoulder. You looked over, not even recognizing the now desperate and helpless Ellie that sat in front of you, but you were happy you could prove yourself in some way.Â
âFuck-â Ellie hissed through her teeth as she sat forward at the tightening of the bandages.
You wrapped the wound tightly with the gauze you had by your side the blistering that slightly formed around the sight of the wound barely phased you. As you wrapped and wrapped it, you looked at the wound more and more, you completely blanked out, now just realizing that not only was Ellie infected, but she was just inches away from you. Your hands began to shake, taping the ends of the gauze and standing up, hesitantly giving a hand to Ellie to help her up.
As she propped herself, you looked down at the stalker next to you two. âYouâre-â You try to let out your thoughts at that moment as Ellie just walks away right behind you, heading back to the horses.Â
âThanks.â she nodded.Â
You just picked up your bag full of supplies, the materials shifted as you swung it over your shoulder. You just kept your gaze on the dead infected at your feet, cold, lifeless. You became uneasy.Â
After just standing there, you back up, keeping your gaze on the body until you snapped your head back to Ellie and where she sat on her horse, waiting patiently. Your eyebrows furled as you looked at her, confused, worried, and scared for the most part.Â
âIâm fine,â Ellie announced to you from her steed.Â
But no, you just stood there, now slowly walking back to your horse, concerned.Â
âY/n, Iâll be fine.â Ellie brushed it off, letting out a huff as she sat up in her reins.Â
You stayed silent, unsure of how you should respond. Still walking to your horse, Ellie watched you in her peripheral, waiting for you to mount to continue the trip. With readjustment, you get back into your saddle and follow Ellie to the next outpost.Â
 After a minute of trotting, you two find a checkpoint in southernmost Kelly, practically still in Jackson, but it was close enough. It was a gas station, holding a book inside where each patrol would sign their names and the status of the location. As you both arrive, you attach your horses to a post nearby and find an open spot of land not too far from the station. Nearby you gathered rocks and twigs and laid down a circle of rocks and a pyramid of wood, lighting a match below it to start a small fire. At this point, the evening became late and the sun rose low to the horizon. As Ellie returned from signing the outpost sheet, she approached you and the setup you had made.
âIâll be okay,â she reassured softly. Her raspy and grungy tone became that of a more relaxed and calmed texture. âTrust me.â
âMhm.â you didnât believe her. Why would you? You had no other reason to think that those boils were anything less than deadly.Â
With a groan and eye roll, Ellie looked down a her shoulder, looking at the raised edges and dried blood that ran along the edges of the scratches that were fingernail-inflicted. She ran her cold touch along her particle gash, wrapping it up soon after. She sat down on her coat, throwing down her back from her back, and let out a strong exhale.
âI donât want to wake up next to something like what we just saw.â You state, watching as the fire spread to the other twigs in the fire, poking it with a metal rod you found nearby.
âYou wonât.â Ellie responded quickly.Â
âAnd how would I know that?â You replied, pissed off by your tone, your sharp tongue quick to snap back at whatever Ellie said next.
âBecause.â She replied, holding onto her tattooed forearm, and rubbing her palm against the darkened surface. She stood up, seeing how tense you were, looking past the flame that covered your eyeshot to her. You looked defeated, she looked tired, and you both just had experienced something so energy-inducing it looked it both out of you.
Seeing how exhausted you seemed, she hesitantly placed her hand on your back in gratitude for, yâknow, saving her life.Â
You felt a shiver run down your spine, feeling her cold almost corpse-like hand placed on your back, but within a second of it being placed there, you let out a deep exhale. It took with it a feeling of uneasiness.
 âThanks for all that today.â She let out, patting your back as she sat down beside you. No more than a foot away did she sit. Ellie wanted to keep you company but didnât want to make it too awkward for either of you, so she kept her distance.
âI wonât start clicking in the middle of the night yâknow.â She said to break the silence.Â
âAgain, I canât believe you.â You reply almost instantly. At this point, it was getting repetitive.Â
She took her hand off of your back, lowering her gaze to the fern tattoo that was placed on her forearm. âHere.â She hesitantly grazed.
You were confused. âThe moth?â Y/n questioned, ultimately confused about what Ellie was trying to show her.Â
âNo, the bumped below it, how I âburnedâ myself.â She said, rolling her fingers along the surface of her forearm.Â
Looking at the wound, you move in closer. Suddenly, Ellie takes in your hand to feel the bumps and sudden scarring you couldnât see initially, your heart stops as she grabs your wrist to feel her arm, but you look past that instantly.Â
âWhat is this from?â You asked, concerned and at unease.Â
âI was about 14 years old.â She began to tell the story of when she was bitten. How the teeth sunk into her skin, and how she lost everything to her that day. It all added up now; How sheâs still here.Â
And you looked back up to her. She was still infatuated with the story she had been telling, but you were amazed. How could someone like Ellie just open up like this? As you were practically staring at her and how she humbly rambled on the fact that she was immune from the single most destructive disease on the planet, she looked back up to make sure what she was saying was alright with you. Her green eyes were now filled with a story you never once knew. Her freckled skin held those memories and stories back, scared of what would happen next.Â
You watched as her lips slowed down, she became confused and worried about what you were so confused about.Â
âIs something wrong?â She asked cautiously, looking around you and behind her.Â
And suddenly, you donât know what got ahold of you, but you leaned in, inhaling her breath and kissing her. You leaned into her body, she simply propped herself up by just one arm.
But she pulled away, confused about why you would do something like that, especially while she was talking about something so serious. But she looked back at you, digging into those deeply colored eyes, and saw your feelings as if it were a mirror.Â
With a sly smirk, Ellie grabbed you by your chin and pulled you in close. The distance between you two was no longer.
âŚâ§âŚâ§âŚâ§âŚâ§âŚâ§âŚâŚâ§âŚâŚâ§âŚâ§âŚâ§âŚâ§âŚâ§âŚâŚâ§âŚâŚâ§âŚâ§âŚâ§âŚâ§âŚâ§
Taglist!:
@boobdrug , @ariariarr , @stanseventeen , @everegretseverything
Comment to be on the next tag list! xx
#tlou#ellie#ellie x y/n#ellie x reader#ellie williams#elliewilliams#tlou2#thelastofus#fem reader#wlw#lesbian#sapphic#hbu#the last of us part ii#part iii#ps4#ps5#fanfiction#part 3#tlou fanfiction
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Please do soc reader x sodapop!!!! Iâm sure he would be one that wouldnât actually mind that youâre a soc
soc!reader x sodapop
warnings: suggestive hcs at end, separated ofc!
a/n: this is super cute!!! i definitely think Soda would be the most likely in all thr gang to end up w a soc, its his movie star handsomeness that leaves heads turning đ
you guys obv first met at the DX
you drove your white/pink mustang up to a gas pump and you walked into the store looking for (your) favorite candy bar
you ended up having to go to the register since she couldnt find it and might as well pay for her pump
and then BOOM eye contact. 2 extremely gorgeous people meeting each other
You couldâve sworn they sold [candy bar] here and tried scurrying around the store in all directions before finally giving up. You hesitantly walked up to the register waiting for the guy to turn back around.
Your jaw slightly dropped when he turned. He was stunning.
âHey pretty lady, do you need help with anything?â He smiled and your heart skipped a beat. His smile was absolutely perfect.
âH-hi.. yea, uh, wow.â You mentally facepalmed at your words escaping your thoughts. Your hand flew quickly to your mouth in embarrassment. He chuckles at your compliment.
âOh my gosh I am so sorry, I didnât mean to say that- Uh, Iâm looking for [candy bar] and was curious if you guys had it? Also I wanna pay for pump 3.â
âIts alright beautiful. Your lucky, we do have that bar, its my favorite too! Let me get it real quick for ya.â
He walks to the back and you cant help but start fawning over him. You blush and giggle thinking about how nice he was despite being a greaser, he called you pretty and-
He comes back and places the bar on the desk. âPump 3 you said, right?â
âYeah, thats right.â You reach into your white mini purse for some cash but he interrupts you.
âIts on me dollface, its not everyday a goregous girl like you walks into my gas station.â
âWow uhm I- I dont even know what to say, thank you-âŚ?â
âSodapop. Sodapop Curtis. Have a nice dayâŚ?â
âY/n. Y/n L/n.â You blush and shyly shake his hand.
âI hope I see you around gorgeous.â
He winks at you before walking to the back of the shop again. You stand there shocked, flushed and elated. You just got called gorgeous by him.
~~
When you get home, you find his number written on the back of the bar and you decide to give him a call. đ¤
Sodapop is used to getting alot of attention from girls, i mean heâs literally gorgeous.
But he always makes sure to tell them that he belongs to the most prettiest girl ever.
He wonât immediately tell them to go away if they arenât actually doing any harm, but heâll get more assertive if they become touchy
No matter how you see yourself physically, he thinks the WORLD of you
He is head over heels, whenever he loves someone, HE LOVES HARD
You guys took it slow, he explained what happened with Sandy very early on since he didnât want to get your hopes up
But you were very understanding to him, especially with taking things slow
He had such a huge crush on you after that, already so into you just from how nice you were
When you first met the gang, they already know so much about you from how much Soda talks about you
âHi everyone, um, I dont know if or what Soda has said about me but my name is Y/n.â
The gang all looked at you and gave small introductions, Two-Bit spoke up.
âAh so, youâre the broad who keeps making Soda giggle like a little kid at the telephone every night.â
You blushed and started laughing.
âStop it Two-bitâ Soda said giggling. (guys im picturing this like a girl saying stawpp itttt đ¤đ¤)
He likes referring to you as princess, dollface, any nickname that compliments you in some way (beautiful, pretty, gorgeous etc etc)
You guys usually hangout at his house, the DX, or you go with him and Steve (including whatever broad Steve is with) kindâve like double dates
He would so be the boyfriend who brings a boombox to your window, leave flower petals, light candles, EVERYTHING
You guys are so pda everywhere, the gang always makes jokes about it
Your parents were skeptical when first meeting him since 1. He was a grease and 2. He was a drop-out, but they realized how much of a gentleman he was
They sometimes still get a bit on the fence about ti, but for the most part, they see he isnt just a regular greaser (theyâre thinking of Dallas Winston.)
⢠more suggestive ones â˘
He loves praising you, he doesnât usually degrade or do anything on the meaner side but he can go to some extents if youâre into it
Not into full on quickies, but wouldnât mind receiving a bj from you in the back of the DX or fingering you if you guys need to let off some unattended âneedsâ
Always makes sure you finish first, he knows how girls lie about it and the first fee times you were intimate, he really made sure that whatever he was doing was actually making you feel good
His favorite body part of yours is your face, he loves the way you look at him with so much love, how pretty you look when sucking him off, the expressions you make when he is legit destroying you (â ď¸)
His favorite position is missionary. He feels like its the most loving position, he can see if your actually enjoying it, can change pace and how rough he is easily, but also really good access to your chest, neck and your clit
â Ë・âŕ¨ŕ§â Ë・â
a/n: pls send more reqs. idk what to write đ§ââď¸đ§ââď¸
#the outsiders#the outsiders sodapop#sodapop curtis#sodapop x reader#sodapop headcanons#sodapop x y/n#sodapop imagine#soc!reader#soc#the outsiders sodapop curtis#sodapop patrick curtis#sodapop the outsiders
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Chapter 1: flower necklace Loak!spiderman x fem!reader Modern au!
notes: wow I'm actually so excited to make this series, I actually love it sm. I have to give credits to my bae @loaksluvrr bc she made this first, and I loved it sm I had to remake it, so make sure to read hers! warnings: blood, I think that's it, lemme know if I missed something!
It was currently 2.30pm. I'm kinda disappointed that lo'ak never showed up, it wasn't something he'd do. He's never late. Okay maybe he's late alot⌠but not when he would make plans with me. It was kinda weirdâŚ
I suddenly heard banging outside. And then a knock on my window, how? I was on the 3rd floor of my house? How can someone knock on my window?
"Y/n please let me in." Lo'ak said as I walked to my window, I didn't see him infront of my window, how was that possible? Was I hallucinating? I slowly opened the window, and I saw nothing.
"AAH-" I screamed as I saw spiderman hanging down my window, "y/n please calm down and let me in" he said as he layed his hands on my shoulders while still hanging upside-down.
"W-whatâŚ" I said while I slowly backed away from the window. I didn't know what to do, or what to say. "Y/n please it's me" he said as he pulled his mask down.
What. The. Fuck. Lo'ak is spiderman?
I can't believe what I'm seeing right now. "Oh my godâŚ" I said as I backed away even more. "Y/n please just calm down" he said as he climbed into my room. "I-I am calmâŚ" I said as lo'ak came closer to me, as he came closer to me I saw a big wound on his lower stomach, "lo'ak ur bleeding? Are you okay?" I came closer again to take a good look at the wound.
"Y/n I'm totally fine, it's nothing" I lifted up his upper part of the suit and his lower stomach was covered in blood. "Nothing? Your whole stomach is covered in blood? Here sit down." I said as I lead the way to my bed. "Aghh" he growned as he layed down slowly. "Uhm I've gotta get some bandaids and shit, just⌠just stay here and don't move" I said as I was kinda stressing out, "y/n just stop stressing, because now ur even stressing me out." it's like he could read my mind. I got the bandaids and ran back to my room as fast as I could.
"H-here I got bandaids, uhm clean stuff shit, and just this whole ass basket off stuff" I said as I threw it all on the bed. "Y/n just stop and lemme explain all of this" he said as he tried to grab my arm "No. No. I need to clean this up" I said as I started grabbing random stuff.
As I started to clean his wounds, he started talking, "Y/n I'm so sorry I didn't tell you earlier, agh-" he said as I put a little to much pressure to the wound, "Sorry? You couldn't even bother to tell me that you're fucking spiderman?"
"Please it's not like that, I just couldn't tell you. I- I didn't want my enemies to get to you or something, or for you to get hurt, I did it to protect you"
"Protect me? You lied to me!" I said as I applied more pressure, "Y/n just stop!" He screamed as he pushed my hands away from his wounds.
"I love you. And I didn't tell you because I love you. I wanted to protect you."
"Y-you could've atleast told me" I said as I sat down on the bed next to him. "I know, and that's why I told you today" I right into his eyes "well it didn't really seemed planned today." I said as I looked at his wound, "yea⌠well I wanted to tell you at 2pm, but then this thing came up⌠and⌠i was just a little busy"
"What came up?" I said as I look worried at him. "It was nothingâŚ" I looked at him with my puppy eyes, "lo'ak what happened?"
"It was just a little robbery⌠this little jewellery shop was getting robbed, so I helped out a little" I looked shocked, "A ROBBERY? You almost got killed for some jewellery shop!" I screamed at him.
"Well it wasn't really for the shop, I was in-line at the counter⌠I was getting you a necklace" he said as he held up a little jewellery box and opened it. It was this beautiful necklace with a little flower charm, just as small as my fingernail. He knew me so well, I love little charms.
"Oh my god, that's so beautiful!" I screamed as I kissed him. "A beautiful necklace, for my beautiful girl"
"Ew you always have the most cringiest pick up lines" I said sarcastically as he put the necklace around my neck, "well it's true" he said.
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