#u may now only refer to me as Dr.

[lovebvni]

The Star — An introduction to my Group Waiting Room

Finally, after months ( maybe even a YEAR ) of promising to make this blog, I am beginning it. I really wanted to make this blog a while ago to introduce this wr to so many people, but I haven't (OBVIOUSLY) but now, its here!

Let me start off with this, this waiting room is a waiting room anyone and everything who is a reality shifter has access to. Yes, there are personal invitations, but everyone has access. All you have to say is "I am going to shift to The Star." and you'll be there. The universe knows what you mean, and they wont wrong you and shift u to a literal star (unless that is what you want, obviously). But now lets get into what you will see when you get there

When first entering The Star for the very first time, you will be in a waiting room with "Welcome! Everything is fine." written in green paint on the wall. This is a reference to one of my favorite shows, The Good Place. Yes, I realize how ominous this may look or sound, but if you know me, I love being a bit creepy sometimes. The door to the left will lead you farther into the waiting room, the door to the right will lead you to a personal makeup/dress up room.

When going right, you will have the ability to change your appearance just like a video game character. You can change your height, weight, skin tone, whatever you want! Your desired body is yours to choose. This room is also fully customizable. For example, mine looks like the glitterizer from Barbie Life in the Dreamhouse (iykyk). I would always suggest going to your personal dress up room before anything else. But if you decide not to, there will be plenty more opportunities for you to change how you look and what you are wearing.

The next place you will enter is a long hallway, and ther will be almost a 'check in' when you get there. At the check in, there will be two dogs -- a yorkie and a chiwawa mix. These are my cr dogs that I love very much. They will give you a ticket and a pamphlet on where to go/the layout of the waiting room. In that card, there will also be a personal message to you from your spirit guides! Everyone has at least one, and they may be long, they may be short, but they will be for YOU and YOU only (unless you want to share with others, of course.)

After this, you have the ability to walk into the common area, which is just full of chairs and places to chat. There are many other things you can do here, but I will list the other rooms below.

a power testing arena -- simply a place you can test a power you want to have/do have and see how powerful it is. you can also train with other people/npcs :p

Deity worship/work area -- there is a hallway where every deity (from a to z) have a room that is just there's. you have the ability to go in and worship or speak with them there. they are not always active there, as they probs have other shit to do, but you can always leave a message and they can request your presence :D

Wild Shift/Teleport -- you will be sent to a random place in the universe that will entertain you. It may not be a dr you made, but it is always open to you to be there. You have the right to shift out any time if you do not like it (obviously)

A POOL ROOM -- ok i love pools, so obviously i scripted multiple pool rooms there. they are so pretty, and i have just been told some mermaids hang out there in their free time

multiple cafes/places to eat -- self explanatory. any food in the universe is accessible to you. these cafes/restaurants are run by helpers, lumas from Mario cart and Chaos from Sonic. They are so cute and sweet, they can also duplicate when needed.

MALLS !! -- idk man i love shopping and trying on clothes w my friends, stfu

Media areas -- there are two main media areas, a library and a theatre (both traditional and digital, also can be for multiple people or one person)

Therapy/talk with your guides/ a multidimensional therapist-- to do this, we connected with a reality where reality shifting is normalized, and there are therapist who work interdimensional. they are always willing to help. all meetings are confidential and will not be spoke about with any being

two 18+ areas -- i only call them 18+ because thats whats socially acceptable here. there is a topic area and an actual... yk.. LMFAOO

Those are all the like, public spaces! Now onto the ports.

A port is similar to an airport, which is why you got a ticket when entering. The ticket will have your port number and how to get there inscribed on it. I personally get to mine via an elevator. When entering your port, will be greeted with a personal waiting room -- one you can only access on your own unless you open it to other people. Just like with everything in this wr, you can change everything with intention and/or visualization.

The ports are usually two floors, these floors have secret hidden doors on the walls to your waiting room. On either side of the door, there will be a script to that dr that you have made -- either physically in a reality you came from or from your intention/imagination. On top of the doors, the place you will be shifting too will be written.

For example, if I am shifting to Alice in Wonderland, my script will be on the right (which you can grab and hold or just scroll through) and Alice in Wonderland will be written on top. The door will open when I step close, and I will be shown the exact moment I am shifting to.

In your DR port, anything is possible. You can manifest, enter the void, script, change the port appearance, whatever you want! Lumas and Chaos will also be at your service here :)

And, that's pretty much all I have for these wrs! I guess another thing I would say is you can shift to group drs/wrs from here but that is kinda self explanatory if you ask me.

I hope you all like this, and I am really excited to meet you guys there!!

Love and excitement

the abyss

(if u saw this already no u didn’t. tumblr was being weird LMFAO)

[tuliptired]

hi! ive read so many fics where egon's love interest is super smart and a scientist just like him but i kinda wanna reader the opposite at least once :') may i request an egon x reader where his s/o isnt super smart like him, doesnt have an interest in what he studies but is supportive, never went to college, and they're a high school drop out who got their GED through GED classes? maybe one day they're feeling self-conscious about their intelligence compared to him but he assures them that he loves them no matter what?

Please Stay with Your Own Kind (and I'll Stay with Mine)

Pairing: Egon Spengler/Gn!Reader

Warnings: Accidental cut while cooking (stay safe friends :[ )

Sorry this took ridiculously long, life caught up to me and I had to do this ask justice by unpacking all my junk from when I was struggling with school ( ╥ω╥ )

Better formatting on Ao3!!

 You wiped your cheek with the heel of your hand, dust left in its wake. You pushed your couch back into place with a grunt, trying your best to tune out the noise coming from your kitchen table. Normally, if anyone barged in while you were trying to clean and insisted on using your apartment for experimentation, you’d be more than ticked off. But, you were used to it by now, especially at this point in your relationship with a certain atypical scientist. How could you resist him, when he7 was muttering something about elevation and better work environments?

They say cleaning is the best way to get rid of unwanted guests, but Egon was far from colloquial, only ever sneezing as you dusted the space around him. There were bolts and screws littered all over the wood, but you couldn’t bring yourself to mind. He was so busy lately, either at the firehouse or the university he had a fellowship with, that any visit was one to cherish. Even if it meant your centerpiece had to be relocated to the floor.

You stood, hands on your hips as none of your under-the-sink rummaging rewarded you with the little purple spray bottle you were looking for. “Egon?” You turned, the man zeroed in on the mechanism taking up such a small spot on the table.

He hummed, referring back to a large notebook without looking at you. “Could you check the bathroom for my window cleaner?”

Another hum as he kept working. This guy.

“Egon.”

He finally lifted his head, glasses slightly askew. “Right. Sorry.” he nodded once, before disappearing down the hall.

 Your eyebrows twitched upwards as you let out a light sigh, peering down at the contraption delicately, like your gaze could shatter all of his hard work. It was barely the same size as your landline, appearing almost miniscule when in your significant other’s large hands. How could such a tiny thing hold so much of his attention? Or require all the other machinery and calculation around it? Upon further inspection you could see intricate wiring woven throughout its insides. You clicked your tongue. This was all beside you- or above you, if you were being honest. You supported Egon, you really did, but Egon was physics, electromagnetism, degrees and doctorates in studies you’d never even heard of. And here you were, worrying about which set of patterned throw pillows fit the season more. 

The phone rang, stealing you from your moment of introspection, laced with contempt for whatever it was on your table. You took a breath before answering, voice uncertain about who would be calling so close to dinner. “Hello?”

“I’m calling from Columbia- Institute of Advanced Theoretical Research. Is Dr. Spengler around? This is one of the numbers he left for us.” The caller sounded boyish, and eager, rushing through his words.

You were a bit flattered at the idea of your line being an after-hours contact for him. “He’ll be just a second,” you apologized, leaning over to look into the darkness of the unlit hallway. Maybe you forgot to pick up another bottle at the store after all.

There was a staticky silence on the young man’s end, the excited murmur of voices when you picked up now lulled. You could hear him clear his throat before he spoke again. “If you don’t mind me assuming…you’re his partner, right?” he questioned.

“Oh! I am. He passes through here from time to time with work.” Your face heated up in such a silly way in spite of how long you’d been together. 

Surprised murmuring. Did he have company? “That’s great! Dr. Spengler’s a pretty big deal around here,” he boasted enthusiastically.

“Is he?” you smiled to yourself. “I don’t doubt he’s a decent scientist.”

“Of course! We’re all admirers, here.” he gushed. “I dream of being half the scholar he is. Dozens of degrees, 2 doctorates- he’s essentially a genius.”

You shuffled on your feet, amused at his vigor, but reaching that part of conversations surrounding intelligence and tertiary education that prodded at a nastier version of yourself. “Don’t I know it.”

He continued. “We study his journals like they’re gospel. He’s made such big progress in paramagnotheric study that we’re here working for him like drones. Grateful drones.” The student took a pause for air. “That’s why I called- we have big news for him.”

“It’s great- that you’re all so dedicated,” you squinted back down the hall.

Another scratchy moment without words. “I’d be so embarrassed, if he heard me raving like this. What about you?”

“Huh?”

“I mean, Dr. Spengler must have pretty refined tastes. What’s your doctorate in?”

Your throat tightened as you involuntarily clenched your jaw. You really thought you were over this question. Where was Egon? You could live with printed-stained glass if he’d save you from the incoming conversation. You drew in another breath. “Didn’t get that far.” 

“Oh! Sorry for assuming. Your master’s? We had bets on chemistry or neuroscience. Maggie had $20 on you being Dr. Abrams from engineering.”

Does he know that’s not a thing you say to a stranger? God, this was giving you a headache. “Only a GED,” you divulged painfully, snapping in speed but not in tone. What followed was what always followed, most frequently in the early days of your relationship. It was the stunned moment of disbelief from friends and family who knew your academic history. The lingering internal question of: “how’d they get with Einstein?”

“I see,” the caller finally stammered, most likely to be polite.

“Different things…it got away from me. If I could’ve, I would’ve,” you trailed off, not finishing your thought as you cringed at the idea of trying to explain your lack of a traditional diploma to someone who didn’t sound old enough to be far into their graduate schooling.

He cleared his throat. “I get it.” Did he? He’s got handfuls of degrees to add to his name. In the bitter respite of dead air, a venom uncoiled inside of you that was reserved to classmates in the gifted and talented program. But it wasn’t his fault, really. He was only a young adult going down the path that was open to him. And fangirling over your boyfriend, you thought to yourself as you wordlessly rewound it.

Finally, finally , Egon returned, with a clear liquid that wasn’t your window cleaner. But his presence didn’t make you feel any sort of reassurance. “Cladosporium growing in your grout. I made a fungicide for it.”

You furrowed your brows, pressing the phone into his chest and stalking off, leaving him to nearly drop the landline and whatever solution he was holding.

You resigned yourself to stewing in your misery and chopping carrots. You weren’t an exemplary chef, but you both needed to eat. Feelings that you’d be harboring in the back of yourself were boiling inside of you like oil, hotter than water. Egon appeared in the kitchen, having hung up.

“That was Lucas, from the university,” you heard behind you.

“I gathered.”

Egon must’ve failed to pick up on your tone. “He’s a bright young man. He manages the lab well when I’m gone.” You grabbed another vegetable before he settled at your side. “What’re you making?”

“Stew- rice- something. Could you get the stock out the fridge?” You cut awfully close to the tip of your pointer finger.

He tried handing it to you gently, and you grabbed it without looking, ducking into the cabinet by the oven for your measuring cup. Holding it up to the light, you cursed at the odd units of measurement. “ 15 fluid ounces,” you read the chipped red lettering, “how many cups-”

“1.87.” You didn’t turn to face him, letting a puff of air escape your nostrils. “Or 1.9,” he added quickly.

You poured it into the pot, steam rising into your face. Egon was quiet, until he leaned against the counter, taking up a much duller knife to help you get through all the vegetables before the broth burnt out. “About the mold in your bathroom,” he started. “I can remove it for you, but I’m worried about your respiratory health. Untreated fungi that you can see means untreated fungi that you can’t.” Wasn’t that reserved for roaches? Your skin crawled at the thought- of mold and an infestation. “Pathogenic diseases from mold are nothing to play around with.”

“It’s fine,” you uttered, checking on a pot of rice, fingers carefully holding onto the protected part of the hot metal handle.

“Killing it? I have sodium bicarbonate and trisodium phosphate back at the firehouse, it’ll only take-”

You grip the wooden spoon in your hand tightly, nails digging into the flesh of your palm. “No, I mean- don’t do anything! To my bathroom. Or my house. Please.” you nearly pleaded, shutting your eyes and stirring the contents of your dinner. 

Egon complied, wordlessly giving you a bit of space as he added the last potato. You chewed your lip.

“You usually ask for all the details from school.” his voice was barely audible.

A deep weight settled in your stomach. “It slipped my mind.” You spotted a bundle of thyme that never made it in, mindlessly plucking it from the countertop and going back to chopping. “What happened?” you breathed out.

His eyes were on you. “They’re making good strides. Lots of excitement, since they got the cells they engineered to detect psychokinetic energy in electromagnetic conditions. I don’t like leaving them alone, but this was nowhere near an actual challenge- it’s simple trigonometry.” Any other day, the “respected professor” thing would be hot. If you weren’t so focused on finely dicing the herb, you’d have seen his smirk to himself. “They were so happy- to get through the easier part of research.”

“Shit,” you hissed. The knife must’ve slipped, probably from how tense your hands were, or how thin you were slicing, or from how your vision clouded with tears of frustration. Regardless, it nicked into your flesh, quickly drawing blood. You brought the junction between thumb and pointer finger to your lips, before Egon seized your wrist. 

Egon herded you to the sink instead, his talk of “700 different types of bacteria” and “immunocompromised from mold inhalation” lost on you. You drew your wet hand back, lifting both to your eyes, now squeezed shut as you turned away. This whole thing was so, so stupid. It had been so long, and you still felt so angry. The outside world was tuned out from the rushing of water out of the faucet, until Egon’s voice broke through, even if it sounded far- as if he was on the other side of your apartment. 

“I’m sorry. You’re upset, and I don’t know how to help you.” 

A quivering air left you after you shut the sink off. He didn’t deserve your bad mood- or years worth of a bad mood. If you weren’t mad at the boy over the phone, or Egon, the only person left to scorn was yourself. Your vexation crumpled inward, turning into sadness. Self-pity. Resentment. Guilt. 

A thick swallow. “No- I’m sorry that I’ve been short with you today. It’s just- I’m- I don’t-”

Egon’s hands were guiding you to your table before you could break. In between joining you in the kitchen and taking the phone, he must’ve packed up what was left of the work he brought over, something you silently thanked him for. You sat in silence, not knowing how long you must’ve taken to steady your breathing and clear your head. Regardless, he sat with you the entire time, never once pushing you as his hand rested in yours, thumb laid clinically over your pulse point. He’s a creature of habit.

You looked to him, eyes a tinge red. “We’re getting older.” You lifted your gaze fondly to a familiar notch in between his eyebrows. It was only faint, something you’d teased him about because of his lack of efforts to stop or delay aging, but it wasn’t always there. “Much, much older.” Egon’s expression was neutral, something that brought you comfort when it should’ve worried you. “I admire you. So much. And so does everyone else- which you deserve. You’ve worked so hard, for so long, and you’re somebody, Dr. Spengler .” You gave him a weak smile that melted away as you blinked . “ And I’m awful for thinking it, awful for feeling it, but you don’t deserve an idiot who couldn’t even make it to graduation.” Hot tears gathered in your eyes again as your voice was shaky. “I’m holding you back from something bigger.”

His face was softer. “And, I feel like garbage. Utter and complete garbage because so much has happened since then and it still feels like I failed.” You could remember the first time Egon urged you to let him know how you felt, after every confession of unpleasant feelings felt like an unbalanced apology. He was allowing you to feel, without guilt. “It’s this nagging and incessant idea that I’m nothing.” You let your chest fall and rise. “Dr. Abrams wouldn’t do this.” a pitiful attempt at a joke. 

The ghost of amusement. His thumb gently caressed your pulse point, the heartbeat that was once in your throat resigned back to being a dull throb in your chest. He took a moment before speaking, voice small. “It’s not untrue that I value education.” Egon’s eyes rose to your own. “But I’d be closer to an idiot than you’ll ever be if I valued it over you, and your presence in my life.”

 “I’m sorry if I failed to notice how you’ve been feeling.” Egon took your other hand, the one that laid limply on the tabletop. “Do you think I’d be with anyone else just because they had a doctorate? A PhD?”

You shook your head, growing red under his sudden passion. “Egon, I-”

“It doesn’t matter to me, because they wouldn’t be you. You are so much more than an abbreviation.” Tears flowed freely from your eyes, and he gently wiped them away every time, hands cradling your wet cheeks. “Besides. Dr. Abrams isn’t half as interesting as you are.”

Egon smiled at you, eyes crinkling as you returned it. 

There was a hiss of smoke from the kitchen that made him flinch, the threat of fire making you scramble back to the stove. As you cut the heat, you winced at the sight of liquid and vegetables burnt black and stuck to the bottom of the pot. 

“Ah, man. I’m sorry,” you frowned, switching on the fan.

“Things get away from us,” Egon held your shoulders, smiling as he pressed a kiss into your hair.

[jealousmartini]

Hii, one day I came across ur acc, and I loved it! Even the aura I scripted for my kpop drs, is the same as yours but with some different things lol Today while still deciding some things to add to my aura, I realize that I REALLY wanna create some drama. Like me and an idol having beef, or me defending myself bc a female iodl wants to beat me up idk but I feel like i'm the only one lmao. I see everyone wanna be friends with their idols and their s/o but I wanna be an idol specially to know all the drama going behind the cameras, the HOT tea. Like did 2 male idols ever beat the sh#t out of each other back of the MAMA building during awards shows? Or how do idols ever go to parties with out being caught? And if so, do idols who are minors go to parties?? Bc I'm a minor rn, and I'm going to shift with my age, and I LOVE parties 🤩 but I'm not gonna script things like "all idols can go out freely" bc I wanna see the raw thing, how idols actually live.

Actually I just came here to ask u if u have any drama with another idols in ur dr, or if u plan to script anyone. And if so who and why? 🧐 But I ended speaking too much lmao. Anyways, love ur account 🫶🏾🫶🏾

OH MY GOSH ITS YOU! I REMEMBER WHEN I FIRST SAW YOU LIKE ONE OF MY POSTS BUT YOUR PFP THREW ME OFF CUS I THOUGHT IT WAS ME LMAO😭😭😭

ANYWAY HEY SWEETHEART IM SO GLAD YOU LOVE MY BLOG❤️❤️ AND OHH MYY GODD I LOVE THIS ASK SO MUCH I HAVE SO MUCH I WANT TO SAY SO ILL BULLETPOINT THEM

«───────── « ⋅ʚ♡ɞ⋅ » ────────»

DRAMA, CONTROVERSIES, AND SCANDALS.

DATING RUMOURS

First I'll start off by saying Taehyung and Jennie were 100% dating back in 2017-2019 and those pictures taken of them were definitely real.

And speaking of BTS members dating other idols, the biggest controversial dating rumour circulating BTS is if Jungkook and Chae Kyung are secretly dating because of the amount of references we've have made about each other and the candid pictures taken of us hanging out

Other than him, I do have like 5-6 dating rumours with other idols too but "KyuKook" or "Rookie" is the most popular ship surrounding me in my reality.

Also I kind of have a thing for controversial ships can't lie. I am a freak for older men (AS LONG AS ITS ONLY THE MEN I LIKE LMAOO😭😭) so I do not care if fans ship me with yoongi or jin or whatever cus I may or may not have scripted it but that's none of your business.

BEEF RUMOURS

Now see me personally I don't have any real beef with any idols but more with anonymous haters. There are countless meme clips of me responding to haters cussing them out and fact checking them it's actually hilarious how I am 85% of the reason why O.M.G is called the messiest group.

Yeah no beef rumours for me

IDOLS GO PARTYING

No one actually understands how much I love this topic because in this reality, I am not big on parties but I wish I liked them so ive scripted in my kpop dr that I enjoy parties (I also scripted I'm a bit of a lightweight just to be dramatic) and I have always wondered how idols got away with sneaking out to parties some of the time unnoticed.

Of course not always because of those candid pictures of idols walking together and dancing in a club but the idea of it is so exciting to me plus I don't really gaf if a fan sees me and I get hate for it lmao. I'm out here dancing and being shipped with YOUR "oppa", and YOU'RE🫵🏾 not!

If anything, I am looking forward to those candid pictures cus I love the attention so nah I'm not scripting "idols can go partying freely" I LIVE FOR THE DRAMA. GIVE ME THAT ADRENALINE RUSH🗣🗣‼️

[dirtandspitoftheworld]

hii!!!!! it was me who sent the ask abt the music videos yesterday!!!! thank u so much for replying, i was this 🤏🏽 close to giving up on using marilyn mansons example in my project 😭😭😭😭😭😭😭

HI!!! I had fun doing this, I've actually never sat down and watched every single music video until now, there were a few i'd never watched! :)

this is LONG, there's 42 videos, to my knowledge.

TL;DR: There's actually extremely few satanic or occult symbols in any of Marilyn Manson's music videos. In fact, the only thing I saw was a couple inverted crosses in Tourniquet (which aren't even satanic! That's Saint Peter's cross!). Other than that, it's all Christian symbols and imagery. The only other symbol that appears consistently is Manson's own "Celebritarian" cross, which is a symbol of celebrity worship that he often criticizes. (Worth noting: it's an inverted form of the Patriarchal cross)

Comprehensive notes:

Spooky Kids/Portrait Of An American Family Era:

Get Your Gunn: Nothing, aside from Manson's goat head tattoo (left bicep). Anytime I say "nothing" from now on, i'm excluding his tattoos.

Lunchbox: One of the band's T-shirts at this time was a parody of the Salvation Army logo which said "The Satanic Army, and drummer "Sara Lee Lucas" (Frederick Streithorst Jr.) is wearing it.

Dope Hat: Nothing.

Sweet Dreams (Are Made Of This): at 3:10, Manson is wearing a 3-horned headpiece. May or may not mean anything.

Antichrist Superstar Era:

The Beautiful People: Nothing.

Tourniquet: There are a few inverted crosses on the walls, as well as some symbols that I THOUGHT were alchemical symbols, but I can't find them anywhere.

Cryptorchid: Nothing, though the video is reminiscent of the film "Begotten"

The Man That You Fear: Nothing Occult, but there's a clear parallel to the death of Christ, washing of feet, being walked through the desert and killed. The music video heavily references "The Lottery" by Shirley Jackson, as well. As a side note, Marilyn Manson is unbearably beautiful in this video.

Antichrist Superstar: I think you asked about this one specifically? Other than snakes and flies, which may possibly be associated with Lucifer and Beelzebub respectively, I don't see anything in the way of satanic or occult symbols.

Apple Of Sodom: Nothing. Medical stuff again.

Long Hard Road Out Of Hell: Christian imagery, both visually and in the lyrics. Manson is shown as both Mary and Jesus. And naked! Again, he's VERY pretty in this video. If this video doesn't trans your gender, nothing will. There's a secret alternate version where he's covered with blood.

Mechanical Animals Era:

The Dope Show: Nothing.

I Don't Like The Drugs (But The Drugs Like Me): Manson is crucified on a cross made of CRT TVs, and drags it around on his back.

Coma White: Crosses and Christian idols can be seen throughout. He's crucified on a wooden cross this time.

Holy Wood Era:

Disposable Teens: Manson is dressed as a pope for much of the video. There's other Christian imagery. He's also shown rising out of water, which could POSSIBLY be connected to Revelation 13:1 (And I stood upon the sand of the sea. And I saw a beast rising from the sea...) BUT he doesn't have horns, so it could just be a cool image that means nothing.

Fight Song: Nothing.

The Nobodies: He has horns again.

Tainted Love: Nothing.

Golden Age Of Grotesque Era:

mOBSCENE: Nothing.

This Is The New Shit: Nothing.

(s)AINT: Nothing. But there's so much explicit nudity that i'm surprised this video is on youtube. There's pussy eating in this video!!!!!! i maybe saw a sliver of cock too. can't be sure.

Personal Jesus: Manson has bandaged stigmata on his palms, and there's some sexy nuns. This video has one of my favorite makeup looks of all time.

Eat Me, Drink Me Era:

Heart-Shaped Glasses: Nothing.

Putting Holes In Happiness: Nothing.

High End Of Low Era:

Arma-Goddamn-Motherfuckin-Geddon: Nothing.

Born Villain Era:

Overneath The Path Of Misery: Two women have their heads shaved, seemingly in a ritualistic fashion. There's some images of christ on the cross, and a burning cross. Again, a lot of sexual imagery that i'm surprised is allowed on youtube uncensored.

Hey, Cruel World: Nothing.

The Pale Emperor Era:

Deep Six: Nothing.

The Mephistopheles Of Los Angeles: Manson is shown preaching and baptizing people.

Third Day Of A Seven Day Binge: Nothing.

Heaven Upside Down Era:

WE KNOW WHERE YOU FUCKING LIVE: Sexy nuns with guns. The image of the "Celebritarian" cross appears.

SAY10: Nothing. But Johnny Depp is in this one!

KILL4ME: Celebritarian cross. Johnny Depp again!

Tattooed In Reverse: Celebritarian cross.

God's Gonna Cut You Down: Some crosses.

We Are Chaos Era:

WE ARE CHAOS: Nothing.

DON'T CHASE THE DEAD: Nothing.

[Title Pending] Era:

As Sick As The Secrets Within: Nothing.

Raise The Red Flag: Nothing.

[sunsetshifting]

How I Format My Scripts (With Pictures!)

Scripts are, for all intents and purposes, the roadmap for your desired/intended reality!

Before I get into the nitty-gritty of things, I have a few things I want you to remember:

You are not CREATING the reality, you’re LOCATING it, so don’t feel bad about scripting things that seem a little overdramatic or ‘wattpad-y’. YOU are going to be the only person who knows that it was anything less than sheer coincidence, so don’t worry about it.

You are able and allowed to change your height, weight, build, gender, whatever. You are NOT obligated to look like your OR self.

You can be as specific or as vague as you want!

As a note, my scripts are modeled after shifting youtuber Cass Relf’s scripts, so for more details and ideas, I recommend watching this video! Things to include in your shifting script! - YouTube) Like her, this scripting explanation is made with Notion (a free software) in mind, but you can use any software you please!

Now that that’s out of the way, we’ll cover the categories of what one might include in their script, as well as display my own ‘Obey Me!’ script as an example!

.

Menu

I enjoy having an overarching page that display all the subpages related to my script, hence, the dedicated ‘Menu’. This is not necessary, I just find it helpful. (Additionally, I find it helps to ‘set the mood’ for the rest of the scripting.) (The icons you choose don’t matter)

.

Script

This is where you put your main affirmations, as well as instructions that are immediately relevant to when you arrive in your DR. You do NOT have to lay out the rules or lore of your DR here, as there will be a section for that later. This section can be as long or short as you want! Typically, I use this section to dictate where, when, and how I awaken in the DR.

.

Character Details

This section is self-explanatory in some ways, but deceptively complicated in others! The ‘character details’ section is where one should lay out descriptions of the ‘important’ figures in their DR (including yourself!) These descriptions typically include name, nicknames, age, height, a physical description, a personality description, and a misc. ‘notes’ section (Seen below)

Depending on the content of your DR, you may need to add or remove certain sections for these character pages! For example, in a MHA DR, you might want to include what class (or agency/organization) someone is involved with, or describe their quirk on its own! Don’t be afraid to experiment!

If something is important to include, but doesn’t fit into any of the aforementioned categories, a ‘Notes’ section at the end will be useful for you!

(Special note! If you’re making your own page, I suggest replacing your ‘personality’ section with a ‘backstory’ section, just so you can elaborate on your DR self’s background. As well, I personally put the vast majority of my abilities/interesting notes in the ‘notes’ section. Due to the sheer volume of DRs I have, I’ve found it helpful to create a ‘basics’ page that I can reference across Notion teamspaces/pages. This is not necessary, however, if you’re fine copy/pasting or simply don’t have much overlap between DR selves!)

My ‘Basics’ tab is also split into sections, though all within the same document! The categories are: Appearance/Body, Abilities, Social, Tech-Related, Safety, and Misc.. These are all fairly self-explanatory.

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Character Styles

This section isn’t necessary, but it helps to flesh out your DR in your mind. It also adds a good spot to specify the sorts of clothes you want in your closet, or another person’s clothing habits.

Typically, I go on Pinterest to find cute outfits and simply paste photos of them into the page, though there are sometimes canonical sources you can go to for finding photos for people’s outfits!

(Careful on this front for Notion, as you can only paste in so many images before hitting a limit! Same for pages.)

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Diary

This section can be used for a variety of things, but I personally use it to catalogue shifting attempts for this specific DR. It is helpful to record what does and does not work for you. Additionally, you can use it to write down what you’re most excited to do in your DR, things you’re scared of in your DR, and so on and so forth.

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Visual Inspiration

Arguably one of the most fun sections, ‘visual inspiration’ is where you can put photos or reference images for some of the places you’re planning on visiting! Videos and drawings are also applicable~!

Personally, I split it into a menu page of all the locations and then subpages of each location, but you don’t have to!

(Different angles help to visualize things, but aren’t strictly necessary!)

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About My Desired Reality

This is the portion wherein you describe certain aspects of your Desired Reality! You don’t have to explain the entire plot, or even the broad strokes of it, as the multiverse (as well as your subconscious) already know where you want to go. Still, this is a good spot to specify the date once again, specify the specific iteration if you’re shifting to someplace with variations (such as specifying if you’re shifting to the movie or book version of someplace), and other important notes that pertain to the world at large rather than a single character (but don’t count as ‘rules’.)

Additionally, if you want to specify a specific plot you want the DR to follow, you can write that here (I, of course, put it in another sub menu at the bottom.) You can be as vague as ‘it follows the plot of the show’ to explicitly plotting out each ‘episode’ of events.

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DR Rules

This is where the basic ‘rules’ of your DR go. This is where most people put their safety precautions, such as stating that they cannot die, that you can shift effortlessly in and out of the DR, and so on and so forth.

You can also put slightly more specific rules surrounding certain characters here (or on their character detail page, it does not matter.)

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Scenarios

The final and most fun part of scripting! ‘Scenarios’ are events that you plan to happen in your DR. Unless you remove them, they will eventually occur, so be certain that you truly want whatever you’re scripting. As you could already guess by this point, they can be as vague or specific as you’d like!

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WHEW, okay, that was a lot. Thank you for reading till the end! Happy Shifting!

[little-robin-h00d]

Hey the anti-vegan post u rbed really sucks. It puts all vegans (95% of whom just think factory farming is horrible and don’t want to hurt animals in their diet) in a box that is labeled “anti-indigenous, stupid, radical, and crazy”.

Most vegans don’t even try to convince people because they know how their seen. Advocacy against factory farming is not the same as demeaning native practices.

There’s a person replying on the side of vegans in the comments and I think you should read some of what they’re saying because they explain why the post is wrong and harmful. I’m not coming at you with anger btw I like you and your account. But that post is just super harmful and I’m hoping that you would be interested in reading thoughts from the other side and maybe changing your opinion.

Hey there! I appreciate you coming here with a non-aggressive stance, but I think there's been a bit of a miscommunication. Similar to how when people talk about White People(TM), or Christians(TM), they are not saying every single person in the group is bad- they are talking about a specific subsect of the group that uses the ideology and privilege to harm. There are white people who do their best to dismantle the white supremacy they've been taught and advocate for POC, and there are Christians who do follow the teachings of loving thy neighbor and don't use their religion as a kudgel to beat others with- same with veganism.

Someone choosing to be vegan or vegetarian is completely fine- and I will gladly do my best to accommodate all diets, allergies, and food sensitivities when eating with other people. My best friend is vegetarian, and I always have stuff they can eat stocked away in the fridge for whenever they visit.

However, when it's portrayed as the "only ethical way", and that all humans should consume zero animal products- and then these people saying that get POWER, and spread misinformation- is where the issue lies. It's the PETA bitches we're talking about, not some random person who may have a million reasons for personally going vegan. It's their life, it's not harming anyone, cool beans.

Unfortunately, we have yet to come up with the proper language in English to effectively reference these dangerous subgroups, and it would take a while to spread and become common knowledge even if we do find a proper term for it- but having to explain that in every single post we make about oppressive or dangerous groups like that is a waste of time and effort that could be put to better use, and essentially arguing about semantics.

Also, these are personal Tumblr blogs, the vast majority of the time only having one person running them- you cannot expect the same vetting of language and such things in a post on someone's blog as would be on a scientific or news article.

As someone who loves meat and cheese and other animal products: I hate factory farms too! But we aren't gonna solve the massive problems with animal abuse by stopping eating any animal-related products. We cannot personal choice our way out of systemic issues- that's an astroturf campaign so many people have fallen for in so many different areas. From climate change and voting rights, to animal welfare and plastic use. These things are simply out of the hands of ordinary people like you and me, and it's why collective action is so important.

I also believe it's a bit of a waste of time to get upset at people who are rightfully critiquing these groups, rather than get upset at the groups themselves for tarnishing the names of innocent people like you.

TL;DR: If the post doesn't describe you, it's not about you.

I do hope you have a good day, and I apologize if this post is a bit of a mess. I've been severely sick for over a month now and am only just starting to recover, I only got 5 hours of sleep, and haven't even taken my meds today because I've been too nauseous.

[thebadtimewolf]

jfc why are your takes on docrose so negative all the time???? stop pretending you like rose and/or docrose when your takes on them are so similar to anti takes. esp with this “tenrose bland” “romantic ten/donna” “hahaha ten became the tlv for donna and not for rose” “why do you guys ship rose with the doctor when she was so young” typa bs that i have seen you occasionally coming up with under ten/docrose content for quite sometime now. and stop pretending you love nine/rose as well cos’ no one is having it. just keep your stupid, brain-dead takes the fuck away from rose / docrose content. keep them to yourself. you’re not fooling anyone with your billie pfp. istg you’re so annoying

hey i thought you blocked me so why are you complaining? anyway.

brain dead ahaha! because what how many dw stories involving near death experiences or full death of one or someone else's brain. i know you may unintentionally stumble into that. But. Like. I find that story theme neat.

hey why is the one time rose got to kiss the alien dr as herself with full autonomy of her mind and body was CUT FROM THE AUDIOBOOK BUT WE GOT

SEVERAL SEVERAL STORIES WHERE A WHOLE ASS ENTITY GOT TO SMOOCH HIM WHILE USING HER BODY LIKE A HUMAN MEAT SUIT. WHY. WHY IS THAT.

like i dunno about you but i would like rose marion tyler the vampire-human to actually be the monsterfucker we were promised twice (NINE AND TEN) and we only got with river. who is doing all the heavy lifting by herself.

antis just dont like rose tyler. even when she breathes. even when she don't.

i want MONSTERFUCKER ROSE TYLER. FUCKER OF FATHER TIME HERSELF ROSE MARION TYLER. THE ONE THAT PEGS TIME'S CHAMPION (the alien, the titular question of the show) ROSE TYLER THAT WE WERE PROMISED. AND ROBBED.

i dont want him fucking a memory of a shop girl. i dont want fucking the tardis possessing said shop girl or lady cassandra possessing the shop girl or THE LITERAL BOMB THAT SLAUGHTERED HIS OWN KIND. i dont want fanfic. i dont want tentoo (i love you but no. um most of his screentime was in torchwood and with jack and martha. as a hand. no. congrats on the kid tho).

you settled for crumbs. dust. and the rot that you had to portion out to your starved near-carcass form as if it were just as a warm, filling feast fit for the cold like the ones in the paper images you salivate over. like river. like weirdly the tenth doctor adventures with donna (big finish seriously this anon has a good point why are you shipping donna and ten. i mean manifesting clearly works because ✨️60th✨️) forever out of reach. forever in the cycle of heteronormative monoamorous disappointment. lackluster strictly-audio sexual tension. yet that taunt of promise like ten dangling the key to martha, you too with eager hands of rotted crumb after 9 day-past-expiry-date crumb to the point where crumb has only become the delusion of a 8 course meal in your rose-colored eyes.

free yourself. break free. let dame rose marion tyler be the polyamorous monsterfucker she desired to be but moffat et al refused through mockery and misogyny and also abuse (? seriously why is every other ninerose comic is her killing nine and traumatizing jack like wtf bbc wtf im supposed to believe SHE loved HIM?? bbc u ok????)

just because you settled for dust happily so doesnt mean I HAVE TO.

tenrose audios are romantically bland tho. great story. I LOVE THE FRENCH ONE AND THE JUDOON ONE IM I LOVE WHEN THEY HAVE WITTY BANTER LIKE IN LOVE AND MONSTERS AND NEW EARTH AND SCHOOL REUNION. tho in the audios by big finish: they are romantically bland. i mean unless ur into emotionally deprived edging in such a severe degree that you too would nearly batman-jump jack harkness', adam mitchell's, and tentoo's bones or shoot the doctor on first sight with no heaitation until the next issue drops. then good for you! they are great platonically in the big finish audios but im waiting for a ninerose audio from big finish. im clinging.

but yeah, the other references you mentioned i've made - thats all big finish.

i stand by "why do you guys ship the doctor with someone so young" bit. because literally martha, donna, clara, river, amy, rory, jack, yaz (all the ones that are shipped with the dr that are written really scarily well) ARE ALL OLDER THAN ROSE WHEN SHE FIRST MET THE DOCTOR. SHES THE BABY AND THATS EVEN WORSE BECAUSE RIVER WAS SHOWN AS A LITERAL BABY ONSCREEN. YEARS AFTER THEM ALL AND SHES THE OLDER ONE?? BESIDES JACK???

HELL, MISSY; THE MASTER - PICK. A. FACE.

hell the entire whoniverse is canonically being told through the curator's recountence of the events WHICH MEANS THAT CHARACTER - THE DOCTOR CHARACTER FROM THE FAR FUTURE - SUMMED UP HIS RELATIONSHIP WITH ROSE TYLER LIKE WHAT WE AS THE AUDIENCE GET IN TERMS OF AUDIOS, BOOKS, AUDIOBOOKS, SHORT STORIES, LITTLE COMIC FUNNIES, LIL CHARACTER SUMMARY DESCRIPTIONS IN COMIC AND ON BACK OF MERCHANDISE LIKE THIS????

um. i dont know about you. but once you see it like that? in that grand scheme? yeah im going point it out. even the curator dont ship it. like do you not grasp that? i do! thats what devastated me! even the titular character dont ship it anymore because the alien moved on. the dr is known to us to break the 4th wall because "what would they be without their audience" - give us a little rose memory bit by bit. crumb by crumb. dust by dust.

but see im in too deep, im melting into the walls. just like docrose is but another indistinguishable pore along their skin, so is every take. or theory. i may have. And the dr's black now. So like every dr x poc companion ship, theyll be ignored or villified.

and you seem like the person that would ignore or villify 15 (or really any of them, anonymous that sounds like 2013ish era tumblr - remember when we didnt have ads here?)

but yeah. yall settled for dust, ya get dust. sorry ur still bitter on the doctorrose truth pill but yeah. she left a human to settle for a human even though being heavily promoted to romance essentially an eldritch bring that has snapped people's necks before the war just for fun or in spontaneous burst of emotion. again for fun.

sorry that im the only one complaining about a writing issue of a tv character.

ON MY ROLEPLAY BLOG OF MY ORIGINAL TIME LORD CHARACTER WITH A BILLIE PIPER FACECLAIM.

my takes will stop being negative when billie piper comes back as a doctor who villain (i want her as the new master. thats the exact villain i am referring to. dig that knife in. we all seen collateral and penny dreadful and her clown self in i hate suzie SHES GOT THE RANGE. LET HER BE THE MASTER PLEASE. THE CLOSEST WE GOT WAS THE MOMENT. AND SHE WAS JUST SHALKA!MASTER REDUX)

[guardian-of-da-gay]

the relationship between paleontology and animation? would u care to elaborate, im highly interested 👀

Not only could I spend 30 minutes talking about this but I DID for my History of Animation class. Unfortunately I don't have the files so ur just gettin a couple paragraphs (I also lost my big beautiful reference list so... feel free to fact check but this should all be accurate).

BASICALLY animation and paleontology got their start around the same time (late 1800s-early 1900s) and the two fields have been inspiring each other ever since.

Paleontology inspires animation because dinosaurs are cool but also because they're something that can only come to life with animation. One of the earliest animators, Winsor McCay was accused of tracing photographs so he decided to make a film about something that had never been photographed. Thus 'Gertie the Dinosaur' was born! By today's standards the silent film isn't great, but for the time it was groundbreaking! One of the ways it was so special was that it helped introduce dinosaurs to the public. At the time, dinosaurs were so unknown, a lot of the promotional materials for Gertie had to explain what dinosaurs were.

Later McCay would make an animated short called 'The Pet'... which did NOT have dinosaurs but inspired King Kong which DID have dinosaurs (animated with stop-motion)! King Kong would go on to be a source of inspiration for Godzilla, which would go on to be a source of inspiration for Jurassic Park. (Which may or may not be relevant but is cool trivia if ur a dinosaur/animation nerd!)

Jurassic Park gets its own paragraph cuz it had a massive impact on both animation and paleontology. It was one of the earliest uses of CG in a big, blockbuster film, it proved that CG was capable of creating something extremely lifelike, and it kickstarted the use of CG FX in the film industry (which has now gotten kinda crazy (CG-ing a gun into Nick Fury's hand?!) but capitalist greed leading to an out of control monster is very Jurassic Park). On a more positive note: Jurassic Park started a 'Golden Age' in paleontology. It was such a massively popular film with the most visually realistic (if inaccurate) dinosaurs ever animated that a lot of paleontologists today say Jurassic Park was the thing that got them interested in studying dinosaurs. (There's also been an increase in women paleontologists with some saying they were inspired by Dr Sattler!)

Jurassic Park had another positive effect for paleontology: the CG boom meant technology advanced and became more accessible (ie better and cheaper). Dinosaurs are being brought to life with more accuracy than ever in hyper-realistic CG documentaries (I'm not gonna get appleTV but boy did Prehistoric Planet tempt me).

Some paleontologists use animation tools for academics as well. I don't have my sources anymore but I specifically found a (very dry) paleontological article in which they examined the potential mobility range of a carnivorous dinosaur's jaw using Blender--a free 3D animation program!

All we have left of dinosaurs are bones and fossils, so paleontology is always gonna be linked with art and animation; it's the only way to see what dinosaurs looked like and how they moved. Which is depressing, but kind of cool cuz it means as long as we love and study dinosaurs we'll keep getting animated dinosaurs.

tldr; God creates dinosaurs. God kills dinosaurs. God creates man. Man creates animated dinosaurs. Man (and woman) think that's cool af and become paleontologists.

[idolicons]

hi! im a new icon blog and i love ur blog, i wanted to know if you have any tips on how to use tumblr and such?

ahh i'm so flattered by this i literally teared up reading it,, thank you so much nonnie｡ﾟ･ (>﹏<) ･ﾟ｡

i'll post my response to your question under a read more since i get pretty rambley lol :) tl;dr though, i like to use the queue feature a lot so i'm only posting once or twice a day, and i think things like "promo posts" and introduction posts are really helpful!!

unfortunately i'm not very sure what about how i use tumblr is specific to me, i'm winging it too haha! for me personally, having the queue to schedule posts at a certain time instead of posting the second i make them helps me a lot with not getting burned out, and feeling like my blog has more structure!

i have made the mistake of posting 8-10 times a day on old blogs and it made it feel much more like a chore than something i enjoy doing, (´-ω-`) it's a personal preference, but i would recommend using the queue to post 1-2 times a day and taking it slow. especially since every fandom has a limited amount of media, there's only so many things you can make you know? although getting excited is still okay, my queue has over 100 posts in it right now www

something i see a lot of other people doing is having a pinned post as to general information about yourself, like how to refer to you, what sources you like to do, etc.! some people also like to tag and ask other "bigger" blogs to share that post and get the word out so you can start posting more, so it doubles as a promo post! i think that can be really helpful and i've done it myself in the past :)

if you're looking from some inspo as to what these posts look like i think @/sugarypalettes' is very appealing visually, as well as being effective and concise<3

overall though it's important to keep in mind that it is your blog at the end of the day. i've let bad looking posts loom over me, or i've felt bad when i don't get to requests on old blogs for personal reasons. prioritizing yourself and having fun with the blog is the very most important thing imo!! having a steady queue lined up for a rainy day also helps me not worry about that so much :)

i think it's important to remember that your blog is what you want it to be and you should work on it as much as you want to, not out of some obligation or feel like it's a chore.

also don't be afraid or ashamed to put a lot of tags on your stuff !!! it may be specific to me but i feel so silly putting a lot of tags sometimes, but don't be ashamed of it !! if you want people to see your post then put a bunch of tags on it!!! you are so valid!!

and personally, if you're on pc, i love looking through cute themes for my blog and playing around with them in the settings ♡(>ᴗ•) but again that's just if you want to, there's nothing wrong with having default! i think it's still really charming and a lot of people use it, and it's all mobile users will see regardless

i'm not sure i can think of much more advice to give haha. maybe you'll do something that's out there that i didn't even realize you could do. but if you do decide to make the promo post please tag me in it!!! i'd love to support you and see what u do with your blog!!! welcome to the community (´｡• ω •｡`) ♡ we're so happy to have you! thank you for sending in your ask nonnie i hope this was helpful!<3

[mint-moon25]

‘THE - LITTLE MERMAID’ - OFFICIAL - HALLE BAILEY

ATOM - FREE - APP - RESERVE - SEAT - REWARDS 2

NO LINES - MIAMI - FLORIDA - FL - CMX - THE - VIP

CINEMA - EXPERIENCE - BEGINS - THURS - 25 MAY

2023 - BRICKELL - CITY - CENTRE - EIGHT STREET

4TH - FLOOR - ESCALATORS - GET - ATOM - APP 4

RESERVED SEAT - ADULT - WITH - TAX - OVER $24

MY - APRIL - BIRTHDAY - REGISTERED - 05 APRIL

ARIES - AGE 58 - HGT - 5′5 FT - MARILYN MONROE

BONIVA - EVERY 15TH - 15 YEARS - EMPTY - YES

STOMACH - BREAKFAST - TAKE - JUST - ONE AND

WHY - MY - PRESENCE - IN - USA - MY - BONES -

DETERIORATING - NO - MEDICINE - USA - PHILS -

ONE - DAY - SALLY FIELD - ‘FLYING - NUN’ - THE -

‘LEGALLY - BLOND 2′ - REESE - ALL THESE MEDS -

DON’T - WORK - BUT - JUST - ONE - EACH MONTH -

DOES - ‘BONIVA’ - CALLED - WAS - GENERAL - YES -

SURGEON - NOW - RETIRED - AND - GAMBLING AT -

LAS VEGAS - NEVADA - FLED - NEVER - SAID - ANY -

WORD - WHY - I’M - HOMELESS - THEY’RE - NOT MY -

PARENTS - COMING - 2 - VEGAS - AS - TOPLESS YES -

COCKTAIL - WAITRESS - $1,000 - PER - 30 MIN - TAX -

PAID - $2,500 - PER - 30 MIN - VEILED - TOPLESS -

BELLYDANCING - GROUND - LEVEL - AND SINGS -

TOPLESS - SMALL - STAGE - LEGAL - PERMIT - 2 -

DO - NATALIE WOOD - ‘LET - ME - ENTERTAIN - U’ -

AS - MY - AUNTS - CYD CHARISSE - MGM - AND -

RITA HAYWORTH - AMERICAN - CLASSIC - FILMS -

AS - THEY’RE - RETIRED - AS - SHE - TOOK - YES -

PIANO - IN - UP - UNIVERSITY - OF - PHILIPPINES -

PROSTITUTION - THROUGH - MARRIAGE - VERY -

BAD - GAMBLER - HER - SO - AS - I - GO - THERE -

WORK - AS - MY - REFERENCE - NOT - A WHORE -

DR EPHRAIM GUTIERREZ AGUILAR - GENERAL -

SURGEON - FR - VOICEMAIL - GOT - ME - FREE -

BONIVA - 48 - OF - THEM - SET - ME - UP - YES I -

NEVER - PAID - 15 YEARS - BONIVA - LABS - AS I -

JUST - LOST -  2 1/2 INCHES - USED - 2 B - TRUE -

5′7 1/2 FT - AND - EVERYONE - SAID - ‘THAT’s YES -

NOT - TRUE’ - WHILE - FORMER - MISS TOURISM -

RIZZI - WAS - 5′9 FT - AND - WE - HAVE - 5′10 FT AS -

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OF - PHILIPPINES - MY - TOKYO - MOM - IU HGT -

5′4 FT - ME - MARILYN MONROE - 5′5 FT - NOW -

ACTUALLY IN - FORT MYERS - BECAME - 5′2 FT -

SHORTER - THAN - IU - BONIVA - EVERY - 15TH -

BOUNCED - ME - BACK - 2 - 5′5 FT - SO - I - WAS -

BAKER - ACTED - 2 - STOP - ME - FROM - USING -

BONIVA - BUT - SINCE - THEY - INTERRUPTED -

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AFTER - 15 YEARS - JUST - INDEED - LOST -

2 1/2 INCHES - AND - NEXT - THEY - ARE XO -

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THEY’RE - NOW - SAYING - I’VE - NEVER HAD -

BONE - DETERIORATION - AS - TOKYO - YES -

DOCTORS - HAVE - MY - ORIGINAL - HEIGHT -

5′7 1/2 FT - THANKS - 2 - BONIVA - I’M - NOW -

5′5 FT - HEIGHT - OF - MARILYN MONROE SO -

GOT - SSI - ON - THE - 27TH - HAPPY - HAPPY -

BIRTHDAY - 2 - ME - REALLY - AGE 59

APRIL - ARIES - SEHUN’s - BIRTHDAY

EXO - 12 APRIL 1964 - CHINESE YEAR

OF - WOOD - DRAGON - TOTALLY HOT

FIFTH - THIRD - BANK - MY - ADVANCE

USED - 2 B - $15 - FEE - 4 - $300 - ITS

NOW - $9 - ONLY - THUS - AUTO PAID

$309 - SO - TOMORROW - $300 MORE

THANK YOU - FIFTH - THIRD - BANK

SERVES - 11 STATES - FREE - APP &

THEY - ACCEPT - $5 MILLION - AND -

INACTIVE - AFTER - 1 YEAR - THEIR -

MEMBER - SHOT - 2 - DEATH - AT A -

7- ELEVEN - ITS - $5 - EACH MONTH -

UNTIL - ACCOUNT - IS - ZERO - ( 0 ) -

SO - ENDING - DISCREETLY - 53.com -

TRANSFERRING - 2 - BUSINESS BANK -

OF - AMERICA - UNLIMITED SPENDING -

FREE - OF - $16.95 - SPEND - $250 - EA -

MONTH - OVER - $5 MILLION - EA DAY -

MOST LIKELY - CITI BANK - BAYFRONT -

PARK - CRISP - $10 - $20 - COMES - FR -

CITI BANK - AT - CVS PHARMACY - 24/7 -

INC FILE.com - GOLD - PLAN - LLC - FL -

$139 - EVERY - 13 MAY - FLORIDA - NO -

STATE - TAX - CLAIM - FEDERAL - TAX -

OTHER - FORM - 4 - TAX - FREE WAGE -

SALARIES - TAX - FREE - EACH MONTH -

FORM 2323 - 1 EMPLOYEE - LLC - AND -

CHOOSE - SUBCHAPTER S - THAT’s FL -

60% - SALARY - 40% - STOCKS - AND IT -

IS - TAX - FREE - DEDUCTIONS - EA YES -

MONTH - FEES - SHOPIFY - ONLINE STORE -

DROPSHIP - AMAZON - ALL - LEFT AND DUE -

NON-PROFIT - ORGANIZATION - MINE - IS -

ST JUDE’s - CHILDREN - RESEARCH HOSP -

HOSPITAL - THEN - QUARTERLY - TAXES FL -

$0 - $0 - $0 - $0

JESUS - IS - LORD - UNITED - STATES - FOR -

TAXATION - WITH - A - CAUSE - BETTER USA

[keratoconusgroup]

Successful CXL+TPRK , but some questions are still unanswered !

So some of you may know that I recently got CXL+ TRPK done. But something that surprised me during my surgery was that dr decided against going for CXL in my left and just did PRK. He said I don't have Keratoconus in left. I thought it already Bilteral? When I first got diagnosed in 2019 my first dr said I had Keratoconus so no Lasik cannot be performed which assumed because it's always Bilteral, he never actually said it's only in one eye. Before the surgery during the consultation Dr has said that he doesn't see keratoconus in the left eye but he would do a "milder" version of CXL on it (not sure what we he meant by that )but on the D day he decided against it during the actual surgery saying its not required and since CXL is invasive it can actually make it worse, so he just decided to just do TPRK on that eye which turned out to be fine as now I have 20/20 in left eye but I am concerned that vision may actually degrade in future as laser surgeries usually can cause ectasia on thin corneas? My other concern is double vision. I had double vision from few years which got seemingly worse in the last 2 years I think. I assumed it's because of Keratoconus but it has not gone away after my surgery. It has improved very slightly mainly because my vision is now clearer but this has left me with more questions than answers. This is not a laser surgery caused double vision which usually goes away, but rather the one which shows up in certain angles. If I close any of of my eyes it goes away but mostly present when keep my both eyes open. I read about Binocular Diplopia and not sure if any of the symptoms related to it is the root cause. My vision info: Uncorrected Right eye vision before surgery 20/400 Uncorrected left eye vision before surgery 20/50 First day after surgery Right eye vision 20/30 Left eye vision 20/30 Next day follow up Right eye vision 20/40 Left eye vision 20/40 After Bandage lens removal (7th day post surgery) Right vision 20/30 Left vision 20/20 I have also attached the link of my Pentacam scan of my first diagnosis in 2019 for reference (I don't have the recent ones or ones post surgery but will try to get them released from my dr) https://drive.google.com/drive/folders/1gNoPvy-vcN7c6Yp6JMtolh_Hzo-P6r4Q submitted by /u/Former-Amphibian-875 [link] [comments] https://www.reddit.com/r/Keratoconus/comments/10ncmyv/successful_cxltprk_but_some_questions_are_still/?utm_source=dlvr.it&utm_medium=tumblr

[jeongvision]

nct’s jaehyun’s perfume collection review!! (pt.2)

**for part one, please refer to here!

hello and welcome back, everyone! i’m back with another perfume review of nct’s jeong jaehyun’s perfume collection! i love smelling and collecting perfumes so this was a perfect excuse to know how he ‘smells’ like!

in this post, i will be reviewing:

tom ford fucking fabulous

byredo bal d’afrique

again, for each of the scents, i will be adding photos associated with each perfume along with my reviews/reactions and listing if it’s masculine/feminine, my recommendation, and rating!

disclaimer: again, this is NOT an advertisement but simply a fun and personal review of his perfume collection! but seriously an endorsement deal would be nice like i’ve seen so many people buying his scents after publishing my first post

before you buy!! some of the fragrances will react differently on your skin as the scents are based on your body chemistry with certain chemicals listed on their ingredients. thus, you may smell a different scent when sprayed on your body than on mine. not only that, some of the perfumes utilizes synthetic ingredients, which can be a deterrent for those with a sensitive nose. i strongly recommend sampling them out at local stores before purchasing as these brands are expensive.

warnings: heavy cursing, some vulgar language lmao (they will be listed as [**] if you would like to skip those parts, especially for minors)

TOM FORD FUCKING FABULOUS

“Tom Ford’s iconoclastic leather scent is spicy, warm and decadent. A gourmand almond and iris heart imbue textural richness to the luscious leather, intensified by floral orris accord. The effect is so exquisitely beautiful, no other name would do.” —Tom Ford

oh my god

oh my fucking gOD

WHAT THE FUCK

OH MY FUCKING GOD HE SMELLS SO FUCKING SEXY WHAT RHEBFUCUU

[**] HE LITERALLY SMELLS LIKE OFFICE SEX

[**] LIKE CEO! JAEHYUN CALLING YOU INTO HIS OFFICE AND HIM BENDING YOU OVER HIS THOUSAND DOLLAR DESK AND RAILING YOU LIKE A GOOD WHORE YOU ARE

[**] HE SMELLS LIKE A FUCKING DILF I FUCKING CAN’T DO THIS ANYMORE

WHAT THE FUCK AM I SUPPOSED TO DO WITH THIS INFORMATION NOW??!!?!

OH MY GODDDDDDDDD

so anyways

back to the program

it smells like spicy vanilla

but make it sexy LMFAO

like i said in my previous post, i’m not a big fan of vanilla scents

and i would like to add that i’m also not a big fan of spicy scents

initially, i wasn’t too hyped of the scent after spraying it on my forearm bc the spice overpowered the vanilla a little

but after it settled and the intensity of the spice faded a little

it smelled so sEXY OH MY GOD

like i’m just imagining him using it??

and i just—

i literally combust

externally and internally HAHAHA

i was having thoughts the whole time and i still can’t stop thinking about it

but yeah i’ve noticed that with the tom ford scents: it smells soooo much better once you let it settle on your skin for a bit

if you were to ask me to pick between this scent and white suede, i’d pick white suede by a close margin

they’re both very distinct but so charming in their own ways

[**] lmao i asked my friend who also smelled this if she agrees that it smells like office sex and she was like

[**] ‘i was thinking more like getting fucked by my hot professor in an empty classroom but office sex works too’

[**] so basically he smells like sex

i rest my case

[**] fuck me daddy

masculine or feminine? masculine!

recommend? only if you see yourself using this. i bought this as an atomizer (10 ml) so the only time i would be using this is when i spray it on my sweater and smell it while i type up a scenario thinking of him LMFAOO

rating: 9/10 (again, i’m not too big of a fan with vanilla and spicy scents!)

BYREDO BAL D’AFRIQUE

“With a focus on beauty and fantasy, Bal d’Afrique is Ben Gorham’s ‘love letter’ to Africa. Wanting to sum up and celebrate the reach and influence of Africa through time, particularly the way its myriad cultures have shaped dance, art and music, the idea of an imaginary event.” —Byredo

this was actually a surprise??

you would think that with all the scents i’ve reviewed so far, this one would be something leathery or musky

or at least powdery

but this one was actually sweet!

like a fruity type of sweet!

but adult version LOL

some people said it has a citrus touch to it and i kind of smell it??

i see it more fruity tbh

but like i said, different body chemistries and such

this is a scent that he said he’s been using lately during nct u’s make a wish promo era

and i believe he mentioned during an interview that he uses this perfume during the summer

with the tom ford fucking fabulous during the winter and said something like:

‘that should give you an idea of what kind of style/person i am.’

motherfucker has TASTES I CAN TELL YOU THAT

THE RANGE HE HAS???

how is he even real wtf

honestly i am so in love with this scent

i’ve been wearing it almost every time i’ve been going out omg it’s so nice

and one of my friends complimented it so you KNOW shit’s smell good

this might be my new favorite perfume it’S SO NICE WHAT THE HELL

HIS TASTES— HOW

do i want to buy the whole bottle

it’s tempting fUCK

rip my wallet :(

masculine or feminine? feminine!!

recommend? HELL FUCKING YEAH IT SMELLS SO NICE OMG I LOVE IT AND THE FACT I CAN WEAR IT TOO IS SO NICE

rating: the # of nct members now/10

tl;dr— he’s still smelling sexy as ever and i don’t think i’m okay

[becomewings]

The Most Beautiful Moment in Life <I’M FINE>

  BTS Universe Story Highlights, pt. 4 / 4

« pt. 3  |  start at the beginning

Introduction

The final sections for TaeHyung’s arc and the Epilogue are 4.3k and 4.4k, respectively. As with earlier parts of the series, I have included “tl;dr commentary” at the bottom of the post after a section of additional thoughts (specifically devoted to an interesting MV location parallel!). This commentary summarizes the parenthetical asides I made throughout the summaries and may be of interest as standalone reading to those who have already played the game yet would like to review its connections to the BU texts and MVs.

Content warning: contains references to death, suicide, suicidal ideation, child abuse, domestic violence, blood, homicide, depression, trauma, PTSD

This guide contains major spoilers and includes references to other BU media

Do not repost, copy, or quote without permission

Heart’s Distance

TaeHyung’s story opens with a short cutscene. In his apartment (with the calendar on the wall open to May), TaeHyung smiles at a photo of his father holding him as a baby. (The image looks similar to the photograph he holds at 1’48” in the HYYH On Stage: Prologue short film.) Remembering his father’s drinking and violence, he crumples the photo with a sigh. SeokJin then narrates over a series of shots explaining the latest developments in the loops. By this 15 May Year 22, he has saved NamJoon, ensured that JungKook and YoonGi saved each other, prevented HoSeok’s accident in the hospital, and borrowed everyone’s help to free JiMin. Everyone is gathered outside NamJoon’s container that night, smiling and giddy from saving JiMin. “How long has it been since we’ve all laughed together?” SeokJin asks. (This is a reference to the recurring phrase “we can laugh when we’re together” present throughout the Notes and occasionally this game.) He wants to relax and enjoy the moment too but knows this isn’t over yet. TaeHyung is laughing radiantly next to JiMin. “What drives this happy and innocent TaeHyung to commit such an unspeakable act?” he wonders.

SeokJin’s reflections on the coming days in previous loops present the crux of his challenge and this story: on 19 May, TaeHyung is arrested for vandalism while painting graffiti on the streets. (The bus stop depicted in the shot is the same as the one in Highlight Reel.) One thing SeokJin has learned through the loops is that TaeHyung and his sister live under the constant threat of domestic violence. On 20 May, TaeHyung goes home after spending the night at the police station. The situation gets especially bad for his older sister, and TaeHyung makes a choice that he can’t take back. (In the shot in the game, TaeHyung approaches his father from behind and the sound of glass occurs on a cut to black. We know from the I Need U MV and Save Me webtoon that he fatally stabs his father.) SeokJin’s inner thoughts relate that he has tried to stop this event by preventing TaeHyung from going home this day or even involving NamJoon—but all of his attempts have ended in failure.

While SeokJin is mulling over this challenge during their gathering on the night of 15 May, HoSeok approaches and asks what he’s thinking about by himself. “Oh, nothing much,” SeokJin dismisses. HoSeok remarks that it’s nice to be there with everyone. “It makes me think of the old days…” While HoSeok happily chats, SeokJin’s attention stays on TaeHyung as he approaches NamJoon. The player is given the choice to “get closer to eavesdrop” or “listen to what HoSeok has to say.” In the first path, SeokJin excuses himself to make a phone call and only pretends to pick up the phone as he nears TaeHyung and NamJoon. In the second path, HoSeok jokes about eating too many snacks in high school thanks to SeokJin. SeokJin is a little distracted, but HoSeok notices that TaeHyung has snacks. “Huh? What’s that? I want some too!” SeokJin uses this opportunity to follow HoSeok and join their two friends. The paths converge with SeokJin overhearing TaeHyung and NamJoon’s conversation. TaeHyung says he doesn’t want to go home and asks if he can spend the night at the container. SeokJin remembers that TaeHyung often mentioned not wanting to go home in high school. Back then, they thought it was because he enjoyed being with the group, but now SeokJin knows that he was probably avoiding his father. He wonders why TaeHyung insists on going home on the 20th since he hates it there so much. Maybe learning the reason will be the key to stopping—and saving—TaeHyung. “Do whatever you want. You can sleep over,” NamJoon replies. TaeHyung brightens visibly at this answer. “Do you want to stay up doing something? We can play a card game, or…” HoSeok chimes in too that it sounds like a fun idea, but NamJoon says he has work tomorrow and can’t stay up late. “Let’s play until I have to go to bed.” TaeHyung’s phone vibrates. His face is already grim when he peers at it. “Actually, I think I have to go home.” Surprised, NamJoon asks why, but TaeHyung leaves without answering.

SeokJin leaves the gathering and follows TaeHyung, shadowing him carefully to avoid detection. He wonders what was in the text that changed TaeHyung’s mind and notices that they’re heading in the opposite direction of his home. After purchasing snacks at a nearby store, TaeHyung stands at a bus stop. SeokJin wonders if he’s waiting for someone since he lets several buses pass by. Eventually, a disembarking figure approaches TaeHyung. SeokJin recognizes her as Kim Eunhye, TaeHyung’s older sister. She asks why he is waiting for her since he said he’d be home late. “I was about to head in, so I thought I’d wait for you,” TaeHyung replies. “You should’ve gone ahead. Dad probably hasn’t had dinner yet…” she trails off. TaeHyung says he ordered delivery to the house for their dad. “Did you eat yet? Here.” He hands her a hot dog. SeokJin follows at a distance when they begin walking home. “Do you think dad will be drinking?” Eunhye wonders. “Is that even a question?” TaeHyung returns. They go back and forth about how he has been drinking less these days, goes to work every day, and doesn’t get as angry. “I hope things stay like this,” Eunhye finishes. “...It won’t last,” says TaeHyung. From his sigh, SeokJin senses how little TaeHyung trusts his father. He is surprised to hear that his father goes to work every day. In previous loops, he wondered if the cause for TaeHyung’s accident was an external force and went to observe his father’s workplace, but the man was not at the construction site and apparently hadn’t shown up for several days.

“I better check it out,” SeokJin decides. He calls Uncle JunHo, his father’s assistant, to ask for a favor. The two meet later in SeokJin’s bedroom. “You wanted to go on-site for practical training, right? This is the form you need,” says JunHo. He dismisses SeokJin’s thanks. “The Assemblyman seemed to be interested, too. He said he’ll be keeping an eye on things.” “Father said that?” SeokJin checks. “Make sure to use this opportunity to take a thorough look around. It’ll all be helpful to you later,” JunHo advises. (It’s helpful to know that Kim ChangJun is involved in some shady business with a construction company—this is revealed in The Notes 2.)

On 17 May, SeokJin visits the construction site. The foreman tells him that they’re busy and won’t have time to pay any special attention to him. SeokJin is glad for the lack of watchful eyes because it gives him the opportunity to observe TaeHyung’s father, Kim SungHoon. He is working silently, and SeokJin can’t see anything wrong on the surface. “Why does he get so violent at home?” he wonders. The foreman has apparently been watching too and yells at him. “Oi, you! Why aren’t you working?” Kim SungHoon points out that there isn’t any scaffolding. The foreman orders him to use a ladder instead. “You can’t get any work done being all careful.” Kim SungHoon tries to protest, but the foreman won’t hear it. “Are you going to pay for it if the schedule gets delayed, Mr. Kim? Hurry it up!” A look appears on Kim SungHoon’s face as though he’s been wronged, but he uses the ladder to begin working. SeokJin’s concern must be visible, for the foreman makes conversation with him. “Ahem. Don’t get the wrong idea. You might not be well aware of it yet, but it’s hard to always follow the rules on site. We can’t stay on schedule if we’re not flexible.” “I see…” murmurs SeokJin.

Another laborer shouts, drawing their attention: Kim SungHoon has fallen from the ladder and lies groaning on the ground. The foreman curses and rushes over, demanding how he could be so careless and shifting the blame to him for not paying attention. With a hurt back, Kim SungHoon cannot continue working. Trying to downplay the accident, the foreman gives him a few bills and advises him to stop by the hospital. TaeHyung’s father seems to have something to say, but he withers under the foreman’s stare and accepts the money in resignation. The foreman then assures SeokJin that this happens occasionally on a rough worksite and hands him money too. “You’ve worked hard, so here’s a little something for you to get a nice snack. Forget about everything that happened today. You know what I mean, right?” His brazen, selfish attitude angers SeokJin, but he smiles and leaves to follow Kim SungHoon. He is shocked to witness TaeHyung’s father purchase alcohol at a convenience store rather than go to a hospital. Worried about what will happen if he drinks while injured, SeokJin tries to call TaeHyung, but he doesn’t pick up. The episode ends with a small scene of TaeHyung finishing graffiti on a wall. He doesn’t know why he painted what he did, but the “dumb, ugly-looking graffiti” represents how he feels. He rubs the still-wet paint, yet it doesn’t go away. Picking a new color, TaeHyung sprays over the existing layers like he’s pouring and emptying out all of himself.

On 18 May, TaeHyung deals with his third rude customer of the day at the convenience store. The man demands why he must pay for a bag, even though the law has changed so they can no longer be given freely. TaeHyung either relents and gives him the bag without charge or stands firm. In the first path, he gives in, knowing that he probably won’t restrain his anger if they argue further and that he’ll have to cover the cost with his own paycheck. In the second path, the customer flings the money at him before leaving. TaeHyung clenches his fists and holds in his anger. The paths rejoin with him reflecting that this isn’t a good day. He greets the next customer and realizes that it’s SeokJin. “How come you’ve been stopping by so often these days?” TaeHyung asks while ringing up his bottled coffee. “Huh? Just. I have some things to take care of around here,” SeokJin answers. TaeHyung doesn’t know whether or not to believe him. SeokJin keeps asking how he’s doing, and it makes him a little uncomfortable. Today, SeokJin asks more meaningless questions as always, until: “How’s your father?” TaeHyung can’t stop himself from responding sharply. “Why do you ask about him?” Taken aback, SeokJin stammers, “N-No reason, really. I was just wondering if he was well… Uh… Never mind.”

A rich-looking father and son enter the store, interrupting the awkward silence. The way the father looks after his son and buys him what he wants to eat plunges TaeHyung into memories—he once felt the same as the boy about his own father. He remembers asking his dad who the baby is in the photograph we see at the beginning of the story. Kim SungHoon said it was him. “Don’t you think you look just like dad, TaeHyung?” An incoming phone call shakes TaeHyung out of his memories. The food deliverer informs him that no one is home to accept the order of hangover soup. “Huh? My father should be there…” TaeHyung confirms that the deliverer can leave the food outside the door, but he worries about his dad, who was passed out drunk and groaning in his sleep when he left for work. “SeokJin. I need to run home really quickly. Do you think you can watch the store for me?” TaeHyung leaves as soon as SeokJin gives a startled affirmative. The episode ends in SeokJin’s perspective. He’s curious and concerned about what is going on with TaeHyung, as he couldn’t overhear the phone call. Since leaving the store alone to follow TaeHyung may just create more trouble for him, SeokJin decides to stay put and look for clues.

Arriving home, TaeHyung brings the hangover soup inside and finds his father slouched in the corner. More soju bottles are lying out than when he left this morning. “Your lunch is here.” TaeHyung shakes him when there’s no response. “Wake up and eat.” Kim SungHoon mumbles something unintelligible, so TaeHyung nudges him again. His father shudders and cries out. “You bastard! I’d just gotten comfortable!” “Oh… I just wanted you to eat before the soup gets cold…” says TaeHyung. Kim SungHoon calls him a bastard for not listening. “I just told you to leave that damn thing here!” “Hah… Anyway, eat your lunch.” TaeHyung touches his shoulder again, and his father shoves him away. “The pain is killing me. Get lost, bastard!” TaeHyung yelps. The back of his neck burns from something he hit, but he doesn’t feel the pain over the rage brewing inside him. He can’t stand to look at his father for another second and kicks the door open to rush outside. “But of course. Why did I run over here to make sure that miserable geezer ate something?” he thinks bitterly. TaeHyung’s temper cools as he walks back to the store, and he remembers the pain in his neck. His fingers come away with blood when he touches the spot. He trudges onward, planning to bandage it at work. The memory of the rich father-son duo comes to mind: the man holding his son’s hand so tenderly, and the kid smiling brightly up at him. It makes TaeHyung even more miserable, and he fights to suppress the feelings that threaten to overflow.

Alone in the convenience store, SeokJin feels anxious not knowing when TaeHyung will return but decides to poke around, hoping to learn something like he did when observing NamJoon’s room at the gas station. He either looks through TaeHyung’s backpack or a full box near the register. The box is only a makeshift lost-and-found with customers’ forgotten items. Despite his discomfort at rooting through someone’s belongings, SeokJin finds the crumpled photograph of TaeHyung as a baby with his father in the bag. “He wouldn’t be carrying it around if he truly hated his father. But it wouldn’t be crumpled if he liked him, either. Is it… love and hate?” SeokJin wonders. He also finds a post-it stuck on the counter with a note left by HoSeok: “I packed this for myself but Auntie invited me over for dinner. There are two patties inside. Make sure to enjoy it and write me a full review at least one page long!” SeokJin realizes they’ve spent all this time looking out for each other. He’s glad to see the signs of HoSeok taking care of TaeHyung and TaeHyung being grateful enough to keep the note.

When TaeHyung returns, SeokJin is concerned to see blood from a cut on his neck. “Are you okay, TaeHyung? What happened to your neck?” But TaeHyung avoids looking at him and doesn’t answer, instead putting on a bandage and continuing work. SeokJin ignores a call from Uncle JunHo, deciding it’s more important to look after TaeHyung. “Are you sure you can stay here all day like this, SeokJin? Aren’t there people at home wondering where you are?” TaeHyung speaks up at that moment. SeokJin smiles sheepishly. But with the incident looming ahead on the 20th and no solutions yet to avert it, he has no choice but to stick close to him. After TaeHyung’s shift ends, SeokJin asks what he’s doing now. The red seeping through the bandage worries him. “I’m just… gonna go paint some graffiti,” says TaeHyung. He reluctantly agrees to allow SeokJin to tag along. His phone vibrates before they leave. “Sis? What’s going on? What? The emergency room? Why is Dad there? Hold on. I’ll be right there!” TaeHyung runs out. SeokJin catches up to offer him a ride, which he accepts after a moment’s hesitation.

The perspective switches to TaeHyung when they arrive at the hospital and find his sister waiting with an uneasy expression. She thinks that their father was injured at work. When she tapped him lightly to wake him up for dinner, it caused him a lot of pain. TaeHyung remembers the incident at lunchtime and wonders if he felt like that earlier, too. Eunhye notices SeokJin, and TaeHyung introduces them, noticing that her hand seems to make her uncomfortable. “Did you hurt yourself, sis? What happened to your hand?” “Oh, it’s nothing. I… tripped before we came to the hospital.” TaeHyung knows she’s lying but doesn’t argue. He pretends not to see her injuries, and she pretends not to see the one on his neck—like they always do. Eunhye voices concern about the high bill, which the hospital wants them to pay before discharging their father tomorrow. “The company will take care of it if he was injured at work,” SeokJin assures. TaeHyung finds the construction foreman’s number in his dad’s cell phone and calls him. Reporting the situation, he asks if his father’s injured back can be processed as an industrial accident. The foreman denies that they can help. “How can we cover an accident where Kim SungHoon was drunk on the job and failed to follow safety protocol?” The foreman informs him that he already gave Kim SungHoon money to see a doctor. “There’s nothing else to say, so I’m going to go. And I’m telling you—don’t try to pull anything.” TaeHyung swears when the call ends. Eunhye wonders if the foreman is mistaken because she doesn’t think their father drank that day. TaeHyung purses his lips shut instead of replying, filled with rage at the patronizing foreman and their incompetent father. He hates that he can’t say his dad isn’t the kind of person to drink on the job, and his body shakes with indescribable emotion.

“They won’t cover it as a workplace accident?” SeokJin asks, the perspective shifting to him. He knows the foreman is lying but is unsure how to help TaeHyung and his despairing sister. He could pay the hospital fee himself, but that was counterproductive when he tried it for NamJoon in an earlier loop. Noticing a text from Uncle JunHo asking where he is, SeokJin postpones his decision for later and bids TaeHyung a quick farewell. “I’m sure there’s a way to take care of all of this. Don’t worry too much. Take care of your dad. I’ll be back tomorrow.”

On 19 May, TaeHyung and his sister exit the hospital room with twin sighs. Their father called the foreman back after hearing about the first conversation and let loose, only hanging up when his supervisor agreed to speak in person at the hospital. He also demanded alcohol all night and only recently fell asleep. TaeHyung notices that Eunhye looks exhausted and suggests that they take a nap before the foreman arrives that evening. Later, the foreman arrives with some workers and a box of drinks. TaeHyung stands in the corner, not wanting to butt in since this is his father’s business. The foreman asks how Kim SungHoon is doing, advises him to rest, and then adds, “We’re here to say that you shouldn’t bring up compensation since it’s your fault you were injured.” The foreman accuses him of drinking on the job, and the coworkers Kang and Seo nervously agree. Kim SungHoon argues back about being denied the scaffolding and drops the box of drinks, a “token of their sincerity,” on the floor. While the other works avert their gaze, the foreman looks down on him and clucks his tongue. “You bastard! You call yourself a man?!” Kim SungHoon roars. The foreman bristles. “What? Bastard? Watch your mouth punk!”

Eunhye tries to intervene, pleading for her father to calm down and apologizing on his behalf. The foreman accepts her actions like it’s the obvious thing for her to do. His arrogant attitude reminds TaeHyung of how he probably deals with his underlings. “Sir. My father wasn’t drunk,” he speaks up. The foreman’s arrogant air dissipates. “What are you saying? I have witnesses here.” TaeHyung explains that his dad did not drink that day or the previous one. The foreman scoffs. “Look at this kid. Where’d you learn your manners? He probably drank on the way to work even if he didn’t at home! Who do you think you are, raising your voice like that?” TaeHyung’s hands tremble with rage at the injustice, but he has nothing to retort. Suddenly, SeokJin appears. “I also saw everything. Remember me? I was there on site for practical training that day. I watched him work and he definitely wasn’t drunk.” The foreman grows flustered as SeokJin reveals the truth of the site’s dangerous work process and makes it clear that he coerced Kim SungHoon into not following the correct procedure. He glares between SeokJin and TaeHyung. “I don’t know how you both are putting up this united front… But you think it’s going to change things? We already paid him. It’s a done deal. Understood?” Fuming, the foreman leaves with the other workers in tow. “It’s alright now, TaeHyung.” SeokJin gently taps his shoulder. TaeHyung realizes how tense he has been when he loosens his grip and sees little crescents of his fingernails cut into his palms. (His wounded palms are a recurring motif.)

The perspective shifts to SeokJin while TaeHyung stares blankly at his hands. He decides to come clean about his payment of Kim SungHoon’s hospital bill, since the problem with NamJoon was that he paid it secretly. “You can think of it as borrowing—” “Thanks, SeokJin,” TaeHyung interrupts. “I’ll pay back all of it. Thank you.” SeokJin is a little shocked by his response—it is the first time he’s heard “thank you” from TaeHyung. He hopes that this is the beginning of solving TaeHyung’s problems and bids farewell for the day. Outside the hospital, SeokJin runs into HoSeok, who correctly guesses that he came to visit TaeHyung. “How’d you know?” “I stopped by TaeHyung’s work and didn’t see him, so I called him right away,” HoSeok explains. SeokJin expects him to ask about Kim SungHoon, but instead HoSeok worries about his friend first. “Is TaeHyung alright? He must’ve been so shocked. He cares a lot about his dad…” “TaeHyung does?” SeokJin checks. “Yeah. Even though he says that he doesn’t want to go home all the time, he always makes sure his dad gets a real meal every day. Even if he just eats convenience store snacks himself.” This is new information to SeokJin, who wonders if this is why TaeHyung is determined to go home on the 20th. HoSeok seems more familiar with TaeHyung’s sincerity than anyone else. SeokJin is still braced to explain how he knew about Kim SungHoon’s injury, but HoSeok is more focused on contacting TaeHyung and continues on towards the hospital. Overcome with exhaustion as his tension ebbs, SeokJin trudges home to plan his next move.

Later on 19 May, TaeHyung helps his father walk home after he is discharged from the hospital. He is grateful that SeokJin paid the bill but even more so that he intervened to verify Kim SungHoon’s unjust treatment. “SeokJin might be a better person than I thought.” No words are exchanged as TaeHyung supports his father. His arm is thin, but the weight that presses down on him is burdensome. “It’s the weight of the wheel that I can’t escape. The weight of reality—that I’m always going to be responsible for my father. A person that I wish I could let go, but can’t, and the contradictory feelings of hating my father but wanting to protect him.” In a perspective switch, SeokJin watches at a distance with bated breath. Even though TaeHyung seems accustomed to helping his father walk, Kim SungHoon raises his voice every time he almost falls. SeokJin guesses that TaeHyung is adamant about going home on the 20th because he is worried about his father, who is just out of the hospital, but all he sees is violence against his sister when he arrives. “I’m going to stop it this time, no matter what,” he vows.

On 20 May, SeokJin stands at the bus stop and touches the graffiti for which TaeHyung was arrested the previous night. (It’s the “I’m Fine” message depicted at the same location in the Highlight Reel.) He wonders what TaeHyung felt when he painted it and feels uneasy that he may not be handling this sequence correctly. SeokJin shakes away this premature doubt. There’s one thing that has changed from the previous loop: him. He has protected Kim SungHoon after his injury, paid the hospital bill, and built up enough credibility with TaeHyung to earn his thanks. This time, he reassures himself, his words will get through to his friend. Later, SeokJin follows TaeHyung when he leaves the police station. They walk in silence, but TaeHyung does not push him away or ask why he’s following. “Thanks for walking me here, SeokJin,” he speaks up when they arrive at his house. SeokJin waits a few moments before heading inside after him, entering a familiar situation he has seen far too many times: TaeHyung lunging toward his father, who looms near Eunhye. “TaeHyung! No!” SeokJin dashes to grab his arm. “Let go!” TaeHyung snarls and flails. SeokJin holds tighter, pleading for him to calm down. TaeHyung yells and shoves him away. SeokJin slams into something and falls, pain blooming in his skull. TaeHyung spins around with an expression of shock. The voices calling SeokJin grow fainter, and his vision blurs. “Tae… Hyung…” The glass shatters, marking another failed loop and concluding the story. (This is not the first time TaeHyung has caused SeokJin grave or mortal injury during his intervention: in the Save Me webtoon, he accidentally stabbed SeokJin with the broken bottle instead of his father.)

Nightmare: Epilogue

Throughout the <I’M FINE> series, we have witnessed SeokJin’s trials and failures in the earlier time loops. These experiences culminate in the Epilogue, titled “Nightmare,” as in The Notes 1. This arc spans his efforts to save each of his friends between 11 April and 22 May rather than focusing on one or two characters. SeokJin’s decisions and their consequences here closely follow The Notes 1, so now we have a more detailed picture of his journey between the Save Me webtoon and the first book. The Epilogue fills in some gaps and provides greater depth to these events. For the sake of clearer context, I have still summarized the moments that parallel The Notes 1.

On 11 April Year 22, SeokJin opens his eyes to the familiar bedroom ceiling, the events of the previous loop replaying in his mind. Will he be able to save his friends this time? Uncertainty, horror, and the fresh pain of failure plague him, but he looks at the photo of his friends by the sea. Once, he believed that saving them would be straightforward. But while obsessing over only the problems that he could see, SeokJin lost his way and had to learn from his mistakes. The “signal fires” that helped guide him back were the times spent with his friends, the moments they began to truly understand each other, and the memories he wants to treasure. As he leaves his room, he reflects: “We’re all connected together by a single string, and we’re fated to save one another. And the person to finally put an end to all of this… has to be me.”

In his car, SeokJin encounters a scene at the school crosswalk that he always runs into around this time. He sees a downcast-looking JungKook crossing the street among a group of students. The player is given an option to get out of the car to greet him or pass him by. Regardless of the decision, SeokJin knows that he can’t let his emotions steer his actions. In a previous loop (depicted in JungKook’s arc), he brought JungKook to see the cherry blossoms blooming on the university campus. SeokJin wonders if the JungKook from that loop enjoyed it at least a little. But ultimately, it was just a day and JungKook ended up alone with nothing changed. Not wanting to repeat his past mistakes, SeokJin drives by without stopping.

Later that night, SeokJin pulls into Naeri gas station. NamJoon greets him with a now-familiar look of surprise. “Oh. SeokJin?” “It’s been a while.” SeokJin is determined to make this the last time they repeat this conversation. (As mentioned in part 1, this sequence parallels their moment at the end of the Blood Sweat & Tears Japanese version MV.) As they move to a corner of the station to continue their conversation, the perspective shifts to NamJoon. Something seems a little weird to him, and SeokJin looks like he has a lot to say, but he manages to gloss over it. NamJoon is about to invite him to the meetup with the other guys after work, but his boss yells for him to do his job. An expensive foreign car pulls up to the gas pump, and the customer drops the money on the ground when NamJoon reaches for it. “Ah, butterfingers. What are you doing? Not gonna pick that up?” the man sneers. The player is presented the choice to pick up the money or not. In both paths, NamJoon unconsciously clenches his fists. “You don’t want it?” asks the customer. The paths converge with SeokJin easily picking up the bills and handing them back to the driver. “You dropped this.” Hands shaking, NamJoon is mortified by the situation that caused SeokJin to react, yet his friend continues to stand there between him and the customer. The man demands who he is, but SeokJin advises, “You must be busy… So you should leave.” Out of steam, the customer drives off. NamJoon thanks SeokJin. “It’s nothing. What were you going to tell me earlier?” NamJoon forces his mouth to move. “Ah. I’m meeting up with TaeHyung and HoSeok today after work. Do you want to come with me?”

Back in SeokJin’s perspective, these are the words he’s been waiting for. Nerves dry his mouth, but he tries to speak naturally and inquires about the others. NamJoon doesn’t really keep in touch with them, but offers to call HoSeok, who still talks to YoonGi. SeokJin knows that YoonGi will call JungKook after hearing from HoSeok—this is how he saves JungKook tonight. His phone buzzes with a call from his father. “Oh, I’m sorry… But I need to leave.” NamJoon’s expression reflects disappointment yet understanding. “That’s too bad. Let’s hang out another time.” “Yeah. Tell the guys hello for me.” SeokJin turns back as he arrives at his car. “NamJoon. If we can get everyone together… Let’s all go to the ocean.” NamJoon looks puzzled by the suggestion. “The ocean?” SeokJin smiles in lieu of an explanation.

The third episode begins with JungKook fighting a group of thugs in a covered alley. (The date is unspecified, but this is a continuation of the night of 11 April.) They kick his stomach and spit on the ground as they walk away, a sight that reinvigorates him even though he can barely sit up. He either says something to provoke them or hurls his bag at them. Riled up, they beat him again as he laughs, vision blurring. They’re gone by the time everything comes back into focus. JungKook got what he wanted: he deliberately provoked them, and when he laughed, they called him crazy and hit him harder. He watches a breeze flatten a tuft of grass in the pavement, just like him. JungKook forces himself to laugh again because he’s afraid he may cry. Where does he go now? He feels like a ghost at home: he’s never a priority for his mom, and dealing with his stepfather is a pain. JungKook closes his eyes, hoping that when he opens them, he won’t be here.

The scene that follows appears to be a memory of 7 April, although it is not specified as such and is written in present tense. (This encounter occurs in The Notes 1 as well as episode 4 of JungKook’s story.) While wandering the streets at night, JungKook is drawn by a familiar piano tune to a music shop with broken showroom windows. He sees YoonGi, for the first time in two years, playing within and looking like he will crumble at any moment. JungKook can’t muster up the courage to follow when he leaves and instead sits at the piano. The keys feel cold like no one has touched them. By memory, he stumbles through the song that YoonGi played this night and back in the classroom hideout. YoonGi appears beside him and corrects the notes like he did in their school days.

The story cuts to YoonGi in the present, possibly in the classroom. He ignores his ringing phone partly because of his drunken stupor and partly because he doesn’t want to talk, but he finally relents and answers. HoSeok offers that NamJoon wants to hang out later. “I’m not going,” YoonGi says immediately. “Hey, don’t be like that. SeokJin’s here, too. Do you want to talk to JungKook? I called him earlier, but he didn’t pick up.” HoSeok encourages YoonGi to call instead because JungKook may pick up for him. YoonGi hangs up, thoughts complicated as he remembers a time when he watched JungKook play piano. “Looking back, that kid was my shadow. I couldn’t ignore him, even if he wasn’t speaking to me. And I kept looking out for him… because it seemed like he’d fall apart if he was ignored.” He considers leaving it be, but his fingers are already dialing.

The perspective switches again: on a rooftop overlooking Songju, JungKook grows dizzy and stumbles. Darkness grasps his ankles, and his mind empties. “I don’t want to leave anything behind. This will just be the end.” At that moment, his phone rings. He sees YoonGi’s name, and everything sharpens, as though he’s awoken from a dream. “What took you so long to pick up?” asks YoonGi. When JungKook doesn’t answer, he continues, “Everyone’s meeting up later. Do you want to go?” After a pause, JungKook says, “YoonGi. Please come get me.” (From the thug beating to the rooftop, this is how his 11 April entry plays out in The Notes 1, but it ends before their phone conversation.) Waiting for YoonGi down on the street, JungKook recalls when they all used to hang out in the classroom. “I have a place to go. People to be with. Right now, that’s enough.”

On 2 May, SeokJin sneaks into YoonGi’s workroom, which is filled with oil-soaked papers as though he intended to set it on fire. (It’s dark, so as the later part of the episode occurs in the daytime, it must be past midnight or in the early morning.) There is no foolproof way to save YoonGi since he acts unpredictably between the loops, but SeokJin has determined that YoonGi needs someone who can tie him to the world—someone whom he won’t push away. Once, NamJoon told SeokJin that JungKook still carried the photo they took at the beach. (The photo depicted in the game is the one of the boys on the wall by the sea.) While NamJoon probably relayed this to show that JungKook hasn’t forgotten about SeokJin, it stirs a different memory for him. In high school when they ditched and went to the beach, hunting for a boulder that supposedly made dreams come true, SeokJin noticed JungKook ask YoonGi an important question while their voices were drowned out by construction noise. He has now realized that both JungKook and YoonGi have the same desperation in their eyes. JungKook knows that YoonGi is like him: a person who needs a string to hold him here. Therefore, JungKook is the key to saving YoonGi.

SeokJin places his copy of the photograph next to the mirror in the workroom, hoping it will lead to saving them both. Before he can leave, footsteps grow closer. Flustered, he chooses to either explain himself honestly or hide. In both paths, YoonGi stumbles inside and collapses on the sofa, too drunk to notice that someone else is in the room. In the second path, some extra information is presented when SeokJin notices a little water dish and paper cup with breadcrumbs as he hides beside the piano. “He must’ve looked after it again.” In another loop, SeokJin saw a small, weak bird that got mistakenly trapped in the workroom. YoonGi looked after it, most likely thinking of JungKook. (This particular episode is called Small Bird, so the title may only be meaningful to players who choose this path or are familiar with the bird from The Notes 1.)

SeokJin escapes undetected while YoonGi sleeps. Later in the day, he watches the workroom from his car. The most difficult part starts now: JungKook must follow the hints SeokJin has left to save YoonGi. After staring up at the second floor for a while with an unhappy expression, JungKook seems to make up his mind and enters the building. The story cuts briefly to YoonGi’s perspective. In the workroom, the mirror shatters. (The reason is unspecified, so we are left to wonder if a confrontation unfolded like the one depicted in the Run MV and implied in The Notes 1, or if something else occurred.) Dizzy, YoonGi falters but manages to stand up. (Again, standing up from what? Possibly because JungKook hit him.) “YoonGi…” JungKook is rooted to the spot in surprise. YoonGi runs, leaving him behind. Back in his perspective, SeokJin starts the car as soon as he sees JungKook dash out of the building. He hopes that leaving “a sign” will guide JungKook to the correct motel. (In The Notes 1, it is a bloody tissue that SeokJin drops by the entrance gate because YoonGi fled his workroom with busted lips. The game episode closely follows how this scenario proceeds in Notes 1, so I’m not sure why it is so cryptic around the details implying that a fight occurred between YoonGi and JungKook.) Inside the motel (once again matching the I Need U MV), YoonGi lights the bedsheets on fire. He regrets having JungKook by his side because the people close to him get hurt. The memories of his childhood burn along with the flames: fragments of the day he arrived home and found it collapsing in a fire. YoonGi hears JungKook shouting. “I’m sure… He’ll be sad because of me. But he won’t be unhappy anymore,” he thinks. JungKook shouts for him to get up, and YoonGi finally looks at him. His last view of the room encompasses the red flames, the air wavy with heat, and JungKook’s crumpled face. The episode ends with sirens playing over a black screen.

Episode 5, “Connecting Threads,” picks up on 12 May with SeokJin preparing to set events in motion for saving his next pair of friends. At the hospital, he waits for JiMin to show up and overhears a conversation between a nurse and doctor. If SeokJin stays where he is, they notice him and postpone their discussion, but if he steps out of sight, they continue. The nurse mentions “patient Park JiMin” who has “transferred down from the 9th floor.” She reports that he keeps roaming the hallways at night and wonders if they should stop him “just in case.” “He’ll be headed back up in about three days or so. Just leave him be. If it really bothers you, check with them,” advises the doctor. SeokJin moves to his precalculated spot when they leave, planning to lead JiMin to the stairs so that he’ll run into HoSeok on his way down. In his perspective, JiMin is troubled by his stiff wrist as he waits for the elevator. A familiar voice suddenly calling his name draws him to the stairwell, but the light makes it difficult to see its owner.

The story cuts to HoSeok wrapping up a consultation with the same doctor from earlier. The doctor states that they haven’t noticed any huge issues and that he’ll be discharged soon. “Do you have any discomfort still?” “Nope, I’m fine!” HoSeok answers energetically and even strikes an exaggerated pose, feeling that he needs to. “Please take care to avoid any future collapses,” the doctor adds. This comment makes HoSeok either recall the last time he collapses or the last moment he spent with his mom. In the first memory, he collapses on the bridge as he thinks about his sick Auntie leaving him alone after she has always been at his side. In the second, he stands at the merry-go-round and wonders if his mom will be standing there when he finishes counting. “Sir… Sir? Are you alright?” The doctor’s questioning shakes HoSeok out of the past. He wants to say hello to JiMin before he leaves the hospital, but JiMin’s bed has been empty for a while. Worried, HoSeok heads to the elevator to look for him. A woman dressed in a long skirt and hat passes by with her child. “Mom!” Convinced that she’s his mother, HoSeok chases after her. He shoves past people, breathing ragged and heart pounding. Afraid to lose her, he either yells out again or goes to the stairs. The results are ultimately the same because she doesn’t respond to his shouts and disappears into the stairwell. HoSeok skips steps down the stairs in his haste. “Mom!” His foot suddenly slips, throwing his weight forward. He flails, but there’s nothing to grab onto—and suddenly, his fall is arrested by someone grabbing his arm. “HoSeok?” “JiMin? How are you here…?” JiMin looks equally surprised. HoSeok realizes it’s obvious that the woman isn’t his mom. Though he can’t remember her face anymore, he still can’t let her go. “Are you alright, HoSeok?” JiMin asks. HoSeok figures that JiMin doesn’t inquire about what he was doing or why because he already knows. “I wonder if JiMin is like me… living trapped in the past. If he’s unable to get better and move on, stuck inside the memories that bind him…” “JiMin,” HoSeok says aloud. “Let’s get out of here.”

From JiMin’s perspective now, he notices that everything about HoSeok in this moment is different from normal. “Get out of here?” JiMin echoes. Outside is unfamiliar and scary, and he knows that even if he escapes the hospital, he will still have to return some day. “JiMin, I’ll come back for you.” HoSeok leaves without waiting for an answer. Not wanting to say goodbye, JiMin follows him secretly as he’s discharged from the hospital. He stops at the line where the hallway ends up on the ninth floor, watching the bright sunlight filter in through the open door. JiMin turns away, believing that the place to which he needs to return isn’t outside but the ninth floor. “Because… I’m a patient.” The rest of episode 6 follows the events in his 15 May Year 22 entry of The Notes 1, with only minor dialogue changes. HoSeok pulls JiMin out of his hospital bed the night before he is scheduled to return to the psychiatric ward. SeokJin and NamJoon meet them in the elevator, while JungKook, TaeHyung, and YoonGi are waiting for them in the first floor lobby. A nurse finds them and sees through YoonGi’s flimsy excuse that they’re having a birthday party. Throwing snack bags and plastic bottles, they all run toward the exit. (This sequence is likely the one depicted in the Euphoria MV, although in the video it’s staged during the daytime instead of at night.) JiMin unconsciously slows as he nears the invisible boundary in the hallway, but HoSeok’s urging grants him the courage to cross the line. Passing through the door, he draws in a breath of fresh air and feels on the verge of crying.

The beginning of episode 7 follows SeokJin’s preparations to prevent TaeHyung’s incident on 20 May in the same fashion as The Notes 1. He waits at the park on the hill behind TaeHyung’s apartment building until HoSeok escorts TaeHyung home from his night at the police station. With careful timing, SeokJin calls HoSeok after he sees the two part ways and asks him to invite TaeHyung to their beach trip in two days. HoSeok turns around toward TaeHyung’s apartment.

The next sequence provides more details of the confrontation (and notably unfolds a little differently than what is depicted in the I Need U MV). TaeHyung arrives home to a familiar stale odor of mold and stench of alcohol. “Where the hell have you been all night?!” TaeHyung turns to see his father’s bloodshot eyes and his sister standing behind him, face swollen. Defiance surges through him, but the desperation in Eunhye’s eyes roots him to the spot. “TaeHyung, tell Dad you’re sorry and go to your room.” TaeHyung either apologizes, holding his anger in, or tries to go straight to his room. In both paths, Kim SungHoon yells that a beating should set him straight. He seizes TaeHyung by the collar. Something bursts and rages inside him. “What have I done wrong?! You’re the one who needs to get things straight!” His father stammers in shock, “W-what did you say?!” while his sister calls his name in warning. TaeHyung chooses to shake him off or hold still. In the first path, he shoves his father to the floor. “Why are you doing this? How long? How long do we have to keep doing this?!” In the second path, Kim SungHoon snarls that he has a lot of nerve to look him in the eye and strikes his cheek. “Why do I need a beating?” TaeHyung thinks.

The paths converge with Eunhye begging their father to stop. The voice continues thundering in TaeHyung’s head: “Why does my sister need a beating? How long are you going to do this?” “You two are a double dose of pain in my ass today!” Kim SungHoon swings at Eunhye, who has thrown herself between them, and she sways at the rough blow. The injustice of it all stokes TaeHyung’s rage. “What have we done wrong? Why do we have to live in fear like this?” Heart pounding, he notices that the cold bottle he’s somehow picked up grows warmer from the heat of his hand. He roars and charges forward. A shattering sound plays over a black screen, and someone cries, “No—! TaeHyung, stop!” TaeHyung comes to his senses. HoSeok is hugging his midsection, his sister is crying, and his father is nowhere to be seen. He wonders whose blood is on his hand. HoSeok stands there silently, looking like he has a lot to say but holding back. “I’m sorry, HoSeok. I’m okay… So you can go now,” TaeHyung says, calm voice belying his inner turmoil. “I want to cry, to scream, to kick, break, shatter everything. I want to fall apart, but I can’t do any of the things I want.” The world spins as he closes his eyes. Mind blank, TaeHyung craves NamJoon’s presence and wants to talk to him—to tell him that he almost killed his father.

The eighth and final episode, “The Pier,” closely follows the version of 22 May in The Notes 1, with the addition of SeokJin’s perspective providing greater depth to the events. The boys make it to the same beach they visited in high school. The observation platform strikes TaeHyung as familiar. As the sun sets, he remembers this all occurring in a dream, except that SeokJin climbs the platform instead of him. Atop the platform, SeokJin is fearful and full of emotions. Memories flash by of their suffering and loneliness, his failures and desire to give up as the misfortunes repeated. He is relieved that TaeHyung does not follow him. At nightfall, they head to where they’re staying. (In The Notes 1, this location is simply called their lodging, and in The Notes 2 it is referred to as a lodge by the beach that SeokJin reserved under his name. In the game, the room appears like the one in the Run MV party scenes (0’57”, 3’00”, etc.), down to the same string lights and sconces—more on this in the Additional Commentary section below.) As the others dance and laugh, SeokJin realizes that this is the first time they’ve made it this far. “It’s something I hoped so desperately for… and a day I thought would never come. We were all lonely once. We hid our own scars and lived through it alone. But it’s different now. We’re all by each other’s sides. We’ll never be alone again.” Despite these thoughts, he has a nagging feeling because he hasn’t told them the truth. SeokJin is afraid of their reactions, but this will be the only way “to really see them properly.” He announces, “I have something to say.” Only TaeHyung turns to look at him through the chaos.

TaeHyung balls up his prickling hand, wondering if this is about the dream he asked SeokJin about several days earlier. (The location of this conversation is unspecified in The Notes 1, but the game provides a flashback shot of it at the bus stop.) His frustration grows when SeokJin begins to mention high school instead. TaeHyung interrupts sharply, believing that SeokJin is still cowardly avoiding the truth. “Are you talking about when you spied for the principal in high school and told him everything we were up to? Or were you going to mention how, because of that… YoonGi got expelled?!” The mood in the room chills. “I’m sorry.” SeokJin drops his head, while the others look away or stare in surprise. But TaeHyung doesn’t want to be unhappy without knowing why, even if the truth is worse than the nightmare. “Is that all? Or are you hiding more from us?”

The perspective switches back to SeokJin. He guesses that TaeHyung is asking about the dream but can’t reveal that the tragedies he experienced were real, believing that no one else should have to suffer with that knowledge. NamJoon approaches and tries to calm TaeHyung, but TaeHyung pushes him away. “Stay out of this, NamJoon. Why does it matter to you? You’re not my brother.” (In the album Note from Her and as a flashback in The Notes 1, TaeHyung overheard NamJoon talking on the phone while they walked to their lodging. NamJoon was speaking to his parents about his younger brother being old enough to take care of himself, but TaeHyung apparently took this to heart as something about himself. It hurt and angered him deeply.) “TaeHyung, I’m sorry,” SeokJin attempts to plead with him. “Stop it, Kim TaeHyung!” NamJoon warns. TaeHyung demands again that SeokJin explain everything. The interrogation unleashes all the memories of his friends’ tragedies that he has tried to forget. SeokJin feels like his nightmares are going to become reality, and his mind goes blank as TaeHyung and NamJoon continue to argue. “I repeated so many moments of suffering… for you… Why are you doing this to me?! I only wanted to be able to laugh together.” A little flame grows within SeokJin, an indescribable feeling cresting like a wave. This is what his countless attempts have led to? “What’s so great about being together?” Shaking off NamJoon’s arm, TaeHyung yells, “Who are we to one another? We’re all alone in the end!” “Alone…” The thing SeokJin has desperately been holding onto breaks away, and the shaking in his hands now consumes his entire body.

SeokJin hits TaeHyung. He remembers TaeHyung’s sudden jump off the seaside platform—a time he thought he saved them all. “I even kept that from happening—and he says we’re all alone in the end? The hopes I had for all of us to be happy, and for us to face coming days together… It all feels like it was for nothing. I thought I left my repeating misfortunes behind me, but I now see them again, taunting me from just ahead.” This concludes the Epilogue and the <I’M FINE> series. Notably, the glass does not break, suggesting that this loop continues from this event (as it does in The Notes 1) without yet resetting.

Additional Commentary

The only point I want to touch on here is the depiction of the boys’ lodging on 22 May after their beach trip and its potential implications. In The Notes 1, this location is simply called their lodging, and in The Notes 2 it is referred to as a lodge by the beach that SeokJin reserved under his name. In the game, the room appears like the one in the Run MV party scenes (0’57”, 3’00”, etc.), down to the same string lights and sconces.

As a standalone MV set, this location felt (to me) more metaphorical than concrete. It’s introduced after NamJoon opens the door of a train’s shipping container, a little film editing trick as though it’s a world inside—and it does feel like a space away from the real world where the boys are free to let loose, revel in their youth, and be themselves. While it seemed to serve as a more glamorous substitute for NamJoon’s shipping container where they often gathered, this location also appeared to stand in for the location of JungKook and YoonGi’s confrontation (2’24”-2’55”). An altercation between them is heavily implied in SeokJin’s 2 May entry from The Notes 1, but it occurs in YoonGi’s workroom. Since Run is an MV rather than one of the short films, which always present BU events and locations more literally than their song counterparts, it doesn’t seem too unusual that these sets are condensed to one in this video. YoonGi’s workroom isn’t portrayed until Highlight Reel, so we can kind of excuse one of the earliest MVs for artistic license.

However… the inclusion of this location in the game considerably changes the circumstances! Since it is both canon and animated, the creators had the ability to design the settings as they are truly intended to appear (within the general limitations of the game’s engine and visual style). It must have been a very deliberate choice that led to the reuse of the Run MV’s set for the 22 May beach lodging. (For what it’s worth, I have always interpreted SeokJin’s and TaeHyung’s fight in the Japanese MV for Blood Sweat & Tears to represent the fallout of that night, and that is staged in a different set.)

To further complicate matters, a date has been explicitly attached to one of the scenes in Run because it is matched shot-for-shot in the BU Story trailer Map of the Soul—and it is neither 2 or 22 May.

24 July Year 22 is not reached in <I’M FINE>, but in the Notes, this is the date the boys plan to gather at NamJoon’s container to celebrate JungKook’s discharge from the hospital. So far in The Notes 1 and 2 (and various album-accompanying Notes from MotS: Persona and 7), this event has hardly manifested as the celebration it is intended to be. This particular shot maps a little better to the circumstances in Notes 2, as not all of them even show up in Notes 1. But again, this gathering occurs at the container—so what, and where, is this shot really depicting? How is it linked to the beach lodging they visit in some loops on 22 May?

BU has been in development for years now, so I believe there is intentionality behind this location’s depiction in the game, even if it raises more questions than it answers. Perhaps it is foreshadowing a very different version of 24 July in which they return again to the beach lodging. This is my best guess for now, and it’s exciting to think that there are still hints embedded in the older MVs for aspects of the plot that have yet to be fully revealed in The Notes.

What do you think? Did you notice the location parallels if you played the game, and did they inspire any new theories for you?

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As mentioned above, the following “tl;dr” commentary summarizes the parenthetical notes I provided in the summaries in case you want to review them on their own.

Heart’s Distance — tl;dr commentary

In the opening cutscene, TaeHyung’s photograph of his father holding him as a baby looks similar to the one he holds at 1’48” in the HYYH On Stage: Prologue short film.

During the gathering at NamJoon’s container after everyone freed JiMin from the hospital, SeokJin asks, “How long has it been since we’ve all laughed together?” This is a reference to the recurring phrase “we can laugh when we’re together” present throughout the Notes and occasionally this game.

On 19 May, TaeHyung is arrested for vandalism while painting graffiti on the streets. The bus stop depicted in the shot is the same as the one in Highlight Reel.

In the shot in the game illustrating TaeHyung’s choice on 20 May that he “can’t take back,” he approaches his father from behind and the sound of glass occurs on a cut to black. We know from the I Need U MV and Save Me webtoon that he fatally stabs his father.

When SeokJin asks Uncle JunHo for a favor to visit a construction site for practical training, JunHo expresses that SeokJin’s father seems to be interested, too. “Make sure to use this opportunity to take a thorough look around. It’ll all be helpful to you later,” JunHo advises. It’s helpful to know that Assemblyman Kim ChangJun is involved in some shady business with a construction company—this is revealed in The Notes 2.

After the foreman leaves his father’s hospital room, TaeHyung realizes how tense he has been when he loosens his grip and sees little crescents of his fingernails cut into his palms. His wounded palms are a recurring motif.

On 20 May, SeokJin stands at the bus stop and touches the graffiti for which TaeHyung was arrested the previous night. It’s the “I’m Fine” message depicted at the same location in the Highlight Reel.

The story ends with SeokJin losing consciousness after TaeHyung shoved him away and he slammed into something, marking another failed attempt while preventing the homicide. This is not the first time TaeHyung has caused SeokJin grave or mortal injury during his intervention: in the Save Me webtoon, he accidentally stabbed SeokJin with the broken bottle instead of his father.

Nightmare: Epilogue — tl;dr commentary

SeokJin and NamJoon’s conversation when they reunite at the gas station on the night of 11 April begins with 2 familiar phrases: “Oh. SeokJin?” “It’s been a while.” As mentioned in part 1, this sequence parallels their moment at the end of the Blood Sweat & Tears Japanese version MV.

In episode 3, the scene of JungKook finding YoonGi playing piano at the music shop appears to be a memory of 7 April, although it is not explicitly stated as such. This encounter occurs in The Notes 1 as well as episode 4 of JungKook’s story.

From JungKook’s beating at the hands of thugs to the rooftop, this is how his 11 April entry plays out in The Notes 1, but it ends before his phone conversation with YoonGi.

SeokJin reflects on a time NamJoon told him that JungKook still carried the photo they took at the beach. The photo depicted in the game is the one of the boys on the wall by the sea.

Episode 4 is called “Small Bird,” yet the bird is only referenced in one of the choice’s paths (SeokJin hides behind the piano in YoonGi’s workroom). The title may be more meaningful to players who choose this path or are familiar with the bird from The Notes 1.

The game is even more cryptic than The Notes 1 about JungKook and YoonGi’s apparent altercation on 2 May in his workroom. When the perspective cuts to YoonGi, the mirror has already been shattered. The reason is unspecified, so we are left to wonder if a confrontation unfolded like the one depicted in the Run MV and implied in The Notes 1, or if something else occurred. The “sign” that SeokJin leaves to guide JungKook to the correct motel is also unspecified, but in The Notes 1, it is a bloody tissue because YoonGi fled his workroom with busted lips.

The motel room that YoonGi sets on fire in this loop once again matches the I Need U MV.

JiMin’s escape sequence from the hospital is likely the one depicted in the Euphoria MV, although in the video it’s staged during the daytime instead of at night.

TaeHyung’s confrontation with his father on 20 May unfolds a little differently than what is depicted in the I Need U MV.

Some notes/thoughts on the 22 May post-beach trip lodging are included in the Additional Commentary section above.

TaeHyung has a flashback to several days prior to 22 May when he asked SeokJin about his recurring dreams. The location of this conversation is unspecified in The Notes 1, but it’s depicted at the bus stop in the game.

TaeHyung pushes NamJoon away physically and verbally when he tries to interrupt his interrogation of SeokJin at the lodging. “Stay out of this, NamJoon. Why does it matter to you? You’re not my brother.” In the album Note from Her and as a flashback in The Notes 1, TaeHyung overheard NamJoon talking on the phone while they walked to their lodging. NamJoon was speaking to his parents about his younger brother being old enough to take care of himself, but TaeHyung apparently took this to heart as something about himself. It hurt and angered him deeply.

Notably, the glass does not break at the end of the Epilogue, suggesting that this loop continues from this event (as it does in The Notes 1) without yet resetting.

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This brings us to the end of the BTS Universe Story <I’M FINE> highlights! This series turned out a little different than I originally envisioned, but I hope you found these summaries helpful and worthwhile to read. If you have any questions, important details that you felt I overlooked, or theories of your own that you would like to share, feel free to send me an ask!

For more informational storyline content, please check out the Timeline project, currently in development!

[summontale]

I just wanted to say that is great to see you updating this comic still and posting art for it; I love this comic/AU so much! I also wanted to ask some stuff stuff though. For 1. I find it interesting that Paps has monster soul + Patience + Integrity + Bravery and Sans has Monster soul + Patience + Integrity; mainly surprised because I think like Paps having Bravery unique to him (which is fitting), Sans having Justice could be fitting too (for probably obv. reasons), and would make an interesting compliment with Paps. It is ur story tho, I am sure you have ur reasons for doing what you did there with that, this is mainly just me rambling and being curious about it.

I also wanted to ask, if the part I read about Kans not really smiling and stuff like that in front of other people, unless it is like someone like Paps was only on an ref on DA or something, because I can't seem to find it on the refs on tumblr? I am hoping that will still be a thing in the comic, it was an interesting. cool detail.

Also interesting (if I am remembering this correctly), that Gaster created Sans, Sans created Paps (with a bit of help from Gaster I think).

On to some of the newer comic updates: It looks like Frisk's job as a summoner may involve less helping and more killing. Not due to Frisk's will ofc, but due to those now to me higher-up summoners that had her take her summoners pledge. It looks like they did something to Frisk.

Tori is so great, really looking out for Frisk. Loved the Holiday art you did of her. Liked the recent art u did of Frisk too.

So the new page preview; I am excited for it. I remember when I started coming back to check on this comic/AU again, and being amazed with all the new updates. Awesome work and stuff there.

Thanks for your compliments. I'm very happy to see you interested in my AU.

As for references, you may find some difference between Tumblr and DA because I haven't updated new info for either page. But yes, Kans is rarely smile in front of other people except his bro, and yes to Dr. Gaster info too.

The comic is still in update, so please be patient for new contents.

[daandyli0n]

okay. so i’m gonna answer the question of why i’m a c!tommy apologist.

the tl;dr of this whole thing is i’m technically a c!benchtrio apologist, i’m a child and c!tommy was a child (so was c!beeduo obviously) when i first started watching the dsmp (during the bedrock bros arc), so i felt i could connect more to c!tommy cause y’know teenagers. i feel like the fandom is just really mean to him as well, like J E S U S guys, that’s a traumatized kid. if i have to send myself to the dsmp universe just to get this kid a happy ending, i’ll find a way to do it.

now, onto my actual rant here (warning: i am going to get H E A T E D at some points):

point number one: i’m a c!benchtrio apologist. i want you to guess why.

is it because:

a) i’m a teenager myself, and benchtrio were also teenagers around the time i started watching (wow, a teenager gets more easily attached to the characters that are around her age? shocking, never been heard before-(obvious sarcasm))

b) i find their stories/lore interesting

c) i find the characters relationships to one another interesting

d) one of the characters is basically an enderman and endermen are among my favorite mobs (plus i relate to the character a little)

or e) all of the above?

did you guess ‘e’? if so, you are correct!

point number 2: i started watching the dsmp practically right after the exile arc. during the bedrock bros arc, to be specific.

i practically witnessed the direct aftermath of exile. i saw how bad tommy was doing. now, granted, i only ever heard what had happened be referred to tommy as ‘manipulation’ at the time, but trust me, i have learned since then that it went further than just simply ‘manipulation.’

now, even back then, with my limited knowledge of what had happened, i could come to what should be the pretty direct conclusion that c!dream was bad and that c!tommy (while he did make some mistakes) didn’t deserve any of what had happened to him. BUT APPARENTLY THAT’S A HOT TAKE, FROM SOME OF THE BS I’VE SEEN.

you see, while i am an apologist for c!benchtrio, i can admit when they’ve made a mistake. i can say “yeah, they weren’t (completely) in the right here.” where i start having a problem, however, is when one of those characters does something that’s kinda wrong and then basically gets forced into a traumatic experience that haunts them for the rest of the series.

AND YES, I’M REFERING TO EXILE WITH THAT.

during my time here, i have learned that the story of “c!tommy burnt down c!george’s house and that’s why he was exiled!” isn’t really accurate. this is for a couple of reasons:

1) c!tommy and c!ranboo actually accidently burnt a few blocks of c!george’s house due to a prank gone wrong and even tried to fix it before leaving (another thing i should add is that basically everyone else on the server has griefed and pranked people and have practically got away unpunished)

and 2) it’s been implied (at the very least, if not confirmed) that exile was planned by c!dream before this.

so yeah, you can see why i get heated over stuff like this. i try not to reblog discourse surrounding lore and just very subtly try to tell people my opinion on certain stuff in canon (discourse just. brings my mood down so i don’t like reblogging stuff regarding it). but at this point, i’m just ranting.

the first actual clip of a lore stream that i watched was from the lore stream where c!techno and c!tommy doing the hostage situation in l’manberg. it was from the part of the stream that i have personally dubbed “The Portal Confrontation”. what’s The Portal Confrontation, you may ask? well, some of y’all can probably guess from the name alone, but it’s the part of the stream where c!tommy and c!techno are approaching the nether portal to go back to the cabin, only to run straight into c!dream. it’s still one of my favorite moments even to this day (and despite the fact that my opinions on c!techno sure have changed since then. basically, i still find his lore interesting and i still enjoy cc!techno’s streams/content but. sir?? that’s a whole traumatized kid????). it was also this moment that firmly cemented for me the fact that i’m not a c!dream apologist (look, he’s a cool villain and that makes him one of my favorites cause he actually scares me and gives me dread. it’s just. you really didn’t have to do any of what you’ve done. you could’ve been normal. but no. you really went and just. did all that, huh? also, please stay as far from c!tommy as you can get, please and thank you-)

now, i could keep going on about my feelings, but i think that this sums it up pretty well.

for anyone who sees this post, please do not start discourse. this is just me ranting a little about my feelings on c!tommy.

[udog]

your art is B E A U T I F U L. do you have any rito drawing tips...?

thank you 😳 but sorry mate I'm running on vibes and the salmon in my freezer 🥶🐟 no tips to be seen here...

SIKE. I got you pretty good, didn't I 😎 guess you could say I'm a bit of a prankster

TL;DR just use REFERENCE PHOTOS ✋😩📸

🏄‍♂️uh take these tips with a grain of salt, I am but a humble self-taught artist🏄‍♂️

People in my day to day life always ask me, "Hey dog, are you in a relationship now or something? Why are you always hiding your phone from us 🤨" And to that I say, "How'd you say an emoji in real life..."

BUT WHAT I MEAN TO SAY IS. MY CAMERA ROLL CONSISTS SOLELY OF RITO PHOTOS (+ a meme or two, y'know 😏🔌), N I CAN'T HAVE PEOPLE SEEING THAT..

But if you aren't as ready to commit to being seen as someone hiding a fine lassie from their mates, I present to you, This:

rito tend to have round faces, egg-ish, even. saki's a good example, n teba as well! rito npc's are on the narrower side in terms of face shape, but don't be afraid to get creative!

A majority of the time, beak movement is barely noticeable, especially from a forward angle

posture! rito tend to have less mobility with regards to their spine (probably from their seemingly gigantic ribcages), and hey I mean. rito men/masculine presenting rito (?) wear what are essentially corsets. makes sense

memorizing character designs is useful, but there are always going to be details you left out... references, man 🛏 this isn't a test, you can pull up the notes 🎤

rito thumbs are long, and their pinkies are pretty short. Don't think about them too much

revali's pinky is the only one that doesn't have white on it.. but the pinky.... it still exists 📢 If I remembered correctly, he also has 7 ...waves? of white on each wing

Here's a couple of ways I break the rules I previously stated

Rito beaks may not look like they move, but hash tag yolo swag 3,008, make what's happening clearer to the viewer by breaking their beaks

Rito spines may have a shorter range of motion, but we wanna make these guys look like they'd be able to pull in both you AND my mom. Mercilessly break their spines until you're satisfied with 🛶 the results (for dynamic purposes)

as much as I favor an on-model look, I favor attractiveness far more... in-game-front-facing teba is 🛒, but he doesn't have to be

alright here are a couple of actual art tips

simplify the characters into basic 3d shapes so you keep the form without having to focus on detail

whereas human necks and shoulders can be divided into three main parts, you can divide those of the rito into two. their necks look like they extend to their shoulders..female presenting rito seem to have more shoulder..

while you may be breaking their jaws and spines, remember to maintain the shape. you're moving individual parts, rather than morphing them (ex: the beak is two parts, but movement heavily relies on the lower, so you tilt that single part separately, rather than change the shape)

Honestly, how you draw these bad boys is up to a whole lot of interpretation. You can stare at a picture of revali all you want, but the fun part is where decide to stray off-model 😏🎷