#typing post

[notanotherinfjblog]

Texting habits per judging function

No one asked, but here are some observations I've made in my personal life.

*Note that this probably differs by age, gender, and culture (for instance, I have been told by several Americans that I use an insane amount of emojis, whereas it's not considered weird at all here in Germany).

FJ:

Generally very good at texting, will respond to absolutely every point you make. If you send them a long voice message, they can be found taking notes while listening so that they will not forget to answer any point you made.

Have a very hard time leaving someone on read and if they do, either something happened and they forgot, or they simply don't like you very much. If they open the message, they answer. If they don't have time to answer you right now, they simply will not open the message yet.

If the text conversation is done (i.e. you wrote something like "bye, see you tomorrow!" that does not require another response), they will still at the very least send you an emoji back for no reason other than letting you know that "Yes! I read your message! I'm not ignoring you! I love you!" (Literally every FJ I have ever known does this. Every single one, including myself.)

They will adapt to your style of texting. If you are the kind of person that likes to send a bunch of heart emojis to friends and the FJ friend is not, they will still pepper in a heart here and there. If you generally don't use emojis, they will use them only occasionally. If you reply in wallpaper long messages, so will they. If you break up your messages into several texts one after the other, so will they.

FPs:

Also generally quite good at texting and can actually appear a lot warmer in writing than in person (there have been several instances where I received really lovely messages from FPs who I used to think hated my guts whenever we met in person).

Prepare for emojis. Seriously.

You can have infinitely long text conversations with them. If you are willing to commit, the conversation between the two of you will never end. With NFPs, the conversations usually end up spiralling into nonsense scenarios, while SFPs keep telling you about their day and keep answering you about your day every day.

TPs:

(my texting experience with TPs is unfortunately very limited, so feel free to fill in my blanks)

Fe is very noticeable in the extroverts, i.e. they tend to go the FJ route described above, but in a more nonchalant and more relaxed way. Like with FJs, the focus of the conversation is on you and their dynamic with you.

The introverts (i.e. my dad, i.e. my only point of reference) are bad at texting and prefer to call, so almost all text conversations go something like this: TP: "Hi, I tried to call you, but you didn't pick up. I hope everything is alright with you?" You: "Yes, sorry. Everything's good here, how about you, everything okay?" --- end of conversation ---

TJs:

Generally bad at texting. Also don't really like it and see no point in it, so they usually prefer calling or talking in person.

Will appear colder in writing than in person, especially the STJs. Their answers will be straight to the point. No beating around the bush and no needless extension of a conversation in form of jokes/questions/anecdotes for a bonding experience. If they want to tell you something, they will tell you in person.

Have absolutely zero problem leaving people on read and usually don't mean anything by it.

STJs rarely use emojis, NTJs do but not excessively

If their answer requires them to type anything more than two sentences, they will send you a voice message instead. (Literally every single TJ I know does this, except my INTJ brother who is a complete maniac and calls instead.)

[randomfoggytiger]

have you ever written about INFP/ENFPs??

I have!! :DDD

For ENFPs, here's Krycek's Typing Post: KRYCEK, An Unstoppable Manipulator (tumblr.com)

And for INFPs, it's tucked away in this Return to Me Typing Post (Grace is the INFP): Personality Typing: Return to Me (tumblr.com)

Always a pleasure to link my posts! :)))))

[1percentcharge]

i have a random issue with a handful of pre-srar fall out boy songs where I LOVE the the start of the song or just generally everything but the chorus, but the chorus itself i find kind of underwhelming (eg: ilalwtwiattgyo, ttotbo, igatrimeanomf, cfmrfrpfmsr, gblogbd(dyptstsasgts)

[qrowpilled]

hate when you find a character whose so infuriatingly Your Type that its embarrassing like yeahg no one is gonna be surprised when i announce this is my new Guy Of The Month

[lesbianralzarek]

"life doesnt get better, you just get stronger" does NOT include ages 11-17. life does in fact just get better from there. those years are dogshit. like, you do get stronger but its mostly just a factor of not being 11-17 anymore. positive thinking helps but it doesnt fix whatevers going on at 15, you have to brute force through that one raw

[minjimunji]

bi 4 bi percabeth,,,,, 👉👈

[bardofavon]

not to be controversial bc I know this is like…not in line with shifting opinions on fanfic comment culture but if there’s a glaring typo in my work I will NOT be offended by pointing it out. if ao3 fucks up the formatting…I will also not be offended by having this pointed out…

‘looking forward to the next update’ and ‘I hope you update soon!’ are different vibes than a demand, and should be read in good faith because a reader is finding their way to tell you how much they love it. I will not be mad at this.

‘I don’t usually like this ship but this fic made me feel something’ is also incredibly high praise. I’m not going to get mad at this.

even ‘I love this fic but I’m curious about why you made [x] choice’ is just another way a reader is engaging in and putting thought into your work.

I just feel like a lot of authors take any comment that’s not perfectly articulated glowing praise in the exact manner they’re hoping to receive it in bad faith.

fic engagement has been dropping across the board over the last several years, and yes it’s frustrating but it isn’t as though I can’t see how it happens. comment anxiety can be a real thing. the last thing anyone wants to do is offend an author they love, and that means sometimes people default to silence.

idk where I’m going with this I guess aside from saying unless a comment is outright attacking me I’m never going to get mad at it, and I think a lot of authors should feel the same way. ESPECIALLY TYPOS PLZ GOD POINT OUT MY TYPOS.

[slitherpunk]

is it even ethical to flavor blast a goldfish

[choco-bite]

You deserve to be pounded hard and loved hard after ✨

[eggwishing]

I ONCE TRIED TO WASH THAT SCUFFED OLD THING WHILE HE WAS TAKING ONE OF HIS NAPS, BUT WHEN I TOOK IT OFF HE WAS WEARING ANOTHER IDENTICAL ONE UNDERNEATH! AND ANOTHER! I GOT THROUGH TEN MORE LAYERS OF THE SAME THING BEFORE HE WOKE UP. I WAS SO FRUSTRATED! WHERE DID HE EVEN GET THOSE FROM? THEY ALL EVEN HAD THE SAME STAINS!!

[hoaxghost]

People on the internet love to recommend the complete opposite of what you're looking for

[notanotherinfjblog]

MBTI fiction writers

Unfortunately, though for obvious reasons, I’m constrained by my own reading habits, so if you have any suggestions for underrepresented types here, please let me know and thanks for the ones that I’ve already received!

INTJ

Margaret Atwood

Joyce Carol Oates

Tom Rachman

ENTJ

Markus Zusak

Hank Green

Gillian Flynn 

Bernardine Evaristo 

Lois Lowry

Ruth Ozeki

INTP

Kai Meyer (interview is in German)

Neil Gaiman

J. R. R. Tolkien

ENTP

David Mitchell

Philip Pullman

John Green

Terry Pratchett

Douglas Adams

Jonathan Safran Foer

Lauren Oliver

Brandon Sanderson

Patrick Rothfuss 

Michael Ende (interview is in German)

Mariana Leky (interview is in German)

Frank Herbert

Aldous Huxley

Matt Haig

Ta-Nehisi Coates

INFJ

Rohinton Mistry

Audrey Magee

Jenny Erpenbeck (interview is in German)

ENFJ

Eleanor Catton

Alissa York

INFP

Wolfgang Koeppen (interview is in German)

Helen Oyeyemi

ENFP

Gavriel Savit

Maggie Stiefvater

Jan Philipp Zymny (interview is in German)

Stephen Chbosky

Daniel Handler

Rick Riordan

Christopher Paolini

George R. R. Martin

V. E. Schwab

Jenny-Mai Nuyen (interview is in German)

ISTJ

Astrid Lindgren

Ken Follet

Elizabeth Nunez

ESTJ

Kerstin Gier (interview is in German)

Cornelia Funke 

John Boyne

Maja Lunde

Sebastian Fitzek (interview is in German)

ISFJ

Anna Burns 

Lucinda Riley 

Jack Livings

ESFJ

Tomi Adeyemi

Victoria Aveyard

Suzanne Collins 

Raquel J. Palacio

Jojo Moyes 

Ursula K. Le Guin

Rosamunde Pilcher 

Rebecca Gablé (interview is in German)

Kirsten Boie (interview is in German)

ISTP

Jhumpa Lahiri

John Irving

Erich Kästner (interview is in German)

James Dashner 

Fredrik Backman 

ESTP

Leigh Bardugo

Sabaa Tahir

Paulo Coelho

Stephen King

Jonas Jonasson

Jussi Adler-Olsen

Erich Maria Remarque (interview is in German)

ISFP

Fatima Farheen Mirza 

Tash Aw

Andreas Izquierdo (interview is in German)

Antoine Laurain 

ESFP

Adam Silvera

Nicholas Sparks 

Cecelia Ahern

[randomfoggytiger]

The Scully Family In-Depth (Part X): One Breath and the Scully Men

I'd forgotten to write up an analysis of Captain "Ahab" Scully's speech to his daughter in One Breath-- ironically, the title drop moment of the episode; and, while starting that process, I then realized I'd forgotten Scully's brothers, too. So, I have one last post to squeeze out of this episode before I move on~.

Scully Brother Speculation

Where were the Scully brothers in One Breath? In the opening monologue, it is clear that Scully shared a close relationship with both her brothers (which I touched on here and here): they saved up to buy her a bb gun for her birthday (although the dates are off-- again, no show bible) and were very enthusiastic to further fill in the gaps of her shooting instructions once their father had left. But as their sister lay dying, Bill and Charlie weren’t anticipated or mentioned by the Scully women; and the only time that Maggie perhaps indirectly refers to their absence is when she greets and thanks Melissa for coming-- and neither she nor her daughter are, seemingly, surprised, phased or burdened. So… what is going on? 

What we do know: Bill Scully, at least, is enlisted in and at the whims of the Navy. In future episodes, he is able to take time from his career to check in with Scully’s cancer (only after Maggie tells him the cancer metastasized) and to successfully accomplish an unspecified number of IVF trials with his wife which results in her pregnancy and delivery near Christmas. I’ll touch on it more in the future, but it would seem big brother Bill spent more time at sea earlier in the Scully family relationship then switched tracks to some degree before the events of A Christmas Carol (i.e. understanding-- though not liking-- why his sister was “chained to the job” and avoiding the family celebrations… until)-- which is interesting, because he would have had to recognize how much could be lost by sacrificing too much in the dogged pursuit of his career, a lesson his own father learned too late. Bill, at least post Gethsemane, seems to have taken a more deliberate path to be more involved with his family and loved ones. So, likely, Bill was at sea when his sister was returned, unable to swoop in and arrange things to his satisfaction.

And what of Charlie? It’s often hypothesized that Charlie, like Melissa, was the shunned misfit of the family. However, that seems to be unsupported with the canonical evidence we know. In Beyond the Sea, he and his wife and their children were at Captain Scully’s funeral, post here (and noted in the script here-- thanks, @x-files-scripts!-- as twenty-five? A young Catholic wedding, I suppose-- maybe even married someone a little “older” who already had a child, since at least one of the kids is too grown to have been born sometime after Charlie turned eighteen); and he’s mentioned by Scully in Roland and in Home (having babysat one nephew in the latter episode, perhaps lending credence to my unsupported "the second boy is Charlie's biologically" theory) without the restrained awkwardness she sometimes displays when talking about her father or Maggie or Melissa. The only other times that “count” in canon are two phone calls: a deleted Memento Mori check-in (script here, outtake scene here) that pinpoints Bill as the "Charlie go-between" (a role Bill fills in for Maggie and Melissa as well) and the Revival's Home Again follow up for his mother's decline. Besides a deleted script featuring Charlie escaping death by psychic powers (read here), there isn’t anything more to glean from his character. So, all we know is: Charlie Scully was close enough to his dad to bring his whole family to the funeral (and cry at it), is close enough to Bill to always call him with updates, and is simultaneously close enough and distant from the other Scully women enough for his absence to not affect them and for his two deathbed calls to be taken as a matter of course. Interestingly enough, it would seem Bill Scully is closer to his mother and two sisters-- rushing in to “mother” (read: boss) Scully about her cancer, advocate for his mother's stress and hurt, and later reveal a picture of Melissa she had given to no one else but himself-- than Charlie actually is. 

Again, I touched on this briefly in my Typing Post here, but my hypothesis that Charlie is disconnected from his family by virtue of not gelling with them rather than a huge familial blowout seems to, at least, be heavily supported by what scraps canon does provide. (Even more shockingly, Maggie and Bill Jr. seem to be the two people keeping the family glued together-- i.e. shaming Bill Scully Sr. and Scully for their withdrawn ways-- and insisting on keeping up family tradition-- i.e. Christmas and baby showers.) No one seems to hold expectations of or grudges against him, even though the only time Charlie is there for his family (other than the odd mention) was at Captain Scully’s funeral. As an aside, another theory I hold-- but also cannot be supported with evidence-- is that Charlie can’t tolerate or is afraid of death-- showing face only at his father’s funeral while calling to get updates on his sister’s and mother’s health (and not at all for Melissa’s, likely because everything happened too suddenly.) Perhaps Charlie can’t abide watching his loved ones die; and everyone knows it and lets him be.

Captain Scully's Last Farewell

Captain Scully’s speech is the crux of One Breath, acting as one of the three most pivotal scenes that happens to Scully during her coma. 

He advances to his daughter’s “morgue” table in a firm military stride; 

but stops a few feet away, keeping this distance between them while standing at ease-- emblematic of his relationship with Scully: accidentally cultivated in life, and physically enforced by death. 

Ahab is aware of this great gulf fixed, clenching and unclenching his fists in distress while softly calling out, “Hello, Starbuck.” There’s a tremble in his voice and a long pause after he adds, “This is Ahab.” No matter what happened before and after, he is affirming that his and Scully’s special bond was never broken; and that she was and will always be his little first mate. 

Continuing to open and close his hand, Captain Scully goes on in a halting, heavy voice: “People… would say to me… ‘Life is short…. Kids, they grow up fast-- before you know it, it’s over.’ I never listened. 

But me,” he deviates, narrating the past to explain the lessons learned by his failures and choices-- a lesson Scully will repeat to her own revelation in All Things, “I’ve went at a proper pace. Earned many rewards.” Again, he pauses, his expression filling with despair as he briefly reflects on the emptiness of the pride felt then. 

“...Til the moment that…” a long pause as Captain Scully gulps down a wave of emotion with a heavy sigh, 

“--I knew, that I understood that… I would never see you again. My little girl.” Tears on the brink, he continues: “Then my life felt as if… it had been the length of one breath.” Another heavy pause as regretful tears choke his confession.

Recollecting himself, Ahab finishes the choked-off sentence: “One heartbeat," looking meaningfully at his daughter-- sharing, silently, the heartrending truth that his heart had beat in time with hers; and, while he had shared that beat and that breath with her, he realized, too late, that had never told his little Starbuck.

The weight of that unspoken admission takes the most out of him, his voice having dipped from soft to low, from gentle to desolate. 

“At that moment--” he barges forth, fury at the missed opportunities and his own blindness giving strength heretofore lacking in his voice, 

“I would have traded every medal… every commendation, every promotion, for… one more second with you.” 

Here the Scully family trait kicks in: Captain Scully licks his lips to steel himself against a swell of emotion and to prepare himself for the approaching farewell. 

“We’ll be together again, Starbuck. But not now.” And it’s both beautiful and heartbreaking: that he is glad this is not Scully’s end-- quirking up a side smile for her sake-- but is miserable with the depth of his longing-- eyes hungrily devouring her with a last look. 

“Soon,” he emphatically promises, swearing as much to himself as to his daughter.

Then, with a slow, reluctant turn, Captain Ahab retreats back into the whitened hallway, back to the afterlife where he will wait for their soon. 

With all of Captain Scully's love unspoken and his attention swallowed up with his work, it's easy to see how Scully internalized and applied the setbacks of their relationship into other relationships with "obsessed with his work" men, ingrained as her wiring was to seek out the approval of "other fathers" (Never Again analysis post here and Typing post here.)

Captain "Ahab" Scully's second chance may have soothed the doubts between them, but his accidental neglect will continue to haunt Scully and her choices for most of the series-- until All Things serves as her own personal revelation and absolution, guiding her out of her father's footsteps and into independent freedom.

Thank you for reading~

Enjoy!

[shoukohime]

babygirl the way you forsake your happiness on your relentless quest to vengeance, your complicated relationship with gender and the way you're covered in blood have bewitched me body and soul

[faerieyuri]

i've had so many conversations with people in fandom/creators' circles who are genuinely afraid to make the stories or art they want because they fear (often with good reason!) that their friends might kick them out of their circles, or worse, launch a public harassment campaign against them.

as someone recovering from this fear-based mindset, i want to affirm:

- friends who use implicit or explicit threats to maintain social control are not your friends

- communities that monitor your social media and ao3 to surveil you for perceived transgressive content are not safe communities

- the vast majority of people are NOT going to hate you if you make the art you want

- if you find yourself in a friend group that makes you feel afraid to speak your mind, it's in your interest to disentangle yourself from that group as quickly as possible

- real, honest disagreements between friends can be solved respectfully without the use of public shaming

- if you're feeling afraid in a community, it's likely that others are feeling afraid too. support your friends who may be struggling to leave an abusive fan or creative community, and let them know you're a safe person to voice doubts and disagreement to.

- if you're feeling like you'll never find a safer community of people, i promise there are others who feel that way too. it may take some time, but you'll find people who treat you and your ideas with respect. a good place to start is the people who make the type of art that you admire but that you're too afraid to make yourself.

ok that's all, take care of each other and be nice 💜

[miiuxue]

grilled cheese