#tyagaraja

[aranyaani]

I'm honestly so obsessed with this! this is my favourite version of the Sita Kalyanam song. I love how, while the singer is singing, the whole time these 2 bharatnatyam dancers enact the whole wedding in the most beautiful way! I especially loved the bit where they put tilak on each other and while the dancer acting as Ram shows the mirror to the dancer acting as Sita, he teases her a little by pulling away the mirror for a second and then she shows a mirror to him and while he's looking she's so mesmerised by his face that he has to snap her out of her little reverie. that was so wonderful! and I really loved that it ends with both of them gesturing like they're blessing all the people who attended their wedding. that was just perfect. and the bit where they act like they're sitting on a swing 🤌🤌

lyrics translation:

AND this video is shot at the 1100 year old Sita Ramachandra swamy temple, Ammapalli, Hyderabad

[tfgadgets]

Pushing the boundaries of Bharatanatyam

Praveen Kumar and Chitkala Ensemble presenting ‘Tyagaraja hrt sadana’. | Photo Credit: Special Arrangement It is nice to see dancers also exploring the emotions in Tygaraja’s compositions. One such attempt was Praveen Kumar’s ‘Tyagaraja hrt sadana’. Presented by his Bengaluru-based Chitkala School of Dance, it was an offering to Rama through the saint-poet’s kritis. Conceived and choreographed…

[desigrrrl]

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Poetry: kinnerasani patalu, movie songs book, maha prasthanam, tyagaraja kirtanalu

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[allthegothihopgirls]

What kind of music do you think each of the Batfam members listen to? (Besides Jason who is obviously a Mitski stan)

OH I LOVE THIS QUESTION!!!!!!! i'm gonna tryyyyy and take this seriously

starting off i think alfred's music taste influences just about everyone in the manor to some degree. lots of classical music flowing through the hallways at most hours of the day, the music reminds everyone of home. i think it's a general rule of thumb in the family that if you want to locate alfred, just follow the sound of mozart.

drawing off a bit of canon, i think dick listens to a lot of popular 80s stuff. the cure, joy division, the b-52s, billy joel, abba etc. that one panel of him humming 'here comes the sun' also comes to mind, i think he'd enjoy the beatles. however i do think he'd also be into some soft rock, maybe just a little bit of more intense stuff too. fleetwood mac's a big one i think he'd like. i've mentioned in a post before how i think dick would enjoy foo fighters in his post-robin rebellion phase, and i stand by that.

i do also enjoy his insane love for david bowie in the live-action titans adaption... very dear to me. i take that as gospel. also have a slight feeling he's a bit of a jazz guy once in a blue moon.

however i don't think he'd be overly into music, (the artists though, that's a whole other thing), i think he's also just happy to flick on the radio to some random dated station... or, don't crucify me... the top hits of the day.

i think jason's taste is a bit more refined. he's the #1 victim of alfred's classical music agenda, sitting in the library he's got something like 'lacrimosa' looping endlessly.

unlike dick who's got a happy-go-lucky approach to music, i think jason feels into it a bit more. he's joyriding through the city and listening to slipknot, sleeping with sirens, misfits etc etc. he's just looking for background music, maybe he's playing dashboard confessional, or... hear me out... lana del rey. he's out on patrol and is playing 90's rap through his helmet's bluetooth.

i think he'd also enjoy amy winehouse, the boys next door, no doubt, alice in chains, and maybe a bit of lorde. he's definitely into more indie bands too, local stuff. makes his own mixtapes and you'd only be able to recognise like 20% of the bands by name. he's also the one batfam member who i think would go to war to defend the songs he feels deeply about.

tim's a bit more difficult to narrow down, but i'll throw 90s alternative out there; jimmy eat world, oasis, radiohead, weezer, pearl jam type stuff. i'm also very set in my ways about femme-pop tim, which is definitely more out there and harder to justify. in terms of that i think beyonce, rihanna, and britney spears are the big three he'd enjoy.

i just think he likes anything with a beat tbh, it's not so much about genre or the actual song, as it is about the mood. similarly to dick, i don't think he's typically meticulous with defining his taste or anything, just happy to listen to whatever's making him feel good.

as for damian, i think anything with soothing instruments entices him. mainly classical, but not just limited to european stuff, i'm thinking of tyagaraja, toru takemitsu etc just off the top of my head. he'd also like elton john, queen, and other older artists with a polished vocal and avantgarde nature. i'm also going to put cartoon soundtrack music into the mix, specifically songs from adventure time. for whatever reason i'm also super drawn into the idea of him being big on kpop, although i don't know enough about the genre to make specific assumptions.

steph (ik she's not exactly batfam but i'm including her anyways) listens to predominantly female artists, and oscillates between very uplifting pop stuff, and.. societal hatred. so i think on one hand she's very into marina and the diamonds, kesha, and olivia rodrigo, but also paramore, hole, fiona apple, lorde etc. in contrast to all of that though she's also a huge fan of the beatles' solo careers, particularly paul mccartney.

cass is into a lot of the music she's done for ballet performances. the music for the snow queen instantly comes to mind as something that would be a favourite of hers. this might be a bit out there, but i think she'd enjoy grimes a lot, mostly because of how enriching it is to just listen to the sounds of, without having to pay much mind to the words she's speaking (grimes never really makes a lot of sense anyways). apart from that i don't think she really listens to all that much music, maybe some 2000s pop she hears on the radio driving around with steph.. i did enjoy the all star gag in batgirls (2022).

babs has a pretty similar taste to steph i think (i believe steph may have gotten some of her taste from her). she's a big fan of stevie nicks, gwen stefani, maybe the cranberries, hole, dolly parton, janet jackson, lauryn hill, and lesley gore. i'd like to say she enjoys a bit of 70s eccentric too, the doors, blondie, bowie etc. i don't think she's overly fussed with what she's listening to, as long as it doesn't sound too watered down and modern-pop like.

and i don't really know enough about duke to make assumptions, so i'm just going to let him sit out of this one. i also don't think bruce has any time for music, except for a bit of classical to help him concentrate every so often.

[indiadivine]

Sri Sheshanarayana (Vishnu Narayana on Shesha)

An 1886 Chromolithographic print on paper

This print depicts Vishnu Narayana — the primordial god who resides in water — stirring from his slumber on the cosmic ocean supported by the divine serpent Shesha, a celebrated moment that marks the end of the monsoon season and the beginning of a new age. Here Vishnu is accompanied by an assembly of gods, including his wife Lakshmi (left) and two divine devotees (right), a kneeling Garuda, and the ancient sage Narada, who is here likely modeled on the Vaishnava saint Tyagaraja (1767–1847), a celebrated devotee (bhakta) famed for the songs he composed in praise of Vishnu.

[spardhaschool]

Carnatic Music Classes | Spardha School Of Music

At Spardha School of Music, discover the depths of Carnatic music through engaging lessons and practical sessions. Our structured curriculum ensures you develop a deep understanding of ragas, compositions, and improvisation, while enhancing your vocal and instrumental abilities https://www.spardhaschoolofmusic.com/course/carnatic-vocals

The Beauty of Carnatic Music Classes: A Path to Cultural and Personal Growth

Carnatic music, one of the oldest and most intricate forms of classical music, is an art deeply rooted in South Indian culture. Its rich history, complex melodic frameworks (ragas), and rhythmic cycles (talas) make it a unique and fascinating form of musical expression. Taking Carnatic music classes is not just about learning an art form; it is an enriching journey that enhances cultural understanding, personal development, and emotional well-being.

1. Understanding the Depth of Carnatic Music

Carnatic music is more than just melodies and rhythms; it embodies centuries of tradition and devotion. By enrolling in classes, students gain an in-depth understanding of its foundational elements like alapana (improvisation), kriti (compositions), and tanam (rhythmic improvisation). This knowledge not only builds musical skills but also provides an appreciation for the art's historical and cultural significance.

2. Building Cognitive Skills

Studies have shown that music education improves cognitive abilities. In Carnatic music, students learn to identify complex ragas and talas, which sharpens memory, focus, and analytical thinking. The systematic approach of learning, starting from basic exercises like Sarali Varisai to more advanced kritis, enhances a student’s ability to organize and process information effectively.

3. Emotional and Spiritual Benefits

Music has long been associated with emotional healing, and Carnatic music is no exception. The intricate patterns and soulful renditions create a meditative atmosphere, helping to reduce stress and promote mental clarity. Many ragas are known to evoke specific emotions, allowing learners to connect deeply with their feelings while also providing a spiritual dimension to their practice.

4. Cultural Preservation and Connection

Carnatic music is a cornerstone of South Indian heritage, and learning it is a way to preserve and celebrate this culture. Classes often incorporate lessons about the history of compositions and the lives of legendary composers like Tyagaraja, Muthuswami Dikshitar, and Syama Sastri. This cultural connection fosters a sense of identity and pride among learners.

5. Developing Discipline and Confidence

Mastering Carnatic music requires discipline, patience, and regular practice. From learning the basics to perfecting advanced techniques, students develop a strong sense of commitment. Each milestone achieved in their journey—be it mastering a new raga or performing on stage—boosts their confidence and instills a sense of accomplishment.

6. Versatility and Vocal Training

Carnatic music is a robust training ground for vocalists. The emphasis on breath control, voice modulation, and pitch accuracy makes it an excellent foundation for those pursuing a career in music. Moreover, the skills learned are transferable, enabling students to explore other musical genres with ease and expertise.

7. Community and Collaborative Learning

Carnatic music classes often foster a sense of community among learners. Group lessons, collaborative performances, and interactive sessions with teachers and peers create a supportive environment. These interactions enhance social skills and provide opportunities for cultural exchange.

Conclusion

Carnatic music classes are a gateway to personal enrichment and cultural immersion. Beyond the technical aspects, they offer profound emotional, cognitive, and spiritual benefits. The discipline, creativity, and cultural insights gained from learning Carnatic music shape individuals into well-rounded personalities. Whether pursued as a hobby or a career, learning Carnatic music is a deeply rewarding experience that resonates throughout one’s life.

By exploring the depth of this art form, students not only master a beautiful tradition but also embark on a journey of self-discovery and cultural appreciation.

[livesanskrit]

Send from Sansgreet Android App. Sanskrit greetings app from team @livesanskrit .

It's the first Android app for sending @sanskrit greetings. Download app from https://livesanskrit.com/sansgreet

Tyagaraja

Tyagaraja (4 May 1767 – 6 January 1847), also known as Tyāgayya, was a renowned composer of Carnatic music, a form of Indian classical music. He was prolific and highly influential in the development of India's classical music tradition. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Tyagaraja composed thousands of devotional compositions, most in Telugu and in praise of Lord Rama, many of which remain popular today. Of special mention are five of his compositions called the Pancharatna Kritis (English: "five gems"), which are often sung in programs in his honour.

#sansgreet #sanskritgreetings #greetingsinsanskrit #sanskritquotes #sanskritthoughts #emergingsanskrit #sanskrittrends #trendsinsanskrit #livesanskrit #sanskritlanguage #sanskritlove #sanskritdailyquotes #sanskritdailythoughts #sanskrit #resanskrit #tyagaraja #carnaticmusic #raaga #classicalmusic #indianclassicalmusic #tradition #kritis #thanjavur #celebratingsanskrit #thiruvaiyaru #muthuswamidikshitar #trinity #telugu #shyamashastri #pancharatna

[artiegenius]

What is the Difference Between Hindustani and Carnatic Music?

Indian classical music, with its rich heritage, is broadly divided into two major traditions: Hindustani music and Carnatic music. While both share common roots, they have distinct characteristics that set them apart.

This blog will delve into the differences between Hindustani and Carnatic music, tracing their histories, exploring their unique features, and providing insights into their cultural significance.

Origins and History of Hindustani & Classical Music

Hindustani Music: Hindustani music, predominantly practiced in the northern regions of India, evolved from the ancient Vedic chants. It began to take its current form during the 12th century, influenced by Persian and Mughal cultural exchanges. The Islamic invasions introduced Persian musical elements, resulting in a unique blend that distinguished Hindustani music from its southern counterpart.

Carnatic Music: Carnatic music, rooted in the southern part of India, retains much of the ancient Hindu musical traditions. Unlike Hindustani music, Carnatic music was less influenced by external cultures and preserved its original form. It flourished under the patronage of South Indian dynasties and remained largely insulated from the Persian and Mughal influences that shaped Hindustani music.

CORE DIFFERENCES

Structure and Style

Hindustani Music: Emphasizes improvisation and exploration within a raga. Performances often begin with a slow, meditative "alap," gradually building up to a faster "jod" and "jhala." This style allows for a great deal of creative freedom.

Carnatic Music: Follows a more rigid structure with a pre-composed piece called "kriti" at its core. While improvisation is also a key element, it usually occurs within the framework of the composition, maintaining strict adherence to the raga and tala (rhythmic cycle).

Vocal Techniques and Ornamentation

Hindustani Music: Features extensive use of "meend" (glides between notes), "gamaka" (ornamentation), and "taan" (rapid note sequences). The emphasis is on smooth transitions and expressive vocal delivery.

Carnatic Music: Utilizes "gamaka" extensively, but in a more codified manner. Each note within a raga can have specific oscillations, giving Carnatic music its distinctive, intricate sound. The "briga" (fast oscillations) is a prominent feature.

Rhythm and Tala

Hindustani Music: Employs a wide variety of "talas," with rhythms that can be complex and intricate. Commonly used talas include "teental" (16 beats) and "ektal" (12 beats).

Carnatic Music: Also has a rich rhythmic system with talas, but they are often more structured and mathematically precise. The "adi tala" (8 beats) and "rupaka tala" (6 beats) are frequently used.

Instruments

Hindustani Music: Common instruments include the sitar, tabla, sarod, and harmonium. These instruments support the improvisational nature of Hindustani performances.

Carnatic Music: Instruments such as the veena, mridangam, ghatam, and violin are prominent. These instruments complement the more structured compositions of Carnatic music.

Repertoire and Performance

Hindustani Music: Includes a variety of forms such as "dhrupad," "khayal," "thumri," and "ghazal." Performances can vary greatly in length and form, allowing for deep exploration of each raga.

Carnatic Music: Primarily revolves around "kritis" composed by saints and musicians like Tyagaraja, Muthuswami Dikshitar, and Syama Sastri. Concerts often follow a set format, starting with a "varnam" and including multiple "kritis," each demonstrating different ragas and talas.

Cultural Significance

Hindustani Music: Hindustani music has played a significant role in the cultural landscape of North India. It has evolved through centuries of royal patronage, religious practices, and social gatherings. Its improvisational style reflects the region's dynamic history and cultural amalgamation.

Carnatic Music: Carnatic music is deeply intertwined with the religious and cultural fabric of South India. It is often performed in temples and during religious festivals, reflecting its devotional roots. The music's structure and purity have preserved the ancient traditions, making it a cornerstone of South Indian culture.

Modern Influence and Global Reach

Both Hindustani and Carnatic music have gained international recognition and have influenced various music genres worldwide. Artists from both traditions have collaborated with Western musicians, creating fusion music that appeals to a global audience.

Hindustani Music: Notable figures like Ravi Shankar and Zakir Hussain have popularised Hindustani music on the world stage, inspiring countless musicians and attracting international audiences.

Carnatic Music: Renowned artists like M.S. Subbulakshmi and L. Subramaniam have showcased Carnatic music globally, contributing to its international appreciation and study.

Key Composers and Musicians

Understanding the difference between Hindustani and Carnatic music also involves recognising the contributions of key composers and musicians who have shaped these traditions.

Hindustani Music: Influential figures like Tansen, a legendary musician in the court of Akbar, laid the groundwork for Hindustani classical music. His compositions and musical innovations have had a lasting impact. In modern times, maestros like Ravi Shankar, with his mastery of the sitar, and Ustad Zakir Hussain, renowned for his tabla performances, have brought global recognition to Hindustani music.

Carnatic Music: Carnatic music owes much to the revered "Trinity of Carnatic Music" - Tyagaraja, Muthuswami Dikshitar, and Syama Sastri. These composers created numerous kritis that form the backbone of the Carnatic repertoire. In the 20th century, M.S. Subbulakshmi's divine voice and performances played a crucial role in popularizing Carnatic music, while contemporary artists like L. Subramaniam have continued to push the boundaries of this tradition, integrating it with other musical styles worldwide.

The contributions of these key figures highlight not just the difference between Hindustani and Carnatic music, but also the depth and richness of each tradition. Their legacies ensure that both forms of Indian classical music continue to thrive and inspire new generations of musicians and listeners alike.

Conclusion

The difference between Hindustani and Carnatic music lies in their historical development, stylistic elements, and cultural contexts. While Hindustani music embraces a more fluid and improvisational approach, Carnatic music maintains a structured and precise form. Both traditions, however, share a common ancestry and continue to enrich the global musical landscape.

Understanding the difference between Hindustani and Carnatic music not only deepens our appreciation of Indian classical music but also highlights the diverse ways in which cultural heritage can be preserved and evolved. Whether through the emotive renditions of Hindustani music or the intricate compositions of Carnatic music, the beauty of Indian classical music remains timeless and ever-inspiring.

[aranyaani]

So I need to talk a little bit about the telugu Sant Ramadasu, the man who built Bhadrachalam's Sri Rama temple using Jizya money.

So this man was originally named Kancherla Gopanna, an orphan who was raised by his uncle and aunt, and he used to work as a tax collector for the then sultan Tana Shah. And tax collection meant taking Jizya money from the hindus as well, which seems like a horrible thing to do being a hindu himself, but anyway...

So during his tenure as a tax collector he came across this one dilapidated Rama temple and when he inquired with the locals they told him that they've been saving up money to reconstruct it.

Gopanna was moved by this and decided to spend all the Jizya money he had collected from the hindus and some donation money in building this temple. He also used this money to make several jewelries for Sri Rama and Maa Sita. The temple complex looks like this now

So the sultan eventually found out about him using the tax money to build the temple and threw him in jail for 12 years. And while he was in jail he composed over a 100 songs on Sri Rama, which are sung even today. The most famous one being this one. A song that he wrote while he was in utmost grief literally pleading Sri Rama to come save him

from here the story takes a slightly supernatural turn where the legend goes that Sri Rama himself came before Tana Shah and gave him the bail money to release him. Either way he was released after 12 years and his songs went onto become immortalised in the telugu culture.

Ramadasu went on to become so famous that Tyagaraja himself dedicated a couple of songs for him

[jnanadegulavidu]

YOCHANA KAMALA LOCHANA RAGA DARBAR TALA ADI TALA COMPOSER SRI TYAGARAJA

[symphonic-scream]

Okay.

Personas in my weird Persona (gen) 6 au

For people finding this for the first time, this is my like. Self indulgent idea for Persona 6, which is based on the next gen concept. Aka, the new persona team are children of the previous ones

And, the theme for their Persona names? Philosophers! Cause. The persona world is called the Slumber, and. It's based on the Awakened term often applied to thinkers, and partially based on Plato's cave story

Note: I picked the names for each character from different fields of thought. Some philosophers are listed under a field of thought that they aren't mainly known for. Please do not come at me for that they will have also done work for the school listed

Yakuya Takeba

For Yakuya I've selected aestheticians! Primarily a fire attacker, he can debuff enemy speed and defense, and deals Pierce damage

Starting Persona: Tyagaraja

Max Social Link Persona: Liu Xie

Final Persona: Abhinavagupta

Ukiwa Narukami

I hope you like Rationalists, cause Ukiwa's personae are from that field. Dealing lots of magic damage of the Wind element is her primary role, but she has attack buffs for allies, and she deals Slash physical damage

Starting Persona: Descartes

Max Social Link Persona: Parmenides

Final Persona: Pythagoras

Shinji Sanada

Let's hear it for ethics! Shinji, as the team's primary healer, is mirrored by his personas, based on ethicists. Most of his moves are spent healing or applying defense buffs to the other party members, but he and his personae deal Pierce damage, and said personae also have access to Lightning attacks

Starting Persona: Xunzhi

Max Social Link Persona: Stobaeus

Final Persona: Ambedkar

Hirohide Okumura

So for Hiro here I went with Epistemology, the study of thought and knowledge. As for his element, I believe it's time we had a Nuke protag. Is it simply because I've been leaning into him being more like his mom, Makoto? Partially. Also because he'd be a heavy elemental damage dealer, when he isn't switching around with his Wildcard abilities. His physical damage type is Strike, since he uses kickboxing

Starting Persona: Heraclitus

Final Persona: Ibn Sina

Satoma Kujikawa

Okay so. He's got Critical Theorists. Meika and Satoma are both similarly designed in terms of their role in a party. Satoma can apply charm or fear to enemies along with their Bless and Slash attacks

Starting Persona: Baudrillard

Max Social Link Persona: Valenzuela-Aguilera

Final Persona: Castoriadis

Meika Kujikawa

EXISTENCIALISM!!!! Meika and Satoma are both similarly designed in terms of their role in a party. Meika has moves to poison and apply sleep to enemies along with her Psy and Slash attacks

Starting Persona: Giacometti

Max Social Link Persona: Kierkegaard

Final Persona: Dostoyevsky

Momori Amagi

We all need a little feminism in our lives, so it's time for Feminist Philosophers. Momori is primarily a buffer and debuffer, but can deal minor Ice damage

Starting Persona: Gaspar de Alba

Max Social Link Persona: Wollstonecraft

Final Persona: Olympe de Gouges

Kyoai Suzui

Metaphysics. Why not? Kyoai is another physical damage dealer, and she has limited magic to use to debuff enemy attack. She deals Strike damage, and her persona deals all physical types

Starting Persona: Bonaventure

Max Social Link Persona: Maimonides

Final Persona: Democritus

Tatsuoki Sakamoto

So here I've gone for phenomenologists. Tatsuoki is their Navi, so he doesn't deal damage. However, he can buff the whole party, debuff enemies, and heal the party in dire moments

Starting Persona: Gurwitsch

Max Social Link Persona: Husserl

Final Persona: Heidegger

Atsurou

Let's hear it for Consequentialism! No? Too bad. Atsurou relies on mostly physical Slash damage themself, but since they are half persona, when that half of them is in charge, they're dealing massive Curse damage

Atsurou's Persona? Lucretius

----

ANYWAYS YEAH. I'm. I did it.

[petnews2day]

Mysuru: No Power Supply At Some Areas In Mysuru Today | Mysuru News

New Post has been published on https://petn.ws/niSRo

Mysuru: No Power Supply At Some Areas In Mysuru Today | Mysuru News

Mysuru: Due to mainteance work taken up by Chamundeshwari Electricity Supply Corporation (CESC), power supply will be affected in the following areas between 10am and 5pm on Friday: Ramanuja Road 1st to 9th Cross, Hosabandikeri, JSS Hospital, Agrahara, Basaveshwara Road, Chamundipuram, Tyagaraja Road, Gundurao Nagar, Datta Nagar, Muneshwar Nagar, Gowrishankar Nagar, Tavarekere, Jockey Quarters, Mysuru […]

See full article at https://petn.ws/niSRo #OtherNews

[sandeepsingh11]

CULTURE OF HYDERABAD: FOOD, LIFESTYLE, AND TRADITION

Heritage of Hyderabad

Art of Hyderabad

Music and Dance Forms of Hyderabad

The history of Hyderabad is more than 400 years old with so many cultures and traditions and vibrant and colorful mixture of dance and music which have always been famous among royal people. The most famous and important music of Hyderabad is Carnatic music. There are many popular pioneers of this music namely Muthuswamy Dikshitar, Shyama Shashtri, and Saint Tyagaraja. Hyderabad has cultural festivals for different kinds of music and dance. Thinking about the cultural dance of Hyderabad, Kuchipudi comes to the mind of everyone. It is accompanied by Carnatic music with some acting. In this form of dance, mythological tales are expressed. Another form of dance of Lord Shiva called Perini is performed in Hyderabad by a group of males only. Kathak was also introduced in the dance and poetry culture of Hyderabad in the 18th century.

Languages of Hyderabad

Customs, Religions, and Traditions in Hyderabad

Hyderabad Culture Dress

Hyderabad Culture Food

Hyderabad Work Culture

Hyderabad Festivals

Hyderabad celebrates a wide spectrum of festivals. Department of Tourism celebrates one of the most popular festivals, the Deccan Festival in the month of February or March. Sankranti Known as the harvest festival is a three-day festival People fly kites and decorate their houses with rangoli. Ganesha Chaturthi, also known as the Ganesha Festival celebrated in the month of September and lasts for ten days. Most of Hyderabad’s population are Muslims, Ramzan is celebrated by them. During Ramzan, Muslims fast for thirty days until sunset. After the thirty days are over, the Eid is celebrated Festivals like Diwali, Eid, and Sankranti are celebrated as well as some festivals are celebrated only by the people of this state. Hope now you know the culture, tradition, custom, and lifestyle of Hyderabadi people.

[littlegreenmarker]

Morning Raga - A masterpiece in Carnatic Fusion

Despite the movie being so boring with horrible acting (the English dialogues were atrocious), The one thing that Morning Raga redeems is the music - Its fucking amazing

Mani Sharma (The composer for the film) gone way and above to create such melodies with traditional Indian songs that make it worth listening to even after 2 decades of this film being released

Fr, me being from a traditional Hindu conservative family listened to this album way too much and is now permanently engraved in my mind (the songs were played so much that one point I thought these songs were how the original Tyagaraja versions were meant to be played)

My favorites from this album- Mathey , Samaja Varagamana , Mahaganapathim , and Remembering his violin.

[indiesole]

THE 150 GREATEST (FORMAL & INFORMAL) PERSONALITIES IN THE KNOWN HISTORY/COLLECTIVE CONSCIOUSNESS OF INDIA !

(THE FREE-FOR-ALL LIST, NOT RESTRICTED TO PADMA AWARDEES OR STAMP HOLDERS, EVEN IF INCL A MAJORITY OF THEM )

Ie. THE 150 GREATEST PEOPLE IN INDIAN HISTORY !

Rajesh Khanna

C.V. Raman

Online Indie

Jayaprakash Narayan

J.R.D. Tata

Subhash Chandra Bose

Swami Vivekananda

Lal Bahadur Shastri

Srinivasa Ramanujam

Bhagwan Sri Sathya Sai Baba

Valmiki

Bhagwan Shri Shirdi Sai Baba

Ramakrishna Paramhansa

Bhagwan Shiva

Bhagwan Ganesha

Mata Parvati / Amma Karunamayi

Bhagwan Krishna

Bhagwan Ram

Bhagwan Mahavira

Maharana Pratap

Jagadish Chandra Bose

Major Dhyan Chand

Govind Ballabh Pant

Lala Lajpat Rai

Dhirubhai Ambani

Meena Kumari

Mother Teresa

Chhatrapati Shivaji

Bal Gangadhar Kher

Madan Mohan Malviya

Kishore Kumar

Dr. Sarvapalli Radhakrishnan

Dr. Bhagwan Das

Guru Nanak

Allama Mashriqi

Lokmanya Tilak

Tansen

Lord Hanuman

Vithalbhai Patel

Atal Behari Vajpayee

P.U.M. Thevar

Nandlal Bose

Rabindranath Tagore

Dr. Babasaheb Ambedkar

Prem Chand

Jesus Christ

Adi Shankaracharya

K. L. Saigal

N. T. Ramarao

Dr. Devi Prasad Shetty

B. R. Chopra

Viswanathan Anand

Sri Aurobindo

Rani Laxmibai

Chakravarti Rajagopalachari

Narendra Modi

Milkha Singh

Mirza Ghalib

Dr. K.S. Krishnan

Dr. Satyendra Nath Bose

Dr. Zakir Hussain

Dr. M. Visvesvaraiya

Satyajit Ray

Bankim Chandra Chatterjee

Ramana Maharishi

Radha (Ancient Krishna devotee)

Chandulal Madhavlal Trivedi

Mahatma Jyotirao Phule

Savitribai Phule

Lt. Col. Maharaj Kumar Namgyal

Shammi Kapoor

Indira Gandhi

Dev Anand

Jijabai

Sadhu Vaswani

Raja Ravi Varma

Saiyid Fazl Ali

Ashok Kumar

Dr. Madhav Shrihari Aney

Gopal Das Neeraj

Ajudhia Nath Khosla

Shashi Kapoor

Ustad Bade Ghulam Ali Khan

Dr. Arcot Lakshmanaswami Mudaliar

Bipin Chandra Pal

Dr. Jnan Chandra Ghosh

Paramhansa Yogananda

Thiruvallavur

Buddha

Maharishi Patanjali

Dr. Nambi Narayanan

Dr. Verghese Kurien

Dadasaheb Phalke

Arjun (of Gita)

Waheeda Rehman

Dr. P.V. Kane

Jigme Dorji Wangchuk

Veer Savarkar

Thakkar Bapa

Ahilyabai Holkar

Rash Behari Bose

Sane Guruji

Maharishi Mahesh Yogi

Swami Ranganathananda

Dr. Shanti Swarup Bhatnagar

M. S. Subbalakshmi

Dr. Satish Dhawan

Chaitanya Mahaprabhu

Surdas

A. Ramaswamy Mudaliar

Mohandas Karamchand Gandhi

Prafulla Chandra Roy

Kabir (pre-independence poet)

Zubin Mehta

Kalidasa

Suchitra Sen

Tyagaraja

M. G. Ramachandran

Dr. Prabha Atre (classical singer)

Kavi Pradeep

Pt. Kishan Maharaj (tabla)

R.K. Laxman

Mirabai

Tulsidas

Uttam Kumar

Dr. K. Kasturirangan

Ashfaqullah Khan

Dr. Dhondo Keshav Karve

Ram Prasad Bismil

Chandrashekhar Azad

Tenzing Norgay

N.R. Narayana Murthy

Kumaran Asan

Bhai Vir Singh

Dr. Shyama Prasad Mukherjee

Dr. John Matthai

Subramanya Bharati

Pt. Omkarnath Thakur

Emperor Indravarman (of Srivijaya Empire (7th c – 12th c))

Vaidyaraj Sushil Kumar Jain (Jaipur, present day)

Sant Tukaram

Emperor Lalitaditya Muktapida (of Karakota Empire(7th c–9thc))

Peshwa Balaji Vishwanath (Maratha Empire)

Emperor Akbar (Mughal Empire)

Laxmikant-Pyarelal

R.D. Burman

Shankar-Jaikishan

S. D. Burman

Manoj Kumar

Mohammad Rafi .

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Tyagaraja

Tyagaraja (4 May 1767 – 6 January 1847), also known as Tyāgayya, was a renowned composer of Carnatic music, a form of Indian classical music. He was prolific and highly influential in the development of India's classical music tradition. Tyagaraja and his contemporaries, Shyama Shastri and Muthuswami Dikshitar, are regarded as the Trinity of Carnatic music. Tyagaraja composed thousands of devotional compositions, most in Telugu and in praise of Lord Rama, many of which remain popular today. Of special mention are five of his compositions called the Pancharatna Kritis (English: "five gems"), which are often sung in programs in his honour.

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