#two endings for one fic

[youchangedmedestiel]

I happen to have a fic with two endings.

I can't choose the one I prefer. One ending has light angst and the other is funnier. And I just... can't choose.

So I'll guess I'll post the fic with the two possible endings in different chapters and like that YOU can choose which one you prefer because I can't. It just gives you more content so I guess it's fine.

[xinganhao]

🌱 wonwoo x producer!reader.

the five times wonwoo swears he's over you (and the one time that he decides he isn't) ★ see also: main post, drabble

♫ maybe i'm just not better than this, i haven't tried / 'cause maybe you'll finally choose me after you've had more time.

🌱 the five times.

when he sees you for the first time in over a year.

he believes it's the nice thing to do, treating you out to dinner. he froze you out, after all, because he was stupid and he didn't know how to handle his crush on you. he likes to think that the past fourteen months have made him better. wiser. so, that night, he makes it up to you. he also makes up a dozen different excuses. do his eyes linger on you a little too long as you happily drink your yogurt drink? he's just making sure you like what he chose for you. does he walk a little closer when he notices you're shivering from the evening cold? he's just concerned you might get sick. he doesn't like you anymore. he's better now, wiser now. he has to be.

when your second studio choom video comes out.

it's not the same as the first time, where he'd smiled to himself while watching you perform your latest comeback in STUDIO CHOOM's crisp, 4k quality. back then, that's how he had known he was done for. this time, he watches it purely out of curiosity. to add to the millions of views that the video is already raking up. he keeps a straight face the whole time. just watches with a perfectly neutral expression. he's just a guy supporting a friend, isn't he? when he gets through the entire video without smiling, he counts that as a win. if his heart— the bloody traitor— had stuttered at your ending fairy, well. that's an entirely different story.

on a random tuesday, just because.

he's never really seen the appeal in games like stardew valley; they were always a little too slow for his taste. but you'd absolutely begged, and so he begrudgingly bought the game for ₩20,600 just to shut you up. he still doesn't care much for it, to be quite honest. there's a lot of slow, lazy days where he just dicks around in-game. he bears with it anyway since you're always so happy when you beat him at fishing, or when you get to steal away the bachelorette he was going after. your voice is a low buzz in his ear as the two of you play until the sun has risen, until he's cussing you out for keeping him up so late when he has a schedule to go to. you let him complain all he wants because he'll still back online for co-op later that night.

when you're back in the same recording studio as him.

this one is the hardest, because this is where he fell for you in the first place. you, with your head bent as you fiddle with jihoon's digital audio workstation. you, with your usually friendly demeanor shuttered behind something so cool and collected. the pencil tucked behind your ear. the way you worry your lower lip as the boys croon. he wants to scream, wants to test just how soundproof this damn studio is. instead, he sings his lines. he makes adjustments as necessary. he watches you do your thing, even jokes to you here and there. it's all he can do to keep his mind away from what it wants so badly to stray back to. in the end, he doesn't scream. but when you smile at him and tease him that he did a good job— he wishes he had.

when he drives you home after you've had one too many to drink.

you're half-asleep in his passenger seat, all soft edges and incoherent mumbles. he tries to be cross with you, tries to tell you off for not knowing your limits and ending up like this. there's an unmistakable softness in his gaze, though, as he makes sure the seatbelt isn't too tight around your frame. he avoids all the potholes and goes extra careful over the speed bumps. by the time he makes it to your dorm, you're already passed out with your cheek pressed against the window. he decides to let you sleep for only thirty seconds more. as he mentally counts down— thirty, twenty-nine, twenty-eight— he tries to convince himself that it won't sting when he gets to one. (it still does.)

🌸 the one time.

on another random tuesday.

in the end, it's not an evening of stardew valley that gets him. it's not one of your fancams, not your warm presence in his shotgun. no, it's something much more stupid. something much more small. it's the way he looks for his phone when it pings. he doesn't even know if it's you who's texting him. but it could be, and that's enough to have him fishing through his bag hastily. he catches himself one afternoon, notices the way he's just a touch too excited to check the newest notification. he's not any wiser or better, it seems. he doesn't know if he can be. he's still the same jeon wonwoo with a hopeless crush on you.

[heynhay]

scene from where the apple falls by @jupiters-junipers :-) wholeheartedly recommend any and all of her work

[hinamie]

fire nation festival wear aka a blatant excuse for me to push atla clothing design conventions to the absolute Limit

jjk atla!au with @philosophiums

[umblrspectrum]

go read Memento Nori and Like the Stars and What Friends Are For and just generally all of Ad Astra Per Aspera by LadyDaybreaker on ao3

[wttcsms]

most noble ; kento nanami.

pairing kento nanami x f!reader  word count 3.6k  synopsis your beloved knight nobly defends your honor by participating in a tourney to duel the man who insults you. he does not realize that the reward for his victory is your hand in marriage. content contains medieval royal au, knight!nanami & princess!reader, age gap (reader is 22/nanami is 29), longing!!! it's about the pining!!!, requited unrequited love, romantic tension, nanami being hopelessly in love but feeling undeserving :( author's notes omg can y'all just get ur acts together n marry each other holy shit (make me make a pt. 2, plssss)

Kento Nanami knows that he’s made a mistake, perhaps one so major that not even taking another professional role within the castle will be able to cover it up. Then again, it’s not like him leaving his post the first time around has resulted in any change. Maybe him leaving only to return back to your side once more is precisely the reason why he’s making so many mistakes.

For example, earlier this week, his fingers brushed against yours while handing you your tiara. Or, just before that, he found himself remaining only two steps behind you rather than the traditional three. And maybe he’s just paranoid, afraid that he’s being obvious and overly obnoxious in his displays of affection for you, but he did not earn the title of Head Knight of the Royal Guard for no reason. The king — your father — would not have bestowed such a prestigious title to a man who is not always proceeding with constant caution. 

To any visitor of the court, Sir Nanami is just another highly skilled knight, dedicated to protecting the princess. To Nanami, he is a lovesick fool trailing after you, failing to mask his true affections. 

No one sees through him, except for the one person who he so wishes were blind to his feelings. 

Easily excitable and sweetly endearing, you are the heiress to the throne and future ruler to citizens who adore you. It’s hard not to fall for your charm or the kindness that you bestow upon anyone who comes across your path. You’re considered to be the sun that shines over the kingdom, and Nanami knows of no star that shines brighter than you. 

But behind your youthful exuberance and seemingly carefree attitude is a highly perceptive young lady of the court. With your cheery smiles and laughter that seems to flow so easily and rings through the halls of the castle, it is easy to forget that one day, you will be queen, and that you have been raised your whole life to fulfill your royal duty. 

It is easy to remember this fact when you’re sitting atop your throne, staring down at him as he kneels. 

“You regret it,” you say, absentmindedly tracing the intricate designs carved onto the handles of your seat. You still haven’t learned how to stop moving your hands every time you’re nervous. It’s your only tell; for as well as you can read Nanami, he can read you even better. Your anxiety only causes him to tighten his jaw, his eyes focused on the lower half of your face because this is all his role allows him to do. He should not dare to look Her Royal Highness in the eyes; not at his lowly level in comparison to you.

You frown at his silence, knowing that he’s doing it to raise the barrier between you two. Four years ago, he hadn’t tried to shut you out so firmly, and every day since then, you have spent all your free time wondering why he wants nothing to do with you. 

The it you’re referring to could be many different things. “It” could possibly be him leaving his station as your personal knight in order to become one of the king’s advisors. “It” could also be referring to him returning to be your knight. Or maybe you’re talking about the kiss the two of you shared a fortnight before he decided to stop being your royal guard. The kiss that lingers on his lips, even to this day. He doesn’t even have to think hard enough to remember the wonderful feeling of your soft lips pressed against his own, or that saccharine taste of yours that is yours alone; no fruit, no candy, nothing has ever been able to mimic your sweetness. The kiss that never should have been. The kiss, the kiss, the kiss.

Maybe “it” is none of that, or maybe it’s all of the above. He knows you, and you’re not going to clarify because you believe that Nanami is a mindreader, and for the most part, he is. He knows what gowns you favor, and when you’re sleepy during court meetings, and he knows what order you’re going to eat the food on your plate. He knows where you go when you want to be alone (to the horse stables, to be with your beloved mare), and what your favorite tiara looks like, and that you snort when you laugh (but only ever in the presence of those you are truly comfortable with; only ever in the presence of him). 

He does not, however, know about his place in your heart. 

You wonder if he’s forcing himself to be unaware of your feelings for him. Sometimes, in the corner of your eyes and in your shadow that he follows, you catch him staring at you longingly, hopefully. With a type of reverence that differs from the one grateful citizens show you. This one feels… intimate. A look meant to be shared only with lovers. 

Lovers.

You had toyed with the idea four years ago, when you were eighteen and bright-eyed and much too hopeful for your own good. You craved romance and passion, and whichever suitor you came across, you always found them to be lacking, none of them comparing to Sir Nanami. And you knew, with girlish glee, that it is Nanami that you want. And then came that fateful afternoon in the gardens where you kissed him, and you swore that flowers started blooming on the bushes as a result. The birds were singing, and the sun was shining much brighter than ever, and you felt weightless. As if the inevitability of having to rule a kingdom was no longer a point of stress, and the burdens of your royal duty slipped from your shoulders and melted into the dewy grass beneath you. All that existed, for that brief second of bliss, was you and Nanami.  

And then, two weeks later, he resigned and decided to work for your father. 

His return had come as a surprise to you. During the years he stopped being your knight, you saw him only once a week, if the fates decided to bless you. For the most part, you’ve grown accustomed to only seeing his broad back or a flash of blond hair passing you by in the corridor. You wonder if he knows that he’s your first kiss — your only kiss. Surely he must. He’s spent a good portion of his life ensuring that your virtue was to never be tainted. 

“I do not know what you speak of, My Lady.” He says. He speaks so little to you now that you savor the sound of his deep baritone, the smoothness of how words seem to glide off his tongue. Nanami takes something so mundane as talking and turns it into an art. 

“You regret the duel.” 

And here lies the grand mistake that Nanami cannot figure out how to fix. He believes that being cold to you will perhaps dissuade anyone from assuming how closely he holds you to his heart (his act of emotional indifference towards you is so convincing, even you sometimes believe it), but he’s only human. He is a slave to his emotions — the utterly irrational ones, the ones that make him act a fool — as all men are. 

Nanami hadn’t intended on participating in the tourney. He’s nearing twenty-nine, after all. He’s reached the highest status any knight could possibly aspire to, and he no longer is a squire from a commoner family with something to prove. Tourneys are a thing of the past, a memory from his boyhood. 

But there are visitors from all sorts of lands who came down for this royal celebration. A lowly lord from a kingdom ruled by Mahito is precisely the type of scum that does a disservice to all men. Crass, vulgar, and entirely immature, Lord Shigemo has a dastardly reputation for never keeping his disgusting comments or filthy hands to himself. And while it was not his touch that threatened your very virtue, it was the perverted proclamations he kept declaring that had Nanami seeing red. 

“She’s a bit old for my liking, but I still bet her maidenhood is ripe enough for the taking. I’d love to see her bleed all over my cock.” Lord Shigemo snickers as he loudly announces this, his beady eyes staring right at you. He’s smart enough to not say your name, lest his head end up on a stake outside your father’s castle, but he’s dumb enough to not heed the warnings he’s been told. 

The princess is protected by the bravest of all knights, and the most honorable of all gentlemen. 

For that comment alone, Nanami is ready to unsheathe his sword and behead Shigemo, but he knows he cannot. There has been no direct threat to you, and Nanami has just enough restraint to remember that his anger cannot get the best of him. He is not to harm visitors to the kingdom, no matter how deserving of punishment they are, because maintaining peace between the lands is of the utmost importance. 

But the way your body stiffens and the almost sickly pallor of your face that occur as a result of Lord Shigemo’s verbal transgression is enough to have Nanami pledge his participation in the dueling tourney. He signs his name in the same competition bracket as Shigemo’s, and you’re pleasantly surprised when Nanami kneels down, asking for your favor and a blessing as he goes to represent your family. 

“And what has made you so keen on dueling now, hmm? Why, King Gojo has spent the better half of today trying to goad you into jousting with his knight.” You’re teasing him, eyes sparkling, your gibe gentle and without malicious intent.

You’re not trying to convince Nanami to not partake in the tournament. In fact, you take secret pleasure in watching his swordsmanship, even going out of your way to sneak into the training grounds and watch as he practices moves you’re certain he’s already perfected. For a man with so much muscle mass, he moves swiftly and with a sharp, quick precision that does not befit his firm build. 

“It is to defend my lady’s honor.” He curses himself for being so forthright with his intentions. He could have told you that it was to honor your family, and it would not have been a lie, but it wouldn’t have been said with the same strong conviction he speaks with now. It is not the king or any of your cousins that he is fighting for; it is just you, only you. 

Removing the brooch from your gown, you attach it to the cloth of his shirt that is soon to be covered by armor. It’s a dark blue gem, matching the color your house favors. 

“My most noble of all protectors. You have my favor, then, and all my prayers.” As you always do is the real ending to your sentence, but you fear that if you reveal too much, then Nanami will not be able to focus and give this tourney his all. You wonder if you should reveal the prize for winning, but decide against it at the last minute when he dares to look at you, a glimmer of the same affection from four years ago shining in his dark eyes. It’s a similar look to the one he gave you before your lips met his. 

The urge to kiss him again rises, your heart thumping against your chest, but all you allow yourself to do is smile at him.

The tourney itself is a quick event. Usually, it lasts far longer than the hour it takes up, and the gambling a tense, exciting affair. With Nanami entering at the last minute, most gamblers changed their bets to go all in on him winning, and for a good reason. He makes quick work of every opponent unfortunate enough to be paired with him, and the only time Nanami truly takes his sweet time is when he comes face to face with an anxious Lord Shigemo. 

Even toying with him doesn’t give Nanami much pleasure. Shigemo is a weak opponent, a poorly trained fighter, and a pitiful excuse of a man. Tired of his time being wasted, Nanami has the man shaking underneath the sharp point of his sword within seconds after deciding he is done playing these games. Even after being declared the winner of the whole tourney, an outcome he isn’t surprised at, he doesn’t feel any satisfaction. Flowers and handkerchiefs are being thrown at him as a show of respect and celebration, but only when he looks up into the crowd, his eyes focusing on your smiling visage, does he feel an ounce of pure happiness.

Before he can climb the steps leading to the showbox that houses all the prominent royal families, one of the tourney competitors stops to congratulate Nanami. 

“Lucky bastard.” It’s Naoya Zenin, Crown Prince of the neighboring kingdom. Nanami is glad he was not competing in the same bracket as the prince; not because of a difference in skill, but because wounding a Zenin’s pride was considered treason to them. 

“It’s just flowers.” Nanami says. He doesn’t understand what Naoya’s fascination with them are, but perhaps it’s the glory of being a victor that he’s envious of.

“Don’t be a fool.” Naoya scoffs. “We all know the real prize that every damn man was trying to claim.” 

Nanami is still confused. Of course, Naoya talks incessantly and most of the time, Nanami does not care what the Zenin heir has to say, but he did notice that there were far more competitors signing up for the tourney than previous years. Is there a monetary reward no one told him about? 

“So, how much for you to forfeit?” Naoya asks, completely unaware of Nanami's ignorance. 

“Pardon?”

He rolls his eyes, as if Nanami is some type of undomesticated animal, untrained to following commands. Nanami wishes he had been placed in the same bracket as Naoya now, treason charges be damned. 

“Never mind, then. I’m sure the princess herself will just make an announcement rescinding the reward.” Naoya smirks at the thought of that, and Nanami struggles to fight the urge to demand the prince stop being so cryptic and to just explain what the hell he’s rambling on about. Rescind what reward? 

A familiar head of pink hair pops up by his side, and Nanami immediately recognizes his young student. Eager Yuuji Itadori is smiling widely, happy for his teacher, and for once, Nanami is grateful that young Itadori does not know how to beat around the bush.

“Wow, congratulations, Sir Nanami! I had no idea that you wanted to marry Princess [Name]! Will you still be able to train me as Prince Consort?” 

Nanami’s blood runs cold. Oblivious to his mentor’s sudden anguish, Yuuji continues on. 

“Her Royal Highness was so kind to open the competition for her hand to any class. Of course, some people dared to criticize her and claim it’s because she’s becoming too old to be a maiden so she had to cast a wide net, but I know plenty of ladies who are unwed in their twenties. Will you still be her knight as her husband, or will that role have to go to someone else? Say, Sir Nanami, are you feeling alright?” 

You’re beaming with pride at your beloved knight’s victory, yet nervousness at watching him interact with Prince Naoya started creeping in. You start to relax when the Zenin heir walks off, but your peace of mind shatters when you watch Sir Itadori engage in conversation with Nanami. You watch his facial expression tighten, his body tense up, and you realize that Nanami knows. He knows that he has a right to be betrothed to you, and it dawns on you, from his poor reaction, that this is not the outcome he wanted. 

Which leaves the two of you here, alone in your throne room. Your father had found your idea of a tournament for your hand in marriage to be a silly one, but he had indulged you because you promised to be betrothed to someone at the end of it. By standards of the court, you’re much too old at twenty-two to remain unwed. 

You’ve been plotting ways to get Nanami to participate, even daring to consider commanding him to do so, but never has being a victim to malicious comments ever been as beneficial as it has today. Nanami signed up for the tourney by his own will! His words ring in your ear, looping incessantly as you watch him fight.

It is to defend my lady’s honor.

He does not know the effect that title has on you, at least when it’s coming from him. My lady. His. 

“If the idea of marrying me causes you so much ire, I will call off the betrothal at once and relieve you from your knightly duties, as well.” You do not want to do such a thing, but… You love Nanami. You love him so much that if it is your presence that pains him, you will take your leave now.

“No.” 

The word comes from somewhere deep within himself, throaty and raw, like it hurts to say it, but it had to be spoken. The fates demand it. 

“No?” You repeat, slowly, almost as if the word is something foreign to your tongue.

“Forgive me, my lady. I did not mean to speak out of turn.” 

“You do not want to leave me?” You say it softly, but it’s just the two of you in this room. Every word exchanged seems to bounce around the walls, ricocheting, hitting the both of you in the face. 

“Princess, it is not a matter of my wants.” Why must you torture him so? While he knows he can never marry you, there was a second of elation that excited his soul at the prospect of being your betrothed. He’s lived a rough life, his calloused palms and hardened heart proof of it. He hasn’t allowed himself to indulge in fantasies for quite some time, but you inspire just enough hope that it stabs him in his heart. Daring to dream of the impossible is a fool’s game. 

“Ask me what I want.” You say it firmly. He obliges. 

“What is it that you want, my lady?”

“You, Kento.” 

No title, no boundaries. You have spoken his name, and that sting in his heart, the harmful side effect of his hope, grows. He dares to look up just a bit more, his eyes staring deep into your own. 

All the walls Nanami painstakingly built to separate you two threaten to crumble right before his very eyes. His battlefield tact is of no use here. Had this been any other battle, he would charge forward with his head and sword raised high. Retreat is not an option for a soldier such as himself. 

So why does he flirt with the idea of fleeing now? 

“I am not deserving.”

“It hurts me when you say that.” And you say it with such a wounded look on your soft features that Nanami knows it must be true. 

“I am not even a lord.” He’s fumbling for an excuse, anything to convince you that marrying him would be a mistake. He finds your stubbornness endearing, but he must get you to understand that you will regret marrying him.

“I have no need for a lord.” You retort, almost scoffing at the notion.

“I am seven years your senior.”

“Much better than the suitors decades older than I.” 

“You must understand that I am not the gentlest of men. I am not built for care.” The tips of his ears turn red, a giveaway to his shame and embarrassment at the fact. 

“I am not fragile.” 

Stubborn. You are much too stubborn for your own good.

“I have tainted you.” He chokes out, staring you directly in the eyes. Showing his sins to the broad daylight filtering through the stained glass windows of this room. “I have stolen a kiss meant for your husband.”

“I kissed you! You have tainted nothing, you have robbed no one!” You exclaim, shocked at his misery. 

“And now I have stolen your fate.” He continues. “You should not wish to marry a man like me, and you will only come to regret this impulsive decision of your youth if you force this betrothal.” 

“Am I forcing you, Sir?” The title seems almost like a mockery, especially after you exchanged it for his given name just minutes prior. 

There is nothing Nanami can say that will change your mind, and he realizes this. He realizes the pure selfishness of wanting you to not change your mind, but he is stubborn as well. The tension in this room wraps around the both of you, binding you two together. It’s a battle of wills, now. 

Perhaps it always has been. 

“You will regret this, my lady.” This is what he says. Inside, he begs of you, please do not regret me. 

Satisfied at seemingly having your way, you settle into your throne, leaning back. 

“So noble of you to want to save me from what you consider a dastardly fate, but I shall be the judge of that.” 

And thus, the engagement period begins.

[alchemistc]

Catie's Big Ass bucktommy fic rec (Part One)

So I'm not gonna lie, I have most of these fics priv. bookmarked because I HAVEN'T COMMENTED ON THEM YET AND I FEEL REALLY GUILTY ABOUT THAT. But more than one anon has asked for this and it tickles me pink that y'all like my writing enough to trust in my recs. So. Please, please, be better than I am and make sure to kudos and comment if you enjoy any of these works.

(Guys, there are SO MANY amazing writers in this fandom. So many truly breathtaking fics already. I got two hours into this and realized I was going to need to split this into parts because I have too many things to say about each of these and I want to do them all justice.)

Writers you can trust in:

@rcmclachlan /ao3 : I will sing RC's praises to the moon and back. There is something about the way RC injects humor into the tiniest of lines that makes me want to scream into a pillow until I pass out. You will see more than one of RC's fics in this list.

@kirkaut /ao3: kirkaut is the reason I jumped on this bandwagon. The unhinged spiral into LFJr obsession and the prevalence of well thought out meta and incredibly hot fic drew me in. If you are not following kirkaut, change that now.

@26-cats-in-a-trenchcoat / catfud_ohplease on ao3: Devastating prose. The ability to turn a theme on a dime and STAB YOU IN THE HEART with it. Mac owns my whole soul when it comes to really scratching that itch behind my eyelids for thematic imagery and really creative ideas for fic that aren't just run-of-the-mill smut/angst/fluff.

@devirnis / ao3: Ali only has one bucktommy fic up on ao3 but it is devine and I love it. Ali is also the only writer who has tempted me into reading buddie. This is not an indictment on buddie fandom or buddie fic writers in general, I just tend to be a one ship kinda gal and I don't really dive into fic for a ship I don't vibe with. Ali's writing has made me reconsider this position.

@beefcakekinard / thingbe on ao3: The domesticity. Literally just reread one of Rose's fics this morning and HAD to comment on it again because it made me want to fling myself to Jupiter.

(This is not a comprehensive list, but I just realized how many fics I have already bookmarked for bucktommy and I'm already under a readmore.)

Fics that make my brain go brrrr:

only fools rush in - somnum365 ( @firehose118)

Tommy lets Buck set the pace. Buck is ready for something.

Super hot and all about checking in. I've got a thing for discovering sex with a partner starting out with frottage and this delivers. The characterizations are so great.

Colin Firth Thinks You're Hot - IDontGoHereEither (@herrmannhalsteadproduction)

Buck is late for a special date night with Tommy, but he still stops to help a stranger stuck on the side of the road. Luckily, that stranger is about to help HIM.

Cute as fuck with a super fun guest star. Who doesn't want Mr. Darcy to think your boyfriend is hot?

sad girl poetic thursday night - screamlet

Date night menu: pasta primavera and emotional unpacking.

There's something about the pacing of this that sent me into a tailspin. The stream of consciousness that actually bleeds from the dialogue into the action and vice versa. Hng.

I Was Only Falling In Love - Princessfbi (@princessfbi)

Tommy in crisis mode.

There's a moment in this fic where Eddie has to pull Tommy back from the precipice of something and it lives entirely rent free in my head, forever and ever amen. The firefam taking care of Buck by taking care of Tommy.

let me count the ways - ashesandhalefire

Buck and Tommy in the aftermath of a good evening are chattier than they probably reasonably should be

There is something about this fic that feels like the witching hour is upon you, like you could live in this little pocket world Buck and Tommy have created for themselves forever. The dialogue is fantastic, and the way they communicate with each other is just *chefs kiss*

let's make it cinematic - kirkaut

Tommy helps Buck deal with some of his impotent rage in the face of the Gerrard of it all.

Listen, I do not have a praise kink. This kinda makes me wish I did.

"[...]Everything is.” He circles a finger around in the air. “It’s very spinny.” - this line of dialogue came for my fucking throat.

Sick with it - Mellow_Yellow

what if in an alternate universe babyslut Buck joined the 118 when Tommy was still in his closeted asshole era and they had a torrid affair??

The way this is a little fucked up. The way the characterizations aren't exactly familiar because they haven't aged into what we know them as in current canon. The way you can see in every broken line and every stutter step that Tommy is falling for Evan and has No Fucking Idea what to do with that. Ugh. Best Met Earlier AU I've ever read.

He blinked as Tommy walked by, eyes sliding closed again before he left. He felt a light touch on the top of his head but figured he was imagining it. He couldn’t think of anyone at the 118 who would touch him that carefully. - just absolutely fucking end me they're so good/bad for each other

A Full Body Workout - Persiflager

Tommy and Buck spend a day trying to distract Eddie from the *gestures vaguely* all of it.

The way this is so quiet in the way it shows you how Tommy and Buck care for each other. The way they are down bad but still so hyperaware of the pace they've set, the things they've talked about. The way they take care of their friend here. I'm obsessed with the tone of this one. Also, as a general theme, nothing draws me in more than well thought out dialogue, and this one has some fucking GREAT dialogue.

Your love is better than ice cream - Cecily_v, liminalmemories

An alternative meet-cute, where-in Tommy doesn’t know the 118 and decides Buck is worth it anyway. Buck is confused but figures some things out.

There is so much I love about this AU. How they meet. How their relationship progresses. How it feels glacially slow in comparison to the canon storyline but also how in character they both are. The foundation of their love in this fic is downright eatable.

just couldn't fall til we met - thingbe (@beefcakekinard)

Buck and Tommy spend a quiet morning in together.

This is the one that crossed my dash earlier today and made me eat fucking glass on reread. The closeness. The way they're both so tactile. The blink and you'll miss it hints at a life being built together. Eating this UP every time I read it.

The Premium Twunk Appreciation Society, President: Tommy Kinard - everythingremainsconnected

5 times Tommy almost faints like a Victorian maiden at the sight of Buck’s flesh, and 1 time he can do something about it.

“Hey,” Evan said, shoving Eddie out of the way and filling the screen with his playful glare, “organise bro time on your own time, I’m on the phone with– with Tommy.”

“With who?” Eddie repeated. Tommy didn’t need to see his face to hear the fondness in the mocking. “Who’s on the phone? I didn’t quite catch that.”

- They are so stupid about each other in this fic, please read it and watch steam blow out your ears at how sweet and hot and down bad for each other they are.

desire (i want to turn into you) - chthonicheart

The first time Buck’s really able to bury his face between a man’s tits, he nearly cries.

pwp but with a whole heaping of character study. HOT.

rule four (you were only waiting for this moment to arise) - middyblue (daisyblaine) [@middyblue]

Tommy has doubts.

There is a general mood to this piece that feels heavy in a way I can't quite explain. There was a weight on my chest all the way through this in the BEST way possible. The way Tommy navigates his mind and struggles to trust the little slice of peace he and Buck have carved out is just mindbogglingly beautiful.

Come Fly The Friendly Skies - RC_McLachlan (@rcmclachlan)

Buck meets their rescue mission's would-be pilot and is extremely normal about it.

"Throttling is what I'm gonna do to you if you don't shut up and let the nice man steal a helicopter for us,"

WHEN I TELL YOU I AM INCANDESCENT WITH RAGE over how funny and insightful this fic is.

Every characterization is picture perfect.

Maddie gives great hugs, but she's so small; if she had this guy's build and could basically fold Buck into her like an old blanket, they'd have to pry him out of her arms with the jaws of life.

In the back of Buck's mind, in a place he hasn't discovered, he's already picked out a venue and chosen his centerpieces. He's mentally putting together seating arrangements. This line of Buck's thoughts on Tommy Kinard told me so.

Please read this and join me in trying to destroy RC with my mind (lovingly).

little by little - MediaWhore

Buck & Tommy, during and after the wedding.

There is something so soft and gentle about this fic. The way Tommy just gives in to the exhaustion and props himself up against Buck because he knows he'll be able to take the weight (he wants to take the weight and Tommy knows it). The quiet flirting, the way they take care of one another. The jumpscare of Marge and Phil and how this fic is right at the edges of exploring that but Buck has me important priorities.

“It was badly done,” - the way this is so in character for Ma Buckley and the way it made me want to SHAKE HER TIL HER TENDONS SHATTERED AND SHE CRUMBLED LIKE A SATISFYING CASINO IMPLOSION

Soft and heartbreaking and mending all at once.

while you arranged flowers - newtkelly

Buck’s got a wedding date, but as far as today goes, he’s also got a regular one.

The way I want to wrap this Buck up tenderly and hide him from the people in his life who DON'T DESERVE HIS AFFECTION, HIS LOVE, HIS JOY.

The non-urgency of this, the absolute too-much-too-soon he's dealing with in his own mind while he grapples with the reality of seizing a second chance with both hands and getting to explore himself within the confines of a very lovely, very sweet and kind, VERY HOT man he wants to get on his knees for.

Beautiful prose, excellent dialogue, an insightful character study.

[buddie-buddie]

let me go home (i'm just too far from where you are)

9.5k - T - established bucktommy

Tonight is going to be perfect.

The dinner, the wine, and then, when the moment’s right, he’ll ask Evan to move in. It isn’t the grand proposal Tommy’s saving for later on down the line, but it’s the first step. And it’s one he can hardly wait to take. 

Thankfully, he doesn’t have to wait much longer. He’s washing the last of the dishes when he hears Evan’s car door closing in the driveway. Tommy wipes his hands on a towel, excitement bubbling in his chest as he heads to the front door, ready to greet his boyfriend. 

When he swings the door open, his words die in his throat. 

Evan stands on the porch in front of him, pale and hollowed out, his eyes distant and unfocused. His hands tremble where they hang at his sides, covered in blood. Blood stains streak across his t-shirt, every inch of him radiating exhaustion and something deeper, something raw. 

“Evan," Tommy breathes, his heart lurching. “Are you okay?”

Evan doesn’t say anything. He just stands there, his chest rising and falling in shallow breaths. Concern washes over Tommy in waves. His mind races with possibilities, each one more horrifying than the last.

“Evan,” he tries again, more insistent this time.

read on ao3

[reineydraws]

i have this fic series i'm still working on where mihawk sort of becomes rayleigh's kid and spends ages 11-17ish on the oro jackson.

shanks and buggy imprint on him (bugs considers him a sort of older brother figure/sparring inspiration and shanks has a crush that eventually turns into full-blown love) and this is how i imagine they're like on the day mihawk sets off on his own haha.

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[marragurl]

Saxaphone player Gallagher has not left my mind since the jazz night art dropped AND THEN Robin saying Halovian’s innately have good voices and Sunday used to hum lullabies to her as kids happened in the 2.2 special program, and I’m sure you guys can see where my unfortunate Galladay heart is going with this.

Whoever decided to make this art, I love you. I hope your pillow is cool every night, you’re never stuck in traffic, and your water is refreshing with every sip.

Also the art of Sunday with the White Gentlemen drink in the S.P.A.R.K.L.E jazz night event has also spiraled into me delusionally thinking that’s his go to drink. Which is hilarious since Robin has hinted before that he seems to have a massive sweet tooth in her letters.

(Sunday how do you even make holding a drink menacing, Sunday please get some therapy-)

So imagine this:

Pre 2.0 Galladay, where they’re both wary and suspicious of each other but didn’t do anything outright. Sunday slowly began to visit Gallagher’s bar whenever he had time to observe the Hound, initially on the down low just to get a sense of what he was working with and what to keep an eye on. He always gravitated to that one corner booth that every bar had with the most privacy, and just stalked there for a few hours before leaving. (Smol menacing birb in a tree vibes)

Gallagher obviously knew that Sunday was doing this (even though everyone else seemed to somehow completely miss him, Gallagher wouldn’t be surprised if Sunday was doing some weird Harmony mind tricks), and after the first few “stakeouts,” he bit the bullet and actually approached the table to engage with Sunday, on the off chance this was some weird “test of loyalty” by the Halovian to see if the Hound would swallow his pride to serve his so-called masters.

Nothing terrible happened, but he remained passive-aggressively polite when serving him, and Sunday remained passive-aggressively cool-headed in response. There was some snark of what dear “sweet-toothed” Sunday would want at a bar, and an icy reply of “aren’t you the master drink smith? Why don’t you show me those skills you boasted about?” which led to Gallagher being petty and giving Sunday the White Gentlemen drink, both for the story behind it being such a metaphor for Sunday, and because it was on the more bitter side of alcoholic drinks.

Sunday wasn’t too against the drink; it wasn’t something he would have ordered if it had been his choice, but it wasn’t a bad drink by any means. He couldn’t help but continue to drink it even after Gallagher left his little hidey booth to go back to the main bar, but he’d never stoop so low as to complement the Hound. Of course, he never ordered anything else from then on, only White Gentleman. In fact, over time it seemed to slowly get better, the flavors grew on him, and he couldn't help but look forward to it during difficult nights in the Dreamscape.

If Gallagher tried to needle him into a different drink, Sunday just bit back a “oh? Admitting defeat? I thought this was your best drink for me?” with a little smirk while Gallagher had to use every bit of self-control to not punch him in the face.

As time went on, the bar slowly became a place Sunday frequented to not quite relax, but to get away from the hustle and bustle of Penacony and his duties as one of its main faces. The stresses slowly started piling up, especially with the Charmony fast approaching in a few months and all that came with it.

Gallagher didn’t seem to loosen up regarding his attitude with Sunday, but he did get better at shoving down the visceral hatred he had for everything to do with The Family and Sunday as time went on. He didn’t get soft with Sunday per se, but he definitely kept an eye out for him, and definitely knew when to cut off his drinks on days where it seemed that Sunday wasn’t all that there for their usual veiled comments towards one another when he went to serve him his drink.

It started small, with Sunday staying later and later until sometimes he was the last one to leave the bar to return to reality. Gallagher wasn’t quite sure what to make of it, still wasn’t quite sure this wasn’t some weird long-term test Sunday was devising, especially since he still seemed to be the same ruthless Family member, the same Head of the Oak Family, when Gallagher was working as a Bloodhound outside the bar. For some reason though, within the enclosed space of this strange sanctuary, it was almost peaceful between the two.

One night, there was something wrong when Sunday entered the bar during Gallagher’s shift. He saw a bit of a crowd near the small stage that was within eyesight of his little hidey booth, it seemed some of the musicians of the live band were arguing? He watched as Gallagher came over, seemed to try to speak with the group before honing in on one of the musicians who had been making the most noise and seemed to be about to get physical with the rest. Sunday watched as Gallagher picked up the musician by the scruff of their suit with one hand and carried them towards the doors and lightly tossed them out.

(It was the first time Sunday had actually seen Gallagher perform anything resembling the actual duty of a Bloodhound. It only hit him that he’d only ever seen the other when giving reports, orders, or at the bar. Why was this so shocking to him, he’d seen the man’s arms before, hard not to with his slovenly dress and messy clothing style, as if he couldn’t bother to hide away his imperfections from the world, not like Sunday who refused to be seen by the world, to dare to show one thing off about himself despite his countless failings- he’s getting far too distracted by one meager showing of strength, focus Sunday)

There had always been a live music segment. Sunday was curious to see what would happen with the band missing a member, but was distracted by Gallagher placing his usual White Gentlemen in front of him before heading back to the musicians without a single word to him. Gallagher took a moment to speak with the rest of the band, who seemed to be coming out of their shock and took on worried looks. Sunday could only watch in muted shock as Gallagher went behind the bar and came back with a case, opening it to reveal a saxophone. He then went on stage with the rest of the group, positioned himself further to the side and in the back amongst the shadows within Sunday’s line of sight, and played with the band for the rest of the night.

Sunday couldn’t look away.

He was frozen as he watched Gallagher seamlessly transition from song to song, taking only small breaks to continue serving the other patrons before heading back in. Sunday only remembered about his own drink when his gloves began to get wet from the ice melting into condensation on his glass.

Something felt off within Sunday, and for the first time since Robin’s debut, he couldn't help humming to the music of the band, music that wasn’t of his own sister’s making. He couldn’t help but remember those little concerts the two would have, taking care of his little sister, his only world. He would do anything to keep the Harmony, to keep their family going. When was the last time they truly spent time together? Before he became the Head of the Oak Family? Before he couldn't recognize his own smile?

He was so lost in his thoughts, in memories he thought he buried, that he didn’t realize that it was once again closing time, and he was once again the last one left. He only snapped out of it when Gallagher came by to grab his empty glass, only quirking a questioning brow at him before heading back to the bar.

Gallagher had been keeping a quiet eye on the Halovian that night from the back of the band, in the shadows he felt the most comfort in when in the Dreamscape of Penacony. He had watched Sunday’s eyes glaze over, and the only reason he hadn’t felt offended by the seeming disinterest was the look in the other man’s eyes reminding him of his own when he looked in the mirror. The same look of shame, regret, loss, longing, of the wishes to regain everything he had lost. The same look he strove to hide under every bit of the facade he had crafted of this new self, but came back all too often with every reference of the Family found within his prison in the Dreamscape.

Maybe it was the shared nostalgia within his own heart, that little bit of his true self that he thought died when the Family tore out everything that made him who he was, that made him return behind the bar and begin making Sunday another White Gentlemen, giving Sunday a small nod to beckon him over. He wasn’t expecting anything from it, and he masked his own surprise when Sunday actually left his little shelter to come and take a seat in front of him at the bar. Even while out of it, Gallagher made note of the quiet confidence the other still carried himself. Nothing seemed wrong to anyone else looking at him, only for the lost look in his eyes.

The first time in the many months that they’ve been skirting around each other, and finally they seemed to be face to face.

It was quiet as Gallagher made Sunday his usual drink, a drink he had been slowly changing over the months to be sweeter and sweeter that Sunday never quite seemed to notice, or if he did, he never said anything, only seeming to savor it more each subsequent night. Maybe not even Gallagher noticed his own changes to the drink, subtle as they were.

It was quiet as Sunday took the finished drink, and it was quiet as his eyes slid over the bartop to see the saxophone case laying open with the instrument inside. It was quiet as Gallagher followed his eyes, as he came out from behind the bartop to take the saxophone out and take a seat in a chair only one seat down from Sunday’s. It was quiet as Gallagher began to play to his audience of one.

It was quiet as Sunday quietly hummed along.

It was quiet as they both knew that it would not last.

OK yea so this was all because I heard ‘La vie en rose’ at the end of the Jazz night event and went “Damn I wish that’s Gallagher playing on his Sax” and then we spiraled.

Uh. Idk what it is with me having a small ship moment which then spirals into a full blown writing session. My mind blanked out and as I came to I find out that I made a whole ass little one shot over here then completely forgot about it WHOOPS

So yea, hope my fellow Galladay enjoyers… enjoyed! I think I’ve slowly begun to crave… not domestic or fluff per se from these two, but after every AO3 fic being super dark between them (which I get! They are the toxic yaoi kings of Penacony as of writing this, no one is denying that!) I think I want to see them be explored in a more melancholic sense. Not quite the “forbidden” love angle, but in the “damn we kinda have some parallels, and maybe in another life we could have gotten along but there’s too much baggage and anger, both historically and currently to really even try anything”

I have this feeling this may not be the last time I write about these two… is Galladay going to be the ship that gets me to actually use my AO3 account?

[wolfofartblock]

Need a break from this webcomic I'm drawing, anyone got anything Desmond x (Altair, Ezio, Alex, etc.) related that I could sketch out 🤨 or AU stuff

[ghost-proofbaby]

never love an anchor (e.m. x reader)

"On some level, I think I always understood that a ship could never really love an anchor."

warnings: severe hurt/brief comfort, suicidal ideations, severely depressed reader. again: detailed recount of suicidal ideations. dead dove: do not eat.

wc: 5.8k+

an: i cannot emphasize this enough - this fic deals with a severely depressed, and blatantly suicidal reader. it is extremely heavy. it is extremely triggering. it is extremely self-indulgent. the romance aspect is ambiguous and the comfort aspect at the end is brief. this is a genuine, and sincerely personal piece of writing. it is an outline of how suicidal ideations may present themselves to some people. of these 5k words, 4k is deeply littered with reader's ideations without sugar coating. please, please, please do not read this unless you're in the state of mind to read it. you've surely heard it before but i'll say it just to be sure: it is a permanent solution for temporary feelings. and, just in case no one has told you, i'm glad you're alive. if you're reading this, i'm glad that you're alive. you're enough.

if you find yourself feeling like reader, i urge that you find resources such as those linked. hotlines, therapists, friends, your doctor, your family - please. i do not wish these emotions upon anyone, and they should never be taken lightly.

that being said, here are my guts from a very vulnerable moment, spilled out across the page. please handle them with care if you choose to read.

Technically speaking, the pressure that the human body is capable of handling almost seems infinite. When introduced slowly, and time is given to adjust, there is no pinpointed amount of pressure that dooms the human body. Like a crab in slow boiling water, your body should be theoretically able to handle a steady increase, bit by bit, and never truly notice. 

So why does it currently feel like you’re dying?

The pressure was never an overnight thing. It was a conglomeration you’d gathered, piece by piece, collecting little souvenirs of all the responsibilities you can’t currently remember if you’d ever agreed to along the way. It hadn’t been sudden, it hadn’t been with lack of adjusting, it hadn’t been a pressure suddenly unloaded upon you all at once – you’d done this, brick by brick, all with your own two hands. 

Keeping up with friends, keeping up with work, keeping up with expectations. Always trying to run ahead of the curve, always trying to be better. You should be fine. You shouldn’t even notice. You shouldn’t be sobbing on your bathroom floor, clutching the edge of your porcelain tub, every single breath a labor of survival. 

It feels like every bone in your body is splintering. It feels like the world has cracked open your ribs, one by one, just for show. You don’t feel poetic like the movies, you don’t feel like a valuable lesson learned in the books. You feel as though you’ve become nothing more than some crude display in a contemporary art gallery, and you were the one to hang yourself on the wall. 

Needles prickle across your skin with another heaving sob, as if you can feel the push pins you’ve used to spread yourself out for consumption. 

We still on for tonight? 

The text from Eddie glares at you from your phone discarded on the floor mere inches away. You’re lucky the screen hadn’t broken when you’d thrown it down on the ground on your way to the toilet, dry heaving through all your tears. 

He wasn’t a part of the issue. If anything, he was part of the solution. 

A shining clean slate, pristine whites and a scratch-free surface for you to press your cheek to when it all got a bit much. An abyss of freedom and openness for when the world was all a bit smothering. An anchor to cling to, a rope to tie around your wrists to keep from floating too far. The willow tree in a graveyard to rest your back against, the caress of a warm sun even if only momentarily as you stared out across headstones of all the pieces of you that you can never get back. Every version of you that has long since buried, a few even with newly churned dirt resting upon them. Something soft, something sacred, to rest your hands upon. 

Why does he still let you rest your bloodied and dirtied palms on his shoulders? Did he ever agree to that to begin with? 

You can’t remember. Or maybe your brain is simply refusing to recall. 

I hate to cancel, but I’m sick. I don’t think I can come out tonight :-( 

What? Is everything okay? Are you okay? Do I need to bring you anything? 

Please don’t.

The please is what gives you away. You should have forgone it, should have offered him a lighthearted response instead. 

But there is a pit in the bottom of your stomach, and seeing all the question marks across his text only made it more terminal. Only gave it more reason to swallow you whole. Only gave it more reason to grow and to tangle up and to restrict each stuttering breath of yours that you can’t seem to steady. 

Another buzz comes from your phone, but you don’t look to read it. You resort to resting your forehead against the lip of your toilet, all attempts at a deep breath futile as you finally taste the salt across your lips. 

Were you too much? Were you not enough? Was it possible to be an odd juxtaposition of both? 

A harrowing thought crosses your mind, and you know if Eddie could read minds across the intricate webbing that connects cell phones, he’d grab you by your shoulders. Maybe shake you until you see sense, or maybe cling to you until the thought has faded into nothingness. As if he could squeeze you hard enough to press together all the splinters that are left of your bones, forming a new body – a better body. One that can handle the pressure. One that isn’t imploding upon itself. A more durable mind, a more capable suit of skin to occupy. 

Does it even matter anymore? Would it even matter if I simply vanished? 

Would it be so bad to let the pit finally consume you? To just give in, to let it erase you from existence. To finally wave your white flag and let the awfulness inside of you finally win the battle, erasing you from existence and leaving behind an empty space in the world that could be filled with someone better.

Someone who could be a better friend. Someone who could be a harder worker. Someone who wasn’t choked up on their bathroom floor, beginning to contemplate if the painful gasps were even worth it. 

Were you worth it? Were you worth the air in your lungs? Or could it better serve someone who could handle all the pressure? 

And it wasn’t even that much pressure to begin with, if you pick it apart thread by thread. It was the natural weight of the human experience, and you were still crumbling. 

There was a full bottle of ibuprofen in the cabinet. There was a busy street not far from your home. There was a bathtub that could easily be filled with water – you’d never been good at holding your breath, unless someone counted the last few months, in which that seemed to be all you were good at. 

There was even a bridge, 5.27 miles away from your house exactly. You could already envision the patch of grass you could park your car at, feel the drop in temperature as you stood and overlooked the tame waves of a man-made lake.

Maybe your feet didn’t even have to leave the pavement. Maybe it would be enough to just stand in the silence and see the jump with your own two eyes. 

You felt like nothing more than a ghost of yourself, yes, but maybe. Maybe, just maybe, there would still be a broken shard within you that could stir awake at it all. Maybe if you got up off the bathroom floor and set yourself into motion, it would open its eyes just in time to scream no. 

Ghosts don’t just appear. They were a vibrant soul once – they were somebody once. 

But it’s hard to imagine that you ever were. When it gets like this, it’s hard to push through all the tumultuous thoughts and loathly emotions to remember that. A version of you vibrant, a version of you that might have been worthy, if only for a moment. 

A version of you that wasn’t insulting to compare to others. That was capable of progress, of earning your blip of existence. 

You don’t want the bottle of ibuprofen. You don’t want the busy street. You don’t want the overflowing tub. You don’t even want the calm of the bridge. You just want it to stop. 

There’s a knock on your front door that echoes through the entire apartment. You dread that you already know who it is, but you can’t get up to answer. 

You can’t move from this very spot. You’re terrified of what will happen when you do. 

Will your bones collapse into ash upon the floor? Will you make one wrong move, and in a fit of pressure, make a terribly permanent decision for what feels like a terribly permanent feeling? 

Maybe you were born with the pit in your stomach. Maybe you were born with that black hole inside of you. Cursed to always be yearning, always be a juxtaposition, always be a ghost of what could have become. 

You think you hear the click of your front door opening. You think you hear heavy footsteps across the hardwood floors. You think, you think, you think. That’s the issue. 

The tears are still coming and going in erratic tides. The salt is drying out your lips, your cheeks, the corners of your eyes. You’d thought you’d been incapable of any more emotions like this, but your tear ducts have managed to prove you wrong. 

Does it even matter anymore?

You’d left the bathroom door wide open. 

Were you worth it?

You’d been home alone – past tense.

A more durable mind, a more capable suit of skin to occupy.

A soft gasp of your name has you microscopically lifting your head from the toilet seat. You know what the scene looks like; it looks like nothing more than the excuse you’d used. You look as though you’re ill, like you’ve been spilling your guts across the bathroom floor all night. 

If you had been, would it all feel a little less heavy? 

“Hey, Eds.” 

You’re tired. You’re exhausted. Your voice is nothing more than a drag of a whisper as you look up at your anchor standing in the doorway, his face painted with concern. 

Maybe you were an anchor – maybe being an anchor wasn’t a good thing. After all, what use does an anchor have beyond weighing down the ship? 

“Jesus,” he mutters as he rushes to your side, falling to his knees carelessly as his hand flies out to brush back tendrils of your hair, “You look like shit.”

You felt like shit. 

Selfishly, you lean into his touch, desperate for comfort. Desperate for those caring palms to soothe the ache you’d carried since birth. Desperate to hear him tell you that you’re wrong – hands to promise you that you’re worthy, fingers to wrap around your bones rather than these burning ropes. You’re bloodied and raw, fully on display, and you just want to be okay. 

You don’t want the bridge. You want Eddie. You want him to magically make it okay, and that’s unfair. 

You’re not his weight to carry, not his burden to shoulder. 

After far too long of a silence, one in which he sits patiently in with you, all you can really reply is a broken, “Yeah.” 

Immediately, he knows something is wrong. Because of course he does. 

Because he’s a good friend. He’s a good person. He has the right words more often than not, and his hands were always formed to heal rather than injure. Create rather than destroy. Those warm palms are made to hold the space he’s earned in the grand scheme of the Universe, and it almost makes you nauseous as the jealousy spreads. 

He’s good. 

And you’re simply rotten.

You used to lie to yourself and say it was simply one rotted bit amongst plenty of good, but tonight, it all seemingly comes to clarity. You can’t dig out the bad, cleanse yourself of the rot, because it’s all decay. 

You don’t have to let the pit consume you – it already has. You were born with it, and it had swallowed you whole from the first cry that had ever left your lips. 

He makes himself a bit more comfortable, and you almost feel bad for reducing him to nothing more than the bathroom floor, “You wanna talk about what’s really wrong?” 

“I’m sick.” 

“This isn’t just some stomach bug.”

Your throat begins to tighten again, and suddenly, his gentle touch across the crown of your head burns. Your eyes water ferociously, and your chest caves into itself.

You can’t make a better body or a more sound mind out of the mess you’ve become. You can’t pull gold from tarnished rubble. 

Confessing to him will only be handing over something heavy, something terrible, that he shouldn’t have to struggle with as well. But not offering him a sliver of the truth almost feels more dishonoring. 

“Do you ever feel like a waste of space?” you croak, leaning back, finally accepting that the small space of the toilet that had been cooling your face has gone warm. Another thing you’ve ruined, in hindsight, “Like, this world is filled with great people, and I just… I just, I’m taking up the space- I’m wasting the space-” 

You can’t get out the proper words. You don’t know how.

How do you say you want to cease to exist when you’re not really sure if that’s the truth? You’re miserable, and you’re selfish, and you’re not entirely sure your feet would have ever left the pavement if you had driven yourself to the bridge. You’d be too scared to do it.  

Too scared to miss the day that science announces it’s found a cure to all your rot, a miracle drug to erase the pit, a way to reverse all the damage you’ve been comprised of your whole life. 

His brows furrow and his hand stops all the calming movements, “What? Are you- are you saying you feel like a waste of space?”

It feels silly to admit it to other people. To try and describe how it all feels. Like a child trying to convince their parents the Boogeyman is real, you have to make him see that you’re right. You have evidence, you have proof, and it’s not just a feeling. 

“I don’t feel like I’m a waste of space,” you finally correct, both yourself and him, “I know I’m a waste of space.” 

“Bullshit.”

“Eddie, don’t-”

“No,” he cuts you off. And somehow, in only a way that he’s capable of, it’s not offensive, “You’re not. I’m not going to sit here and listen to my favorite person claim they’re wasting space-”

“I am!” It’s your turn in the cycle of interruption. You pull away from him entirely, chest heaving with the weight presenting itself once more, tears starting to fall all over again. You can’t even distinguish where the old tears stop and the new ones begin, “I really am. All I seem to do lately is just exist. And that’s such a- such a- that’s such a waste. I can’t read any of the things I should enjoy these days, I can’t even write. All of the words feel like they just come out wrong. I’m letting everyone down left and right, I’m never living up to whatever pedestal you’ve put me on. I don’t even know what I’m doing with my life. I don’t even know where I’ll be in a year from now – I can’t even see that far in the future.”

Heaves become sobs, and the crumbling has begun once more. A cycle of breaking, a cycle of demolition. Even leaving behind the rubble feels like a crime. A waste of space. 

“I don’t think I’m a good person,” you manage to spit out between all your visceral reactions, “Every year, I tell myself the same thing – I’ll be better, I’ll be kinder, I’ll be worth it. And every year, I fail.” 

Can he see it? All the fractures and splinters and pits and metaphors? 

Can he smell it? All the rot and the destruction and hopelessness?

Can he feel it? All the pressure? 

Through your sniffles, you press your back to the tub, knees to your chin as you wrap your arms around your legs, desperately trying to shrivel up. To take up less space. To waste less space.

“I used to think I could make up for it,” you whisper, “I could offer people things that made them forget I’m… so useless. But I don’t think I’m even capable of that anymore.”

If he’s about to respond, it’s drowned out by your cries. You press your eyes hard into your kneecaps, until you see stars, and you try to swallow down all the embarrassment. Try to stop all the hurt from spilling out, to stop all your guts from painting the bathroom walls. 

He could simply sit there, let you wallow in your misery alone. Sit and stare as the artwork finally serves its purpose to the visitors of the gallery. Maybe jot down some commentary on how with your bones all spread out like this, the point the artist was attempting to make becomes oh so clear. 

And yet, he doesn’t. 

You know it’s his arms that are wrapping around you, pulling you from the chill of the tub and into the warmth of his chest.  And you let yourself smother within the fabric of his shirt the same exact way in which you’ve convinced yourself you smother everyone around you, let yourself breathe in drugstore cologne and his last cigarette rather than think about all the thoughts that had been spiraling you into dismay over the last twenty four hours – over the last twenty four years. 

He’d probably been smoking while waiting on your call tonight. Probably riddled with anxiety, if the shake of his hands pressing into your back are anything to go off of. An anxiety and waiting game that wouldn’t have to exist if you didn’t exist.

The thought makes you cry harder. 

If a ghost dies, can it even still return back as itself? Can it still find it within itself to haunt empty hallways, and watch the ones it once loved find peace?

“You’re not useless,” it sounds as though Eddie might be crying as well, if not just a little choked up, “You’re not- I swear- You’re not useless, okay? Never have been, never will be.”

His murmured words are nice, but they fuel an unimaginable guilt. It was supposed to be a nice night. A night of movie marathons and midnight coffee, of trying to remind yourself why you still stick around. A moment of incomparable joy and sweet reprieve as your stomach ached from laughter, your cheeks swelling with an infallible grin that Eddie always seems to pull out of you.

There’s no smiling, no giggling, right now. Just his favorite band shirt from the show you two had attended a few years before, soaking with a fast-growing stain from all your tears. 

When you don’t answer him, only manage to wrap your selfish arms around his waist, he continues, “How long have you felt this way, sweetheart?”

And if you hadn’t already been shattered previously, that would have finally broken you. 

You can’t pinpoint when it started. You can’t clear the smoke of memories and find an exact moment that you can point to and say, there. That’s where the hurt starts — that’s where the rot starts. 

“I don’t know.”

In your mind, it’s a wail. Loud and ferocious, efforts of all it has taken to withstand the pressure of your undoing screamed out loud. 

But on this quiet bathroom floor, it can’t even be considered a whisper. Nothing more than the spoken words lingering from a ghost who can’t give up the haunt. An echo of a memory, an echo of the piece in you that can’t let go, not yet.

Not of existing, and not of him. Your fists hold him so firmly against you, you’re scared that you’re going to bruise him. Hurt him just from the sheer effort of trying to show that you love him. 

The only way you know how to love – a violent dog who will always bite the kindest hands. Leaving behind bloodied knuckles even if you hadn’t so much as snipped this time. 

You take a sharp breath, aware of the levity of the words you’re about to say, “I don’t want to exist anymore, but I wouldn’t even make it off the bridge if I tried.”

It’s not about the bridge anymore. In all likelihood, it wouldn’t be the bridge you turn to. There’s a grand metaphor somewhere in the admittance, but your mind is just too tired to try and paint a prettier picture of it for him. 

Because exist is just a placeholder. And there’s a bigger, scarier word that should stand in its place. 

He starts to break the hold, and you nearly sob out again just at that. Losing the warmth of his chest and arms strike pain somewhere deep within you, just north of the pit that’s devoured all that’s left of you. 

“Bridge?” Phrased as a clarifying question, but when you see his face, it’s clear he knows. There are no good words left to say about it, “Sweetheart, no.”

There are worse reactions to be had. More scenarios that end in slamming doors or deafening silent treatments. Realizations that you’re right and it’s not worth it – defense mechanisms that involve them leaving first. 

“I couldn’t do it, even if I want-” 

Even if I wanted to. The words you can’t speak, dying on your tongue. 

Do you want to? Where does the pain begin? And where could it end?

“You really don’t see it, do you?” he laughs humorlessly, his hands still gripping your biceps in a death hold, “You… you just…” 

He doesn’t know what to say, and you don’t blame him. You knew this was heavy; you knew this isn’t the type of bomb to drop on someone you love. 

But if you didn’t, where would the bomb have gone? You’re not equipped to detonate it. You’re not equipped to survive the explosion. You wouldn’t want to survive that explosion. 

“I’m sorry,” your words pour out, beginning to shake beneath his palms, “I’m sorry, I’m sorry, I’m sorry.” 

Dry, cracked lips feel as though they nearly split from the apologies. More violence, more devastation, more of what you always knew you were. You can see it in his eyes – you’re dragging him down with you, right down to the bottom of the ocean. You’re being an anchor. 

He’s all stutters and harsh breaths, panic filling the space with your own as his eyes search yours, “Don’t apologize. You don’t have to apologize. Just-”

He cuts off and is pulling you close again. Slamming your bones into his, wrapping up around you as if he might be able to keep you safe from the world. From your own mind. 

“I don’t need apologies,” another squeeze of your closer to him, another attempt to pull you away from the dangers that lie within, “I don’t- I just… Can I help? How do I make it better? Just say the word. I’ll do it.” 

It’s not your job. That’s not your job. 

You don’t realize you’ve said the words out loud until he’s squeezing you so tightly that you now can’t breathe. Until all you are is him. All his old t-shirts he’s lent to you that hang in your closet, all the nights spent with tangled legs as you sit across from each other on your couch, all the phone calls in which he refused to be the first one to hang up. Cologne that is too cheap to be able to cling so ferociously as it does to all your surroundings, chain-smoked cigarettes you always chastise him for because they’re gonna kill you one day, the smoke of his latest blunt resting in an ashtray as his head finds home in your lap. 

All the inside jokes. All the hugs. All the simple texts, if for nothing more than to just check in on each other. The broken reminders of having someone out there that cares. That loves you. 

How can such rotten hands pull such love from others? How have you yet to infect him? 

“I know it’s not my job,” he finally says, and you know for a fact he’s crying along with you before the first of his tears have wet the crown of your head, “It’s never been a job. You’re not a job. Okay? Get that through your head. There’s- Fuck, there’s plenty of things I wanna drill in that pretty little head of yours right now, but I know I can’t, so just get that.”

He’s trying. A little trill of his tongue that falls a bit flat when he refers to your pretty little head, a brief squeeze of your shoulders as he tries to relax a little. He wants to make you feel better. He wants to make it better. 

But he’s still holding you like he’s terrified. You did that – you instilled that fear. 

“I’m a mess,” you whisper in bitter realization, ash on your tongue as you process what you’ve done. You’ve already apologized, but you’re seconds away from doing so again, “I’m- I’m a mess, and I’m dragging you into it, and I’m sor-”

“Stop being sorry.” Definitive words, no room for argument. The smallest of shifts as things click into place. He isn’t budging – he isn’t letting go, “Do you remember when I first met you?” 

You can’t tell if the question is meant to have a point, or if it’s meant to be a distraction. You let it grow into the latter.

“Yeah,” you breathe out against him, melting into his chest, trying to focus on his voice rather than the ones in your head, “But tell me about it anyway?” 

“Two years ago. Technically, two years and seven months,” he starts in the same voice he used to take on during Hellfire sessions, before the members had scattered from coast to coast and his D&D club only became a rarity when the stars aligned. There’s still a crack to his voice from his tears, but that doesn’t stop him, “We were in some cursed fucking diner we don’t even go to anymore, in the dead of the night, and all the servers knew your name and order,” he paints the picture with a humor that should feel out of place, but it settles some of your breathing. Omitting all the vivid details, opting for triggering the memory with words you’d just get. You can feel the stick of the plastic beneath your thighs, you can smell the grease of the kitchen. You can see the cloudy night out of the oversized windows. He’s a natural born storyteller in the most subtle of ways, always knowing his audience, “You were sitting all alone in that booth, and all of Hellfire had just left. Gareth had just told us how he was going to college in California – did you know that?” 

“I didn’t.” 

“Well, he did,” his chin presses against the top of your head, a huff of a laugh escaping him, “Dropped the bomb it was our last summer as a club probably. We were happy for him, though. Real fucking happy. Got milkshakes to celebrate and made plans to get drunk off our asses the next night to keep the party going. It was dumb, and I’m getting off track, but…” 

Baited breath, you’re waiting for him to continue. No thoughts of the bridge. No thoughts of your failures. Living in a small memory with him on the floor of your bathroom. 

“Anyways, you were sitting there all alone, with a plate of fries and ranch.” 

“Oh, God,” your nose scrunches and you try to pull away, suddenly remembering how embarrassing this memory ends for you. It suddenly didn’t seem like the best way for him to make you feel better by any means, “No, I remember how this story ends, and-”

“I’m not done,” he locks his arms around you, and you can feel the whisper of a smile as it brushes against your temple, “Obviously you know where I’m going with this, but I’m not done, sweetheart. Because all the other guys had just left, and I’m sitting there, realizing the only other customer was some random person over across the diner, scribbling away in some notebook. Thought you looked cute when you were all focused like that, y’know? But then you were so focused that it became distracted, and you spilled that ranch all over yours-” 

“Please, stop.”

You’re laughing through the words, weakly, the air of desperation in the word please being far different from earlier in the night. No bridges, no failures. 

“I was probably being a weirdo, trying to run over and help you or whatever the fuck I was trying to do. I probably made it worse, right?” 

You’re there, remembering a version of Eddie that was a stranger, taking napkins to the knees of your jeans and smearing the ranch rather than really helping you clean it up. “Yeah, just a little bit.” 

“Sorry for that, by the way,” he airily apologizes before continuing, “But I just remember thinking about how focused you were on that notebook. And how you laughed with the waiter. And how you were just… lost in your own little world. And how you were so cute. You were so nice. The type of person I wanted in my life. Took one look at you with that ranch all over your lap and thought, huh. I want to get to know that person.” 

“Nice? I was not nice, I was-” you cut off, heart all but stopping as you recognize the point of it all. It wasn’t meant to just be a distraction. He was making a point. “I was a… a mess that day.” 

“Exactly.”

He pulls away again, and this time, it’s a little easier. The world has put a pause on its ending and you can handle the weight of his arms lightening for a few seconds, just so he can get a good look at your face. 

“You were a mess the day that I met you, and I still wanted you in my life,” he says each word deliberately, not breaking eye contact. Fear has broken through to determination. “And even if you’re still a mess today, I still want you. Nothing changes. You get that?” 

No bridges.

No failures.

The weight of it all had been heavy. The type of sorrow you thought was never meant to be carried by more than your own two hands. But he had taken it in his palms, lifted it from you entirely, even if it would only be temporary. One day you’d have to endure the pain again, get to the root of the problem. Figure out if all your ailments had been something wired into you since birth, or things you’d picked up along your way. But for now, you could breathe again. You could hear the drumming of your heart in your ears, and you could hear every single one of both yours and Eddie’s breaths in the silence, and that was enough. 

“I don’t want to die,” you finally quietly admit. Saying one of the bigger, scarier words. The thing you’d been too afraid to let slip off your tongue originally. “I just- sometimes it all gets a bit loud, you know? And I know you said don’t apologize, but I am sorry that I scared you. And I’m sorry that you have to take the bad to also get that little bit of the good with me.” 

His hand leaves one of your arms for the first time since he’d first wrapped you up, and it finds its way to cradle the side of your head. Holding you as if you’re porcelain still. You know that won’t go away, not tonight. “I’d rather have your bad days than have nothing at all,” he chokes up once more, and you can see tears threatening to welt in his eyes, “You get that, too. Alright? You’re worth it. Bad, good, funny, sad – give it to me. I’m asking for it. Just don’t… don’t leave me with the nothing.”

You’re worth it. 

He’s found a worth in you attached to nothing at all. He’s sitting here with you, on the bathroom floor, and his perception of you has nothing to do with what you can only offer. 

It just has to do with you. He sees you, and he’s decided you’re worth it. Even now.

He smiles softly, as if he can see the realization dawning upon you, “You wanna get up off the floor now? We can go sit on your couch or bed or something.” 

You’re quick to shake your head. Your knees are partially digging into his thighs, your breaths are matching his. 

“Okay,” his face falls slightly, but not entirely. Not entirely, “That’s okay. Do you want me…. Do you want me to go?” 

Another shake of your head. But this time, you need to offer more than just the motion of your head, especially when you can feel tears returning as your throat tightens up, “No. No, just- Stay with me? Please?” 

Your hands reach out without you even processing it, gripping his wrists, desperate and clinging and still verging on the edge of violent. The thought of being alone is terrifying, but the thought of having to watch him walk out of this room is even more petrifying. 

He doesn’t even flinch as you sink your claws in. His smile only returns, and he shuffles to pull you both to hold your backs up against the wall across from the toilet, “Of course. I’ll stay, sweetheart. I’m not going anywhere – wouldn’t even dream of it.” 

His words shake just a little less than they had when he’d first entered the room. 

He can’t fix it all magically. That isn’t his job, isn’t his role, isn’t his choice. But he can sit here with you, on the floor of the bathroom, endlessly patient and tragically caring as he urges you to lay down. He stretches his legs out and pats his lap once before hovering his hands over your shoulder, guiding you until your temple is flush with his thigh. 

He can choose to not hesitate as his fingers immediately push through the baby hairs by your temple, a soft hum in the back of his throat that sounds exactly as you feel.

Hesitantly content. Just for now. It’s enough. 

The storm is receding. As hours pass by, and noises of uncertainty become more confident hums of a song you faintly recognize, it all settles. He stays. You stay. The storm passes for the time being, and the hole tempers itself for just the night. 

It’s enough for now. You’ll worry more tomorrow, or the day after, or the day after that. You’ll talk more about why you feel this way, and he’ll offer better solutions. The weight won’t simply be passed into his waiting hands and forgotten – one day, you’ll find a way to lighten it through dissipation rather than through catastrophe. 

One day, the seas will calm, and you’ll find yourself the ship rather than the anchor. 

And the captain can be the boy who sits on the floor with you through the sadness, content to wait out the storms with you until you find the worth he sees in you.

[triglycercule]

nightmare viewing the murder time three as little toys but more in like a little spoiled kid kinda way. because it would be funny and if you take into the account that he was like 6 before getting corrupted and do some mental loopholes it would be even funnier. like these are his dolls (killer dust and horror) and this is their barbie dreamhouse (his castle). they all have to stay in one room because nightmare needs to keep his toys in a toy box. the toys only ever come out when he wants to play but oh damn it they keep on breaking out!! silly toys,,, and then he locks them into the room again.

nightmare serves them food with plastic tea cups and plastic plates and there is no food. there is no tea. they have to imagine the food because dolls can't literally eat. there are food containers and stuff in the house but its all just a bunch of empty boxes. horror starts tweaking out after he scavenges the kitchen and finds a cereal box and milk carton that have NOTHING in it (why keep empty boxes?????)

they have to go where he wants them to go. nightmare gets to dress them up in whatever he wants because theyre his dolls they can wear anything he wants. it gets incredibly embarrassing when the trio is forced to wear pink pretty dresses and fight like that. or they have to go around the castle doing stupid fucking roleplays and it gets weird because theyre being forced to reenact a bullying scene and nightmare's giving them the death stare if they don't get it right (is this projection. this must be some form of coping mechanism dust theorizes)

and then you know nightmare's not exactly the best toy owner so he loses a few of his dolls here and there. maybe they get destroyed when he was playing a bit too rough with them! (killer dies in battle for like the 29th time) but its okay because he can just go back on down to the store (something new) and buy. wait no. steal another doll and then put it back in his dreamhouse and BOOM he has a full set again!! so sweet so cute. his dolls don't have consciousness what are you talking about theyre begging to be let go?? that's all just your imagination. what do you mean you're asking about the several slowly dying bodies with removed arms or legs in his dungeon. oh that's just where the broken but not yet destroyed toys go dw theyre fine its humane

[transingthoseformers]

I feel like Soundwave would be the most prone to human adoption of the Decepticons. We are cassette sized.

Tbh you are right

And I'm considering the idea of Soundwave bringing a human to the decepticon base and it's Such A Time for everyone involved

[lightningbig]

5+1 qpissa. five times missa tries to propose + one time phil says yes. various vignettes of missa trying to make a move and phil being utterly oblivious. phil does something and missa stammers out 'marry me?' and phil giggles about it, 'aw mate, don't worry about it', thinks missa was just doing a bit. missa finds some interesting gems, makes them into a ring and everything, and phil gasps and coos over it but doesn't seem to get what missa meant at all. thanks him profusely, treasures the gift, but there's no acknowledgement of proposal. etc etc and this continues, missa getting more exasperated and lovestruck, until he either comes clean (by accident or on purpose) or phil realizes something's up. and it's like comedy of errors right bc phil is ?? confused?? 'we're already married, wdym??' bc phil has considered them married since chayanne, since the adoption, since the double bed in the house on the wall. missa is so bamboozled. cannot believe this. 'you- what- the whole time??' and phil doesn't mean to laugh, but he's remembering all the moments the past few months, how silly they are. but missa is looking genuinely upset so he schools himself and settles down next to his husband. 'ask me again' 'what?' 'missa, ask me again. please?' and missa gathers himself, and this time he has no plans, no elaborate set up, no gifts. it's just them and he asks and phil is warm and sure and safe when he squeezes his hands, sidles up close. says yes. and kisses him so soundly.