#tw mentioned character death

[nights-flying-fox]

Deep (Purple) Thoughts (and Realizations)

Chapter 3: Truth and Facts

◇ Click here to read on AO3 | Chapter 1 | Chapter 2 ◇

Donnie follows his suspicions, this time he asks some questions and gets some answers.

TW: Mentions of character death. Some self loathing, but not too deep (ha, unintentional pun).

Donnie got up from his chair suddenly, face not revealing any emotions. He turned around and headed to one of the three rooms connected to his lab. While his brothers were talking loudly, Leo and Mikey trying to explain what was going on to Raph, April followed Donnie.

“What’s wrong?” She asked.

“The files are removed.” He answered without looking, his eyes were focused on the doors.

“What?” She exclaimed.

“I have an idea who has them, though.” Donnie explained.

April looked towards the doors. Realization flashed on her face as she understood.

Before she said anything, Donnie turned to look at her. “It would be better if you stayed here. I want to have a private talk with him.”

“Okay, but if I hear shouting I am getting in.” She stated, stopping in her tracks.

He nodded as he continued walking. Then he opened the doors, entered the room, and closed them.

The room was small, lit with a dim light. It was painted purple, and inside it were many small gadgets mostly suitable for small robots and drones. There were small neon details too. Similar to his lab, except it was completed unlike it. A perfect room for Shelldon.

Shelldon, who had taken the files.

How could Donnie not guess this? Of course, Shelldon would find a way to get through his security system and reach the files! He knew that Shelldon wouldn’t listen to him, he should’ve been more careful!

He saw the ‘bed’ that Shelldon was lying on. “Shelldon, I know you are awake.”

There was no reply.

“Shelldon,” Donnie repeated. “We have to talk.”

Shelldon slowly turned his head towards Donnie, “Oh, uh, hey dude.”

“Did you take the recording files?” He needed this sorted out as soon as possible. “Because it is past midnight and there is no one else that is capable of doing that.”

He didn’t answer at first. Then, “Leo would’ve taken them if I didn’t.”

Donnie raised a brow, “What?”

“I watched the security cameras, he came to the lab yesterday too.” He explained.

Donnie wasn’t expecting that. What was Leo doing in his lab? Was that why he was in his lab tonight, waiting for them? This meant more questions than answers, and Donnie didn’t like this at all. He had to think about that later though, “But you didn’t take them because of him, right?”

He almost missed the nod Shelldon gave. New question: Why was Shelldon so quiet?

He knew the answer but didn’t want it to be true. The simple idea of Shelldon changing as well scared Donnie. He didn’t want this. He didn’t want Shelldon to know everything, for him to have the emotional scars from them just like the rest of his family.

Unlike tech, he couldn’t heal scars caused by bad memories.

Yet, he asked the question:

“Did you watch them?”

Another quiet nod. Donnie felt like he was going to throw up again.

“I told you that you couldn’t watch them.” Donnie glared. He didn’t mean to sound harsh, but he wasn’t feeling good about this.

“I know.”

“Then why did you watch them?” This didn’t make any sense. (Except it did, because logic explained it all, but Donnie ignored it, just for this once.)

“I was curious.” Shelldon replied.

“I thought you knew that you should listen to me no matter what.” Donnie said.

“I am sorry.” His voice cracked.

Donnie only once had heard his voice crack.

He suddenly stopped talking and looked at Shelldon carefully. Examining the drone, he noticed how he had curled up as if trying to hug and comfort himself. How hurt he looked. Scared. Just like that time a long while ago, when he lost him for the first time against the feral Shredder they fought.

Shelldon looked like a little vulnerable kid.

Oh.

“How… how much of it did you watch?” Donnie asked, now slower.

“Why didn’t you tell me the truth?” Shelldon asked back, confirming Donnie’s fears. He knew about the truth of what happened to him, and what Shredder did to him.

“I didn’t think you needed to know about it.” He explained. “It was bad enough the first time. You didn’t need to relive it again.”

“This doesn’t make it better.” Shelldon said, obviously trying to hide his hurt.

“Yes, it doesn’t.” Donnie admitted. Then he sat next to him. “...I am sorry.” Shelldon shifted to see him better, surprised to hear him apologize. Donnie continued, “I didn’t want you to know any of this. It was bad. Really bad, and this doesn’t make it any better either.” He sighed. He felt like he was rambling, but he was trying his best. Maybe he was doing a bit better than before thanks to Doctor Feelings though. “But I just didn’t want you to get hurt too.”

Now fully turned towards him, Shelldon looked ashamedly to the ground. “I am sorry too. For taking the files… and watching them.” He apologized. “You are right. They are bad.”

Donnie smiled, opening his arms. Shelldon accepted the comfort immediately, hugging him.

After a while, he whispered. “Thanks for kicking Shredder’s butt.”

“Don’t mention it.”

“...I’m sorry for Gram-Gram. I wish I could’ve helped.”

“You did amazing there, Shelldon. She would be proud of you, just like I am.” Donnie said, repeating the words his father had said months ago. He ignored the bittersweet sadness he felt. He wished that they could’ve saved Gram-Gram, but at least she was happy and reunited with her father now. Thanks to Ninpo, they knew this.

“And maybe you are right about the end of the world being not cool too.” Shelldon added.

“Glad we agree.”

“These gumheads were too disgusting.” He said.

“Definitely.”

Another silent moment. Shelldon was quick to fill it though, “Hey Donnie,”

“Yes?” Donnie replied.

“Thank you.”

Donnie leaned back to look at him, confused. “Why?”

“I... uh... for keeping me around.” Shelldon avoided looking at Donnie again.

“What?” Donnie couldn’t understand what Shelldon could mean by these words.

“You could’ve built something better than me. Something stronger and better at protecting, I bet you got awesome ideas after seeing Casey Jr.’s tech too---”

“Wait. What are you talking about?” He held Shelldon so that the drone could see at him.

Shelldon answered with a quiet voice, “I have failed you twice now.”

Donnie’s eyes widened as he understood what was going on. “Shelldon, you did not fail.”

“I did. It is facts, the evidence is in the footages.”

“You know that is not true, right?” Donnie retorted. “Shelldon, you did what you could, and you are still growing, learning, and improving. You don’t need to be replaced. You are my boy, and you did incredible things. I would never ever replace you.” He said every word with determination, genuinely believing everything he told, and hoping Shelldon understood that.

Shelldon looked at him with big eyes, “Do you really mean all of that?”

“I really really mean every word I said.” He confirmed. “Two ‘really’.”

Shelldon seemed to beam at that, hugging Donnie again. He gladly returned the hug.

It could’ve been another comforting silence moment, but the shutting from the lab interrupted all of it. “Not even a half hour and they’re acting like animals. Incredible, yet not surprising.” Donnie huffed as he and Shelldon broke the hug.

Donnie headed to the door, with Shelldon following him. Since he and Shelldon had talked it out, now he had something else to focus on and solve. Why did Leo want the recordings?

[purple-tello]

what happened to casey?

He... Is no longer with us. We managed to put the Kraang back into the Prison Dimension, and even found a way to destroy the key so they'd be stuck there permanently. Unfortunately, in doing so we erased the timeline Casey was from, and by extension... Casey himself.

[shoot-of-corruption]

(VAMPIRIC STARTER PROMPTS) ❝ if you need to feed, you can bite me. ❞ (I cannot not send in a vampire meme, lmao. xD)

❝ if you need to feed, you can bite me. ❞

Even the laugh that he wrung from himself was underlain with hunger. "You don't know what you are asking for." The hiss escaped him in a low way, like there wasn't any air in his lungs, like all of his inside was empty... but something entered his gaze. Vampiristic entities had a certain bond to permission. Willingness to allow heinous acts was a strengthening of his wants... with every seduction that just grew more impertinent. He truly was a beast and he could be mindless and unable to control his urges.

But what Yuugi did here, bordered to suicide. It was like starving a dog for a week and then dangling a big steak right in front of their eyes.

"You think you can trust me, but that is a false assumption, my friend."

His teeth flickered at the other from between the tan lips, like a sharp warning signal. "You cannot trust a hungry animal. We are all animals of a certain kind, but the hungering, starving ones are the most dangerous. They lose every attachment to morality. All they can think about is food... all they ever want anymore is to quench the thirst. That is all that is able to exist in their mind."

He stepped closer, his fangs still very visible. "For you to stand there and think that I may be able or willing to control the monster that roars for blood is beyond idealistic." He leaned into the other ones face, teeth sinking just below his jaw, close to his jugular, he was still fighting, still wrangling with the last bits of his sanity.

"It is stupid~" The teeth skirted along his jaw, as if the teasing nature of the action was able to subdue the need to feed... like a mosquito bite that would hurt less, when you touched it, instead of outright giving into the urge to itch.

He almost lost the last remnants of his control, when he allowed himself the quick glance at that neck... he could see the vein pulse beneath the skin like a beacon. "Are you really willing to bet your life on it?" The sound of his voice was almost straining now... if Yuugi stepped back, simply trying to evade him now, he wouldn't know what he would do... shove him away, tell him to run, rip him open on the spot, completely tear him apart-

He swallowed audibly.

[mechazilla94]

"I...I can't believe he's gone.." (Ako to Hidan after Sasori's death ;) )

Hidan looked over at Ako and exhaled in frustration. He had never gotten along with the red head. In fact, he hated the puppet. He never could trust people who wore masks all the time. Kakuzu and Ako at least took them off to eat. "I can't believe he was killed by his grandmother. The ways of Jashin prevent kinslaying..." he quipped. He didn't have many morals, but he had never raised a blade to harm a family member, even Kakuzu. He just liked to get a rise out of the old bastard.

[ravenempressau]

I just published Beginning of a New Diary of my story Ascension of a Raven Empress, which is a companion story to Diary of a Raven Empress. It does contain some spoilers for the Canon Timeline, but they're pretty minor. Along with mentions of a character death of a child (Tristan, he's referred to as Philip in this chapter btw. She doesn't know that he changed his name), and grief.

[anime-villian-irl]

"id let the world burn for you"

"I'd kill for you"

"id die for you"

"I'd sacrifice the world for you"

BORING!

Yawn snore snore. Honk shoo honk shoo.

I got twelve other guys ready to that for me. You already do that. You already destroy the world I would just happen to be there while you did.

The real question is.

Would you save the world for me?

Would you put aside your hatred for humanity and put my love for it Infront? Would you save the world because I love the world? Would you stop killing because I hate killing? Would you find a way to live because I want you alive?

Death and destruction are easy as hell. Do you know how fucking easy it is to kill someone? To blow up a building? Shure security is in the way but if it wasn't there it would be easy as hell.

You'd do the basics Shure. But would you do the hard thing and save the world because I asked you to?

Would you push aside your hatred of everyone but me because I asked you to nicely?

Would you?

[martyr-inthedark]

Make your Whumpee tired.

Whumpees that have been deprived of sleep by Whumper, so much so that they don't remember how to walk in a straight line and can't figure out whether the recent appearance of little black bugs in their cell are real or a hallucination.

Whumpees that can't get a full night's rest. They doze off, only to be jolted awake by their own anxiety of not knowing when Whumper would come back. Perhaps they are awakened by phlegm-coated coughs induced by their illness. They are awakened by nightmares, or by Caregiver who is worried they may succumb to hypothermia, or by a thunderstorm, or the rough blanket scratching their open wounds, or so on.

Whumpees who pull all nighters to protect their friends or lovers.

Whumpees whose eyes burn when they finally can close their eyes. Whumpees whose muscles twitch, who can't stop yawning no matter how hard they try to stifle it. Whumpees with dark, glassy eyes. Whumpees who are slow to react or have a hard time keeping up with the conversation. Whumpees with throbbing headaches. Whumpees with brain fog and memory loss.

Whumpees who have been on the run and have over exhausted their bodies. Their muscles and joints continue to scream long after its over. Whumpees with extensive blood loss. Whumpees who are malnourished.

Whumpees whose survivor's guilt keeps them awake, wondering what they might have done differently, whether it was all their fault, or why they were the ones to live.

Whumpees whose bodies are in chronic pain or illness and who have to hide it, causing muscle and mental fatigue. They keep going with a smile until they collapse or pass out.

Whumpees who break down in tears, begging to be left alone so they can rest. Whumpees who sob when they are told that the bed in front of them is theirs to use whenever they want.

[piratefishmama]

Just ONE chance

Stephanie Harrington never intended to be a whole presence online.

She hadn’t even really understood the whole thing at first, it didn’t exist when she was a kid! An if it did it sure as hell wasn’t in every nook and cranny of the globe like it now seemed to be. Kids with iPads, hands glued to phones, six year olds who simply had to have the latest Apple thing.

It was all Dustin’s idea. King of the Gadget. Overseer of all things technology. Gargantuan nerd. Stevie’s little brother.

Not biologically, Claudia, Dustin’s mother had basically adopted Stevie when her own parents had tragically lost control of the wheel during a storm and wrapped their car around a tree back when Stevie was still a teenager. Back when Stevie was still Dustin’s regular babysitter and very suddenly found herself alone having been babysitting when the news reached her.

They’d been coming back from a business trip that she hadn’t been able to go with them on because of school. They’d been so close to home. She’d heard the sirens. They’d been that close.

It was fine though, in one fell swoop, yes she lost her parents, but she gained Claudia, and Dustin, and that was enough, because she sure as hell didn’t get anything else from them. It was all swallowed up, snatched away by her parents business partners because people are sharks and she just… wasn’t prepared to fight them on any of it, especially not when her parents had stupidly left her without a will.

Apparently they believed they’d live forever! The money vanished, the house was sold, she was left with nothing.

With growing up in the Henderson house, came choices, some great, some really stupid, and some that’d led to the very happy accident of Rosie.

To be fair to herself, she’d been in quite a long term relationship at that point! It was a happy one too! She’d thought he’d be it. Sure he’d been a lot rough around the edges, at the start, it’d been a shame cycle at the beginning since he was in fact, a colossal prick, but he was also the hottest guy she’d ever seen. Like, unfairly attractive considering his personality, and he knew exactly how to touch her to melt her icy resolve into a watery mess.

But once he’d gotten away from his dipshit of a father, his step mother dragging him with her when she escaped the man too, once Stevie had laid down the law of how little of the bullshit he’d learned from said father she’d personally tolerate before he’d get a boot out the door, he’d come around.

The racism had stopped immediately. The attitude had ebbed bit by bit as feelings set in, and he’d become a regular ol handsome teddy bear, he’d allowed himself to soften after he’d escaped the only reason he’d had to protect himself.

He’d even started getting along with his step sister, one of Dustin’s friends.

Then stupidity happened when they ran out of condoms, her cycles stopped, and three months in, two drunk idiots in a pickup ran a stoplight while he was getting her some ice cream. Doctors said he probably hadn’t felt a thing.

Rosie came along, a beautiful little thing, had her dad’s soft cheeks, his stormy eyes, thick dark lashes and soft curls, but she took after Stevie in everything else.

Stevie didn’t date after that. A personal choice really. She’d lost her parents, lost her love, and now she had a little girl to focus on, she was done. She felt herself complete! So what if she was still in her mid-twenties. Life had dealt her a hand, she was going to run with it.

Rosie would always come first, and she didn’t like explaining where Rosies father was, she didn’t like the look of pity on people’s faces, the apologies, the rinse and repeat cycle, and so she just. Didn’t bother!

It was easier! She had Rosie, she had her adoptive mother, she had Dustin, she had Billy’s sister Max and her other half Lucas, she had Susan, she had Robin, her co-worker and platonic soulmate from that dumb job at the mall she’d picked up to help Claudia with the bills, she had a whole support network, and she was fine.

Soon Rosie was in preschool, and then middle school, and the internet became a household thing, houses had computers, kids had phones, then smartphones, laptops, tablets, and suddenly the internet was everywhere and everyone had to be on it.

So there she was now. Mid-thirties, with a little girl, and a house paid for by her little brother.

Dustin had struck gold with a job at NASA, he’d put the downpayment on a little two bed house with a cute picket fence lined garden for her when Rosie was born without consulting her, just did it and “SURPRISE STEVIE, now get the hell out of mom’s basement, Jesus Christ.” Kept paying until it was all hers, and that was that… until he came round with computers and gadgets and then she had the internet because Rosie would need it for school because while libraries were awesome he’d had to suffer the five books at a time, Dustin rule one too many times and the internet had UNLIMITED books.

And now Stevie had a smart phone, and apps, and Instagram was fun! Doomscrolling the FYP took up chunks of her days off work while Rosie was at school! She never intended to be a name on there. She’d heard that people could become known for stuff, go viral or whatever.

She never intended to do that. She was a mother. Not even a hot young mom either. She was in her thirties! She remembered when the world didn’t have internet, she was there.

She posted work out videos, never having lost the competitive streak she’d always had as a teenager, sports were her thing back in high school, Gymnastics specifically, which led into cheering. She’d done some competition once with the team but nothing huge, she was fit, healthy, and the subject of many a thirst comment that she pointedly ignored.

She’d posted the occasional rant about Sally the PTA bitch with the self-proclaimed “best potato salad in the State” while doing her morning makeup, still never paying much mind to the comments section, the little rapidly climbing number that signalled followers, or the occasional DM from brands wanting to ‘collab’.

She didn’t care for that, she just wanted to post her little videos in peace. In retrospect, if peace was what she wanted, the lunch trend… probably wasn’t the best one to pick up. It was just a trend though! She’d seen a few moms doing it! Just posting little harmless videos online of what they’d pack their kids for lunch every day!

Harmless, fun! She loved making Rosies lunches, she saw no harm in sharing the fun!

They were always affordable, packed with healthy options, and creative too! She tried her hand at sushi, Rosie hated it, Robin loved it, so Robin got the sushi rolls in her lunches instead, picked up every morning when she grabbed Rosie on the way into work, they were both going to the same place after all, Robin taking on the music teacher role at the Middle school Rosie attended.

She tried noodle jars, cool wraps, made shapes and fun little animals out of fruit, she got creative, but they were all very cookie cutter videos, they all had the same vibe, similar content, it was something to fill her free time that she enjoyed so never in a million years would she have ever predicted that ONE of them, would cause so much chaos.

It started with the beeping.

The incessant pings sometime in the early hours of the morning. Notifications on her phone going off one after the other until she was forced to sit up, bleary eyed, and stare with squinted eyes at the far too bright screen of her phone, then she silenced it and went back to sleep.

With the chaos of the morning routines, getting Rosie up, washed, dressed, packed up for school, and out the door, she didn’t think about the incessant little beeping she’d silenced. It was a distant memory buried under the fog of a heavy sleep and continued to be a distant memory right up until Dustin appeared at her doorstep at around one in the afternoon midway through her afternoon workout, ruffled, stressed, flustered, and frankly just a little too sweaty.

He bypassed all niceties, as usual, bulldozing straight to the point, he pinpointed her phone, which sat comfortably on the countertop, seemingly oh so innocent, grabbed it, brandished it up as if to highlight its very existence and just “Woman, do you LOOK, AT YOUR PHONE?!”

Now, Stevie was not in the business of accepting a tone like that, especially not from her little brother. No matter how much he’d shelled out for the house, the attitude had to go. “Tone problem you little shit, fix it now or get the fuck out of this house and try again later.”

To his credit, he took a breath, and fixed it “Sorry, I’m sorry, but—look! Look at it, please, for the love of Christ, the internet is freaking out.”

“What?”

“Your video yesterday! The one with the like… teddy bear thing you did? With the rice an the—”

“Rosies lunch?”

“Yeah! Have you seen the comments on it?” Stevie rolled her eyes and went about picking up her things, workout sufficiently disrupted, she wouldn’t be able to pick that pace back up now. “Stevie?”

“You know I don’t look at those, people get weird on the internet, it’s like it gives weirdos the perfect place to be their weirdest selves and not in a good way.” She’d looked at them once, curiosity had gotten the better of her once upon a time and wound up having to ask Max what ‘OF?’ meant. She’d taken the win, let it momentarily boost her self-confidence, and decided to never look again. She was done with all that.

“Stevie, this time… one of those weirdos, is famous.” Since it was the age of the internet, Stevie regarded him with a look of disinterest, ‘famous’ could be anything, it could be some dweeb behind a computer screaming obscenities at a mic hooked up to some ridiculously overpriced gaming PC for likes. It could be a podcast bro with half a brain cell kicking its long since dead other half, it could be—“rockstar famous.” Dustin clarified. “One of the guys from that band I like? Corroded Coffin, they just—” he swiped the phone, letting out a soft scoff as the screen just flicked to life, no security pin to be seen of course, no matter, he’d probably berate later, he had a video to find and—“Ah-hah! Look!” and a phone to once again shove into his big sister’s face.

“That’s not even my video!”

“I know! They took the comment down already, but it’s EVERYWHERE, look!” Someone had screenshots. It wasn’t just one video covering it, Dustin scrolled, another popped up soon after, someone getting a little too excited about what was probably the most unfortunate of accidents.

“Don’t they have like… I dunno, people running their accounts? A person? Maybe their internet person just forgot to log out of that account?”

“No! Eddie runs it! The guitarist? Eddie Munson, he usually runs it all himself so everyone thinks it’s him, AND—AND LOOK!” Dustin clicked on the Corroded Coffin’s account, then tapped on the most recent post. Just a big black square, with the word ‘Whoops’ in big bold white lettering, captioned ‘I regret nothing. Just ONE chance, sweetheart, just one.’ With a little prayer hands emoji. “He’s ASKING you out!”

“He’s being a freak on the internet” hands found her hips, the classic mom pose. Immovable, stubborn.

“He’s always a freak! But he’s really cool! He does like, Make A Wish stuff, and—and visits children’s hospitals dressed up like fantasy characters, and he runs DnD things on the account every few months an he’s just REALLY cool, I mean they’re all really cool but Eddie is really cool maybe—maybe you could—”

“Upend my life, Rosie’s life, for a guy I don’t know, who has a job that takes him all over the world, who probably has his pick of whoever the hell he wants so what exactly could I bring to the table to keep him around? I’m done with all that shit, Dusty… I had my time, I have Rosie, I have everything I need. What makes you think I’d even like him?”

“You liked Billy.”

“Get out.”

“No, wait, not like that, I mean, they’re the same! Well, okay, not the same, Eddie didn’t start out a giant prick an he’s never been racist, but they’re sorta similar, similar music tastes, shit fathers, he’s rough round the edges, lil scary looking sometimes but he’s just a big softie when you get past the whole, scary dog thing. Eddie’s like… if Billy never had a shit dad. I just think that maybe… if you looked him up, maybe you’d… I dunno, you’d like him… maybe he’d be your kind of guy… maybe you could finally find someone who appreciates you… you’re not supposed to be on your own, Stevie.”

“Yeah well, I’m not. I have Rosie, and Robin, an you guys… an y’know. Bob.”

“Bob?” One of her patented looks told him all he needed to know, he jerked back in revulsion “ew! God! Fine, could you just! I dunno, look him up or something? Just think about it, I swear he’s really cool an I’d—”

“You’d love free tickets to their next concert.”

“Well, yes, but—”

“Alright then, nice to see you Dustin. Always a pleasure to have you round, please get the hell out of my house.” 

“UggGGGGGHHHHH, STEVIIIIEEE!!!”

“Uggghh, DUSTIIIIN! You interrupted my work out for internet pervert nonsense.” She began shooing him toward the door “Shoo, shoo. I have a family sized bar of chocolate to work off my hips before it gets stuck there.”

“He’d love your hips! With the addition of chocolate bars or not!”

“Weird! Out!” Out the door he went, it closed behind him.

That of course didn’t stop him from yelling through the door, “Just look him up!! I promise you won’t regret it!” But she mostly ignored him, until he went away.

Mostly because… Dustin never spoke up in favour of men before. He’d even gone through a period of hinting at maybe just switching sides and dating Robin when he found out Robin was a lesbian, but both women had promptly shut that down every single time he tried bringing it up.

He wasn’t a huge fan of men.

He’d been raised by a strong independent woman, he’d had a strong female role model in Stevie who’d pushed through every trauma life had thrown at her, he had Robin, he had Max, Jane, Erica, he had Nancy his friend Mike’s older sister, one of his friends had also been raised by a strong independent woman, he’d been surrounded by strong women his entire life with only one real solid male figure.

And that was his middle school science teacher, Scott Clarke. Which was kind of sad when you thought about it.

For him to really vouch for a man, it meant something! It wasn’t something to ignore, even if every instinct Stevie had told her to just. Leave it. What kind of man could a rockstar lifestyle have created. What kind of red flags could Eddie Munson be hiding that Dustin couldn’t (or didn’t want to) see.

Did he really even mean it?

Was it actually Eddie, and not someone else from the band? Would she be seen as foolish for even entertaining the thought? It wasn’t like she’d ever paid attention to the bands Dustin liked, so surely nobody would see her as a weird fan for thinking about it, right? She didn’t even approach him!

He approached her!

Shit like that didn’t just happen though. Or did it? Could it? Was she stupid to even entertain the thought?

Before she knew it, it was time to pick Rosie up, and she hadn’t even finished her work out. it was fine, her hips could handle a chocolate bar. For now. Its days were numbered.

[cjlouwho]

My idea for a good 9-1-1 storyline is that Buck kills someone (completely justified, the guy was gonna kill Tommy) and it is heavily implied that the 118 just buried the body. And is never caught. Athena is on to them but she tells no one. What do you even do if you're a cop and your husband helps his son coworker bury a body. Also Buck and Tommy get back together.

Sorry, I turned this into a prompt! It's kinda ooc and not everyone is included, but this was fun to write anyway! I also could have made this like 5k, but I shortened it to 2.1k.

It's a gray area.

His hands are shaking, there's a dead man on the floor, and it's a gray area because, “He... He was gonna kill you, Tommy. Wasn't- He was going to, wasn't he?”

Tommy's frozen. He can't look away from the man's eyes, staring up blankly at him. Almost like they are staring straight into his soul. “Buck,” he manages to breathe out.

This is bad. Very, very bad.

“Oh my God. Oh my God!” Buck starts to panic, because he just killed a man! He snapped his neck like a twig, felt him go limp in his arms as he dropped to the ground. Buck had fallen back with him before scooting out from under him so fast you would have thought he was on fire. “Oh my God, Tommy!”

“O- Okay. Okay, Buck. It's okay,” Tommy says, Buck's panic breaking him out of his trance. “I need you to calm down, okay? Just... just let me think for a second.”

“Calm down?! You want me to calm down?! Tommy, I just killed a man! I just killed y-”

“Evan, stop! It was self defense. He... he was coming at me-”

“With a cell phone!” Buck finished. “I- I thought it was a gun, Tommy! I thought he was gonna shoot you.”

“He was still coming at me, Buck!” Tommy tries to reason. “He was being aggressive and making threats and I- I was frozen. You saved me. That's what we'll tell the police, okay?”

“No!” Buck yells. “No, you- Tommy, I'll go prison!”

“Not for self defense! I'll back you up, whatever you say.”

Buck's hands go to his hair at that, pulling at the strands. “Ohhhh, oh my God. Oh, no. No, Tommy. No, no, no.” He's backing away. Backing away until he hits the wall, then he slides down it.

Tommy walks over to him, kneels in front of him. He grabs onto Buck's hands and tugs until Buck let's go of his hair and looks up at him. “Buck, there is nothing else we can do but call the cops.”

Buck's shaking his head, moving more rapidly with each word Tommy speaks.

“He's like seventy years old, Tommy,” he whispers out as though they weren't the only one's there. “They're not gonna believe for a second that we were so threatened by this man that we, that I, had to kill him!” A new wave of panic rushes over Buck, his eyes widening. “Tommy, I killed a person.” His hands are shaking again and Tommy holds onto them tight. “I killed someone.”

“Evan-”

“I'm gonna throw up.” Buck manages to push himself up and away from Tommy, running down the hall to the bathroom. From the living room, Tommy can hear him gagging and coughing.

Tommy stands and turns back to the man. His heart is pounding in his ears. He feels a little dizzy himself, but he can't focus on that right now. He's got to keep it together. Buck needs him to keep it together.

Tommy hears the toilet flush and the sink come on for a second, then Buck was back, looking paler than a ghost.

Before they can get out a word, they hear the sound of a door slamming.

“What-”

“It's Eddie,” Tommy says, realization hitting him. “He was coming over today to spar.”

“D- Don't let him in, Tommy.”

At the same time Buck spoke, Tommy noticed the door was unlocked, and Eddie was one who always let himself in.

Tommy tried to hurry to the door to lock it before it was too late, but... it was too late.

“Tommy, I'm h- Oh my God!”

Tommy was quick to close the door behind Eddie, making sure no one was outside to see or hear anything.

The next ten minutes was filled with Buck desperately trying to explain himself, Tommy trying to calm Buck down, Eddie looking like a confused puppy, and then Buck having a full blown panic attack as the reality of the situation hit him again.

A smack to his chest had Eddie coming back to the present. He went over to Buck to try and help, but he was completely out of it, his breathing so erratic that Eddie wasn't sure how much longer he'd last before passing out.

That's when he pulled out his phone.

“What are you doing?” Tommy asks.

“Calling Bobby.”

“Oh, yeah, because we need more people in on this,” Tommy says sarcastically.

“Hey, no one is getting Buck out of this panic attack but Bobby. You want a dead man in your house all night?”

Resigned, Tommy sighs. “No.”

“Okay. I'm calling Bobby.”

Eddie says nothing on the phone about a dead body being in the house, but he does tell Bobby there was an emergency with Buck at Tommy's place and he needs to come over, alone and fast.

As soon as Bobby steps in the door, his eyes immediately fall to the unmissable body. “What the hell happened?” he asks, hurrying over to the man as if on autopilot. He checks for a pulse, then rests his head over the man's chest.

“He's gone, Bobby,” Tommy says. “He was gone right away.”

“Cap, we need you for Buck,” Eddie says, tapping Bobby's back and pointing over to Buck who is hyperventilating in the corner. “He's... It's not good.”

Bobby doesn't hesitate. He moves over to Buck and squats down in front of him. “Buck?” he tries. Buck's whole body is shaking, breaths coming in shallow bursts. He's sweating, but chilling at the same time. He's in shock.

“Buck? Kid!” Bobby reaches out and gets his hand around Buck's wrist, wiggling him slightly. This seems to help. Buck's glassy eyes drift to him. He looks confused.

“Cap?”

“I need you to tell me what happened, Kid. How'd this happen?”

“I- I- I,” Buck stutters, unable to find the words. “I didn't-”

“Tell me how you got to Tommy's. You drive here?”

Buck nods. “Mhm.”

“Okay. Why'd you come?”

“To- I wanted to-” His eyes move back toward the body, but Bobby moves to block his line of sight.

“Eyes on me, Buck. Why'd you come?”

Buck blinks once, twice. Swallows hard. “I wanted to talk to Tommy. I- I needed to talk to him.”

“Okay, that's fine. What happened when you came in?”

Buck took in a deep breath, letting it out slowly. “I- the front door was cracked open. I heard yelling, so I- I let myself in. He- He was screaming at Tommy, Cap. He kept saying all these h- horrible things and then he was lunging toward him and I thought he... I thought he had a gun.”

“It was self defense,” Tommy reiterates.

Buck shakes his head. “Bobby, he's old. He- He doesn't have a gun. I didn't have to- we're both stronger than him. You know. You know what this means.”

It's a gray area.

“Buck-”

“No. No, Cap, I- I know what you're gonna say and no. We can't tell Athena. I- I will go to prison! I didn't mean it. I-”

“Buck, you can't-”

They start talking over each other, then Eddie gets in on it as well.

“Guys, we've got to do-”

“Kid, you can't run from-

“I'll be a murderer forever! I killed hi-”

“Hold on!” Tommy yells, silencing the room. All eyes turn to him. He sighs. “Just, everyone wait a second. I'll be right back.”

He heads to his bedroom, shutting and locking the door behind him.

Buck focuses on his breathing as the minutes tick by. Bobby studies over the body, wondering who the hell this man is. Eddie keeps glancing down the hall to see when Tommy comes back out of his room.

Two more minutes feels like an hour, then Tommy is back and stuffing his phone into his pocket. “I know a guy who owes me a favor,” he explains. “We'll get the body to his place and take care of it.”

Bobby holds up his hand. “What now?”

“We're going to take the body to an address I know and handle it there.”

“You just so happen to know a man that cleans up murders?” Eddie asks.

“I know a man who cremates animals, Eddie, and I asked if I could use his facilities. He's out of town right now, but leaves a key under a rock.”

“No offense, Tommy,” Eddie replies, “but this man is a little bigger than a dog!”

Tommy groans. “He lives outsides the city. He cremates cows and horses. This man is big, but not as big as a horse.”

“Wait, wait, wait!” Bobby steps forward. “Why are we not calling the police?”

Tommy glances over at Buck, then leans in closer to Bobby. “He's not totally wrong, Bobby. A detective sees this, Evan's done.”

“What about the fact this is a whole human being?” Eddie questions. “What about when someone comes looking for him?”

Tommy shakes his head. “I know this man, okay? So, I- I don't need you guys to worry about all that. I can take care of that stuff. I just need the body out of my house.”

Eddie points down at the body. “You know this man? Who is he?”

“I think this is a the-less-you-know-the-better type situation, Eddie.” He walks over to Buck, siting down in front of him and resting a hand on his knee. “It's gonna get taken care of, Buck. Don't worry.”

*****

If you would have asked any of these four men what they would be doing at ten o'clock at night on a Tuesday in December, none of them would have said, “Carrying a body to a Jeep and driving it out to the country to put it inside a cremation oven, wait for it to burn, then scoop the cremains into a bag, going to the ocean, and dumping the cremains into said ocean.”

But that's exactly what they did. Then they went back to Tommy's place, vowed never to speak of this again, and went their separate ways.

That night, when Athena asked where Bobby had been, he looked at her with hollowed eyes. “It's a long story.”

She laughs. “What'd you do? Kill somebody?”

When he doesn't answer, she gets worried. “Bobby? Did you-”

“No,” he tells her. “I had to help Buck with a problem, and I really, really need you to not ask anymore questions. Please,” he pleads.

She knows him. It's scary just how much she knows him. “Okay,” she agrees. “No questions.”

She takes his hand and they go to bed.

Eddie falls back on his bed with a thump. He thinks he can sleep, maybe. He's seen dead bodies before. He's seen war. That was worse than this.

He just needed to close his eyes.

So he closes his eyes, and he sees a body. He sees Buck's terrified face. He sees secrets Tommy's hiding. He sees how he pulled Bobby into the mess.

He gets up and grabs his keys. He still knows some places that have underground fights on Tuesday nights. Maybe he'll hit one up.

Buck drives around aimlessly for hours until he finds himself right back at Tommy's place.

He knocks on the door, waits, and then there's Tommy.

“Evan, you shouldn't be here,” Tommy says, but he lets Buck push right past him without a fight.

“I can't- Tommy, I can't go home. Please, I just...” his voice trails off when he sees it. The carpet has already been pulled up, folded and taped, ready to go out with the trash.

“I've been looking for a reason to remodel,” Tommy says, desperate to lighten the mood. Not that that's possible.

Buck turns to him. “I needed to talk to you, Tommy. It... Today's been about me, and that's not right. I- Tommy, I'm so sorry. I am so, so-”

“Hey,” Tommy stops him. “I said it more than once, I'll say it again. Self defense.”

“That's not what I mean.”

They stare at each other for a moment, then Tommy nods toward the couch.

They sit, closer than exes should. They're not touching, but it's close.

“Tommy, someone will come looking for him. That shouldn't be on you.”

“A man like that... Evan, he doesn't have anyone to ask about him. I promise you, no one will care he's gone.”

With tears in his eyes, Buck pulls Tommy to him. Tommy's head rests on his chest, and he cards his fingers through Tommy's hair. “Not even you?”

Tommy lets himself be wrapped up in Buck's arms, lets a couple of tears fall too. “He was never much of a dad to me anyway.”

[lilybug-02]

Weird Route...

Spoilers for CT Weird Route below.

Please check tags for anything triggering ❤️

Afterlife...

........

This is not cannon, as the weird route is finished and it will not be added upon. But.......I often find myself wanting to draw for it. So here you are...

The weird route ends abruptly and without art for a reason. I wanted to make it painfully obvious that as YOU continue the route/story YOU stop getting anything out of it. You're only hurting the characters, and by the end, there's nothing left to do except start over.

I had thought of Asriel discovering Chara...well, dead. But I think that would have been too much for the scene. I didn't want to get any more depressing than it already was.

tbh I only hope that I can make an ending even half as good as this one. I still think about it often and I'm proud of the amount of work I put into it.

[cosmicourple]

I am (not) sorry for showing this idea to the EPIC fandom,,

Timeloop A.U w/ Odysseus. Timeloop resets back to waking up to the Wind Bag opening every time Ody’ either dies or falls asleep after making it back home & after killing the Suitors bc hehe suffer short man 🤌🧍‍♂️.

so ye, obviously u got the usual Timeloop Angst + added trauma & all that,,,,, ye, ye, uh nu & also said Timeloop has ‘:3ly’ caused some lasting changes on Ody’ like more of his Demigod genes showing (+ added Demigod uncannyness hehehaha), scars of previous Loop wounds now appearing & staying on his body, body acclimating to have basically inhuman reflexes, strengh, all that Demigod jazz. Including: insane muscle memory.

Including the muscle memory of taking massive God Cock / Kinky Deity Stuff. Just- hear me out pls 😇

imagine, Ody’s’ currently on like, what??? The 997 Loop??? Kinda lost basically any and all previous remains of moral?, EXTREMELY FUCKING BORED- also kinda given up all hope of finding a way to break out of this living hell??? (So the usual stuff for timeloops). Now just trying to pass the now constantly resetting time??????? Has currently made it up to Thunderbringer & is feeling a bit less apathetic towards his crew plus just feels like switching things up from them dying again lol he’s very numb rn so:

decides he’s feeling for some ‘There Are Other Ways’ type activity (minus the attempted murder,,,, tho-), precedes to seduce Zeus n get whisked away to be bed, while crew is now being blown towards home, with a lot of shet 2 think about rn ggggfff but anyway & just when Zeus is smugly revealing his big ahh dick, he expects Ody’ to be wide eyed, maybe a bit horrified on “how is that suppose to fit????”, only to look down and. The mortal is just. Staring blankly (almost bored—) at his member, bc, he’s seen it before, taken it before, & at first, in those first few sexy encounter! Loops, it had been overwhelming, had felt rlly big & full inside of him,, but now???.

Ody’s’ body remembered the fullness, the stretch, the overstimulation, the ridiculous feeling of power radiating from it, matching who it belonged to hahaja- & now knew how to take it without nearly,,,,, any problem lmao.

it gets even more weird & a bit distressing 4 Zeus when he’s like “oooooookay- ehemanyways- I can still work w/ this & get the usual reactions” n starts doing the usual (to Odysseus ‘routine’) preparation n teasing. Is barely started when Ody’ silently huffs, still very bored, reaches out and grabs Zeus’s cock, lifts himself up towards the King of Gods while smoothly positioning said wiener :) to be right under his hole, & before Zeus can get a word out due to mental buffering (knew this bitch had balls but what—), he slides down onto his dick in one swift motion.

this has also happened w/ Poseidon. W/ both of them in fact, in Loops before :333333.

cue, the literal-out-of-the-Loop(s) crisis from Zeus :D🫶🫶🫶. (one of the many to be expected from everyone lolo)

,,idk I jst want feral man baffling dem Gods, & in general:

turning up the Monstertm to. 16.

(technically) cannibalising Deities :3.

looking at his whole crew dying like 😐.

trolling crew w/ Demigod uncannyness. Especially in serious situations.

using said Demigodness to fuck around, explore, be free & feral :D.

beat the shit out of Calypso.

beat the shit out of sea monsters.

doing the crouching cryptid pose, freaky yellow glowing eyes & all :3.

more murder.

other morally fucked stuff idk yet <].

[frownyalfred]

I came across a post where someone mentioned that Martha Wayne’s pearls were actually her teeth, but Bruce misremembered or blocked it out…

This has to be one of the most heartbreaking and gut-wrenching headcanons I’ve ever encountered about Martha and Bruce. Just imagine the scene—her teeth falling out instead of the pearls, either from the impact of the bullet or from the way she fell and hit her mouth.

The imagery is so disturbing and visceral. It adds a whole new layer of trauma to Bruce’s memory, making his recollection of that night even more tragic.

Also— I feel like we don’t talk enough about what the Waynes’ deaths must have really been like…

The thought that Bruce might have been splattered with his parents’ blood, or even brain matter, from the impact. .. I feel like the writers never really specified where exactly they were shot or what kind of gun was used, which could have made the injuries even more horrifying depending on the weapon. The unease in his father’s voice—something foreign that Bruce had probably never heard before—from a man who was usually so optimistic and confident, might have been the first time Bruce saw his father truly scared. And then there’s his mother’s screams. In Christopher Nolan’s movies, Martha’s screams still haunt me to this day. The actress did an incredible job capturing that raw terror.

But what really gets me is the time. How long did Bruce stand there, in the pool of his parents’ blood, waiting for someone to come and help him? Did he try to pick up his mother’s pearls, or maybe try to stop the blood from pouring out of their wounds? That time must have felt like an eternity for him—standing there, powerless, with his parents’ blood on his hands, the smell of rot from the nearby trash, the powder of the gunshot lingering in the air, the city’s humidity, and the iron tang of blood.

And another chilling thought: what if his parents died with their eyes open? The idea of Thomas Wayne’s lifeless eyes staring up at his now-traumatized, orphaned son is just devastating.

Anyways, sorry for the ramble… I would love to hear your thoughts !!!

oh my god. yeah…..I mean, yeah. I’m getting smacked speechless by some of these anons today.

I actually saw someone knock all their teeth out once like you’re describing and it is gruesome. seeing teeth where they aren’t supposed to be is horrifying.

I think comics and movie adaptations letting the Waynes get shot somewhere in center mass, away from their faces, by low caliber bullets so they bleed out with last words is a mercy, in some ways.

modern guns could make that scene could look very, very different. I won’t go into them here but…yeah. there’s a reason they die with their faces intact in the comics and most movies, in my opinion. and with a few words or screams, maybe, before they fully die.

but yeah. there’s a world where they both get hit point blank in the head, brain and blood go everywhere, and Bruce has to sit there caked in for a while. until the cops show up, and even then, he probably doesn’t get clean for a while, since he’s covered in the decade’s most haunting crime scene.

[the-broken-pen]

Hey hey

Could you perhaps write a snippet where the building hero is in, gets bombed? Its bombed as an assassination attempt to get them, however the people in that building die and hero, succumbed to their injuries couldn't save everyone of them. At last they watched the last ambulance left without them, even as they called for help

Villians villa is just few kilometres away

Thankfu hero's legs aren't broken

They begin walking

The problem? Vil is way to composed and prim and perfect to let all of hero's blood get on their expensive carpets and fabrics. They could even be mad at the hero for reddening their porch if they hero stood their asking for bandages. What now? And the fight the two had yesterday that ended with "never see me again" and "don't ever talk to me"s.....vil was stopping hero from attending the event the building....

Will vil help them? They can just ask for bandages and leave.

What hero doesn't know: vil would literally destroy the world for hero, and there's no way in hell are they leaving hero on their doorstep.

(Anon you were cooking with this ask, thank you!)

The hero realized the building was going to explode a split second before it did, which wasn’t enough time to do anything other than brace.

They tensed, and there was a horrible screeching of metal and brick, followed by a deafening silence that covered them more completely than the rubble did.

The hero coughed once, weakly, pain rocketing through their chest, and shoved a piece of concrete off themself.

From somewhere else in the building, a soft, terrified wail began, broken around desperate sobs.

The hero coughed again, hand rising to their ribs. They didn’t have the energy to be surprised when their fingers came back coated in blood and dust. They grimaced at it, struggling to their feet–

And oh, god. That hurt.

The hero had a surgery once, the kind that resulted in bandages and a care regime and a set of stitches, and when they had woken up in the recovery unit, it had felt sort of like this. A moment of loopy half-awareness, and then a pain that had knocked the breath out of them, hands clenching into the sheets as a nurse tried to figure out if they needed more medication. 

This was worse. Their vision swam, and they blinked it back with a hiss.

Because someone, somewhere in the wreckage, was crying. And if one person was crying, it meant there was someone who survived. Which meant it was likely there were other survivors–ones too hurt to make any noise, ones knocked unconscious, ones still too shocked to do anything other than lay there–and it was the hero’s job to find them.

It took them far too long to locate the source of the crying. Longer to dig them out, vision going white as the person slammed into the hero’s chest in some facsimile of a terrified hug.

“You’re okay,” they managed, voice like gravel. “It’s okay. I’m going to get you out, and you’re going to be just fine. Were you with anyone?”

And then again, and again, and again.

The hero panted, hands on their knees as their body fought them in an attempt to just collapse onto the concrete below. They just–they just needed a minute. Just one, maybe, and then they could–

This time, the hero wasn’t even aware of it before it happened.

The remains of the building shook, then disintegrated into itself in a plume of dust and rock. The hero shielded their eyes with one hand, blinking against the onslaught.

What little air they had managed to get stuttered out of their lungs in something close to a sob. They had done this enough times to know there wasn’t anyone in that building left alive. 

They sagged down against the nearest thing–more rubble, maybe? They didn’t know–and this time when they rested a hand on their side, there was a considerably larger amount of blood.

“That’s…not great,” they said, and their fingers blurred in front of them slightly. There was an ambulance right there. Just a couple feet away. They had already helped most of the survivors, so maybe it would be okay for the hero to–

A paramedic rounded the back of the ambulance, and the hero lifted a hand, reaching–

“Please, wait, I think–I think,” it hurt coming out of their mouth, “help. Please I need–” they trailed off as the paramedic took the step up into the ambulance.

And closed the door behind them.

The hero wasn’t even that surprised when the ambulance began to drive away.

“Help,” they finished weakly, then sucked a breath in through their nose.

They were supposed to be good at this kind of thing. Surviving, no, thriving in catastrophe. A pillar of light. The one with the plan. 

The kind of being that didn’t beg for help on the ground.

The hero wasn’t entirely sure how they managed to get themselves back to standing. It was as easy as that–one moment they were on the ground, gravel embedded in their knees, and the next they were up and shaking but they were up.

“If I stay here, I’ll die,” they murmured. They had hoped maybe the threat would keep their legs from buckling again. It didn’t.

They weren’t near any place that could be trusted. There wasn’t a safe clinic for heroes on this side of the city, and even if there was, the hero wouldn’t trust them. Couldn’t afford to.

But as for near…the hero swallowed the nausea as it rose in their throat. There was one place they could go. One person they could go to.

Four miles. They could do four. There was no other option.

Where the hero had had some blurry recollection, or at least, a good guess of how they got to standing, they had absolutely no clue how they made it onto the villain’s porch. They managed a blink, retching slightly as they stared at the villain’s wavering door, then had to freeze just to bite down the pain that had come from the gagging.

They tried to knock and ended up collapsing against the villain’s door, knees giving out entirely as their fingers scrabbled for purchase and left behind smeared bloody marks on the wood.

They weren’t entirely sure how that happened either, or how long it took the villain to answer the door. Just that it hurt—so, so much, it hurt so–and that they managed to shove themself back into some semblance of standing right before the villain pulled the door open.

The villain’s face did a sort of spasming thing as soon as they saw the hero, jaw dropping slightly in what the hero could only really read as shock.

There was a very considerable amount of blood on the door. They were cold.

“I–” the hero tried, but they weren’t really sure where they had been going with that sentence, and after yesterday and the screaming and the fight the villain probably didn’t want to see them at all, didn’t want to ever see their face again, so–their mind blanked. “I got blood on your door.”

They tried to gesture towards it, but that hurt, so their hand simply twitched slightly from where it hung by their side.

They glanced down at their feet, because they didn’t want to see what the villain’s face was doing, especially if what it was doing was anything resembling anger.

“Oh.” There was blood at the hero’s feet. “And on your porch, too, I guess.”

They looked up at the villain, but they were still staring at them, brow furrowed, hand clenching on the doorframe.

“I’m sorry.”

There was a very faint quiver of tears when they said it, and the hero knew better than to hope the villain didn’t catch it. 

Were they saying sorry for the porch or the door or yesterday–

“Holy shit,” the villain finally breathed, and it sounded like it had been punched out of them. The hero froze, panic rising in their chest.

“I’m sorry,” the hero blurted out, stammering. “I’m–I’m so sorry, I’ll go, just–could I maybe have some bandages? Just–just one, maybe, please? I’m sorry, I’m sorry,” they said uselessly, head swimming. They couldn’t even remember what they were doing here. The villain was perfect in every sense of the word, stoic and proper and collected in a way the hero would never be; a marble statue brought to life. The idea of them letting the hero–the personification of a train wreck in motion–in to bleed all over the villain’s soft carpet and nice shoes and cause irreparable damage to their very expensive house was almost laughable. 

If they had had the breath to laugh.

More of the hero’s blood dripped onto the slats of the porch, and they stepped back. “I’m sorry–”

The villain reached for them, and the hero flinched, taking it for the dismissal it was–

The hero blinked, and it stuck for a moment too long as the world tilted, and when they pried their eyes open again the villain was staring at them with something the hero was too out of it with pain and possibly delirium to identify. Their gaze drifted back to the blood smeared on the door, and the villain’s grip tightened on the hero’s bicep–when had they grabbed the hero’s bicep?–until the hero’s gaze returned to theirs.

The villain said something, but there was a roaring that had started up in the hero’s ears. They seemed to take the uncomprehending blink the hero gave them in return for an answer anyways, and guided them down until they were both sitting on the cool wood. A tug, and the hero was resting against their own propped up knees, villain’s hand still firm on their arm.

“How much blood did you lose?”

It was like screaming underwater, the hero reasoned. Or through a mirror. But they heard it nonetheless, and that was their villain, and even in hatred and war they would always answer them.

“Was ‘supposed to be counting?” If they had any more energy–or maybe slightly more blood–in their body, the slur to their own words would have been concerning.

The villain’s lips pursed into a thin line, and the hero felt them begin to run an assessing hand over their injuries, cataloguing them, brow furrowing further with every second.

“M’sorry,” they managed, tongue thick. The villain didn’t pause.

“For what?”

“Bleeding on your door,” they managed. The villain stopped them from raising their head from their knees. “And your–porch.”

“I don’t give a shit about either of those things,” the villain said, simply, easily. Like it was nothing. Like they didn’t feel the weight of it as they threw it into the air.

The villain sat back on their heels, clearly having learned what they wanted from the hero’s injuries.

When the hero didn’t immediately look at them, the villain grabbed their chin, gently turning it until the hero faced them.

“How far did you walk,” they said slowly, and the hero had never been more grateful for anything in their life.

“Four miles,” the hero said, and they couldn’t hear their own voice above the roaring, but the villain obviously could from the way their eyes darkened.

The hero wanted no part in making the villain angry again–I never want to see you again, do you hear me? If you ever try to talk to me again I will kill the both of us, I promise you that–, but when they attempted to push themselves up to leave, the only thing they managed was a piteous whine and a stab of pain so intense they forgot to breathe.

“Idiot,” the villain hissed. But oddly, the hero didn’t sense any anger coming from the villain.

They blinked–too long, again–and found themselves in the villain’s arms as they walked through the house. Their head lolled back onto the villain’s shoulder, and the villain glanced down as if–to make sure the hero was okay. That they were conscious, and breathing.

Oh.

Oh.

The villain wasn’t angry.

They were afraid. For the hero.

Which didn’t make any sense, because–

I never want to see you again–

“You’re mad at me,” the hero reasoned, and it came out half strangled and petulant. The villain looked down at them, and the hero caught the tiniest flinch in their jaw.

“I’m not mad at you.”

“That’s not what you said yesterday,” the hero whispered, and the villain flinched.

“I wanted to stop this from happening.” The villain settled them onto a bathroom counter, lights flickering on as the hero leaned back against the mirror. Blood began to dry, sticky, between their fingers.

The hero’s mouth went dry, and it caught in their throat when they tried to swallow it.

“You could have just left me there.” Their voice only shook a little bit, but the villain’s head still snapped up from where they had been digging through a drawer.

“What?”

“On the porch,” the hero clarified, clearing their throat. The lump didn’t go away, and they had begun shaking at some point, and they couldn’t stop. “If you didn’t want to deal with me you could have just left me there–”

The villain’s face had darkened into something the hero almost didn’t recognize. 

“I would burn the world for you, and you think I would leave you to die on my porch?”

“You said you didn’t want this to happen.”

“No, that’s not–” the villain rubbed a hand over their brow, and the hero winced at the blood it left behind. “No. No, that’s not what I meant. I was trying to keep you from going to that stupid event and getting hurt. I knew it was going to blow.”

“I would have gone anyway.”

The villain stilled. “I thought maybe if you never wanted to see me again, and you knew I was there…”

“I would,” the hero repeated. “Have gone anyway.”

The hero watched as the villain’s face rippled through a dozen emotions, settling onto something unidentifiable.

“Why?”

“Because you were there,” the hero said easily, shrugging one shoulder. Because when it came to the villain, it really was that easy. They could scream, and shout, and hold a knife to the hero’s throat, and the hero would still follow them into hell. That was their villain.

The villain looked like the hero had stabbed them, face draining of color. Their fingers went white around the edge of the counter, as if it was the only thing keeping them upright.

“What,” the villain’s voice was hoarse.

“I went because I was hoping you would be there,” the hero said honestly

“Stop,” the villain raised a hand between them, a shield, voice breaking. They sucked in a breath, then another, like they were trying to keep themself from breaking down onto the tile.

“You would have gone to the event no matter what, just to see me,” the villain said slowly, and the hero nodded

“Yes.”

“Even though I screamed at you?”

“Yes.”

“And told you I hated you.”

“Villain, please–”

“Now you know,” the villain interrupted, voice incredibly soft. “Why I would have never left you on that porch.”

The hero forgot to breathe for a moment, tongue going numb in their mouth. The villain couldn’t mean–

They blinked for a moment too long, and then the villain was standing between the hero’s knees, hand on their chest.

“You love me,” the hero said a moment later.

“Ruinously,” the villain agreed.

“So you–”

“I was trying to save your life,” the villain’s hands were gentle as they began to patch up the hero’s side. “And now I’m saving your life in a new and unanticipated way. But there is nothing you could ever do to stop me from saving your life.”

The hero’s heart clenched. 

“Really?”

The villain caught their chin, eyes boring into the hero’s. They brushed a piece of hair off the side of the hero’s face.

“Really.”

The hero sighed, and the villain caught them as they slumped.

“I thought you hated me,” the hero said, and they hated how raw they sounded. The villain made a choked little noise.

“I’m so sorry.”

The hero sniffed.

“Don’t do it again.”

The villain simply hummed, and smoothed the ends of a bandage down against the hero’s abdomen. The hero could feel their hands shaking.

You scared me.

A second later, their hands settled on either side of the hero’s head, and the villain rested their face into the hero’s hair. They pressed a kiss to the hero’s temple, tension easing from their shoulders.

I’m sorry.

The hero clutched the front of the villain’s shirt between their hands, drawing them closer. The villain went willingly, loose limbed with affection and the rapid draining of terror from their system.

“I would have never left you on that porch.”

The hero had never believed anyone more.

[thatonesonicfanfictionwriter]

Headcanons for shadow reacting/behaving if reader was murdered? oohohoho i bet If reader was murdered shadow would be close going the revenge path again 👀

Shadow the Hedgehog Headcanons (if the Reader, his partner, was murdered)

Requested: Yes (by an anon).

Notes: I just feel bad for Shadow in this one- poor guy. Hope you enjoy though!

As soon as he finds out, he doesn’t believe it at first

There’s no way you’re dead, right?

This can’t be happening again, it just can’t

But it can

It’s not until he sees your lifeless body that he finally breaks

The tears fall for a really long time, and for a while, he doesn’t let anyone get close

Not even Rouge, Amy, or Cream

At least, that is until Rouge forcibly gives him a hug and comforting words, telling him she’s not going to leave him anytime soon

It takes a long time for him to stop mourning, and while he’s mourning the cops find your killer

Rouge has to hold him back from killing the person, but as soon as they mention you, she lets go, and Shadow nearly murders them

It takes every bone in his body to not go take revenge on the world, but he doesn’t, for yours and Maria’s sakes

He doesn’t find another partner, being too loyal to you

At your funeral, he probably mutters something about saying hello to Maria for him and that he hopes you find peace

He visits your grave on your birthday, your anniversary, your day of death, holidays, and his creation date

He misses you every day but he knows you wouldn’t want him to stop living his life, so he pushes through

[schrijverr]

Do You Want to Go with the Strange Man, Buddy?

Divergence from chapter 13, where tía Pepa is forced to drop Christopher off at the 118 while Eddie is at the academy, because Abuela isn’t feeling well and she has to work. This leaves Buck with a surprise introduction to make to everyone.

On AO3.

Ships: Buddie (pre-slash)

Warnings: mentioned minor character death, mistaken child abduction

~~~

Buck had been working out on his own. It’s a slow shift – almost q-word, but he’s not saying it – so he actually took a decent shower after. He doesn’t know what it is about the shitty showers, but they’re homely to him.

Anyway, when he gets out and back into uniform, he checks his phone to see he’s missed a call from Pepa. She’s supposed to be dropping Chris off at Abuela’s house right about now, so he frowns and quickly calls her back.

“Oh, Buck, good. You’re on shift now, right?” she picks up.

“Yeah, I am. Is everything okay? Is Chris?” Buck asks worriedly.

“Christopher is fine,” Pepa tells him and his muscles unclench slightly. “We’re outside your work now, can you be there quick?”

“I can be there right now,” Buck says, starting to move towards the doors without a moment of hesitation. “And you’re sure everything’s alright?”

“It is, it is. Mama just can’t watch him today, she came down with a stomach bug,” Pepa explains.

At that point, Buck is at her car, quickly looking inside and waving over to Chris. However, he doesn’t immediately go over to him, because Pepa has gotten out of the car and closed to door behind her, a clear sign she wants to talk to him real quick, before Chris can hear.

Lowly, Pepa says: “Mama can’t watch him and I can’t take him to work right now. I can when I’m off, but not before. I tried calling Eddie, but he wouldn’t pick up. Is he safe here? Can you get off?”

Buck knows checking your phone at the academy has a high chance of getting yourself yelled at, so he gets why Eddie wouldn’t see the call. Mentally he makes a note to send Eddie a text about it all, before he assures her: “Of course I can take Chris. My Captain’s pretty chill, he’ll give me off or make me man behind or something. I’ll figure it out.”

“Gracias, gracias,” Pepa says, kissing his cheeks. “I have to go rush back before my lunch hour is over now.”

“Of course,” Buck blushes, still not entirely used to the warmth of this part of the Diaz family. He takes Chris’s bag from her, slinging it over his shoulder, before letting her get in the car, while he goes to get Chris.

Pepa has said her goodbye to him by the time he gets to his door, so he’s just focused on Chris when he opens the door. “Hey, buddy! Excited to hang out with me today?”

“Yeah,” Chris cheers.

“Good,” Buck smiles, unbuckling Chris from his seat and lifting him out of the car. He puts him on his hip while reaching in for the crutches, then the two of them wave goodbye to tía Pepa.

With her car out of the parking lot, Buck suddenly finds himself alone with Chris. At work. And it hits him that this is going to be a very hard thing to explain. Hell, he doesn’t even know how to begin, because how the fuck is he going to play this off?

It seems like frat boy Buck is dying today and he hopes they’re not going to be too weird about it in front of Chris. He’s never wanted his own issues to touch Chris. However, it’s also going to be heartbreaking to introduce him to everyone as his son, knowing that won’t last forever.

Subconsciously, he hugs Chris a little closer, before forcing cheer into his voice saying: “Well, I gotta introduce you to everyone then talk to my Captain for a bit, but then I can show you all the trucks and equipment. How does that sound?”

“I get to see the trucks?” Chris asks excitedly. With Buck sharing stories over dinner or breakfast on an almost daily basis, he’s gotten very enthralled with firefighters, so it’s dream come true.

Buck’s heart melts at the sight and decides that no matter how today goes, he’s going to make fucking sure Chris can see those trucks up close and personal. “Yeah, Superman, of course. Let’s go. Wanna be put down?”

Chris shakes his head. He has quickly realized that they first need to get through boring adult stuff before he can see the trucks and he wants to speed the whole process up. Which means he is perfectly fine where he is, getting to look around while papi does the walking for now. He’ll be independent when they get to the cool stuff.

So, Buck apprehensively makes his way up the stairs with Chris in his arms. He’s unsure what kind of reaction he should be bracing for when the finds the others hanging around the couch with their mugs, pausing when they see him.

For a moment, all of them just look at each other.

Then Hen cautiously speaks up: “Uh, Buckaroo, where- where did you get the kid? Did someone… Did he get lost?” she corrects herself, knowing Chris can hear her and not wanting to implant the idea that he was abandoned before they know more.

And Buck knows he should explain, but just going ‘no, this is my son’ feels weird when it’s not forever and this set up is just too funny. So he doesn’t explain and instead shrugs: “No, I just saw him while I was at work and took him.”

Everyone’s eyes get wide and they all freeze, as if they can’t believe that they’re hearing that and aren’t sure if he’s joking or not. They know Buck can’t lie, but since it’s technically true, it doesn’t read like a lie, which is hilarious to Buck right now.

He keeps a straight face as he turns to Chris and says: “Isn’t that right, Chris? I just took you off the streets.”

Chris – a little shit after his own heart and a better liar than his papi – just grins and nods: “Uh-huh, you did.”

Chimney must decide that he’s fucking with them, because he rolls his eyes: “Alright, sure. Was there anyone with him?”

“Yeah,” Buck says. “She wasn’t paying attention. I mean, I took this little guy here right out of her car and we waved at her when she left. Didn’t even blink. Probably didn’t care I did, did she?”

“That’s right,” Chris chimes in again.

At this point everyone is starting to get actually concerned. Buck is a little offended that they are, but he also gets it. Who knows if he snapped or something? A child abduction case should always be taken seriously. So, he should probably also stop now. Maybe a bad joke to make to begin with.

“Buck,” Bobby says, getting up slowly and holding out his hands as if calming a distressed patient. “I am asking you, if you can give the child to me. Okay?”

And look, he should just explain now, because this has gotten out of hand – story of his life, he supposes – but he can’t let this moment pass. It’s an educative moment, a cautionary tale if you will. So he turns to Chris on his hip and jostles him slightly, before quirking a brow and asking: “Do you want to go with the strange man, buddy?”

In the background, everyone is just getting more and more concerned with Hen and Chimney also rising to their feet and putting their mugs down. Buck half thinks one of them might sneak away to grab a tranquilizer or something, a true sign he should have never done this, but it’s too late for that now.

Luckily for everyone, Chris puts them all out of their misery by giggling: “No, papi.”

“Good answer!” Buck cheers, pressing a kiss on Chris’s cheek as he hugs him closer. “That is right, do not go with a strange man.” He turns to everyone else, who is still staring at him, perplexed. Buck has never seen someone blue screen like that. Ignoring it, he just goes: “And that’s how you teach stranger danger, people.”

For a few seconds it’s silent. The three others in the room blinking at him as they try to wrap their heads around the sharp turn that has just happened.

Not wanting to wait around for the explosion, he barrels forward, talking to Chris again as he goes: “So, let’s make them not strange people. This is my Captain, Bobby. Do you remember me talking about Bobby?”

“I do, he’s the Captain with the nice food,” Chris tells him.

Buck blushes a little, saying: “He is indeed the Captain with the nice food, but that was our little secret, remember?”

“But, papi, you’re not supposed to lie,” Chris counters.

“It’s a non-serious lie,” Buck defends himself, feeling a little called out anyway. “But you’re right. No lying. Want to say hi and thank you for the nice food?”

Chris nods and Buck makes his way over to Bobby, so Chris can shake his head. “It’s nice to meet you, Captain Bobby. I’m Christopher. Thank you for the nice food.”

Bobby now remembers Buck sneaking leftovers out the fridge. He always let him, figuring the kitchen in his frat house sucked and he didn’t feel like cooking there. Having the sudden knowledge that his food has instead been shared with this kid. This son Buck has apparently had this whole time, twists something inside him.

A little shellshocked, he shakes Christopher’s hand, saying: “Uh, yeah, call me Bobby. It’s nice to meet you too, kid. I’m glad you like my food.”

Chris smiles at him, but Buck moves on to the others before Bobby manages to form his face into a semblance of a smile back. It hits him all over again. Buck is a father.

“This is Hen, the badass paramedic,” Buck says, gesturing to her first and she waves at Chris and Chris waves back.

“Hi, nice to meet you,” Hen smiles, shaking his hand when he holds it out.

“It’s nice to meet you too,” Chris says politely and chipperly.

When Chris looks away again, she gives Buck a wide eyed look and quirks a brow. Buck sends a half grimace, half smile back. Then he moves onto Chimney saying: “And this is Chimney, the one with the funny name.”

“Hey! I’m also a badass paramedic,” Chimney exclaims, playing it up and snapping out of his funk, while Chris giggles. “Nice to meet you, kiddo.”

“It’s nice to meet you too,” Chris says.

During the introduction, it’s clear that both are obviously trying to hide how weirded out they are. Buck is starting to realize it might have been a little dumb of him to lean into the frat boy thing, but in his defense, it will probably be true soon. And that doesn’t hurt at all, no sir.

Shaking the gloomy thoughts off, he asks Chris: “I have to go talk to Bobby for a bit, do you wanna hang out with Hen and Chimney while I do? They know everything about the ambulances, I’m sure they’d love to answer your questions.”

“And then we can go look at the trucks?” Chris asks hopefully.

Buck just melts and he gives Chris a soft smile: “Yeah, buddy, then we can go look at the trucks.”

“Okay.”

He puts Chris down, encouraging: “Strong legs,” hovering a moment until he’s solid, before handing him his crutches. Then he points to the kitchen and says: “I’m going to be right there the whole time, so you can just call out if you need me, yeah?”

“I know, papi,” Chris assures him, a little bit of attitude that he totally gets from Eddie shining through.

“Alright, alright,” Buck grins as he shakes his head. Behind Chris’s back, he sends Hen a questioning look and a thumbs up, silently asking her if it’s okay. She gives him a reassuring smile and he relaxes a little with the relief.

He stays for just long enough to see Chris move towards them without any shyness, before making his way over to the kitchen. Bobby is right behind him and Buck feels very uncomfortable about the whole thing. Exposed in a way he usually tries to avoid.

So, before Bobby can say anything, he starts talking himself: “I know, I’m jumping this on you and I’m so so sorry. He was supposed to stay with Abuela, but she isn’t feeling well and tía Pepa can’t take him to her job and she couldn’t reach Eddie. But I can try to see if I can reach him, or stay behind and use my PTO or something. I totally understand if you can’t accommodate this right now. Again, I’m so sorry.”

“Buck, breathe,” Bobby says, brow creased worriedly. He places a hand on his shoulder and makes sure Buck is looking at him, then says: “We’re here to work with you. I’ll need to clear it with the Chief, but I’m sure we can figure something out until you figure out childcare.”

“Oh, that’s- that’s really nice,” Buck stammers.

Bobby still isn’t sure where the kid came from, but Chris is clearly Buck’s and he is panicking. As much as it hurts to think about it sometimes, he still recalls how stressful and scary being a parent can be. Of course he’s going to support him, even if he still hasn’t processed everything.

He squeezes Buck’s shoulder, searching for more words of support, finally settling on: “Of course.” He wants to ask more about the how and when of the kid, but before he can, Buck’s phone starts ringing.

“Fuck, that’s Eddie, I have to take this real quick,” Buck says, turning away, but not really moving away as he picks up: “Eddie? Hi, yeah, Pepa said she called you.”

Buck has never mentioned an Eddie before today and he doesn’t know how to feel about him, remembering what he almost fired Buck for. Maybe it’s more recent than that? Even if that seems even more ridiculous. God, Bobby hopes it is though.

He can’t hear what Eddie says. However, he does hear what Buck responds: “Everything’s fine. Abuela’s not feeling well, so she dropped Chris off here, until her workday is done.”

Then Buck listens briefly for a moment, before nodding, despite Eddie not being able to see. “Uh, yeah, that’s okay. Everyone here is super nice and helpful. Bobby says we can figure something out. So, I’ll keep him for now, no worries. We’ll look at the trucks and he’ll be thrilled. You just focus on training, I doubt your instructor will be pleased with you taking calls like this or missing out.”

Something in Bobby’s heart clenches at how soothing and worried Buck sounds. He gets the feeling he can now be reasonably certain he knows who Eddie is; his partner. Another thing they all missed. Buck has had a family this whole time. And they don’t sound strained, which is a relief. Though maybe also a bad thing?

That feeling is further confirmed when he sees a small shy smile on Buck’s face as he responds: “No problem. We’re a team, remember? Bye.”

He hangs up, before facing Bobby again face still slightly red. “Uh, sorry about that. Hope you don’t mind me promising that to Eddie.”

“I don’t. It’s okay, Buck, truly. We’re a team here too,” Bobby says, which makes Buck relax. He seems really anxious about this whole thing and Bobby worries about what makes him feel so on edge. “Are you okay?”

“Me?” Buck asks, taken by surprise. Then he smiles awkwardly and unconvincingly says: “I’m fine.”

Bobby levels him with a look and Buck looks away. Deciding that stern probably won’t work on Buck, he goes for compassion when he says: “Look, clearly this was something you didn’t want to share. I get that it’s scary and I just want you to know that we support you, no matter what. You’re safe here.”

Buck’s eyes widen momentarily, before his smile becomes more real. “Thank you. It’s not exactly like that, but thank you.”

“Oh, I’m sorry. I just assumed-” Now it’s Bobby’s turn to be awkward. He could have sworn Buck was just coordinating with his… spouse? Partner? Boyfriend? Husband? His Eddie. Maybe it’s a nickname? Maybe it’s something else that would explain the sleeping around. He hopes it will explain the sleeping around.

“Oh, no, Eddie is my husband,” Buck quickly assures him, which clears up exactly nothing. In fact, it makes it worse.

“Now, I’m confused,” Bobby tells him honestly, praying Buck will give him more information that will turn him into someone Bobby recognizes, someone more than a cheater, who lies and hides.

“Uh, it’s- it’s a bit of a long story. Me and Eddie are married as friends, for Chris’s sake. His mom walked out and I kind of stepped up. So, I adopted him when Eddie had to go back into the military. He is training to be a firefighter right now. When he’s stable, he, uh- he’ll probably divorce me. Kinda hard to bring that up,” Buck grimaces apologetically.

Bobby blinks a few times, that is indeed a long story and that’s with probably most of the details missing. However, it does clear up the sleeping around situation, so he’ll take it. Still, unsure what to say, he asks: “So, how long have you two been married then?”

“Coming up two years, but living together and raising Chris for three,” Buck answers, looking over to Chris with a melancholic note in his voice.

Okay, so this isn’t just a recent thing for a last tour, but a years long thing. Bobby knows what it is like to lose a kid, but to know they’re still out there? God. He doesn’t know this Eddie, but that is an awful thing to do to a person. He frowns: “And you’re just going to disappear when he is stable?”

“Uhm, yeah, probably. I mean, we haven’t really discussed it,” Buck rubs the back of his head, then admits: “I’ve been too scared to ask.”

“Buck…” Bobby breathes, unsure how to even begin to tackle all this.

“I know,” Buck sighs before he can figure it out. “I know I should talk to him. I know that. But if I know, I can’t cling to the possibility of it not happening, you know?”

He looks devastated. It’s only in his eyes, his face keeps that helpless half smile, but his eyes carry a deep grief that Bobby knows. He has already given up on keeping a professional distance, so he just pulls Buck into a tight hug and holds him close when Buck melts into it.

When he pulls back, he says: “The not knowing is killing you too. Talk to Eddie, tell him this. If he is a friend, he’ll understand and want to help. We’ll be here for you whatever happens.”

“Thank you, pops,” Buck says with a crooked grin, sounding a little choked up. He hasn’t called Bobby that since his second month there, but the nickname brings back a wave of nostalgia, and – treacherously – a voice in his head flirts with the possibility of being a grandfather, before Bobby represses it.

“Of course,” is what he ends up saying. His smile feels a little more forced, but he sounds genuine when he says: “Go show your son the trucks, I’ll call the Chief.”

Buck’s eyes sparkle when he says ‘your son’ and he nods eagerly: “I will. Again, thank you so much,” then he bounces off to the couches.

At the couches, Hen and Chimney have stared at Chris for all but two seconds. Neither of them have a clue what to do with the surprise news that Buck apparently has a kid. A kid that is now staring at the two of them with big eyes.

“Uh, so how old are you, Chris?” Hen finally asks. A standard question to ease into it.

“I’m seven,” Chris tells her proudly.

Hen quickly does the math. That makes Buck nineteen when Chris was born. She shares a look with Chimney, who did the same math as her. With Buck’s record of sleeping around, that doesn’t entirely come as a surprise. However, the well adjusted kid speaks to a lot more maturity that his recklessness would indicate.

“That’s already really grown up,” she smiles at Chris, who beams with pride.

Both of them are used to working with kids, so Chimney takes over: “Buck mentioned you were interested in the ambulances?”

Now Chris lights up even more. He sure is a happy kid, Hen thinks fondly. Apparently Buck is a good dad, that’s nice. And it becomes increasingly clear that he raised Chris, because when he starts launching questions at them that are truly impressively detailed, his face is the exact same one that Buck makes when he’s learning things and curious. It’s truly adorable to see.

They answer his questions the best they can, getting very charmed by this kid in front of them. They can almost forget that Buck pulled a kid out of thin air. Still, every time he does something Buck-esque they’re reminded all over again.

Hen wonders if there is some drama with the mother, since she now recalls Buck knowing a lot about custody. If Chris had been an accident, then they might not be together anymore and Buck has had to go to court about it. Maybe it had been a whole thing?

Chimney meanwhile realizes why Buck canceled so much on them at the start. Still does, they’ve just gotten used to it. At the time he’d been so jealous thinking he must have more fun parties or hot dates, but he probably was just going home to his son. Obviously childcare is an issue.

He wishes the kid had just opened his damn mouth about it. He remembers how rough it had been for Hen and Karen when they first adopted Denny. How it’s still difficult sometimes. They could have helped. Chim finally got the babysitting gig down. He has had practice.

It’s a bit of a mindfuck to have to reframe Buck from a frat boy to a teen parent. However, the pieces do fit in a way. The flashes of maturity, the way he can flip the switch to being responsible, the way he’s gold when there are kids on a scene.

So, yeah, Buck is a dad. That’s a little new.

But it’s only new to them, clearly it’s not new to Buck. Because when he’s done with his talk to Bobby he swoops back in, hauling Chris up over his shoulder as he says: “LAFD here to rescue you!” which makes Chris shriek with delight.

Buck puts him back down and ruffles his hair, matching big smile on his face. “Are you ready to look at the trucks now, Superman?”

“I am, I am,” Chris says, bouncing up and down.

“Alright, then, let’s get this show on the road,” Buck exclaims, gesturing for Chris to lead.

The four of them make their way downstairs, all of them smiling at Chris’s excitement at seeing the trucks. Despite being older than him, they all remember that same feeling from their first day.

It’s obvious that Buck takes much pride in his work and the fact that Chris thinks his career is cool. As he shows everything with much gravitas and importance, not to mention a matching thrilled sparkle in his eyes.

Chris gets to try on his helmet and sit in the rig, while Buck takes a billion pictures. After he’s snapped one in particular, he grins at Chris: “Daddy’s going to be so jealous of you, getting to sit in a real fire engine before him.”

“He will,” Chris grins slightly mischievously.

Behind the duo, both Chimney and Hen freeze. Daddy. There is a second parent involved. With what they know of Buck that is almost more unexpected than the kid thing.

Hen wonders if maybe the other dad is trans and it’s still what she first thought, while Chimney immediately grimaces. He doesn’t want to judge Buck too harshly, I mean, he didn’t for Hen, but it’s different with Buck. So, he can’t help but judge a little.

“Daddy?” Hen asks, deciding it’ll be better to just find out. If it puts Buck on the spot, they can pretend to buy whatever excuse he comes up with for now and interrogate him later.

“Uh-huh,” it’s Chris, who answers, “he’s becoming a firefighter like papi is!”

Buck on the other hand looks less enthusiastic and more like a deer in headlight, blinking two times, before quickly explaining: “Eddie is Chris’s dad – other dad. Bio dad? – uhm, he’s my husband, but we got married as friends. It’s a bit of a long story.”

“They made them kiss,” Chris informs the other two firefighters there a bit too gleefully. “It was really silly.”

“Chris was with us for the wedding,” Buck clarifies with a blush. “It’s a thing they expect you to do.”

Both of them just nod. Hen is sure that there is a much more detailed and much more stupid story there to explain all this, but honestly, she doesn’t feel like figuring it out. Chris is still right there and Buck looks like he’s going to kneel over if they ask more. She’ll wrangle it out of him when he’s had more time to get his head on right.

At that point the alarm goes off and Buck freezes a little. However, Bobby appears at the top of the stairs, about to go down the pole. Before he does, he calls out: “Buck, get yourself into gear. Kid’s coming with us.”

“Aye, aye, Cap,” Buck says, relieved to get some clarity. Then to Chris he goes: “You hear that, bud, you’re going to be a firefighter today.” Chris cheers. “Stay right there, okay, I’ll be with you soon,” Buck promises, before hurrying off to get into his gear.

When they’re driving to the accident, Chris has a thousand more questions and eagerly listens to all their answers and explanations. As well as to the little jabs and teases they throw at Buck. He takes them like a champ, rolling his eyes as he takes more pictures.

At the scene, Bobby sends Buck out there, keeping a close eye on Chris for him and walking the boy through everything that’s happening. He makes sure to pay extra close attention to Buck and explain what he is doing to Christopher.

Bobby tries not to, but he can’t help but wonder if Robert Jr. would have been equally as invested if he’d ever been able to go with him to work. He always misses his family, his kids, the most on days like these. On calls with kids, or when classes come in.

He puts it out of his mind though. Buck is closer to being his kid on most days and he has made some peace with it, even if he won’t acknowledge it yet. However, it makes it easier with Chris than with another kid. It doesn’t feel like he’s replacing his own, it’s a relationship he hasn’t had with anyone before yet. New is good.

After the call, Chris is in high spirits, excitedly rerunning every moment to everyone and asking more questions. He is very much Buck’s child. However, this also means he’s easily distracted by the video games they have and the pinball machine.

For a snack, Bobby asks if he liked one leftover in particular, making sure to whip that up, much to the boy’s delight.

By seeing Buck around Chris so much, it normalizes itself in their brains that Buck is a dad. The shock and newness wears off and they can appreciate this side of their probie they hadn’t seen before.

Buck is still basically an over excited puppy, but he matches Chris’s energy pretty well, never going further than he wants. He also has gotten the balance between letting Chris be independent and preventing him from doing something dangerous down to a science.

It’s very interesting to see traits they know he has being dialed up or down to suit this situation. How natural it looks on him, despite their previous assessment of him being a frat boy.

However, it’s also very obvious to all of them, that he is still a kid himself, raising another kid. None of them – bar Bobby – have a general idea of how long he’s been doing this, but they can all gather that Chris is older than most kids people Buck’s age have.

Of course he’s a firefighter, but he tosses Chris around like it’s nothing, keeping up easily with his boundless energy, and saying stuff like: “High five, Superman!” when Chris tells Chimney that his movie quote was weird.

All in all, Chris is having a blast and so is the 118.

They’re all helping Chris slide down the pole, grinning as he goes, when a brown haired man comes wandering into the firehouse. He stops short when he sees the whole spectacle, then smiles.

Out of everyone there, only Hen has spotted him. At first she thinks he might need help, but they have to focus on Chris’s safety first. However, when she sees him stopping to watch, she knows that must be Eddie. Buck mentioned them getting married as friends, but looking at him smiling at Chris and Buck, she doesn’t know how much truth there was to that.

Her theory that this is Eddie is confirmed when Chris is safely on the ground. Buck is grinning down at him, not paying attention to anything else. Then Chris spots Eddie and smiles widely: “Daddy!”

“Hey, buddy,” Eddie smiles back.

Buck immediately turns to look at him, a love struck look coming on his face when he says: “Eddie, hey!”

Fucking hell, she was so right that there is a much more detailed and much more stupid story there. It is obvious to her that if these two are married as friends, they’re both lying to the other and maybe to themselves about it.

“Hey, Buck,” Eddie greets back unnecessarily. “You two look like you are having fun.”

“We are,” Chris answers for them, bouncing up and down. “I got to try on papi’s helmet and sit in the rig and then we went to this crash and the sirens were on. We had these headsets and I got to see papi work. He saved this lady from her car. It was so cool!”

“That sounds very cool,” Eddie tells him, the utter adoration for his son clear in his eyes. He cards his hands through Chris’s hair and hugs him close.

While that happens, Buck has also come to circle the two of them. He says: “I thought tía Pepa was taking him today. You’re here early. Everything okay?”

“Yeah, everything’s fine,” Eddie assures him. “Instructor let us go early today. I think he’s getting soft on us.”

“Pff, of course. LA training is soft on you all,” Buck teases.

Eddie rolls his eyes, apparently familiar with this particular taunt as he replies: “Here we go again. Let me guess, in Texas they forced you all to sweat through it like tough guys.”

“You got it,” Buck grins. “Anyway, I’m being rude. This here is Bobby, my Captain.”

Bobby steps forward, shaking Eddie’s hand as he says: “I’m Eddie Diaz, it’s nice to meet you, sir.”

“Likewise,” Bobby smiles. “And no need for sir. Just Bobby is fine.”

“This here is Hen and Chimney,” Buck moves on introducing both.

They shake Eddie’s hand too, telling him it’s nice to meet him while he returns the sentiment, though he adds: “It’s so nice to put a face to the names,” as he does. Whatever hiding Buck was doing, it was a one sided hiding act. However, none of them mention it. Not in front of Chris.

“So,” Buck claps his hands. “Did you come for a tour of the trucks too? I told Chris all the facts, he could probably give you a great tour. You know, since he’s been in an actual rig.”

“You’re full of it,” Eddie tells him, but he’s smiling too much to mean it.

“I know,” Buck replies simply and Hen wonders if they know they’re flirting.

Before either can figure that out, however, Chris tugs on Eddie’s hand, pleading: “Please, daddy, I can show you everything. There are loops on the hoses, just like papi said. Do they teach you that too?”

Eddie looks a little caught out, trapped between Chris and the 118. Carefully he says: “I’d love to, mijo, but papi and his team have people to save and help. We should give them space to work.”

“It’s okay,” Bobby says, before Chris can even pout properly. Much like his papi, Chris has got him wrapped around his little finger. “We have the house on low priority calls for the time being. You staying a little longer won’t be an issue.”

“You’re sure?” Eddie checks anyway.

“I’m sure.”

“Thank you so much,” Eddie says, before turning to Chris: “Well, then I would love a tour.”

Excitedly Chris directs Eddie to the trucks, telling him everything he’s just learned, while Buck chimes in from time to time with other tidbits or words Chris has forgotten. Throughout it all, Eddie listens with great pleasure. He’s clearly not as much of a talker, but it seems Chris and Buck more than make up for that.

While they all watch the family from the sidelines, Chimney asks: “So, does anyone know more about what their deal is?”

Bobby – the savior with actual information – answers: “From what I understand, they got married after Chris’s mom walked out so Buck could be there when Eddie had to go back into the military. They’ve been living together for three years, married two.”

Chimney whistles lowly, then checks: “And we all heard him say they’re married as friends, right?”

“Oh yes, we did,” Hen replies, sounding a little pained.

Next to her, Chimney cocks his head, watching Buck and Eddie bump shoulders every time they walk, because there is no space between them. Slowly, he asks: “And… are we… believing that?”

“Oh, definitely not,” Hen says.

“Come on, guys. Let’s not speculate too much. Buck hasn’t been comfortable sharing, we should respect that,” Bobby butts in, trying to be the responsible Captain.

That earns him a double judgmental look from both Chimney and Hen, before they ignore them and turn back to their conversation. “I don’t think Buck would do the whole sleeping around like that thing, if they were actually already together,” Hen says.

“So, we’re betting on pining.”

“Of course.”

“Okay, they’ve already been doing this for three years… That denial runs deep.”

“Yeah, it definitely does,” Hen agrees. “Did Buck mention anything about their communication to you, Bobby?”

Bobby sighs and rubs his brow, then decides he’s really no better than either of them. So, he admits: “It is their plan to divorce one day, but Buck hasn’t talked about it yet, because he fears Eddie will just cut him out.”

“…Now I don’t know if I should laugh at him or feel a deep sympathy,” Hen comments with a jikes grimace on her face.

“I told him to talk to Eddie about it. Clear the air,” Bobby offers.

“Twenty dollars on them figuring it out when Buck brings it up,” Chimney says confidently. “There is no way, Eddie is going to not kiss him about that.”

“Hmm, I don’t know.” Hen appraises Eddie again, squinting as she tries to get a read on him. “Twenty on them not figuring it out for another three years. And another forty on them never getting divorced.”

“Uhm, you can’t bet on things that are basically facts,” Chimney complains.

“Hey, you don’t know that!” Hen exclaims, knowing he is right, but she doesn’t care if it’ll get her forty dollars. They’ve been eyeing new cutlery.

“Ugh, fine! But I’d like it on the record that I protested it and I want my counter bet to be that they do a vow renewal instead,” Chimney says.

“Alright, deal,” Hen nods, shaking Chimney’s hand as they seal the deal.

They all return to watching the three at the trucks again. Buck has lifted Chris onto his shoulders, so he can properly point at all the things he’s talking about. Eddie is listening to him, sure, but he is definitely more focused on Buck.

After a few beats, Chimney wonders: “Hey, now that we know Buck adopted Chris and they met a few years ago. Do you all think there is some truth to him snatching Chris story?”

“God, I fucking hope not.” … “Five bucks says there is.”

“Ten says it’s an exaggeration.”

They shake on it.

“Fuck it,” Bobby mutters, then says: “Five on it being wilder than that.”

They shake with Bobby too, then wait until the tour is done. They haven’t gotten to speak with Eddie much, but it’s okay. Everyone has gotten the chance to observe him and he seems nice and polite when they say goodbye.

Buck stands there like a mom on the very first day of school, waving at them until they disappear when they do leave. The others kindly do not call him out on it. There is a bet now, so no interfering.

Still, the only reason they don’t ask, probably actually is because the alarm starts ringing so they have to go and focus on an emergency instead of Buck’s newly revealed private life.

Throughout the course of their shift, they do learn more details about how Buck got into that situation. When he tells them about dating Eddie’s ex-wife and meeting her while she shopped for eggs, is something they have a fucking filed day with. And it earns both Hen and Bobby some money.

They also learn about Eddie’s chopper getting shot down and Buck nursing him back to health. He chokes up a bit there and Hen rubs his shoulder.

As she does, she feels a little bad about the self satisfied grin she tucks away. If they can go through that and not confess, she was definitely right in placing her money on three years.

However, overall, it doesn’t change too much.

Still, when Buck comes in for his next shift, they all eagerly turn to him, wondering if he’ll turn back into over-sharer Buck now that the cat’s out of the bag. They need to know more about this nonsense he found himself in.

Buck does not disappoint. He eagerly hollers: “Eddie is not going to divorce me!” which turns the heads of everyone who hadn’t been there last shift. Seems like Buck is going to have to explain it all over again. And the betting pool will grow. Hen is so getting that new cutlery.

~~

A/N:

Credit to Memememe8989, who suggested this idea in the comments, I had a different idea that is somewhat related to this (which granted, I might still write), but this was just so iconic that it immediately gave my brainworms <333

Llsdkghdhkf there was so no reason for Buck to do pretend to have kidnapped Chris, but the idea was just too funny and you can’t tell me he wouldn’t in his awkward insecurity

The full phone convo for those curious:

B: “Eddie? Hi, yeah, Pepa said she called you.”

E: “She texted me to call you. Is everything okay?”

B: “Everything’s fine. Abuela’s not feeling well, so she dropped Chris off here, until her workday is done.”

E: “And is that okay? I don’t want you to get in trouble of this.”

B: “Uh, yeah, that’s okay. Everyone here is super nice and helpful. Bobby says we can figure something out. So, I’ll keep him for now, no worries. We’ll look at the trucks and he’ll be thrilled. You just focus on training, I doubt your instructor will be pleased with you taking calls like this or missing out.”

E: “Okay, that’s good. Thank you.”

B: “No problem. We’re a team remember. Bye.”

E: “I do. Still, thanks. Bye.”

[multi-fandomdisaster]

Happy new year, everyone! As a gift to start up 2025, I give you all something I promised you all a good while ago!!!

✨BEHOLD✨, my favorite (alive) Ted details from TGWDLM (acquired during a soundless/no-audio rewatch I did of the musical to study his body language) (except as I go on, it gets more and more uncoordinated and chaotic):

(Heads up: this is gonna be really long, and as such, I'm gonna put the list under a cut as to not take up as much space. We're covering EVERY scene he's in [alive] within an ENTIRE musical. Buckle up, fellas!)

His shoulder shimmies during and after he says the "cute little barista" line

Honestly during that whole segment, the stark difference between Paul's near-complete lack of motion while Ted never STOPS moving

Actually, I don't think there's a moment in the whole musical where he's completely still and I love that

Also Ted seems so happy to be there talking to Paul lol

His little tippy taps on his mug while Bill speaks

He looks over to see the pot of coffee in Charlotte's hands when Bill makes the "coffee in the sugar joke"

His little lip twitch after the "I heard, I wasn't there" line

His facial expressions in the back while Charlotte's talking about Sam singing that morning

How fluffy his hair is during the alley scene in comparison to how it was slicked back the last time we saw him

"Paul," *tap tap* "get in a trash can!"

His apologetic grin to Emma after Paul says "Latte Hottay" and the way it IMMEDIATELY falls as soon as he looks back at Paul

BONUS: the way Paul flinches when Ted touches his shoulder

"My ID's in my back pocket-"

His incredibly confused expression when the cop grabs his arm and starts fake-driving with it

The "look at this guy" point at the dancing cop during the bridge of Show Me Your Hands

The way he starts vibing to the song during the bridge of Show Me Your Hands (this will return)

The way he plugs his ears as soon as the one cop starts imitating a siren (Bill and Emma also do this)

The double take he does when Sam pulls a gun on Charlotte

He uses the trash can lid as a shield

His visual "you're going great" as Emma's talking about Hidgens

The confidence and the smile as he says "A king"

He puts a hand through his hair as he looks down at Sam

He's very touchy with all of his friends. First the shoulder pats with Paul (which Paul seemed very uncomfortable with), and now the shoulder hold and back pats with Charlotte

He slightly extends his pinky when pointing

He often stands with his hands in his pockets and gently sways, shifting his weight thoughtlessly back and forth from one foot to the other. Bro literally CANNOT stand still

Okay, scratch the slightly extending his pinky. Bro just full-on points like this ->🤘sometimes (except with his left hand. Is Joey Richter a lefty? I ask because Ted primarily gestures with his left hand)

The little flourish (and/or fumble) with the handcuff keys as he puts them in his pocket

He rubs his hands together and cracks his knuckles as Hidgens is talking about the blue shit

His crossed arms and general bored body language as Alexa dims the lights

As soon as everyone else leaves, his body language immediately opens a little bit as he (and this is truly the only way I can describe this) swaggers over to Charlotte and IMMEDIATELY touches her shoulders, rubbing them soothingly before full-on holding her to him. Touch is this man's love language, platonic or otherwise, and nobody can convince me otherwise

I love the way he looks at Charlotte. You can tell he genuinely cares about what she me saying, and he looks confused and maybe a little hurt when she pushes him away. You can also see the exact moment the confusion weans as he determines the next words he's going to say.

HE DOES STOP MOVING AT ONE POINT! TO LISTEN TO CHARLOTTE!!! HE STOPS ALL MOTION TO FOCUS ON WHAT SHE'S SAYING!

His smirk on "always will be"

Okay, but like- Charlotte moves so much in this scene in comparison to Ted. Her shoulders, her face, her head; my girl's practically squirming the whole time. And I know it's mostly to drive in the joke with dramatized...flirting? I think? General horniness? Is that what's happening here? (I'm aroace; I don't pick up on/understand this kind of stuff lmao), but it's still a bit jarring to see a character deliberately moving their body so much that it makes Ted look practically still in comparison lmao

He doesn't look genuinely mad during the "I'm not your therapist!" line. He looks mildly annoyed if anything. Maybe a bit frustrated?

I genuinely feel like Ted doesn't like Sam. The two have technically never been seen interacting before, and yet the way Ted points at and states his opinions of Sam is done with so much...idk, "rigid matter-of-fact"-ness. He just...flat out does not like the guy

I have SO MANY EMOTIONS about the "This guy is a scumbag. You could upgrade to a sleazeball" line-

There's a lot of emotion in his arm gestures when he says that Sam's a scumbag. To me, it again looks like he genuinely doesn't like Sam, and he's trying to convince Charlotte that he's bad.

Then he calls himself a sleazeball, and he states it like it's a fact. It hurts even more to me how there's a slight smirk on his face when he says "you could upgrade" and then his face goes completely serious when he finishes the sentence with "to a sleazeball" and points to himself.

He doesn't look proud. He looks resigned to the title

And then he HOLDS THAT POSE, his hands/arms bouncing a little to drive in the point

I feel from that through the "but you refuse to be happy" line, we see a little bit of the caring inner side of Ted before he re-defaults back to his usual more asshole persona

UGHHH I LOVE THIS SCENE SO MUCH-

"I'm gonna go hit on that crabby barista" ✌️

Off topic, but we need a left hand emoji equivalent for every hand gesture emoji in my opinion lol

Ted is MANSPLITTING in that chair. His posture is so bad (and looks so comfy lol)

And also he's fidgeting with the bottle, looking relatively spaced out until he looks at Bill speak

Ted is 100% at his most asshole when he's drunk

Why does bro look like he has a headache at the beginning of this scene?

This goes for the whole show, but my man SERIOUSLY talks with his hands

Is that a bottle of Jack Daniel's? I feel like I should have noticed this earlier, but I never bothered to look lmao

He taps on the bottle every once in a while

"Oh" *nods with unimpressed frown* "My head" *nods with unimpressed frown*

He also stops moving between reactions. Like he's processing the stupidity of the threat in real time lmao

And then he stands up and sets the bottle down so he can go right back to his usual dramatic full-body movements as he makes fun of Bill

Okay, but it looks like he's genuinely having a lot of fun as he's making fun of Bill, and then gets pissed off again once he remembers he's supposed to be pissed off lol

I feel like there's not many details I can go into with this scene that people haven't already picked up on just by watching because Ted's a focal point in the scene

"That's what sense Bill taught me" *bows with the bottle of Jack Daniel's in his hands*

Wait, when did he pick the bottle back up? Is this a case of the "they put multiple shows together for the YouTube video?" Probably. Alternatively, Ted can canonically summon bottles of booze whenever he wants /silly

Bro is SO ANIMATED. He will NOT let this joke die on his watch lmao

I'm sorry, but his reaction to the light smack on the back of his hand gets me every time. Why don't we talk about this more often???

He looks SO OFFENDED (and a bit confused) when Paul takes the bottle away from him

The force in that "WHATEVER!" I stg I could feel that through the screen lol

Apparently he could feel the force of that "WHATEVER!" too because it lowkey looks like he's catching his breath after he says it

Man, I wish we could see Ted during the whole conversation between Paul and Emma. I wanna know what he's doing. I wanna know if he's listening along, or if he's spaced out and doesn't give a shit

UGHHHH I WISH THIS WAS AN AUDIO WATCH BC THE WAY TED SAYS CHARLOTTE'S NAME WHEN HE SEES HER BEFORE JOIN US (AND DIE) HURTS ME IN THE BEST WAY POSSIBLEEEEE

*sigh* I'm gonna need to do another watch through at some point that's just me listening for his dialogue during songs, aren't I?

Also I wanna listen to Jamie sing because GIRL CAN SINGGGG

Bro's just standing there watching Charlotte and Sam approach like🧍‍♂️, except slightly crouched, like he's ready to run, but he has no idea what the hell is going on

From a different angle, it looks like he moves to the dino pose™️

HE RUNS A HAND THROUGH HIS HAIR AGAIN!!! I am FULLY convinced he does that when he's nervous now lol

He readjusts his shirt and fidgets with his hands as he tries to think of what to do, and then he goes to approach Charlotte. Then they hit the chorus and he stops. Or rather, it looks like Bill held him back

He does a double take of Charlotte at the chorus

WHEN DID HE PICK UP THE BOTTLE AGAIN??? (Ted's booze summoning powers strike AGAIN!)

Bro is so frazzled by Charlotte walking toward him with her arms extended that he does ANOTHER double take

TED STOP PICKING UP THE BOTTLE OF ALCOHOL, IT'S NOT GOING TO HELP YOU-

HIM SETTING THE BOTTLE DOWN AGAIN AND PICKING UP THE CHAIR-

Did...did Ted try to use Bill as a human shield? You had a chair! Why did you put the chair down???

Legit though, he is cowering behind Bill lol

Sam and Charlotte are NOT letting Ted have a good day lmao

The way he looks around confusedly during "ride it" like "what the hell are these guys doing to me???"

DID HE CRAWL TO THE OTHER SIDE OF THE STAGE AFTER HIDGENS SHOT SAM???

At this point in the show, Ted's the only one in the main group who isn't wearing primarily white. I just thought that was interesting

Ted is STILL on his hands and knees with his jaw hanging open right up until the "musical doppelgänger" line

I love how he looks at Paul for help when Hidgens makes them sing Moana, like Paul of all people would know the words. I love even more that Paul is the ONLY ONE who knows the words

Ted's just trying to follow Paul's lead lol

Also BONUS: Paul tells TED that he didn't like that movie lol

The look of pure annoyance he gives to Bill as he sings a completely different song

The way he meanders around the back of the stage, looking down at (presumably) Charlotte

THIS IS THE FOURTH TIME HE'S GRABBED THAT BOTTLE OF JACK DANIEL'S (including him starting the scene with it)

He looks so done with everything when he's talking to Bill about him getting his daughter. He looks so exhausted. So...emotionally drained and angry and, dare I say, grieving

I think the bottle switches hands between shots

YES! WE FINALLY SEE HIM DRINKING FROM IT! I don't know why I'm excited about that lol

He momentarily stops moving to process before "Oh, I'm a fucking creep?"

The way his eyes widen during "...people who are FUCKING DEAD!"

He also stops moving while waiting for & listening to Paul's response

There's so much emotion from him during this scene, but I can't think of the words to describe it

He's just so...frustrated and sad :(

He keeps sitting back down in the same chair whenever nobody's speaking to him

AND HE TAKES ANOTHER DRINK!

YES!!! SHOW STOPPIN' NUMBER!!! I LOVE HIS VIBES IN THIS SCENE!!!

I love how he's effectively asleep on top of Emma

HIS DOUBLE-CHIN I CAN'T-

"What? Wha...? What...? The fuck...?"

The way he's facing the complete opposite direction from Hidgens and has no idea what's going on lmao

His slow tired processing about how the heck he can turn/lean around to see

He like- looks around, then tries to look over his right shoulder, then looks around again, rinse and repeat

'What's going on over there?' *scoot scoot*

His expressions range from "what tf is this guy on about?" to "this guys a fucking dumbass"

He's taking in everything occasionally nodding along

Man, I wish I had the dialogue in this scene memorized like to do for basically the rest of the show. It would make analysis of the scene a bit easier lol

The way it looks like it takes Hidgens chucking his Alexa across the room for Ted to realize he's in danger

*GASP* The first time we see Ted visibly uncomfortable with someone touching him!!! Like- a full on flinch and cringe reaction! Now, the real question is if it's because he didn't know Hidgens was gonna put his hand on his shoulder, because Hidgens is actively insane, or because he doesn't overall know Hidgens? Maybe a mixture?

He's breathing SO HEAVILY after Hidgens lets go and walks away. He was NOT okay with that touch

His slack-jawed expression when Hidgens reveals the keyboard. He's so shocked he stops moving again beyond blinking lol

"Don't you fucking do it!" *scoot scoot* "DON'T YOU FUCKING DO IT!"

He looks almost jittery at the beginning of Show Stoppin' Number. He's full-on looking around for an exit

He also leans away when Hidgens walks toward them

HOLD ON, DOES HE LOOK HIDGENS UP AND DOWN WHEN HE TAKES OFF THE JACKET??? I THINK HE DOES A DOUBLE TAKE, BUT I'M PRETTY SURE HE ALSO QUICKLY DOES A FULL-BODY SCAN OF HIDGENS AND THAT'S SO FUNNY TO ME-

He's OFFICIALLY VIBING TO THE SONG!!! And all Hidgens had to do was take off his jacket lmao

*scoot scoot* "Fuckin' go for it!" *bounce bounce bounce bounce bounce*

He is FULLY invested

AND NOW HE'S COMFORTABLE WITH HIDGENS TOUCHING HIS SHOULDER!

He is SO EXCITED about Workin' Boys! The Ted vibes are unmatched in this scene

And his investment during the phone call??? Hello???

"...and Chad..."

And then he's RIGHT back to the vibes lmao

As soon as the Workin' Boys come in, the vibes cease IMMEDIATELY and he's back to being terrified for his life

His very fast head shake

The gag where he starts praying to be saved and then Paul shows up will never not be funny to me

"I'LL GET THE PIANO!"

And mark another one down for him touching Paul's shoulder

And now he's also grabbing Emma's shoulder. And Paul's again.

Both of them are SO uncomfortable with him holding their hands. Emma gets OUT of that SO FAST when he lets go and both her and Paul's body languages are so tense. He notably DOESN'T try to slip out of his grip like Emma does though. He's just so used to it at this point lol

Another Paul shoulder touch. I should have made a counter for this.

I NEVER NOTICED TED FLAT OUT SNATCHES THE GUN FROM PAUL WHEN JEFF'S WORKIN BOY APPEARS THAT IS SO FUNNY-

AND THEN HE JUST DIPS

I LOVE TED

And another nervous hand through the hair!

Teddy...no...those soldiers aren't gonna help you...

Ted please stop waving that firearm around so recklessly, you're gonna hurt someone

He's so excited to see the military that he literally jumps for joy

The way his motion stops so suddenly when he gets shot. And the confusion in his eyes

Orgh the way he tries to resist-

His little head shake no, the way he tries to hold MacNamara's hand back with his free hand, and then when that doesn't work, with the gun hand, the way his eyes are wide with fear...until they're not

The shift from regular Ted to infected Ted is so jarring, especially after hyper-analyzing his body language and all of his small little character motions for so long. He's so blank. His gaze is suddenly so serious and empty. He's dead. In a singular swift motion, they've taken this lively, constantly in motion, utter mess of a man and turned him into another mindless slave. You can pinpoint the exact moment Ted is gone and the Hive has replaced him. It's terrifying. It's heartbreaking. I love it.

And LUCKILY FOR ME THAT MEANS MY OBSERVATION LIST OF ALIVE TED IS OVER!!! FINALLY!!! I'M FREE!!! /silly

I hope you've all enjoyed my insane ramblings about one Theodore Spankoffski! If y'all would like me to turn this into an actually coherent rant (or perhaps would want me to do this with another character, although note that would likely take me a good while just like this one did lol), let me know! The time it took aside, this was actually SUPER fun to do, and it's given me a new perspective and appreciation for the character! Hope y'all have a wonderful day/night/year!!!