#tv standards and practices

[jhsharman]

one little dot

Curious that they added a navel. I do not think I see it elsewhere. But I guess it follows along with its loose source inspiration.

In 1951, the United States Code of Practices for Television Broadcasters came into force, which, besides other things, prohibited female navel exposure on American television. During the 1960s, Barbara Eden was not allowed to show her navel on the NBC TV show I Dream of Jeannie (1965–70). Her pants had to be worn above the navel, which became ineffective. After a few frames of her navel exposure went unnoticed, they decided to use fabric and skin-colored makeup to conceal her navel. Her costume became low-rise (without censorship) in 1985 and in 2013, 81-year-old Eden attended the Life Ball event in Vienna dressed in the same costume of I Dream of Jeannie but revealing her navel.

They tried to get the navel on via a guest appearance on Laugh In, though as I now scan the videos to see when and where they pan over to Goldie Hawn's as they move about painted slogans on her body -- I am not sure you saw her belly button too much either.

In the manner Archie Comics is following trendlines -- and best I can see they do not add navels to old comic book stories without them -- and here I skip to the years issues of Betty and Veronica Summer Fun to mark deliniations. It appears that in 1968, they pop in and out and then when you skip over to 1969 -- there they are. Right there on the first page -- on a page analyzed in the scholarly work of Bart Beaty in his book Twelve Cent Archie:

[theinfinitedivides]

aight ok now that i've watched ep 7 i see some folks are review bombing KTL on MDL bc of the Arab prince storyline,,,,,, what are our thoughts

[toastsnaffler]

omg.... my new nearest audiology department actually has an EMAIL TO CONTACT!!!!!!! we're so fucking back baby

[chikoyama]

Sorcerers weren’t particularly known for being brittle in nature. They were survivors, saviours, self-reliant. Sacrificial. All gallant values that they seemed to wear all too proudly on their chests like medals of honour. Values that they seemed to chant with almost a religious conviction. Carved into them like branding scars. All achieved over the span of several generations — several lifetimes. Through careful but consistent persuasion... until it seemed to become nothing but the root of their very existence.

These were values that seemed to not only echo amongst a selected crowd of sorcerers, but the rest of the population too. Right from their early days of training until they'd fulfilled their duty upon death. At the thought, a sardonic smile stretched across his lips. How very gallant, Ziggy noted to himself. Or reckless.

These were the beliefs and principles that sorcerers were conditioned to live by. Became their very reasons to too — principles so deeply ingrained within their personalities, it was almost tragic, Ziggy thought. Soldiers... no, machines programmed to unquestioningly abide by orders given. Programmed to give up their lives… for what exactly?

Because, weren’t curses humans too? Human-made at least. So were babies. Both species were warring against each other for a spot in this world. A place to belong. Aah, all beautiful thoughts — typical of anyone who claimed to be human, really. Thoughts that’d ironically lead them to their own demise... perhaps. Events of destruction and travesty were inevitable at least. They’d never learn, would they? It’d be just another repetition of history. Nothing the dimension hopper hadn’t seen before. It was the same across every Universe he’d visited.

Lightly pondering, the purple-haired creature leaned back in his chair, one leg crossed over the other, foot bouncing in anticipation for what was going to happen next. It was all too wicked, wasn't it? Languidly stretching his arms over his head, his mind briefly wandered to the bunny. Eeeh, so what would she do this time with the new life he’d granted her?

[greatmuldini]

The events of 6 December 1890 were neither preordained nor were they premeditated. Nothing that transpired on the day was inevitable or irreversible: participants chose to stay in character, and to act out their roles in what would eventually be described by biographers and historians as the Parnell Tragedy (Jules Abels, 1966).

Everyone at the time would have been aware of the historical significance of their actions, if not the long-term consequences - excluding of course, the one female member of the cast who could not possibly have known what she was doing. By dint of this congenital deficiency she would also quite naturally be blamed for causing "Ireland's misfortune." Simple and satisfying in terms of its mass market appeal, feminine impulsivity does little to explain the supposedly rational decisions taken by the men around her in the name of patriotism and political expediency - which far from producing an amenable solution served only to exacerbate the crisis. Whereas the exact circumstances and full cast of characters have faded over time the larger-than-life figure of Charles Stewart Parnell still towers over the events of 6 December 1890 as the one man who could have had it all - and lost it all.

Sixty-four years later, the Fall of Parnell inspired an episode of the BBC's "experimental" television series You Are There which set out to present the known historical facts, faithfully, but with an added dimension unique to the new medium: actors would impersonate the key personnel as in a conventional re-enactment. While going about their "business," however, they would be interviewed by modern television reporters. The curious anachronism underlined the artificiality of the concept; it meant the programme was deliberately drawing attention to itself which would have been an unwanted distraction, for You Are There it was the defining feature. Neither the programme nor its - fictitious - journalists were interested in the exploration of alternative histories or in-depth character studies: the point was to demonstrate the possibilities of "live" television, ironically, in a simulated setting. Fact and fiction are trading places as the reality of 1890 becomes the subject of a 1950s fantasy, and the medium of the future interrogates the evidence of the past. For the actors it would have been a challenge to navigate between imaginative portrayal of a fully formed human being and the faithful rendition of the intrinsically incomplete historical record.

The historical record states that Charles Stewart Parnell was born in 1846. The son of a Protestant Irish landowner and an American mother was not naturally predestined to champion the cause of destitute Catholic tenant farmers; indeed, nothing in his early life pointed to any such leanings. As an aristocratic country gentleman he had nothing to fear and everything to gain from the firm imperial rule exerted by the British Crown over the Island of Ireland.

And yet it was Parnell, the English-educated man of pedigree, who emerged as the voice of the starving rural population. Having decided to enter politics for reasons that are still unclear, he found his calling as the Westminster MP for County Meath not in the defence of privilege but in the vocal support - initially for land reform and then increasingly for Irish nationalism ("Home Rule"). Over the next five years Parnell gained a reputation and a following as a fiery orator back in Ireland and a force to be reckoned with in the House of Commons, where is name became synonymous with the new parliamentary tactic of "obstructionism." If the English politicians could not be moved to act in Ireland's interest Parnell vowed to meddle in English affairs. And meddle - or obstruct - he did. After a century of inaction and neglect, the Irish Question seemed relevant again, if only because its proponents made it impossible for English laws to be passed. Parnell seemed to thrive on his tactical manoeuvring which he was prepared to carry to painful extremes, on multiple occasions – including arrest and imprisonment, at the risk of damaging his already fragile state of health.

By 1880 Parnell controlled both the radical grassroots movement in Ireland and the parliamentary representation of Irish interests in London. The position made him a frequent dinner guest in the homes of friends and allies, where on several occasions he also enjoyed the hospitality of Mrs Katharine O'Shea, the English wife of a fellow Irish MP, who was sympathetic not only to the cause but to the man who personified the struggle. Mrs O’Shea had a discreet arrangement with her husband, Captain William “Willie” O’Shea, the Member for County Clare and Galway: their marriage would exist on paper only for the benefit of Willie’s career; while he conducted his business in London she would reside at their official family residence and entertain important visitors. Parnell would often stay as a guest of the family - to recuperate after gruelling campaigns in Ireland, was the official explanation given.

For the next ten years the couple conducted an illicit affair that produced four children and saw the singled-minded saboteur of the political system lead a double life away from Parliament and in the company of Katharine O’Shea. The relationship was not as one might assume a tempestuous whirlwind romance but a curiously claustrophobic still-life of Victorian domesticity - an alternate, self-contained reality where Parnell and his "Queenie" could act out their fantasy of living simply as husband and wife. Their apparent longing for simplicity may also help to explain the ease with which they expected to lead two entirely separate and parallel lives, apparently unaware of or unwilling to acknowledge the inherent paradox and inevitable complication.

In the political arena Parnell was for most of the 1880s an extremely effective manipulator of moods and opinions, always weighing and adjusting the demands of Irish nationalists against the calls for the use of force from the British press, the public, and its politicians. Anyone looking for a core belief or deeply held conviction would have been disappointed by the vagueness of Parnell's own stated aims - which he used to great advantage because it allowed him to gain the confidence of the British side and the respect of his own following. As a small but significant minority, the Irish (or Home Rule) Party under Parnell's skilful machinations was able to make demands in return for the votes it lent to either one of the two dominant forces in 19th century British politics: the Tory (Conservative) Party or the slightly more reform-oriented Liberal Party.

Parnell’s elusiveness became his trademark: the less he said in public, the fewer appearances he made in Parliament, the taller he grew in stature. In 1887 he was accused of having endorsed the murders of two British politicians in Dublin. When the alleged endorsement turned out to be a forgery two years later, the popular reaction was one of relief and renewed admiration for the noble freedom fighter who had been so horribly maligned. By 1889, it seemed as if nothing could go wrong for Charles Stewart Parnell.

Home Rule seemed within reach when, in May of 1889, Katharine O'Shea learned of the death of a wealthy aunt whose fortune she was to inherit. The additional funds would have been a welcome boost to Katharine's finances had it not been for her husband's unexpected interference. Captain William “Willie” O’Shea chose this moment to strike, possibly to exact revenge, more likely to improve his own pecuniary situation. And thus, Captain O'Shea went ahead and contested the will, citing his wife’s infidelity, and his intention to divorce her. Surprised but hardly alarmed, the lovers welcomed what they thought would be an opportunity for them to make their relationship official, the sooner the better.

 From the very beginning their affair had been an open secret in political circles, but the Captain’s announcement put the fact of their adultery in the public domain. With their case not due in court for at least another twelve months (i.e. late 1890), Katharine and Parnell were powerless to stop the scandal from spreading, and their silence on the matter allowed grievances to fester. No public statement was ever published, nor did the couple make any public gesture of remorse. They did launch a half-hearted and unsuccessful counterclaim not to deny the adultery but to accuse Captain O’Shea of adultery as well, presumably to shame the Captain into withdrawing his allegation.

For an entire year the unresolved state of their private affairs overshadowed Parnell’s political battle; it affected his health and continued to corrode confidence among his allies in parliament and at home but most significantly among the ranks of the Liberal Party led by Prime Minister William Gladstone. Ironically, and with tragic consequences for Katharine and Parnell, the earliest and most vociferous condemnations came not from the Catholic Church (both Parnell and Katharine were Protestants) but from the other “Nonconformist” denominations outside the established Church of England, which was traditionally a preserve of the Tory (Conservative) Party. An influential group among the Nonconformists were Methodists, whose large working and middle-class following had found in Gladstone’s Liberal Party their political home.

When the divorce eventually came through in November 1890 (decree nisi), Parnell was branded a “convicted adulterer” but also won the legal right to marry Katharine after completion of the obligatory six-month waiting period (decree absolute). The salacious - and uncontested – testimony offered in the course of the trial was, however, fresh on the minds of his party colleagues who were meeting to decide on his future as party leader a mere fortnight after the court’s decision. Gladstone had already warned Irish MPs of the danger to their alliance, the implication being that the Liberal Party would lose the support of its Nonconformist base if it continued to cooperate with a “convicted adulterer.” The message was clear: Irish MPs had no hope of winning Home Rule with Parnell as their leader. They needed the good will and legislative might of a strong Liberal government - and Liberal voters had strong ideas about marriage and adultery. Gladstone did, in effect, issue an ultimatum to Irish parliamentarians: lose your leader or lose Ireland.

Party activists in Ireland meanwhile re-elected Parnell as leader of the Home Rule Party before news of the ultimatum reached their shores, creating an awkward situation which allowed Parnell to claim he had the backing of the party rank and file, while Gladstone faced the beginnings of a split in his own party over the very issue of Irish Home Rule.

Parnell promptly refused to stand down, declaring instead that he considered the matter of Mrs O’Shea’s divorce closed and that, far from being a friend of Ireland, Gladstone had betrayed their cause. Whether or not the accusation was based in fact [substance] hardly mattered in the greater scheme of things. It was Parnell's word against that of the Prime Minister, and a decision had to be made: should the Irish Home Rule Party defy Gladstone and keep Parnell as their charismatic leader, or should the convicted adulterer be deposed in return for English concessions?

On 6 December 1890, after seemingly endless negotiations, Irish parliamentarians convened another marathon session to break the deadlock without destroying the party, its leader, or their country. Obstacles proved insurmountable as Parnell himself chaired the meeting and overruled any motion calling for a vote. Members present at the meeting noted his increasingly autocratic behaviour with concern and were alarmed by the apparent disintegration of his mental and physical identity. What they were witnessing may have been, on one level, the self-evisceration of a disgraced politician, but the concrete struggle of the individual to control his own destiny, and the narrative about it, had gained additional layers of meaning that transcend literal explanations for Parnell's fate.

The extent to which he did control the mythology of his downfall as well as his subsequent (and posthumous) apotheosis is a fascinating subject for debate: was he drawing attention to the opposing forces behind his identity or trying to deflect attention away from his failure to reconcile the two when he claimed that Gladstone and the Liberals were the true enemies of the rightful Irish claim to self-determination? No longer was the crisis a moral dilemma but a question of national pride. The private transgression becomes an affair of state - no longer is it a moral dilemma but a question of national pride: if it was up to the English to dictate who is to be their leader, then Gladstone truly was the master of the Irish Party.

Parnell's rhetorical masterstroke elevated his imminent ouster as party leader to an affront of international proportions by blurring the very boundaries he had otherwise hoped to maintain between the private man and his public persona. It also drew an instant reaction from the assembled party colleagues. "Who is to be the mistress of the party?” put paid to Parnell's noble-minded aspirations and reminded those present once again of the sordid scandal and the root cause of their troubles. Unable to vote the party leader out of office, 44 of his fellow members stood up and left the room, 26 remained with Parnell. It is this moment You Are There chose to dramatize, for the sheer symbolism of the scene: the leader without majority, his party crippled for decades to come. The Liberal Prime Minister ruling unencumbered.

Parnell's story, the story of Ireland's struggle, could have ended here. Or it could have ended differently. If each of the protagonists had chosen a different course of action. Parnell, for his part, chose to fulfil what he must have thought of as his destiny: within hours of the party meeting that left him - it must be remembered - still nominally undefeated, he embarked on a tour of Ireland to speak at rallies and unite the crowds behind the candidates he chose to stand in by-elections. Any hopes of regaining the momentum lost in London were slim at best; the winter weather and Parnell's failing health reduced the schedule and, compounded by his ever more radical oratory, crowds became more difficult to control, and enthusiasm for the struggle was waning. But just as the chances of a concrete, real-life settlement were growing increasingly remote, the idea of the struggle captured the imagination of contemporary and subsequent generations, and Parnell became its idealized figurehead - not without considerable work from Parnell himself, who cultivated an air of steely nerves, superhuman strength, and emotional detachment in public while being fiercely protective of his privacy. The polar opposites that defined his existence, through their very incompatibility, presented an impossible conundrum: unable to reconcile the two, incapable of compromise, the Parnell machine was at a crisis point.

Campaigning in Ireland continued throughout the summer but none of the chosen candidates were victorious. Parnell and Katharine finally became a married couple on 25 June 1891, but their life together as husband and wife only lasted a little over three months and ended with Parnell’s death on 6 October 1891. They were both 45 years old at the time.

In poetic terms, Parnell had committed the ultimate sin of the tragic hero: to think of himself as indispensable. In the eyes of his supporters, and presumably his own, Parnell had become the personification of an idea, an idea that without him was thought to be non-viable. Parnell and Irish Home Rule were interchangeable; the means and the end had merged into one. Much like the fatal flaw carried by every tragic hero in the history of human endeavour, Parnell's hubris made him both unique and universal, gave him superhuman powers and made him vulnerable - not in a simple case of crime and punishment but in the pursuit of a noble mission that is ultimately larger than the man who has internalized it as his own.

To paraphrase Hilary Mantel, we tend to fictionalize those who can no longer speak for themselves; in Parnell's case there is perhaps a greater need than with many of his peers to interpret where we cannot explain, and to speculate were we cannot know.

Indeed, so strong was the sense even among contemporaries of a catastrophic derailment of their hopes and dreams, and so great the loss of confidence in the political process, it gave rise to an entire subgenre of historical fantasies indulging in mostly wishful thinking: what if Parnell's campaign had been successful and he had lived to see an independent Ireland? What if there had never been a scandal? What if we could turn the clock back far enough to prevent all bad things from happening? This being a male-centric scenario we easily move on to imagining the hero going about his business without "distractions," and what might have been if Parnell and Katharine O'Shea had never met. The further the fantasy travels back in time, however, the more it will be about erasure of the past rather than an extension of existing timelines. As a work of fiction, it may well be a legitimate subject for philosophical or even psychological enquiry that can provide a temporary reprieve from the struggle. It can never be the solution. [Part 2 of 2]

[dailylooneys]

It's strange if they [the censors] ever do anything to the coyote because the coyote is only victimized by his own ineptitude and nobody else is responsible. The Road Runner does nothing more than come up behind him and go "beep-beep" and that can hardly be considered a violent action. But the coyote's own mistakes are what cause him trouble, so anybody who would try to suggest that a child would try to imitate the coyote must not understand children. Children are not about to go out and imitate failure....throw themselves off a cliff, for God's sake!

Chuck Jones

[tokyo-daaaamn-ji-gang]

I'm sorry but I can't take the TokRev movies seriously when this bunch of middle schoolers are all clearly played by people in their 20s-30s lmao. I'm still gonna watch the upcoming one though

Lmao I just age them up in my head.

[a-b-riddle]

Can’t stop thinking about poly141 who get so wrapped up in their own bullshit they begin to neglect reader. So you leave 🤷🏼‍♀️

It wasn’t a big deal at first. You understood that their jobs were intense to say the least. You own a bookshop, which in itself was exhausting, but you understood how they could get carried away with work.

You had excused the many delayed returned texts or missed FaceTime dates when they were deployed. When they came home, they almost always made it up to you. Showering you with attention and quality time.

But the past two returns home have been… different.

Usually at least one of them made a beeline to your shop or your loft if it was too late in the evening. You always held your breath when it was just one of them.

“They’re okay.” Was the usual answer. “Everyone made it back okay.” It was only then that you could melt into whoever’s hands you were in.

After one of their recent returns home you had voice to Price that you didn’t appreciate several days passing after they came back and no one had bothered to tell you. He had snapped. Arguing that a mission doesn’t finish just because they land back on soil. There was paperwork and debriefing to be done. If and when they wanted to see you they would.

He didn’t apologize until later. Crawling into your bed, using one of the keys you had given them. Blaming the stress. How they had almost lost Johnny for the reason of his outburst. What else could you do but forgive him?

So you had given them space after that one. Not holding it against them to decompress before seeing you.

The next time was the final straw. Solidifying how little they cared about you and how much power you had given them.

Johnny had come in around 7 one evening. He was dressed nicely, for civilian standards. You were reading a book on the couch when he had let himself in. You were wearing on of Simon’s sweatshirts and panties. He took you in for a moment before scooping you up.

He fucked you absolutely stupid. Adamant on having you cum on his tongue, his fingers and his cock. You were only able to bask in the afterglow of him filling you up before he started pulling his pants back on.

“What are you doing?” There were times that you would practically need a crow bar to get Johnny detached from you just long enough to relieve yourself. You had gotten many a UTI courtesy of Mr. John MacTavish.

“Dinner with my family tonight.” He explained by the time he was already buttoning his shirt. “The youngest just graduated and ma’ feels the need to go all out.” Now came the tie. Johnny was actually wearing a tie. To go to dinner. “A fancy dinner in London.” He huffed. “Meanwhile I’m out scufflin’ with bloody fuckin’ terrorists and I get a pat on the back.” He gave you a peck on the cheek before heading out the door. Promising to call you later.

You just sat in your bed. Still naked. Almost in shocked. He had fucked you and just… left. You were close to a panic attack as you called Simon.

Simon wasn’t the one to cuddle and coddle. But there was something so soothing at the sound of his voice or even how his heavy body felt perfect laying on top of you. Yes. Simon wasn’t the time to lift you up with words, but he was your own security blanket. Just having him close helped.

“Can you come over?” It wasn't unusal for Simon to be the one to come later in the evening. Insomnia was a bitch to deal with and you could sleep through the sounds of whatever he played on the tv. Most of the times you were content laying your head on his lap as he ran his hand along your head as if he were petting you. It was a bit cringe, but it knocked you out every time.

“What’s wrong?” He asked. The low timber of his voice already calming you.

“Johnny came over.” You sniffled. “He just fucked me and left.”

“Not surprised.” He scoffed. You could almost see him rolling those deep brown eyes of his. “If you wanted to cum, I’m happy to come over and help.”

For whatever reason, that only seemed to make you more upset. “You’re not listening.” You said, trying to spell it out for him. “He left. Like didn’t even stay and cuddle just left. Fucked me and left.”

“That’s why you’re calling me crying about?” He almost seemed… annoyed.

“Yes!” You said, nearly snapping. All of the tension from the last several months coming to the surface. “I’m not just a warm body to keep a bed cozy until you assholes decide you need to get one off.” Assholes. You called them assholes. “This isn’t what we agreed to.”

“Johnny is Johnny.” Simon tried to defend, not really caring to continue the conversation now knowing that you weren't in any sort of physical harm. “He wanted his dick wet and from the sound of it, that’s what he did. Don’t hold it against him because he had other things to do.”

“It’s not just Johnny leaving.” Your throat felt like it was tightening. A telltale sign you were close to crying. Whether from sadness or anger you weren't entirely sure. “The only time any of you want anything to do with me anymore is to fuck.” You missed date nights and lunches. You missed texting any and all of them about your day, about theirs. About new books. You had been trying for months to tell them over dinner one of your books got picked up. Yours was being traditionally published.

None of them had bothered to even try penciling you in.

“You got yours.” You heard the popping of a can top. Simon was settling in for the night. Once he popped a top at home there was no getting him out. He wasn't coming for you. “I don’t understand what you’re bitchin’ to me about. Yeah, in the beginning we indulged ya a bit? Dressed you up, took you out. But you should have known spreadin’ them legs of yours wouldn’t end with one of us puttin’ a ring on your finger.”

You didn’t know what to say. What could you say? These were the men that pursued you. Initially, individually, but when tensions became to much they offered a solution. All of them. Four times the attention, of the affection.

Four times the love.

But also four time the neglect. Four times the amount of heartbreak and disappointment. Loving all of them meant putting yourself in a position to let each of them hurt you in their own way and they had.

John's constant state of snapping at you as if you were one of his men.

Johnny swinging by as if you were just a fuck buddy. Not even bothering to give a peck before leaving.

Kyle essentially ignoring you for weeks now. Ghosting you for hours or having to cancel on date nights last minute or claiming that he really did forget that the two of you had planned to meet for lunch.

And now there was Simon. Telling you that all you meant to them was what was between your thighs.

Spreadin' them legs of yours wouldn't end with one of us puttin' a ring on your finger.

None of them ever intended on making this into something more. That much was clear now.

You didn't know what to say to Simon. You couldn't think of a witty retort. You couldn't find the proper insult to whirl his way. You couldn't convey just how much his words had hurt.

So you did the only thing you could.

You hung up.

[waffled0g]

Everyone gets “The 90s” look wrong and I hate it

Couple years ago I saw these two board games at the store back to back. Well, not saw them per se, but ya know. Spied them out of the corner of my eye. And for a moment without reading the text, I couldn’t tell you which was which decade at first. Funny. Either they were in a rush to get these out the door or they wanted their throwback trivia game boxes to look uniform. I didn’t think too much of it.

Only, from then on I started seeing it MORE. Every time someone markets a 90s or 80s throwback...

Goddammit they’re identical! What??! How did we let this happen? As a 90s survivor and a designer, this drives me up a wall.

Look, I know I’m late to the party to complain about “the 90s look” when we’re just starting to get sick of the Y2K nostalgia train. But c’mon, the 90s were not The 80s: Part Two™ 

Trust me when I say that we weren’t all wearing neon trapezoids up until the year 2000. The 90s look being peddled is so specific to the tail end of the 80s and an early early part of the 90s - a part of the 90s when it wouldn’t stop being the 80s. This is Memphis design being conflated with the wrong decade.

Keep reading for a long ass graphic design history lesson and pictures of old soda and fast food.

Specifically, the look is Memphis Milano, self-named by the Italian design house Memphis Group. Starting in the early to mid 80s, they made all sorts of furniture, fabrics and sculptures that were like a Piet Mondrian grid painting under heavy radiation. Their whole deal was defying the standards of existing industrial design up to that point on purpose. Chairs had weird arches, bookcases would be in strange alien colors, unusual materials like plastic or elastic were used in place of metal or wood, that sorta thing.

Memphis quickly became the signature look for the decade. You can tell something’s influenced by Memphis design from it’s telltale trademarks:

Clashing, neon colors.

Use of diametric shapes.

Contrasting patterns like zebra print stripes, confetti squiggles and checkerboards.

It wasn’t long before Memphis Milano-inspired design was everywhere in 80s pop culture:

It was a special time, yes.

I was a kindergartener at the tail end of the 80s, so I knew Memphis mostly through the lens of kids media. Toys, clothes, games, tv shows used it like candy colored catnip. Cable channel Nickelodeon more or less adopted the Memphis aesthetic as their signature in-house style and practically built a monument to it at a Florida theme park:

I think this is why folks mistake what decade Memphis is representative of - 90s staples like Nick, Saved By The Bell, Fresh Prince - they all stayed around much longer than the design trend’s expiration date. 

Couple that notion with the fact that companies are slow followers to design trends. Something gets popular and they want to get on the bandwagon? Gotta wait for the ink to dry, gotta wait for the production molds to be made. It would take a few years for them to completely work Memphis outta their system.

Now, this is not to say Memphis is bad! Personally I’m a fan of the aesthetic, if my neon-drenched artwork wasn’t a tip-off already. But it is a trend, and trends never last forever.

So what took the Memphis Milano look down for good? This part’s up for debate, but I personally think it had something to do with this dude:

It’s that grunge music from Seattle that’s so popular with the kids these days dontchaknow.

Once Smells Like Teen Spirit hit in 1991, the Nirvana tone drove the rest of the decade. Clean geometry became weathered, grainy and organic. Bright neon pastels became more bold. Bubblegum pop music sounded fake and manufactured. Attitude and apathy was authentic. Whatever.

Things got grungy. Things got grimy. Olestra was invented.

I think the best way to visualize this transition is how Cherry Coke entered the decade and how it left it:

1992 Memphis on the left, 1998 grunge junkie on the right. Fitting that the 90s would end with a design that looked like Darth Maul’s lungs.

Okay, so what should 90s retro design look like?

Continue on to PART TWO! Spoilers: No VHS filters or vaporwave needed, but maybe bring an antacid.

[bahrtofane]

husband Jude headcannons

jude just really really enjoys married life

Word count - 2.3K+

Watch it - i got carried away sorry guys, proposal lore?? insanely sappy, even by my standards

—--

He's not a fan of you being known as his, rather he's your husband. Always correcting people during interviews and giving you the spotlight. Even when you shy away, not knowing where to look or what to say. He's always there, a gentle hand on your knee rubbing circles as he nods for you to continue. 

Every red carpet he wants to match, doesn’t care how big or small the event is. Gotta be a way you two look look a pair 

His fav is when you wear exactly the same thing so there’s no way to confuse anything for what it really is hehe 

Bouncing around while you get ready together, helping you get your shoes on while he tries his best to stand still while you fix his tie 

“Look okay?” he asks, head tilted 

You rub his arm, “you look great.” 

And he smiles wide, giving you pecks all over while you giggle, trying to shoo him away from you and closer to the door. your ride is waiting, but he doesn’t care. pouting for just one more kiss. please ? 

All his socials turn into your personal fan page, a big fat married in every bio, ring and all 

He has more posts about you then his actual job 

His teammates poke fun at it, “when are you gonna post us huh?”

He just rolls his eyes,”when I marry you i’ll think about it”

And that’s that

You're the first he runs to post a match, greeting you with the silly hand shake you perfected years ago. You think you could do it in your sleep at this rate. You came up with it ages ago when you kissed him after practice, playing with his fingers till he came up with the idea, and you with the actual hand shake. 

You're his biggest supporter, and him likewise. In every and anything you do, give him pompoms and he'd be your personal cheerleader at this point.

He just likes to have you at games. Waving obnoxiously while you tell him to pose. And he does, every time, sending hearts your way. He dedicates his goals your way. The kisses he would send the crowd in his youth now only go your way where you catch them like a teenager.

You see complications of it everywhere, he thinks it's endearing. He makes you watch them together on the living room tv while you grimace

“My face looks so weird there, oh my god.”

He flicks your arm, “you look great shush. Ha that was during el clasico, ah good times.” 

You roll your eyes but snuggle up against him anyway.

One of your favorite past times btw, nothing he loves better than a lazy morning in with you in his arms while he hits snooze on every alarm.

He tries to cook, with his stupid kiss the chef apron he got just for you. but he will need help, which you gladly give. You end up eating on the couch, covered in pillows watching cheesy shows. You've watched keeping up with the kardashians too many times to count and he still laughs out loud every time.

Jude is soft and sweet when he's not forced into a picture perfect smile and self 24/7. He's a silly guy, always trying to make you laugh. Teasing is his love language by the way.

But he's still sweet, leaving notes around your house for you to find when he has to leave for away games. Hearts and smiley faces littering every inch of the paper. Some frowny faces when he knows he'll miss you extra. 

He likes bringing you to family events and bragging about how cool you are, but everyone already loves you as is, he just likes to brag. Look at how cool the love of my life is everyone, I am sooo lucky you guys look look. 

Jobe has rolled his eyes far too many times, but he's happy to see his brother so happy. Plus you guys threw a fantastic wedding. A win is a win.

When you can't be there he facetimes you every second he possibly can. Blowing kisses when he has to go. 

“Judes been complaining all day I hope you know,” Aurélien pops his head into the screen. 

You snort, “ hello to you too Aurélien.”

He gives you a wave before ruffling the top of Judes hair as he pouts, fixing it just how he likes again, “they just don't get it,” he sighs dramatically.

You laugh, “sure baby, sure.”

You make sure to keep up with the match the best you can, texting him live reactions, even if you know he won't see them till later. He likes them all the same.

Your name on his phone is a simple "mine" with a bunch of heart emojis, the contact pic is one of the two of you together on vacation, smiling with your faces squished together while laying in the sand

It makes him smile every time. he thinks you’re the cutest

He's a big fan of nicknames, weather its a version of your first name, or just a good ole fashion baby. He rarely uses your actual name. He called you something so insane like pooki bear in public once and you have yet to let him live it down.

"in a restaurant was crazy," you squint at him.

He only giggles, "but it was soo funny baby come on."

Speaking of restaurants, this guy loves a good date night 

Gigdy as he comes down the hall in his pjs, grinning while showing you the new reservations, it’s your fav place ! 

Every anniversary he somehow finds a way to outdo himself, don't ask, because in truth he doesn't even know how he pulls it off, but anything for you. Anything. 

Even if it means hunting down the stuffed animal you had as a kid and couldn't find after you lost it in your couch cushions. He finds it, after months and months of searching, making Jobe help him look, it comes in the mail and he has to get creative to get you out of the house and away from the mail the day it's supposed to come.

It gets neatly wrapped and placed on your shared bed the morning of, surrounded by a collection of other gifts, your favorite flowers, and a cheesy note that you always end up crying at. 

The look on your face makes it all worth it, when you tackle him in a bone crushing hug, tumbling into the covers in a tangle of legs while you laugh in between sniffles, he loves you. Oh how he loves you 

It's been a tradition to end the night with the very place he proposed, his home, now yours. 

He doesnt think he could forget it even if he tried. It was a whirlwind of a day. Picture this: 

He's lost all his black socks, his (and your) favorite body wash just spilled all over the shower, his hair looks awful ( he got a haircut that morning), his cologne isn't where he left it, and the private chef he hired isnt replying. All while you're not even awake yet. 

He calls his mom because what else are you supposed to do when you're set to propose and everything is going wrong. 

She only chuckles softly over the phone, “calm down jude, just breathe. You'll find your things, just take a breather and come back to things with a clear head okay?”

So he does. Sitting on his bed, towel still on, frowning. He chooses to instead pat himself dry, get dressed, and give himself a pep talk in the floor length mirror at the corner of his room. 

Turns out his mom was right, things fix themself for the most part, his socks are stuck at the bottom of the dryer, his hair isn't as bad as he thought, he finds a better cologne in his collection, and a perfect body cream. It's gonna be a good day. 

He finishes the last of the day of prep, getting fancy candles, a lighter, and greeting the decorator. Yes he hired a decorator. 

It's nothing over the top, just little changes to make his home look a little softer, changing out the curtains, placing lace table cloth with details in your favorite color. The main event is his second living room that gets covered in an arch of your favorite flowers, gentle curling to just kiss the top of the new antique chandelier that will be holding the fancy candles too. He hopes you like it. He really really hopes you like it.

He's had this planned for ages, since the moment he first met you he thinks. 

When you greet him with a silly good morning text he only grows oh so fond of you, excited to see you. He told you it was a fancy dinner at his place. A change of pace from the resurates. Both of you prefer a much more intimate night in then cameras shoved into your face while a hundred people all yell a hundred things while you're trying to chew your food. 

So you get ready, dress up and make it for dinner. When you see the familiar face of the chef, Karlos, you give him a wave and get seated. Noticing the new table cloth but you don't say anything. You don't want to be wrong so early into the night. 

Jude comes in, nervous as a school boy as he takes your hand for a quick peek, running around like a maniac back and forth. He looks nice, in a signature all black suit, and smelling amazing per usual. 

Dinner is amazing, full of your favorite courses and Jude is jittery in his seat. 

“You okay?”

He nods, a little too fast, “oh yeah. I am. Don't worry.”

You raise a brow but dont push, thanking Karlos for the amazing meal as he cleans up and heads out for the night. 

Jude gets up, telling you to stay put while he'll be righttt back. Don't worry, remember! 

He comes back, unable to meet your eyes while he gives you his hand. You take it, sliding out of your seat and following him down the hall. There's flower petals on the floor now, you look at him, but he looks anywhere but at you, chewing his cheek.

He leads you to the second living room, where the furniture has been cleared out. Replaced by a walkway of flowers and candles, leading up to where an arch of your favorite flowers hugs the curtain, new ones.

Gently pulled back to reveal the floor to ceiling windows that give way to his yard. And the most gorgeous sunset you have ever seen. A chandelier hangs above you, decorated with more flowers, and the most ornate candles and bulbs you have ever seen.

Your eyes begin to water before he even gets down on one knee, his lip wobbles, holding your hand the whole time as he confesses every little moment and reason for his love.

He loves you, he adores you. You're- youre everything. Truly and fully. You're the sunlight that kisses his skin, the stars he wishes to touch, to know, he yearns for you. Years to know you in your entirety, till he knows nothing else but you. For your name to only fully know his lips, for only he will fully know you. He sees no other, he knows no other. He wants- no needs, to give himself as he is. 

You see him, see him as more than just Jude Belingham. You see what others can not, will not. You see him, you know him. You know him better than he knows himself most days. You've seen all there is to see, all that makes him who he is. You know his stupid sandwich order at the place you hate but keep going to because you know how much he loves it.

You sit in freezing weather for the full game just to make sure you don't miss a second of him. The first to congratulate him, the first to mourn with him, the first to sooth his aches and pains. You're the face he looks for in a crowd, you're the first person he calls when anything happens. 

 And you love him with such ferocity it amazes him. 

You're full crying at this point, fat tears rolling down your cheeks till you can barely see him, and he finally gets down on one knee, fishing out a small velvet box from his inner pocket, opening it with shaky hands.

And he whispers, “will you marry me?”

You fall next to him, sobbing into his shoulder while you repeat yes over and over. He cries with you, till you're both laughing from pure joy. 

Who better to spend the rest of your life with then the man who loves you so?

Telling his family is the best part. You have them over for what was supposed to be a quick lunch, turned dinner, and you break the news at dessert, showing off your ring while they all gasp. 

They pile you into the biggest hug, smiles so wide they hurt and you laugh, you're going to get married! You think they just might be more excited than you are.

Wedding planning comes and goes both so fast and so slow. Youre so excited you can't wait, and yet every step of the way seems like it takes excruciatingly long.

Your wedding planner tries her best, bless her soul, but you want it to be completely and utterly perfect. Down to the types of chairs at the venue.

Jude lets you have your way for the most part, chiming in now and again, he trusts you fully. Knowing you're going to make it the best regardless. 

Leading up to the big day you think you just might pass out from stress and never be seen again, but the almost year of planning pays off, and you're married! 

The honeymoon is spent traveling all over while jude is wide-eyed, unable to believe he's married to you of all people. 

The press catches on soon after, even if your wedding was small and intimate. News comes out one way or another.

Jude only responds with a picture of you two slow dancing among your family and friends, captioned, “all you need to know.” and he pins it to every social media page. 

What a man huh?

[emsartwork]

Hey yall im not dead!

COSMIX!!! I've officially redesigned all the transformations in the Winx Club TV series hell yeah

Lore and Design notes below

So Cosmix is a rather defunct transformation in the modern era. It used to be used heavily in the age of space exploration but since teleportation and hyper speed ships became common place, the Magix dimension prefers to use those. Essentially, in order to set up a teleportation center, the caster/s need to have been to both the origin point and the target point. Witches and Mages were the primary people responsible for setting up the teleportation system, but in order to achieve the spells requirements, they would require help from a Cosmix fairy. The primary function of Cosmix is the ability to fly through space with out detrimental effects. Cosmix fairies can take 1, maybe 2, people with them while they fly in a shooting star esc trail function. Cosmix is not great for fighting unless the foe is darkness/light based. Defense is strong against cold, pressure, and friction, but not most other kinds of damage.

Cosmix is also theorized to be the Magix Dimension's version of the elementix. So like Sirenix is the transformation that grants access to the Infinite ocean, Cosmix is the one that would grant access to the Magix Dimension if fairies were in the other realms. Because humans already belong to the Magix Dimension, and the transformation isn't required to earn Nymphix, it isn't considered a true Elementix. Some fairies (mostly Solarians) do experience biological changes when using the transformation, seen here in Stella, but it's not super common. The hair takes on the magic color and drifts into nebulous star dust and galaxy clusters. Solarians are located closest to Lumenia, a tightly clustered star formation, and frequent attract Lumens due to Solaria's binary star system. They have formed fast friendships with the Lumens and many Solarians carry a Lumen's Blessing (it's similar to the elemental companions' bonds in the elementix) in their bloodline which contributes to the biological changes when using Cosmix.

I'm still hammering out how seaosn 8 works plot wise but I'll add it to my show changes masterlist eventually.

Design! The initial concept was "man i wanna draw some chunky ass boots" and i kinda ran with the cyber punk look from there. I was also adamant that Cosmix is a pants transformation, both out of practicality and spite because they made everyone so hyper feminine in season 8. I referenced the actual cosmix designs and their "space travel" oufits for the general shapes for these, but obviously there aren't a ton of similarities since I went in such a different direction haha. Also my first time drawing Aisha with twists! I almost gave her a fro cus it would mimic an astronaut's helmet (and lowkey a nod to Garnet from steven universe) but i like how the twists came out haha

Cosmix includes! Hair up and out of the way, a mesh base layer with light veins and stars, a body suit or shorts and top, a padded armor torso piece with some tubing ports, so many buckles and straps, a clear plastic portion(usually part of the torso peice, sleeves, or around the waist/hips), wrist/arm guards, and chunky chunky boots. The wings are also larger than most transformations (rivaling Butterflix/Faunix) and trail more of the fairy's magic color than usual. Simple geometric designs are standard.

[goldyke]

LAP Bands should be illegal

This post is going to deal with medical fatphobia, weight loss surgery, coercion, emetophobia, food issues, disordered eating, and just all around bad shit. But it’s important.

Shortly after I reached adulthood, I was coerced into weight loss surgery. I weighed about 250 pounds and was considered morbidly obese.

The Lap Band is a disgrace to the medical profession and is just another example of how the medical profession does not care about the lives of fat people.

To preface this: the surgery works. I lost 70 pounds and people treated me differently and I hated them all for it.

The Lap Band made my life miserable. When it was filled, I could not eat until noon without getting stuck. Even then, getting stuck was always a risk. There was a strict diet to follow and you were supposed to be safe from that if you followed it. On top of that, there were rules for how you ate. One standard I saw was not to eat in bites larger than your fingernail. Can you see yourself doing that for a week, let alone years and years?

Getting stuck is a horror you can't imagine. The food lodges in the top of your stomach, blocking off your system. You continue to produce saliva and swallow it down. Slowly, the mucous in your saliva builds up. It feels like you're drowning. Eventually, you have to essentially throw it all up. A disgusting experience (and a mortifying one if you're in public.) The saliva is thick and ropy. This experience is often called "sliming" on the forums.

I became frightened of eating in public. In a way, I became frightened of food altogether. I knew something had to give the day I reacted to someone biting a hamburger in a tv show the way a regular person would react to a killer jumping out in a horror movie. I developed the disgusting and unhealthy habit of chewing and spitting out food. I completely lost my enjoyment of many foods I had previously enjoyed because of how problematic they were (I can no longer enjoy a chicken thigh for example.) I stopped eating meals and began grazing. I developed eating habits worse than the ones that "made me fat"

After 3 years, I had the band emptied of fluid, which significantly decreased, but did not stop, these problems. I regained the weight, and found it didn't bother me. (Along the way I discovered that my discomfort with my body had never been weight related)

I had my band removed after 6.5 years earlier this year. I am in a support group on facebook for victims of this malpractice. There are 5.6 thousand members, each with their own horror stories. Some of them cannot get the band removed because insurance will not cover the procedure, though they happily covered the band's placement. Some have tried to go through with removal but have had surgeons try to coerce them into getting a different weight-loss surgery instead of just removing it. Many have long-term damage from the band eroding the walls of their stomach or esophagus, or from the band adhering to multiple organs. Many of them had the band for 12-14 years, before removal because none of our doctors told us it needs to be removed within 10.

Many practices no longer perform Lap Band surgery and now believe it is unethical. The surgeon who removed my band still performs this surgery regularly.

A study performed in 2011 with 151 lap band patients, found that 22% of patients experienced minor complications and 39% experienced major complications. The person who coerced me into surgery actually experienced major complications and needed an emergency removal.

I experienced no serious complications. Everything I described above is considered normal. And It still drastically lowered my quality of life.

I don't know why I'm sharing this or who I'm sharing it for, but here I am. If you know anyone considering the lap band surgery, don't let them go through with it without knowing the truth. And please be kinder to your body than the medical profession wants you to be.

[the-goddess-of-mischief-writing]

Random Simon 'Ghost' Riley headcanons

sfw and nsfw

pairing: l.t. Simon 'Ghost' Riley x reader (cod mw)

tags/tw: domestic stuff, afab!reader, size!kink, dirty talk

a/n: and of course a few HC's for Ghostie as well🤭

Simon 'Ghost' Riley MASTERLIST

sfw

-you know those mascots in full-body costumes? Yeah, Ghost hates those, gets on edge each time he sees one. He just gets this uncomfortable feeling in his body bc why go around masked like that?

-yes, he's aware of the irony

-your first kiss, technically, happened with his mask on,

-he wanted to kiss you but wasn't ready to commit fully, showing you his face meant a lot and he wasn't there, yet, so he just kinda directed your face from the TV to him by your chin and pressed his lips to yours despite the clothing concealing them

-you don't scare easily, even if he would disagree, but when having a shadow the size of him creeping up on you silently, which should be physically impossible for someone his size, it always makes you jump

-Ghost enjoys it for some reason, always repressing a smile when you gasp and clutch your chest with a hissed 'Simon!' despising that you never got used to it

-what you don't know is that he actively makes it harder for you, always staying in your blind spot when coming up behind you, silencing his step just like he does on stealth missions

-standard case of you falling first but he fell harder, it was a slow endeavour getting to know him, even slower when you started dating and he demanded that things wouldn't be rushed, but once he opened up he was practically already in love with you considering he rarely did open up to people

-he doesn't like gifts

-contrary to what people think, it's not because he doesn't know how to react, closer to the truth is that he's picky and doesn't like random things coming in surprises

-that's why Ghost always keeps a list of things he wants or is in interested in buying, one that you have unaltered access to just to keep track if you ever feel like gifting him something for a special occasion or if other people come to you when he just won't answer what he wishes for read Soap

-the ONLY casual gift he doesn't mind is when you get him a book, within reason of course bc yeah, he likes to read

nsfw below the cut

-on the topic of books, he doesn't read romantic stuff, if it isn't a book you push into his hands, then he knows what's between the pages: raunchy ass stuff you more often than now want him to act out, leaving you nervously giggling and then panting when he fully went into the role of fucking you silly

-another thing about Ghost that people think, but is wrong, is that he always so reserved

-this man can run his fucking mouth when he wants to

-perhaps others just don't notice, because he doesn't do it with them, but when you're by his side his face is for the most part ducked in level with your ear, making it his mission to rile you up enough so you're the one who grits out 'we're leaving '

-and the cocky bastard knows he will manage too, your resolve wearing down quick when he whispers stuff like 'pretty necklace, lovie, would rather it was my hand wrapped around your throat' and if he manages to catch you off-guard with that, mouth agape kinda surprised, he'll muse 'pretty little mouth like that’ll send a man wild'

-in the Riley household, there's one particular rule: if you buy any piece of clothing, either online or in-store, you're going to model it for Ghost

-doesn't matter what it is, he's gonna sit down in the living room waiting for you to come out for him to drink in your pretty self

-he always twirls a finger in a sign for you to spin around, not because he has any sense of fashion more than the normal man, he just likes to see all how your clothes flatter your figure

-and if it just so happens you only bought a pair of pretty panties or a flattering bra, his rule applies to those too, with the addition you'll come out in only those

-and so help you, but if your tits are on display or that pretty cunt of yours bared, he will not only make you spin but curl his finger, beckoning you towards him

-usually ends with you in his lap as he either plays and sucks at your nipples or you grind against his growing bulge before riding him

-guilty pleasure of his? your obsession with his arms and tattoos

-when you first started seeing each other, he always noticed how your eyes strayed to the ink peeking forth from his long-sleeved clothing, when you both got more comfortable and you saw him without a hoodie constantly, the way you drooled at his bulging biceps made it difficult adhering to his own rule of things going slow

-in fact, the first time you slept together was a consequence of your intrusive thoughts winning during a cuddling session

-you'd been positioned in-between his legs, running your hand over his arm curled around your waist, gaze following those delicious lines running along his forearm and then you just... dragged your tongue over his bicep, licking a long wet stripe on the muscle that tensed upon feeling your tongue

-there was a rumble against your back and a 'what the fuck was that?' making you glance up at Ghost with a sheepish smile with some explanation he didn't fucking buy for a second

-it ended with the both of you kneeling on Ghost's bed as he fucked you from behind, his arms circled around your neck, your nails digging into his forearm, a moaning mess as if you didn't know he killed men just like this but in a tighter chokehold

-so that's why he always wraps his tattooed arm around your front when you cuddle with him behind you, most time also seating himself on your right side, offering you the opportunity to trace the intricate lines decorating his skin

[hyperfixatedbastard]

one must grab the titty

Soft!Adam x AFAB!Reader

It's no surprise that Adam's big on physical touch, but you expected it to be - well, sexual. Turns out that this clingy, hypersexual douchebag actually likes innocent, nonsexual intimacy. Like holding your boobs just 'cause they're nice to hold.

Word Count: 926

WARNINGS: SFW (I think?), AFAB!Reader with gender neutral pronouns, mentions of sex, no sexual content, nonsexual intimacy

A/N: I kinda hate this but I'm tired of working on it, so here ya go! Apologies if you have no tits, but let's be honest, that wouldn't stop this bastard.

Dividers

Adam has some… odd habits, at least by Heavenly standards. Sometimes you wonder just how exactly he’s an angel, but you’ve learned to not question it. He may be a douchebag and an asshole, but he has his moments. He’s sweet with you, at least. You never expected him to be a doting, clingy boyfriend, but he certainly proved you wrong.

No matter where you are or what you’re doing, he’ll have an arm around your waist, or one of his wings loosely wrapped around you. Adam is a possessive guy (after hearing about the whole Lucifer debacle, you can’t really blame him), and he makes it clear with the way he interacts with you in public. And in private, he’s arguably worse—you’re lucky to sit down without him draping an arm over your shoulders to pull you in close, or practically pulling you into his lap. He’d never admit it, but you think he needs the reassurance that you’re still there, that you haven’t left him.

You’re not so sure about that theory once the touches go past cuddling.

⋆⋅☆⋅⋆

"Adam," you begin in a suspicious tone. "What are you doing?"

The angel in question blinks back at you owlishly. His mask and robes have been traded out for some sweatpants and a t-shirt that reads ‘I Got ADHD’ with the subtitle ‘A Damn Hard Dick.’ The two of you are cuddling on the couch in your shared apartment, with some shitty action movie playing on the TV as you sit wrapped up in his arms and wings with your back to his chest (you didn’t think that action movies would be allowed in Heaven considering the murder and whatnot, but once again, you don’t question it).

"Hm?" he hums innocently. "I'm watching the fuckin' movie, babe."

You glance down to where his hand is shamelessly groping your boob over your shirt. You debate whether or not to even confront him about it, considering he isn't actually doing anything other than just holding your tit, but you ask anyways.

"Why is your hand on my boob, then?" you prompt, your eyes shifting between his face and where his hand is idly groping your chest.

Adam chuckles and breaks out into a smug grin. "What? Can't a guy hold his partner's tits?" He gently squeezes your boob for emphasis.

Your face heats up at that, and your eyes narrow in confusion. "Why do you want to?" 

"Uh, because they're fucking great," he answers incredulously, like you're the weird one here. He then brings his free hand up to hold your other boob. He gives them both a gentle squeeze, but doesn't do anything more than that. The lack of a sexual innuendo, joke, or proposition doesn’t make sense to you—it feels out of character for Adam, even after learning about his love of cuddling.

You just look at him, confused. Sure, you've always known that he's a boob guy, but this doesn't strike you as Adam's usual horny antics. But if it’s not sexual (which you still find hard to believe), what the fuck is it? 

He seems to realize that his original explanation isn’t good enough. "Look, hot stuff, boobs are just nice to fuckin' hold, y'know? All soft n' squishy n' shit."

You raise a brow at that. It’s a fair point, you suppose. "So, what, my tits are like stress balls for you?"

Adam laughs—not that loud, boisterous laugh he does when pranking some poor soul, but that more genuine, softer one few people ever got to hear. "Yeah, pretty fuckin' much, babe. They're comforting!"

You roll your eyes at him, albeit fondly, as a smile pulled at your lips. "Whatever works for you, I guess."

His smirk grows, and he squeezes your boobs a little firmer this time. "Oh, these beauties are fucking workin' for me, sweet cheeks."

You scoff, albeit lightheartedly, and swat at his shoulder. "Shut up and watch your damn movie."

Adam doesn’t respond, but he pulls you a little closer and gives your tits one last good squeeze before returning his attention to the TV—for the most part, at least. His hands don’t leave your chest, but they don’t really do much either. They’re just resting there, occasionally groping or giving a light squeeze. Damn, this really isn’t a sex thing for him, is it?

You’d already been shocked when you’d first realized how clingy Adam is. You were even more surprised to discover that he’s a fan of nonsexual intimacy in general, like cuddling and hugging without it leading to something more. And here he is, surprising you once again by doing something that should surely be sexual in his mind, yet treating it casually and barely even making sex jokes about it. 

A few more minutes into the movie, you can’t hide your curiosity anymore. “This really isn’t a sexual thing for you?”

Adam’s eyebrows raise, and he looks puzzled at your question before breaking out into a smirk. “Why, do you want it to be?”

You scoff and shake your head. “No, I’m just… surprised, is all.”

“Hey! I can appreciate some nice boobs without it being sexual,” he protests, and he sounds at least partially serious.

“Okay, okay, I believe you,” you assure him with a soft laugh. “I didn’t say it was a bad thing.”

“Good, ‘cause I fuckin' like this,” Adam remarks, once again squeezing your boobs for emphasis. You just fondly roll your eyes at him and go back to watching the movie.

Having a clingy boyfriend is pretty nice, actually.

Taglist: @3sire-777

[themedialmercurial]

🫧🩵Astro observations🩵🫧

Moon conjunct Jupiter 5H may have many kids. Bonus points if both planets are in leo (5H represents children, moon is related to family and jupiter is associated with abundance and growth)

Mars opp Uranus transit can bring about sudden bursts of pain, the sign indicates the how it impacts and the house indicating the part of the body impacted

Though libra placements strive for balance, underdeveloped people with these placements strive for THEIR ideal of balance, oftentimes to the detriment of others (i.e unwilling to compromise, resorting to manipulation to get their way)

The 3rd house explains how you communicate

Aries: assertively, outgoing

Taurus: stubbornly (resisting to change your outlook), practically

Gemini: versatile, inquisitively, witty

Cancer: emotionally, gently

Leo: dramatically, loudly, shamelessly

Virgo: thoughtfully, dry humour, critically (sharp w/ their words)

Libra: diplomatically, flirtatious, indecisive

Scorpio: intensely, passionately

Sagittarius: honest, exaggerative, optimistically

Capricorn: disciplined, can come across as cold/insensitive

Aquarius: detached, rebellious,

Pisces: spiritual, caring, empathetic

Libra venuses show affection by treating you to things you've always wanted and in turn, they expect the same from you (reciprocity is key!). They have a knack for finding gifts that are aesthetically pleasing

Leo stellium indicates a short temper. This placement magnifies leos natural urge to shine and dramatic tendencies and results in impulsivity when underdeveloped

Prominent pisces and aquarius in a chart gives the native an "otherworldly" type of beauty. The way I tend to notice them is always by their eyes, they tend to be widespread and/or big (ex: Anya-Taylor Joy, Halle Bailey). They have a type of beauty that almost "rebels against" the standards in place all the while having conventionally attractive features if that makes sense. It's like their features exacerbate existing standards

Virgo venuses love giving and receiving words of affirmation as their love language (virgo likes mental stimulation). They bring about a more service-minded type of affection, asking you what you need materially for instance

Pisces mars and the constant urge to escape? It's like they need music to get through the day. They often get the reputation of being "lazy" but these people really just are in another world, and, especially when in the 6th house, they rely much on media (books, podcasts, tv shows) to do any tasks (even mundane) or they risk daydreaming or or boredom. They are more likely to take a long time to complete any sort of task such as a shower or washing the dishes

Chiron in capricorn brings wounds and pain about ambition. This can manifest as the native either lacks drive or they have ideas they'd love to set in motion and they do (due to the cardinal nature of capricorn) but often fall short in continuing their project. As physical scars, the native may be prone injuries/dysfunction regarding their bones. Using myself as an example, I had braces as a pre-teen.

I’ve seen so many Gemini suns who have a Gemini symbol tattoo

Eris in aries brings about chaos in areas of life related to assertion and self-involvement. In other words, the native may feel more inclined to hyperfocus on the needs of others and neglect themself

Ceres in gemini brings an abundance in matters related to communication and adaptability. You're likely to be perceived as someone who can go with the flow and is easy-going. On the other hand, when less developed, you can be perceived as scatter-brained and restless

Jupiter in leo can make someone have a wider, sculpted upper back and shoulders as jupiter expands anything it touches. Jupiter in aquarius can make someone have larger calves, shins and ankles. With regard to the house it's in, in creates growth in that area of life. As always, consult the aspects that other planets make to jupiter

Opposite to jupiter, saturn shrinks what it touches. In other words, depending on your saturn sign, this can show where you're physically smaller. Saturn in leo for example would have smaller shoulders and a smaller back. Saturn in aquarius can make someone have smaller calves, skins and ankles

"I have a headache in my stomach" -My virgo stellium best friend

Venus square ascendant creates conflict of ones perception of self (physical appearance, personality) and whether or not they consider themself to be attractive. Due to this internal conflict, they are likely to take it upon themselves to try and "glow up" and struggle with low self-esteem. They may require constant reassurance from others

I can't remember who posted this last month but someone asked if people could feel the effects of their upcoming solar return chart whether it be a month before or right as it hits? My birthday is early july and it's crazy how much I already reasonate with my upcoming SRC 2023-2024. I used @starsworldd post as a reference! ⭐️

My SRC rising is in leo and I already feel that I present myself more unapologetically and confidently. Since leo falls into my 12th house in my natal chart, I find that matters related to spiritually are much more potent (angel numbers, seeing specific colours, encounters, the urge to self-isolate, feeling energy extra strongly)

Natal sun (10H) conjunct SR venus: personality and beauty will become more noticeable to the public--> I found this especially true because I've been receiving so many complements from strangers lately🩷

Moon in pisces 8H SR: I'm emotionally tied to and more receptive to fantasies, creativity, sentimentality, escapism (esp with the way I've been reading so much lately and find any anything hard to do without music)

Venus in leo 1H: personality and outlook on life will be less inhibited, more free-flowing and harmonious (true bc I find beauty in simple everyday things more than ever. I stare at the trees, the sky, animals and even myself sometimes. I'm learning to look at myself in the mirror and understand I'm worthy of love no matter how I look)

Just from studying my SRC, it's made me so much more curious about the impacts of the lunar return chart (LRC) each month and daily transits

If any of these placements resonate with you personally or you know someone with these placements please let me know! As always, these are my observations and of course, not everyone is a monolith🩵

[piratecaptainscaptainpirates]

Worst thing about OFMD is it raised my standards and now I can't go back.

The first thing I noticed was how much more critical I am of the songs used in other movies and TV, because OFMD is exceptional with its needle drops, picking songs so carefully it's like they're written into the script. And now almost every other time I turn on something else I'm just like "oh. okay. guess that matches the vibe fine."

But I'll be damned if it's not practically everything. Like, oh, I thought you were going for a genuine moment but you're just making a joke about two male characters being vulnerable with each other, like that's something we should all point and laugh at? Oh, the sole Black character is just the comic relief/angry Black man/sassy Black woman? Oh, you expect your audience is stupid so most of your dialogue is just characters telling us what's happening? Oh, none of your shots and transitions are done with any creativity? Oh, the costuming and set details don't have any neat meanings for us to see that become more easily noticable on rewatch to enhance the rewatch value of your show? Oh, your characters all say exactly what they mean all the time because you're scared of realistic miscommunication? Oh, we're ruining this genuine moment with a joke or a "that was weird" before it gets too earnest?

This show is just so good, guys. It's a good show. It's kinda ruining me for a lot of other TV because I just expect a level of good that can be hard to find.