#tv framed

[fettesans]

Top, screen capture from Hôtel Monterey, directed by Chantal Akerman, 1973. Via. Bottom, screen capture from Pulse, directed by Kiyoshi Kurosawa, 2001. Via.

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I’m learning geography is about loss and so I keep moving into closets that never smell like you.

Paul Guest, from Airport Letter 2, in My Index of Slightly Horrifying Knowledge, 2010. Via.

[idontwikeit]

It's all creeping back. Paris and the, uh, what, what, what? But there's… all of it coming back. There's, uh, Paris. Paris. Can you hear that? Can you hear that, hm? Can you hear her? She's calling me.

Interview with the Vampire 2.05 // 2.07

[misandriste]

peneloise + gazing longingly at each other

BRIDGERTON, season 3 part 1

[beaulesbian]

Paris Olympics 2024 - The Torchbearer

[sersi]

FALLOUT (2024 - ) 1.07: The Radio dirs. Frederick E.O. Toye and Clare Kilner

[stagefoureddiediaz]

The way buck and Eddie are in the back ground and shoulder to shoulder until Tommy comes in behind and then they break apart forming a triangle and creating a division between Buck and Eddie - chefs kiss framing and directing

[missfisherandjack]

Miss Fisher’s Murder Mysteries (2012-2015) ↳ 2x09 Framed For Murder

[normalbrothers]

[winchestergifs]

STACKEDNATURAL ⇉ 145.5/327

14.9 The Spear Written by Bob Berens Directed by Amyn Kaderali Original Air Date: December 13, 2018

[boosaot]

toki time

[noah-price]

@pscentral event 23: arcs

noise boys on game changer

[fettesans]

Top, Ceroplast, anatomical bust with Verminaio, 1699-1700, by Gaetano Giulio Zumbo, Ceroplasty, wood and glass case, Height of the wooden work without pinnacles and feet: 41 cm; height of pinnacles: 13.5 cm; height of feet: 6.5 cm; largest side of trapezoidal base: 60 cm; smallest side: 38 cm; depth: 25 cm. Via.

Zumbo had a particular predilection for the figurative depiction of the human body in decay. Witness the waxwork of the Anatomical Bust with Vermin, in which the appearance is emotionally disconcerting both in anatomy and in the rendering of details. The body, corrupted by decomposition, emerges in a disgusting scenario in which animals rage against putrescent flesh, set inside a wooden case with three trapezoidal openings. The young man's face suggests a violent death, given the multiple wounds in several places: in the face, skull and neck. The eye sockets are turned upwards and describe the ultimate search for a different beyond, free of suffering and finally safe. The identification of the young man is not certain, but sources suggest that during his French sojourn he met the 'General of the galleys'(3) , for whom he executed an anatomical head. This Anatomical Bust with Vermin probably dates back to that time and could identify the young man as a convict who had a rope or chain around his neck during his stay, a punishment for his conviction, as the gash in his throat suggests. The work is not lacking in symbolism and meaning: the rat represents anguish, disgust and degradation, just as the cockroach represents darkness, depression and death. The moth on the other hand, in the Christian imagination, is an emblem of resurrection and salvation precisely because of its path. Therefore, Zumbo tried to 'represent both good and evil, darkness and light, the rottenness of the flesh and decay and the Christian dream of resurrection'(4) . In conclusion, the background of the shrine is painted in broad brushstrokes without suggesting a specific description.

Bottom, Adrian Piper, Out of the Corner, 1990, Seventeen-channel video installation with sound, 26:00 min., with seventeen monitors, sixteen pedestals, table, twenty-three chairs, and sixty-four gelatin silver prints. Dimensions variable. Photograph by Peter Harris. Via. Via.

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In South Korea some women have sworn off heterosexual relationships altogether. In 2019 a fringe “4B” movement emerged there. It involves women abstaining not just from marriage and childbirth, but also dating and sex with men. They believe a life with a man is a life without freedom. “I’m not even fighting the patriarchy—I’ve decided to walk out of it,” says Kim Jina, a 4B practitioner.

Another factor is that anger towards women is being stoked online. Mr Kim, the chef, follows Bae In-gyu, an influencer on YouTube who leads “New Men on Solidarity”, a men’s-rights group. Mr Bae claims that “feminism is a mental illness.” In South Korea, a popular online slur among men is kimchinyeo or “kimchi bitch”, a term that implies young Korean women are materialistic, controlling and willing to live parasitically off men. In Japan tsui-femi, which is short for “Twitter feminists”, has become a derogatory term.

Similar to incels (or involuntary celibates) in the West, a group of Japanese men known as jakusha-dansei or “weak men” have emerged. “When it comes to dating, women overwhelmingly have decision-making power,” says Horike Takeshi, a 25-year-old Japanese man who has never had a girlfriend. He identifies as a “weak man” because of his low income and lack of sex appeal to women.

The Economist, from Meet the incels and anti-feminists of Asia - They threaten to make the region’s demographic decline even worse, June 27, 2024.

[mo-mode]

Okay so now that we have more satyr lore in the show, I’m gonna need an in-universe documentary about all of the magical creatures and monsters narrated by minor god of nature himself David Attenborough and filmed by a crew of brave satyrs but it always goes horribly wrong. every time they try to document a monster in its natural habitat, the monster’s just reading a book or like eating a churro or something until either it tries to eat the crew or a demigod child appears and then they turn into a living nightmare and David is like “oh dear” in his posh British accent and they cut to some b-roll footage of centaurs galloping or something. And then when they try to get some cute footage of magical creatures, either the satyrs almost die or there’s a tragic death of the creatures like hippocampus babies traveling in a pod with their family, but then one of them gets eaten by a sea serpent and you see a satyr wailing in the corner as we hear David say something like “oh what a shame but that’s the circle of life” and they just keep on going. the satyrs keep trying to give the animals satyr’s blessings but that’s not allowed cuz they can’t interfere like normal documentarians can’t so it’s just them trying and failing to protect the animals while the omniscient god David Attenborough keeps narrating without pause. But it’s also their duty as satyrs to preserve nature so they still need to make the best show possible

It’s a Need. I will write the script myself, okay? Don’t tempt me. Rick Riordan hire me PLEASE

[misandriste]

[forecast0ctopus]

you ever get framed for murder?

[camzverse]

he does NOT know that hes literally from the Ghosts And Robots franchise

ness had to explain the fnaf lore to him after