#tumblr messed the spacing up :(

[marisashinx]

How long have they've been sleeping?

[delulluart]

Another piece for @writingjourney's newest chapter, go and read it. No Plushia version here (DA) and here (AO3, new!).

[sketchingwithlyn]

@whos-lumine I finally painted Bee!! ✨✨✨✨✨

[oh-frick-its-cinnamon]

more dys!!!! hes so pretty lord help me plus another little low quality doodle under the cut

[poolpvrty]

Well, I've been afraid of changin' 'Cause I've built my life around you But time makes you bolder Even children get older And I'm getting older too

The sun, the moon, and their star!

[hollowedskin]

Getting back into painting after being away for a month. Just a quick and dirty skull, and messing around with red which I dont normally use.

Skeletons, my beloved.

Art Blog || Redbubble

[keeps-ache]

dearest persecutor

[sketches below]

[n1ghtpers0n15]

Colored em!

HE GONNA B ✨PINK✨

[arklay]

RESIDENT EVIL → THE WESKER FAMILY

To the public, little is known of the families behind some of the world’s most renowned bioterrorists, but the question remains: did they play a role in causing their children to walk down the path that they did? Or are these individuals simply ambitious criminals with delusions of grandeur?

For Diana Wesker (née Afanasyeva), her introduction into the bioweapons black market trade was upon discovering her employers were using her research into limb regeneration with salamanders to further their experiments in creating enhanced soldiers, instead of developing human therapies with which she was recruited for. Although the prospect of using biological weapons in the military did not appeal to her, the concept remained fascinating for her own selfish endeavours. Born on the 27th of October, 1963 in Sydney, Australia to Russian immigrant parents, Diana had harsh expectations placed upon her at a young age, ones that no matter how hard she tried she could never live up to. Her mother, Tatyana, was an unfeeling woman, absent for long stretches of time with little regard to how it affected her daughters, much more concerned with her craft as an accomplished opera singer. Viktor was no better. A strict man whose role as father and ballet master blurred, he pushed his girls to one day follow in his footsteps. Whilst Sofia enjoyed ballet, and went on to become a professional ballet dancer, Diana’s heart was set on going into the field of biology. She wished to make a name for herself, separate from her family – to which she succeeded.

Diana was married to former U.S. Marine, Dave Monroe, for only a year until he was declared dead in 1992 after succumbing to injuries sustained in a horrific car accident. Foul play was ruled out while Diana played the role of the grief-stricken widow, but in reality, she had snapped after years of mistreatment at her husband’s hands, and opted for something she could pass off as an accident to be free of him. For years she believed he was dead – and he was, legally – but that proved to not be the case when he found his way back into her life again in 1999. Unbeknownst to her, she had been lied to by the police and coroner, who were paid off by her employers when they took Dave’s body for themselves and used him as one of their first test subjects in developing supersoldiers. Before he could ever hurt her again, Diana’s second husband, Albert Wesker, tracked the man down, captured him and tortured him, before allowing Diana to get her violent and bloody revenge.

The origins of Albert Wesker’s involvement in bioterrorism, alongside his twin sister, Alex, are much different than that of Diana’s. The two hail from London, Canada, but unfortunately, they hold no memories of their lives there, nor what happened to their biological parents when they were eight years old. Agents of Oswell E. Spencer, an aristocratic billionaire and eugenicist, took the twins from their home and executed their parents as per Spencer’s orders. Albert and Alex were then placed in a home funded by the Spencer Foundation where they were given new names and a privileged upbringing. They had access to the best education possible, free to pursue whichever field they decided, but it was by no accident they both went into virology and bioengineering; at home, their adoptive parents – agents whom they believed to be their real parents – instilled them with the beliefs of Oswell E. Spencer, harbouring disdain for war and pestilence, and believing humans to be an evolutionary dead-end in need of a rebirth. They were only two of the hundreds of children “adopted” as part of what is known as Project W, a plan intended to develop an advanced race of human beings. The most promising candidates were headhunted by Umbrella Pharmaceuticals, the twins amongst them, where they went on to create bioweapons for the company founded by none other than the man who had handpicked them for his plan. The final stage of this was to infect the thirteen Spencer saw fit, however, only two survived; Albert received the intended effects, now possessing superhuman abilities, however, Alex was only offered more time to live due to her terminal degenerative illness.

In the summer of 1995, Diana was working undercover within Umbrella to gather development data on their projects for her company. Here, she had a chance encounter with Albert, an intelligence officer at the time, which permanently altered the course of her life. The two were never seen far from one another’s side, marrying in 1998, and they went on to become notorious in the bioweapons industry. The development of the Uroboros virus was where things took a turn for the worst. Although Diana’s infection was successful and she bore abilities that rivalled her husband’s, the plan itself did not succeed as they had hoped, and almost cost Albert his life at the hands of his former subordinates.

Now, they work within the shadows, with Diana declared missing and Albert believed to be dead. Their legacy, however, lives on with the mark they left on the world. As visionaries in their field, they influenced bioterror attacks carried out by countless individuals and organisations. In turn, they also inspired others to fight against such atrocities. One such person happens to be Albert’s son from a former relationship, Jake Müller, whose existence he was unaware of.

[bookishtheaterlover7]

I see why people make fun of team PR... / Same! Cause I swear the way they behave is literally batshit over the most dumb thing ever🙄. I can't imagine putting this much energy into trivial foolishness especially when you “know everything,”

It's the fact she puts 1000% rage, for me 🤣🤣🤣🤣🤣

Like girl, no. You can talk to people nicely, unless they're being difficult and rude already. I'm starting to see similarities between her and my evil relative 🤭 ooh boy!

[generationa1trauma]

I am kissing u all on the forehead

[whoblewboobear]

It’s strange, I’m used to hyperfixating hard on things like HARD (beats my 2yr long beetlejuice musical obsession back with a stick) but Starbreaker- not even fantasy high itself took me over to the point of feeling like a teen about. Like I haven’t had this much fun in fandom in years. I haven’t like- interacted with people this much in fandom in years (which is still not enough but if I beat myself up about social interaction again I’ll jump off a cliff)

But there’s never been a concern of like “this obsession won’t fade for a while but it’ll lose popularity” and that’s fine and surprisingly it hasn’t. But it is different. It’s like adapting to it constantly as the thing itself changes even when there are aspects that you’d like to stay the same. Like that ‘I don’t go to this school of thought, but I’ll still take the class bc it’s interesting’ sorta thing.

And then there’s that feeling of WANTING to contribute but the thing has become such a beast that it’s like oooh I’m so out of my depths here.

Also like constantly having to look myself in the eye and be like ‘bitch you don’t have to talk or contribute to EVERYTHING’ and the sooner I accept that and accept that it is what it is, ill miss things, I won’t get enjoyment out of every aspect and every aspect isn’t for me and that that isn’t a bad thing, I’ll stop having moments of feeling weird and out of place. I have my lil corner and that’s okay

[l0ganberry]

Jax is such a well written character that it's crazy that he's meant to be like the "self-centered ass", but still loved by a lot of people.

Such as myself....... That's why I drew the sucker.

But....... The things I love more though is his attitude, personality and smile.

The shit eating grins are the best things to add on the character because that way, you can be like. "Aw that bitch" or "Aw that's a really nice smile."

I think I really like the pose he's in. He's like "Tee hee!! What have I ever done wrong?"

[shirtshawaiian]

in my past slightly over a month of binging jrwi i love the noticeable

amount of times that bizly describes chip by mentioning theres a  spongebob grossup like. ok. gross man.

[queerlyglittering]

some of y'all never had parents who aggressively shamed you for making even a little mess or even just mere evidence of your existence and it shows

[keeps-ache]

firefox what happened last night