#tsar alexander 1

[eunikia]

Alexander in the Soviet animation Левша 1964 (Lefty). Love him so much, a very realistic image actually )) )

[ciderbird]

[thefairyfellermasterstroke]

If twitter existed in the Napoleonic Era

[tiarascrowns]

The Devonshire Parure

The Devonshire Parure consists of a coronet, diadem, bandeau, comb, necklace, stomacher, and bracelet. It was commissioned by the 6th Duke of Devonshire for Countess Granville, the wife of his nephew, to wear while accompanying him to Moscow for the coronation of Tsar Alexander II in 1856.

Made and designed by C.F. Hancock with input from Sir Joseph Paxton, the parure incorporates 88 cameos and intaglios from the 2nd Duke of Devonshire’s extensive carved gem collection depicting different Tudor monarchs. It includes carnelian, amethyst, garnets, emeralds, sapphires, onyx, jacinth, lapis lazuli, plasma, sardonyx and diamonds all set in gold and enamel.

The parure has been featured in Sotheby's Treasures from Chatsworth exhibit and docuseries. When not on tour, the parure is displayed at Chatsworth House, the home of the Duke and Duchess of Devonshire.

Sources: 1 2 3 4 5

[otmaaromanovas]

Anastasia's personality

Lesser known quotes about Anastasia Nikolaevna Romanov and her personality, from those who knew her and from Anastasia herself!

Happy reading :)

"Once they had seen this demonstration [of security dogs sniffing out objects], the Grand Duchesses often amused themselves by hiding objects on the island, and asking us to have them retrieved by the dogs. That was, above all, the favourite game of the youngest of the Grand Duchesses, Anastasia Nicholaievna. So the guide asked permission to take the Grand Duchess by the hand and let the dogs sniff it, who then disappeared into the island and brought back the hidden object. Of course, the Grand Duchess was hugely delighted." - Alexander Spiridovitch, Last Years at Tsarskoe Selo, Volume 1

Anastasia to tutor Pyotr Vasilievich Petrov: "Wikied P.V.P. I am very, very upsit with you. Why didn’t you write a litter to Maria and me? I’m telling you, you are very, very bad, extremely bad even. Maria and I have written you so meny letters and you haven’t replied. I am going to make mystakes on purpose. I alredy see where I made mystakes. Anastasia. 1909. 9 November." - Helen Azar, George Hawkins, Anastasia Romanov: The Tsar's Youngest Daughter Speaks Through Her Writings

"Sometimes, the Grand Duchesses would enter the thatched houses and strike up conversations with the peasant women. The male population worked far away, at fishing, Anastasia Nicholaievna made friends with an old peasant woman, whom she came to see in her thatched cottage several times, and with whom she had long conversations. The peasant was knitting a stocking, and showed the Grand Duchess how it was done. On her birthday, Anastasia Nicholaievna visited the old lady, and asked her how old she thought she was. When the old lady could not guess, the Grand Duchess announced proudly that she was eight years old!" - Alexander Spiridovitch, Last Years at Tsarskoe Selo, Volume 1

"We used to make long outings around the islands. One day, Anastasia Nicholaievna begged the Emperor to take her on one of these outings. The Emperor consented. It was a very long outing. We covered some fifteen to seventeen versts. Everybody, except the Emperor, was very tired, with Anastasia Nicholaievna at the point of tears. The people who accompanied the Emperor took turns carrying her pick-a-back [piggy back]. That outing was remembered for a long time." - Alexander Spiridovitch, Last Years at Tsarskoe Selo, Volume 1

"Anastasia Nicholaevna was a lively witty child, who developed rapidly in the midst of her sisters. Very mischievous, always gay she still amused herself with toys such as the little, stoppered bottles and pots which a doctor who visited the Imperial Family used to bring her. She and her brother got no end of fun from these things." - Alexander Spiridovitch, Last Years at Tsarskoe Selo, Volume 1

"Little Anastasie was delighted with the stir and bustle of city life and deeply interested in all she saw. The children developed a love for those little toy balloons which are sold in the streets. When they were very good I used to send out and get them one each. But Anastasie used sometimes to want me to stop the carriage and buy them from the men, and this, of course, could not be allowed. So I always said simply that I could not, without advancing any reason. She evidently thought force would have to be used to induce him to part with them, for one day she saw some little children walking on the Palace Quay, each one with a balloon. She drew my attention to them. "Look, look!" cried she; "little children with balloons; get out, take them from them and give them to me." I explained why that would not do, so she said, " Well, get out, and ask them nicely and politely, and perhaps they will give them to me."" - Margaretta Eagar, Six Years at the Russian Court

"Someone in speaking to me of the four little girls lately said to me, "...little Anastasie has personal charm beyond any child I ever saw."" - Margaretta Eagar, Six Years at the Russian Court

"I had got from England a preparation for the children's hair, and was rubbing it into little Anastasie's head one evening. She objected, and I said, " It will make your hair grow nicely, darling," so she submitted. Next evening I went to get the kappuka [solution] from the cupboard, and mademoiselle ran off into the next room. She returned dragging by its leg an awful dolly, a regular fetish, minus a wig, one eye, and an arm. She gravely took a little piece of sponge and began to rub the kappuka into the creature's head. I remonstrated, telling her I had to send to England for the stuff and did not want it wasted. She looked at me most reproachfully, and said, "My poor Vera! she has got no curls; this will make her hair grow." Of course, she got her way." - Margaretta Eagar, Six Years at the Russian Court

"Anastasia Nikolaevna was especially attracted to stores, where they sold doll shoes of various sizes…" - Sophia Ivanovna Tyutcheva, A Few Years Before the Catastrophe

Letter from Alexei to their father, Nicholas: "[22 Sept 1914] …Anastasia was throttling [tutor] M. Gilliard." This has also been translated as "…Anastasia was trying to strangle M. Gilliard" - George Hawkins, Alexei: Russia's Last Tsesarevich - Letters, diaries and writings

Letter from Alexandra to Nicholas: "Jan 6 1916 …Anastasia has bronchitis, head is heavy & hurts her swallowing, coughed in the night,, she writes about [Dr.] Ostrog.[orsky]. “Although he said that I look a little better than yesterday, but I am pale & my appearance is foolish in my view” just like the “Shvibzik” [her nickname] to say such things…" – Joseph T. Fuhrmann, Nicholas II and Alexandra Feodorovna. The complete Wartime Correspondence April 1914 – March 1917

Letter from Alexandra to either her brother or sister-in-law: "7 May 1913… Anastasia is growing gradually and is as funny as always." - Petra H. Kleinpenning, The Correspondence Of The Empress Alexandra Of Russia With Ernst Ludwig And Eleonore, Grand Duke And Duchess Of Hesse

The following are from Helen Azar, George Hawkins, Anastasia Romanov: The Tsar's Youngest Daughter Speaks Through Her Writings:

Tutor Pyotr Vasilievich Petrov to Anastasia: "12 October 1909. Hello dear, good, diligent, obedient (albeit not always), kind and affectionate (also not always?) Anastasia Nikolaevna!" - Helen Azar, George Hawkins, Anastasia Romanov: The Tsar's Youngest Daughter Speaks Through Her Writings

Anatoly Mordvinov to the Grand Duchesses: "September 19, 1915 My beloved torturers! I can’t express how pleased I was with your joint, dear, sweet letter… What terrible news, reported by my chief tormentor Anastasia Nikolaevna…"

Anastasia to Nicholas: "October 3rd [1915] …There was a psalm-reader who read so incredibly funny that it was simply impossible not to laugh"

Note from Anastasia to Alexei "…Now you, little piggy, know all the rooms…"

Letter from Anastasia to Alexei: "1 November 1915. ...My Dear and Darling Little Alexei! I haven’t forgotten my responsibility [to walk dog Joy], and every day either I or Madeleine or Tutles goes for a walk and it goes very well."

Last diary of Alexandra: "12/15 April. Marie comes with us [to Ekaterinburg], Olga will look after Baby, Tatiana the household & Anastasia will cheer all up." - Last diary of Alexandra Feodorovna

"Anastasia was not allowed to go to dinner, had to go to bed early, which was why she had dinner alone with the nanny in her giant lonely “upstairs”… So sad, these poor children live in a golden cage." - the memoirs of V. I. Chebotareva

Diary entry of the palace priest: "April 11, 1917 - …The former Heir was taken past my window in a wheelchair. Grand Duchess Anastasia Nikolaevna saw me in the window and loudly said to her mother, “Over there, the batiushka [father] is looking at us”" - Belyaev, Potapov, The Romanovs Under House Arrest: From the 1917 Diary of a Palace Priest

Letter from Maria to Nicholas: "April 1915 …The little Shvybzik [Anastasia's dog] just made a “governor” [accident] on Mama’s carpet, and Anastasia is not training him…" - Helen Azar, George Hawkins, Maria Romanov: Third Daughter of the Last Tsar, Diaries and Letters, 1908–1918

"...the most energetic and speedy - Anastasia Nikolaevna - had a rather silent, sedate and serious Navigator A.V. Saltanov [to look after her]. The latter ended up with most trouble and turmoil. Dear 'Nastasya', as the Gosudar [tsar] called her, was a trouble making tomboy. With her hair always messed up, always dishevelled, from morning till night she ran around the yacht, climbed up ladders, peeked where she should not have, until, with a lot of screaming she was finally led away and put to bed. Her parents said she was the "clown"." - Memoirs of Nikolai Vasilievich Sablin

"It was after Anastasia had arrived as a pupil that Gibbes met his first real problem. Still slightly built (she would soon grow rapidly), eager in her movements, her eyes sparkling with intelligence, she was self-possessed and in entire command of her features; he had met nothing like it any other child. Remembering a course in child psychology he had taken during one of his exploring periods at Cambridge, he tried as many innovations from it as he could; they did not shelter him from storms, usually sudden. Once, after a disturbed lesson, he refused to give her five marks, the maximum (and customary) number. For a moment the wondered what might happen; then, purposefully, Anastasia left the room. Within minutes she returned, carrying one of the elaborate bouquets that seemed always to be in waiting. 'Mr Gibbes,' she said winningly, 'are you going to change the marks?' He hesitated before he shook his head. Describing it long afterwards in a letter (1928) to the Grand Duke Alexander Mikhailovich, the Tsar's brother-in-law in Paris, Gibbes wrote: Drawing herself up to the most of her small height, she marched into the schoolroom next door. Leaving the door wide open, she approached the dear old Russian professor, Peter Vassilievich Petrov. 'Peter Vassilievich', she said, 'allow me to present you with these flowers'. By all the rules he should have refused them, but professors are human; he did not. Later, we made it up again, and I received my bouquets once more, for the Grand Duchess nearly always gave me one during those early years. I-well, I was more careful in my marking. We had both learned a lesson. Another morning would not be forgotten. There had been a children's fancy-dress dance at Tsarskoe Selo on the previous night. Gibbes, in tail-coat and white tie, waited at his desk for Anastasia to arrive. When she did, quickly and mischievously, her face was blackened like a chimney-sweep's and she carried a small golden ladder which she placed beside her while she waited for the lesson to begin. Gibbes, deciding to take no notice, was about to speak when he heard a rush of laughter outside the big double doors at the end of the room. They flew open, and through them there appeared the three elder Grand Duchesses with their mother. The Empress looked in horror. 'Anastasia!' she cried, 'go and change at once!' And, meekly, the sweep vanished. When she came back, her face scrubbed as red as a lobster, the gold ladder was still beside her desk; but everybody pretended not to see it and the lesson continued in the Empress's presence." - Trewin and Gibbes, Tutor to the Tsarevich

"Through the years he preserved from Tobolsk two cheap exercise books, each labelled ‘English’. ‘M. Romanof’ had written her name on one label. The other book belonged to A. Romanova (Shut Up!) Tobolsk 1917-1918.’ Grand Duchess Anastasia, more exuberantly talkative than her sisters, seized on one of Gibbes’s exasperated moments. When he told her to shut up, she asked him how to spell it and adopted it as her nickname." - Trewin and Gibbes, Tutor to the Tsarevich

"‘At the end of the farce [Gibbes reported] the husband has to turn his back, open his dressing-gown as if to take it off- Anastasia wore an old one of mine - and then exclaim: 'But I've packed my trousers; I can't go.' The night's applause had excited the little Grand Duchess. The piece had gone with a swing and they were getting through the 'business' so fast that a draught got under the gown and whisked its tail up to the middle of her back, showing her sturdy legs and bottom encased in the Emperor's Jaeger underwear. We all gasped; Emperor and Empress, suite and servants, collapsed in uncontrolled laughter. Poor Anastasia could not make it out. All were calling for a second performance, but this time she was more careful. Certainly I shall always remember the night; it was the last heart unrestrained laughter the Empress ever enjoyed.’" - Trewin and Gibbes, Tutor to the Tsarevich

"...Anastasia was the most amusing; she was always full of mischief. - “Anastasia is our family clown!” the Emperor once exclaimed, laughing, to my mother." - Olga Voronova, Upheaval

"Fleeting memories come back to me of those cloudless summer days. Pictures of the Emperor and his daughters at the Garden Party at Tsarskoe, the little Grand Duchess Anastasia, her cheeks scarlet with excitement, surrounded by a group of midshipmen, plying them with eager questions. “You will take me up into your conning tower,” her clear childish voice rang out above the hum of conversation. “Couldn’t you let off one of the guns and just pretend it was a mistake?”" - Muriel Buchanan, Ambassador's Daughter

"The youngest girl, Anastasia, was spirited, sly and playful; she would get under the dinner table and pinch the legs of some elderly statesman until her father pulled her out by her hair. She has been described as ‘a little inextinguishable volcano, with a world of her own’." - Bernard Pares, The Fall Of The Russian Monarchy A Study Of The Evidence

"The Tsar's youngest daughter was much the sprightliest and most entertaining. She had a comic gift as a mimic, picking out people's foibles in a way that made everyone laugh. "What a bundle of mischief," recalls her godmother, Grand Duchess Olga Alexandrovna, the Tsar's sister. There was also a serious side to Anastasia's nature. She had a restless, questioning intelligence. "Whenever I talked with her," says Count Grabbe, "I always came away impressed by the breadth of her interests. That her mind was keenly alive was immediately apparent." More than her sisters, Anastasia chafed under the narrowness of her environment and used her comic sense in revolt against it." - Count Alexander Grabbe, The private world of the last Tsar, in the photographs and notes of General Count Alexander Grabbe

"The Grand Duchess Anastasia Nicholaevna was sixteen or seventeen years old; she was short, stout and was, in my opinion, the only one in the family that appeared to be ungraceful Her hair was of a lighter color than that of Maria Nicholaevna. It was not wavy and soft, but lay flat on the forehead. Her eyes were grey and beautiful, her nose straight. If she had grown and got slim she would have been the prettiest in the family. She was refined and very witty. She had the talents of a comic actor, she made everybody laugh, but never laughed herself. It appeared as if her development had stopped and, therefore, her capacity faded a little. She played the piano and painted, but was only in the stage of studying both." - The Examination of Sidney Gibbes, The Last Days of the Romanovs

"The Grand Duchess Anastasia, I believe, was seventeen. She was over-developed for her age; she was stout and short, too stout for her height; her characteristic feature was to see the weak points of other people and to make fun of them. She was a comedian by nature and always made everybody laugh. She preferred her father to her mother and loved Maria Nicholevna more than the other sisters." - The Examination of Commissar E. S. Kobylinsky, The Last Days of the Romanovs

Hope you enjoyed reading and learnt something new!

Want to find a book listed here? Reply, ask, or message me! I'd be happy to help!

[promises-of-paradise]

Some illustrations from the Ladybird book 'The Story of Napoleon'

1: cover of the book / 2: Napoleon and Josephine / 3: Napoleon in Egypt / 4: Napoleon crossing the Alps / 5: Napoleon's coronation / 6: Napoleon meets Tsar Alexander / 7: the battle of Waterloo

[girlactionfigure]

𝐓𝐡𝐞 𝐓𝐫𝐨𝐮𝐛𝐥𝐞𝐝 𝐇𝐢𝐬𝐭𝐨𝐫𝐲 𝐨𝐟 𝐂𝐡𝐫𝐢𝐬𝐭𝐢𝐚𝐧 𝐏𝐞𝐫𝐬𝐞𝐜𝐮𝐭𝐢𝐨𝐧 𝐨𝐟 𝐉𝐞𝐰𝐬.

I'm sick and tired of Candace Owens and her likes that are obsessed with framing Jews behind every problem that they had over the years. While we all love the Christians and while most Christians are real friends of the Jews, I think this has to be said again and again. So let's review some history and some facts.

1/ Early Christian Era: 

Hostility towards Jews began as early as the 4th century when Christianity became the Roman Empire's official religion. Emperor Constantine's policies, later codified in the Theodosian Code, restricted Jewish rights. Jews were barred from public office, synagogues were destroyed, This set a precedent for future Christian rulers to marginalize Jews.

2/ First Crusade (1096): 

As the Crusaders marched to the Holy Land, they massacred Jewish communities in the Rhineland (modern-day Germany). Known as the Rhineland massacres, thousands of Jews were killed in cities like Worms, Mainz, and Cologne. The violence was often enabled by Crusader preachers who framed Jews as enemies of Christianity. Many Jews chose martyrdom over forced conversion, a theme that would reappear in later persecutions.

3/ Blood Libel Accusations (12th century - today): 

The first known case of blood libel occurred in Norwich, England, in 1144, when Jews were falsely accused of murdering a Christian boy, William of Norwich, for ritual purposes. These accusations led to widespread violence and massacres, including notable cases in Trent (1475) and Damascus (1840). Blood libel myths fueled antisemitism, resulting in the torture, execution, and expulsion of Jews across Europe.

4/ The Black Death (1348-1351): 

As the plague ravaged Europe, killing millions, Jews were scapegoated and accused of poisoning wells. Pogroms erupted across the continent, with entire Jewish communities in cities like Strasbourg being annihilated. In some areas, Jews were burned alive, while in others, they were forcibly converted or expelled. Despite papal condemnations of the violence, local authorities and priests encouraged and some even participated in the massacres.

5/ Spanish Inquisition (1478-1834): 

The Inquisition targeted conversos, Jews who had converted to Christianity, suspecting them of secretly practicing Judaism. Tomas de Torquemada, the first Grand Inquisitor, led a brutal campaign of torture and execution. The Alhambra Decree of 1492, issued by Ferdinand and Isabella, expelled all Jews from Spain, forcing over 200,000 to convert or flee. This expulsion ended centuries of Jewish cultural and intellectual contributions to Spain.

6/ Expulsions in Europe: 

Over centuries, Jews faced expulsion from numerous European countries. England (1290) saw the Edict of Expulsion under King Edward I, forcing Jews to leave and seizing their property. France (1306 and 1394) saw similar expulsions, as did various German states. These expulsions often followed periods of economic exploitation and violence against Jews, stripping them of property and wealth and forcing them into exile.

7/ Ghettos and Restrictions (16th-18th centuries): 

In many European cities, Jews were confined to ghettos, segregated neighborhoods with curfews and restricted economic opportunities. The first ghetto was established in Venice in 1516. In Rome, Pope Paul IV established the Roman Ghetto in 1555, enforcing strict segregation. Jews in ghettos faced overcrowding, poverty, and social isolation, with limited rights and constant threat of violence.

8/ Russian Pogroms (19th-20th centuries): 

The assassination of Tsar Alexander II in 1881 sparked a wave of violent pogroms against Jews across the Russian Empire. These state-sanctioned attacks involved looting, arson, and murder, with entire villages destroyed. The May Laws of 1882 further restricted Jewish rights, driving mass emigration to the United States and Israel. Pogroms continued into the early 20th century, culminating in the Kishinev Pogrom of 1903, these pogroms were influenced by various social, economic, and political factors, they occurred in a predominantly Christian society where antisemitic attitudes were pervasive and pushed by local priests, and a lot of Christians participated in the violence.

9/ Context on Christian Persecution Claims: 

While millions of Christians have faced persecution over the years, those claiming they are the most persecuted group are misleading. Let’s look at some numbers:

- 1800: Approximately 22% of the world population was Christian, around 200 million out of 900 million.

- 1850: Christians made up about 28% of the world population, roughly 350 million out of 1.2 billion.

- 1900: The proportion increased to 34%, with 560 million Christians out of 1.65 billion people globally.

- 1950: Christians constituted about 35% of the global population, approximately 800 million out of 2.3 billion.

Today, around 31% of the world's population identifies as Christian, approximately 2.3 billion people out of 7.8 billion. Given these numbers, it's clear that while Christians have certainly faced persecution, the idea that they are the most persecuted group does not hold up. It's like saying the world is the most persecuted world—statistically inaccurate given the substantial and growing global Christian population. 

This context does not diminish the real suffering that many Christians have endured, especially in certain regions and periods. However, the Jewish experience of persecution stands apart due to its intensity, persistence, and the often racially motivated nature of the oppression. Jews, a much smaller group historically, have faced systemic efforts aimed at their complete eradication, from medieval pogroms to the Holocaust. Their persecution involved not just religious but also racial and cultural dimensions, leading to centuries of marginalization, violence, and genocide.

10/ Conclusion: 

The history of Christian persecution of Jews is a strong reminder of the consequences of intolerance and bigotry. While it's important to acknowledge and appreciate the many Christians who have stood by Jews as true friends, we cannot ignore the dark chapters where Christian societies and authorities played a significant role in the suffering of Jewish communities. 

By understanding these historical contexts, we can better appreciate the resilience of the Jewish people and the importance of standing against all forms of hatred. Let's ensure that history does not repeat itself by fostering an inclusive and compassionate future. It's time to move beyond misplaced blame and work together to combat antisemitism and bigotry in all its forms... 

𝐋𝐞𝐭’𝐬 𝐟𝐨𝐜𝐮𝐬 𝐨𝐧 𝐰𝐡𝐚𝐭 𝐭𝐫𝐮𝐥𝐲 𝐮𝐧𝐢𝐭𝐞𝐬 𝐮𝐬: 𝐨𝐮𝐫 𝐬𝐡𝐚𝐫𝐞𝐝 𝐡𝐮𝐦𝐚𝐧𝐢𝐭𝐲 𝐚𝐧𝐝 𝐨𝐮𝐫 𝐜𝐨𝐦𝐦𝐨𝐧 𝐠𝐨𝐚𝐥 𝐨𝐟 𝐡𝐚𝐩𝐩𝐢𝐧𝐞𝐬𝐬 𝐚𝐧𝐝 𝐟𝐮𝐥𝐟𝐢𝐥𝐥𝐦𝐞𝐧𝐭. 

[mariacallous]

One of the Western populist right’s enduring myths about President Vladimir Putin’s Russia is that it is steeped in traditional values, a bastion of virtue standing in opposition to an increasingly godless West. In the United States, the fascination with Russia as a supposed global center of conservative virtue has especially gained currency in MAGA world.

This image of Russia as a traditionalist’s paradise led former Fox News commentator Tucker Carlson to offer both Putin and Russian far-right philosopher Alexander Dugin, one of Putin’s most vicious cheerleaders for genocide in Ukraine, the opportunity to expound their views to millions of Americans in a comfortable, uncritical setting. It is the reason that MAGA-aligned U.S. Rep. Marjorie Taylor Greene talks about Russia as a strong protector of Christianity. And it’s why former Trump administration National Security Advisor Michael Flynn has framed Putin as a defender of “family and God.”

The contrast between myth and reality couldn’t be starker. The truth is that Russia is one of the world’s least religious societies, with only 9 percent of Russians attending religious services at least somewhat regularly, according to a poll conducted in 2022 by the Moscow-based Levada Center. By contrast, nearly one-third of Americans are frequent churchgoers. Just 1.4 million Russians—a mere 1 percent of the population—attended the most recent Christmas services. The Russian state also persecutes Christians who do not adhere to Russian Orthodoxy, including Baptists, Jehovah’s Witnesses, and, of course, anyone connected to the Orthodox Church of Ukraine.

Nor is Russia a bastion of what true conservatives would consider traditional values. Based on data calculated by the Guttmacher Institute, the Russian abortion rate from 2015 to 2019 was nearly four times higher than that of the United States and more than twice as high as that of Ukraine. Russia also has the fourth-highest divorce rate in the world—60 percent higher than in the United States and more than 50 percent higher than in Ukraine. Those among the U.S. and European far right who project their own ideals onto Russian society ignore the obvious and copious evidence.

The false image of a god-fearing Russia is hardly accidental. It is the consequence of systematic efforts by Putin and his propagandists to craft talking points for the global right—an effort that has accelerated since Russia launched its all-out war on Ukraine in 2022.

It wasn’t always so. After the Soviet collapse in 1991, a Russia shorn of most of its empire struggled with its post-communist identity. Under its first president, Boris Yeltsin, the country waded into the waters of a Russo-centric patriotism. But his chosen successor, Putin, supplanted this worldview by nostalgia for the former Soviet and Russian empires, as well as adulation of brutal autocrats such as Soviet dictator Joseph Stalin and Tsar Peter the Great.

Today, to both mobilize Russians for a bloody war and undermine support for Ukraine by appealing to the political extremes in the West, Putin and his ideologues have crafted a new mythology that depicts Russia as a bastion of traditional values rooted in religious faith.

This theme was front and center at Putin’s fifth inauguration as Russian president on May 7. In his address, he declared that “support for centuries-old family values ​​and traditions will continue to unite public and religious associations, political parties, and all levels of government.”

From their putative moral high ground, Putin and his propagandists in the Kremlin-controlled media have used the bully pulpit to rail against Western “woke-ism,” political correctness, and secularism, earning admiration among right-wing populists in the West. By projecting Russians and the Russian state as deeply religious and steeped in tradition—and by denouncing the Western establishment for its supposed attacks on traditional values—Kremlin propaganda has made serious inroads among cultural and religious conservatives in the United States and elsewhere.

This has helped create some measure of sympathy for Russia’s war against Ukraine among certain segments of the far right, which see Putin as a powerful voice on their side of the culture wars.

Margarita Simonyan, the head of Russia Today, the state media conglomerate responsible for most of Moscow’s global propaganda, crystallized the postulates and far-reaching ambitions of Russia’s traditionalist propaganda during a television appearance in February.

Speaking on the heels of Carlson’s fawning chat with Putin, Simonyan saw a major opportunity for Russia to find fellow travelers and new allies among those disgruntled by secularization in the West. Unlike Ukraine and its Western backers, which she called adepts of “satanism,” she described Russia as “the city on a hill” to which the world’s traditionalists can now flock to escape their stifling secular societies. She declared that traditionalist messaging is the “beacon of a wonderful idea” whose appeal can be likened to that of communism during the Soviet era. Russia, she continued, might even counter its severely shrinking population by attracting disgruntled traditionalists from around the world as immigrants to a new promised land of traditionalism.

To this end, the Kremlin announced a new decree on Aug. 19 that eases residency rules for refugees from countries where “traditional values” are under attack from “neoliberalism” and other supposed secular ills.

Aging Russian kleptocrats such as Putin, who formerly served in the security services of the atheist Soviet state, engage in performative religion at most. As the investigations conducted by the late Russian opposition activist Alexei Navalny documented, the Russian ruling elite, including Putin himself, is obscenely wealthy and deeply corrupt. But state media outlets diligently portray them as god-fearing believers, generous patrons of monasteries, supporters of religious media, and sponsors of newly built churches—all paid for with money they have stolen from the Russian people.

These performative good works are applauded by the security service operatives who control the upper reaches of the Russian Orthodox Church. Purged and brought under complete state control under Stalin, the church has consistently promoted the aims of Soviet and now Russian policies. It is a vocal supporter of Putin’s war against Ukraine.

At the apex of performative piety stands Putin. Russian Orthodox Patriarch Kirill, born Vladimir Gundyayev and believed to be a former security services operative, has lavished praise on Putin for being “truly the first Orthodox president” of Russia. The link between Putin’s proclaimed religiosity and something approaching a divine right to rule Russia has also become part of the new ideological canon—back to the roots, if you will, of Russian Orthodoxy as an imperial church.

“May God help you to continue to carry out the ministry that God himself has entrusted to you,” Kirill said during Putin’s inauguration in May. Given the long-standing collusion between the Kremlin and a compliant church, it is little wonder that religious leaders actively support Putin’s war and encourage Russia’s young to lay down their lives.

To mask the degradation of spiritual and religious life, Russia has built a vast Potemkin village of new churches. Around 30,000 new parishes have been added in the post-Soviet era, averaging nearly three every day since 1991. Given Russians’ negligible interest in religion, they stand largely empty.

Simonyan’s comparison of Putin’s traditionalist, pseudo-Christian posturing with the global appeal of communism is apt in ways that she did not intend. Like communism, whose façade of equality and social justice masked mass repression and the emergence of privileged, all-powerful elite, today’s Russia has little patience for moral and ethical principles. Instead, the Russian state and the Russian Orthodox Church serve the exigencies of a kleptocratic mafia that rules over a deeply damaged, militaristic, and highly unequal society.

Indeed, in time, Russia’s newest state ideology is very likely to become another God That Failed—the title of a landmark 1949 book in which six Western intellectuals broke with communism, declaring that it was just a cover for a new form of dictatorship.

For the moment, none of this matters to the Western populist right, which has blithely ignored the carnage that Putin has inflicted on Ukraine. Nor will Russia’s performative religiosity put those Westerners off; their projection of virtue onto Putin’s Russia has become too important a part of their cynical politics. If your enemy is the West’s liberal and tolerant society, then the enemy of your enemy is your friend.

[last-grand-duchess-of-russia]

10 years old Anastasia Romanov Kremlin letter, [29 May 1912].

How is your health. It is hot here 30 degrees in the sun. I just got back from Neskuchnyi [1]. There was an outing in the morning and there was a worship service in Uspensky cathedral [2]. It was so sad to leave Levadia [3]. and I feel terribly sad that you are not here. Mari [4] and I live in the blue room Olga and Tatiana in the red, Nikita Fyodor and Andrei have tea with us and play here. Do you have a stick? Nikita is terribly naughty. It was terribly hot on the train.

“ Darling Shura,

Olga, Mama, Papa and Tatiana were traveling in a noble [5], like in Kiev. I feel better but sometimes bad again. Tomorrow there will be an inauguration of the monument [6]. Do you think you will come soon or not. They say that we will raise the Standard [7] on June 29, so you need to hurry. Now after Moscow I want to go to Levadia. We made a stop in Harkov. There were Ladies with Mama and Papa had reception of the deputies. Tatiana received a good gift today for her celebration [8]. We had a marvelous voyage from Yalta to Sevastopol [9], the weather was hot and marvelous in Sevastopol [10].

Will stay in touch. Big kiss to you. With love

1. The oldest park in Moscow.

Truly yours Anastasia

The envelope is plain because people like to read, when it says Moscow or Standard [11]. ”

2. Principal church in the Kremlin.

3. Tsarist summer palace in the Crimea.

4. Grand Duchess Maria.

5. Slang for a train cart for nobility.

6. Tsar Alexander III monument inaugurated on May 30, 1912.

7. Navy flag, the main Imperial yacht of the Tsar had the same name – The Standard.

8. May 29th is Grand Duchess Tatiana’s birthday.

9. Cities on the Black Sea.

10. A city in the Crimea.

11. The yacht, Standard.

[cedyat]

Drawings of Empress Elizabeth Alexeievna of Russia and her husband Tsar Alexander I of Russia by a Japanese artist (1807).

"Ōtsuki Gentaku’s Kankai Ibun (1807), also referred to as Strange Tales of a Circumnavigation, tells the adventurous story of sixteen Japanese sailors who were shipwrecked on the coast of Russia in 1793. The four surviving sailors stayed in Russia for more than ten years as tutors in the Japanese language and returned to Japan in 1804. Together with Shimura Kōkyō, Gentaku compiled the text for the illustrated travel account based on oral evidence, reporting on the experiences of the Japanese men in the Western world[1]. Originally the manuscript consists of 15 (or occasionally 16) volumes and was produced throughout nineteenth-century Japan[2]."

[thepastisalreadywritten]

Fabergé Eggs

Fabergé Eggs, perhaps considered one of the most famous examples of exquisite and luxurious craftsmanship to this day.

Fabergé eggs were originally commissioned by the Russian Imperial family in the late 1800s AD.

Tsar Alexander III (10 March 1845 – 1 November 1894) wanted a richly jeweled egg as an Easter gift for his wife, so Russian jeweler Peter Carl Fabergé (30 May [O.S. 18 May] 1846 – 24 September 1920) got to work and produced very first Fabergé egg in 1885 AD.

And like Easter eggs you may find hidden in your shrubs or gutters, these eggs were also intended to contain a surprise inside.

Initially, the first Fabergé egg was to contain a diamond ring, but after specific instructions given by the Emperor, the egg could be opened to find a ruby pendant instead.

Over the course of the next two decades, ten eggs were produced for the family during Alexander III’s reign, starting a dazzling tradition that his son Nicholas II (18 May [O.S. 6 May] 1868 – 17 July 1918) would carry on for his wife and his mother every Easter.

The popularity of eggs-travagant gifts spread well beyond the Imperial family, and soon, other wealthy families began commissioning their own eggs.

The eggs then began to represent great wealth and luxury that owning a Fabergé egg was considered a status symbol.

And with the skill level and time that it took to craft up just one Fabergé egg – up to one year per egg – it’s no surprise they come with such a high value.

The intricate Fabergé egg-making process began by creating a design for the egg and then the outer shell would start to come to life.

The team of goldsmiths would craft the eggs out of precious metals like gold or silver.

They were each decorated with intricate engravings, filigree work and other decorative elements.

And while his competitors used a standard palette, Fabergé wanted to experiment with more colors.

He created resplendent yellows, mauves, and all shades of greens — coming up with over one hundred and forty new colors.

Just as important as its exterior, the Fabergé egg’s interior was given just as much attention to detail.

A team of jewelers would work on creating a surprise to be hidden inside the bejeweled shell.

These surprises could be anything from miniature portraits of the recipients’ husbands to tiny replicas of famous landmarks.

The artists behind these miniature works of art were some of the best miniature painters, sculptors and engravers of that time who used a variety of material, including enamel, precious stones and even hair to create their work.

Finally, once all of the intricate pieces were complete, they were assembled by a team of skilled craftsmen to create the final product.

The egg was then presented to the recipient and would become a treasured family heirloom for years to come. 

Unfortunately, the House of Fabergé was forced to close its doors during the Russian Revolution in 1917.

Fabergé and his family fled Russia.

Many of the Fabergé eggs were sold, lost or smuggled out of Russia during this time, but now, many of them are housed in museums like the famous Fabergé Museum in St. Petersburg, Russia.

However, history came full circle when in 2007, with new ownership and direction, the company announced the reunification of the brand with the Fabergé family.

This new chapter set the stage for a total revitalization of the Fabergé name and philosophy, which are in tune with its original values and spirit.

[graceofromanovs]

GODPARENTS OF NICHOLAS II

Born during his grandfather's reign on 18 May (New Style) 1868 at the Alexander Palace, Tsarkoe Selo in Saint Petersburg. He was the eldest son of Alexander III and his wife Maria Feodorovna (then, the Tsarevich and Tsarina of Russia). He was christened on 1 June at the  Chapel of the Resurrection of the Catherine Palace at Tsarskoe Selo, by the confessor of the imperial family, protopresbyter Vasily Borisovich Bazhanov. His godparents were: 

ALEXANDER II, EMPEROR OF RUSSIA - his paternal grandfather, the Russian Emperor stood as one of the godparents. He became the Emperor of All Russia in 1855. Alexander’s most significant reform as emperor was the emancipation of Russia’s serfs in 1861, for which he is known as Alexander the Liberator. He was assassinated in 1881 when the young Nicholas was only 12 years-old, to which he became the heir apparent upon his death.

PRINCESS MARIE OF HESSE AND BY RHINE, EMPRESS MARIA ALEXANDROVNA OF RUSSIA - his paternal grandmother, the consort of Emperor Alexander II, was another of his godparents. Known for her intellect, she was one of the founders of the Russian Red Cross Society. However, she suffered from tuberculosis from 1863 and spent long stays in southern Europe to avoid harsh winters. Although she and her husband were unofficially separated sometime after the death of their eldest son, Maria was treated with respect and love by her surviving family. Maria passed away from illness when the young Nicholas was still a child.

PRINCESS LOUISE OF HESSE-KASSEL, QUEEN CONSORT OF DENMARK - his maternal grandmother was listed as one of his godparents. Louise became the Queen consort of Denmark upon her husband's - King Christian IX - accession in 1863, just few years before her grandson Nicholas' birth. She, herself, was a niece of another King of Denmark (Christian VIII). The great dynastic success of Louise's six children was to a great extent a result of Louise's own ambitions - through them, she was a grandmother of not only the future Tsar of Russia (Nicholas II), but also that of King George V of the United Kingdom; King Constantine I of Greece; King Christian X of Denmark, and King Harken VII of Norway.

GRAND DUCHESS ELENA PAVLOVNA OF RUSSIA - his great-great-aunt, the wife of the late Grand Duke Michael Pavlovich, was one of his godparents. Born as Princess Charlotte of Württemberg, she became a close friend of his grandmother the Empress Maria Alexandrovna, and was known as an intellectual. She was also considered the most exceptional woman in the imperial family since Catherine the Great.

KING FREDERICK VIII OF DENMARK - then, the Crown Prince, his maternal uncle stood as one of his godparents. During the long reign of his father, he was largely excluded from influence and political power. Upon his father's death in 1906, he acceded to the throne at the advanced age of 62. In many ways, Frederick VIII was a liberal monarch who was much more favorable to the new parliamentary system introduced in 1901 than his father had been, being reform-minded and democratically inclined. 

Source

[ciderbird]

every time I try to make some sense of the franco-russian alliance of 1807-1812 I’m losing my mind because it goes like

historian 1: from the very beginning tsar Alexander decided to use his charm to fool Napoleon and merely pretended to be his ally to win some time, much needed to prepare a new Coalition. We can see his distrust clearly from his correspondence.

historian 2: from the very beginning Napoleon decided to use his charm to fool Alexander and manipulated his ambitions to win some time, much needed to secure a peace with England. We can see the tsar’s excitement clearly from his correspondence.

historian 3: Napoleon and Alexander never actually trusted one another and the whole alliance was a ruse based on mutual flattery and empty promises so that the two great powers could prepare for a new war. We can see this animosity clearly from their correspondence.

historian 4: Napoleon and Alexander were mutually charmed and developed a deep intimate friendship that was sullied by obligation and political intrigue. We can see their sincere attachment clearly from their corres-

[russianperioddrama]

Welcome to the Russian Period Dramas Bracket everyone! The order of things will look something like this:

Polls will start posting tomorrow. One group (A, B, C, D) will be posted per day, starting with Group A. Polls will run for a week. Once all polls for a round close, polls for the following round will begin posting within 24-48 hours (depending on mod availability). You may send in asks with “propaganda” if you wish.

Round 1 matches are listed out below for a full text version. Note that titles are listed in the format: English tittle (official/”official”* or translated) | transliterated title. (*There are occasionally some variations in what is the “official” English title. I tried my best here, usually prioritizing what is used by a major streaming service or wiki).

GROUP A

Ekaterina: The Rise of Catherin the Great | Ekaterina (2014) vs. Pushkin: the Last Duel | Pushkin: Poslednyaya duel (2006)

The Barber of Siberia | Sibirskiy tsiryulnik (1998) vs. Tchaikovsky's wife | Zhena Chaikovskogo (2022)

The Duelist | Duelyant (2016) vs. Life of a Mistress | Volnaya gramota (2018)

Catherine the Great | Velikaya (2015) vs. Poor Nastya | Bednaya Nastya (2023)

Detective Anna | Anna – detectiv (2016) vs. Gardes-marines Ahead! | Gardemariny, vperyod! (1988)

Bloody Lady | Krovavaya Barinya (2018) vs. Institute For Noble Maidens | Institut blagorodnykh devits (2010)

Union of Salvation | Soyuz spaseniya (2019) vs. Star of Captivating Happiness | Zvezda plenitelnogo schastya (1975)

Russian Ark | Russkiy kovcheg (2002) vs. Poor Poor Paul | Bednyy bednyy Pavel (2003)

GROUP B

The Silver Skates | Serebryanyy konki (2020) vs. Sins of Our Fathers | Grekhi ottsov (2004)

Bezsonov (2019) vs. Voskresensky (2021)

Sunstroke  | Solnechnyy Udar (2014) vs. The Fall of the Empire | Gibel imperii (2005)

Matilda (2017) vs. Gloomy River | Ugryum-reka(2021)

The Road To Calvary  | Hozhdenie po mukam (2017) vs. How the Steel Was Tempered | Kak zakalyalas stal (1973)

Admiral (2008) vs. Quiet Flows the Don | Tikhiy Don (2015)

Morphine | Morphiy (2008) vs. Battalion | Batalyon (2015)

Rasputin | Grigoriy R (2014) vs. Christmas Trees 1914 | Yolki 1914 (2014)

GROUP  C

War and Peace | Voyna I mir (1966) vs. The Queen of Spades | Pikovaya dama (1982)

Pechorin (2011) vs. A Hero of Our Time | Geroy nashego vremeni  (2006)

Eugene Onegin | Yevgeny Onegin (1959) vs. A Cruel Romance | Zhestokiy romans (1984)

Gogol (2017) vs. The Idiot | Idiot (2003)

Anna Karenina: Vronsky’s Story | Anna Karenina. Istoriya Vronskogo (2017) vs. Anna Karenina (2009)

Crime and Punishment | Prestuplenie i nakazanie (2007) vs. Brothers Karamazov | Bratya Karamazovy (2009)

Fathers and Sons | Ottsy i deti (2008) vs. Lady Into Lassie | Baryshnya krestyanka (1995)

Two Women | Dve zhenshchiny (2014) vs. The Emperor’s Love | Lyubov imperatora (2003)

GROUP D

Sophia (2016) vs. The Youth of Peter the Great | Yunost Petra (1980)

Furious | Legenda o Kolovrate (2017) vs. Alexander: The Neva Battle | Aleksandr. Nevskaya bitva (2008)

Viking (2016) vs. Iron Lord | Yaroslav: Tysyachu let nazad (2010)

The Terrible | Groznyy (2020) vs. Tsar (2009)

Godunov (2018) vs. Schism | Raskol (2011)

Land of Legends | Serdtse Parmy (2022) vs. Golden Horde | Zolotaya Orda (2018)

Conquest | Tobol (2019) vs. Secrets of the Palace Revolutions | Tayny dvortsovykh perevorotov (2000)

Elizabeth | Elizaveta (2022) vs. Cathedral | Sobor (2021)

[loiladadiani]

Grand Duke Alexey Alexandrovich in youth.

Grand Duke Alexey Alexandrovich (1850 - 1908)

Grand Duke Alexis was the fifth child and the fourth son of Alexander II and Empress Maria Alexandrovna. Alexis was Nicholas II's favorite uncle, as well as a favorite of Empress Maria Feodorovna (and a frequent dance partner of the Empress since Sacha did not like to dance. He also acted as a mediator between her and Sacha at the very beginning of their marriage, when they had differences.) He stood as one of Tsarevich Alexis' godparents.

1. Maria Feodorovna sitting between Tsarevich Alexander and Grand Duke Alexis; 2. Grand Duke Alexis with his family, embracing his brother Grand Duke Sergei Alexandrovich

Alexey made a career in the Navy. Grand Duke Alexey rose through the ranks, holding many important posts. He was appointed General Admiral by his brother Alexander III as a reward for making a significant contribution to modernizing the equipment of the Russian navy. But his improvements might not have been enough. After the Russian defeat to the Japanese in the Battle of Tsushima, Alexey was relieved of his command for incompetence (he died just three years after this, at age 58.) It did not help that his expenses in jewelry for the beautiful women in his life had increased through the years, and he was suspected of corruption. He had acquired a reputation as a "man of fast women and slow ships." Of course, somebody had to pay for Russia's loss to Japan, and he was in the right place at the right time.

Admiral Grand Duke Alexei Alexandrovich

Was Alexey a hero or a rake? Neither, it seems. The following is the consensus of several authors and contemporaries who knew him well: He had a kind heart and would not intentionally hurt anybody. He was not a thief. He was not a plotter or acted against anybody for his own advancement, but he was, in fact, not very competent as an admiral and made a number of wrong decisions that had terrible consequences for the Russian naval forces.

Alexis was beloved by most of his family, although his cousin Grand Duke Alexander Mikhailovich, did not have anything good to say about him in his book "Once a Grand Duke;" Sandro paints Alexey as a hard-drinking, greedy, womanizing dilettante without any redeeming qualities. Sandro very much wanted Alexis' job and was well situated to get it; I don't know how objective he could be under those circumstances (Sandro's book is used as a source for much of what is written about the Romanovs, but inaccuracies and mistakes have been identified in the information it provides.)

Alexis suffered a broken heart early in his life. Although his affairs with beautiful women were notorious throughout his life, he is the only Grand Duke, son of a Tsar, who remained unmarried. His is a life of plenty but not a happy life.

Grand Duke Alexei Alexandrovich and Alexandra Zhurovskaya

Alexei fell in love with one of his mother's ladies-in-waiting at age twenty. Her name was Alexandra Zhukovskaya; she was the daughter of a poet (who had taught the Imperial children) and not an aristocrat. Alexandra became pregnant. Alexis’s father, Alexander II, opposed the affair violently and said no when Alexis asked permission to marry. The Emperor also refused his son's request to grant the mother and unborn child a title. Some historians believe Alexey married Alexandra, and the Russian Orthodox church annulled the marriage at the Emperor's behest.

Alexandra Zuhrovskaya

There are letters in which Alexis begs his mother, Empress Maria Alexandrovna, to intercede so that he does not have to abandon Alexandra; they also declare his love for her. Alexander II sent Alexey on an extensive world tour (he was away from Russia for two years; his tour included a very successful visit to the United States.) Alexandra gave birth to their son while he was away. The Imperial family continued to put pressure on her until she terminated the relationship with Alexey.  She was married off to Baron Christian-Henrich von Wohrmann and sent to live with him in Munich/Bavaria. Alexis never saw her again but did not abandon her and his son. He settled a large sum and a generous lifetime pension on Alexandra and made provisions for the future of the boy.

Grand Duke Alexander Alexandrovich with General Custer - the photo commemorates their "buffalo hunt."

Before her child was born, Alexandra had secured the title of Baroness Seggiano from the Republic of San Marino, with the right to pass it to her son. After Alexander II died and Alexey's elder brother was crowned Alexander III, Alexey's son was given the Russian nobiliary title of Count Belevsky and a coat of arms.

Grand Duke Alexis' son: Count Alexey Alexeevich Belevskiy-Zhukovskiy (1871–1931)

Count Alexey Alexeevich Belevskiy-Zhukovskiy (1871–1931), the Grand Duke's son followed a military career like all Romanov males. His first marriage (he married twice) took place in Ilinskoye Manor, the state of his uncle Grand Duke Sergei Alexandrovich, near Moscow. The Count acted as his uncle's aide-de-camp for many years. He was well-accepted in Imperial circles. There are several candid photos of Sergei and his wife Ella, where he can be identified (he looks more like his uncle Sergei than his father.) As far as we know, he never met his father (although I doubt that Grand Duke Sergei did not, at some point, arrange a meeting between his brother and his nephew.) Several of the Count's descendants live in New York City.

It is interesting to note that the major source of relentless opposition to Alexey's marriage to Alexandra and to the legitimization of his son was Emperor Alexander II, the same man who would have children with his much younger mistress, establishing a second family while his first wife was still alive, and who would bring that second family to live in the Winter Palace where his first wife resided and where she died. He married his second wife barely a month after Alexey's mother's death.

[otmaaromanovas]

Hi! Can you give us a huge insight of Tatiana Nikolaevna's personality? I would be interested in some rare quotes said by someone who met her! (cos she is my favorite royal like ever and I'm hopeless obsessed with her 😫)

Hello! Of course, here are some of my favourite rarer quotes about Tatiana - or from Tatiana herself - which I think give a great insight into her personality....

"Tatiana Nicolaievna had holly different… character. Less serious than her elder sister she was also more positive. In her could already be discerned a strong tendency to dominate to impose her authority coquette. She saw and noticed everything, and often made observations to her sisters, who because of it nicknamed her ‘the governess'… she took great care of her appearance and was it was said that she resembled her…”She's already a woman," said the Empress about her that year. She was the favourite in the family. She was very superstitious. One day she wrote to a graphologist, a fortune teller, to ask that she inform her about the destiny in store for her. By an intermediary, the other had sent to her a note couch in these terms: "A fatal destiny awaits you" Thereafter, the Grand Duchess never stopped bombarding her tutor, Petrov with questions such as "What does that mean? How am I to interpret this letter?"" - Alexander Spiridovich, Last Years as Tsarskoe Selo, volume 2

"It was Tatiana Nicholaievna who would call N.P. Sabline by telephone to transmit ‘Papa’s’ order to come with his friends to play tennis." - Alexander Spiridovich, Last Years as Tsarskoe Selo, volume 2

"As for poor Alexei Nikolaevich, he was as if rooted to the armchair the whole time [unwell]. It was touching to see his sister, Tatiana Nicholaievna, lavishing attention on him before the luncheon." - Alexander Spiridovich, Last Years as Tsarskoe Selo, volume 2

"In [Alexandra's] eyes, as well as in those of her sister, Tatiana Nicholalevna, all that was Russian was superior to all the rest. To try, even jokingly, to lower something Russian in favour of something foreign was to expose oneself to losing her sympathy forever." - Alexander Spiridovich, Last Years as Tsarskoe Selo, volume 2

"Russian was taught by Peter Vassilievitch Petrov, whom I had had myself as a teacher at the Pavlovskoe military school. Petrov was already an elderly man, very gentle, and very good hearted. He held the Tsar's children in affection and they, in turn, were attached to him as if to a kindly relative. Often, when they were alone with him, the Grand Duchesses used to play with him, shouting, laughing, pushing him, and generally hauling him about without mercy. It was Tatiana Nicholaievna, graceful and agile as a gazelle, who would always give the signal on these occasions and direct the games. She was, at that time, a very pale little girl. One day, Petrov asked Olga Nicholaievna to name a white object for him.

My blouse, replied the Grand Duchess.

And a black object?

My slate pencil.

And a green one?

My sister Tatiana.

That really was the tint of her complexion." - Alexander Spiridovich, Last Years as Tsarskoe Selo, volume 1

"[Alexandra] herself taught them sewing and needlework, her best pupil being Tatiana, who had an extraordinary talent for all kinds of handwork. She not only made beautiful blouses and other garments, embroideries and crochets, but she was able on occasions to arrange her mother’s long hair, and to dress her as well as a professional maid." - Anna Vyrubova, Memories of the Russian Court

"Suddenly [whilst watching a cinematograph] the bigger girl [in the movie] snatched a toy from the little one who, however, held on to it and refused to give it up. Foiled in her attempts, the elder seized a spoon and pounded the little one with it, who quickly relinquished the toy and began to cry. Tatiana wept to see the poor little one so ill-treated, but Olga was very quiet." - Margaretta Eagar, Six Years at the Russian Court

"One of the under-nurses was married last year. She had come to the palace straight from her school, at seventeen years of age, and was there for nearly seven years. She was naturally very much attached to the children, and when her last day came was in floods of tears all through the day, and the children were terribly distressed to see her in such grief. The little Grand Duchess Tatiana told her she could stay on if she liked, she knew we all loved her and would be sorry to part from her ; and then she came running to me to beg me not to send dear Tegla away. I answered that she might stay if she liked, but that she had promised to marry Vladislav ; it was her own wish, and I did not think she would like to break her word. The other girls gave a little party to celebrate her leaving us, and the young man was amongst the guests. When the girl heard that he had arrived her grief broke forth again. She realised that the time of parting had come, and the children cried most bitterly. Little Tatiana Nicolaivna took a sheet of paper and a pencil, and wrote with great difficulty a letter which I translate : " Vladislav, Be good with Tegla. Tatiana." She placed this letter in an envelope and printed in large letters on the envelope, Vladislav, and sent it to him by the housemaid. I went in later to speak to the man and wish him happiness. He pulled this letter out of his pocket, and with tears in his eyes begged me to thank the little Grand Duchess, and assure her that he would never forget to be good to Tegla. All the more, because it was Tatiana Nicolaivna' s wish. He always carries the letter about with him. She came to visit us several times after her marriage and was very happy. Whenever she writes she always sends a special message to Tatiana to say that Vladislav is very good to her, and the little one looks so pleased and says, " Well, I am glad."" - Margaretta Eagar, Six Years at the Russian Court

"After coffee, I went for a walk with my pupils… They really liked to go to the shops and buy everything. Anastasia Nikolaevna was especially attracted to stored, where they sold doll shoes of various sizes… Tatiana Nikolaevna did not always accompany since the doctors found her heart was weak and she went with the Empress to take baths." - Sofia Ivanovna Tyutcheva, A Few Years Before the Catastrophe

"Alexandra's 594th letter to Nicholas, Sept 19 1916: …I do so want to get quicker well again, have more work to do & all lies upon Tatiana’s shoulders." - Joseph T. Fuhrmann, Nicholas and Alexandra: The Wartime Correspondence

The following are from Correspondence of the Russian Grand Duchesses: Letters of the Daughters of the Last Tsar by George Hawkins:

Tatiana to tutor PVP - 10 July 1906 - "Dear Petr Vasilievich! …Why did you write that I was not good? You mustn’t do that, you must write that I was a very good girl. Your devoted Naughty girl, Tatiana." -

Tatiana to PVP November 6th 1909 "…On these few lines I had 10 errors… I am so ashamed when I think about it"

Pierre Gilliard to Tatiana 25 May 1916 - "...It seems that purple is his [Dmitri Pavlovich] favourite colour… Alexis Nikolaevitch says that it is also yours…"

Letter from Alexandra to her brother and sister-in-law: 2 September 1911 …[after Stolypin's assassination] Tatiana came home very tearful and is still a little shaken whereas Olga put on a brave face throughout." - The Correspondence Of The Empress Alexandra Of Russia With Ernst Ludwig And Eleonore, Grand Duke And Duchess Of Hesse

Note from Anastasia to Tatiana - "1913 Aug. 4. My sweet Tatiana, please find out all about us and let us know through Shura about tomorrow, will we take off our caps for breakfast? Your Anastasia. Don’t forget." - Anastasia Romanov: The Tsar's Youngest Daughter Speaks Through Her Writings

Letter from Pierre Gilliard to Anastasia, Spring 1916: "…I already wrote a long letter to Tatiana Nikolaevna yesterday, but I don’t think I shall send it, otherwise I would not dare to go back to Tsarskoe Selo, I would fear for my life." - Anastasia Romanov: The Tsar's Youngest Daughter Speaks Through Her Writings

"4 December. ...The general atmosphere that lords over [us] nowadays does not inspire peace. As soon as dressings end, Tatiana Nikolaevna goes to do the injection, then sits down with K [officer]. The latter is constantly restless, first sits by the piano, playing something with one finger, chats a lot and fervently with the charming child. Varvara Afanasiyvna is appalled, what if Naryshkina walks in on this scene, Madame Zizi, she would die. Shakh-Bagov has fever, is in bed. Olga Nikolaevna sits by his bed constantly. The other couple also moved there, yesterday [they] sat by the bed and looked at a photo album. K. is being so coy. Tatiana Nikolaevna's small dear child's face cannot hide a thing, [it looks] pink, excited, Isn't this closeness, the physical contact harmful[?]. I feel scared. The others are jealous, angry, and I imagine they spread all sorts of [rumours] throughout the city and later beyond." - From the memoirs of V. I. Chebotareva

"Today Tatiana Nikolaevna walked with me upstairs after dressings, to do Popov’s dressing. The poor child is terribly embarrassed; grabs my hand: “So awfully embarrassing and frightening… one never knows whom to acknowledge and whom not to.”" - From the memoirs of V. I. Chebotareva, Sister of Mercy

"To the right of me sits the Grand Duchess Tatiana. She's a grand princess from head to toe, so aristocratic and regal. Her face is pale matte, only the cheeks are slightly rosy, as if pink satin is trying to escape from just under her thin skin. Her profile is flawlessly beautiful, as if cut from marble by a great artist. The widely set eyes provide uniqueness and originality to her face [...] The nurse's Red Cross kerchief is more flattering to her than to her sisters. She laughs more rarely than her sisters. Her face sometimes has a focused and stern expression. In those moments she looks like her mother. On the pale outlines of her face are traces of deep thoughts and sometimes even sadness. Without any words I feel that she is special, different from her sisters, despite their common traits of kindness and friendliness. I feel hers - is a wholly secluded and unique world." - From the memoirs of Sophia Ofrosimova, Sister of Mercy

The following are all from Tatiana Romanov, Daughter of the Last Tsar: Diaries and Letters, 1913–1918:

"9th June. Tuesday. Today our Mary [Vishnyakova] left us, our nanny who was with us for 16 years. She left because it is time for Aleksei to be transferred into male hands so she will not have anything to do here anymore, so she left. I feel so sorry for her."

"28 February 1916. Tsarskoe Selo. Dear Mama, Would you not want to try to put this piece of fur to your cheek? Olga . . . gave it to me when I too was suffering from headaches. It is from the grave of the orthodox Semyon Verkhotursky. Try it, maybe it will help you. If not, then return it to me tomorrow. I hope that the Lord will help you, and all will be well with you. May God bless you. 1000 kisses from your very own daughter, Tatiana."

"6 April. On Wednesday, I will have my dreary Committee, and even the thought of it makes me sweat. I do not like these horrible committees."

"22 September. My meeting is on Wednesday at 2 o’clock in the Winter Palace in Petrograd. And that knave, Neydgart —he wanted me to read something at the beginning of the committee [meeting], but darling Mama said there was no need. To think, [he wished that] I would read such idiotic, stupid things in front of 14 people! Ah!"

"13 December. I have the great pleasure to go to the Petrograd Committee today. Oh! Not wanting to [go] at all."

"...the dear children worked until the 8th hour. Tatiana Nikolaevna cut her finger with a scalpel, quite a lot of blood flowed, and although the blade was clean, perhaps dust might have ended up in the wound. Melik-Adamov and Shakh-Bagov were sitting nearby. What poetic sympathy Tatiana Nikolaevna brings! How warmly she responded when called to the telephone and was read the telegram about his injury. What a good, pure, and deep girl she is! Youth is attracted to youth, and how her eyes sparkle! Awfully nice!" - Memoirs of V. I. Chebotareva

"Before they left we kissed each other good-bye, and we all had a dim feeling that this was a crucial moment. We had been marched away separately at every previous change from boat to train, but this seemed to be different. Tatiana Nicolaevna tried to take the matter lightly. "What is the use of all these leave-takings? We shall all rejoice in each other's company in half an hour's time!"" - Sophie Buxhoeveden, Left Behind

"I was presented to the Emperor and to two of the young Grand Duchesses, Olga and Tatiana. The latter, to my idea, was the prettier of the two; but both had the simplicity of manner that is the greatest charm in every person and especially in anyone who holds such a position as theirs. They were not blasé in the least, and their faces shone with pleasure and excitement... The eldest, Olga, was very intelligent and gay and had a heart of gold; but she was also rather timid, so that her sister Tatiana, who was much more sociable, was easier to get on with at first." - Olga Voronva, Upheaval

"The Grand Duchess Tatiana was as charming as her sister Olga, but in a different way. She has been described as proud, but I never knew anyone less so. With her, as with her mother, shyness and reserve were accounted as pride, but, once you knew her and had gained her affection, this reserve disappeared, and the real Tatiana became apparent. She was a poetical creature, always yearning for the ideal, and dream- ing of great friendships which might be hers. The Emperor loved her devotedly, they had much in common, and the sisters used to laugh, and say that, if a favour were required, ''Tatiana must ask Papa to grant it." She was very tall, and excessively thin, with a cameo-like profile, deep blue eyes, and dark chestnut hair... a lovely "Rose" maiden, fragile and pure as a flower." - Lili Dehn, The Real Tsaritsa

"The Tsarevitch was a lively, amusing boy, with a wonderful ear for music, and he played well on the balalika : like Tatiana he was shy, but, once he knew and liked anyone, this shyness vanished." - Lili Dehn, The Real Tsaritsa

"October 24 - Today, Tatyana Nikolaevna first came alone: "After all, I'm going here, as if to my second home," and, indeed, she was so sweet and comfortable. She ran with me to the kitchen, where we prepared bandages. The empress laughed and said that Tatyana, like a good house dog, got used to it." - Diaries of Vera Chebotaryova

"In her physical appearance and her serious and ardent nature, she most resembled her mother. "She was also the family's manager and organizer, and possessed, more than her sisters, a highly developed sense of her position as the daughter of the Tsar." Tatiana was very different from Olga in temperament and interests. She was more confident of herself and more reserved, with more perseverance and balance. Slender, with auburn hair and clear gray eyes, she was strikingly good-looking and enjoyed the attention her beauty commanded. As the Empress became more and more an invalid, Tatiana, eighteen months younger than Olga, took over much of the responsibility for the younger children and the household. Had her life run its natural course, she would have graced many a ball." - The private world of the last Tsar, in the photographs and notes of General Count Alexander Grabbe

"Her Imperial Highness is President of the Committee for helping War-ravaged Russia, and is fully explained on the opposite page by M. Czerniewski. She is no mere figurehead, but takes the deepest and most constant interest in this splendid work." - British newspaper article

"Of the persons left behind [at Tobolsk] Tatischeff was the senior; and of the remaining part of the imperial family, Tatiana was considered senior in the place of the Grand Duchess Olga." - Examination of Sidney Gibbes, The Last Days of the Romanovs

"The Grand Duchess Tatiana Nicholaevna was very thin. You could hardly imagine anybody as thin as she was. She was twenty-one years of age, was tall, darker than the rest of the family, and elegant. The colour of her eyes was dark grey. Her eyes made her look different from all of her sisters, who showed their souls through their eyes. She was reserved, haughty, and not open hearted, but she was the most positive. She was also religious, but the motive back of her religion was: "It is my duty,' while Olga Nicholaevna had it in her heart. She was always preoccupied and pensive and it was impossible to guess her thoughts. She played the piano and played it better than anyone else in the family. However, she had only a better technique and did not show feeling in her music. She painted and embroidered well. She was her mother's favourite and the one in whom, of all the daughters, she confided the most. If any favours were to be obtained they had to be gotten through Tatiana Nicholaevna." - Examination of Sidney Gibbes, The Last Days of the Romanovs

The Grand Duchess Tatiana was about twenty. She was quite different from her sisters. You recognised in her the same features that were in her mother — the same nature and the same character. You felt that she was the daughter of an emperor. She had no liking for art. Maybe it would have been better for her had she been a man. When the emperor and empress left Tobolsk nobody would ever have thought that the Grand Duchess Olga was the senior of the remaining members of the imperial family. If any questions arose it was always Tatiana who was appealed to. She was nearer to her mother than the other children; and it seemed that she loved her mother more than her father... All of them, including Tatiana, were nice, modest and innocent girls. There is no doubt they were cleaner in their thoughts than the majority of girls nowadays." - Examination of Commissar E. S. Kobylinsky, The Last Days of the Romanovs

"Tatiana looked like the czaritza. She had the same serious and haughty look as her mother. The other daughters : Olga, Maria and Anastasia,* had no haughtiness about them. One had the impression that they were modest and kind. I also can not describe the way they dressed, as I did not notice it." - Examination of Commissar Yakimov, The Last Days of the Romanovs

"Two other commissaries went to Tobolsk to remove the remainder of the family — Tatiana had been left in charge of the invalid and household. Olga, the eldest daughter, did not enjoy her mother's confidence in the same degree. She took far more interest in literature than in the practical affairs of life, and would hide herself in a comer with a book or tell stories to the soldiers, utterly forgetting domestic trifles. Anastasia, still a child, and rather backward, could be left in Tatiana's care." - Narrative of the editor, The Last Days of the Romanovs

Happy reading! I hope this helped :)