#trying to figure out a new render style

[tertain-the-original]

No idea what the rules are on tumblr anymore… but I’m really happy with this so, I decided to put a censor on her instead. EVERYONE I FREED HER TITTIES !!!

[spring-maidens]

12.12 - alles gute zum geburtstag, liebe ariane!

[tiniest-hands-in-all-the-land]

I just think Ronaldo looks neat in dresses, that's all, honest :)

[mumpsetc]

[sheebadukiiiii]

I DIDNT POST THIS HERE IM SO SORYR HAVE WOLFWOOD MWAH APPRECIATE MY GIRLFRIEND THANK U <3

+details bc i rlly liked the new things i tried with this one <3

[sixfaith]

cuteness aggression!!!!!!!!!!!

[tarobii]

have a blueberry!

[parisoonic]

tf2 characters are my dolls to figure out new techniques and rendering styles. trying something 'animated movie ish' and loosely spiderverse (concept art) inspired

[froggibus]

Sex Rocks! - AMAB! Venture

Pairing: AMAB! Sloan Cameron x fem! Reader (reader uses fem pronouns + has a pussy)

Genre: smut/NSFW

Word Count: 4.6k

Summary: Sloan is in for much more than they bargained for when they find a statue with magical properties—and you might be the only one who can help them out

CW: porn with plot, AMAB! Venture, sex pollen (but it’s a magical sex statue), dubcon, masturbation, showering, dirty thoughts (abt reader), slight voyeurism, blowjob, hair pulling, face fucking, cum swallowing, cock riding, mating press, multiple orgasms, protected AND unprotected sex, doggy style, multiple rounds, overstim, lots of cum, (think that's everything) use of the word shaft (im so sorry i hate this word but there’s only so many synonyms for dick)

yes the title is a pun ^.^ i meant to post this way earlier in the day but i got distracted and didn't end up finishing til tonight and it came out WAY LONGER than i thought. this is fr the longest smut ive ever written. anyway venture whores hope you all enjoy <3

It must’ve been Sloan’s lucky day. After barely an hour of searching, the glittering artifact they’d been looking for seemed to jump right out. Though the dusty gold colour blended in with the shimmering sand of the cavern, the three pink gems of the small statuette seemed to call to them. 

The figure was cold to the touch and buttery, barely bigger than the size of their hand. It was shaped like a beautiful curvy woman, with full breasts accentuated with the pink stones and a thick tummy—the likeness of some old, forgotten deity that Sloan could never remember the name of. 

They took out a soft piece of cut cloth and wrapped the statue before tucking it in their pack and beginning the short trek to the surface. Sloan buzzed the whole way up, that warm tingling washing over them. The kind they always felt when they found a new artifact, or when you laughed at one of their dumb jokes. 

As the surface came into view, the golden sunshine just beginning to dip below the horizon, the warmth grew stronger. It had been a hot day, and it seemed that though the sun was setting, the heat had not yet begun to dissipate. They took a long pause, letting themself rest on the rocks outside of the cave.

Wiping the sweat away from their forehead, they took a big drink from the canteen of water they’d brought along with them. It was a short trek, they weren’t usually this sweaty and parched from something so basic—but with the warmth of the day at its peak, they shrugged it off.

The car they’d taken was only just down the trail, maybe ten minutes away. With one last sip of their cold water, they tucked it into their pack and started the walk back. The sky was turning pink as they set off, but slowly turned to purple and then the rich black of night.

Despite the day’s end, the heat only grew more unbearable with the walk. Their thighs cramped as they made their way down the trail, their heart beginning to race. Whatever, they tried to ignore it and power through to the car.

Sweat coated Sloan’s forehead and chest by the time they made it to their vehicle. Their hair was slicked to the back of their neck, and the t-shirt they’d been wearing was rendered near see-thru. 

“Jeez,” they sighed, tugging off their t-shirt.

They tossed the sweaty fabric into their backseat along with their pack before sliding in the front seat to drive. They kept the AC on full blast the whole trip back home, though it did little to stop the boiling in their blood. 

Sloan was just pulling off the highway when a gasp forced its way out at the sudden tight feeling in their pants. They risked a glance down to their hard cock now straining against the thick fabric of their carharts. They shook it off, turning onto their street and trying to ignore the feeling of the bulge in their pants only growing with each minute.

It was almost painfully hard by the time they made it home. Sloan almost forgot their pack in the back of the car in their race to get inside and free their aching cock from the fabric that confined it. 

A sigh ghosted their lips when their cock sprung free from their boxers and they wrapped their sweaty palm around it. Their core was near sweltering, their cock throbbing in need. 

With a glance at the door to make sure it was locked behind them, Sloan spat in their hand and started to spread it across their aching cock. A shiver crawled its way up their spine, acting as a brief reprieve from the heat that threatened to consume them. They clamped a hand over their mouth and began to slide their hand up their length.

With barely a touch, they were already so sensitive. Pre cum dripped down the tip, pooling across their fingertips and mixing with the saliva already spread over their skin. They squeezed harder, dragging their hand up and down faster. Their muffled moans vibrated against the clammy skin of their palm, their eyes falling shut as their hand fell into a rhythm.

Thoughts of you filled their head. Thoughts of your smile, of your warm skin, of pinning you to the bed and using you however they pleased. Sloan gasped, opening their eyes as they came into their palm.

Fuck. Cum rolled across their fingers, down their still hard cock and collected into the hair at the base of their pubic bone. They smeared the remainder of the cum on their thighs, shaking off the aftershocks of their orgasm and deciding a cold shower would solve both the mess they made, and the throb between their legs.

With their clean hand, they dragged their backpack with them all the way to their bedroom, tossing it in the corner before grabbing a towel and heading into the bathroom. They didn’t wait for the water to warm before stripping and stepping beneath the brisk stream.

The cool water settled the burning beneath their skin—but only just barely. Much to Sloan’s dismay, it also did nothing to soothe the ache between their legs. It was almost embarrassing, having an unrelenting boner for no reason like they were in school again.

They sighed, squeezing some coconut scented body wash into their hand and slicking across their cock. They didn’t bother to change the water back to warm, instead opting to let the frigid stream drip down their back. The nice smelling soap felt much, much better than their own spit—but they could imagine a few things that would feel even better.

Like your pretty lips wrapped around their tip, those kind eyes of yours pleading at them to cum in your mouth and—Sloan moaned, fingers clenching around their hard length. Just the thought of you touching them, or them touching you, was enough to have Sloan gasping and furiously jerking their cock.

Drops of soap flew away from their palm with every stroke, splattering the tile of the shower in front of them. God, wouldn’t they love to do that to you. What they wouldn’t give to do that to you. To have you lay down in front of them, completely at their mercy while they fucked you relentlessly and left you covered in their cum.

Their cock twitched, and then they were cumming. Wave after wave of hot cum burst out, coating the tile in front of them before being washed away by the water. Hard, shaking breaths wracked their chest as their senses returned to them and they could once again feel the cool water against their tanned skin. 

As they looked at the cum mixing with the water down the drain, all they could think was ‘what a waste.’

It only took ten minutes after their shower for the tingling in their cock to become unbearable again. The heat had returned almost immediately—and with a vengeance—but they’d managed to ignore the tenderness between their legs for only ten minutes.

Sloan was glad they didn’t bother putting their clothes back on as they settled into their bed and grasped their shaft once more. Cumming once or twice a day was normal for them, but this was something else entirely. Something had to be wrong.

Sloan pushed away their fears and started once again stroking their dick, leftover water and precum acting as a lubricant for their hand to easily slide around. They closed their eyes, and let themself think of you once more. 

How their cum would look running down your thighs, or splattered on your back. How nice your hands would feel gripping their cock, how you’d just beg them to fuck you.

Sweat dripped down their chest, wetting their tummy and the dark hair at the base of their cock. How long had they been jerking off this time? They risked a teary eyed glance at the screen of their phone—had it really been almost twenty minutes since they laid down in bed?

Twenty minutes and they were no closer to coming, but their dick was growing uncomfortably hard. A sigh passed through their lips. Their hand wasn’t enough, they needed something more, something hotter. 

Their mind went to you, pleasure hazed thoughts wondering if they called you, would you come? Would you help them? Before they could think it through, their fingers were dancing across the screen. Just the sight of the tiny contact picture of you at the top of their screen had them squeezing tighter, thick drips of pre cum rolling down their tip.

Sloan lets themself fall back into bed, their mind dancing away to thoughts of you sinking down on their cock. They roll their head to the side, their eyes catching sight of the bag they’d carelessly tossed in the corner just before their shower. 

Could the statue have done this? There were myths surrounding it, sure, but this? The thought was preposterous a week ago. Now though, with their insatiable lust, the thought doesn’t seem so crazy to Sloan.

Shit. They shouldn’t drag you into this. If it really is the statue, they don’t want to expose you to this. They reach for their phone to ask you not to come, to send you away, but just as their palm reaches the cold metal, the front door clicks open.

“Sloan?” You call, peaking your head in the front door. As soon as you’d gotten their message, you’d left your house. You’re talking more to yourself than them at this point, tiptoeing through the dark of their home. “I used the spare key you gave me to get in…are you here?”

Sloan bit their lip at the sound of your voice, risking a glance to the bag that contained the statue. Maybe inviting you here wasn’t such a bad idea after all. 

“In here!” they call. Their voice is raspy, dripping with the need radiating from their core.

You follow the sound of their voice to the closed door of their bedroom, warm light leaking out from the cracks. It’s Sloan, and they don’t sound like they’re in danger, but something about their voice…

You push open the door. It takes two seconds for you to scan the room, two seconds for your eyes to fall on Sloan—sweaty, writhing and desperately jerking their cock in bed—and two seconds for you to turn away, covering your eyes.

“Shit,” you gasp. “I–I didn’t mean to walk in on you.”

But it’s strange. They called you here to help them, they knew you were going to come into their room—was this what they needed your help with? You couldn’t help but clench your legs at the thought, a heat rushing to your core.

Sloan’s voice cut through the darkness of your hand. “I-it’s okay,” they say. “You can look.”

You slowly peel your hand away from your eyes. Though they covered themself with a blanket, you could still see the glistening skin of their chest, and the up-down motion of their hand beneath the fabric. 

Sloan knows it’s shameless of them to keep stroking their cock while talking to you, while you’re right there watching—but they can’t stop. Now that you’re here in front of them, the pressure’s increased tenfold.

You squint. “What’s going on?”

“I found that statue.” They keep jerking off.

“And?”

“The rumors about it were true.”

“Fuck,” you curse. 

When they’d been telling you about the myths behind the statue, you’d both laughed it off, stealing wanton glances at each other as you did. They’d assured you it wasn’t possible, that there was no scientific reason a statue would bear unto its users an insatiable appetite for sex.

Seeing them now, though, all sweaty and desperate, has you thinking they were wrong. 

“Sloan,” you say calmly, stepping in the room and gently shutting the door behind you, “what can I do to help?”

They bite your lip, and it’s just now that you notice their eyes are almost completely black in lust. A shiver runs up your spine. 

They pull back the blanket. “Touch me,” they swallow. “Please.”

You glance at their thick, throbbing cock dripping in precum. It’s everything you’ve ever wanted, wrapped up in the worst possible way. It wouldn’t be right—they’re clearly not thinking straight. 

“I don’t think that’s a good idea.”

Sloan’s not sure whether it’s the statue, or their frustration, or some terrible combination of the two that prompts them to say, “oh don’t tell me you haven’t been wanting me to fuck you for months.”

Their brazenness sends another wave of heat to your core, your underwear suddenly feeling wetter than usual. “Sloan,” you say carefully.

“If you’re worried about consent,” they rasp. “I want it. All the time. For months, too. I think about it nonstop.”

Their words ease your nerves, and you find yourself approaching their bedside. Your eyes stayed glued to their cock and the hand furiously stroking it. “What do you think about?”

They watch you, dedicating each pump of their length to you. “I think about you while I fuck myself. I think about—about fucking you, and having you bounce on my cock and—god.”

You sink down on the bed next to them, wrapping your hand around the one rubbing their dick. “Let me.”

They slide their hand away, letting you take over. Already, your hand feels a million times better than theirs ever did, the ache in their core finally beginning to relent. They lay their head back, watching your hand glide across their sticky skin.

They suck in a breath. “Fuck,” they look at you through their lashes. “Use your mouth.”

You’re taken aback by their command. Their cock looks so inviting, dripping wet and throbbing in your palm. It’s bigger than anything you’ve ever had which only makes you want it more.

You look them in the eyes while you lick a bead of precum away from the tip. Sloan shivers, wrapping a hand in your hair and pulling you down. You gasp as you take their cock into your mouth, wrapping your lips around it. It’s salty, a mix of sweat and precum, with a strange undertone of coconut—but it’s just how you imagined it.

Your jaw strains to take them into your mouth, their tip hitting the back of your throat after only a few seconds. You gag slightly, but Sloan only pushes your hand down further, groaning at the warmth of your mouth. This was exactly what they needed.

As soon as you start to see black spots, they pull you off. A strand of drool connects your lips to their length, dripping and coating your chin. They hum at the sight of you, so filthy already.

“Do you like how it tastes?”

You’re so flustered, so bewildered by the situation that you can only nod, clenching the base of their cock. You put your lips back on their tip and eagerly slide down for more. Their calloused fingers still tug at your hair, using the strands like reins to push and pull you how they see fit.

Sloan watches you intently the whole time, admiring the spit that coats your mouth and the way your throat bulges when they pull you a certain way. They’ve dreamt about fucking you for months now, but none of their wildest dreams could ever compare to this.

Despite the way your eyes water, Sloan pulls you down further. You look so fucking cute choking on their thick cock—they can’t help it. When you finally slap a hand against their thigh, they let go of your head and watch you gasp for air.

“Get on your knees,” they command.

You can only nod, not trusting your voice with the way your throat burns. The dominance in them only makes you wetter, a noticeable throbbing rushing through your clit. You’re all too eager to settle on your knees at their bedside.

They cup your chin, swiping their thumb across your lips to smear your drool and their pre across them. “So cute,” they murmur.

You lean back in to take their cock once more, but they tsk at you. Just as you tilt your head in confusion, you watch as Sloan grips their cock and rubs the messy, wet tip across your mouth. They smear it all across your face, making a mess all over your cheeks and nose.

A whine slips from your lips before you can stop it, but Sloan only laughs at it and finally lets their cock slap against your mouth. You open wide and take them once more, rolling your tongue over their length.

“So eager,” they tease, their fingers resuming their position in your hair, “if I’d known you’d be such a slut for me, I would’ve fucked you months ago.”

Sloan watches the shame glimmer in your eyes, followed by pure pleasure, and doesn’t miss the way you rock your hips against the floor. 

It only takes a few minutes of you on your knees before they’re coming, pushing your head down so you have no choice but to swallow their cum. Your eyes shoot wide as the hot cum spills in your mouth, pulling back from their cock and opening your mouth so they can see it.

“Good girl,” they purr. “Now swallow.”

You nod and obey without a second thought, licking their cock a few more times after to clean up the excess. “Sloan,” you say quietly, your voice raspy from the way they just fucked your throat.

“Hm?”

“Do you have condoms?”

They tap the nightstand that you’re sitting next to. “You wanna fuck me?”

You pass them the condom, eagerly waiting as they lay back in bed and roll it over their cock. Though they’re slow to put it on, you don’t miss the way their hands shake in anticipation.

Sloan watches you the whole time as you strip, discarding your clothes as quickly as you can. You climb onto the bed and straddle their waist, a knee on either side of their hips. Their hands clench your waist tightly, fingertips digging in hard enough to bruise. 

Usually Sloan would be happy to let you adjust, but with the warmth of your pussy right there, they can’t wait any longer. Using your hips as leverage, they thrust up into you, the tip of their cock bottoming out against your cervix.

You cry out, burying your head against their sticky chest. “Sloan,” you whine.

“Sorry,” they pant, but continue thrusting into you.

You relax into them, slamming your hips into theirs to meet their rhythm. It’s painful at first, both the stretch of their cock and how deep it reaches—but it’s amazing, too.

Sloan barely thinks as they pound in and out of you, using your own body weight as leverage to get their cock deeper and deeper with each thrust. Your whines are like music to their ears, complemented by the rhythm of matching groans they loose every time their cock brushes your cervix.

You cum so hard you swear you go blind for a second. Everything is hot, your vision goes white, and all you can focus on is the way your cunt is gushing around their cock, juices coating their thighs. You go limp on their chest for a minute, letting them fuck you like a toy while you recover.

Sloan’s own orgasm isn’t far behind, their cock twitching as they spill into the condom—though they’d much rather spill into you. They almost draw blood with how tightly their nails dig into your sides, and the only word they seem to remember is your name.

Even though they’re unbearably hot and their cock is so sensitive it hurts, they still need more. 

“Can I keep going? Tell me I can keep going.”

You’re exhausted from the brutal pace they’ve set, but their cock fills you so well and they sound so desperate, you have no choice but to say yes. Upon your agreement, Sloan is flipping you onto the mattress beneath them and bending your legs to your chest. 

They can get deeper like this, and Sloan knows it too. They start their pace off slower this time, trying to give you time to recover before their own need takes over. They hold your hands, pinning them above your head while they fuck you.

Their eyes lock with yours as they increase the pace, the tip of their cock hitting that spot inside of you perfectly every time. There are tears in your eyes from the pleasure, but it only makes them harder. 

“Too deep,” you whine, squeezing their hands with as much strength as you can muster.

“You don’t love having me fill you up?” They mumble into your ear, “if I can’t stuff you with my cum, I’ll fill you with my cock.”

You gasp and squeeze your eyes shut, their dirty words sending you over the edge. You try to clench your knees together but Sloan’s body is in the way. They fuck you through your orgasm, squeezing your hands back with every bit of pressure you squeeze theirs with.

“That’s it,” though their words are soft, they punctuate each one with a thrust, “cum on my cock.”

They slide their hands down your body, resting on your hips once more. Their thrusts start to get sloppy, and you know they can’t last much longer like this. You reach up, desperate for something—anything—to ground yourself, your fingers coming in contact with their hair.

Sloan whines and cums in one sloppy motion, resting their head on your neck while they lazily thrust through their high. Soft groans and whines vibrate against your collarbone.

It takes a minute for them to collect their strength again, pulling their cock out of you. You look at them through tear blurred vision, eyes widening at the cum soaked condom dripping into the wild tangle of hair at the base of their length. There’s a ring of white around their cock from it all, and the only thought crossing your mind is how badly you want to lick it off.

Sloan can’t decide whether to admire the sheer amount of cum filling the condom, or be disappointed that they weren’t able to fuck it into you instead. They pull it off of their cock and toss it onto the floor—it’ll be a pain to clean later, but they don’t care. They reach into their nightstand for another one, but your hand wraps around their wrist first.

“You’re still hard?”

As if in reply, their cock twitches against your leg. Though the searing heat has finally begun to fade, the pure need coursing through their veins has not.

“You’re done already?” They counter.

“N-no,” you say quickly, though your pussy feels unbearably sensitive in the cold room. “But you don’t need to use that.”

They look down at the purple wrapper in their hand, then back up at you. Their eyes practically glitter in anticipation. “Raw?”

You nod shyly, reaching out your arms to beckon them back to you. You’ll never be able to match their insatiable pace—you know that—but you told them you’d help, even if it means letting them use you like a fleshlight.

They plant a kiss to the base of your throat, a devilish twinkle in the dark of their eyes. “Roll onto your knees.”

With their help, you roll onto your stomach and pull your knees up, arching your back to give them access to your dripping cunt. Too tired to keep your chest up, you rest your cheek against the single pillow in their bed and let yourself relax.

Sloan’s hands retrace the marks they left on your lips earlier, positioning you perfectly to line up with their cock. They land a harsh slap to your cunt with the head of their cock and slip it in all at once, relishing in the gasp that leaves your lips.

They rock their hips into yours, reaching up to tangle a hand in your hair. With one hand gripping your hips and another in your hair, they piston into you. You bite your lip to try and cover the onslaught of moans they fuck out of you and pray that Sloan doesn’t have neighbors—although at this point, they’ve probably heard enough.

“Feels even better raw,” they groan, balls slapping against your clit with a particularly brutal thrust. “S’like it was made for me.”

The burning in the pit of your stomach grows at their dirty words, your pussy utterly gushing around their length. Without the condom, you can feel the desperate throbbing of their cock, feel every twitch of their tip when they bottom out inside of you. They reach everywhere inside you, rubbing places you didn’t even know you had.

Waves of pleasure roll over you, each more intense after the last. Your pussy flutters around Sloan’s cock, but their pace doesn’t slow. They keep slamming into you, lewd slapping noises loud enough to cover your desperate moans. They tug your hair hard, pulling you closer, and roll their hips against yours.

Their cockhead brushes your cervix and your eyes roll back in the sharp pleasure that travels through your pussy. Drool leaks from the side of your mouth and your moans transform from fully formed words to stupid sounding babbles.

Sloan releases your hair from their grip and moves their hand to massage your ass. “Sounds so cute when you whine,” they coo breathily.

Your senses all come flooding back to you when you feel the first spurt of their hot cum inside of you. Your tummy flutters with butterflies, your pussy contracts, and you cum with them. Both of you writhe in bed against each other, Sloan’s desperate, near primal pants like music to your ears.

“Fuck,” you groan as you collapse into the bed.

They keep their cock inside of you, shallowly thrusting their cum back in. “Please don’t stop,” they whine. “Please, I-I need more. Please.”

Your whole body burns, your pussy is so sensitive you’re not sure you’d even be able to cum again. “Sloan,” you sigh, looking back at them. 

“Please. Please let me keep using you. Please. You don’t even have to do anything but please let me use this pussy,” they pinch your clit in emphasis. “Please.”

“Well, with begging like that,” you joke.

Sloan wastes no time slamming their cock back inside of you, and though you can hardly feel the harsh slapping motion, you can tell their pace has slowed. You lay there, sweaty and hot and with their cum dripping out and being fucked back in.

Sloan murmurs praises to you while they thrust, their mind half gone from how fucking horny they are. They can see cum dripping down your pussy, down your thighs and it’s so filthy and it’s so hot and all they want is more. They pound into you, chasing that final high they may or may not get, desperately gripping your sensitive skin until there’s marks.

Finally, they cum again, their hot cum gushing until you’re so full it starts to burst from the seams between your pussy and their cock. Sloan watches it leak out in a trance, as if in disbelief that not only did they fuck you, they also just fucked you raw.

The heat has completely faded from their body, and as they pull out from your cunt and watch the cum drip, their cock finally starts to soften. “Are you okay?”

You manage a weak thumbs up from where you lay in the bed.

Just as they go to put on their pants, their cock twitches again, and the heat comes rushing back. Sloan sighs, looking at you guiltily, “think you can do a round 2?”

overwatch masterlist | masterlist

(if you enjoy content like this, interactions go a long way! comments, likes & rbs are always greatly appreciated ^-^ !!)

[blauri-doodles]

“Being a pirate has been my dream for as long as I can remember!!”

I was rewatching the live action and once again felt that this was a true Luffy moment and an accurate crew reaction. Thought it would be fun to illustrate the scene as if it was a page in the manga so here it is!! Original sketch below the cut c:

I was also trying a new brush for lineart and a new rendering style for the final illustration buuuut I don’t usually do digital art and I didn’t feel like they helped me to work faster 💀

And I’m still figuring out how I want to draw everyone in “my style”, I feel like I’m only okay with how Luffy turns out and keep changing everyone else lol

[kozachenko]

[Click for better quality]

Ok yay I'm back from my vacation yipeeeeeee. I started this drawing of Keiki before I left and I was half considering just giving up on it.... until I did a short study of facial planes and then got motivated to work on this again! I'm glad I didn't give up on it though, as I'm actually really happy with this one!

Artist's Notes;

So as I mentioned in my last post about Touhou 17, I wanted to finish this by the game's five year anniversary but with how progress was going I didn't want to rush this so I decided to take a long break from it. Mainly because of the face. For a while now I was kind of feeling like I was stagnating with my drawings, not really in the clothing but in the bodies. There was something about the way I was rendering them that I just wasn't happy with, and after talking with someone else about this issue, I realized that the reason I felt this way was because the faces were too flat and didn't match the rest of the drawing and that I needed to find a way to make the rendering of the face feel consistent with everything else. So after doing a short study of the plains of the face (I used this 3D head model from art station as a reference for my short study, please go give this person some love as they are a lifesaver) I went back into this drawing and applied what I learned here. It was only after that that I finally became motivated to finish the piece, and while it started off as just a simple character sketch like Saki and Yachie's were, the moment I added in Keiki's little fire dragon I knew I had gotten in too deep and now here we are with a full on background. OK it's not super crazy or anything, but it gets the job done and it's better than there just being an empty void behind her. It's rare moments like this when I use brushes other than the Clip Studio Default Charcoal Brush and use the Clip Studio Default Paint Brushes as well (god bless the oil paint and dry gouache clip studio brushes, they were amazing). I don't know why but painting fire has always been really fun for me, there's something oddly satisfying about it y'know? I do think that another reason for this problem was because I was drawing faces like I would in my more sketchy style that didn't mesh well with my lineless style, so I'm glad I've started remedying that.

After adding in the fire dragon I had an idea to kinda make it feel like splash art in the way the composition works... probably because I have been playing Reverse 1999 again and it has taken over my brain. I do feel like Keiki's tools get a little lost in the composition, and I didn't fully render the metal parts of them mainly because I didn't feel like they needed it, but that's just something for me to improve on later down the line.

If you guys are wondering where I went for my vacation, I went to New York and got to go to the MET and the Museum of Natural History. In both places I found Kofun period stuff and I was so happy to see it you have no idea. I remember one of the Haniwa I saw had some neat face paint under the eyes that I tried to replicate with the makeup under Keiki's eyes in my drawing, though I think I'll gave to figure out how to draw makeup on characters because this reads more like blush to me than anything. While drawing this I also looked up some references of Kofun period jewelry and really liked the stuff I found, which also meant that now she has proper Kofun earrings instead of earrings shaped like Kofun tombs. I put some of the things I referenced with a closeup of Keiki's face as well down below. I made her outfit more reminiscent of the outfit I gave her at the beginning of the year with the buttons and all, though I do want to try and draw her in some more period accurate clothing like the Haniwa I took a picture of at the Museum of Natural History. I wish I could find a way to make her handercheif look better though as I wish I made it a little bit bigger, though I think I'm saying this because I've looked at this drawing for too long lmao. Once again something to work on for when I next draw her. Also want to get better at rendering hair, as some details (like the little strands in front of her ears) kinda got unreadable due to the similarities in colour lol.

Now you may have also noticed the little cracks I added onto Keiki's face, and that's because I have fallen in love with the idea of Keiki's body being made from ceramic and that she crafted her body herself. While they aren't very visible I also tried to add some doll joints to her body, which is an idea I played around with in the past but never went to far with. I also want to get better at rendering cracks in ceramic, porcelain, etc, as I'm not sure how those read in the drawing. I also have a headcanon where the cracks in Keiki's face show up because of heightened emotions, and while Keiki is aware of this and does her best to make sure her face doesn't break off.... she will still end up with at least a few cracks during any given day, and she can often forget to repair her own body quite frequently so Mayumi has to remind her quite a lot. Mayumi even taught herself some basic sculpting techniques to help repair parts of her body that are so badly damaged to the point where Keiki can't repair them herself, i.e. if both her arms broke off, Mayumi would put them back together for her so Keiki can at least have something to repair herself with rather than nothing. I also like to imagine that if Keiki created her own body, if you took a look at Keiki from the beginning of her life she would look completely different compared to now.

BTW If you guys are wondering what a very very angry Keiki looks like....ok in order for this to make sense have any of you read volume 11 of Land of The Lustrous? Am I bringing back some memories for those of you that have? Ok good, glad we all got that mental image brewing in our minds, I'll probably draw a version of Keiki that is somewhat inspired by that one day as it's an idea I've had for a little while now. And to those who haven't gotten to that volume yet and are confused.... don't worry about it, just keep reading :)

[epiicaricacy-arts]

oh we’re still so young, desperate for attention

this was super experimental so i will talk about my process (+ clearer version) under the cut

i’ve been looking at a lot of “messier” or more textured painting styles recently and an artist that stuck out to me is clariondeluna ! they posted a self-portrait recently that i really liked and i was super interested in the brushwork seen in their work. i love all the textures and how the shapes feel so loose yet everything is so detailed.

that’s not a method for me at all!!!! i cannot paint like that at all and the stuff i like to paint is very different to theirs. which is okay!!!! i had no intention to copy this artists style so closely like with what i tried to do in my raiden painting, i just wanted to try this style out :^)

it’s been a goal of mine to avoid over-rendering like i tend to do a lot, and i think i’ve been doing good with that recently! the mindset i’ve got going on right now is that if i find myself staring at it too hard for too long, i have to leave it and move on. if there’s still something wrong with it, i can fix it later once ive got a fresh view!

i’ve been trying a lot of things with my art this year. i always try to challenge myself with each piece, and to end the year off i wanted to be as uncomfortable as i possibly could be with this painting. i let myself draw whatever i wanted because i still wanted to enjoy it, but everything i did in this process was new, including parts of the subject matter.

i’ve never drawn a head at an angle like this, and i struggle with drawing mouths open. i don’t do bold lighting like this, and if i do, it’s not fire. i’ve never drawn fire! i also rarely work with warm colours and i hate using green, so i combined those to be my colour palette. i like working cleanly so instead of having a dozen different layers for one section, each section only had 1-2 layers for rendering. instead of clipping masks i would simply paint over things loosely and clean it up later. i never like having limbs cut off in a drawing so i had his other arm go GOD knows where. i don’t like weird patterned backgrounds so i made myself figure out how to like it!

IS THIS MY FAVOURITE PIECE OF ALL TIME. no. absolutely not. but i’m very proud of how this came out with all the challenges i put on myself. i WANTED to get better at these things and be more broad with my art, both in terms of the styles and subjects i portray.

okay let’s talk about wtf this drawing is

for those who don’t know, the design in this painting is my fatui/“Father” lyney fan design (read the design post here). the concept isnt super complicated and i don’t really have much explanation for it, but i wanted to combine the story of how lyney wanted a delusion before getting his vision, fire eating circus acts and how olympic medalists will bite their medal to prove it’s real??? don’t quote me on that i’m like 75% sure that’s a thing that happens. i don’t watch sports though so im just believing someone i heard on the internet ages ago.

anyways. i think fire eating acts are cool. and i think the fact that lyney wanted a delusion is very interesting to me. scratches my brain in the right places. and yk as a magician lyneys character revolves a lot around fooling people and creating illusions so i guess what im saying here is that lyney is trying to prove to himself that this power he’s been bestowed is real. bc his whole life his only constant has been lynette so he is trying to see if he can trust this new power. cause i guess this is an alternate universe where lyney does eventually become “Father” but he never got his vision ??? idk im not making lore for this i just wanted to dress up this funny little guy.

ok i’m done

thanks for reading

here’s my dog

[oviraptoridae]

research & development is ongoing

since using jukebox for sampling material on albedo, i've been increasingly interested in ethically using ai as a tool to incorporate more into my own artwork. recently i've been experimenting with "commoncanvas", a stable diffusion model trained entirely on works in the creative commons. though i do not believe legality and ethics are equivalent, this provides me peace of mind that all of the training data was used consensually through the terms of the creative commons license. here's the paper on it for those who are curious! shoutout to @reachartwork for the inspiration & her informative posts about her process!

part 1: overview

i usually post finished works, so today i want to go more in depth & document the process of experimentation with a new medium. this is going to be a long and image-heavy post, most of it will be under the cut & i'll do my best to keep all the image descriptions concise.

for a point of reference, here is a digital collage i made a few weeks ago for the album i just released (shameless self promo), using photos from wikimedia commons and a render of a 3d model i made in blender:

and here are two images i made with the help of common canvas (though i did a lot of editing and post-processing, more on that process in a future post):

more about my process & findings under the cut, so this post doesn't get too long:

quick note for my setup: i am running this model locally on my own machine (rtx 3060, ubuntu 23.10), using the automatic1111 web ui. if you are on the same version of ubuntu as i am, note that you will probably have to build python 3.10.6 yourself (and be sure to use 'make altinstall' instead of 'make install' and change the line in the webui to use 'python3.10' instead of 'python3'. just mentioning this here because nobody else i could find had this exact problem and i had to figure it out myself)

part 2: initial exploration

all the images i'll be showing here are the raw outputs of the prompts given, with no retouching/regenerating/etc.

so: commoncanvas has 2 different types of models, the "C" and "NC" models, trained on their database of works under the CC Commercial and Non-Commercial licenses, respectively (i think the NC dataset also includes the commercial license works, but i may be wrong). the NC model is larger, but both have their unique strengths:

"a cat on the computer", "C" model

"a cat on the computer", "NC" model

they both take the same amount of time to generate (17 seconds for four 512x512 images on my 3060). if you're really looking for that early ai jank, go for the commercial model. one thing i really like about commoncanvas is that it's really good at reproducing the styles of photography i find most artistically compelling: photos taken by scientists and amateurs. (the following images will be described in the captions to avoid redundancy):

"grainy deep-sea rover photo of an octopus", "NC" model. note the motion blur on the marine snow, greenish lighting and harsh shadows here, like you see in photos taken by those rover submarines that scientists use to take photos of deep sea creatures (and less like ocean photography done for purely artistic reasons, which usually has better lighting and looks cleaner). the anatomy sucks, but the lighting and environment is perfect.

"beige computer on messy desk", "NC" model. the reflection of the flash on the screen, the reddish-brown wood, and the awkward angle and framing are all reminiscent of a photo taken by a forum user with a cheap digital camera in 2007.

so the noncommercial model is great for vernacular and scientific photography. what's the commercial model good for?

"blue dragon sitting on a stone by a river", "C" model. it's good for bad CGI dragons. whenever i request dragons of the commercial model, i either get things that look like photographs of toys/statues, or i get gamecube type CGI, and i love it.

here are two little green freaks i got while trying to refine a prompt to generate my fursona. (i never succeeded, and i forget the exact prompt i used). these look like spore creations and the background looks like a bryce render. i really don't know why there's so much bad cgi in the datasets and why the model loves going for cgi specifically for dragons, but it got me thinking...

"hollow tree in a magical forest, video game screenshot", "C" model

"knights in a dungeon, video game screenshot", "C" model

i love the dreamlike video game environments and strange CGI characters it produces-- it hits that specific era of video games that i grew up with super well.

part 3: use cases

if you've seen any of the visual art i've done to accompany my music projects, you know that i love making digital collages of surreal landscapes:

(this post is getting image heavy so i'll wrap up soon)

i'm interested in using this technology more, not as a replacement for my digital collage art, but along with it as just another tool in my toolbox. and of course...

... this isn't out of lack of skill to imagine or draw scifi/fantasy landscapes.

thank you for reading such a long post! i hope you got something out of this post; i think it's a good look into the "experimentation phase" of getting into a new medium. i'm not going into my post-processing / GIMP stuff in this post because it's already so long, but let me know if you want another post going into that!

good-faith discussion and questions are encouraged but i will disable comments if you don't behave yourselves. be kind to each other and keep it P.L.U.R.

[velidewrites]

That one Calvin Klein ad but make it Lucien Vanserra

I got some new rendering brushes today and I’m really enjoying trying them out! Figuring out my art style is such a journey but I kind of like where this is going so far ☀️

[ikroah]

I pushed my soul in a deep dark hole, and then I followed it in, I watched myself crawling out as I was a-crawling in. I got up so tight, I couldn't unwind, I saw so much, I broke my mind… —“Just Dropped In (to See What Condition My Condition Was In),” The First Edition (1968)

It Keeps Right On A-Hurtin’ #28 - Ring-a-Ding-Ding VII

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Read IKROAH on Archive of Our Own

Notes / Original Pencils / Transcript:

Notes

Do you have any idea how long I've wanted to type those words? "End of Volume 2?" We have been on Volume 2 for just over three years. Obviously it's unfair to compare it to the breakneck pace of Volume 1, because... I got burned out (I got better), I got divorced (I got better), and most importantly, I've spent all three of these years overhauling my approach to art, which is to say, I got better. My canvas size doubled because my initial naive approach of "smaller pages means less art, which means faster art" was holding me back: I wanted more art, and the subjects of too many panels had gotten flubbed due to what was basically a pathetically low rendering distance. I revamped my approach to coloring entirely, leaning into a vibrant, saturated, and faux-comic halftone style that I vastly prefer to my more grounded, gradient-driven work beforehand. I changed IKROAH's font (Unmasked!), I changed Agnes's appearance slightly (she's far less gaunt, which was an early design choice I've thrown away, plus I think I'm much better at drawing her consistently now), and so much more. Comics are a time-consuming artform and while a lot of what made this volume take so long was out of my control, and well worth not pushing myself through, the total reinvention of how I actually make comics was the single best thing to come out of Volume 2.

It's a lot of lessons and groundwork that I'm very eager to take into Volume 3, which I have spent every single one of these years viciously impatient for. Now, it's finally here. See you at the cover reveal.

Original Pencils

Something that I have been working a lot harder on with my art lately is inking: actual inking, not merely "outlining" and figuring out the rest by the seat of my pants digitally. I've come to realize that the fewer steps of my production process that I try to do digitally, the more fun it is to make art as a whole, and inking was something that I was very intimidated by for the longest time. What happens if I mess up! It's permanent marker, after all! But after all the practice that I've done, I'm really happy with how bold and confident the shadows are on this issue, and they're perfect for how moody and dramatically lit the whole thing is. You can compare the pencils to the inks to the final products and really see how I planned out the overall composition.

Transcript

INT. LUCKY 38 PRESIDENTIAL SUITE, VERY LATE AT NIGHT. The lights are all off in this luxurious, distinctly pre-war abode. It is almost empty.

RADIO: Welcome back to the program, folks. This is Mr. New Vegas—and I hope I'm not coming on too strong. We've got some news for you, coming right up.

The only real light in the suite comes from the glowing screen of the Securitron VICTOR, standing in front of the private elevator.

RADIO: Tops Hotel owner Benny has been killed by an unidentified assailant. According to his fellow Chairmen, shots were heard in his private suite, and his body was found inside. They are urging all visitors to please keep an eye out for suspicious individuals and behavior on the New Vegas Strip. The new head of the Chairmen, Benny's former right-hand man Swank, consoled mourners: "If I know my pal Benny, he's swinging with the Big Cat Upstairs as we speak. Or he's chasing some angel broad with cans as big as her halo!"

RADIO: In other news—

In a guest bedroom off to the side, ROSE OF SHARON CASSIDY is sound asleep. Her belongings are neatly folded on the dresser, except for the cocktail dress that she was wearing, which has been thrown onto the ground.

RADIO: —refugees at Bitter Springs are giving startling accounts of the legate known as Lanius, who is said to be Caesar's top field commander. One refugee told us the legate took over an underperforming squad of troops by beating its commander to death in full viw of everyone. The legate then ordered a tenth of his own force be killed by the other nine tenths. And you thought your boss was a pain!

RADIO: You know, I think all news, whether it's good or bad, brings us closer together. Don't you?

Directly across from the elevator, across from VICTOR, are the shut doors to the master bedroom.

RADIO: These headlines, brought to you by Vault 21...Vault 21! Everything is better when you experience it...in a vault.

Inside the master bedroom, AGNES SANDS sits on the edge of the bed, wide awake. The RADIO plays from her PIP-BOY, which provides a slight amount of light in the dark room.

RADIO: Gonna play a song for you right now—it's about that special someone, that you can only find once...in a "Blue Moon."

"Blue Moon" begins to play from the radio. AGNES's head remains lowered in rumination.

Suddenly, the radio broadcast cuts out.

SFX: KZZRRRSSHHTTZ

RADIO: Has your life taken a turn?

A NEW VOICE speaks on the radio. It's dreamy, seductive.

RADIO: Do troubles beset you? Has fortune left you behind?

AGNES remains in thought.

But then: she lifts her head.

And she looks over at the radio.

RADIO: If so, then the Sierra Madre Casino,

The PIP-BOY displays: 11.09.81, 4:13. <<Signal Unknown>>

RADIO: in all its glory, invites you

AGNES listens.

RADIO: to begin again.

AGNES is now somewhere else.

EXT. MOJAVE DESERT. At sunrise, AGNES SANDS is perched atop a ridge somewhere in the desert. Her overcoat billows behind her, and her shoulder-mounted flashlight beams straight ahead. She looks manic. In one hand, she clutches her duffel bag, full of every belonging she has. Her other hand is wearing her PIP-BOY, and the radio broadcast continues:

RADIO: Come to a place where wealth, excitement, and intrigue await around every corner. Stroll along the winding streets of our beautiful resort. Make new friends...or rekindle old flames. Let your eyes take in the luxurious expanse of the open desert, under clear starlit skies. Gaze straight on into the sunset from our scenic Villa rooftops. Countless diversions await. Gamble in our casino, take in the theater, or stay in one of our exclusive executive suites that will shelter you...and cater to your every whim.

Below the ridge is a pile-up of wrecked shipping containers. One of them opens up toward the surface like a gaping throat of metal. It leads somewhere, deeper into the earth.

RADIO: So if life's worries have weighed you down—if you need an escape from your troubles—or if you just need an opportunity to begin again—

The source of the broadcast signal is coming from INSIDE.

RADIO: —then join us.

AGNES descends into the container, revealing a makeshift staircase of sheet metal that leads into darkness.

RADIO: Join us, let go, and leave the world behind...

The signal from inside the tunnel is now audible. It overlaps with AGNES's PIP-BOY...

RADIO: Join us, let go, and leave the world behind...

Until she sees it.

RADIO: ...at the Sierra Madre Grand Opening.

A pre-war, art deco type radio, sitting on a metal pedestal. It speaks to her.

RADIO: ...at the Sierra Madre Grand Opening.

AGNES stares at the radio, bewildered.

She barely notices the HULKING FIGURE about to grab her from behind.

RADIO: We'll be waiting.

END OF VOLUME 2

[ohno-the-sun]

Oh uh forgot to ask in the previous ask (the one with the digital piece of candy and scurrying and stuff)

How do you draw art so good

Like

Is there a method you use or is that just the style you've gotten over time?

you've activated my trap card

I'm just gonna preface that this tutorial is from someone who was not professionally trained and didn't have a lot of free time for art, so a lot of the tips I have is short cuts I use to get the best results quickly

If you genuinely want to get better at art then please look at references and practice that is always the best

However if you are like me and only really do art for fun but want to go faster then these are for you pfppt

Overall I'd say my style is influenced by speedpaints I would watch when I was younger, I like analyzing how people do things and what makes something look "good" to me

I always recommend watching them because they will often have techniques you've never seen before or do things a certain way that you can try out yourself

I consume good art, it feeds me

but seriously it can be super helpful when developing your own methodology, or just generally trying something new

Usually it starts with me pulling some references from artists I really admire and sort of sketching out how they do the things I like

For example 8um8le has like super good anatomy and poses so I focused on trying to replicate how they do that

venemous-qwille is super good at color and pulling focus so that's what I focused on in my study of them

In general I'd say my process is sketch -> silhouette -> color -> shading -> render

I really don't like doing lineart lol

I'd say for the sketch the most important part is using references and just kind of fudging it until it looks correct anatomically/physically

General rule of thumb is spend time on areas of interest, and keep non important areas light (like the stitching on his pants)

I don't do lineart because I think its unnecessary for most paintings I do

I naturally tend to put more time and focus on areas of interest (like hands and feet) and if you use a brush with opacity for the sketch, those areas are naturally going to be darker in the final sketch

Of course this is gonna be different for everyone but it's what works for me

Sometimes I do a really really sketchy layer underneath my sketch/lineart, just so I know where everything is going

Use thumbnails! They are great to help figure out the general layout of things and what pose I wanna do

Next is what I call the "silhouette" layer

This is super important for me cause it helps me refine the figure and make sure the pose/anatomy looks correct, also depending on what color I choose for the silhouette helps guide what colors I'm going to use on top

This piece is a good example of how it works. The silhouette shows me how the figure interacts with the background, how the pose looks and if its any good

The silhouette layer doesn't have to be super clean, as long as it follows the sketch decently well and shows where the figure is then its fine

I also sometimes make the silhouette layer multiple colors to help guide shading and vibe

Next is the coloring layer. I usually make this a clipping layer on top of the silhouette layer, or I change the silhouette layer to alpha lock, either way it saves me time on coloring everything in

Sometimes I am super rough with the coloring too, using like an airbrush or my fav watercolor brush just to generically block in color where I want it

Works out cause most objects have like a bounce light to them from surrounding objects, so this is sort of a cheat I use to get that effect without all the work lol

Also don't be afraid to have the lower silhouette layer shining through, having multiple colors sort of subtly shining through the piece helps lots

Next is the shading layer, this is usually another clipping layer, usually set to "multiply"

The colors I pick here is usually within this range, any color works, just depends on the piece and vibes.

Since this piece is set in a sunset forest I choose a more desaturated orange for the shading layer

I know there's a whole thing about multiply layer being a crutch (and it kind of it) but it is a useful tool when you just want some darker values across the piece but don't want to go through the process of color picking every single darker shade

Also in my opinion it looks better than picking a darker color and setting it to a lower opacity, idk I just think the color has more "depth"

Next is the hardest to explain, sort of the vibes layer

Usually its just a layer of more concentrated color on top of the normal color and I fudge with the settings and values until I get a result I like

Next is the longest step, is the "extra" or the render stage.

Usually I add a background before this step so that if I need to merge the figure better with the background I can

If I render with a white background but he's supposed to be in a dark forest, its going to mess with the lighting severely

Also this is when I add more "vibe" layers on top to get the figure to match the background better

Backgrounds in general I recommend checking out @/derekdomnicdsouza on instagram he's got lots of great tutorials for breaking down backgrounds simply

I'd say general rule for the rendering layer is to focus on the areas of interest and spend less time on areas you don't care about

I even blur stuff out on the edges I don't want people to see, partially to save time on fixing mistakes in areas I dont care about (oop), but mainly to help draw the eye to the areas I do want people to focus on

Theoretically parts of the background should like mesh with the characters, parrallel lines are a no no unless they are directing a viewer to look somewhere, things that are perpendicular help bring things together

tbh I'm still not the best at layout and probably need more practice, but overall this is what I like doing

Overall this is what my layer set up ends up being

Sort of a sandwich with the lineart/sketch as the "meat" lol

Color and basic shading below the sketch, clean-up and rendering on top

I like this method cause it's super flexible if I ever want to try something different or try to replicate someone's style

I can make each step less or more messy depending on the end result and can add a lineart layer if need be. Also if there's a part that is straight up not working or needs to be removed its super easy to do cause I can just paint over it on the "extras" layer, color picking from the surrounding area to get the same vibe

Generally rule of thumb for my style is: get the initial layout of colors, form and shading to look good, then the rendering should be smooth sailing

Really the best advice I can give to get better at art is to enjoy what you're doing and become very very obsessed with drawing a silly little guy

You'll eventually get very good at drawing them pfptpf