#true story (believe me)

[loumandover]

Assad fidgeting/stimming in every interview and never sitting still he just like me fr

[naomistares]

mini comic about a kinda freaky terrible queen and the nonsensical takes she has about the times people have tried to kill her

(more thoughts in notes)

UP NEXT! ANOTHER short comic, (and then one more) this time taking place one month before the kings death, in which we will have: one annoying prince! one lousy fight scene! rejoice's dismissive nature! and row reveals a secret.... tune in next time for all that

[egophiliac]

So how’s ride kamens going for you as I just pulled my self together long enough to read the other half of the current main story

I've been working on catching up on the event stories since they announced the upcoming main story update! (I totally bombed the last few events...they're so fast-paced and I just didn't have time...😭)

and then of course they went and dropped THIS on us today

(you don't understand, I LOVE Tajador and I already love the two blurry frames they've given us of non-silhouetted Kelka, I'm ready to absolutely lose my shit come the announcement/reveal(?) stream on Thursday --)

[dearabsolutelynoone]

“Unlike most men of his acquaintance, Gregory Bridgerton believed in true love. He’d have to have been a fool not to. Consider the following: His eldest brother, Anthony…”

Julia Quinn, On the Way to the Wedding (Bridgertons, #8)

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[purpleshadow-star]

And with this, I've joined the bandwagon.

[spiraling-trap]

there’s a story that the cross was made of dogwood

[al-luviec]

something simple to try to get out of art block (it didn't work)

[shouyuus]

"dance with me." "i don't -- i don't dance." "c'mon, just try." "i... i don't know how." "trust me and just let your body... move." // there's beauty in this too, beauty in this brutality. can't you see it? this art i've made of my body, this love i've written into my blood, my bones -- for you. // "hey. have you ever fallen in love?" "sure. once." "yeah? and then what happened?" "i dunno... the story's still ongoing, isn't it?" // in which a boxer and a ballet dancer fall in love // "touch her? trust me, buddy, you're not ready for the damage i could do."

✶ do you believe in magic // rain x vi selfship

[shorthaltsjester]

re the first three tlovm s3 episode title teaser fr. vex getting [redacted] while standing in front of percy . i will undoubtedly have Thoughts about plot n adaption once the whole season is out but i will say people acting like vex potentially dying again is a betrayal of the arc is . i say this politely. ridiculous. vex’s most common habit aside from haggling and flirting in campaign 1 was being knocked unconscious. she required full ass resurrection spells on four separate occasions. we currently have no idea what the shape of any arc in season 3 will look like beyond broad strokes and teasing shots. if they end up wanting to incorporate the exandrian magic lore of it’s harder to come back each time you die, vex seems like the obvious opportunity to do so. please at the very least save the panic posting for when you actually have something to panic about .

[andhumanslovedstories]

trying to explain my spiritual beliefs like "yes I believe in God, yes I am an atheist, we exist" but if anyone asks a follow up question, I throw chair through a window and jump after it

[butchlesbiancosmo]

bad ending: timmy grows up and completely forgets his fairies like they never even existed

good ending: timmy gets adopted by cosmo & wanda, becomes a fairy and is never seen again in the human world

true ending: timmy grows up and makes a life of his own on earth BUT gets to keep his memories about fairies and becomes an intermediary between new godkids and fairykind. in other words he gets to keep his friends and family from BOTH earth and fairy world

[chitaayakuqing]

[they-didnt-last]

anyone interested in talking about the iconic 2000's middle-grade-bordering-on-ya book series gallagher girls??

[jaggedjot]

The tale Lestat told of his turning was met justifiably by open suspicion from Claudia (“Magnus could be a sous chef in Switzerland for all we know.”) and unspoken doubt from Louis. It speaks to the unnavigable depths of mistrust created by Lestat’s actions that the pair have to question even the horrific violence he describes receiving (“One sob story about his birth”) or the complicated trauma caused by Magnus’ suicide (“I think he killed Magnus.”). The only person who could possibly verify the truthfulness of this story is Armand; he met Lestat shortly after the latter became a vampire, he knew Magnus and what he was capable of longer than Lestat did (“[...] one of my deserters”), and he has a penchant for perusing the minds of others. Armand sharing this knowledge could provide Daniel with a better understanding of the events and subjects of the interview, as well as help Louis parse his complicated feelings for Lestat. It is striking then that when recounting his shared past with Lestat to Daniel, which is presumably the same story he had previously given to Louis, Armand is careful to never say anything that could fully corroborate or dispel those suspicions. When Daniel calls attention to this (“To hear Louis tell it, Lestat becoming a vampire was a horror show.”), Armand gracefully deflects (“That may be.”) and heavily insinuates that Lestat is not someone who can be trusted; calling into question the extent of the trauma that Lestat expressed over a century later (“But he made a remarkable recovery shortly thereafter.”), before describing Lestat as a skilled manipulator (“[...] his hand feeding the audience”), using imagery that paints Lestat’s words as equally captivating as they are fantastical (“How words came out like canaries, summer fruit in the dead of winter.”). The quickness in which Armand concludes that Magnus must be dead (“He’s died, hasn’t he?”) suggests that Lestat could only be free if he was, but still leaves it ambiguous whether Lestat played a role in his demise. While Armand confirms that there is truth to Lestat’s claim that he was not given any guidance by Magnus (“I can teach you what he didn’t.”), the subsequent accusation that Lestat pretended to reciprocate Armand’s love in order to learn that knowledge means that Lestat is still positioned as dishonest. By maintaining and reinforcing this uncertainty about Lestat through opening up about his own past, Armand is looking to gain a degree of sympathy and trust from Daniel, as well as reinforce the image that he would not deceive others.

[cream-and-tea]

oh pallas and agnes power dynamic you really are SO unbelievably fucked,,,,,