#true romantics understand

[regendary]

YESSSSSS

[technically-human]

Ooh, now that we’ve seen N!Edwin and DP!Edwin talk about Feelings could we see the same with N!Charles and DP!Charles?

As simple as that.

Edwins version

ko-fi

[starbylers]

Them having Mike in this purple-magenta-blue palette when the first two have never been part of his repertoire is…hmm. It’s so abnormal for him. I noticed it with the first sweater but with these new pics it seems like it’s not a one-time occurrence so I’m cautiously deeming it worth pointing out because to me…it does look kinda like bi flag shades 😅 I don’t fully subscribe to this kind of evidence but a) there is precedent for ST costuming leaving sexuality hints in clothing & b) I just think it’s interesting in the season he’s suspected to be revealed as queer they coincidentally start dressing him all 🩷💜💙. I’m not attached to any one opinion in the gay/bi Mike discourse so this isn’t trying to prove a point just…noticing interesting things.

Mike’s palette is blue-yellow-green-red so it’s really strange seeing him in these outfits. It’s interesting how in his ep 1/2 fit he’s still in his normal palette but then something changes? We have no idea what of course except…the first sweater seemingly goes on around the time him & El get separated into different groups (farm). I did see someone say he’s wearing purple because of El but you can read my tags to debunk that lol

[dumblr]

I wish you could feel what I feel when I look at you. And maybe then you could have an understanding of why I can't look at anyone else.

[chirpsythismorning]

Byler is a slow burn y’all!

While it’s possible milkvan could break up in early s5, or maybe they consider their fallout in s4 their breakup and are only now addressing it and how they’ve realized they’ve been better off as friends over the last year, it’s still gonna take some time for byler to confront everything over the last few years and both get to a point where they have clarity about their own feelings and finally accept that the other one feels the same.

I don’t think there’s enough time to explore all of that before Mike and El have that talk on the roof, or even shortly after that, even if it’s post-time jump.

It will still be interesting to see where Mike and Will are at in their relationship by the time the time jump rolls around.

It’s unlikely the painting will have been addressed without us witnessing it, unless they decide to throw in a flashback at some point if it happened during the time jump.

Which means there is still a lot they need to talk about, let alone for them be literally dating.

I think it’s also possible Will won’t know Mike and El are over for real, not until Mike or El tell him and the others.

What this might result in is an episode or two of Mike pining for Will (single 😁) while Will is none the wiser and maybe even trying to keep his distance, now under the assumption that Mike wants space to be alone with El since they’ve finally reconciled once and for all.

There’s gonna need to be episodes exploring their dynamic as friends that can be something more if they want to be and how they navigate that and how obvious it is that, in contrast to Mike and El, while they are indeed friends, they work even better as being something more too.

They’ve invested the entire series to building this up, in a way that most of the audience missed. They need to spend some time now making it obvious so that people can rewatch a lot of their scenes for what they truly are (romantic) now that they know the truth, as opposed to just being ambushed with them being together.

I need people that didn’t even want it to happen to have to endure the tension all season long, to the point where they’re screaming at their screen JUST KISS ALREADY! GET IT OVER WITH! JESUS CHRIST!

[hualianisms]

camilikha on twitter posted with mtl the part of the TGCF Audio Drama production team's talk where they discussed hua cheng's character concept, and i love what the AD team said so i attempted a rough translation of the CN text:

"The core of Hua Cheng's character: Ultimate beauty, ultimate danger, ultimate devoutness The simultaneous contradiction and balance in his feelings: On one hand, he has a yearning desire that is blasphemous; on the other hand, he sees Xie Lian as sacred and inviolable, so he simultaneously possesses a devotee's sense of worship and sacrifice [1], and restraint [2]. His love is akin to a fire in the abyss; on the surface he approaches everything with effortless skill and ease, but in his heart he is always simultaneously suppressing and yet burning with fervour and zeal."

*translation notes:

[1] "献祭 worship and sacrifice" here refers to the religious act of a worshipper making sacrificial offerings to their god. the sacrifices offered to the god can be other people/things, or oneself.

[2] for the part about "restraint 禁欲", the CN phrase used refers to religious asceticism or abstinence (the AD team used many phrases with specifically religious connotations in this description of HC). however, "asceticism" felt to me like the wrong eng word for HC as he is not ascetic at all, nor is his devotion or love chaste. I struggled to find an eng word that fit here, but this is what the AD team was likely referring to (his abstinence during the centuries before he met XL):

(I think the AD team may also have been referring to how HC initially attempted to hold himself back early in Book 1/Arc 1 for fear of overwhelming XL at first (during the period before they started kissing and HC realized XL fully reciprocated his attraction and desire).

and just my thoughts but i love how the AD understood HC as character so well! i love how they highlighted how he is simultaneously the concept of the most faithful devotee, and the most ardent lover. whether it's his religious devotion or his romantic/sexual love for XL, it's intense & passionate to the highest degree

i also love how they described the juxtaposition btwn HC's effortlessly calm & competent exterior, vs the intense passion he holds within. i really love how well the AD understands his character and allows HC to be as layered, multi-faceted and gorgeously romantic as he's meant to be

[ai-manre]

If Rhaegar has a million fans, then I'm one of them.If Rhaegar has one fan, then I'm THAT ONE. If Rhaegar has no fans, that means I'm dead. :)

[worshipfulmercy]

sorry but rust cohle is not ethel cain or lana del rey -coded. he kind of does not know who those women are

[miaisabelwinther]

#publicaffection #holdinghandsinpublic #kissinginpublic #showingaffectioninpublic #futureseriousmutualmonogamousheterorelationship #sayingtogetherforever #iwillneverloosehope #youareperfecttome #youareecerythingieverhopedfor #youaremyoneandonly #iwanttokissyou

[birdmenmanga]

💢ＦＵＣＫ　ＴＨＥ　ＷＯＲＬＤ （ａｎｄ　ｍａｙｂｅ　ｍｙ　ｍｏｍ ｉｎ　ｐａｒｔｉｃｕｌａｒ）💢

1. ミザン／バルーン & ぬゆり ft. flower & 歌愛ユキ

2. 嫌われ者の詩／164 ft. GUMI

3. メーベル／バルーン ft. Eve

4. CUT／神山羊

5. 怪電話 ／r-906 ft. ROSE & POPY

Tanabemas gift for @wojtekaneko!! This is an Eishi-and-his-mom playlist!! It sort of tracks how their relationship sort of changes throughout the series, starting from the controlling relationship they had even before prologue, and culminating in Eishi's flight away in Flight 42: Open Your Eyes.

Most of these songs are on here because I think the lyrics are a really good match, but I think the video for Miseen (1) and Mabel (3) are worth watching. The album cover image is actually from the Mabel video, I just drew in the Eishi and Kiriko.

The opening and closing songs I see as duets between them, while the three songs in the middle are purely from Eishi's perspective. But of course you can interpret it however you want! I think all these songs are fun and I'd be very happy if everyone listened <3

LYRICS TRANSLATED

Miseen／balloon & Nuyuri ft. flower & Kaai Yuki

hated person song／164 ft. GUMI

Mabel／balloon ft. E ve

CUT／Yoh Kamiyama

A Mysterious Phone Call／r-906 ft. ROSE & POPY

[m0thwinged]

[regendary]

❗️❗️❗️

[mejaydee]

tumblr user... before you is a beautiful story about the power of friendship and how platonic love transcends the limits and boundaries that others try to force upon it. Your challenge is to enjoy it on its own merits and message, without forcing headcanons of romantic and sexual relationships where they do not belong.

[kizunarae]

a mismatched mess: a fitz and molly essay

In my re-read of ROTE, I am struck again by the profound mismatch between Fitz and Molly. Neither complements the other, and their relationship is fraught with tension and incompatibility. However, what really compels me to write this is what seems to be the prevailing sentiment within the fandom that places the blame squarely on Fitz’s shoulders. I believe that this perspective is an oversimplification and rather unfair to Fitz. The demise of their relationship was not unilaterally caused by Fitz; rather, it was a shared unraveling.

I will be focusing solely on events up to the end of Royal Assassin, avoiding spoilers for subsequent books. I will put it under a read more as it will be long...

I want to disclaimer that while I may appear fairly critical of Molly's behavior, I do not think she did anything particularly wrong and do believe her emotions and reactions are largely justified. It is just precisely because of who she is (and who Fitz is) that I believe they are a bad match. Additionally, I think Fitz's wrongs have been hashed out extensively so I will only briefly touch on points I disagree with and not elaborate overmuch on his failures in their relationship.

I will begin with their first reunion in Royal Assassin. Fitz has just returned to the Keep after being on his deathbed for several months. Each person he encounters barely recognizes him through his wasted and sickly appearance. Fitz, embarrassed by his weakness, pulls a foolish move: he claims to be drunk when a passing serving girl—none other than Molly—crosses his path. His attempt to save face and avoid interaction turns futile. And yet, despite the evidence that Fitz is clearly sickly in appearance, Molly's first reaction is not concern. It is not to hear his side of the story nor to find out how he has been, nor consider anything that he may have gone through. Instead, she is focused only on her own experiences, and her own feelings and thus responds only with pure outrage and begins firing off accusations with misplaced anger.

Without basis, she accuses him of courting her and then abandoning her. I think many take this claim at face value, because "Fitz should have known what he was doing" (as Patience also intoned). However, let's consider the books have established a three-year age gap between Fitz and Molly. Thus, in Assassin's Apprentice, Fitz would have been begun "courting" Molly at around the age of 13-15 while Molly was 16-18. Even without viewing this through a modern lens, this claim feels like a stretch to me. Imagine expecting a young boy, barely schooled in social norms, to understand that strolling through town with a childhood friend equals courtship. No words or actions passed between them that indicated anything more than friendship. I believe Patience's scolding and instructions were fitting and commendable. However, Molly’s internalization of this narrative against Fitz seems misplaced and unfair, given her knowledge of their shared history and relationship.

Then, after he shares his concern for her about what he saw in his dream. She accuses him of purposely scheming and attempting to deceive her; that he must have heard her whole story in the tavern and is just making fun of her. This is again a very unfair characterization for her to place on Fitz; nothing she knows about him should indicate that he would do something like this at her expense.

She has a right to be upset that Fitz kept his true identity from her. But he also had a right to do so. She gave him no grace and despite his apparent weakened state, she did not allow him to give any explanations. Worse, because of how Fitz is, he immediately accepts her view of the situation and berates himself for not realizing the courtship, despite having had no tools of his own to recognize that. This pattern continues throughout their relationship.

And this, in essence, is what makes Fitz and Molly such a toxic pair. She accuses him of things he does not intend or cannot change, and he, like a sponge, absorbs them as truth, eroding his own perspective and identity. And on the other side, I believe Molly deserves someone who will challenge her. Someone to stretch her boundaries, broaden her horizons. A companion who could wholeheartedly dedicate their life to a family and business together in partnership. Because, while not necessarily a flaw, she has blinders on and focuses largely on her personal happiness and fulfillment. She does not want to bother with thinking of the realm, the raiders or the help other families may need. This is a chasm between her and Fitz, whose heart bleeds for his people's misfortune and feels a duty to his station and Kings. Instead of embracing and appreciating Fitz's compassionate heart and will to make the Six Duchies a better place, she frequently berates him and minimizes his feelings by accusing him of only being a mere king's pawn unable to think and choose for himself.

Especially as readers, we know this isn't the whole truth. We’ve witnessed Fitz’s tears for a dead child cradled in his arms, felt the fire of vengeance burning within him against the raiders. Molly has not, and yet, it does not seem she cares to know. To each of Fitz's explanations, she complains and argues. While we only get the taste of a few of these encounters, Fitz comments that it is a frequent topic of contention between them.

Molly wants Fitz to fit into her mold and she wants what makes her happy to be what makes him happy. She longs for the days when Fitz was only Newboy. She says she just doesn't understand the things he tells her, and yet I feel this is the same "not understanding" that Fitz employs with the Fool; in fact, it is very much understood, it is just not what they want to acknowledge as truth. Because Fitz is not Newboy, and because she subconsciously blames Fitz for not being Newboy, she thus does not put in effort to know and accept Fitz for who he is. I do not consider her calling Fitz as Newboy throughout Royal Assassin a simple nickname; to me it speaks of Molly desperately trying to reverse time and put Fitz back in the box she liked him best in.

I think exactly how little Molly knows Fitz is further illustrated by the Nighteyes-as-Fitz scene. It is a weird and, in some ways, humorous scene, but what struck me is how Molly appears to know Fitz so poorly that she did not sense anything amiss about an intimate encounter with a literal wolf in Fitz-clothing.

Returning to Fitz's identity and 'lies' throughout their relationship, I personally do not believe that Fitz owed her the truth of his identity from the beginning. It was a deeply personal matter and I believe it was not wrong for him to keep it private. As a young boy, he felt his status as a bastard was deeply shameful, and it is no wonder he would not share it. In my opinion, he would have a duty to disclose if he had truly begun to court her, however he was never given this chance.

So, did he continue to lie after his identity was revealed to her? I do not believe so. He shares much with her about what he does, and about Verity and King Shrewd. It is not a question to me that he would not be able to disclose every detail of what he knows; his knowledge of his kingdom's affairs and his identity as an assassin are not entirely his secrets to share. There are surely modern equivalents of this as well. It is hardly unusual to be unable to share some portions of one's work with one's partner. However, Molly deems this as unacceptable and unforgiveable, despite her lack of interest in what he does— a further inherent incompatibility in their relationship. Instead of offering understanding and support for the isolation that Fitz must feel for being in such a position with his Kings, she resents him for things he has no real power to change. Keep in mind if he had left the Kings' protection at the time, his life would surely have been threatened as Chivalry's was lost. Molly should be able to understand this, and yet she cannot see past her current unhappiness.

In her time at the Keep, Molly also puts a large amount of pressure on Fitz. She is out of her element, she has had a traumatic experience, she knows no one at court. And so, she often complains to Fitz that he doesn't spend more time with her. In a very unhealthy way, she attempts to force him to be everything for her at the Keep— her only social outlet, her support, her protector. Due to this, her resentment for Fitz and his choices grows with every moment he is not with her, and she spends much of their time together asking him to turn away from who and what he is to start a life together.

In the end, both hold the other up as idealized versions one could never hope to fulfil; Molly wants Fitz without his royalty or passion for his people. Fitz yearns for Molly, stripped of independence, her self-driven, entrepreneurial nature tucked away. In their relationship, they offer only moments of fleeting comfort punctuated by feelings of sadness and blame. They cannot fulfill each other's expectations. Molly is unable to bolster Fitz's confidence in himself and the peace and acceptance he desperately craves remain elusive. And likewise, Fitz cannot offer Molly purpose or allow her the sense of security she desires under which to prosper her business and family.

And so, these two are ill-matched and ill-fated, clinging through each other to the last vestiges of a childhood they wish they did not have to leave behind. 

[phasewashere]

i need to write vdm

[perplexingly]

I have fallen into a rabbit hole how do I get out