#trojan camp

[fieriframes]

[The full-scale attack on the Trojan camp begins.]

[aj-artjunkyard]

I’m all for Unreliable Narrator Apollo™ straight up misremembering myths instead of admitting to myself that Rick got a few things wrong

Lester!Apollo: demigods can be so weird and unpredictable! When that Clytemnestra girl murdered her husband simply because he made one tiny little human sacrifice to me… yikes, am I right?

The same Apollo 2,000 years before, sending a 3rd volley of plague arrows straight into the Greek camp: Agamemnon when I get you. When I get you Agamemnon. Agamemnon when I get you

[catofadifferentcolor]

Terrible Fic Idea #92: Percy/Apollo, but make it The Trojan War

Into every fandom, a time travel fic must fall - or in this case a second one, because I somehow got to thinking about the delightful PJO trope of Percy being thrown back in time to The Trojan War and realized that doing so misses out on a fantastic opportunity.

Or: What if post-TOA Percy Jackson and Apollo time travel to shortly before The Trojan War?

aka the Tried To Change The Ending fic

Just imagine it:

Everything follows canon through TOA, with one exception: rather than struggle to catch up in the mortal world following the Second Gigantomachy, Percy elects to stay at Camp Half-Blood. There he can homeschool at his own place with programs tailored towards ADHD children and still visit his family on the weekends - and not get into any more ridiculous situations in the mortal world when one of the gods kidnaps him or sends him on a quest to find their sneakers.

This, naturally, stresses his relationship with Annabeth - who, now that she's no longer living at camp full time, calls it the easy way out. But Percy is tired and struggling in mortal high school where everyone thinks he's a delinquent idiot when another option exists seems foolish. Percy and Annabeth break up and drift apart.

Enter Apollo, fresh from his latest stint as a mortal. He's trying to do his best by his children, which includes popping by camp as often as he can get away with - which in turn means spending a lot of time with Percy, who at this point is unofficially running CHB because it's not like Dionysus or even Chiron have done a brilliant job of it in recent times.

(First aid, strategy, and mythology classes are made mandatory. Percy personally ensures every demigod knows enough about self-defense to be able to survive long enough to run away or for help to arrive. Bullying is cracked down on so hard that it's this, not Percy's generally parental nature, that has people calling him Camp Mom.)

Percy and Apollo become friendly. Enough so that some of Apollo's kids assume they're dating and keeping it on the down-low so as not to draw Zeus' ire. Or Poseidon's. Or anyone else's. It's on one of their not-dates that they're yeeted into the past, without warning or explanation.

And so 19-year-old Percy Jackson and post-TOA Apollo find themselves in Ancient Greece c. 1220 BCE, roughly thirty-five years before the destruction of Troy.

The time travel is immediately obvious, as Apollo becomes the closest thing a god might experience to being high the moment they land in the past - being a powerful god in modern times is nothing like being a powerful god at the height of his power in ancient times. It's overwhelming (and somewhat alarming from Percy's POV, but kind of funny in retrospect.)

The specific date is harder to determine, but made clear when Hermes shows up and starts going on about you'll never believe what father's done now: he seduced the Spartan queen as a swan and she's laid an egg. Hera is furious - especially as they're saying the girl that hatched from it is the most beautiful in the world, even though she's only a few days old. It's nuts. By the way, where have you been? You missed the last two council meetings. Do you want Dad to punish you?

Apollo at this stage is very high. He's also been USTing over Percy for quite some time and is worried what the gods of this era might do to Percy without divine protection (smiting or seduction, it's all on the table). But mostly he's very high, and so to keep Percy close and safe he declares he's been off having the dirtiest of dirty weekends with his latest lover and that Hermes' presence is ruining the mood. So if he would kindly leave, please and thank you, he'd really rather get back to it without an audience.

This, naturally, is a surprise to Percy, but he rolls with it because 1) he doesn't have any better ideas on how to get rid of Ancient Greek Hermes so they can figure out what the hades is going on and 2) he's been USTing over Apollo ever since he recovered enough from Tartarus to start feeling attraction again.

Fueled by mutual UST, they put together a cover story that should hold the next time a god with too much prurient interest shows: Percy is now Prince Persē of Gadir - a Phoenician colony that will grow into the future Cadiz - well past the edge of the Greek world at this stage but not beyond belief for Poseidon to have visited, as it's obvious who his father is. They claim his mother is the King of Gadir's youngest sister and as such Persē had a royal upbringing, but was far enough down the line of succession that he was free to chose to sail east and explore his father's homeland. Apollo caught sight of him on his journey, one thing led to another, and here they are.

(Are there easier, more sensible cover stories? Possibly. But the UST refuses to let them consider any of them now that a fake relationship is on the table.)

Deciding what to do about The Trojan War is much harder. On the one hand, it's a lot of senseless death and destruction. On the other, without it we don't get The Iliad and The Odyssey - two of the most influential works of literature in western civilization - and Aeneas doesn't go off to Italy (leading to the founding of Rome, which would change the history of western civilization a lot). In the end, they decide to let the war happen but do their best to mitigate the worst parts of it.

And so Percy goes off and becomes a hero of Ancient Greece while pretending to be in a relationship with Apollo.

This stage of things is filed with angst from both parties, as both Percy and Apollo want a real relationship with each other but think they're abusing the other's trust by eagerly faking their relationship. There's a lot of PDA, a lot of feelings, and limited communication. It goes on for quite a while and would probably exasperate quite a few people if everyone in the know didn't think they were already in a relationship.

It's also filled with modern day Percy being confronted by realties of life in Ancient Greece. It's not just mortals knowing about - and interacting with - the gods: it's everything. It's food and clothes and language and culture and housing and travel. He can play a lot off it as being a traveler from the edge of the known world, but some of it has him asking Apollo if he's being rick rolled.

Apollo, meanwhile, is having troubles of his own. He is not the god he used to be and it's hard pretending otherwise. He tries to walk the line of doing enough to be believable and holding back enough not to despise himself, but it's a fine line, he fails often, and he spends a not insignificant amount of time worried he's backsliding.

And so it goes until 7-year-old Helen of Troy is kidnapped by Theseus to be his wife.

This, naturally, does not fly with Percy, who by this time has built up something of a reputation as a hero. He teams up with the Dioscuri to rescue Helen.

One would think this would earn him Zeus' favor. It doesn't. Instead, Zeus sends monsters to harry him for refusing to let Castor and Pollux take Helen's captors' loved ones captive and raze Aphidna for Theseus' crime. Percy manages to hold his own for quite a while but eventually, exhausted from the near-constant fighting, is gored and left for dead by the reformed Minotaur.

...and when Apollo arrives, frantic, to heal him, Percy ascends instead, becoming the greek version of Saint Sebastian - a minor god of heroes, strength in the face of adversity, and athleticism; sort of halfway between Hercules and Chiron.

Then and only then do Percy and Apollo finally get their act together, confessing to each other how much they care for the other and how much they don't want this to be fake any longer.

History proceeds apace - albeit with Persē being a second immortal trainer of heroes.

24 years after their arrival in the past, 16 years after Percy's ascension, The Trojan War begins. Despite their best efforts, there's only so much they can do - war is war and gods are gods. They are able to stop some of the worst excesses on both sides, but in the end Apollo still sends the plague that causes Agamemnon to take Briseis for his own, which caused Achilles' departure from the field, Patroclus' death, &c - not because Apollo was trying to maintain the timeline, but because in the instant he sent it he was angry and reverted to his old ways.

Troy falls...

...but when Zeus tries to use this as an excuse to ban gods from interacting with their demigod children, Apollo is able to say that's a bit extreme isn't it? with enough backing from the rest of the council that Zeus is forced to amend his ruling so that the gods are only allowed to freely visit their children on the "cross quarter days" that fall between each solstice and equinox (1 February, 1 May, 1 August, and 1 November).

This changes everything and nothing.

Time continues its inevitable march. Greece has its golden age before being conquered by Rome, which splits apart under its own weight and forms several smaller countries, which eventually spread their cultures around the world...

Apollo and Percy are there for it all. Persē is a minor figure in mythology, but never forgotten. He is ever-present in Apollo's temples - though the Church will later try to rewrite their myth so that they were merely sworn fighting partners, rather than lovers who eventually had a quite lovely wedding on Olympus (and then, at Poseidon's insistence, an even bigger ceremony on Atlantis). Percy takes over day-to-day operations of CHB from practically the moment the Trojan War ends.

...and so Persē is there the day Sally Jackson tries to get her son to camp, and is able to intervene when the Minotaur attacks on their border. He's able to meet her and her young son, Perseus ("Mom named me after you and the guy that killed Medusa since you're the only two heroes to have happy endings!"), and guide him through the trials that come with being a child of prophecy.

One day that Percy will hand Luke - who was never happy with the limited attention the gods were allowed to give their children - a cursed dagger so that Kronos can be defeated. That child will be offered godhood, turn it down, and go on to have a happy life with his eventual wife, Annabeth. He will never have his memories erased and be sent to Camp Jupiter. Gaia will not rise until long after that Percy's grandchildren are dead, and Zeus will not be quite so bullheaded when the proof of it is brought before him. That Second Gigantomachy is swift, well-coordinated, and fought without another Greek/Roman war brewing in the background.

And when they finally arrive at the day Apollo and Percy were originally sent back in time, Percy admits that while he is happy some version of him was better prepared for the war he was asked to fight in and allowed his peace afterward, he would change nothing about his own life, for it brought him to Apollo. The sunrise the next morning - on the first morning of the rest of their lives - is particularly spectacular.

Bonuses include:

Gaslighting Poseidon into believing that he's met Percy before the first time they're introduced. ("What do you mean you don't remember me, Father? You were present when I came of age! You gifted me this trident! Have I displeased you in some way?") It's an absolute masterclass that eventually manages to convince Poseidon that, yes, of course he knows Percy - and, maybe, he should check in on all his other demigod children to make sure he's not missed someone. (Two. He lost track of two of the others. Maybe he should be more careful about siring children in the future.) Apollo practically has to stuff his fist in his mouth to keep from laughing.

As much historical accuracy as can be crammed into the Percy trying to make sense of Ancient Greece chapters as possible. Think Of a Linear Circle - Part III by flamethrower levels of historical research. As much as can be shoehorned in without bogging down the plot.

Percy and Dionysus bonding over their mutual dislike of Theseus, though Percy generally gets along with his other half-siblings, especially the ones who come to camp young enough to keep from getting big heads over being the children of Poseidon.

Though Percy adores all the children in Cabin 7 (most of whom are born via blessing this time around), he and Apollo have at least one child of their own - maybe a demigod born before Percy's ascension to sell their fake relationship? Maybe a minor god who's later attributed a different parentage by mortals? Dealer's choice on details.

It never being made clear who, or what, or how, Percy and Apollo were sent into the past. All of Percy's oddities are attributed to him being foreign or formerly mortal, all of Apollo's to the fact that he's in love with someone who didn't die before their first anniversary, and no one ever guesses time travel is responsible for their eccentricities. Or that time travel was ever an option.

And that's all I have. As always, feel free to adopt, just link back if you ever decide to do anything with it.

More PJO Ideas | More Terrible Fic Ideas

[spineless-lobster]

There’s a group of asteroids that orbit jupiter called trojans, which are separated into two “camps” based on their location; the greek camp and the trojan camp. The asteroid 588 achilles is located in the greek camp, while 617 patroclus is located in the trojan camp (due to being named before the idea of the naming convention was made) thus, they are doomed to circle each other but forever be apart, yearning for all eternity

[undercoverangell]

thinking about a sorta. sweet little idea where maybe penelope would give odysseus like. a small little thing of some of her perfume or whatever to take w him to troy. just so he has some reminder of her in that way.

[backpackingspace]

I am once again thinking about how odysseus who witnessed the horrors that the captured women went through (one of his main duties in the iliad was taking the women back home and making sure they were as comfortable as possible and safe because he was the only one trusted not to violate them further due to his devotion to penelope. And in the odyssey part of the reason circe sent him to the underworld was so that he'd have to listen to all these women's stories (before he could talk to the prophet) ). Who was one of the few that saw women as people and respected their space and opinions. And was then put in those exact same situations. I don't have the motivation right now to do a full literary analysis of this (I'll site the sources too) but oh man one day I'm going to write a full essay on this.

[lyculuscaelus]

The difference in popularity when it comes to the nine ἀριστῆες who volunteered to duel with Hector (ten if we’re counting Menelaus) has never ceased to amuse me. Like, despite being specifically listed by Homer to tell you that they’re the best of the best and having a bunch of mentions in the Iliad, Idomeneus and Meriones just didn’t get the popularity as Diomedes and Odysseus got, then Agamemnon and the two Aiantes having the next tier of popularity. Still, I believe the two of them were mentioned every now and then. Meanwhile, do I even need to mention Eurypylus son of Euaemon and Thoas son of Andraemon?

[johaerys-writes]

The boys lack genre awareness in general. It’s a trend I’ve noticed in translations and adaptations. Achilles thinks he’s in a Bodice Ripper Romance. Half the time Patroclus thinks he’s in Tragedy à la Sophocles and the other half it’s like Chivalry Historical Fiction. What they both don’t know is they’re actually in a Shakespearean stage play directed by Quentin Tarantino and produced by early-career Mel Brooks. And unfortunately for them Tolstoy did an uncredited rewrite (though the rumors suggest it was actually Hugo). smh

Lmaooo YES I agree with all of the above. Achilles and Patroclus are usually in a world of their own no matter the translation/adaptation, honestly 🤣 The funniest thing even in the Iliad is the other generals losing their shit and getting their ass handed to them for several books, meanwhile Achilles and Pat are chilling in their camp and probably getting up to all sorts of sit com level shenanigans with the other Myrmidons. Living in their own niche since 13th cent BC ✌️

[fuckitimrowan]

actually there was this quest once and jason and reyna ended up surfing down a volcano. rick riordan didn't tell me this but i know it's true i was there.

[bloghrexach]

💥 … Look — “They’re the same … there’s no difference!! … 💥

Art work/words by: Ibrahim Ghunaim … @mcgazaofficial … @hrexach

[zoueriemandzijnopmars]

No, but I recently realised I’m usually subconsciously rooting for the Trojans in Trojan war stories even though like both sides kinda suck. However when I started thinking of why, I realised something.

The Trojan war happens because Priam and Hecabe couldn’t bring themselves to kill baby Paris (or even adult Paris when he comes back), the Greeks on the other hand only get to Troy in the first place because Agamemnon does kill Iphigenia (and then they also kill Hector’s baby son 10 years later for good measure). And like this comparison is really interesting to me, and especially because the story is usually told from the viewpoint of the Greeks

[quickboot]

I wish there was some way to know the percentage of players actually playing through TotK vs players just building contraptions

[keferon]

Sorry in advance for the word vomit but. I love the whole Jazz-and-Prowl figuring out the language barrier but also consider:

They don't.

Prowl's been captured by Quintessons and is currently thinking of ways to completely scrape his processor so they can't get any useful data, only to get rescued by a random mech. They fight their way out (the mech is extremely proficient in combat). At first he thinks it's a drone- it looks at him when he asks questions but doesn't answer (responds to noise, not language), it is sparkless (not alive) and it makes random but entirely incoherent noises and doesn't even ping (not able to communicate). Prowl has no idea what's going on but he's too injured to make it back to base alone and it's helping him? So. He chalks it up to some waylaid stealth military asset and tries to think of ways to both get it back to base whilst also making sure it's not some sort of Quintesson Trojan-horse [10%].

Meanwhile, Jazz was sent to blow up a Quintesson command camp by his organisation but instead he got thrown through a weird portal, and found a pilot all tied down and probably being tortured so naturally he busted him out but uh. He has no idea what the other is saying. He's talking in total tonal gibberish. Not that he's judging, he's heard some stuff about how far other piloting programs are willing to go to advance neural technology. And his face! He has one! A handsome one. Must be some advanced shit because he's got micro expressions and he's using them to frown as him. Anyways, Jazz's got bigger fish to fry. The sky's a different colour, there are two suns and atmo is reading terribly low levels of O2. Maybe he and this pilot got thrown into an alien planet? Cool- well, actually pretty bad but hey they're in this together.

Prowl knows by models that they're bound to run into another Quintesson patrol eventually, and based on the drones alertness to its surroundings, his previous observations to its capacity to fight, and how it doesn't stray to far from him, if patrol numbers are favourable [1-8 range] they can survive [70, .5]% the route back to base. But the drone is reckless and abandons him to the melee (how can a drone be reckless?) and Prowl gets injured worse. Energon drips from wounds, and the angle makes it challenging for him to patch it. But the drone creeps closer, folds to its (knees? Its joints are in an odd but effective configuration) and gently (gently?) begins to mimic (clumsily) Prowl's motions of patching his wounds. Here is where Prowl falters, because drones are not so careful. Drones do not do not look up multiple times at his faceplates, and become more delicate when they see you in pain. Drones don't hold out a servo and help you to your pedes when your done. Which begs the question, if he's not a drone, so what has been done to this mech?

Jazz on the other hand is freaking the fuck out. Naturally. Because uh, he started slicing Quints, expecting Frowny to do the same because his mech was still clearly operational, only for the idiot to completely disregarded normal combat standards which can be summarised as 'fight hard or die' and instead get chewed on by some big ass teeth.

Only to see the glowing purple dripping from his torn sides, only to see that he's bleeding.

Machines don't bleed.

So Jazz figures out Frowny is an alien first. He starts pointing at himself and saying his name, insistently, until Frowny repeats it. He points at Frowny, and records and replays whatever sound bite Frowny makes until Frowny's also nodding in confirmation. He still calls him Frowny, because even though he has his name? Probably? He has no idea what it means and can't actually pronounce it (no idea how to get a mouth to move that way) but hey! Progress! He does this again and again with small things (rock, hand, cyber?animals, music (Frowny's confused at that one it's pretty adorable) ect.

Prowl has no idea what to make of this strange mech. Is he a failed experiment? A runaway from Cybertron following the Functionalists rise or power? Thennn Prowl finds out one fateful night that the mech is actually an alien organic (in a fit of misunderstandings, and squeezes him pretty hard for it ouch and feels SO guilty about it later) and suddenly the language/culture barrier makes way more sense.

Prowl's injuries degrade (a line splits). He has no way to communicate this except for the energon dripping out of his chassis. The organic is clearly worried (how did he think he was ever sparkless), and Prowl can't reach the injury himself. So he guides the mech's servos past armour and wiring, down to protoform (near his sparkchamber) to the split line. Gestures and hopes the mech can figure out what to do from his miming[#^%]. That'll he'll be careful, and won't hurt him [5%, 87%, #*%, *########%].

Frowny is later picking shrapnel stuck in his forearm that's too small for him to remove, so Jazz gets out of his mech to help with his small human hands. Jazz has no way to communicate to Frowny that if he moves, he'll sheer Jazz's limbs clean off, but he goes in anyway, because Frowny's hurt, and speckled in blood. Because he's clearly struggling and hurt and tired. Because Jazz has to trust that he won't.

Frowny's injures eventually make him collapse, and Jazz carries him the rest of the way. Jazz has no idea how they'll be received (especially considering how Frowny reacted when he found out Jazz was organic). Jazz knows he might be dissected. Knows he might be pulled apart (again) but.

He remembers all the little moments they had on their journey (Frowny shielding him from falling rubble when Jazz was out of his mech once, them getting to gesticulating arguments, Frowny's reaction to his music, how he fell asleep on Jazz once and it was fricken adorable).

It doesn't matter that Jazz can't say (barely understands) his actual name. That Frowny probably doesn't understand his. It doesn't matter that they talk in halting miming, in broken sound clips and touches and half-glares.

He's already gone out on all his limbs, might as well put his head on the chopping block. And if it causes him to lose the damn thing, well.

He's a pilot. Dying horribly is practically his job description.

OOOUUUUGGGGGHHHHHHHHH DYING HORRIBLY IS PRACTICALLY HIS JOB DESCRIPTION,,,,,,,,,,,

[bloodyshadow1]

diomedes' existence in the iliad/trojan war is so funny. He's this killing machine who is second only to Achilles in the whole war, who is on his side. He basically carries the Greeks so hard in the beginning of the Iliad that the Trojans are more afraid of him than Achilles who has been sitting things out.

and everyone treats him like shit in almost every book he appears in. His first real appearance in the Iliad is Agamemnon basically walking up to him and calling him a bitch because he isn't as good of a warrior as his father.

The next book, after, thanks to Athena's help, he kills Pandarus who wounded him, beat Aeneas (the hero of the Aeneid and one of the strongest Trojans), stabbed Aphrodite the goddess, charged Apollo and then leaves the battle field as per her instructions when Ares arrives on the field. After all that, Athena goes to him and calls him a little bitch and coward who isn't as good as his father. which he reminds her that she told him not to challenge any more gods. Then with Athena's help he stabs Ares forcing the god of war to retreat.

Then after a day, during the night, Nestor just kicks him awake in the middle of the night because the leaders of the greeks want to send someone on a night raid and Nestor calls him lazy. Note that Nestor gently woke up Odysseus moments later, but he freaking kicked Diomedes awake and calls him lazy. Then he sends him on an errand to wake up and fetch the other leaders because he's younger. Also should be stated, earlier that day Diomedes ran back when the Trojans were pushing their army back to their camps to save Nestor risking his life when the other Greek leaders fled. And Nestor just kicks him away that night.

Diomedes is a scary man but he is treated as the annoying little kid instead of one of the two greeks who are carrying their army. even worse, he's the new employee that keeps the store going. The managers won't promote him or treat him with respect because then they'd lose their golden egg. after 10 years they're still treating him like shit. It's like someone slapping the terminator in the face and telling him to mop the floor, and he does it. Other than Athena, he could easily kill these fuckers and they yell at him and call him a little bitch. It's just really funny when you think about it

[little-cereal-draws]

whatever you do, don't think of Odysseus and Polites growing up together

don't think of them going on "quests" through the palace garden, waving sticks at imaginary monsters and saving the day

don't think of them watching the older boys spar and trying to mimic it, not sure of the proper form and ending up in a giggly heap every time

don't think of them getting a bit older and finally competing against each other with an intent to win, racing and wrestling their way through the countryside

don't think of Polites always letting Odysseus win because he likes seeing Odysseus’ triumphant smile

don't think of Odysseus assuring Polites that he's ok while he cries over his wound from the boar, wiping away his tears

don't think of them getting taller and finally being able to reach all the branches of the trees

don't think of Polites reassuring Odysseus when he worries that girls won’t like him because his princely status outweighs the fact that he's awkward and gangly

don’t think of Odysseus being jealous of Polites’ growth spurt and Polites teasing him about it

don't think of them going on short trips to neighboring kingdoms as they fill out, making allies and attending feasts

don't think of Odysseus gushing about how pretty and perfect Penelope is while Polites smiles knowingly

don't think of Polites helping Odysseus gather the courage to ask for her hand

don’t think of the wedding festivities lasting a whole week and Polites drunkenly crying about how happy he is for them

don’t think of Odysseus letting Polites hold baby Telemachus, hovering with the anxiety of a new parent, and watching as his friend gently brushes the soft baby curls out of his son's eyes

don't think Polites assuring Odysseus that the war is estimated to last only a few months, he'll be back home before he knows it

don't think of circumstance slowly pulling them apart as Odysseus spends more time with the kings, going on raids and ambushes, and Polites tries to avoid the battlefield as much as he can

don't think of Odysseus freezing after Polites flinches when he claps him on the shoulder after a raid, hands still wet with blood

don't think of Odysseus growing restless and pacing in Polites' tent, mourning the years he's lost with his family and venting his frustrations with the war

don't think of the Trojans breaching the Greek wall and Odysseus scrambling to find the glint of glasses in the chaos

don't think of him finally finding Polites with a spear in one hand, the other hand pressed over a wound in his side, apologizing as he stabs at his attacker

don't think of Polites sobbing as Odysseus stabs the Trojan from behind, splattering both of them with blood when he pulls the body off of his sword

don't think of them fighting back-to-back, Odysseus aiming to kill, Polites just trying to get them to stay back, as the camp burns around them

don't think of Odysseus trying to get Polites out of joining the ambush on Troy but the other kings aren't having it

don't think of Odysseus watching Polites wipe the blood and tears off his glasses as he says he's fine to go, he appreciates Odysseus trying his best

don't think of the fire and screaming in Troy

don't think of Odysseus collapsing into Polites as soon as the fighting is over and sobbing too hard to explain why he's so upset

don't think of Odysseus closing himself off as they prepare to go home, jealous and angry over how his friend remains as optimistic as ever while he's haunted

don't think of the sea breeze and the promise of home starting to ease things back to normal

until it doesn't

[imaginechb]

Things the fandom often forgets about Jason Grace:

His mother abandoned him at 2 and he survived training with the wolf goddess Lupa at 3

He isn't some dumbass bro himbo like a lot of people think, he's actually really smart and knows a lot of things

He wears glasses and loses them a lot

He's one of the kindest demigods in both camps

He defeated the titan Krios with his bare f*cking hands

AND he killed the trojan sea monster

He isn't the "roman percy", and he's not some knockoff protagonist

He isn't trying to replace or compete with Percy

Percy and Jason actually hardly know each other and there really isn't much of a bromance there like people think (but if you wanna keep being delulu I respect it)

He toppled the black throne of Kronos and earned his position as praetor

He was literally praetor

Which led to him hardening a bit and put a lot of pressure on him to be a perfect leader

He once jumped into the grand canyon to save a girl he really didn't know that well, with no regard to the fact that he would literally die

HE LITERALLY DIDNT KNOW HE COULD FLY

He isn't boring, it's just that when we meet him in TLH we literally don't know him (and he doesn't either lmfao), we don't have the history and bond we do with Percy

He has a big smile and deep laugh

Jason didn't replace Percy at CHB, people were actually apprehensive of him whereas CJ pretty much DID replace Jason with Percy (treating him as a powerful leader and electing him praetor)

He was literally a child soldier and probably has a lot of issues because of this

He used to squint a lot before he got his glasses

People probably thought he was glaring or judging them, but in actuality he just couldn't f*cking SEE

He's actually a big softie and gives such golden retriever vibes

Canonically handsome

People think he's too perfect but that's because he had to be. He had so much pressure on him to be perfect all the time

He has a calm and steady voice, and even when he's yelling/speaking intensely, it's still steady and strong

TLDR; Jason is literally my fav and Jason hate will not be tolerated here thank you 🫶