#trigger: long post

[gongyussy]

"i would know her by reformed body alone... i would know her in death"

also... there's official art

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[chinzhilla]

[Anyway, what do you think about when you run?] I imagine a huge crocodile chasing me.

Cha Joo Wan as Cha Yeo Woon in Love For Love's Sake episode 4

[parkerstorms]

im sorry i dont usually do this but this post pissed me off so fucking bad and op has replies turned off (because of course they do)

fellas. is it gay to wear pink and have long hair and sing and dance? cause i didn’t realize we were using bioessentialism in movie analysis now that’s crazy

sarcasm aside this is literally why i don’t go in tags anymore because none of you are media literate. not a single one of you. longlegs is not wearing makeup in the movie. it’s shitty plastic surgery; that’s why his lips are red. you can literally tell by just looking at him that it’s not lipstick. the clothes he wears are all off-white or white. the falsetto he’s doing is very obviously meant to mimic that sort of “goochie goo” baby talk a lot of adults unironically use towards children. also coding? ‘coding’ is not when you interpret something from a movie as anything you want because you feel like it. coding is an intentional act committed by creatives to further their story and allude to specific real life things for a specific narrative purpose. it is an intentional act of storytelling. it is not you looking at a movie and assuming something as fact based off slight vibes

and i’m just gonna say it. if you see a male character with long hair that’s acting generally creepy in the vicinity of a child and automatically assume that that character is being coded as a transwoman, YOU ARE THE ONE BEING TRANSPHOBIC.

like holy fuck some of y’all have never actually looked inwards once in your life and it shows

[soulren]

Go spend some time on male pattern baldness or male(AMAB) balding forums/subreddits and such. I did after realizing it is happening to me and the ammount of people who truly don't realize how BRUTALLY it tanks people's confidence and mental health is insane.

There's no cure to baldness by the way, and it can start at any time and there's no way to predict how fast or slow it will go. The only real working option is a daily pill that usually just halts it, but it can stop working or just slow it down or cause major side effects. To regrow you have to use a daily topical solution, or use a roller to wound your scalp. None of these are surefire by the way, and if you stop them you'll just lose your hair and whatever you regained. It's a daily involved thing that might not work and often at best just retains. The best drug, the one that occasionaly gives regrowth, also causes shedding at the start, and can have side effects from growing breasts to brain fog to EDsyfunction(sorry, censoring cause tumblr). Now, those are INCREDIBLY rare and almost never happen but it weighs heavily on the mind of those already spiraling.

But that's just background. What I'm here to talk about is the pure woe you'll see on those forums. People speak as though their lives are over, as though they've lost every chance of finding a woman(predominantly, there's a running idea in such places that women don't like bald men or like them less) or doing anything. You can read countless stories of people who describe that they no longer go outside, are now filled with anxiety and self-hate, have gone from extroverted to never showing their face. And some of these people are kids who lost their hair in high school or even before, or are holding as best they can to a very receded hairline and feel like there is nothing they can do.

And then there's something touched upon far less in those communities, but is important to bring up here; baldness and masculinity. There's the horror of knowing so much of society sees a bald guy as a very masculine guy, at seeing that the best advice for being hot and bald is "grow and beard and big muscles bro". Imagine now you're AMAB balding and nonbinary, or a trans woman who doesn't want to be on hormones.

Just genuinely take the time to look at those forums no matter who you are. Understand what these people go through, what I am currently going through. It is soul-crushing, spiraling, brutal. I have the dream of one day being like Brennan Lee Mulligan or Matt Mercer and starting to lose my hair made me feel like I could never. I felt like and still feel like I would have to be masculine, have to be a bro-y dude, have to look older than I was(I'm fuckin 22). It was the feeling that I could never dress feminine again, never present as a woman when I wanted to again, that I'd always be viewed as a bald guy before anything else.

This is an incredibly vulnerable post for me, and I hope it reaches you all as well in a kind and understanding mood. There's a tendency online for people to joke about baldness, to make fun of it, to treat it as a playfull silly thing but it fucking ruins lives, and it shouldn't. It happens to half the population's sort of bodies and very often. It should just be a neutral thing. You don't need long hair to be feminine, you don't need hair to be feminine. You don't need hair for anything. I guess I'm just saying in general that everyone should be kinder about balding, more understanding, and view it with as much import as they'd view the pixels between this sentence and the next. None at all, I mean.

And for those like me, very feminine guys who wanna keep that and don't want a beard and are terrified of balding, here's some names and I do hope others that see this will add more; Mr. Bruce (also in The Correspondents(band) Alex Ward in LA By Night Jason Carl in LA By Night Cecil Baldwin of Welcome To Night Vale Bob The Drag Queen RuPaul(in looks alone, I know about the whole fracking stuff but this post is about looks) tananasho on instagram Also your mannerisms and style of dress will convey femininity far more than your hair. Yea sure a front-on neutral shot of you may not and maybe you need makeup and stuff, and hell maybe a lot of people might reject you more but it'll just filter down to the people for you.

And to all you artists and writers and creatives; make more bald characters. Try it out. Feminine ones, masculine ones, all sorts. None of the copout nonhuman sort, just dudes and girls and mates and individuals who are all sorts of things and also bald. It might make a few of the people going through the various vortexes of pain that balding causes feel a bit better.

And to those noticing I did not adress female hair loss much here, that was intentional. I am AMAB and currently a nonbinary guy who goes by any pronouns but often likes to present as fem. I learned I was possibly losing my hair and lost two months of my life, no work or going or anything, to male hair loss forums and research and spiraling. Checking my hair twenty times a day, unable to sleep, unable to eat, unable to think. And my situation was NOT unique, but it also did not give me any experience or understanding of female hair loss and what AFAB people may go through with that, so I don't feel knowledgeable enough to speak on it. Also living with baldness WILL get easier and you will find something that works for it, by virtue of simply living with it. Things get easier with time.

[khaoala]

❝The rest of your life is to spend making up to me for the way you made me feel.❞

FIRST KANAPHAN as KANT PATTANAWAT and KHAOTUNG THANAWAT as BISON episode 8 of THE HEART KILLERS

[sengenism]

The Ishigamis and The Gifts of Science

Dr. Stone is a love letter to humanity and its sciences. The main character, Senku, often acts averse to all forms of affection, and the only love he doesn't deny is his love for science. But Senku is so so full of love. He just expresses it in a way other than physical touch or words of affirmation. He gives.

But let's go back to the one who taught him so– Byakuya Ishigami, his father. The love of Senku's life.

Byakuya is introduced in the tenth chapter of the manga as a dotting father who sells his car to present Senku with scientific instruments he will need for a more efficient research. This car is Byakuya's means of transportation, and given that he is crying and shaking in this scene, it could not have been easy for him to lose it. But his love for Senku is so big, that he wants to support his son's passion even if it means sacrificing a great convenience for him.

And Senku? Senku truly fell in love with science at this moment.

If there is anything that Senku is, he is Byakuya Ishigami's son through and through. They may seem like two very different people, as Byakuya is an openly affectionate guy while Senku is more closed off with showing his true emotions. But Senku takes more from Byakuya than not, and one of them is by showing his love and/or care for others through giving the gifts of science.

And it starts with Byakuya.

[Bodysuit Acquired!]

Byakuya had failed his first attempt at being an astronaut ten years back, but he doesn't give up and tries again. Senku then creates a bodysuit that manipulates muscle movement to help Byakuya pass his swimming test. And while the bodysuit doesn't quite help Byakuya to swim, the thought Senku had put into it had motivated Byakuya more than ever to pass the test. This is one of the fundamentals of gifting– sometimes, it really is the thought behind it that matters.

This motivation is what Byakuya credits during his interview with JAXA for passing the tests. He understands that Senku might not have given him any words of encouragement, but this bodysuit was all the words that were needed between them. Senku wants Byakuya to achieve his dreams just as badly. It's the way Senku shows his love for his father.

And it's the way Senku shows his love for others too.

[Glasses Acquired!]

One of the primitive aspects of the Ishigami village is that it considers bad eyesight as a type of "disease". Fuzzy disease, to be exact.

Suika wears a melon mask at all times to help clear her eyesight, which Senku later reveals is due to the pinhole effect. She, however, has never told Senku or the others about having the fuzzy disease. Senku himself notes how odd it is for her to wear a melon around, and confronts her about it once he decides to create glass. This is one of the most beautiful scenes in Dr. Stone, as Suika finds out that her disease was never a disease, and is finally able to see as clearly as the others. Senku basically gives her perfect eyesight, something she didn't even know was possible before.

[Antibiotics Acquired!]

One of the most beloved people in this village is the priestess, Ruri. Two of Senku's new friends, Kohaku and Chrome are deeply affected by her unknown fatal disease. Senku is such a person who would help a stranger even if there is no benefit to do so (though he would never admit to it), what more a person who his new friends truly love and care about. He cures Ruri of pneumonia, giving her a chance to live a life without the worry of it being her last day every day.

[Cola Acquired!]

Senku forms an alliance with Gen, who plays the role of Tsukasa's spy, for the promise of a bottle of cola. Both Senku and Gen are aware that the cola is only a front for Gen's loyalty to Senku and the Kingdom of Science, for Gen needs his superficial reputation as a comfort and cannot simply join them if there is no personal benefit for him to do so.

This cola is also the first gift post-petrification that Senku brands himself on, probably because it represents the first gift that is not out of necessity and leans toward a comfort/luxury that they both used to enjoy in the modern world.

For a modern man such as Gen, drinking his favourite soda in the stone world might have been one of the happiest days in his life.

[Cotton Candy Acquired!]

Senku cares about people so much, even if the people in question have tried to kill him. Senku sees Homura as a soldier who is merely following the orders given by her leader, but he also sees the Homura as a lonesome girl sitting by herself on trees day and night.

As usual, Senku hides his kindness and care by showing an evil ulterior motive, such as turning Homura to their side using the cotton candy, but Ruri points out that this is a facade. Similarly to Gen, a person with such an ego is unable to seem as if he is doing something good out of the kindness of his heart.

[Stove Acquired!]

As winter approaches, the elders in the village are worried about losing people to the cold. Senku hears about this and creates a stove which has a multi-purpose of cooking and also radiating heat for the people to stave off the coldness of winter. And speaking of winter...

[Christmas Acquired!]

Senku hangs up lights in the tree for the "light bulb test" on a random night. Except the date isn't random at all and he drops enough hints for Gen to catch on that it is the night of Christmas. The significance of the day is only appreciated by Gen and himself, as they are the only modern timers in the village. It is for the sake of nostalgia, but Senku would rather be caught dead than admit that he is a sentimental guy with such irrational feelings.

And well, it all comes back to that scene with Byakuya, doesn't it? If you recall, Byakuya calls himself "Santa" while giving the scientific presents to the young Senku. This indicates Senku received them during Christmas. Which means... Christmas is a sentimental day to Senku and his father. An anniversary of Senku receiving his Christmas presents from Byakuya, which led to his deeper dive into his science obsession. The beginning of it all, one would say.

And even though he's dead and buried, Byakuya never stops giving. He gives Senku the Ishigami village to provide Senku with allies. He gives Senku Lillian's music, because he believes in the light of music and understands the importance of media to society. He collects platinum till his last breath, because he believes that Senku will need it someday. Byakuya keeps on giving to Senku, because his love for his son is so huge and unconditional. And because he promised.

Surely, there is no greater love in the manga than Byakuya's love for his son and Senku's love for his father. Byakuya could easily win ten billion best father awards... well, not like there's much competition for that in shounen mangas.

[physalian]

On Writing Characters with Hyper-Specific Triggers (and a PSA)

*Trigger warning for this whole post

Once upon a time, I had a roommate. Nothing looked wrong from the outside and this narcissist probably thought nothing was wrong on the inside, but there was. I knew moving in with them was a mistake, but financial circumstances demanded I shut up and try to make the most of it. Enter the longest thirteen months of aPTSD-inducing psychological stalemate I hope to never repeat again. Seven of which were on overdrive.

The why doesn’t matter. The how doesn’t matter. What matters is that this roommate was so toxic, there was no point in attempting to talk things out because any little thing could be a land mine for starting an argument and it didn’t matter what casualties got caught in the crossfire, so long as this person “won”. Casualties including our friendship. So if any little thing, anything at all, could be a land mind, what do you do if not try to completely avoid them? For seven months.

This person’s work schedule was incredibly erratic, but they were gone more hours than not, and when they were home, they were usually asleep. In those few overlapping hours where we were both awake, I could not leave my room for fear of said verbal land mines. If I wanted to cook, leave the apartment, get anything from the living room or my desk that I had to abandon, get more water from the fridge, I had to do it before they got home, or after they went to bed, and I could never predict when they’d be home.

Luckily (or unluckily), my room faced the parking lot, and this roommate drove a car that made a very specific sound. From the moment I heard that car from my room, I had about 20 seconds to shut down whatever I was doing in the apartment, retreat to my room, and lock the door. Overreacting? Potentially, I wasn’t in any physical danger, but this was seven months of near complete isolation from any other friends, and the fear of making it worse kept me silent.

So, 20 seconds from the moment I hear the telltale whine of that engine. If I couldn’t hear the car, our front door had a lock that chimes and I had about 7 seconds from the first chime to the door opening to get the fuck out of the way. I lost weight that I couldn’t afford to lose from being unable to cook past a certain time in the evening and staying locked in my room on their days off.

Seven months of only having a door chime and an engine to tell me when it was safe and when I had to run.

—

These chime locks are the new normal and one year removed from that apartment, every time I hear it and I’m already stressed, it’s a trigger.

Every time I’m on the highway and I see a dark grey sedan of that make, that is the most important car on the road until I make sure it’s not their car.

Every time I see a dark grey sedan parked in reverse, as they habitually did, that is the most important car in the parking lot until I make sure it’s not theirs.

Every time I have to drive near a certain location where they work, I am watching for that car.

I could pick it out from 200 others. I know the license plate, I know the license plate frame, I know what sticks to the windshield, I know what hangs from the rearview mirror. I would know that car rusted and crushed in an impound lot.

So. Today I drive home and I pass a rear-parked car one turn before my unit, and I think to myself, “that’s not X’s car, but I noticed it, I’m never not going to notice it.” It wasn’t the same make, model, or color, it was just a sedan with its nose sticking out and that was enough.

Then I turn the corner. And there it is. My ex-roommate’s car.

I shit you not it was like I had a warning from the Universe before it hit.

I don’t need to check the windshield, I know it’s theirs. I’ve seen it in my complex once before. The last time I did, I’d parked my own car and waited, got out, and hid between two others in the dark, waiting for this person to leave.

Today, in broad daylight, that car is empty. They happened to arrive while I was gone for 30 minutes. So I park, and I wait. I watch that car from my side mirror. I scan the sidewalk for them and I don’t see anything. I have frozens that can’t wait.

I’m thinking to myself, of all the parking spots in all the parking lots, of all the apartments in this godforsaken town, you parked right behind my spot.

Nothing happened, and even if we crossed paths, nothing probably would have happened (that’s how they worked, pretending nothing was ever wrong and that I was the crazy one). But I still waited, and when I decided to leave, I moved as fast as possible without drawing attention. One whole year removed from that person.

—

It doesn’t take physical abuse, or yelling and screaming and death threats. It doesn’t need to be a parent or a sibling, a relative, or a romantic partner. This person never touched me, never screamed (though they did yell on occasion), never actually threatened anything. They never called me names, were never direct with any of their insults, were never explicitly petty. I had no proof. Ever.

I just had example after example of every time they cut me down to feel smart, picked on me to feel better about themselves and project their own insecurities and jealousy, or used me as their emotional punching bag because of choices they made.

So a year after completely cutting them out, there’s that fucking car parked outside my apartment.

Media portrays “triggers” usually only in characters who are veterans. Noises that sound like gunshots, or thunder, fireworks, because that’s what we think of when we see PTSD—people who fought in wars.

It’s not like I sit around fixating on that car or that door chime (and actually with exposure to that chime every day with no consequences it’s gotten better), but that’s the point. They come out of nowhere when you least expect it. They don’t prepare you for their arrival, they just happen.

I didn’t have anything close to a panic attack, but nothing in the universe was more important in that moment than making sure I didn’t run into this person, until I calmed down.

Trigger attacks don’t have to be this big flashy thing, born of big flashy movements. It can be something as subdued as going quiet, staring at the thing, and your brain dumping everything else except all the potential outcomes of not escaping this situation immediately. It’s just a car. It’s not like an evil Big Dick truck with smokestacks and truck nuts and a MAGA flag on the back. It’s just a nerdy sedan that could belong to anyone.

—

So. PSA.

What you think might be an overreaction by someone you care about, they probably think is an overreaction, too. Did I want to have fate shit on my day and spend extra minutes under the hot sun when I have chores to do? No. But it happened.

What you think a trigger is supposed to look like or what the symptoms are supposed to be are not just what’s dramatic and flashy for the TV. Here I am writing a whole blog post about it instead of just moving on and I can't go back and check for typos because I don't want to have to reread it.

Do you want to die on a hill of “get over it” when someone you care about would love nothing more? Just. Be there for them.

And to writers, artists, anyone—it doesn’t have to be dramatic to be the most upsetting part of someone’s day. Including such simple things as a door chime, or the sound of an engine, really helps with visibility so people like me don’t think “I’m not allowed to feel this way, I didn’t actually suffer like a shell-shocked veteran”.

Most of us never will. That doesn’t make any of our hardships any less valid. Please be kind.

[demon-country]

"Stolas shouldn't have portalled out Blitz during Full Moon" this and "Stolas should have stuck around and listened to Blitz in the garden during Apology Tour" that. Do y'all not realize how it sounds to demand that a domestic abuse victim stick around when someone is yelling at and insulting them? And on the flip side of that, do the other half of y'all not realize how it sounds to demand that someone, particularly someone from an oppressed group, never get loud or demonstrably angry just because it might scare someone?

Like Blitz had every right to air his grievances in Full Moon, and being angry when you're treated poorly is a perfectly normal, reasonable response. It's not inherently abusive to yell and stomp when you get mad, and it's completely unreasonable to say that Blitz is just because he did. But at the same time, Stolas does not have to sit there and take being yelled at when he's already had to suffer though someone doing it to him maliciously for at least 17 years. He does not have to take being grabbed, being screamed at, or having his clearly stated boundaries ignored either, like at the beginning of Apology Tour. Him getting upset when someone does that to him, when he's only just gotten away from his abuser and was almost murdered for it, is not some failing on his part or him playing the victim.

Blitz's trauma doesn't care that Stolas wasn't actually going to abandon Blitz, and it doesn't care that that the hurtful things Stolas has said and done have come largely from a place of ignorance rather than a lack of care. He's protecting himself the only way he knows how and is blinded by the sheer intensity and longevity of his self-loathing, but frankly it was a good thing for him to finally speak up about how some of the things Stolas does makes him feel, and it's a very good thing that he's actually trying to fight to keep Stolas rather than just booking it and throwing a grenade behind him on the way out.

Just like Stolas' trauma doesn't care if he knows Blitz is different than Stella and wouldn't actually hurt him, and it doesn't care that Blitz's anger comes from a hurt, scared, and traumatized place as opposed to the pleasure Stella took in hurting and scaring him. Stolas hasn't had any time to even begin to heal from the damage she did to him, and frankly if he's scared and breaking down like in Full Moon it's actually a step up if he's removing himself from whoever is triggering him, even if it wasn't fair to Blitz who was, in his own way, attempting to work things out.

Neither of them is the bad guy here, they're just very reasonably upset and having clashing trauma responses. You can be compassionate and understanding of both sides without saying that either of them should have to just sit there and take it when someone is greatly upsetting them. It's normal to get angry when you're scared and upset, and it's normal to cry and run away when you're scared and upset, and neither are wrong or bad just because in the moment when emotions were running high they each did several things that accidently set the other off, especially when they had no way of knowing it was a trigger beforehand.

None of this is say that the way things shook out was great or productive, and they definitely need to work on healing so that they're not letting their fear and trauma control them. If they're going to get to place of real understanding, then at some point these two need to sit down with the intent to talk things out and have an honest and open conversation with each other, without Blitz yelling or Stolas running or either of them letting their preconceived assumptions and biases get in the way of actually listening. Blitz needs to not self-sabotage and Stolas needs to not shut down, and that's going to be really fucking hard for both of them, because that's how they've been coping with their trauma for literal decades.

And to his major credit, Blitz got it right at the end of Apology Tour, the only thing he got wrong was the timing because Stolas was so drunk that I'll be honestly surprised if he remembers most of it in the morning. He wasn't in any state of mind to listen or pay attention, but at the same time, to his credit he's already been reflecting on what Blitz has been saying to him and trying to figure out where and how he fucked up and hurt Blitz. And also, he kept saying things like "right now", which means he will be ready to talk things out eventually if he's just given a little bit of space to put himself back together and think about things.

And guys, please. Just because some people will start crying to try to manipulate and guilt trip those around them whenever someone gets upset at something they did, doesn't make that what Stolas did. He was trying to get away so Blitz wouldn't see him cry. And just because some people like to fly off the handle and rage at every perceived infraction, doesn't make that what Blitz did. He had justifiable cause to be angry and in Full Moon he didn't think Stolas was listening, so he tried to make himself louder and bigger in an attempt to make himself be heard and his hurt be acknowledged. If one of their reactions made you uncomfortable, that's fine, there's nothing wrong with that. But the story isn't about those kinds of people, it's about two fictional demons who aren't trying to hurt or manipulate each other, they're just struggling to juggle trauma, ignorance, and the desire to be together. They're not able to yet, but that's what character arcs are for.

And just to head off any comments on it: no, the narrative is not villifying Blitz and it's not babying Stolas or trying to sweep any of the shit he's done under the rug. Blitz being angry and self-destructive doesn't make him a villain, and Stolas crying a few times and still being pretty ignorant of how he's come across doesn't mean they're trying to say he's done nothing wrong.

[elusiiev]

Basil's Somethings

YIPPEEE OK I HAVE WANTED TO TALK ABOUT MY HEADCANONS FOR HIS SOMETHINGS FOR A WHILE NOW AND now i can because theres a visual so

spoilers for the truth a little !!!!

coming from front -

this is when basil's guilt is catching up to him. it resembles mari's dead body more clearly, with hair strands extending towards him and strange misshapen arms doing the same. this reaching out both feels like the creature is begging for basil not to hang her, but at the same time reaching to drag him down too. this is more for gradual thoughts of guilt and shame throughout the course of a day. (tactile + visual hallucination)

coming from behind -

this one is more based on hellmari's appearance, however it shows itself to basil in multiple ways. for example, lying, especially in terms of mari's death, causes this monster to appear. it grabs for his mouth as he feels out of control spewing lies just to keep him and sunny safe, and tugs at his heart, actively making him feel worse about himself as the lies go on. it can also show itself during random intrusive thoughts, with the hair tendrils seeming to choke basil in every way. (vivid tactile + visual hallucination)

corrupted basil -

this is one of the strongest ones, it is a hallucination onto himself. he feels the darkness and lies spewing out of his mouth while he's covered in the blood of his best friend, a rope tied around his neck - this rope gets tighter especially in panic attacks. basil sees this in his mirror or when he looks at himself, normally around the hours of the night. to him, this is a representation of the monster he believes he is as the evidence overtakes him. hair tendrils continue to swirl, especially around the head, to where he can feel headaches after. this is not a constant hallucination and mostly appears during major depressive episodes, panic attacks, and anxiety attacks. (tactile + visual hallucination)

YAY OK THOSE ARE THEM!!!!!!!!!!!!!!! i plan on drawing how basil sees sunny because i have some ideas for him that would be super interesting !!! these are just my personal headcanons, and i know they most likely do not align with the canon but honestly thats fine im just being Silly!!!!!!

[cheridraws]

I was missing him,,, sniffgles

[phleb0tomist]

did you grow up with chronic pain? did you get called sensitive as a kid/teen with chronic pain? were you bombarded with wisecracks from adults who said you won’t know real pain till you get older? join my initiative to ban this vile practice from planet earth!

i had chronic pain as a kid. (still do now.) my physical ability was best in childhood, like, i could do cartwheels then, meanwhile i can’t walk now. but istg my pain was regularly at this very same level back in childhood. ok i have extra symptoms now which make things harder, but if we’re JUST focusing on the pain part, it’s often the same. this blows my mind. the level of pain that i have now, bedbound and with opioids and a million accommodations, is the same level i had when i was 10 when i was just walkin around all day, asking my teachers nicely if i could sit indoors during playtime. (they said no btw.) back then, every time i tried to tell people how much everything hurt, adults said i was “sensitive”.

was i sensitive? is that what i was?

I think i must have been insanely powerful as a 10 year old to be out and about with a level of pain that makes me nonfunctional as an adult. I wonder how many kids and teens are in that amount of pain right now and are being dismissed because of their age. i think the way adults treat children with long term pain is evil. “you don’t know real pain! it only gets worse as you get older! wait till you grow up!!”

okay i waited.

i’m closer to 30 now than i am to 10, and the more hindsight i gain, the more i realise what a horrific violation it is that my pain was ignored when i was the most vulnerable to the trauma of unmanaged pain and had the least frame of reference for what level of agony is normal to experience while climbing stairs

[hypnosis-microsys]

20 days of Hypmic; day 2 - fave division

data jingie

[solarmorrigan]

TW: Brief description of a panic attack, mentions of PTSD

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Post-S3 AU with Steve who, after much badgering (and minor bribery) agrees to drive The Party out to The Good Haunted House outside of town a little before Halloween

He doesn't plan on going in, because after what happened over the summer, having people jumping out at him and screaming while possibly brandishing weapons seems like a bad idea. But then he sees the kids walking off into the dark, swarmed by people who look intentionally threatening, leaving his sight, and he decides "fuck it" and goes in after them

Unfortunately, he was correct, and being in an enclosed, poorly-lit space with occasionally flashing lights where people jump out and scream at him is, indeed, A Bad Idea. Worse, their group gets turned around and Steve gets separated from the kids, and then he's alone, he has no idea where in the house he is, or where the kids are, and he's panicking

It really sets in that he's kinda fucked when he stumbles into the the "haunted hospital" themed room and nearly decks the mad doctor in a bloody face mask and apron that comes out wielding a chainsaw. He catches himself in time, but it still makes Steve feel worse, because it's not this guy's fault that Steve can't handle a jump scare, it's not this guy's fault that Steve shouldn't be here at all, that he's fucked up and he should have known better than to come in, and Steve doesn't want to hurt anyone but he doesn't know how the fuck he's going to get out of there, he really doesn't, and -

Enter haunted house actor Eddie, who is used to being threatened with violence (and has, in fact, been punched once before), but who is less used to people having literal heaving breakdowns in the middle of his room. People get scared, yeah, but this - this is another level. This dude looks like he's about to pass out. He doesn't even really look like he's present; the look in his eyes is uncomfortably distant

So Eddie puts down the chainsaw, pulls off his mask and gloves and approaches Steve slowly. The room is fairly quiet without the revving of the chainsaw, so he manages to get Steve's attention, and asks if he wants Eddie to get him out of there

Steve can only nod

Eddie gets him out the back way, the way customers really aren't supposed to go through, but it's faster, and then they're out in the open air and Steve can almost breathe again. Eddie asks him what he can do, and Steve asks him to talk. To remind Steve of where he is

So Eddie talks; he tells Steve he's somewhere outside of Hawkins at a haunted house, tells Steve what it's like to work there, filling the space with funny stories, and it grounds him. By the time Steve feels like the world isn't caving in on him, he can hear the kids shouting from around the other side of the house, looking for him

He has just enough time to thank Eddie before The Party falls on him and he puts his attitude back on, herding them back towards the car with promises of dinner on the way back "if you can all shut up for five minutes"

In the back of his mind, though, he's wondering if he might just drive back out here on his own tomorrow night. Not to go back in--god, no--but to maybe ask at the front who the mad doctor is. Steve thinks he'd like to thank him for his kindness properly

[friends-w-ghosts]

11 hours in so here’s another little sneak peek.

I did a redesign for Schala before starting, so here’s that too! I tried to take some inspiration from actual Dark Ages outfits and mix it with her sprite design.

[mlobsters]

jared padalecki and jensen ackles nashville con 2024 - main panel

Q: What has it been like to watch the entire fandom change and grow over these last many years, and people who have been at these conventions change and grow?

my post talking more about my thoughts on why they still do these things