#tributes score

[wraithsoutlaws]

every time i post zephyr, in my mind im like "oh boy you're gonna flop" because idk he usually does but the fact that he flops is *so* zephyr, its so meta it makes me laugh so hard

[whatsnew0]

What Luka's return to Dallas meant for him, the Mavs, the Lakers and the NBA playoffs

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[someawesomeamvs]

Warning: Spoilers, violence

Title: Unstoppable

Editor: Sterbs

Song: Unstoppable

Artist: The Score

Anime: Boku no Hero Academia

Category: Character profile

[ur-mag]

Derby County star in emotional tribute to team-mate missing for personal reasons after scoring against Carlisle | In Trend Today

Derby County star in emotional tribute to team-mate missing for personal reasons after scoring against Carlisle Read Full Text or Full Article on MAG NEWS

[norsevvy]

i can't stop thinking about all the parallels and similarities between the three district 12 victors (four with peeta ofc i love that guy don't get me wrong BAHAHA). suzanne collins this is miserable

- lucy gray, haymitch, and katniss were all sixteen at the time of their reaping

- haymitch and katniss both tried to save district 11 girls and failed. both had some kind of mention of willows after death (rue's song, haymitch physically carrying lou lou's body into a patch of willows). you could argue movies-lucy gray had a tie to dill by accidentally killing her (which you could argue happened to haymitch and katniss too)

- all three of them having (mostly) illegal jobs. lucy gray and singing (restricted to the hob), haymitch with his bootlegging, katniss with her hunting. all instinctively rebellious just by nature

- haymitch and katniss both offered some kind of support to their career enemies. haymitch dropped down chocolate to silka after hearing her cry, katniss shot and killed cato to spare him from being (further) tormented by the mutts

- haymitch and katniss have the same family structure; dead father, living mother + sibling (haymitch's brother sid, prim for katniss)

- all of their reapings were never meant to happen. lucy gray's name was intentionally drawn, haymitch's was straight up illegal, katniss volunteered. none of them had their name drawn (save for lucy gray, but that wasn't fair)

- all close with their district partner / partners. admittedly not that surprising, but it's also fully possible to Not be close with them. all three of them risked their lives continuously for their partner(s)

- all related to the covey in some kind of way; lucy gray is just flat-out covey, haymitch is in love with a covey member, katniss has Vague tie-backs to the covey, since burdock had a handful of covey cousins. if anything, katniss is likely to be very distantly related to lucy gray through either maude ivory or barb azure

- all of them were INCREDIBLY popular tributes. lucy gray won most of the capitol over immediately, haymitch's stunt with louella's body + his score of ONE + his interview made him popular incredibly fast, and katniss had the entire world hooked from the moment she volunteered + cinna's outfits + peeta's confession

- all targeted to be more important than their district partner. lucy gray was heavily favoured, jessup went mostly ignored. haymitch was the district 12 victor most people were rooting for, AND beetee asked him specifically to destroy the arena. katniss was immediately favoured, and while peeta was important, katniss had always been "the mockingjay" and was needed more than him

- mockingjays! lucy gray's connection to them is obvious; they loved her and she loved them. haymitch's is more obscure, and is both through lenore dove (who loved them, understandably since she's covey) and maysilee (the original owner of the mockingjay pin). katniss...is the mockingjay BAHAHA but she also has that connection through her father (the birds loved him), and the pin, which is technically relating her back to lucy gray, because tam amber made it for maysilee. the pin dates back all the way to og covey times, albeit it was made after lucy gray's disappearance - also they're all just blatantly mockingjays. in snow's eyes, all of them are birds, which stems from lucy gray and just continues until katniss is outright named the mockingjay (i'm sure haymitch took "all birds i've met are vicious" and ran with it after meeting katniss)

- all three were purposefully hounded and targeted by snow in Terrible ways. lucy gray was the first to deal with his straight up fucking Wrath. snow IMMEDIATELY hated haymitch and told him that he was going to kill him. katniss never had a chance when it came to snow, because he recognised both lucy gray And haymitch in her, and needed to make her life a special kind of hell (and did!)

- likely all knew everdeens, honestly. lucy gray's relation to the everdeens is unknown, but it's clear that the everdeens at least somewhat had covey origins. haymitch was good friends with burdock (katniss's dad), and obviously katniss is an everdeen herself. the everdeens might have originally been bairds prior to marriage

- all had a relation to the mayor / mayor's children. mayfair fucking HAAATED lucy gray, haymitch and maysilee had a found family relationship, katniss was gifted the mockingjay pin by madge - all knew about the forest / meadow. i mean to be fair it isn't like it was exactly Hidden, but all of them have a strong connection to it, which is ALSO covey-related - not even related to lucy gray or haymitch, but katniss saving peeta's life, just like burdock saved otho's life. :( - additionally, lucy gray, haymitch, and peeta were all intent on staying themselves in the arena, not letting the capitol use them or their tears

I'M SICK

[aenramsden]

The following is not my idea; it was the original brainchild of a friend of mine named Omicron, with help from various others including EarthScorpion, TenfoldShields, @havocfett and ShintheNinja:

So, you know what I want to do one day? Run (or play in) a D&D campaign in which the Big Bad Super Dragon that is fuckoff ancient and unfathomably powerful and whose actions have shaped history and bent the course of nations and had repercussions on the whole culture and society in the region where it's set; the Bonus Special Boss for some endgame optional quest after you defeat the direct BBEG and win the campaign...

... is a white dragon.

To explain this for people not deep into 5e monster lore; D&D dragons are sapient beings, and known for their instincts and tendencies, and whenever you meet an big evil dragon that's really old it's usually this ancient creature of terrible intellect Smaug-ing it up all over the place.

Except white dragons are fucking stupid. Like, they're still capable of speech and thought! They're just… feral, hungry morons. And you almost never see them portrayed as ancient wyrms for that reason; they lack majesty. Critical Role did it, yes, but even then, Vorugal is explicitly the most bestial member of the Chroma Conclave, and the others are the more intelligent planners and long-term threats. An ancient white as a nation-defining endboss, though; not a thug for a smarter master but as the strongest and biggest threat around is just not the sort of thing you tend to see.

Adventurers: "Oh wise Therunax the Munificent, gold dragon of Law and Good, what can you tell us adventurers of the evil dragons which rule this land?" Therunax the Munificent, 500-year old Gold Dragon: "Good adventurers, know this: this land is torn apart by the evil of Tiamat's spawn. The eastern marches are the dwelling of Furinar the Plague-Bringer, black dragoness whose hoard is a thousand sicknesses contained in the body of her tributes. The southern volcanic mountains are the roosting of Angrar the Wrathful, the fiery red dragon, who brings magmatic fury on all who do not worship him. And the northern peaks are home to Face-Biter Mike, the oldest and most powerful of all, of whom I dread to speak." Adventurers: "F-Face-Biter Mike???" Therunax: "Oh yes, verily indeed; two thousand years has Mike lived, and his eyes have seen the rise and fall of five empires, and a hundred and score champions have sought to slay him; and each and every one he bit their fucking face off."

Like... I want to see a campaign where Face-Biter Mike is genuinely the most powerful dragon in the region, if not the entire world. Where sometimes he descends on a city to grab himself some meatsicles and causes a localised ice age by the beat of his vast wings and the frigid wastes of his mighty breath and by the chill his mere presence brings to everything for miles around him, and everyone just has to deal with that for the next decade. An entire era of civilization comes to an end, an empire falls, tens of thousands starve in the winter, all because Mike wanted a snack. Where his hoard is an unfathomably vast mass of jewels and artefacts and precious stones frozen in an unmelting glacier, except he is a nouveau riche idiot with fuckall appraising skill, so half of his hoard is coloured glass or worthless knicknacks, and he doesn't give a shit.

"Your Draconic Majesty, this crown is… It's pyrite." "Yeah, well, it's brighter than this dusty old thing made out of real gold, it's my new best treasure. Throw the other one away." "…throw the Burnished Tiara of Bahamut, forged in the First Age of Man, your majesty???" "See? I can't even remember its fucking name." "But my lord-" "DO YOU WANT TO BE A MEATSICLE" "…I will fetch a trash bag, your majesty."

But at the same time, he's not stupid, he's just simple, and in some ways that makes him more dangerous than the usual kinds of scheming Big Bad you see in these things, while simultaneously justifying why Orcus remains on his throne (because he's lazy). Face-Biter Mike doesn't make convoluted plans or run labyrinthine schemes; he just has a talent for violence and a pragmatic, straightforward approach to turning any kind of problem he struggles with into a problem that can be resolved with violence. Face-Biter Mike has one talent and it's horrifying physical power, so his approach to any complicated problem is "how do I turn this into a situation where I can fly down and bite this dude's face off?" with absolutely no regard for the collateral damage or consequences of doing so, because those are also things he can turn into face-bitable problems.

"My lord, the dread necromancer Nikodemion is using his undead dragons to attempt a conquest of the eastern kingdom; his agents are everywhere, his plans are centuries in the making, what can we do against such a mastermind?" "I'm gonna fly over the capital and eat the eastern king." "M-my lord???" "The kingdom will collapse without leadership, Nikodemion will win his war, he'll take the capital and crown himself king." "And that helps us… how?" "Once he does I'll fly over to the capital and eat him." "…" "This is why you advisors all suck. You're all about convoluted plans when the only thing I need to win is know where my enemy is so I can fly down there and eat him. Stop overthinking things."

And, like, yeah, it's a simplistic plan, but when you're several hundred tons of nigh invincible magical death, you don't need brilliant strategy; the smartest way to win a war is, in this case, the simplest. He's not even all that clever at figuring out the consequences of face-biting, he's just memorised the common consequences of doing so.

(If you want to go all in on Mike being the major mover and shaker in the region; Nikodemion only even has a pet zombie dragon because Mike killed the last dragon to show up and contest his turf but wasn't going to eat a whole dragon by himself. Nikodemion got to stick around and amass that much power because Mike ate the Hero of the Realm while he was adventuring because he figured the Hero would come and try to slay him at some point. Nikodemion got started because Mike ate half the leadership of the Academy of High Magic who typically keep evil wizards and necromancers in check. And then eventually this product of Mike's casual, careless actions becomes a big enough problem to bother Mike personally, at which point Mike eats him too.)

He doesn't even really fail upwards, either! He is regularly reduced to nothing but the glacier he stores his hoard in, but he's Face-Biter Mike so nobody wants to commit to actually ending him forever lest they get their faces bitten the fuck off. And his hoard's in a huge-ass magical glacier so nobody can get to it without running into the Invading Russia problem; it's hard to wage war when everything is frozen over and you're both starving and freezing to death. Once he's been beaten back to his central lair and has lost all his holdings… I mean, he's still a problem, but he's a far away problem. So he loses his assets and spends a decade in a cave brooding it up while no one dares risk trying to actually kill him, and then a generation or two later he flies down to a kobold colony and gets himself some minions, or a dragon-worshipping mage comes to offer his service against a pittance from his hoard, or a particularly stupid cult starts thinking they can get in good with him and leech off his power, and then he's (hah) snowballing again.

He's also got a very… well, the kind of weird Charisma that Grineer bosses do. Like Sargas Ruk, who's a malformed idiot, but oddly charismatic. As he's a dragon, that makes him a natural sorcerer and thus Charisma is all he needs. He's pretty relaxed when he isn't in a face-biting mood, and he's kind of infectiously optimistic, because his life has taught him that he will succeed as long as he perseveres. So he just believes it.

And sometimes that's really refreshing to work for, as an evil minion of darkness! It's like, you're coming to your Evil Dragon Lord with terrible news; you've worked for evil overlords before, you know how it goes. You fall to your knees weeping and tell him that you've failed to seize the incredibly powerful magical artifact, you think your life is forfeit. And he's just like "Eh, it's okay, these things are all over the place. Better luck next time. You remember the guy who took it, right?" and you go "Y-yes, oh great lord!" and he's like "Sweet tell me his name later and I'll grab it" and then eats a frozen adventurer he kept around as a snack.

His followers tend to quickly realise that if they fail him, bringing some temple's silver or a sack of brightly coloured beads or a couple of dead cows means he's super forgiving because at least he's got something out of the day. "Oh boy, cows? It's been forever since I had those, ever since the Orc Steppe Nomads took over it's all about goats and onions. Today is a good day." He's a master of delegation by dragon standards, in that he just tells you "Just go get it done, I don't care how" rather than micromanaging you and constantly appearing as an image in smoke or taking over your campfire.

The key part of Face-Biter Mike as a threat to players (because he exists in the context of a D&D campaign) works well in that you can rely on several known quantities:

He will not pull sneaky shit that you don't see coming

He will not make convoluted plans that you must work to unravel

He will consistently attempt to come down and wreck you personally if he finds the opportunity and you are a threat to him

You cannot fight him head-on (at least not until the last leg of the campaign, and ideally as an optional boss rather than mandatory)

So as long as you are good at staying under the radar, thwarting his minions (whom he gives broad orders to with almost zero oversight) and not putting yourself in face-biting range, you can deal with him. If you succeed, it won't be the first time Mike has lost his assets and had to go brood in his glacier for a decade or two before rebuilding. It happens; he can deal with it. And that's a win for you within the context of a single campaign, so take the win.

And if you're not going to use him as an enemy, he works pretty well as a quest-giver, too! The costs for failure are obvious and straightforward, and "do whatever, just get me mine" means that players have a lot of freedom in accomplishing their goals. As far as evil overlords go he is actually one of the least dangerous to work for; his pride is relatively subdued by draconic standards, his goals are simple and typically achievable, and he is easily pleased.

(There's also a good chance he is the forefather of any draconic sorcerer in your party, because Face Biter Mike is a deadbeat dad.)

[cogentranting]

"Looking at him, I can't help thinking that all the little ones seem to end up with me. Louella. Lou Lou. Ampert. I can't keep a one of them safe. Why do they flock to me?"

Hey, don't think about how Haymitch spends the next twenty-five years being given "little ones" to watch over and watching them die because he can't keep a one of them safe.

Don't think about how Haymitch went into the arena as one of 48 tributes and ends up mentoring 48 tributes.

But do maybe think about how Haymitch is the last one standing of those 48 tributes and how Katniss would have been the perfect parallel to him--the kid from 12 whose dad died in the mines so they work in the woods to help provide for the family, whose name wasn't drawn in the reaping but goes into the Games because they're protecting someone else, who brands themself a troublemaker during the lead-up to the Games, who's targeted by the gamemakers in their training score, who befriends a young kid from another district and refuses to just leave the body of a little girl to the hovercrafts when she's killed-- Katniss would have paralleled him by being the last tribute standing when the other 47 are dead. Except that she wasn't. Except that she saved Peeta. Except that her rebellion worked.

[hiddenreamers]

I was in your music video - f1 drivers x singer!reader

SUMMARY: They say that if a poet loves you, they will write you into immortality. But if you date a musician, they might write you into the Billboard 100. Which is exactly what happens to your driver boyfriend.

Featuring: Lewis Hamilton, Lando Norris, Oscar Piastri, Carlos Sainz Jr, Max Verstappen, Charles Leclerc, George Russell

Note: Yes, two songs are sung by male artists. Yes, I'm going to ignore that fact and you should, too.

Lewis Hamilton

He's been in the room maybe five times. The space always felt strangely sacred to him - this is where you write, compose and practice songs with your band; this is where the magic, so to speak, happens. Walls are absolutely covered with tour posters, polaroids and printed-out articles. There's a large mirror that seems to be a message board considering all the sticky notes and words written with a marker. The only somewhat de-cluttered space is surrounding the setup. It's an unspoken testament to being a musician in a band.

There's a certain tension inside the driver. You've never asked him to listen to a song before it's finished. Sure, he has listened through your albums before they were officially released but it was always just that - a recording, not a live version. So what's different this time? Why is it vital he hears this song early?

Walking through the room, Lewis has to carefully watch where he's going. He doesn't want to accidentally break something by stepping on a cable or kicking a box with unknown contents. Inside a garage, he knows what not to touch but a recording studio and instruments are pretty much an unknown world to him.

Lewis is standing around a tad awkwardly, hands in pockets, when the bassist pushes a big black box closer to the driver.

"Have a seat." The musician points to the chest.

Lewis frowns. "On the box?" he asks, unsure. "Is that okay?"

"It's the Lucky Chest, Hamilton," the bassist announces. The other band members snicker at the title. "You have to sit on it."

"What's lucky about it?" Lewis inquires. More than the seating choice, he's interested in the reason for laughter.

"The first time we played at a big festival," the guitarist begins, her story slightly interrupted by her tuning the guitar, "we were sitting on it and listening to Green Day's stage, wondering 'how the fuck are we supposed to play after them?'."

"We were doing like a punk-rock tribute thing," adds the drummer. He's adjusting his seat and judging by the constant up-and-down movement, he can't make up his mind. The process is finally over when he reaches to tap the high-hat and nods to himself, content.

"After we finished our set," you take over retelling the story, "Billy Joe Armstrong came up to us and said we did great."

"So now it's the Lucky Chest," concludes the bassist.

Perhaps it's another testament to being a musician in a band when multiple people together tell one story without cutting details or creating chaos. A true harmony, though a joke a little on the nose.

"Well, I'm honoured," Lewis says. An airy giggle escapes him as he's still thinking about how easily teamwork comes to you and your band.

"You should be." The guitarist points her finger at him in a joking but accusatory way. Then she looks over her shoulder. "Whenever you're ready, drummer boy."

Music fills the room and Lewis is instantly captivated by you. He noticed it the first time he saw you on stage, how something inside you changes the moment you hear the instruments playing. Intensity, fire - passion in its most primal form. But this time around, the look in your eyes is different. You're no longer looking at the audience but him specifically; instead of singing a song, you seem to be telling him something.

So he listens.

I'm a desert, you're an ocean It's your motion that I need Without you I am broken, left to thirst out in the heat

And how strange he suddenly feels: all of the sentiments he already knows but now that you've put them into words for the whole world to hear, he can't help but find some revelation in them. For a moment, there's only the two of you and your confession of desire. Every word resonates with him and Lewis feels like he could say all of those things about you, too.

The song is far from over but he has already decided - he will listen to it before every race.

Lando Norris

Nothing seemed different about that day.

Lando is streaming while you're still at the studio. In an hour or so, you will come back, he will end the stream and the two of you will sit down to eat something. You will talk about your day, he will say something silly and both of you will laugh. Just like you always did.

To his credit, Lando couldn't have known about the song because you never told him. Some part of you thought it would be a bit dramatic to announce that you've written a song about him but can't play it yet because it's not finished. It would spoil the fun, wouldn't it? Therefore, you decided to tell Lando only after he listened to the final product. Perhaps you also wanted to seem a lot more nonchalant about the whole thing, planning on giving him just an off-hand comment of "oh, by the way, this one's about you". Life, however, rarely turns out the way we plan and that's exactly what happened that night.

If it was just one or two people calling Lando "honeybee" on the stream, he probably wouldn't even notice. But even he will pay attention when the comments are going on hundreds if not thousands.

He can't help but grow flustered at the pet name born out of his visceral fear of insects.

"Who told you that?!" he yells in a comically angry tone, a poor attempt at hiding embarrassment.

The comments come flooding again, explaining the situation only in variations of your name and the title Espresso. And like a detective following a crime, Lando immediately searches the internet.

"I feel lied to," he speaks up. "She didn't tell me she has a new song coming out. Why am I the last one to know? When I literally live with her? This is so unfair, I'm obviously the biggest fan, I should know first!"

Lando plays the music video. From the first line of "he's thinking about me every night", his bashfulness only gets worse. What starts as an excited smile, grows into a flustered, giggly mess. Although his pride is on the line, he can't deny any of the claims you make in the song. Yes, he couldn't sleep one night thinking about you and texted you about that. Yes, he does call you often even though he hates making phone calls. And yes, Lando Norris is, in fact, wrapped around your finger. What a horse is everyone can see and similarly, everyone can see and define who Lando is when it comes to his girlfriend:

"Simp?" he reads one of the comments. "Look, maybe I am but at the end of the day I'm dating her and you're not so who's the real loser here?"

Lando can only laugh his heart out when the chat gets flooded with identical comments: You.

"Okay, I admit. I'm down bad for my girlfriend and I'm proud of that."

Tomorrow's headlines are bound to be interesting...

Oscar Piastri

Although Oscar has seen you in musicals countless times, this situation feels a lot weirder and more uncomfortable. When he comes to watch your show, he's in the audience and you're on the stage. Now you're sitting side by side on the couch in your shared apartment, about to see your first movie. You're both the audience and the creator, which leaves you unsure how to act.

Unfortunately, your discomfort only grows. Oscar seems to be enjoying the movie but joy is not granted to you on this day. With each minute, you know your big part is coming. Oh God, what is he going to think?

Then, you suddenly pause the film. Oscar looks at you confused.

"There's something you need to know before you watch this scene and listen to the song," you say before he can ask you about your strange actions.

Oscar's frown only deepens. "You're making it sound really serious."

"Because it is. The thing is... " you hang your voice, unsure how to put words together. How do you tell someone this without making things awkward? "This is more embarrassing than I thought it would be but the song you're about to hear, I wrote it thinking about you."

He's trying to smile but the shadow of embarrassment on his face doesn't go unnoticed. You can only hope it's good kind of nervous.

The movie is resumed. As your discomfort is barely tolerable, you're looking away from the TV, fidgeting ever-so-slightly. Once or twice, you glance at Oscar, trying to see his reaction. The problem is, he's sitting unbelievably still. True, Oscar Piastri tends to be on the calmer side but right now it feels off. As if lost deep in thought, he appears to be diligently contemplating the scene in the movie; picking apart the words that came to your mind while thinking about him.

When the song comes to an end, you pause the film once more. A tense silence falls between you and Oscar, both longing to say something and yet neither willing to.

"So?" you begin hesitantly. "What do you think?"

Oscar shifts awkwardly. "Erm... I don't really know what to say."

A nervous giggle escapes your lips. "It's really sappy, I know." You try to downplay the situation, fearing that his reaction is born out of something negative. Does he think you're clingy? Obsessive? Too dramatic to handle?

"It's not that," he quickly denies. "Well, okay, it is kind of sappy but it's good sappy?" Oscar's tone raises slightly, revealing that he's unsure whether it's the right choice of words.

"Good sappy?" you repeat.

It feels as though woe has weaved a nest inside your viscera. "Good sappy" sounds like a lovely, diplomatic euphemism used not to hurt someone's feelings.

"Yeah, it's just..." Oscar doesn't finish his sentence. He runs his hand through his hair, then rubs the back of his neck nervously. Finally, he looks at you but not in a way you're familiar with. There's something ethereal in his gaze, a glint of inexplicable emotion that would escape a less observant eye. "It's really beautiful," he says. "The fact that you feel this way about me?" You could swear there are tears in his eyes as he lets out a flustered giggle. "I can die happy now."

Carlos Sainz

As old tradition entails, the Thursdays before a race weekend are meant for golfing. And who is Carlos Sainz to not give in to the custom?

He's sitting in his car, impatiently ploughing through the traffic of the city centre. Why are people out and about at this time, anyway? Shouldn't they be at work? Wanting to get his mind off of the fact that he's going to be quite late to the game, Carlos turns on the radio. The man is mindlessly skipping through the stations until something catches his attention - the announcer introduces you as today's guest.

"Hello again, pretty girl," Carlos says to himself. A small smile enters his face.

"First of all, I'd like to thank you," the radio host begins. "Unfinished Business is just the album I've been waiting for this year. And not only me! Have you seen Billboard 100 lately?"

Your flustered giggle is just as adorable as always. "Yesterday evening, I think?"

The broadcaster sighs dramatically. "Then you have ancient news. I have the site pulled up now and check it every few minutes. Let me tell you, Unfinished Business has climbed twenty spots since morning."

"Oh, shoot."

"Indeed." The announcer laughs and Carlos does with him. It's such a familiar theme for the driver - you being more humble than you really should be, surprised by the success you entirely deserve.

"Now, to address the elephant in the room or rather on the music charts. Over and Over Again is like a love letter all of us have written but never sent. Tell me all about it!"

"I guess 'love letter' is a pretty good description," you explain. Curious, Carlos turns up the volume. "For some time, I was trying to put my thoughts together and tell someone how I felt but never could quite do it. I can write good songs but in real life, I'm pretty terrible at speaking my mind and talking about feelings. I just don't want people to misunderstand, you know?"

"What are you saying, hermosa?" Carlos asks aloud, although there's no one to answer him.

"At least you can write a song about it! We regular folk are stuck with memes and playlists."

"Thank God, I can!" You laugh and, as embarrassing as it may sound, Carlos feels a sudden warmth spreading through his chest. "I was struggling with saying what I wanted to say to him, so at some point, I just decided I could put those words and feelings into a song. He likes to listen to the radio when he's driving so he might even be listening right now."

Although nothing bad or negative is going on, Carlos feels himself growing tense, nervous. There's no doubt the "he" you keep mentioning is him but what exactly is it you've been trying to tell him? Is there something he's missing?

"Did you tell him you've written a song about him?" the radio host asks.

"It might have slipped my mind," you answer coyly.

The announcer only laughs. "Oh dear, what a way to find out! Without further ado, let's hear your love letter to the mysterious man. I really hope he's listening to us right now. Don't you dare change the station, you lucky guy."

To his own surprise, Carlos recognizes the melody - you've been humming it for weeks now. But as you begin singing, the words leave him in disbelief. Do you really... mean all of that?

Carlos is lost in the song, feeling as though the lyrics aren't just lyrics but your genuine confession; a true love letter, as you have said yourself. He's brought back to reality only when the car behind him honks and Carlos is a hair's breadth away from picking a fight with the other driver. Nothing requires more haste or attention than his girlfriend exclaiming to the whole world that he will always be the one for her and that she will love him over and over again.

Charles Leclerc

You don't hear Charles coming in - you're too lost in your own thing to remember there's an entire world outside of the song and the piano in front of you. On the other hand, Charles doesn't announce his arrival as he doesn't want to disturb you. To be perfectly honest, he's a little too curious to interrupt you. It happens very rarely that you practise outside of the studio and so Charles doesn't really get to hear your more casual singing, not an embellished performance for the audience.

As quietly as he can, he makes his way towards you. Charles casually leans against the doorframe, your back turned to him as you continue playing the piano. He barely bites back the smile that creeps onto his face whenever you effortlessly sing the high notes - they are difficult for professionals and yet you execute them so cleanly, they appear almost too easy.

The lyrics haunt him but in a truly delicious way. A particular note of sincerity in your voice makes the words stick to him like rain does to a reckless passerby. Sure, they will slip away, although not before drenching him; their vital piece will forever lie with him.

When the song comes to an end, Charles (without thinking twice) gives you a hefty applause. The surprise makes you almost fall off the chair.

"Shit, you scared me!" you yell at him. It takes a couple deep breaths and your boyfriend's apologies, to collect yourself. "How much did you hear?"

He shrugs, suddenly realizing that he wasn't supposed to hear even one note of the song. "Pretty much all of it."

Your expression must not be joyful as Charles resumes his apologies and poor attempts at excuses. Suddenly, you cut him off. "How'd you like it?"

For a moment, he only hums and mindlessly knocks at the doorframe, looking for the right words.

"I loved it," he confesses. A strange tension in his voice proves he's telling the truth. "It's a beautiful song."

"Good," you answer absentmindedly. Quietly, you nod to yourself before looking back at Charles, a mischievous glint in your eyes. "It would really suck if you hated a song about yourself, you know?"

His eyes grow wide and Charles seems to forget about blinking for a good minute. Judging by the changes in his expression, you can tell the exact thought process he's experiencing: realizing you've written a song about him, joy caused by that, remembering the lyrics and finally taking them personally.

The more observant fans might notice a new addition to his helmet: "Claire de Lune" written in elegant lettering.

George Russell

Common sense might tell you that a race car driver must have no fear. And that would be correct, although quite imprecise. They must have no fear on track, yes, but daily life is quite different from racing, isn't it? Or maybe George is discovering a range of emotions he has not known before.

Your relationship is fresh but that isn't to say it's not serious. The weight of the connection the two of you share is a major part of the reason why George has been dead set on taking things slow. The other part is him knowing what media circus will play out once the news breaks. It's hard to blame him for wanting to keep at least some aspect of his life private, especially one that means so much to him.

As understanding as you are, George's apprehensiveness is tiring. You perfectly understand his reasoning and to some degree share the sentiment but at the same time, you are just somebody in love - you itch to scream it to the whole world. Or, at the very least, share a picture of the two of you. Both of you haven't been middle-schoolers for quite some time now, so why act like ones?

George, like the supportive boyfriend he is, loves to see you in your element. He watches the music videos, yet, but he much prefers the dance practice videos, where you're visibly enjoying each second of the choreography. Therefore, when you upload a new dance video for your song, he's probably the first person to play it.

It's a catchy tune that makes even the most boring people want to dance a little. With his head moving to the rhythm, George doesn't focus much on the lyrics until something in the second verse catches his attention:

So used to hiding We built our kingdom around The right timing

The lines, understandably, hit a little too close to home to be a pure coincidence. Now suspicious, George replays the video - this time, he's actually listening to the words instead of focusing on your dancing. Any hesitation that he's the true recipient of the song is gone with the first line of "Say you want me". The desperation in your voice is simply too candid to be just an act for the sake of the performance.

With the song loudly playing on a loop, George is scrolling through his phone's gallery in search of the best pictures of the two of you. He can't help but mouth the lyrics along with your singing, only to randomly giggle as the thought once again settles - it's about him.

Your phone can't stop vibrating. The notifications are coming nonstop. What on Earth happened? Upon opening Instagram, the mystery is solved. The internet seemed to be set on fire when George posted a series of pictures of the two of you with a caption that earned a giddy chuckle from you: "Setting us in motion".

Max Verstappen

Max and you both understand how much support can change. Sometimes just knowing that this other person is out there, watching and cheering, can change everything. As such, the two of you try to attend each other's events as much as you can. Unfortunately, the universe isn't always kind and you end up on the opposite ends of the world. The only support you can offer then is watching the live-streamed event - just like Max is doing right now.

He's sitting in his driver's room in Singapore, while you're at an award show in the USA. Quite the distance. There's something unbearably humbling about having to watch your performance like most of the world, when Max is, without a doubt, not most of the world.

In the back of his mind, Max is still thinking about the conversation he had with you earlier. Although he never misses your performances, you made it a point to tell him to watch this one. In your own words, he's supposed to look out for something fun, like a detail that will make this show different from the others. So as though he is a hawk, or more of a vulture, Max is hyperanalizing everything that's happening on the screen. He's not about to miss your little surprise.

The song begins and as much as he wants to enjoy watching you in your element, Max is a missile on a mission. Nothing specific seems to catch his eye but that t-shirt you're wearing...

Max knows it all too well. Theoretically, it's his t-shirt but considering you wear it more often than he does, it's practically yours. Now it's styled to fit the concept and image of your bandmates but the colour, the logo, the number, are all unmistakeable. Considering how much you're touching the article of clothing, compared to other dancers, he's convinced he's found what he was meant to look for.

Before he can wonder why you've chosen to wear his t-shirt for your performance, it's you who gives him the answer through the lyrics:

I feel like for the first time I am not faking Fingers on my buttons and now you're playing Master of anticipation, don't you keep it all to yourself

Max Verstappen doesn't get flustered but if he did, he'd be beyond flustered right now. The realization hits him like a derailed train - the song that everyone has been obsessed with through the summer and that has pretty obvious sexual lyrics is actually about him.

And if he did get flustered, the emotion would be rather short-lived, giving way to pride. After all, the core meaning of the song is that he's a generous lover, right? Clearly, he's been taking good care of his girlfriend.

Now, each sung line of "Just the touch of your love" makes Max all the more frustrated that the two of you are so far apart. He's earned his title of "Master of anticipation" and he intends to keep it.

[ebdaydreamer]

NO BUT HAYMITCH, PEETA AND KATNISS ALL PISSING OFF THE GAMEMAKERS AND GETTING POTENTIALLY THE ONLY 1 AND 12 SCORES EVER BECAUSE THE GAMEMAKERS WANT TO TARGET THEM ONLY FOR IT TO MAKE THEM STAND OUT!!!

They gave Haymitch a 1 to deter sponsors, but instead they made him memorable to them. They gave Katniss and Peeta a 12 to make them a target to the other tributes and wipe out the rebellion, but it only serves to encourage people to be their allies AND keeps them at the face of the rebellion

The Captiol cannot handle the district 12 victors

[maevesheart]

only angel (2)

FINNICK ODAIR X FEM!READER

note: wasn’t originally planning on making a part two to this but it just seemed so unfinished??!?! and i love ruthless reader idk she’s a queen

summary: through your alliance with katniss, you and finnick rekindle some buried feelings.

wc: 5.2k

tw: violence, death, brutal!!reader, blood, allusions to forced prostitution

only angel (1)

SEVEN YEARS EARLIER, THE 68TH HUNGER GAMES

Brutus and Enobaria sat in front of you and Mace, your district mate.

They reminded you of strategies that you had been taught your whole life, ensuring that as long as you two played into the Capitol’s hands, you’d get plenty of sponsors and come out alive.

Mace and you had never been close back home, but you saw him in the shopping centers, had some mutual friends. It was someone familiar, and even though your two mentors spent more time perfecting your wielding of knives and crocodile tears, you hoped Mace could somehow make it far in the games. Like you knew you would.

Enobaria and Brutus had introduced you to the various other Career Tributes, taking their time to butter up the other mentors, ensuring a ticket for your survival.

You were small compared to the other tributes, even the girl from Twelve was bigger than you.

But you trained, and you trained hard, showing off the various knife and sword tricks that had been engraved in your brain since you were a child.

Enobaria helped with your endurance, shocked by how fast you were. She had instructed you to not show that off to the other tributes, don’t give too much away.

After the private sessions with your mentors, you were stronger, faster, and more agile than Mace could even dream. You almost felt bad, the way Enobaria and Brutus were setting him up for death.

But, at the end of the day, only one can make it out alive.

Enobaria was strategic, determined for you to win. She instructed you to not show too many strengths in the private session with the Gamemakers, just enough to get a respectable score for someone from a Career District.

You followed her instructions to a tee, refusing to be one of the 23 fallen.

For the interviews, Ceasar laughed at your innocent comments and jokes, complimenting the head piece you wore, noting how it looked like a halo.

“Beautiful, like an Angel,” he smiled, the crowed cheering in agreement.

You giggled, smoothing down the uncomfortable golden dress they had sewn you into.

The crowd roared with your unwavering confidence, the arrogance paired with your baby-face and innocent smile was enough to send them into a fit of convivial.

It was just too easy.

The night before the games you had snuck out of the floor for Two, going up to the rooftop in hopes of having a moment to yourself.

You perched on the ledge, a small nightgown barely covering your shivering body.

You closed your eyes to relish in what could possibly be your last moments of peace, before being snapped from your trance by footsteps echoing.

You whipped around, teeth barring and senses on high alert. You were already acting like the wild animal Enobaria had been training you to be.

“Not in the arena just yet,” a smooth voice sounds out, a boy a few years older than you coming into view.

You recognized him as Finnick Odair. He had won a few years back, and was now returning as a mentor.

You ignored him, turning back to the outline of the Capitol.

He approached you slowly, leaning his body against the glass railing you were propped against.

You looked up to him, tired-eyes meeting his, somehow seemingly sparkling.

“Unfortunately,” you spoke, your mouth in a straight line. Enobaria had introduced you to him during the parade, but his tributes were not ally-material.

He laughed at your response. You stared at him, unamused.

“Feisty,” he smirked, watching you look away from him and back to the skyline.

“Not really in the mood to talk about my fate,” you said, his eyes still burning two holes into the side of your face.

His smile dropped slightly, having once been in your position himself.

He reminded himself you were only 15. A year older than he was when he won.

He had only won 3 years ago, and stood on this same rooftop. Looking out on the same city skyline.

Your peripheral vision caught him lean both his forearms onto the glass, shifting closer to you.

“Is it just as scary as it seems?” You ask. You were a child. A child that had been trained to hunt and kill. But deep down, you were just a scared kid. How would you kill all those people?

Finnick hums, acknowledging the same question that wracked his mind the nights before his games.

“It is,” he recognized your fear, but refused to give you false hope that it wouldn’t be as brutal as it truly is.

The words Enobaria had spoken to you earlier bounced around your brain, it’s just killing. Self-defense. All of it. Don’t be scared to kill someone who isn’t scared to kill you.

You let out a long breath, closing your eyes.

“I don’t want to die,”

It was quiet, but Finnick heard it, head perking up and turning to stare at you.

The role as a tribute was meant to bring great honor to someone from your district, but you were terrified. You were young, passionate. You had so much to give and so little time to give it all.

“Enobaria told me to hide my strengths, and I did. I’ll be able to kill them, once it comes down to it. But how will I live with myself?”

Finnick asked himself the same question everyday. How did he kill all those people? Sure, it was survival. Him or them. But how do you continue your life, pretending like you hadn’t murdered people on live national television?

“I—“ Finnick fell short, eyes still watching the side of your face.

“How do you cope with it all?” You finally turned to him, salty tears on your cheeks.

He knew you were preparing yourself for the inevitable. He had heard Enobaria boast about you, and had seen you in training. Other tributes would be frightened to get close to you.

He didn’t answer, swallowing thickly. You would soon understand, you would be in his position.

You choked out a sob, hands wrapping around your body.

He watched with wild eyes, before pulling you into his warm chest, head burrowing in his body.

You made no move to remove yourself from his body, and his arms were snug against your back.

“Kill as many as you can, as soon as you can. Then lay low, hunt. Don’t fall for any of that ally-bullshit.”

His voice was rushed, eyes filled with emotion. He felt for you, a scared child. He remembered his fear all too well.

You sniffled in his chest, hands balling at the thin fabric of his top.

And you listened to him.

In those next few hours, during the bloodbath, you killed two, both with knives to the chest. The Capitol citizens cheered as your face reflected the highest kill-count. You knew it was nothing to be proud of.

That next evening, while the rest of the Career pack slept, you stole the boy from One’s — Yves — backpack, shoving their weapons into it as quietly as possible.

Your small size came handy, being able to stealthily move around them, you were lucky the arena was a desert, sand not making a noise.

The girl from One — Aithon — began to lightly stir, and you knew it was now or never. Finnick’s words from the night before mixed with Enobaria’s, and that was all you needed to take a sword in each hand and take down the two tributes from One.

Their deaths were quick, the canons sounding out and Mace waking up, his laying figure looking up at you. Small but powerful.

You stood over his body, one foot on each of his arms, keeping him from reaching up to you.

His face twisted in confusion, looking over to the blood pouring from Yves and Aithon, each who had just been sleeping soundly next to him.

Your knife neared his face in milliseconds, and you had to force your arms down as he began to scream.

“I’m sorry,” was all you could whisper, guilt beginning to cloud your senses.

But you pushed past it, knowing you had to come out alive. No other option.

“Y/N! Please!”

And then there was silence.

He wasn’t anything special, but he was from home.

You held in tears as the canon sounded, running from the three as quickly as you could.

Whilst you hid behind one of the large cacti around the arena, Enobaria grinned as Capitol citizens celebrated her and you, her star tribute.

Finnick watched, heart tugging, knowing that he had encouraged the killings, he had told you to trust no one. And you had listened.

And from then on, you became the Capitol’s angel, their winged symbol of purity, despite the blood and deaths of many on your hands.

When Snow placed the crown on your head, you smiled, naively, and thanked the crowd. Thanked them for their donations, and their belief in you from the beginning.

But that’s all you were to them: a spectacle. A little girl who killed five in one day, a little girl who’s life had been dedicated to these games, to win. A little girl who would never get her purity back, never get to sleep without seeing Mace’s terrified face before she killed him.

He didn’t deserve it, none of them did. But it was life or death. And there was no way you were going to die.

PRESENT DAY, THE THIRD QUARTER QUELL

Your group continued up to the Cornucopia, you and Finnick taking the tail.

Peeta and Finnick drew a map in the dark sand, you leaned against the side of the metal Cornucopia, Johanna plopping down next to you, and Katniss on your other side.

It all happened in a blur. One second, Wiress was singing her song about a mouse and the clock, and the next, Gloss was on top of her, knife straight into the heart.

Katniss’s arrow struck him, you grabbing your swords to get Cashmere who was standing behind him.

Finnick rushed after you. He knew you could take Cashmere, but what happened if Brutus appeared? Brutus had never been kind to you, and it was doubtful he would start now.

Your sword stuck Cashmere in the leg, and she screamed, falling onto the little amount of ground that the middle sector offered.

She turned over, knife in her left hand, grazing your ankle slightly. Luckily your stylist had dressed you in thicker socks; she had been an absolute idiot about most things, but at least she had your back in the arena.

Your thigh was still slightly burning with pain, but you pushed through it, sticking both your swords into Cashmere’s chest, a strangled gasp leaving her lips and her head falling back against the ground.

The canon sounded out, but you continued to pull your swords out and drive them back into her chest, more blood pouring out.

You were grunting now, mind hyper-aware of your actions, but refusing to stop.

You kept driving the sharp tools into her chest, her body slightly moving up when you retracted the metal, and then caving in as you pushed them back.

You weren’t going to die; you refused to.

Hands were on your shoulders, pulling you backwards, and you turned, swinging.

Finnick let go and backed away, hands held up. He knew you’d never hurt him, but once you’re in the killing mindset, it’s very hard to break it.

You dropped the weapons to your side, a long breath leaving your lips that you hadn’t realized you’d be holding in.

Finnick pulled you along with him, hand on your side as he brought you over to everyone else.

All of them were staring with wide eyes — besides Johanna of course.

Katniss knew you were brutal, but she didn’t realize how quickly you did turn into the angel of death. One second you were smiling, laughing at something Johanna had said.

Then your eyes were lit with a fire, teeth out, and running, faster than Katniss had ever seen someone move.

She had watched you kill Cashmere in seconds, continuing to drive the weapons into her, sounds of exasperation leaving your lips but you were unrelenting.

You felt like you were fifteen again, scared and angry, brutal to anyone who crossed your path. Your swordsmanship was uncanny, and Katniss dreaded the moment that she had to try and kill you.

And then the Cornucopia began to spin, extremely fast. You grabbed onto Finnick, a sword sucking down into the water, your other tight in the palm of your opposite hand.

You and Finnick fell to the ground, grabbing at the hard rocks to keep from flying to the water.

And then you heard Peeta scream Katniss’s name, and the two of you both yelled a loud, “shit!”

You pushed off the hard ground, crawling to the side of the island, hand reaching down to grab Johanna’s axe and try to hoist the two of them up.

You grunted, holding onto a small portion of the metal that wasn’t sharp. Your feet dug into the ground, sword shoved into the rock to keep you grounded.

You watched as Katniss went flying down, and then Johanna was on top of you, the two of you gasping for oxygen when the spinning stopped.

You and Johanna were back on your feet, rushing to help Katniss out of the water.

You all made your way back onto the sand, where it was relatively safe.

You discussed strategy, your fingers tracing different shapes into Finnick’s thigh.

“Who’s left then?” Katniss asked, eyes flickering between you and Johanna, the two of you having a conversation with your eyes.

“Brutus and Chaff, I think that’s all,” Peeta announced, all eyes shifting to you at the mention of your district-mate.

“I get Brutus,” you spoke clearly, eyes hard.

“Y/N…” Finnick spoke, hand smoothing down your arm.

“Just… I know him. I can handle it, I swear,”

He had helped train you, of course you would know his methods like the back of your hand. You had been seeking revenge for years, waiting for the day you could get him back.

What had the games done to you? Fantasizing about killing someone?

And then you were back there, back to the moment your life really ended.

You were dressed in clothes Snow had picked out, a hairstyle Snow had picked out, makeup Snow had picked out. You were his newest doll, malleable to his every demand.

It was your victory tour, and Enobaria and Brutus were accompanying you, helping you with speeches and coming to terms with your new life as a Capitol pet.

You were finishing up in the Capitol, the final destination. Snow had laid out his conditions for you: your pride and body now belonged to the Capitol, and with it, they could do what they pleased. Your company came with a high price.

He had threatened your family back in Two, describing in detail what would become of them if you didn’t comply with his wishes.

You had gone back to the train and told Enobaria and Brutus, eyes spilling hot tears when Enobaria pulled you into her arms, hands stroking your hair. At least she was kind.

Brutus, however, was not.

His boisterous laugh rang off the walls of the train, your eyes peeking out from Enobaria’s embrace to glare at him.

“Let me know when you start, sweetheart,” he smirked, a scowl overtaking your features.

You had been waiting to get him back, to show him that weren’t a little slave for his disposal. Finnick understood your rage, more than any other person could.

He wanted to kill Brutus just as badly as you did.

No one else asked any questions, and for that you were grateful.

And then the screaming started, and you jumped to your feet, eyes frantic and scanning the area.

Whoever it was, they were screaming for Katniss, and rather brutally as well.

And off she took. You were the fastest, so you caught her first, arms around her shoulders to steady her, but she kept moving, screaming back to the voice.

She stopped abruptly, and shot an arrow into a large black bird that was flying over your heads.

The screaming stopped immediately. And then it began again, this time, it was the voice of Mace. And you felt the blood drain from your entire body, legs suddenly shaking and threatening to go out.

The words he had screamed to you before you had slit his throat were wrapping around your body, swallowing you whole.

“Y/N! Please! Y/N!” You were running then, the screaming getting louder and louder, tears streaming down your face as you tried to escape it; the horror that would haunt you forever.

“It’s not real, they’re jabberjays!” Katniss assured you, running behind you, trying to catch up.

You saw Finnick and Johanna’s faces ahead through your blurry vision, and you sped up, Finnick’s arms wide for you to run into.

But it was a force field, and you collided right into it, falling to the ground in a heap of tears and painful memories.

You covered your ears, head digging into the ground to stop the noise, but it wouldn’t stop. You wailed, and Finnick was hitting the force field, which he was standing on the direct other side, but there was no avail.

He was screaming for you, to look at him, listen to his voice. But the field was soundproof, and he had to watch with a heavy heart as you sobbed, the sounds of the person you betrayed all those years ago the only thing you could focus on.

Finnick’s hands were all over you, smoothing down your hair, checking your face, helping you stand.

Peeta was doing the same with Katniss, the both of you having tear-stains down your cheeks and dirt smudged into your cheeks.

You were frozen solid, eyes big and wide, legs slightly shaking. You had never felt worse about something than what you did to Mace that dreadful night. His screams haunted your dreams, and to have the Gamemakers play into that weakness reminded you just who the real enemy is.

“Y/N, look at me,” Finnick’s hands were on the sides of your face, pulling you closer to his protective figure.

“It wasn’t real. It wasn’t him,” he shook his head lightly, your lips still quivering from fear.

You could only muster the strength to simply nod, telling him that you knew, but the Gamemakers were cruel, so cruel, and they had hit you right where it hurt.

Just as you were beginning to regain your usual automatic-kill mindset, a small box flew down, straight into your hands.

Everyone gathered around you, curious as to what could’ve been sent.

You knew Enobaria would have your back, and considering the sponsors this year were based upon what you had left over from your games, you were lucky. You had a large pot of donations under your name, not needing much assistance when you were in your first games.

You screwed off the top, being met with a small vile of Crave Cure, the very concoction that she had sent you during your games. It came with a note reading: remember who the real enemy is. I’m always rooting for you. - Baria

That assured you of Enobaria’s stance, likely scheming with Haymitch and Plutarch behind the scenes, ensuring your protection by Thirteen.

Finnick smiled next to you, Johanna calling out with happiness.

“Finally!” Johanna cheered, axe thrust into the air.

You even broke a smile, suddenly distracted from the traumatic experience you had just endured.

You looked up, seeing the confused looks on Katniss and Peeta’s faces.

They would’ve never heard of Crave Cure, it was the most expensive thing a mentor could send their tribute, and required many sponsors. It was usually only sent to the Careers, both you and Finnick had received it during your games.

“Crave Cure,” you spoke, Katniss’s eyes meeting yours.

“One drop on your tongue and it cures hunger for 12 hours,” you smiled to them, picking up the vile.

“Enobaria is a saint,” Johanna spoke, watching as you dropped a tiny bit of the brown liquid onto your tongue, a content sigh escaping your lips.

Beetee went next, then Finnick and Johanna.

Katniss and Peeta stood awkwardly to the side, not knowing to approach or not.

“Oh, enough of that! We’re allied, aren’t we? Take a drop,” you urged, placing the vile into her hands.

Peeta nodded, and that seemed to be all the convincing Katniss needed before mimicking your action and gagging when she tasted the fluid.

You laughed at her expression, a light-hearted tease. “Not the best, but it does do its job,”

You figured you had really won her trust, considering how she walked next to you during the hike to the big tree.

The two of you talked about your families back home. You complimented her dedication, to protect her little sister.

She had killed your Cato and Clove; the two you had spent hours coaching, assuring they’d be okay in the end. Words you had needed so badly during your games.

Through talking with Katniss, you realized no one deserved to win as much as she did. She was selfless, willing to sacrifice herself for both her sister and Peeta, placing herself as a protector, not a victim.

And then the peace you had all been building crashed down, Katniss suddenly retreating from the trust you all had built after Beetee offered she go with you and Johanna.

“Why can’t Johanna and Y/N go? I’ll protect you with Peeta,” she spoke, and you met Finnick’s gaze. You read the fear in his eyes, knowing this the was now or never moment.

“Katniss,” you spoke, hands resting on her shoulders.

“You know who the true enemy is,” you whispered, holding her intense eye-contact.

Her eyes softened at your words, everything seemingly clicking into place. With a nod, you grabbed her hand, and pulled her with you and Johanna.

A look over your shoulder to Finnick, and a nod. Your eyes said it all: I love you. I’ll see you soon, once we are safe and out of the Capitol’s hands.

You and Johanna halted your movements, stopping Katniss as you did.

“Stay down,” Johanna instructed Katniss, grabbing her arm.

“What-“ Katniss was about to scream, and you could not let that happen.

You grabbed her face with your hands, eyes frantic for her faith.

“You can trust us,” you whispered, barely loud enough for the cameras to pick up on.

But the raw emotion in your eyes calmed Katniss, giving Johanna the opportunity to cut the tracker out, Katniss’s arm beginning to bleed heavily.

“It’s alright,” you soothed her, your arm out to Johanna, waiting for the inevitable sear of pain.

And then it came, and you placed your body over Katniss’s not allowing her to get up and try to attack.

But then you spotted Brutus over the rock, his hard eyes staring straight into yours.

“Y/N,” Johanna warned, watching the familiar fire begin to brew.

You were up in seconds, sword in one hand, knife in the other, running up the rocky hill. The pain in your arm was masked by the rush of adrenaline you ran high off, killing spree — if you will.

Johanna grunted in anger, but she knew not to expect anything different from you.

“Do not move,” she instructed Katniss, picking up her axe to follow you.

You had reached Brutus quickly, pouncing onto his back and driving your sword straight through his abdomen.

He cried out in pain, blood soon coating your legs that wrapped around his waist.

You pulled the sword out, taking the knife to his neck. He was dead in seconds, the familiar canon sounding throughout the arena.

After registering what you had done, images of Katniss flooded your mind and you internally cursed yourself, rushing back to the spot you had left her and Johanna.

Johanna was back to your side, but Katniss was no where to be seen.

“Fuck!” You cursed, sprinting back towards the tree where Beetee, Finnick, and Peeta were.

She had likely gone back to protect Peeta and kill Finnick, and you were not about to let that happen.

Johanna tried to keep up with you; but even with a gushing arm and slit leg, you were fast. Much faster than anyone else.

“Finnick!” You screamed, feet pounding against the hard ground, propelling you towards the tree, where you watched Katniss aim her arrow straight at Finnick’s head.

Beetee was on the ground, and you crouched, feeling for his pulse. His heart was still beating and you hovered over him protectively, in case Katniss decided to turn around and fire at you too. Which seemed very likely.

You watched as Finnick said something to Katniss, obviously resonating with her, the bow slightly lowering.

“Johanna! Give me your arm!” You swung around, panic-struck and searching for the familiar face.

And you saw her a few feet below, trying to climb the vines you had mounted with ease.

You looked between Finnick and her, torn as to which to try and protect. You knew Finnick would hold his own, so you turned back around and began to move for Johanna, quick feet avoiding possible injuries.

But just as you were in grabbing-distance of her, Finnick’s voice rang out, screaming, “Get away from that tree!”

A crack of something echoed around you, and you turned wildly, trying to figure out what had just happened.

Then you understand what Finnick had meant, a loud crack of lightening rained down and sent you flying, reaching for Johanna as you flew past her, her terrified eyes meeting yours.

The last thing you remembered was being pulled up into the air by a large claw, head and limbs limp as you were hoisted up; sword still secure in your palm, a protection habit you had picked up since your games. You always needed to be armed, after all, life was the arena.

You awoke to the sound of a heart monitor, steady beeping lightly calming your high-alert nerves.

You winced sitting up, large bandages wrapped around your forearm and thigh.

You inspected your surroundings, two empty mats in front of you, and Katniss sleeping to your left.

You stood, hushed voices on the other side of the door that reached the ceiling of the craft you were on.

You looked for a weapon of sorts, not willing to go in unarmed. On the other side of the empty room was your sword, glimmering and coated in blood.

You walked over to it, legs sore and aching, the familiar metal calming against your palm.

The door immediately opened as you approached it, Haymitch and Plutarch’s widening as they spotted your weapon of choice clutched in your ruthless hands.

But it dropped to the floor with a loud clatter when your tired eyes met Finnick’s, a relieved smile coming over your features.

You rushed to him, throwing yourself into his arms. His lips met yours halfway, melting into his strong hold around your body.

The two of you fit together perfectly, like you had been made in the same mold.

Your arms wrapped around his neck, pulling him tighter to your already close bodies.

You poured all your pent up feelings into the kiss, all the feelings you had suppressed since the fight that had ended your relationship.

It was the most relaxed you had been in the whole week, since your name was plucked from the bowl of living victors.

His lips moved against yours as he squeezed your hips, hands feeling everything they could, to ensure that it was in fact you, and you were alive and safe in front of him.

You pulled a part, a grin across your small face.

He smiled back, but your bliss was interrupted from the clearing of a throat behind you. You spun around, eyes meeting the expectant ones of Haymitch, Plutarch, and Beetee.

The look on your face said it all. And Haymitch nodded, validating all the thoughts that had been running through your head.

You were safe, headed for the secret hideout of Thirteen. All was okay.

You almost began to laugh thinking about how the Capitol would react, their Angel and Darling being two of the biggest conspirators in a rebellion. How ironic.

And Katniss was on the ship, you had successfully carried out your tasks.

“Where’s Johanna?” You asked, a smile still dotting your face.

Finnick’s composure broke, and your heart dropped, realizing the obvious.

“No, no, no, no,” you began to back away, spine hitting the hard metal of the table.

“I went after Brutus, I didn’t cut the tracker… fuck! Oh my god, Finnick, oh god,” you began to dry-heave, accepting her capture as your fault.

Finnick’s hands were on your biceps, steadying you and pulling you back into his chest.

“Johanna and Peeta are in the Capitol,” Plutarch spoke, your worst fears being confirmed.

“It’s all my fault,” you groaned, head in your hands. You had killed, hunted, and tortured. But the idea of a friend’s death being on your hands hurt more than any of those ever did.

Haymitch spoke reassuring words behind you, but Finnick’s hold and the idea of betraying Johanna was all you could focus on.

How would she forgive you? Was she alive? How would you ever cope if she wasn’t, and it was all your fault? Of course, you let the murderer take over, and went after Brutus.

Finnick’s arms soothed down your back, keeping your grounded as you were flooded with grief, with the heavy weight of betrayal.

Johanna and you were close friends, you were supposed to protect each other in the games. She had protected you, always by your side, and you neglected to do the same.

“We’re going to try and rescue them as soon as we can,” Haymitch said, even though you all knew that might be an impossible task.

And then Finnick slipped his hand into yours, fingers curling around yours and softly rubbing your knuckles.

You composed yourself, closing your eyes as you took in a deep breath, regaining focus on just your interlocked hands. Finnick always knew how to relax you.

All you had wanted initially was to get out of this quarter quell alive, to return home to your big mansion and family. To hug them again, to prove to the Capitol that they could take everything from you, but they couldn’t kill you.

But now, you realized that all had been in vain. Where you really belonged was here, holding hands with Finnick, discussing how you were going to break your friends from the Capitol’s mean grip.

You’d die for him, for them. You’d flap your wings once more to ensure they’d all live.

When Katniss first volunteered for Primrose, you hadn’t understood how she would sacrifice her life for another.

But now you knew, and you knew you’d do it too.

You finally had something to live for, someone you loved, who understood all that you had gone through better than anyone else.

Life was the arena, and if it came down to it, you knew the angel would sacrifice herself for the darling.

**

[ilguna]

☼ odds are (Finnick Odair) ☼

summary; you and Finnick have never seen eye to eye, despite both being close friends with Johanna. it isn't until you save his life in the arena, does he see you different.

warnings; swearing, weapon use, blood, ehhh gore, death, drug mention, kinda starvation mention, suicide (mags), puke mention, the usual hunger games stuff.

wc; 9.6k

--

If there’s one thing that you’ve learned so far about the other district’s personalities since becoming a mentor, it’s that District Four produces the most annoying people by far. You don’t know if they’re born that way, or if it’s the water they drink, but they take that top spot without a close runner up.

Which is crazy, considering people like Enobaria and Gloss exist. They don’t know when to stop even when it’s obvious, yet they can be more mature than Finnick Odair is half the time.

He has the ego the size of a hovercraft and he just uses it to do whatever he wants to whoever he wants. He thinks that if he can smother someone enough, they’ll back down and let him have his way. Arguing with Finnick is truly like talking to someone who always assumes they’re right just because they’re older than you.

Except, in this case, it’s because he’s been mentoring longer, since he won ten years ago. It gives him seniority in calling the shots, or it does in his mind, at least. 

He wants to be the main ally that corrales Katniss and Peeta into doing what’s best in the arena. The problem with that is Katniss doesn’t like Finnick, which will make it a huge ordeal trying to get her to do anything for him. He seems to think that as long as Peeta trusts him, Katniss will follow.

Only, Peeta’s not a complete idiot and he knows how to think for himself. Beyond that, in a setting where there’s going to be twenty-two other tributes that have also won the Hunger Games in their own unique ways—Peeta’s going to follow Katniss’s lead. There’s not a single doubt in your mind that he’s going to let her take the reins and trust her to protect him in dangerous situations.

So, in the end, while Peeta might have his own opinions on what he’d like to do, he’s going to value Katniss’s opinion first. 

Finnick can’t seem to understand that. It doesn’t matter how you explain it to him, he doesn’t want you to be right. Even with Johanna standing here, telling him that you’re not wrong, he refuses to believe it. 

“You’re just going to make her mad.” You tell him again, throwing your hand up. “We all saw the way she looked at you yesterday, and today she’s gone out of her way to make sure she can’t talk to you.”

Finnick glances over in Katniss and Peeta’s direction. They’re on the far side of the Training Center, sitting with Cecelia from District Eight. This morning’s the last chance you get to train before the private session with the Gamemakers in the afternoon. From what you’ve been watching, they’re taking it easy.

“We already knew she wasn’t going to like me.”

“Does it have anything to do with the way you approached her during the parade?” You ask back, tilting your head. “You’re terrible at first impressions.”

“I am not.” Finnick’s face twists.

“Yeah, and that’s why we’re friends, right?” Your tone sarcastic. “I’m not asking for your permission, I’m going to tell Haymitch that you’ll meet up with us later on down the line.”

Finnick shakes his head. “That makes no sense. You are not a strong fighter, I need to be there to help with Katniss.”

“Katniss doesn’t need help!” You exclaim quietly. “What Katniss needed is someone she can trust, and that’s obviously me. I just spent the past two days getting to know her. She doesn’t want to be around either of you.” 

You then place your hand on Johanna’s shoulder, but she gives you a shrug. “I don’t care. She’s going to have to deal with me sooner or later. I have no preference.”

“You have basically no fighting experience, all you’ll do is get in her way.” Finnick tells you.

“Excuse me, I do know how to fight. I set the highest score when it came to hand-to-hand combat with a weapon.”

“When?” Finnick asks, not believing you.

“Today.”

“Bullshit.”

“Finnick, she’s not lying.” Johanna sighs. “And that’s besides the point. We can’t keep (Y/n) out of the plan just because you can’t get along with her. She’s right about Katniss.”

“I can and will keep her out of the fight.” Finnick tells Johanna, causing your face to scrunch up. “Who’s going to get to the Cornucopia first, you or me?”

“I’m not airheaded enough to think it’s me.” You snap back. “But—”

“Katniss knows how to swim, we saw it last year. She’s going to get there second. What stops me then?”

“Me, when I get my fucking hands around your neck.” You point at him. “What happens on the off-chance you chase her off? What’s your big idea then?”

“Haymitch is going to get me something to signal to her that we’re already allies.” Finnick shrugs. “I bet he didn’t talk to you about anything like that.”

“He doesn’t have to.” You laugh. “That’s the entire point. I don’t need him to signal to her about anything. She picked me as an ally on that first day. You can’t say the same. It says a lot about your character.”

“My character?” He’s unimpressed.

“No one likes you!” You shout at him.

“Okay,” Johanna says. “Let’s talk with Haymitch tonight, see what he has to say about the situation.”

“Fine, but I’m not spending the rest of my day with this idiot.” You tell her.

—

Monkeys.

At first, it was only a couple that were hanging above Peeta, who couldn’t be more oblivious. Now, a troop of them have gathered in the twilight in the time it’s taken you, Finnick and Katniss to assess the situation. They’ve completely appeared out of thin air, gathering on open branches.

And they’re all watching Peeta.

You eye Finnick, wondering what he’s thinking on how he wants to handle this. After all, he’s been directed to take charge in situations where Katniss and Peeta’s lives are in danger. Or rather, he asked Haymitch to make it official, because he couldn’t live with the idea that you might be the better fit.

Either way, there’s several different approaches you could take. Does he want to go to Peeta and guide him out of the jungle to make sure he keeps his head down or will that trigger the monkeys? You could try gathering around Peeta and set off the monkeys on purpose to ensure you’re in control, because they’re bound to go off anyway… right?

Or maybe it’s a better idea to lure Peeta out of the jungle and hope for the best?

Katniss makes a decision before Finnick does, carefully arming her bow with two arrows, just in case a fight shows itself. This causes Finnick to nervously adjust the trident in his hand, not ready for what she’s planning on doing.

You, on the other hand, trust her. 

“Peeta.” Katniss’s voice is calm, but there’s a slight edge to her voice if you listen closely. “I need your help with something.”

“Okay, just a minute. I think I’ve just about got it.” Peeta tells her, fiddling with the tree so he can put the spile in the bark. “Yes, there. Have you got the spile?”

“I do. But we’ve found something you’d better take a look at,” Katniss continues. “Only move toward us quietly, so you don’t startle it.”

Katniss has decided to lure Peeta out, then. It’s not a bad plan. With how the monkeys are tracking Peeta’s every movement, anything mildly offensive could cause them to attack. And since eye contact is a form of aggression, he needs to keep his head down.

Peeta turns to face the three of you, panting from trying to drill into the tree with the awl that Mags had passed over before she died. “Okay.” He agrees, not an ounce of hesitation.

He begins to come in your direction, but he’s not at all being quiet whatsoever. This is expected, he wasn’t last year, either. He’s not used to hunting or gently shuffling your feet through leaves. He worked in a bakery, carrying heavy bags over his shoulder.

It doesn’t matter, as long as the monkeys are holding their position—and they are—despite the amount of noise he’s making. He’s only five yards from the beach, where you’re standing, when he finally feels how off the air is. His eyes dart up for only a split second, but that’s all it takes.

Their shrieking fills the air, almost causing you to cover your ears at the pitch. The monkeys launch themselves off the branches and aim straight for Peeta, ready to kill. They’re too quick for your eyes, making them one blur. They slide down vines, jump from the trees with teeth bared, hacked raised and claws as sharp as knives.

You jerk forward, drawing your sword back to swing as soon as you get into range.

“Mutts!” Katniss blurts, in case you haven’t figured it out by now.

Katniss and Finnick take off after you. You swing hard, right at the first monkey that thinks they can get their paws on Peeta. The blade cuts right through fur, slicing skin right open, blood flying everywhere. The mutt collapses, struggling to breathe.

It’s just the first of many.

You move on, drawing Peeta in closer to protect him easier. Katniss shoots her arrows two at a time, taking down twice the amount of mutts you can. Finnick tries to keep up with her pace by spearing several of them at once and flinging them aside. Peeta can’t do much with his knife, but you’re able to keep them off of him with just your sword.

The fight grows harder the longer it goes on as you try to see through the darkness, breathing in the cloud of blood and must. Even as you end up back to back with your allies, it doesn’t get any easier. 

“Peeta!” Katniss suddenly shouts. “Your arrows!”

Peeta stops swinging, briefly looking over at Katniss to see what she means. In an instant, he begins to slide out of his sheath so that he can hand it over to her. He doesn’t even wait to make sure the coast is clear before he does.

“Peeta!” You blurt.

You swing at a mutt that’s already coming at you, catching the sight of another one flying out of a tree, heading in his direction. For a moment, you think you have just enough time to fling the monkey off your sword to save him, but the mutt at the end of your blade grabs your wrist, yanking you out of the formation.

You’re thrown into the jungle, a blur of green and brown passing by, until you hit the ground. You roll for a couple of feet, and then come to a stop, staring at the leaves above your head, trying to get a hold of your air. There’s a dull pain on the right side of your body from the impact.

And then you get back up.

Katniss is running for Peeta, hands outreached to grab him before the mutt does, but she’s too far. 

A body materializes from one of the trees, screaming, jumping in front of him just in time. The mutt’s claws swing inward pulling—who you believe to be—the morphling from District Six in for a deadly hug as it sinks its canines into her chest.

You’ve managed to regroup with them now. Peeta wiggles out of the sheath, letting it fall to the dirt so he can bury his knife into the monkey’s back. He stabs it repeatedly until it finally releases its jaw, kicking it away. Katniss retrieves her arrows, loading her bow, waiting for another attack.

You turn to look at the monkeys in the trees, curious to see what they’re doing. They stare back at you, unmoving, observing you the same way. Beside you, Finnick is breathing heavy, trident resting on the ground. He must think that the fight is over, then.

“Come on, then! Come on!” Peeta shouts at the mutts, trying to egg them on. 

They seem disinterested in continuing though, satisfied with the life they’ve taken, retreating. They disappear into the darkness of the jungle silently, and even though it appears they’re gone, it doesn’t feel like it.

“Get her,” Katniss says, she’s talking to Peeta. “We’ll cover you.”

You eye the morphling, who’s audibly wheezing, not quite dead yet, but she will be soon. Peeta carefully lifts her, turning to leave the jungle, the beach being a few feet away. Finnick motions for Katniss to follow Peeta, you don’t even bother to argue with him about who goes next after that.

There are several orange bodies on the ground on the way out. You step over them, wary of the possibility that they could be pretending to be dead. As soon as you step foot onto sand, a shiver runs up your spine, causing your neck to shrink into your shoulders.

You tense too harshly, the pain in your side returns. You can’t help the gasp that escapes you as you reach to grab your exposed skin. Since you no longer have a jumpsuit to protect you because of the poisonous fog, several cuts and scrapes have been inflicted across your skin.

“Cold?” Finnick asks, it sounds like he’s teasing. Before you can answer, he keeps going, “Or does your body hurt because you couldn’t handle some hand-to-hand combat?” 

You look over your shoulder to see him, eyes narrowed into slits. “You think you’re so funny.”

“What about my observation makes you think that I’m joking?” He asks, coming to a stop. “You just proved me right.”

“What are you talking about?” You ask, face twisting. “Prove you right, how? We’ve barely said anything to each other since the Cornucopia.”

“You have no fighting experience.” He tells you with a straight face. “You’re a danger to the alliance.”

You press your lips together, staring at him, holding back the urge to scream profanities in his face. 

What would he have liked you to do at that moment? You were occupied with a mutt, and Peeta just straight-up abandoned his job to give Katniss a sheath without thinking twice. You were off your game because you didn’t know what to do with a monkey flying at him, while trying to defend yourself at the same time. 

You’ll give it to Finnick, you made an error which could’ve easily have resulted in your death, but it didn’t. What he doesn’t realize is that you will learn from it, you don’t often make the same mistakes twice. You’re not a fucking child, either.

“You forget I was invited to the alliance.” You tell him, choosing not to engage in his behavior. “I don’t know why I bothered responding to you.” You start to move away from him. “All you’re capable of doing is criticizing people.”

You turn away from him, heading to Katniss and Peeta, who are hovering over the morphling girl. They have cut away the jumpsuit over her chest, revealing the four puncture wounds from the mutt’s fangs. There’s blood slowly running out of them, making the situation appear better than it is. 

She’s gasping for air, desperate for every lungful, holding onto Katniss’s hands, unable to control her twitching. A part of you wonders if she accidentally got caught up in the fog, but that can’t be the case. It has to be withdrawal, considering the green shade of her skin, her prominent cheekbones. She watches the clouds in the sky blankly, trying to hold on.

“I’ll watch the trees.” Finnick says, right before turning away from the scene.

You stare at the back of his head, and then turn your attention back to the morphling. Peeta moves to be on the other side of her, crouching down to gently stroke her hair, speaking quietly. “With my paint box at home, I can make every color imaginable. Pink. As pale as a baby’s skin. Or as deep as rhubarb. Green like spring grass. Blue that shimmers like ice on water.”

The morphling is completely encapsulated by his words.

“One time, I spent three days mixing paint until I found the right shade for sunlight on white fur. You see, I kept thinking it was yellow, but it was much more than that. Layers of all sorts of color. One by one.” Peeta murmurs.

Rustling of leaves drags you out of what he’s saying, you look over in time to catch the back of Finnick’s body, heading back into the jungle. You give a glance to Katniss, who seems to be in her own world at the moment, and decide that they can protect themselves for a moment while you have a conversation with Finnick.

You head straight in without an ounce of hesitation, following the sound of muttering, leading you straight to him. He’s picking the arrows out of the grass, swinging them out periodically to rid them of the mutt blood they’re soaked in.

“Listen,” You start, Finnick pauses long enough to look at you, before going back to what he was doing. “I get it, you don’t like me. The feeling’s mutual. I don’t need you up my ass about every decision I make. So, worry about yourself, and I will worry about me.”

“I’m not up your ass.” He scoffs. “I was pointing out what happened. You can’t fight, it’s a fact.”

“It’s not.” You shake your head. “While I was trying to kill the mutt, I was figuring out how to save Peeta, there was a monkey—”

Finnick holds up his hand, cutting you off. “I don’t need your excuse.”

You tilt your head at him, lips parted, actually speechless. You knew Finnick’s personality resembled a dumpster, but you’ve never experienced it yourself. It’s always been second hand retellings from your friends.

“Anything else?” Finnick asks after a moment of silence.

You’re stewing again. It’s insane how easy it would be to tear him down from the horse he sits on, but you can’t afford ruining the alliance. With how he’s acting, you wouldn’t put it past him to throw in the towel and tell you to do it yourself. Which you can do, it’s just a matter of whether or not you’d like to at this point.

While you’re glowering at him, thinking of a response that doesn’t end in the two of you fighting, something moves from behind his head. You take a step to the side, eyes searching the ground, but you quickly realize that’s not where it is. It’s up in the trees.

“What?” Finnick asks.

“We should leave the jungle.” You tell him, not wanting to mention it in case your eyes are playing tricks. “It’s not safe here.”

Finnick digs his heels in. “Now you’re being paranoid.” 

He turns around, going back to rummaging through the greenery to find the arrows for Katniss. He’s already got a good handful already, does she really need the rest? 

A branch dips, your eyes flicker to it.

Even though the sun is finally rising, the light hasn’t quite reached this part of the arena yet. You pat your hip for your sword, afraid of what’s to come, and realize that you left it out on the beach with the Twelve tributes.

“I’m serious, let’s go.” You tell him.

“I don’t care.” He says back, inching closer to the tree.

A hand creeps out of the darkness, a furry hand wrapping around the branch further down, as if preparing itself to launch at him.

You bite the inside of your cheek. You can’t lure Finnick out the same way that Katniss did to Peeta. And you can’t fight your way out of this situation without a weapon. As nice as it would be to turn around and leave him in here, knowing what’s behind him, you’d never be able to live with it.

“Finnick, just trust me this once. Katniss has enough arrows.”

Finnick stands, the movement is too quick, causing the monkey mutt to jerk into the light, revealing itself too soon.

“If you’re scared, you can go back to the beach, (Y/n).”

“Finnick, get down.”

He takes a step toward you, mouth opened to continue what he was saying. You watch in horror as the mutt’s body tenses, getting ready to attack Finnick. You rush at him, the same way the morphling did to Peeta.

“Get out of the way!” You shout, jumping to tackle him.

Finnick turns in time to dodge you and the monkey, putting you into each other’s path, forcing you to collide. The monkey’s claws dig into your skin as it throws you down, your head flying back. A sharp pain strikes your skull, your vision immediately going black.

A rough hand grabs the underside of your arm, jolting you awake. You blink quickly, trying to get rid of the blurry vision as you’re harshly brought back to reality. The person tries to pull you to your feet, but your legs aren’t ready for the weight. Your knees buckle, hand grabbing the shoulder of whoever it is to steady yourself.

The throbbing in the back of your head begins, feeling like a giant headache. You wince, gritting your teeth, pressing the heel of your hand to your temple. The back of your neck feels wet and sticky.

“Can you stand?” An irritated voice asks.

It’s Finnick, face twisted into a hard expression. The grip you have on his shoulder loosens, you lock your knees to keep from falling over. You’re trembling though, you can see it when you let go of him completely.

“Yes, I’ve got it.”

You reach back and dab your hand against the sore area on your head. Your fingers are coated in blood, shining in the sunlight that manages to escape the leaves. A sigh leaves your lips, hand falling at your side.

“What the hell were you thinking?” Finnick asks.

You shrug your shoulders. “There was a monkey in the trees.”

“You couldn’t have told me that?” 

“The same way we could’ve told Peeta?” You counter, and then motion to the jungle. “I didn’t know how many there were. I left my sword on the beach.”

“Another great idea of yours.” He says.

You don’t say anything to him at first, turning to go back to the beach. Just before you hit the treeline, you murmur, “A thank you would be nice.”

Whether or not Finnick actually hears you is a mystery, because he doesn’t respond. 

Katniss and Peeta are sitting together in the sand, side by side, looking out at the water. Your sword is tucked at Katniss’s side, right next to her bow. You come to a stop a foot or so behind them.

Finnick passes you, dropping the arrows in the sand. “Thought you might want these.”

“Thanks.” Katniss says. “Where’s (Y/n)?”

“I’m here.” You tell her.

You continue dragging your feet through the sand, wanting to go to the water to clean the blood out of your hair before it dries. Katniss comes to join you soon after, mostly to clean her weapons. When she sees that you’re having trouble, she carefully massages the blood out.

When you’re done, Katniss goes to get moss from the jungle to dry off her arrows. You sit in the sand with your sword, haphazardly playing with the blade.

“Where did they go?” Katniss asks.

“The bodies? We don’t know exactly. The vines shifted and they were gone.” Finnick says.

Katniss hums. The four of you sit on the beach in silence, staring at the water, watching the sky come to life. Katniss starts to scratch her arm, and then stops suddenly, looking at you, and then to the boys. You follow her gaze curiously, and find them scratching at their faces.

It’s the scabs from the fog, Katniss’s skin is covered in them, so is half of Peeta’s body and Finnick’s face. You, however, not so much. You were able to stay ahead of the fog, you thought to guide them out with the best possible path. Still, Peeta has trouble with his prosthetic leg and he needed support and…

Finnick never should have asked Katniss to carry Mags down the hill. You knew as soon as the words came out of his mouth that he was making a mistake. Katniss doesn’t have that sort of strength, she’s a skinny girl. She might’ve put on some weight since her Games, but it basically replenished what was taken in the first place.

He should’ve asked you. And even though you tried to object, he shut you down and told you to keep running. You didn’t have time to argue with the fog closing in, so you went right back to what you’d been doing before. It wasn’t even three minutes later when Katniss fell with Mags on her, causing Mags to take the situation into her own hands.

She kissed Finnick goodbye and walked into the fog.

None of you have mentioned it since it happened. You would like to say something to Finnick, but you’re sure it wouldn’t go over well with him. You can guess what he’d say back to you, taking none of your feelings about her into consideration. Besides, he seems to be holding it together pretty well, the last thing you’d want to do is accidentally send him over the edge.

“Don’t scratch.” Katniss tells them. “You’ll only bring infection. Think it’s safe to try for the water again?”

You don’t move from where you sit, letting them go back into the jungle to gather water. You’ve already had more than your fair share of injury in the past hour and a half, you’ll let them take their chances.

Peeta brings back a shell of water for you to drink, and even goes back one more time for a refill. You thank him and tuck the shell of water into the sand for later. 

“Why don’t you three get some rest?” Katniss asks. “I’ll watch for a while.”

“No, Katniss, I’d rather.” Finnick says.

There’s a moment of silence, and then Katniss concedes. “All right, Finnick, thanks.”

Katniss and Peeta lay down in the sand, you don’t bother. You turn your back to Finnick to ensure he knows you’re disinterested in conversing with him. You spend the next few hours picking the clumps of bloody sand from your sword and flicking them toward the water.

You’re not entirely sure what Finnick does, and you don’t really care. The more you think about him and the alliance, the more irritated you grow, causing your pounding headache to get worse. 

First, he tells you that he’s going to get you kicked out of the alliance by talking to Haymitch before you, and he nearly does. It’s a good thing that Haymitch doesn’t make rash decisions, otherwise you’d be on your own right now. He was almost convinced that you’d be more harmful than useful to the rebellion.

It wasn’t until Katniss made a comment about how much she trusts you, did he make up his mind and tell Finnick to deal with it. Katniss doesn’t like people easily. It was different for Mags, Wiress and Beetee because they don’t really pose a threat to her, and she doesn’t think that they’d go out of their way to kill her.

With you, all she told Haymitch was that it was easy to talk to you and she didn’t feel like she had to hide her true feelings. Which is an accomplishment and something you can use to your advantage later if needed. For right now, it’s pretty clear what she’s thinking even if she’s doing her best to hide it.

Anyway, Finnick doesn’t like that you don’t have to try with Katniss. And just like he told you in the Training Center, Haymitch had to give him a gold bracelet to symbolise to Katniss that he can be trusted. Which was funny when you found out at the Cornucopia.

Finnick was right, you didn’t make it there first—not that you thought you were anyway—but you did show up a minute later. Katniss was the one that saw you and welcomed you onto the island, despite Finnick trying to tell her not to. 

He’s been pretty pissed and cold since.

By the time Katniss stirs awake, it’s about midmorning. Your sword is clean, the shell cup empty of water, and you’re surprisingly feeling a little bit better. And it appears that Finnick has been busy this entire time.

He’d woven a grass mat and laid it on some branches to shield Katniss and Peeta’s faces from the sun. There’s two bowls full of fresh water, and a third that contains shellfish. 

He sits with them in front of him, cracking shellfish open with a stone. “They’re better fresh.” He tells Katniss, ripping flesh from the shell and popping it in his mouth. His eyes are puffy.

A tang of sadness hits you, you can’t imagine how difficult it’d been for him to cry silently with you sitting so close. His eyes lock with yours briefly before you turn away, getting to your feet. You brush the sand from your skin.

Katniss goes to reach for one of the shells but stops. She then holds her fingers close to her face, observing the blood beneath her nails.

“You know, if you scratch you’ll bring on infection.” Finnick says.

“That’s what I’ve heard.” She says, getting up to wash the blood off in the water. She stomps back up to you two a moment later. “Hey, Haymitch, if you’re not too drunk, we could use a little something for our skin.” She tells the sky.

A second later, a parachute swings out of the jungle, heading for her. She reaches up to catch a tube in her hands. “About time.” She says, going to sit next to Finnick in the sand. 

She unscrews the lid, squeezing the thick, dark ointment into her palm. Her face twists, whether it be from the color or the smell, and then begins to massage it into her leg. A sigh escapes her while she closes her eyes.

“It’s like you’re decomposing.” Finnick says after she hands him the tube. But looks must not matter to him for the moment, because he gives in and starts to treat his skin as well.

“Poor Finnick. Is this the first time in your life you haven’t looked pretty?” Katniss teases.

“It must be. The sensation’s completely new. How have you managed it all these years?” He asks back.

“Just avoid mirrors. You’ll forget about it.”

“Not if I keep looking at you.” 

Katniss offers the tube to you, but you hold up your hand, shaking your head. “I’ll be fine, save it for yourselves.”

“You’ve got a couple spots.” She motions.

“I’m good, really. But thank you.”

You swing your sword, and then wander away from them, trying to put some more distance so you can sit alone for a while longer. They wake Peeta up a few minutes later, and then you can hear the cracking of shells against rocks. You don’t bother to join them for the meal, you’re still full from last night.

You draw shapes in the sand, smooth them over to start over, and then write names. It isn’t until you’re on the third one, do you realize it's the names of dead tributes that you’ve mentored recently. You stare at them, mystified as to why you’ve chosen them, of all the people you know.

A scream from across the arena interrupts the silence of the arena. Your head jerks up, eyes searching the trees beyond the Cornucopia to find the source. A wedge of the jungle begins to vibrate, a huge wave crests over the trees, coming down the hill. You get to your feet, sword clutched tightly in your hand as you watch the wave hit the center water, and distribute evenly over the Cornucopia.

The wave that comes toward you reaches your knees, going as far back as the treeline, before retreating back to the center lake. Katniss, Peeta and Finnick gather their belongings before they float away. 

A cannon fires. The hovercraft appears over where the water had come from, dipping down to collect the body. The claw comes back with the body, and that’s the last you see of the hovercraft.

You go to sit back down when Katniss’s head whips in your direction. “There.”

You turn your head, curious as to what she’s found. It’s three people stumbling on the beach, one of them being dragged onto the beach by the second, and the third is wandering in circles. They’re red, blood red.

“(Y/n), get back here.” Finnick hisses.

You don’t move from where you are, squinting at the figures.

“Who is that?” Peeta asks. “Or what? Muttations?”

The second person dragging the first suddenly drops the body, throwing their arms down at their sides and stomping their foot in anger—a move that you recognize from someone else, but can’t place your finger on. It isn’t until the person marches over to the third one to shove them over, do you realize.

“Johanna!” You shout, delighted. “Finally!”

“(Y/n)!” She replies.

You run toward her, sword swinging at your side, excited that you’re not stuck with Finnick by yourself anymore. Johanna will be able to act as a buffer between the two of you, and she’ll be able to shut him down when he gets mouthy with you now. 

You throw your sword to the side, slamming into a hug with Johanna. The two of you rotate, her laugh is musical in your ear. You’re so happy that she’s alive, you don’t know what you’d do without her.

When you pull away, you motion at her. “What are you covered in?”

Finnick walks up beside you, “Hey, Johanna.”

“Finnick.” She says, and then she motions to the jungle. “We thought it was rain, you know, because of the lightning, and we were all so thirsty. But when it started coming down, it turned out to be blood. Thick, hot blood. You couldn’t see, you couldn’t speak without getting a mouthful. We just staggered around, trying to get out of it. That’s when Blight hit the force field.”

A small gasp comes from you as you cover your mouth. “Johanna, I am so sorry.”

“Yeah, well, he wasn’t much, but he was from home.” She sighs. “And he left me alone with these two.” She nudges Beetee with her foot, he doesn’t seem to acknowledge it at all. “He got a knife in the back at the Cornucopia. And her—”

Wiress has gotten back to her feet, wandering, murmuring, “Tick, tock. Tick, tock.”

“Yeah, we know. Tick, tock. Nuts is in shock.” She rolls her eyes, but at the mention of Wiress’s nickname, she’s drawn to Johanna, placing her hands on her. Johanna shoves her down to the beach. “Just stay down, will you?”

Lay off her.” Katniss snaps.

Johanna’s eyes narrow at her. “Lay off her?” She hisses. In an instant, she raises her hand and goes to slap Katniss, but you’re able to grab her wrist before she’s successful, pulling Johanna away from her.  “Who do you think got them out of that bleeding jungle for you? You—”

Finnick steps in, tossing Johanna over his shoulder, forcing you to let go of her while he brings her to the water. You listen and watch as she screams some really insulting words at Katniss, and then Finnick drops her into the water to silence her. He does this until she goes quiet.

Katniss and Peeta take Beetee and Wiress to the water to clean the blood off of them, since they’re both incapable of doing it themselves. You wander to join Finnick and Johanna in the water, despite the unwelcoming glares you receive from Finnick.

—

“Get up.” Katniss suddenly orders, shaking Peeta, Finnick and Johanna awake. “Get up—we have to move.”

It’s about noon, judging by how the sun is positioned directly overhead in the sky. It’s been a relatively quiet morning these past couple hours, mostly because the entire group has spent it napping on the beach. For a while, you were sitting with both Johanna and Katniss, but Johanna eventually got tired and laid down on the beach.

You’re not entirely sure why Katniss suddenly feels the need to move. The only event that has happened recently is an announcement of sorts from the Gamemakers. A bell tolled twelve times like it had late last night, and the lightning started again. It must mean something to her, because she stood up to look around the arena.

“What is it?” Johanna slaps Katniss’s hand away.

“I think the arena works like a clock.” She says, Peeta rubs the sleep out of his eyes, while Finnick squints at the surrounding jungle. “(Y/n), you remember last night when the bell tolled?”

“Yeah.” You pull your knees to your chest, watching her.

“It was because it was midnight, and the start of the clock.”

“Twelve bongs.” Finnick murmurs.

“Yes.” She nods. “Wiress figured it out first, that’s why she’s tick-tocking. She’s trying to tell us the arena’s a clock.”

“That doesn’t make sense.” Johanna says, shaking her head. 

“It does.” Katniss tells her. “Lightning at midnight, blood rain at two, poisonous fog at three, monkey mutts at four…” She trails off, assuming you get what she’s saying. 

Peeta’s nodding, looking down at the sand. “It’d explain why we had to deal with the fog and monkeys back-to-back.”

“So what’s going to happen now, then?” Johanna asks.

“Blood rain.” Finnick tells her.

The group of you sit in silence for a moment, digesting this. If she’s right, then that does mean you have to move, or at least get to a point in the arena where you can observe. After that, you could move from wedge to wedge to avoid what lurks in the jungle.

“What should we do, then?” Peeta asks.

“We need to move, get out of the way.” You say, looking at Katniss. “The Cornucopia?”

“That’s not a bad idea.” Johanna agrees.

Katniss nods. 

You break apart, going to collect your belongings out of the sand, securing them to your body to carry them with you. Finnick and Peeta work together to get Beetee back into his jumpsuit, now clean of blood. 

Katniss goes to wake Wiress, who’s been murmuring in her sleep this entire time. She jolts awake, grabbing onto Katniss’s arms tightly. “Tick, tock!”

“Yes, tick, tock, the arena’s a clock. It’s a clock, Wiress, you were right.” She tells her. “You were right.”

Wiress relaxes considerably, nodding a little. “Midnight.”

“It starts at midnight.” Katniss confirms.

Wiress nods at one of the wedges. “One-thirty.”

“Exactly. One-thirty. And at two, a terrible poisonous fog begins there.” Katniss says, pointing at a different area of the jungle. “So we have to move somewhere safe now.” Wiress smiles and stands. “Are you thirsty?”

As soon as the woven bowl is handed over to her, Wiress gulps it down. Finnick gives her some of the bread from a sponsorship you missed, she slowly chews on it. From what you can see, it’s the salty seaweed bread from District Four. Yuck.

You hand Katniss her weapons, watching her secure the spile and the tube of medicine to a square cloth of a parachute before using a vine to tie it to her belt. 

Beetee’s not entirely conscious, so Peeta goes to lift him out of the sand, causing him to stir and become deadweight. “Wire.”

“She’s right here.” Peeta says. “Wiress is fine. She’s coming, too.”

Beetee tries to push Peeta off of him. “Wire.”

“Oh, I know what he wants.” Johanna rolls her eyes, crossing the beach to pick up a cylinder. It’s still covered in a thick layer of blood, making it impossible for you to see what it is. “This worthless thing. It’s some kind of wire or something. THa’ts how he got cut. Running up to the Cornucopia to get this. I don’t know what kind of weapon it’s supposed to be. I guess you could pull off a piece and use it as a garrote or something. But really, can you imagine Beetee garroting somebody?”

You snort, she tilts her head.

“He won his Games with wire. Setting up that electrical trap.” Peeta tells her. “It’s the best weapon he could have.”

There’s a beat of silence, and then Katniss chimes in. “Seems like you’d have figured that out.” She says slowly. “SInce you nicknamed him Volts and all.”

Johanna’s eyes narrow in her direction. “Yeah, that was really stupid of me, wasn’t it?” She asks. “I guess I must have been distracted by keeping your little friends alive. While you were… what, again? Getting Mags killed off?”

The air becomes hard to breathe, you steal a glance at Finnick out of the corner of your eye and find his eyebrows drawn in, thinking. You can’t believe Johanna just threw that out in the open. 

Katniss’s hand grips the knife on her belt.

“Go ahead. Try it. I don’t care if you are knocked up, I’ll rip your throat out.” Johanna tilts her head.

“Maybe we all had better be careful where we step.” Finnick says, trying to calm the situation. He gives Katniss a look, taking the coil from Johanna to set it on Beetee’s chest. “There’s your wire, Volts. Watch where you plug it.”

This allows Peeta to pick up Beetee without an issue. “Where to?”

“To the Cornucopia, like (Y/n) said.” Finnick says. “I’d like to watch. Just to make sure we’re right about the clock.”

One at a time, you approach the nearest sand strip, heading to the center island. You take up the very back with Johanna, who has her arms crossed, seething. Or maybe not, you can’t see her face at the moment. Every time Katniss tries to call her out for her behavior, you know they get closer to considering killing each other. 

The Cornucopia is barren of any Careers, allowing you to spread out and pick where you’d like to be in the mouth. The weapons that remain have been thoroughly picked-over, the only thing you could possibly grab now are knives. You don’t really have any specialty weapons. You had to teach yourself how to fight with a sword.

Peeta lays Beetee in the small bit of shae that does exist. As soon as Beetee’s comfortable, he calls over Wiress. She crouches beside him, and he hands over the coil of wire. “Clean it, will you?”

Wiress nods, and hurries over to the edge of the island. She dunks the coil in the water, quietly singing a song to herself about a mouse running up a clock.

“Oh, not the song again.” Johanna groans, throwing her head back. “That went on for hours before she started tick-tocking.”

She suddenly stops, standing up straight, coil of water in her hand, dripping watery blood onto the black rock. She points to the jungle. “Two.”

You look to where she’s pointing, and find a wall of fog seeping out onto the beach. 

“Yes, look, Wiress is right. It’s two o’clock and the fog has started.”

“Like clockwork.” Peeta says. “You were very smart to figure that out, Wiress.”

All she does is smile, and then she goes right back to singing and cleaning. “Oh, she’s more than smart.” Beetee says, coming back to life. “She’s intuitive. She can sense things before anyone else. Like a canary in one of your coal mines.”

“What’s that?” Finnick asks.

“It’s a bird that we take down into the mines to warn us if there’s bad air.” Katniss explains.

“What’s it do, die?” Johanna asks morbidly.

“It stops signing first. That’s when you should get out. But if the air’s too bad, it dies, yes. And so do you.”

This is clearly a topic of conversation that Katniss doesn’t want to participate in, so it drops. Johanna turns to head inside of the Cornucopia, flicking her short hair over her shoulder. Katniss and Finnick follow soon after, going to stock up their weapons.

Johanna comes out with a pair of axes, looking over the blades with a fairly impressed look. She then swings the axe forward, at the golden walls of the Cornucopia. Since it’s been softened by the sun, the blade sticks. Johanna grabs it with one hand and yanks it out.

You watch as Peeta draws a circle with his machete on a large leaf he took from the jungle. He seems to draw a map of the arena, with the jungle and beach having its own sections. And then he divides the circle into wedges. “Look at how the Cornucopia’s positioned.”

Katniss comes over to look, “The tail points toward twelve o’clock.”

“Right, so this is the top of our clock.” He says, going on to write the numbers one through twelve around his circle. “Twelve to one is the lightning zone.” He writes lightning in small print in the wedge, working clockwise to add blood, fog, and monkeys to the next three sections.

“And ten to twelve is the wave.” Katniss says, he writes it in. 

Finnick and Johanna come to see what they’re doing now. Tridents, axes and knives hanging off their bodies. Johanna pulls one of her knives from her belt, twisting it in her hand, holding the handle out to you.

You take it from her, holding it in your hands while you watch Peeta.

“Did you notice anything unusual in the others?” Katniss asks JOhanna and Beetee, but they haven’t experienced anything other than the blood. “I guess they could hold anything.”

“I’m going to mark the ones where we know the Gamemakers’ weapon follows us out past the jungle, so we’ll stay clear of those.” Peeta murmurs, drawing diagonal lines on the fog and wave beaches. He then sits back. “Well, it’s a lot more than we knew this morning, anyway.”

You look over the clock in silence.

Silence.

Your eyes dart up, and you find that Katniss is one step ahead of you, an arrow armed on her bow, pointed at a soaking wet Gloss. Wiress is sliding toward the ground, her throat slit open, it’ll be impossible to save her. The arrow slams into his temple, killing him instantly. Johanna is already on her feet, swinging her axe into Cashmere’s chest. 

The sound of sand crunching beneath boots causes your head to whip in the direction, finding Brutus and Enobaria running up the other side. A spear drawn back in Brutus’s hand, aimed in your direction. 

And furthermore, Finnick’s.

“Get out of the fucking way!” You scream, shoving Finnick down.

The both of you hit the sand, the spear whizzing right over your heads, where you had been standing seconds prior. It slams into the golden Cornucopia, the entire head buried in the structure. Brutus had thrown it with enough force to kill you both in an instant.

Two arrows are sent back by Katniss in retaliation, but neither of them must land, because she jerks forward to chase after them. Three cannons blast in quick succession, confirming three dead; Wiress, Gloss and Cashmere. 

Katniss disappears around the mouth, with Johanna and Peeta right behind her. You and Finnick are just picking yourselves out of the sand when the ground jerks beneath you. Your shoulder slams into the sand, and then you begin to quickly roll, as the rock island that the Cornucopia sits on begins to spin, fast.

You desperately reach out, trying to find a ridge to dig your fingers into, but you only come up with handfuls of sand. The jungle has turned into a blur of green and beige as you pick up speed, water turning to mist in the air.

You’re almost at the edge of the rock when a hand clamps around your ankle, stopping you from falling off. You’re left to face the water, dizziness beginning to overcome you, until you slam to a sudden stop.

The urge to vomit rises up your stomach quickly. You yank your ankle free from whoever it is that has a hold of you, quickly crawling to the edge to puke up water and bile into the water. You try to close your eyes to make yourself feel better, but all it does is speed up the rate that you’re spinning.

The throbbing in your head returns in full swing.

When you finally finish gagging over the rock, you pick yourself up from the sand, wiping it from your skin. The others have gathered together at the mouth of the Cornucopia, just as disheveled as you are. 

“Where’s Volts?” Johanna asks.

You sit down while they circle the Cornucopia to confirm he’s off of the island. Finnick apparently spots him about twenty feet out in the water, and dives in to retrieve him. Katniss, on the other hand, finds Wiress in the water, the coil still clutched tightly in her hands.

“Cover me.” She tells Johanna, racing down the strip closest to her body before diving in. She swims hard, battling the hovercraft on who will get to Wiress’s body first. She reaches her first, working to loosen Wiress’s fingers, and then comes back to the center island.

By the time she makes it, Wiress is gone, as well as the two other bodies that were floating in the water. Finnick lays Beetee down in the sand, letting him get a hold of himself again. Katniss places the wire in his lap, now clean of blood, sparkling in the sunlight.

Beetee unravels a small bit of the wire, running his fingers over it. It’s a pale golden color, and it’s incredibly thin. You know Johanna was joking about him using it to garrotte people but it would be completely impossible to. As soon as you’d tighten it, it would snap. 

For a while, you sit in silence together, catching your breath, wringing the water out of your clothes or shaking sand out of your clothes. When it appears as though you’re ready to move on, Johanna stands. “Let’s get off this stinking island.”

You’re forced to recollect your weapons, since they had been strewn across the island due to the spinning. Your sword and the knife Johanna handed you are relatively easy to find. While the others have to take a moment to dig.

Beetee tells Peeta that he thinks he can walk now, as long as he’s patient and willing to go slow. It’s better than carrying him again, so Peeta helps bring him to his feet. It’s then decided you all should go to the beach at twelve o’clock, because it should give you several hours before you have to face the jungle again.

Peeta, Johanna and Finnick head off in three different directions.

“Twelve o’clock, right?” Peeta asks. “The tail point at twelve.”

“Before they spun us.” Finnick reasons. “I was judging by the sun.”

“The sun only tells you it’s going on four, Finnick.”

“I think Katniss’s point is, knowing the time doesn’t mean you necessarily know where four is on the clock. You might have a general idea of the direction. Unless you consider that they may have shifted the outer ring of the jungle as well.” Beetee says.

You squint, face twisted. You would hope the Gamemakers didn’t shift the jungle too, that would give the entire secret of the clock away, wouldn’t it? But then again, you guess it doesn’t matter. 

“Yes, so any one of these paths could lead to twelve o’clock.” Katniss says, offering you a shrug when you look at her.

You circle around the Cornucopia as a group, picking out every detail of the jungle, only to discover that each wedge has been almost perfectly replicated. Katniss says something about how there was a tall tree in the lightning section that stood out, but now she can’t find it.

Johanna suggests following Enobaria and Brutus’s footsteps, but the sand has been blown away completely from the wind. Katniss lets out a heavy sigh, “I should have never mentioned the clock. Now they’ve taken that advantage away as well.”

“Only temporarily.” Beetee says. “At ten, we’ll see the wave again and be back on track.”

“Yes, they can’t redesign the whole arena.” Peeta says, trying to make her feel better.

“It doesn’t matter.” Johanna’s tone impatient. “You had to tell us or we never would have moved our camp in the first place, brainless.” She pops a hip out, crossing her arms. “Come on, I need water. Anyone have a good gut feeling?”

A path is chosen at random. At the beach, they peer into the jungle, trying to judge what could be inside.

“Well, it must be monkey hour. And I don’t see any of them in there.” Peeta shrugs. “I’m going to try to tap a tree.”

“No, it’s my turn.” Finnick objects.

“I’ll at least watch your back.” Peeta offers.

“(Y/n) can do that.” Johanna waves her hand. “We need you to make another map. The other washed away.” She yanks one of the leaves off of a tree to hand it to him.

“Wait, I didn’t agree to this.” You make a face, shaking your head.

“Then Katniss can go with you to keep the peace.” Johanna motions, Katniss nods.

You smile at her, but send a glare in Johanna’s direction, irritated that she’s already working to pair you and Finnick together. You’re tired of his presence and being forced to talk to him. You liked it yesterday when he was stubborn and refused to talk to you the entire day unless he had to.

Either way, you have no choice now. Finnick leads the way into the jungle. About fifteen yards in, he stops in front of a tree that looks like it’ll give you a good stream of water. He then holds his hand out, “Knife.”

“You have your own.” You tell him.

“Johanna gave you the best one.” He says, fingers beckoning for the knife. “It’s thinner.”

“You’ll make it dull.”

“Don’t be a pain.”

“Use your own knife.”

“No, I’m not ruining my own knives.”

“So you’ll ruin mine instead? Don’t you have like ten of them?” You motion at his belt. “Choose one of them.”

“I don’t want any of those.”

“You do realize that the knife is the only weapon I have beside my sword, right? You’re carrying like three different tridents, why don’t you use one of those?”

Finnick’s face twists at you. “Don’t tell me you’re actually that dense.”

“No, but you are.” You tilt your head at him.

Katniss shakes her head. “I know why Johanna sent me in here now.”

You look over your shoulder. “You can go, Katniss. We won’t kill each other.”

She purses her lips, thinking. “I’ve got to pee, so I’ll do that and come back.”

“Sounds like a deal.” Finnick tells her.

Katniss wanders off with her bow, heading deeper into the jungle, completely out of your sight. You look back at Finnick, who still has his hand out, waiting for your knife. You grab it begrudgingly, placing it in his hand. 

He starts to drill into the tree with the tip of your knife, ruining it immediately. You’ll get him back for this later. You’re not sure how, because trying to use his trident would make you look stupid. Maybe you’ll steal a knife off of him when he’s sleeping, since he seems to place a lot of trust in the others to watch over him.

The silence between you and Finnick is fine for the first few minutes, but you really don’t like standing over him like this without saying anything. You clear your throat, turning your body away so you don’t have to look at him.

“I’m sorry about Mags.” You tell him. “I didn’t know her well, but she was always kind to me when I was with her. I can’t imagine how you’re feeling.”

“I’m fine.” Finnick tells you. “It’s fine.”

“It’s not.” You shake your head. “I should’ve taken Mags during the fog, I could’ve carried her.”

“It wouldn’t have made a difference.” He mutters. “Either she died during the fog, or the monkeys, or even the Cornucopia. At least she didn’t suffer.”

You hum. “I guess that’s true.”

There’s a few beats of silence, and then he sighs. “You’ve saved my life twice now.”

You make a noise, not really interested in this topic. All he’s going to do is start keeping score. You’ll even bet he’s going to tell you he doesn’t want to be in your debt.

“Hardly.” You tell him.

“You saved me from the monkey in the jungle, and if you hadn’t moved me out of the way, I could’ve died because of the spear.”

“We could’ve died.” You correct him. “It’s not a big deal.”

“It is.” Finnick says, he stops drilling into the tree to look at you. “I was wrong when I said that you’d get in the way.”

You shrug, not really feeling the need to thank him. “Okay.”

“I’m sorry.” He tells you. “Really.”

“Forget about it.” 

[msmarvelwitch]

spoilers for sunrise on the reaping

Listen, as someone who shamelessly loves fan service I was surprised Suzanne Collins gave us any breadcrumbs at all but I was more than thrilled she got it out of the way in the first few chapters. To me it sent a message that while, yes, a lot of the fan theories were cannon after all, it wasn’t what this story was going to be about. This is very much a story about finding, losing, and regaining hope even when the cards are stacked against you. This is very plainly pointed out by Plutarch being able to spin the narrative and Wyatt constantly remarking on the odds of their situation. I think the direct parallels between Katniss and Haymitch’s life also underline the fact that there was nothing more special about Katniss than the rest of the victors - she just had what they never did, which was good timing.

I think the real tragedy of this story is that the rebellion movement was beginning well before Katniss was even alive. If the timing had been right, it would have been Haymitch that was the Mockingjay twenty five years before our story even begins. However, the victors failed. Whether it was due to Beetee’s obvious emotional investment in the planning. Or perhaps it underestimating the commitment of the Capitol to improve the Arena after Wiress embarrassed them in the prior year’s games. It doesn’t matter what particular thing prevented taking the arena down, at the end of the day they failed. Badly. And each of the victors paid a price for it. These prices sidelined them for years - decades for Haymitch at the very least.

Not only did they have to live with the failure of their plan, they also had to what the Capitol grow stronger and somewhat more competent. What really struck me while reading this was the fact that even by the 50th Hunger Games, the Capitol still seems to not quite have its shit together. The train to the is noted to be a little shabby as if it’s an old subway car and the District 12 tributes even seem less than impressed by their living quarters during training. We know from Katniss and Peeta’s games that the conditions only “improve” for the tributes over the years. All of this is definitely to fatten the pigs before the slaughter, but I can’t imagine how disheartening it must have felt for the victors who could see the incompetence of the Capitol only becoming more efficient and powerful every year as more kids died. Not to mention that they had to guide those kids to their deaths under these conditions as well. No wonder they lost hope over the years and put their aspirations of freeing the Districts from the Capitol because who would know better about the human cost of this fight better than the victors? They all know that the cards are stacked against them and the odds aren’t in their favor, so they more or less fall in line.

Then comes Katniss. She instantly stirs Haymitch awake by reminding him of Louella, not to mention the fact of the emotional connection he has to her father. I think she eventually even reminds him of Maysilee by fighting back against Haymitch on the train after he immediately writes them off as two more kids doomed to die in the arena because he has seen it so many times before. Because Katniss and Peeta are no more different or special than any of the tributes that have come before them. I think the other victors no doubt were reminded of a young Haymitch once they saw Katniss in action during the games. She’s openly rebellious to the leaders before the game but instead of scoring low on their assessment as Haymitch did, she gets the top marks. She is protective of “weaker” contestants like Rue just as Haymitch tried his best to protect Louella, Ampert, and Wellie. I think it’s Rue’s death and Katniss taking the time to honor her before her body is whisked off by the Capitol and wakes everyone back up again. It’s not that Katniss is doing anything new or different than the people who came before her, she just reminded them of all the injustices they have endured for over fifty years. It’s a long list of people who not only died during the Hunger Games, but their loved ones who were killed to crush their hopes and kept them fearful. It just goes to the timing where everyone - the victors and the citizens of the Districts - have had enough and it opens up the door to hope again. Even though the Capitol is stronger than ever and the deck is stacked against them, they decide to screw the odds and fight back anyway.

Also, because of their failures, the victors are able to learn from their mistakes during the Second Quarter Quell. Nobody understands Katniss better than Haymitch and he knows that if she is informed on the rebel plans ahead of the 75th Games, their cover will be blown because she is not a natural liar or actress. As a result, she and Peeta are kept in the dark about the plot to take down the arena and I think this was critical to the success of the plot. I wish Haymitch’s epilogue gave us a bit more into the planning and scheming the victors did ahead of the games to make sure their plan didn’t completely fail again, but it’s safe to assume that Beetee, Wiress, and Mags also had their own learnings from their failed scheme that helped take down the arena and start a revolution twenty five years later.

Now I think the themes of going against the odds even when it’s hopeless are really plainly stated here but I think the similarities in Katniss and Haymitch’s stories aren’t just fan service but essential to the plot. Which I think given today’s political climate - particularly in the U.S. - is exactly the point Suzanne is trying to make. Now, I know there is a whole debate on TikTok on whether books are political…which is a a thing people truly believe these days. However, this series has always been political and I think the timing of both “A Ballad of Songbirds and Snakes” and “Sunrise on the Reaping” being released over ten years after this series has been completed is no accident. Similarly to Katniss not being the first person to experience the trauma of the games and being a target of Snow, everything happening today in the U.S. is not the first time or place where something like this has happened. I think this story is meant to encourage people to keep their hope even when it feels futile and naive.

[lionheartamelia]

Happy 20 years to modern Doctor Who. Here’s a little tribute I made using my favourite score from the show❤️🌈

[fancyfeathers]

Oml the way Dick’s darlings year would be SO rigged because instead of the usual footage of just the games, there’s definitely been cameras following Dick since he and his darling’s first meeting. Everyone was calling it like the next great love story or like Romeo and Juliet and the cameras always get his lovesick expression whenever he looks at her. All her interviews are definitely asking questions about if they have a thing going on and she’s being forced to spew out this fake story while he’s like gazing at her lovingly from the front row (because he got money like that). Everyone EATS IT UP and start pouring all their money into Dick’s darling during the game because how could they let everyone’s favorite golden boy Dick Grayson’s beloved die? Especially when his live reactions to the game are broadcasted and everyone sees how much he loves her and worries for her?

Yandere!Batfam Hunger Games AU

She is just another tribute from district eight or nine, no one special, she probably will not even live past the first day of the games let alone win, her having sisters who were crying and begging at the reaping did win her a few points for pulling a few heartstrings, but still a district one, two, or four tribute would most likely win. Well that is until during the Tribute’s Parade and a game maker’s son, the golden boy of the Capitol, cannot take his eyes off of her and suddenly all eyes are on her, especially when Dick runs to meet her after the parade, kissing her hand in front of all those cameras.

Suddenly everyone in the Capitol is fixated on Dick Grayson’s sweetheart overnight. She watches the interviews in the morning after the Parade with her mentor (I imagine her mentor as Bruce’s darling who was a victor when she was young) and fellow tribute from her district. He says it was love at first sight from the moment he saw her, even before the parade, when he watched the reaping on television. Suddenly there are sponsors pouring in for this girl who would normally have none.

She sees him staring at her while the tributes are training, his eyes never leaving her once unless someone is speaking to him. One night after training her stylist intercepts her when she is on her way back to her temporary living quarters, dragging her off and dressing her up in a darling little yellow dress with a petty coat and little white kitten heels, surprising simple given Capitol fashion. She is dragged off to the front door of the building where the tributes are staying, peacekeepers keeping an eye on her to make sure she does not run, and a car rolls up only to reveal he was the one who arranged this. Dick takes her out to dinner, the Capitol citizens fawning over them together, two people so in love that even impending death can’t tear them apart, even if their time together will be so short.

Suddenly he is seen with her everywhere leading up to the games, walking through the halls of the tribute’s living quarters. Taking her out into the city, accompanied by peacekeepers of course. Buying her all sorts of confections and pastries and hand feeding them to her. It does not matter if she wants to do this or not, it will get her sponsors and getting sponsors increases her chances of surviving in the games.

But then during when the tributes show their skills to the game makers, she gets the lowest score, even if she earned higher. But the lower score means the less of a target she’ll be to the other tributes, especially the careers. Besides she will have plenty of sponsors given the fact that she is the golden boy’s sweetheart.

Then when the tributes are being interviewed, everything is about her relationship with him and she just to have to swallow it all down with a melancholy smile, saying that it was sweet while it lasted but chances are that she is going to die in the arena as Dick stares at her from the front row. The crowd even calls for him to go on stage and kiss her in front of everyone on live television because this is the last time he’ll see her before the games, and he does, literally sweeping her off her feet in front of everyone and kissing her probably longer than what was necessary.

Then when she is in the arena, most of her sponsors gifts either have sweet notes from Dick or notes from other sponsors about how adorable she is with him or how beautiful their children would be. Even some of her other tributes know how rigged this is in her favor, mainly the ones from less privileged districts, but still, they have heard the whispers of what happened to some victors after the games, either way she is better of dead. She probably does not even kill during the games, just making her look more sweet and innocent to the Capitol, winning the games by waiting for the other tributes to kill each other or be killed by something the game makers throw their way.

Either way when the games are over, she definitely needs medical attention just like most victors do after the games, surgically repairing her body so it heals unnaturally quick. But when she wakes up he is sleeping at her bedside, and while he is asleep her mentor shows her the footage of his reactions during the games, interviews with him talking about how she was doing during the games or footage of him looking concerned when walking to his car after she broke her arm.

Then when the time comes after her quick, surgery induced recovery, when she is crowned the victor, she still has that small piece of hope in her chest that she’ll be able to go home, forget all about this to the best of her ability, hoping she’ll find some way to cope with the trauma. But that small hope is crushed when Dick gets down on one knee in front of her with a diamond ring. She has no choice but to say yes, she has heard the stories of victors whose family were killed by the Capitol when they refused to do something.

[ur-mag]

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[man-down-in-hatchet-town]

THERE'S A CASTLE ON THE HILL, AS THE STORY GOES...

As promised, some initial thoughts on the things I loved about seeing this show. Spoiler free, since most of us haven't gotten to see it yet, and under the cut since I do wax a bit poetic...

Cinderella’s Castle is, in a strange way, an exercise in irony. The show is a retelling of an ancient story that is beloved and recited throughout so many cultures, and yet somehow feels completely fresh. The modern take on glam-punk lighting, a score infused with styles from 80s synth to anime, a high fantasy set with the costumes to match, the spirit of Jim Henson lingering through both the puppets and some larger and intangible vibe, a script combining that Starkid humor and Hatchetfield darkness with a whole different style of speaking… all of these beautifully executed elements melted together into something that I’ve never before seen. To take a tale as old as time and make it unique is no easy feat, but Starkid did so with magic and charm to spare.

Like any good Starkid show, Cinderella’s Castle is relentlessly dynamic: fun and tragic and exciting and just-plain-silly, with many twists and turns and character moments will make you gasp or cheer just as often as you laugh. It simply rollicks. The story clicks right along, especially in act 2, but the characters are so distinct and fun that I found myself almost wishing the Langs had sacrificed their plotting and pace just to spend more time hanging with every single member of this ensemble of personalities.

And that’s also a tribute to the actors themselves. Jeff is David Bowie reborn as the impish and fabulous narrator. Jon and Joey bring Hop A Lot and Crumb to life with so much charm and presence that they practically had the audience eating out of their hands from the very first second. Like, seriously, you will not believe how invested you will immediately become in these talking animals. Kim’s Fairy Queen is as radiant and terrible as promised; her portrayal of immortal inhuman power compels and commands and stands fully distinct from the Lords in Black. Lauren and Mariah are delightfully disgusting as the vile but deeply lovable troll step-sisters; you can feel the fun they’re having practically radiating off of them. Curt’s Tadius is dryly funny and put-upon, but also provides a vitally grounding and centering presence in the larger-than-life world of the Lands That Are. His big scene with Bryce is probably my favorite part of the whole show. James Tolbert is nothing short of an absolute STAR as the Prince, stealing scene after scene after scene with ease and charm and more jokes about genitalia than I think any of us expected. Angela once again displays a completely different facet of her never-ending range, exuding such elegance and control even in trollish filth that I do fear that the kids on the internet are going to start calling her “mother” with greatly increasing frequency. "Facade" was an absolute highlight of the night. And of course Bryce anchors, propels, and heightens every scene she’s in with such apparent ease you forget she’s been rehearsing for weeks and isn’t simply Ella herself. Ella is this world’s bruised, brave, and angry heart, and you will absolutely root for her every step of the way as she wrestles with who she is and learns what it means to claim her own power.

This was Starkid’s biggest budgeted show to date, and you could tell. This group of Michigan Wolverines and friends have accomplished incredible things since the Very Potter days of a single door and some cardboard columns, and I’m so proud of how far they’ve come. And yet Cinderella’s Castle, the fifteenth musical in the fifteenth year, still retains some of that core Starkid magic that I’ve always believed boils down to love. You can so often see that love emanating from the performers on a Starkid stage: love for the show, for their friends, for their craft, for the audience’s energy pushing them through. And the sense of love and support and community radiating from the audience is just as palpable. The man sitting behind me last night was at his first ever Starkid show, and afterwards he remarked in awe how that was the best audience he’d ever been in. And all that love isn’t unearned—it is built and it is nourished by a proud history of creativity, of song and of dance and of laughter and tears. And Cinderella’s Castle, I think, is going to prove an installment worthy of both Starkid’s past and future.

Starkid family, Bogs Hollow grants thee Starlight.