#trending women corset

[waspie-corset]

Bold and Glossy: Creative Posing and Styling with Vinyl Corset

Vinyl corsets are an enduring symbol of boldness, femininity, and edge in fashion photography. Their sleek, glossy finish and structured design make them a favorite for creating dramatic and unforgettable visuals. Whether you’re curating a high-fashion editorial, a gothic romance, or a sultry boudoir shoot, mastering the art of posing and styling with vinyl corsets is key to capturing their full potential.

This guide dives into creative posing techniques and styling ideas that will elevate your vinyl corset photoshoots.

The Power of Vinyl Corsets in Photography

Vinyl corsets aren’t just fashion items—they’re statements. Their reflective surface and curve-enhancing fit make them incredibly versatile and attention-grabbing.

Why Vinyl Corsets Are Perfect for Photoshoots:

Reflective Shine: Captures light in a way that adds depth and drama to photos.

Sculpted Silhouette: Emphasizes the waist and creates a striking hourglass figure.

Edgy Aesthetic: Fits seamlessly into bold, alternative, or avant-garde themes.

Versatile Appeal: Works across diverse themes, from punk rock to high-fashion glamour.

Creative Styling Ideas for Vinyl Corsets

1. High-Fashion Editorial

Elevate your vinyl corset look with sleek and modern elements.

Pairing Ideas: Style a black vinyl corset with tailored wide-leg pants or a structured blazer for a sophisticated vibe.

Accessories: Add minimalist jewelry like cuffs or geometric earrings for a polished look.

Shoes: Pointed-toe heels or ankle boots complete the ensemble.

Lighting Tip: Use directional lighting to emphasize the glossy texture.

2. Gothic Romance

Channel dark elegance with gothic-inspired styling.

Pairing Ideas: Combine a vinyl corset with a flowing lace skirt or velvet pants. Add a dramatic cape for extra flair.

Accessories: Incorporate chokers, lace gloves, and intricate earrings.

Hair and Makeup: Opt for dark, smoky eyes and deep red lips. Loose, voluminous curls or braids enhance the romantic aesthetic.

Lighting Tip: Use moody, low-light settings to amplify the corset’s shine and the gothic ambiance.

3. Boudoir Sophistication

patent corsets are a sultry choice for intimate boudoir shoots.

Pairing Ideas: Pair the corset with sheer stockings, thigh-high boots, or lace lingerie. Add a silk robe for a touch of luxury.

Accessories: Keep it subtle with delicate jewelry, like pearl earrings or a simple bracelet.

Hair and Makeup: Soft waves and natural, glowing makeup with a focus on dewy skin work beautifully.

Lighting Tip: Use warm, diffused lighting to highlight the corset's curves.

4. Punk Rock Edge

Go bold with rebellious, punk-inspired looks.

Pairing Ideas: Pair a vinyl corset with distressed jeans or a plaid mini-skirt. Layer with a leather jacket for added attitude.

Accessories: Include studded belts, spiked chokers, and fingerless gloves.

Shoes: Platform boots or combat boots add a finishing touch.

Hair and Makeup: Opt for tousled hair, winged eyeliner, and bold, bright lipstick.

5. Futuristic Fantasy

Create a modern, sci-fi-inspired aesthetic with vinyl corsets.

Pairing Ideas: Style a brightly colored vinyl corset with metallic skirts or exaggerated silhouettes.

Accessories: Add futuristic jewelry, like holographic pieces or geometric designs.

Hair and Makeup: Sleek, wet-look hairstyles paired with metallic or holographic makeup complete the theme.

Lighting Tip: Use colored gels or neon lights for a futuristic glow.

Posing Tips for Vinyl Corset Photoshoots

The right poses can elevate a vinyl corset from a simple garment to the centerpiece of a striking waspie hourglass corset image.

1. Emphasize the Silhouette

Arched Back: Highlights the corset’s waist cinching curve-enhancing design.

Hands on Hips: Frames the waist and draws attention to the corset.

Side Profile: Showcases the shape and structure of the corset from an elegant angle.

2. Play with Motion

Twisting Poses: Add dynamism and highlight the corset’s flexibility.

Walking Shots: Capture natural movements that create visual interest.

Flowing Fabrics: If paired with capes or skirts, use motion to add drama.

3. Close-Up Focus

Highlight the details of the corset, such as laces, buckles, or textures, with close-up shots. Encourage the model to adjust a strap or lace for added storytelling.

4. Experiment with Angles

Low Angles: Create a sense of power and dominance.

High Angles: Showcase intricate details and create a feeling of intimacy.

Lighting Techniques for Vinyl Corsets

Lighting is a crucial element in capturing the glossy texture of vinyl corsets.

Soft Diffused Light: Reduces harsh reflections and evenly illuminates the surface.

Directional Lighting: Adds depth by creating highlights and shadows.

Colored Lighting: Use gels to introduce drama and align with the shoot’s theme.

Reflectors: Bounce light onto darker areas to enhance the corset’s sheen.

Accessorizing Vinyl Corsets

Accessories can enhance the visual impact of vinyl corset costumes while reinforcing the theme.

Statement Jewelry: Chunky necklaces, cuffs, and oversized earrings work well with bold corsets.

Gloves: Leather or lace gloves add sophistication and drama.

Belts: A wide or embellished belt can add a touch of individuality.

Props: Mirrors, metallic objects, or ropes can add depth and creativity to the composition.

Final Touches: Hair and Makeup

Pairing the right hair and makeup with a vinyl gothic corset completes the look.

Retro Glam: Classic curls with bold red lipstick.

Modern Sleek: High ponytails or wet-look hair with graphic eyeliner.

Minimalist Chic: Natural tones to let the corset shine.

Dark and Bold: Smoky eyes, bold brows, and deep lips for gothic or punk themes.

Conclusion

Vinyl corset bring boldness, elegance, and drama to any photoshoot. By combining thoughtful styling, dynamic posing, and strategic lighting, you can create captivating visuals that highlight their unique shine and structure. Whether you’re exploring edgy punk aesthetics, romantic gothic themes, or futuristic fantasies, vinyl corsets are a versatile and impactful choice.

Step into the world of bold and glossy fashion with vinyl corsets, and let their reflective beauty take center stage.

[chemicalarospec]

look as someone with medium sized soft breasts it really bothers me when people portray bras as Evil Tools of Oppression that you will chose to frequently forgo once you're (a) Liberated (Woman). I wear a bra every day not because like. men tell me to. or like. i don't want my unfairly sexualized nips to show.

I wear a bra every day because it gives me support. Because otherwise I can't jump without it hurting -- any movement that makes my breasts swing makes the skin stretch, which can be a little painful. I wear a bra (or binder) every day because it makes clothes fit comfortably and I like the way it makes my body look. Going without a bra is not comfortable for me -- for one reason, I don't like wearing pajamas all day long and not wearing a bra puts me in that mentality, but in the same way I enjoy dressing up, I enjoy wearing a bra. (Edit: originally I forgot but they also stop me from feeling my sweaty skin stick together! big win!) But even regardless, my bra is a bag for my two hanging sacks of fat on my chest; it's convenient.

(PS: If your bra hurts, it's too small. Wear it looser or get a bigger one!)

Edit: I have more context for this post in the reblogs but I definitely let it overemphasize my personal feelings when the point I didn't realize I was trying to make was "bras are objects that serve a purpose besides a oppression; it is entirely reason for even a Liberated Feminist to chose to wear a bra". Also I was trying on my binder a different way and realized it's actually not too uncomfortable to not wear a bra with some shirts (may also depend on where in cycle) (I don't think wearing any short of shrug/sweater over would be comfortable though. I don't really like the way it looks but I may pick up lounging like this. #charactergrowth

[retro-soulz]

CORSETS

[theawkwardone6]

Literally don’t talk to me about how uncomfortable Victorian women’s fashion was unless you’ve had a Victorian outfit tailor made for your exact measurements, you’ve broken in your corset, and you wear it for a whole day or I will stab you 13 times

[throwing-roses-into-the-abyss]

so today I found out that 1) emo style (for men) and tumblr girls fashion are in the FIT's online fashion timeline, and 2) they're very, very wrong about both of these styles.

for emo style, they wrote:

"On the other end of the spectrum, the indie rock look saw the rise of skinny jeans for men, band t-shirts with blazers, black fingernails, skinny ties, and side-swept bangs covering part of the face. This was initially inspired in the early part of the decade by bands such as The Strokes and The Libertines whose style was intertwined with fashion through Dior Homme designer Hedi Slimane (Gallagher). Slimane, inspired himself by indie music, favored slim-fit trousers with blazers, skinny ties, and bedraggled hair (Fig. 5). In the middle part of the decade, this also included Hussar jackets inspired by The Libertines and worn with jeans by both men and women in Britain especially (Fig. 6). By 2007, Slimane’s stylistic preferences were being adopted by high street stores such as Zara and H&M (Gallagher)."

Aside from them only writing about emo in the mens fashion section (which is also very confusing), this whole bit is baffling to me, because how do you not even mention emo essentially being a new version of punk (with more depression). How do you not even mention the biggest band names involved in the scene like My Chemical Romance, Paramore and Fall Out Boy. How do you not even mention it was about expressing how you felt different, like an outsider.

And then there's their bit about Tumblr girls:

Tumblr Girls, so named for the blogging site and who reached their peak in 2014, followed closely on the indie sleaze of the late 2000s. Their style incorporated elements of grunge like Dr Martens and dark colors, along with logo t-shirts (Fig. 7). Refinery29’s Maggie Zhou described their wardrobe:

“Skinny black jeans with knee rips, a pair of Doc Martens, faded band tees, fishnet stockings, chokers, and denim jackets could be found in her wardrobe rotation.”

As a sign of how quickly trends moved during the decade, while Tumblr Girls faded in the middle part of the decade, the e-girls of the late 2010s adopted elements of Tumblr Girl style, updating it with tennis skirts and striped shirts.

To me, Tumblr style at the time was a mixture of emo, hipster, and nerd (so, for example, having Doctor Who shirts with skinny black jeans and the glasses with big black rims like the hipsters).

In fairness, my main source for my thoughts on this can be summed up as "I WAS THERE", I have 0 actual sources backing this up beyond my memory, but still. I'm well aware that my own personal experience is not representative of the whole style, but these articles don't describe my experiences in emo style and on tumblr at the time at all.

[marzipanandminutiae]

Dear marzi, for reasons of trying not to give period characters too modern fetishes in my smut, may I have some recs as to where I may find some of that olde fetish content you've previously seen?

On the Wikipedia page for the "corset controversy," unfortunately!

Historians have been taking obvious tightlacing fetish letters seriously for...way too long. And sometimes still are. Confirmation bias is a hell of a thing. Of course, there's no way to 100% tell which letters are fetish fuel and which are real, but generally any that use particularly heightened language or common erotic tropes- or that seem to fly in the face of evidence from extant garments, unedited videos, stock and advertisements from real corset companies, etc. -are to be viewed with suspicion.

(The same is true for letters used now to claim that nipple piercing was a real Victorian trend- for, indeed, the only source is anonymous magazine letters and many of them fall into the same obvious patterns as the tightlacing letters. One DOES describe the alleged process in detail...but it's basically the same as the process for ear-piercing, a service jewelers did commonly offer back then. Just applied to nipples. So whether it's real or not is still uncertain, but it's highly doubtful that large numbers of Victorian women were running around with nipple piercings given that no extant nipple rings have been found, such piercings are never mentioned in letters or diaries or other more concrete sources, etc.)

Besides that, I've seen glimpses of most modern fetishes in various sources:

the Psychopathia Sexualis, a medical manual of "sexual mental illness" (in heavy quotes because things like homosexuality and gender variance are mentioned under that heading), talks about everything from a fetish for tight boots and gloves on women, to bloodplay (initiated by a woman, actually, who wanted to drink her husband's blood), to force-femming, to some very elaborate femdom scenarios that I hope the sex workers in question were paid well for. Of course, since the cases are anonymous, these are also difficult to confirm- but clearly someone had THOUGHT of them, since they're written into the book.

And I've seen at least some of them in other sources, too, including some of the magazines that published the nipple piercing and tightlacing letters. The Englishwomen's Domestic Magazine was notorious for its letters on tightlacing, tight gloves, spanking, etc.

Photographic porn was definitely a thing almost as soon as photography came into being. A lot of it is pretty vanilla, but I could swear I'd seen piss kink photos (with urine painted in after development) before the blog where they were hosted went defunct

James Joyce's letters to his wife get into farting and scat fetish territory. Yes, really.

Speaking of letters, there was one man living here in Boston who, in the late 19th century, wrote letters to his wife describing erotic dreams of her as a giantess who pissed on him and then ate him. I cannot remember his name and it's going to drive me insane all day, but he was the head of Boston's censorship organization, the Watch and Ward society and these letters were first released by his own children for an unauthorized biography written five years after his death. Guess there was little love lost there.

BDSM is old. Like, really old. Old, to quote the sacred texts, as balls. I'm pretty sure there are sexual flagellation texts going back to the Renaissance, but don't quote me on that.

Basically, Rule 34 can be back-applied, too. If it existed, there was a fetish for it, probably. Of course, things that specifically involve modern technology or properties are out, but beyond that...the sky is the limit

[literaryvein-reblogs]

Writing Notes: Fashion History

for your next poem/story (pt. 1/2)

1850-1879

The Civil War began in 1861 and ended in 1865, heavily impacting the lives of those living during the time period. In fashion, the rise of the sewing machine allowed more decorative effects to be used in dress, and new aniline dyes paved the way for brighter shades of dress.

This time is known as the Crinoline Period because cage crinoline made of whalebone or steel hoops replaced heavy layers of petticoats, and were commonly worn under dresses by women of the time.

One trend that hit its peak in the 1870s was the bustle, an item women secured under the back portion of their skirts to add volume.

In terms of silhouette, a narrow waist with a fitted bodice and full skirts was the recurrent style. Popular sleeve styles included pagoda sleeves, gathered bishop sleeves, and the coat sleeve.

During the day, high necklines were appropriate, but women often wore lower necklines in the evening.

Wraps and shawls were commonly worn, and accessories such as parasols, gloves, snoods, and bonnets were highly desired.

1870-1900

The years 1870-1900 include what is known as the Bustle period, in which the popular silhouette shifted from full skirts to a more fitted look characterized by fullness in the back.

Throughout the Bustle period of the 1870s and 1880s, a variety of padded devices were utilized to create back fullness, as the bustle took on different forms.

The bustle of the first stage (1870-1878) was achieved through manipulation of drapery and the use of decorative details such as flounces and bows at the back.

From (1878-1883) fullness dropped to below the hips and decorative effects of the skirt became focused low as a result.

Long trains and heavy fabrics also helped to emphasize the focus on the rear.

The latter part of the decade (1884-1890) saw the bustle at its largest. Often referred to as the shelf bustle, it was rigid and took on the appearance of an almost horizontal projection. At this time, skirts shortened to several inches above the floor and rarely had trains, with the exception of some evening dresses.

Additionally, they include the 1890's, which are often referred to as the Gay Nineties or La Belle Epoque. Times were good, Paris was the center of high fashion, and for those who could afford it, dress was lavish and highly decorative.

The corset continued to be worn, aligning with the fashionable silhouette of a full bust and hips with a narrow waist.

Dress ensembles typically consisted of two pieces -- a bodice and matching skirt.

The one-piece princess dress, worn by some during the latter part of the period, was an exception. Bodices were often fitted, with the cuirass bodice style emerging from around 1878-1883.

Sleeves were close-fitting and ended at either three quarters or at the wrist.

Evening dresses were differentiated by their lavish trimmings, level of ornamentation, trained skirts, and short sleeves. Weighted silk offered greater body and was a popular choice for dresses beginning in the 1870s.

Full sleeves were at their largest in 1895, before they gradually decreased in size towards the turn of the century.

By the 1890s, sleeve with fullness were only seen with small puffs at the shoulders.

Tailor-made costumes consisted of wool or serge skirts worn with a shirtwaist blouse. and were considered ideal for traveling.

Shirtwaist blouses were often accessorized by cravats and jabots. The variety of outerwear for women increased during the late nineteenth century and was dominated by coats, jackets, and wraps.

Accessories of the period included small hats, gloves, muffs, decorative fans, and parasols.

1900s

The first decade of the twentieth century is often referred to as “La Belle Époque” - French for "the beautiful age." During this time, Paris reigned as the capital of art and fashion, extravagance and opulence was in, and French couture became all the rage.

Edward VII became King of England with the death of Queen Victoria in 1901, ushering in the “Edwardian Era.”

Additionally, Henry Ford's Model-T was introduced in 1908.

Art Nouveau influenced fashion and ornamentation with the popularity of curvy shapes, floral prints, and ornamentation.

And with the introduction of Ford's Model-T, "motoring garments", such as duster coats and goggles, became essential for automobile riding.

The dominant silhouette of the period was the S-bend hourglass shape, which was achieved through the use of long bell or trumpet skirts that swept the ground, and the “monobosom” fullness of the front bodice.

Voluminous sleeves were another popular feature of turn-of-the-century fashion. Women still wore tightly-boned corsets, along with layers of petticoats. Two-piece ensembles were introduced, consisting of a skirt and a shirtwaist blouse. Garments often featured necklines with high standing collars for daytime and exceptionally low décolleté necklines for evening wear.

Lingerie dresses — flowing white gowns with lace detailing — were a popular choice for outdoor hot weather. Pale colors and un-patterned fabrics adorned with lace or embroidery were favored in this style. Shoes and boots exhibited pointed toes, and parasols were a must-have accessory for outdoors. Elaborate, often large hats decorated with bird feathers enjoyed heightened popularity.

1910s

The War Years (1914-1918) resulted in simpler styles, with moderation in fabric usage as well as the use of darker hues. As a result, garments of this period often have a more utilitarian and masculine appearence.

The “teens,” as the 1910s are often referred to, saw sweeping changes in fashion due to the work of French designer Paul Poiret, who was largely inspired by both the exoticism and color of the Far East and the Ballet Russes. “Orientalism” in fashion became all the rage and was seen in kimono-shaped coats, capes, saturated colors, and exotic embellishments.

Popular trends included the “peg-top” silhouette with hip fullness, Paul Poiret’s narrow-at-ankle “hobble skirt”, and Mariano Fortuny’s “Delphos gown” which featured his secret pleating technique.

Tunic dresses were also introduced, and featured a short skirt layered over a longer one. Necessitated by the new shapes in fashion, the hourglass S-bend silhouette transitioned into a more column-like, tubular form with a higher waistline. Brassieres replaced tight corsets and accommodated the soft, unfitted tea gown, a popular choice for afternoon hosting. The wide-brim hat continued to be a fashionable accessory and shoes began to replace boots.

1920s

The year 1920 marked the beginning of Prohibition, as well as the end of the Suffrage Movement, with women gaining the right to vote.

King Tutankhamen’s tomb was discovered in 1922, further fueling the taste for the exotic, and creating an obsession with all things Egyptian.

The Harlem Renaissance ushered in the Jazz Age; sleeveless dresses with shorter hemlines and sequin, bead, and fringe embellishment enhanced and enabled the fast-paced dance movements of the Charleston and Fox Trot.

The "Roaring Twenties" were years of major change for both fashion and society.

Besides major cultural events inspiring change, fashion was also influenced by Art Deco through the use of straight lines and geometric forms in both silhouette and decoration. The twenties silhouette was straight and tubular, and dresses deemphasized female curves, breasts, and hips.

Chemise dresses hung straight from the body and helped created this fashionable linear silhouette. The “flapper,” with her bobbed-hair and boyish silhouette, became the epitome of the fashionable look of the period. Hemlines rose, revealing more of the female leg for the first time in dress history, and shifting the focus to shoes for the first time.

During the period, Gabrielle “Coco” Chanel popularized costume jewelry — as well as wool jersey suits.

The cloche, a bell-shaped hat, was “the” hat to have.

Small beaded purses and long beaded necklaces were popular accessories.

1930s

The defining event of the 1930s was the Great Depression.

The stock market crash of 1929 and the ensuing depression created a need for less expensive garments without elaborate ornamentation. Designers of the period therefore relied on seam lines and darts as major forms of embellishment. Clothing that was cheaper and diversified was critical, thus creating the need for ready-to-wear fashion.

The overwhelming popularity of the movies in the 1930s helped perpetuate the ideals of “Hollywood glamour.” Women began looking to screen stars for inspiration in fashion, hairstyles, makeup, and even demeanor. The movies, and the glamorous lifestyle they portrayed, were a way for the public to escape the harsh realities of the Depression.

Designers such as Elsa Schiaparelli incorporated concepts of Surrealist Art into fashion designs, offering fantastical creations that also provided a flight from reality.

The 1930s also saw the birth of American sportswear and two-piece bathing suits for women. The decade saw a continuation of the linear shape of the 1920s, but with a leaner, longer, more feminine silhouette. The waistline returned to its natural position and hemlines dropped. Evening fabrics tended to be pale or white solids of silk or satin, and the backless evening gown was introduced at this time.

French designer Madeleine Vionnet created the “Bias Cut”, which produced a “liquid” clinging effect on the body. Hats of all varieties were widely worn, and a right-angle tilt was a common way hats were styled. Shoes featured low heels and rounded toes. Costume jewelry and fur added the final touch of fashionable glamor.

1940s

World War II began in 1939, ushering in a new conservatism in fashion. Fashion designers were forced to close their houses in Paris, and “practicality” became the new buzzword in fashion, with a focus on producing sensible styles and “utility garments” which required a minimum quantity of fabric.

In the United States, the L-85 Limiting Order aimed to freeze the war-time silhouette and stop rapid seasonal changes in styles in order to conserve fabric use. Tailored suits and military-influenced styles were seen in items such as belts, breast pockets, high necklines, and small collars. Both clothing and hair were influenced by the war.

For women who worked in factories, superfluous decoration and long hair posed safety threats. Hairstyles and makeup became an integral way to achieve personal style, since clothing and accessories were rationed.

Hollywood stars such as Veronica Lake, Rita Hayworth, and Bette Davis were significant influencers of fashion. American designers began developing sportswear collections, spurred by the necessity of the war-time focus on the ideals of simplicity and utility.

Casual separates, shirtwaist dresses, slim skirts with patch pockets, and halter and square necklines became popular. Women could also be seen wearing trousers, although it was mainly for utilitarian purposes, not everyday wear. 

The 1940s silhouette was tailored and narrow, with a nipped-in waistline and squared shoulders achieved through the use of shoulder pads. Hemlines rose to just below the knee. In light of rationed fashion, hats allowed an individual fashion statement, and small styles such as veiled pillboxes and berets, often worn at a right angle, were most popular. Shoes were usually chunky with rounded toes and featured either low-heeled or wedge soles.

Leg makeup was also introduced and offered women a remedy to the rationing of nylon stockings.

More Notes: On Fashion ⚜ Writing Notes & References

[lgbtlunaverse]

For all the discourse and sordid history of feminine clothes in period fiction or period-inspired fantasy and action stories– from endless misconceptions about corsets to the backlash where people will now complain if a female character has anything negative to say about skirts– I'm still starved for a character that crossdresses because she actually likes the way men's clothes look.

Like. In basically all the cases I've seen over the years, the reasons given for the characters' distate for feminine fashion are purely practical. "Corsets are restrictive, you can't move freely in skirts, feminine fashion is all form no function!"

And while writers often get it wrong and exaggerate how uncomfortable these clothes really were to a sometimes comical degree– you know what? Sometimes it's true! Cycling in a skirt is hard and inconvenient which is why victorian women started wearing split skirts or cycling breeches. (Which was hugely controversial to the men of the time) But like... that was, in fact, feminine fashion. Female cyclists weren't dressing like men they were just wearing a new kind of women's fashion.

Indeed, none of these characters seem to actually like masculine clothes, they give the impression that what they really want to wear is... modern women's fashion. (Which is why this kind of writing often feels anachronistic)

More than that, there is the underlying assumption that while historical women's fashion is governed by aesthetic, men's fashion is governed by use. Caring about how you look is a silly girl thing, unlike rational men who only care whether something works! Which is just... complete horse shit. Men care a lot about how they look, always have, and most masculine fashion trends cannot be explained by practicality any more than women's fashion can. It's a complete lie, based in misogynistic gender roles, that I wish wasn't repeated by media trying to be feminist. (Especially since these heroines always just happen to still be conventionally attractive– and, surprise, feminine– because everyone wants a woman who doesn't care if she's beautiful, but no one wants a woman who... actually isn't beautiful.)

If you talk to any real life butch, they love the way masculinity looks. They think they look hot! They think other butches look hot! There is a real love for masculine style there, that's just completely fucking... absent in most fiction. Because caring about your appearance a feminine trait, duh 🙄

There's an article I love in dressing dykes about Anne Lister, a real life historcial butch. And the way she incorporated masculine fashion didn't involve pants at all. It was in things like leather straps on her umbrella (customary only for gentlemen at the time) wearing men's braces, and dressing entirely in black as was fashionable for menswear but not womenswear. All of these are stylistic decisions. She did it because she liked masculinity.

If all your medieval-inspired fantasy heroine wants is practicality she'd probably start by mimicking the style of working class women. Because you know. Women worked. Women have always worked. And so they had to wear clothes suited for manual labour. There's a lot of interesting things you can do with class there, and she probably will be accused of being 'unladylike' by her environment anyway! But if she's gonna wear men's clothes, please consider letting her like them.

I'm just want an actual goddamn butch main character (or even a genuinely masc straight girl) and I'm tired of repeating the myth that men's clothes are these neutral canvasses of practical use with zero elements of style. (I have eyes! I can see that that's untrue!) Or that it's preposterous that a woman might... genuinely like these stylistic elements. That she might want to look like a man.

[guemarasims]

Upgrade your Sim's wardrobe with the latest trend in fashion - the Flared Corset Jeans for women! These stylish jeans feature a unique corset-style waistband with lace-up details and cute side bows. The flattering flare cut adds a touch of retro chic to any outfit, making these jeans perfect for both casual and dressy occasions. Available in multiple colors, your Sims will love the perfect blend of comfort and style!

Thank you very much for your support!

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[readychilledwine]

The Fashion of Fear

Happy @sjmvillainweek Day 6!

I was pretty excited when we all decided fashion was a must for this week. I am looking forward to this prompt a lot. Without the Maasverse being made into a TV show or movies, it allows us as the readers to create our own imagery and ideas behind the fashion, the places, etc. I want everyone to keep that in mind today as they go through everyone's headcanons, artwork, fics, and mood boards. How I saw a character may not be how you did and that is the magic of reading. Take it as an opportunity to discuss things! Message a creator and ask about their ideas!

Also, keep in mind that it's very common for women to get to live out fantasy and have these amazing gowns and outfits from fandom culture custom made. It isn't as common for men, which is a shame and it needs to be more normalized, so we are going for vibes on some of these. Bare with me

🗡Villains Week Masterlist🗡Master Masterlist🗡

Ps.. a message from Liz at the end

Beron Vanserra -

I firmly believe Lucien and Eris get their fashion sense from Beron. The male thrives on control and power. Fashion throughout history has been a sign of power

Beron perfers rich warm jewel tone colors. Deep olives, wine reds, plum purples. These tones used to be considered "weathy" in our real-life history. The dyes to make them were very expensive, so having clothing in those deep colors was a sign of status. Purples especially, look up "Tyrian Purple" for more history 💕

Beron also adds elements of nature into his wardrobe. Elements of leaves, vining, and other filigree are pretty common signs of his clothing for the maid who handles his clothing.

Controversial, but let me explain, I think Beron would be the most likely to have a crown of antlers of the High Lords. I know this is commonly associated with Tamlin, but Autumn is a season representing by harvest and hunt. A sign of a prized buck and stag will be it's rack (the antlers) and there are trophy hunters who will wait to find the perfect set and hunt for that purpose instead of food *side note Liz has issues with all forms of trophy hunting so, let's not dive into this one* It makes the most sense that Beron, High Lord of the Court that would be most associated with hunting, would have a crown and possibly throne of antlers.

I think shades of red are the most common in Beron's wardrobe. A tribute to his wife and one of the only signs of his twisted form of love for her.

Keir-

I also know male corsets are associated with Rhysand frequently, but I like to think they're actually fairly common. This goes back to the history of the item in our world. I just warped it for ACOTAR Liz Lore. Corsets also used to be seen as a sign of nobility due to how they constricted movement. It was a symbol of wealth that showed the wearer was essentially so wealthy they didn't *have* to move

Keir is in the Night Court. He has no choice but to daddy. I feel this mood board definitely speaks for itself, but I like to indulge.

I think Night court fashion, even in Hewn City, would be sleek with signs of sex appeal. Open buttons on shirts, tight fitted trousers, surprise lace detailing. Skin is a sign of high fashion. Just in some places, not all of the members of the Court get to partake.

Keir loves ornate details. Something to draw attention to himself. He prefers hand stitched everything. His wardrobe cost a pretty gold mark because of that.

I think he'd lean towards golds due to Rhysand leaning towards silvers, but black and silver will always symbol the Night Court, so that color pairing is in most of his clothing

I love the idea that Rhysand and keir secretly influence each other's fashion. A constant one upping battle to see who is ahead of the newest trends and curves first. They're both absolutely blind to the fact that this symbolic power struggle has made them the curve. They are both the moment. Absolute icons to the seamstresses and fashion world.

Amarantha-

I firmly believe Amarantha is a snake of many colors. I think her fashion sense would show that.

Amarantha as an emissary to Pyrthian would have adapted, purchasing fashion from all 7 courts to ensure she did not stand out too much.

That act of appreciation turns into an act of cruelty as she spends 50 years tainting each courts fashion. Everytime she's targeting a certain High Lord, she's wearing symbols of his court and it sticks.

I believe, regardless of the Court she mocking, Night Court's sex appeal plays into the design. Amarantha knows she is beautiful. She was never used to hearing no from a male. It makes sense that she'd use fashion to brag about what she knows are her finest assets.

Maeve-

The queen arrived.

I see Maeve in moody colors like dark jewel tones, blacks, and blues so deep that light seems to fall into them.

Maeve priorities comfort in footwear in my head. She pulls out heels for special occasions, but she is a flats girlie. Preferably flats with arch support.

Maeve, like Amarantha, loves to look and feel luxurious and expensive. Hand sewn beadwork and crystals are a must for her.

Maeve loves unique designs that pull elements from nature or architecture. Twisting vines, antler, filigreed lace work. These are things very common in Maeve's closet

Maeve is also known to mix up fabrics. Buttery cottons, high-end organza and gossamer, rare wools. The more expensive, the better.

She also isn't afraid of different silhouette styles. Ballgown, mermaid, aline. Maeve knows her body, and she knows her body will work for everything.

Pollux-

Everyone say, "Liz is sort of down bad for Pollux, and we forgive her." That damn line about him and his heavy cock... 🙄

Pollux leans to casual and comfort, preferring the gym over lavish outtings.

He is definitely the male your mother cried and begged you to stay away from, though.

Tight suits, buttons undone, shoes that properly match the belt. When Pollux goes all out, he goes all out in the newest fashions.

His streetwear is a mix of his suits and athletic wear. But he treats the public to the sight of him in a sweater with a leather jacket and tight jeans frequently.

Pollux is very clean cut fashion. Clean lines, not too much. Not distracting from his good looks and big wings. Very mindful of others who want to admire him, very classy, not too fashion forward and loud. Very demure.

His clothes are custom tailored. That's it. That's the headcanon. They all fit him as if he were poured into them.

Also, yes, Liz acknowledges this board is very eye candy.

The Viper Queen-

She inspired fast fashion. This is the icon we all follow on tiktok, drooling as she styles her exclusive wardrobe with pieces we think we have then can't pull off.

Very high fashion. The Viper Queen walks into stores and requests the latest lines. She pays for them in full.

During casual times, one would never suspect this is a full boss bitch. Her streetwear is very playful, still pulling in elements of high-grade materials, but she manages to blend into society when she wants to.

During her fights, you'll find her easily. Gowns that command attention, sparkling crystals, smooth silks, peeps of soft skin under netting.

She is the queen in her domain and everyone knows it.

Ankle bootie heels. With red bottoms. Don't know why. Don't ask questions. I can't explain it. It is just a feeling I can not shake.

General Taglist:

@hnyclover @glitterypirateduck @slytherinindisguise @mischiefmanagers @bloodicka @starsinyourseyes @the-sweet-psycho @mariahoedt @rinalouu @sarawritestories @starryhiraeth @starswholistenanddreamsanswered @cumuluscranium @loneliestluvr @eternallyelvish @azrielsmate3 @daughterofthemoons-stuff @meritxellao @aria-chikage @hungryforbatboys @lilah-asteria @fandomrejects @sleepybesson @tayswhp @itsswritten @milswrites @littlest-w01f

Ps from Liz:

I want to apologize for my Villain's Week things being late. You know when you read so much it makes you question what you're doing (other writers will)? That has happened to me this week. I'm being very careful to avoid touching things so I don't mass delete and give up. I'm giving myself a little grace and only touching the last edits when I am in the mood too 💕

They will all be posted, hopefully, by Sunday/Monday.

[waspie-corset]

Gothic Glamour: Iconic Corset Moments in Movies and TV

Corsets, with their alluring structure and dramatic flair, have been a staple in gothic fashion for centuries. Worn as a symbol of femininity, elegance, and power, they have also become a key element in many cinematic and television moments, especially within the gothic genre. From classic horror films to modern-day fantasy series, corsets have graced the screens, elevating characters and stories with their historical beauty and dark glamour.

In this article, we explore some of the most iconic corset moments in movies and TV that have contributed to the enduring appeal of gothic fashion, solidifying the corset as an essential garment in gothic and fantasy storytelling.

1. "The Addams Family" (1991) – Morticia Addams

Morticia Addams, the epitome of gothic elegance, is one of the most iconic corset-wearing characters in cinematic history. Played by Anjelica Huston in the 1991 The Addams Family and its sequel Addams Family Values, Morticia’s figure-hugging corset is a key part of her vampy, macabre look. The deep, dark colors, black lace, and skin-tight silhouette perfectly complement her character’s mysterious, seductive aura.

In the movie, Morticia’s corset isn’t just a fashion statement; it’s a visual cue to her control and power over her family, as well as her timeless, otherworldly beauty. Her look is not only iconic for its gothic elements but also for its influence on the aesthetic of gothic fashion in the early '90s. Morticia's elegant, structured corset represents the ultimate blend of gothic glamour and sensuality, making her one of the most memorable corset-clad characters ever to appear on screen.

2. "Crimson Peak" (2015) – Edith Cushing

Guillermo del Toro's Crimson Peak is a masterpiece of gothic horror, and its costume design plays a crucial role in setting the tone of the film. The corsets worn by the characters, particularly Edith Cushing (played by Mia Wasikowska), are a stunning display of gothic glamour.

Edith’s corset reflects her journey from innocence to knowledge, with each design element enhancing her transformation. The delicate, lace-trimmed corsets and the opulent Victorian dresses evoke both vulnerability and strength, echoing the themes of love, betrayal, and the supernatural. The corsets in Crimson Peak are intricate, with luxurious fabrics and delicate detailing, making them a striking visual representation of gothic romance. Their structural nature contrasts with the haunting atmosphere of the haunted mansion, creating a sense of tension and mystery throughout the film.

3. "The Nightmare Before Christmas" (1993) – Sally

Tim Burton’s The Nightmare Before Christmas is a stop-motion animated classic that has become synonymous with gothic vinyl corset beauty and dark whimsy. Sally, the ragdoll-like character voiced by Catherine O'Hara, is not only one of the most beloved characters of the film but also a shining example of gothic fashion.

Sally’s patchwork gown, cinched with a corset, serves as a powerful visual symbol of her resilience and determination. While the corset itself is simple, it’s the color contrast—the patchwork design and dark hues—that emphasize the gothic atmosphere of the film. The corset’s presence in Sally’s ensemble adds both a physical and metaphorical layer to her character. As a creation of Dr. Finkelstein, she is physically bound and limited, yet the corset allows her to break free and assert her independence, making it a subtle but significant element in her journey.

4. "Penny Dreadful" (2014-2016) – Vanessa Ives

In the Showtime series Penny Dreadful, corsets are not merely an aesthetic choice; they are a reflection of the dark, complex themes explored throughout the show. The character of Vanessa Ives (played by Eva Green) is a perfect example of this, as she frequently dons intricately designed corsets that evoke both strength and vulnerability.

Vanessa’s steampunk corset bustier top costume for waspie horglass finish of waspie leather corset, often made of deep black lace and velvet, are symbolic of the duality of her character—trapped by both her past and her supernatural abilities. The corsets accentuate her figure while also suggesting a sense of confinement, mirroring the emotional and psychological weight she bears throughout the series. The designs are gothic in their beauty, combining elements of Victorian fashion with the dark, brooding atmosphere of the show. Vanessa’s corset moments are a testament to the power of costume design in conveying a character's inner turmoil and strength.

5. "Sweeney Todd: The Demon Barber of Fleet Street" (2007) – Mrs. Lovett

Tim Burton’s Sweeney Todd: The Demon Barber of Fleet Street is another example of how corsets can be used to symbolize a character’s personality and role in a narrative. Mrs. Lovett, played by Helena Bonham Carter, is a comically dark character who wears a corset that highlights her eccentric, tragic nature.

Mrs. Lovett’s corset is less elaborate than some of the others on this list, but it still plays a key role in establishing her eccentric yet practical character. The corset, combined with her Victorian-style clothing, adds a touch of absurdity to her persona. It also highlights her feminine form, enhancing the visual contrast between her unassuming appearance and the gruesome, blood-soaked world around her. Her corset, paired with her quirky movements and personality, creates an unforgettable image of gothic fashion in a musical horror context.

6. "Interview with the Vampire" (1994) – Claudia

Interview with the Vampire is a gothic classic that explores the lives of immortals, with each character’s wardrobe helping to express their otherworldly status. Claudia (played by Kirsten Dunst) is a child vampire who is physically frozen in time, yet her appearance as an eternally youthful, beautiful girl is accentuated by her elaborate costumes.

Her corsets, often paired with decadent gowns, serve to highlight her age-old beauty and agelessness, while also emphasizing the tension of her predicament. Despite being trapped in a child’s body, Claudia’s corsets and high-fashion garments give her an air of sophistication and dangerous allure. The corsets she wears in the film contribute to her gothic charm, as they help frame her small, delicate form, while her unnerving, bloodthirsty nature is always lurking just beneath the surface.

7. "Sleepy Hollow" (1999) – Katrina Van Tassel

In Tim Burton’s Sleepy Hollow, the character of Katrina Van Tassel (Christina Ricci) is the embodiment of gothic femininity. With her flowing dark dresses and form-fitting corsets, she exudes a sense of mystique and danger, making her one of the most memorable characters in Burton’s visual universe.

Katrina’s corset, worn under layers of billowing fabric, is a testament to her role in the eerie, supernatural world of Sleepy Hollow. It’s both a garment that enhances her beauty and a symbol of the way she is bound by the expectations of her society, all while she navigates the tension between love, power, and her own supernatural heritage. Her corset is a visual metaphor for her conflicting desires and the story’s dark themes, blending elegance with a sense of foreboding.

Conclusion: Corsets as Icons of Gothic Glamour

Gothic Corset in movies and TV shows, particularly within the gothic genre, have evolved from simple undergarments to iconic symbols of character, power, and beauty. These garments not only shape the wearer’s figure but also shape how audiences perceive them—whether as tragic heroines, seductive villains, or ethereal beings trapped in their own worlds. From Morticia Addams to Vanessa Ives, gothic corsets have played a central role in defining the visual language of gothic glamour, blending history, fashion, and storytelling into unforgettable moments on screen. Whether haunting, glamorous, or darkly romantic, the corset remains a timeless emblem of gothic chic that continues to captivate audiences today.

[chere-indolente]

Treat #1 : The Aesthete

This treat is a 1880's Set inspired by the Aesthetic movement aka victorians cosplaying previous eras (mostly the Middle Ages) and simping for Oscar Wilde. More pics and download below

It includes the following CC items :

Thought these oufits are specifically suited for the 1880s, the Aesthetic or Artistic dress movement is somewhat of a victorian fashion subculture dating back to the 1860's.

The people participating in this fashion were part of the artistic sphere, so definitely not your typical victorian person and this style wasn't always well-regarded by the rest of society. The Aesthetic dress movement never went mainstream and most of the dresses in that style were house dresses and tea gowns, giving them more casual and private uses. But this fashion nonetheless impacted trends of the following decades (trains, puffy sleeves, flowy silhouettes... ring's a bell ?).

This movement was strongly influenced by Pre-Raphaelite paintings (hence the medieval inspired elements) and linked to the Arts and Craft movement. For the women the dresses were usually plainer than what was typical of the time (not hard given how mainstream 1880s fashion went really trim crazy), potentially homemade, with less structured silhouettes (possibly worn without corsets).

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Download : dropbox — simfileshare

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And if you're curious here were my main visuals references for this set :

[resplendentoutfit]

WW I Part II

Women's fashion has less ornament and detail. Pockets were stictched on the exterior of women's skirts and jackets instead of hidden in seams. Jackets were worn longer over the hips and looser fitting with belts wrapped around the waist. Women's waists were no longer emphasized as they had been with corsetted dress. Women's skirts were shorter and showed their shoes.

Suits by Chanel in silk and wool jersey.

La Mode Illustrée, October 8, 1916 | Woman's suit • 1918

Though we don't think of haute couture and war as having anything in common, in France the manufacturing and export of fashionable clothing for women helped to keep the economy going during World War I.

Fashion Plate for the French magazine Les Elegances Parisienne • 1916

While Coco Chanel got her start during the great war, it was Paul Poiret who was the star of the era's high fashion. Referred to as the King of Fashion in America in the 1910s, Poiret is most famous for his designs influenced by Orientalism, Neoclassicism, and Surrealism; the kimono, the Turkish trouser, the slit skirt, and the famous lampshade dress. Mostly, he is remembered for his stance on women’s fashon and the simplification of the female silhouette. He dismissed the petticoat and the corset, as the trends shifted away from tailoring toward draping. He disliked the word fashion, opting instead to design women’s clothing solely as an expression of individuality. “Women are wrong for following one style,” he said.

Paul Poiret's "lampshade" fashions

Chanel photos. The one on the right was taken in front of her first boutique in 1914.

[ghouljams]

Can you tell me more about the corset thingy like how long we can wear them or what kind of material suitable to replace the bra

Yeah I love talking about corsets.

So I will start out by saying corsets aren't for everyone, and there's a definite learning curve to them. There are also definite draw backs to corsets that I will get into briefly, but can be compensated for.

What you're looking for in a daily corset is going to be a cotton fabric, that you can wear comfortably under your clothes but over something like a tanktop. You want an "overbust" corset that's going to cup your breasts comfortably, and keep them in place. Most corsets these days are made for "slimming" but that shouldn't be your goal when corset shopping.

My personal favorite corset shops are: Timeless Trends, and Mystic City Corsets.

It's important to note that before bras, corsets were made to the individual's measurements so they were literally made to fit. These days it's all about knowing your measurements yourself, but there's still a LOT of variety in corsetry.

So the reason I advise a cotton corset is because they're more breathable, they're more comfortable against the skin, and they clean well.

For fit: you want something that feels like a tight hug. You should be able to breathe fairly normally in your corset but you'll have a little trouble bending over at first. You will NEED to season your corset. Seasoning is just breaking in the boning and making it contort to your specific body shape. This means 2-3 hours of daily wear for the first two weeks and then building up your time slowly. You want your body to be used to the corset before you start wearing it for 8 hours a day.

Corsets provide back support as well as breast support, a lot like a back brace, but this can also lead to some core weakness if you're relying on the corset to "lift" you. It should be lifting your breasts, and you shouldn't be slouching in it. It's something to keep an eye on, but isn't something to worry about. If you're taking care of your back, and using your core to stand up straight you won't have any issues.

A good corset is going to be pricey. I'm not going to sugar coat it for you, there's a reason bras became more popular. Corsets get hot, they're a lot of fabric, and if you're not used to them they can be incredibly uncomfortable, but they're also just underwear.

There's so much bad press around corsets these days, and a lot of it is so perplexing to me.

Did you know men hated corsets? Yeah. Hated them, because they were an added barrier between them and the woman they were attempting to grab.

Did you know only noble women tightlaced? Most women who wore corsets/stays wore them only as tight as they needed to keep their tits where they wanted them. Hell women worked in corsets, they couldn't afford to be out of breath like the noble ladies could.

Did you know that many corsets were tied with a single lace to make it easier for women to tie them themselves? Also corset hooks were common in a lot of ladies rooms to help them tighten the corset by themselves!

Look bras are... fine, I mean I try not to wear them when I can but I'm also part of the tiny tittie committee. They're more practical for large scale manufacturing, and they're easier to market at 1/4 the price of a corset.

If a corset isn't right for you, I highly, HIGHLY, suggest measuring yourself or getting fitted to find the right bra size for you. It changed my life and I lost a lot of the shoulder pain I was getting from wearing the wrong bra size. A Bra That Fits will do all the math for you with a few really simple measurements. No one (outside of sewing classes maybe) really teaches you how cup size is determined so most people just sort of wing it, and it can end up putting you in extremely uncomfortable bras.

Just in my personal experience with ABTF I went from an A cup to a C cup and my bras fit SO much better now. My boobs didn't get any bigger and they don't look any bigger in the bra, but the bra actually fits and holds everything the way it's supposed to. Don't be afraid to be comfortable, and don't be afraid to do right by your body.

[modelbus]

eyup model!! Hru?? Hope all is well… but lets get to the important shit, THATS RIGHT! ITS ME, YOUR SELF PROCLAIMED FAVOURITE ANNON, ✨🌌🌙!!! Y’know, the one that writes SUPER detailed, SUPER long and SUPER off-topic-for-the-first-half requests!!!! (If I keep this up for long enough, you’re gonna have to add a ✨🌌🌙 Annon section to your master list. /hj)

that makes me think about when I first requested, I wonder how long its been.. I THINK my first req was Cut Chaos.. one sec lemme check………

AYE IN 4(ish) MONTHS IT’LL BE A YEAR SINCE I STARTED HARASSING YOU WITH MY THINK OF BRAINS!

been a while.. I’ll need to remember to write a DUMB request in june.

SO. REQUEST. YES. I DO THAT? I DO THAT.

okay so idk how to format this but here,

She/Her pronouns for plot. y/n is honestly, REALLY bad at pvp, she’s know amongst the SBI for being.. a wolf in sheep’s clothing, but the wolf has no teeth. She likes flowers, pastel pinks, purples, and blues, she likes cottage core dresses and corsets.. So on the surface she looks like a pretty, little, innocent streamer!… yeah, no. Sure, shes pretty as fuck, but little? She is SURPRISINGLY TALL. half the fan base is fully convinced EVERY photo shes in is photo shopped, but sure enough, shes 6’4! Innocent? Say the words ‘Arson’ ‘Crime’ or ‘Manslaughter’, and you practically summon her. (Every SMP she has been on, has in-fact seen not only her enemy’s but HER OWN, Builds being blown up and/or burnt to the ground AT LEAST, 3 times.) shes also know for her ADORABLE builds (shame half of them end in ash..), her parkour skills.. and uh.. being complete garbage at anything pvp.

Well twitter being twitter, a lot of sexist 12 year old boys, and Andrew tate fans like to be.. REALLY creepy and all ‘perfect house wife’ about her. (You get the gist no more detail needed.) While they may not know it(they ignore it/pretend its fake), she’s actually quite strong in real life, often picking up her friends in irl streams and running away with them as a bit (with consent ofc)! But in minecraft, that doesn’t really show.. so naturally being the absolute fucking queen she is, about a year ‘n a half ago, she decided she was gonna be fucking great at pvp. Naturally not telling anyone but techno (so he could teach her, duh) and avoiding all pvp for a year, lead to people joking about it more often.. this didn’t bother her, it was actually perfect, she had been getting better. Like really. Danm. Better. Practicing even without techno and on an alt, and at this point? It felt natural to be disappointed at a 25 win streak.. she went from 0 to about 30-40 average win streaks.. in a year and a half.. she was dedicated, okay? Her fans did notice her getting a little rusty at parkour but they just assumed she had been to busy to practice as much.. they were right but not about what she was busy doing.. So, she obviously invited the sbi, and a few other friends (Tubbo, Ranboo and Dream.) to play a custom pvp themed game, with the stream titled ‘I haven’t pvp-ed in a year and a half, and now I’m doing it again.’ where they were split into two rounds, (y/n and techno being in both but the rest in one) all in hardcore and spawned on opposite sides of the map, having 30 minutes to gear up, before pvp was turned on, and no going to the end, no other rules than one hour to be the last one standing, they could team, they could camp, they could use tnt minecrarts, they could go to the nether, anything. it was all game.

only two people expected her to crush almost everyone. I’m not even sure if those two people were expecting her to come second one round, and WIN the other.. but with her getting half the kills in round one and losing to techno in a final battle where she held her fucking ground like a boss ass mother fucker, and winning after techno killed Dream and she ambushed him after using a god apple..

lets just say after a couple things trending, a lot of fanart and A LOT of sapphic women going crazy, nobody dared to question her dedication to proving she was a fucking force to be reckoned with again.

(It also became a very popular running joke that she got more women than any other Minecraft CC.. you don’t gotta include that just- just make it cannon.. oops, dropped my gay onto the request lemme fetch that rq..) (yes, I wrote this y/n as my fuckin dream girl, I’m a simp okay..)

haha.. ha.. BRO AT THIS POINT I’M JUST WRITING A FIC AND TELLING YOU TO RE-WRITE IT BUT MAKE IT GOOD I- feel free to change what ever, the top half is mostly just context- even if you don’t do this request you should reply to it so its not lost to the void- I.. I’m sorry man I keep doing this to you-

OH WELL JUST PRETEND THIS IS WAY SHORTER THAN IT IS OR IGNORE IT IDC EITHER WAY HOPE THIS GIVES YA INSPO POOKIE (the pookie was ironic I swear-) - ✨🌌🌙 Annon

For our one year anniversary I’ll make a special section of my master list just for you bbg <3 also don’t judge me for this title I was STRUGGLING

Pairing: what the fuck anymore Actual pairing: Fem!Reader x Cc!Phil, Cc!Tommy, Cc!Technoblade, Cc!Dream, Cc!Tubbo, Cc!Ranboo

Flower Power

You were pretty happy with who you were. A badass woman who just so happened to be the epitome of flower power? Hell yeah.

Fairy lights twinkle in the background of your setup, a wall full of vines and LED signs providing extra ambience. That’s not to mention the special keyboard—resin flower keycaps, they were on sale okay—alongside your setup in general. Even your mic had cute animal stickers on it. Well, except for the one Tommy gave you of his face? It was weird.

Right now, though, you aren’t at your cute setup. No matter how much you loved it, you were at least aware that you couldn’t send every waking moment at it. You weren’t quite that much of a content machine.

So of course you go outside to film vlogs with Tommy! Totally reasonable break from filming content: film more content!

Jokes aside, you loved hanging out with your friends. Getting dressed up just for Tommy to inevitably ruin it was practically your good luck ritual. The sheer number of skirts, shawls, and even socks he owes you is astronomical.

Today he had promised nothing messy (for once), so you took your chance. Pale blue corset embroidered with flowers and a flowy white skirt, you were practically screaming your aesthetic to anyone who looked at you. And Ranboo had given you a dandelion for your hair, which only added to it.

”Tall fuckers to the back for the photo!” Tommy shouts, and the poor bystander he roped into taking the photo stares. “Which obviously means me—“

“Get your short ass back in front.” You order, snagging his shoulders and forcing him in front of you. From your side, Ranboo snickers.

“Welcome to the club, king.” Tubbo tells Tommy before grinning at the camera.

“What the fuck.” He grumbles. “She’s hardly any taller than me!”

“Keep lying to yourself.” You put your elbow on his head, just to add insult to injury.

“Um, I got the photo I think.” The stranger says, holding Tommy’s phone out to him. He takes it without even looking at the photos.

“Thanks.” He says after you clear your throat pointedly to prompt him.

Seeing their chance to escape, the person just nods and hurries off without a single glance back. Probably glad to be rid of your wayward group of streamers and YouTubers.

“It’s a decent photo.” Tommy begrudgingly admits.

“It’s my cue to leave, actually. I’ve got plans.” Tubbo says, checking his phone.

“Why do you get more bitches than me?” Tommy whines.

“…it’s my mother.”

“And we all know I get the most bitches.” You jump in, high-fiving Ranboo blindly. You nearly hit his face, but that’s okay. It would’ve been funny.

“Oh shut the fuck up.” Tommy elbows you, all gangly limbs and pointy bones. “We’re playing Minecraft later, right?”

“Not me.” Tubbo reminds him.

“No shit. I was talking to these two idiots.”

“Hey!”

“I’ll be on.” You lean over him, looking at his phone for the time. “You’re aware we need to leave if we want to make your stupid fucking steam time?”

He looks down, eyes widening. “Oh shit!”

Just for making you run home, you blow up his house on Minecraft. For the fourth time. It was ugly looking anyway, nothing like your adorable mushroom house, so he was practically begging for it to be exploded.

It’s his fault. Always.

-

“You really want to attack me from there?”

Your hands freeze on your keyboard mid-movement, making your character in game also freeze at Techno’s words.

“Not anymore?” You laugh nervously.

“Right answer. Try this again and I’ll pretend like I don’t see you.”

PvP training was going great, and by that you mean you’ve been killed every single time by one swing of his axe. It was no secret that you were bad at fighting. Your go-to tactic was to load up on TnT and hope for the best, which met… many criticisms.

And you were sick and tired of it. It’s time to reinstate your badass reputation and become a ruthless killer in a video game. Innocent bedwars players would never know what hit them! Hopefully, at least. Right now, you’re still working on that.

“Fuck!” You exclaim as Techno kills you yet again, the respawn screen flashing up.

“If you with to defeat me, train for another—“

“I’m trying!”

-

@ GenericUsername Anyone else notice that our resident flower girl has been avoiding PvP… poor girl is TIRED of being flamed

-> @ EatingLipSkin She deserves it for how shit she is for dying to magma blocks that one time

-

Slowly, so fucking slowly, you watch your bedwars win streak increase. Slowly, you watch your skywars win streak increase.

Somehow, against literally all odds, you’re learning how to girlboss PvP. Although when you told Techno that he seemed mildly confused, but you were definitely girlbossing PvP.

Which was exactly why you knew this stream was a good idea.

After a year and a half, you were hosting a huge stream with a bunch of your friends competing in a PvP tournament. Tommy insisted on there being a prize, so whoever wins gets the highly esteemed Tesco’s gift card you’ve had in your desk for five months. A battle of true honor, of epic consequences.

“Alright guys, so here’s my plan.” You tell your stream, mining some wood to craft basic tools. Everyone has 30 minutes to gear up, then it’s an hour till the winner is crowned. With the map having a small border, you’re counting on some cheeky kills from sneaking up on others. “I mine first, stock up on iron. Make a diamond axe if I can, but mostly go for lava buckets and backup gear.”

Your plan is put into motion quickly. With the new iron veins, it’s incredibly easy for you to get geared up within fifteen minutes. Venturing back up to the surface for food, you spot Tubbo without any armor killing sheep.

Perfect.

Sneaking to hide your name tag, you venture up a tree to get closer to him. You added a proximity mod, so you can hear him talking to his stream.

“We need lots of food, chat. All these guys— these guys don’t know the importance of food!” He’s saying. It’s a smart plan; if only you weren’t planning on killing him and taking his food.

“Hi Tubbo!” You shout, dropping down and killing him with a few swipes of your axe. “One down, just a few more to go!”

As people die left and right—most dying to you, to everyone’s surprise—you pointedly avoid Technoblade. The student will never surpass the master, after all. All your tricks came from his playbook and you really didn’t want to see how competitive he’d get for a gift card he’d never even use.

Dream was slain by Technoblade

Your eyes widen in surprise at the chat message, quickly stretching your fingers to press tab and bring up the list of players left alive. Only yours and Techno’s show.

“Oh no.” You breathe, freezing. “Oh God, chat. I have to murder Technoblade. I have to disassemble his organs and destroy his aorta.”

Suddenly, you’re paranoid as all hell. Randomly going into F5 as you kill cows, checking every angle.

“The student thinks she can challenge the master?” Techno asks, and you shriek in surprise as he digs up from below you.

“I fucking knew you’d say that! You predictable pig!”

“But you didn’t know where I was going to come from.” He points out. You know him well enough to detect the faint line of amusement in the words.

You groan, eating a steak. “Let’s dance, Technoblade.”

“Let’s die, actually.”

He comes at you with an axe, immediately disabling your shield. In retaliation, you swap to a fishing rod to lure him back in when he tried to run off.

As the two of you fight, you find yourself getting closer to your monitor, keeping your mouth shut as you concentrate. Fingers flying across the keys, you scroll to your lava bucket and attempt to burn him. By some miracle, he manages to avoid it and get a hit in on you.

“Oh my God.” You breathe at seeing how many hearts it takes. “Is that fucking enchanted?”

“Is yours not? Get good, nerd.”

You jump past him, placing a quick block to act as a barrier as you smack him with your own axe. Diamond, so it should make up for the difference in strength of his enchanted iron axe.

He loops around a tree, but you momentarily lose track of him. “Where the fuck—?”

As you notice your hearts depleting, you whirl around. Instead of doing the smart thing a retreating, you jump forward and crit him out. If he were any other player (cough cough, Tommy), he’d run. But he’s Technoblade. And all he does is crit you in return, killing you.

“Fuck.” You groan, leaning back in the chair.

<Technoblade> If you wish to defeat me train for another 100 years

Rolling your eyes at the chat message, all you can do is wait for the server to be reset with a new map and everyone living again.

You do the same tactic again, gearing up as quick as possible. It seems like other people have stolen your idea, but go about it in different ways based on the achievements. In the chat, you watch as Ranboo gets the achievement for entering the nether and then Tommy gets it right after.

“I will gift twenty subs if one of them isn’t dead within… five minutes.” You wager to your chat, laughing slightly. They’re still busy freaking out that you placed second last round, making you smile. “Guys, what’s wrong? You didn’t think I’d get kills? What am I known for if not manslaughter?”

A few minutes later—just under five minutes, might you note—Ranboo’s death message pops up. And then so does Tommy’s. Ranboo was killed by Tommy, but apparently Tommy burned to death? You can definitely picture his dumb ass walking into fire.

“Well… looks like I’m aiming for Phil.” You sigh. “I’d feel too bad to kill Tubbo again. But I’m not fucking with Dream or Techno— losing fights and all that.”

You start mining up to the surface, digging through some deep slate you had gone through. “Wait, is this wood?” You ask, scrolling to your axe to mine through the oak planks. You mine directly through a mineshaft, gasping in surprise. “Oh!”

There’s a chest in a minecart right in front of you, so you open it, hoping for some cheeky diamonds. You’ll even take wheat; food is food.

“Oh my God!” You shriek, probably bursting more than a few eardrums. “A god apple— oh my god! We’re fucking winning this one, guys! Cower at my name! But first we’re getting out of here before a spider kills me.”

You run around for a few minutes before stumbling into Dream and promptly running the other way directly into Phil’s house. Why he was building a house on a PvP server? You’ll never know.

“Oh, hi mate, what’re you doing?” He asks, hands empty of any weapons. You scroll onto your flint and steel silently. “Listen. We can talk about this. You don’t need to do this.”

“It’s too late, Philza Minecraft.” You answer, lighting some of the logs on fire. “Should’ve made it out of stone!”

Turning, you light the ground under him on fire then scroll over to your axe. He’s not expecting it, and although he gets a hit in with his empty fists, you still kill him.

“Just Techno and Dream left now.” You note. “Let’s just… hope they battle it out.”

To keep yourself occupied as you wait for the last five minutes before the borders shrink, you start setting cows on fire and collecting flowers. Poppies and dandelions fill your inventory, your little good luck charms.

“Alright guys. Someone go sneak into Techno’s chat and snitch on what’s happening for me.” You laugh, shaking your head. “Kidding, kidding. Don’t do that.”

Just as the one-minute warning pops up I no chat, Techno’s death message does. You gasp loudly, before grinning. “It’s my time to shine! I’ll avenge Techno!”

The world border starts to shrink behind you, but you’re already on the move. Knowing Dream, he’ll probably be in the center of the map. If you can catch him while he’s looting Techno’s body, you have no chance of losing.

“Stop saying good luck chat, I don’t need any good luck.” You grin, spotting Dream’s name tag. “I’ve got skill.”

Before you throw yourself at him, you eat your enchanted golden apple. If you trade blows, you’ll end up winning with the extra health. And two hearts is all you need.

“Ohhhh Dream!” You shout, catching him with a swing of your axe as you jump past him.

“AHH— what the fuck? Where did you come from?” He runs after you, making you do awkward jumping around to avoid his fishing rod.

“Stop! Stop that, I can’t— Dream!”

“Are you regenerating? Did you go to the nether?” He asks, and you can’t help but smile.

Because God apples don’t just give you extra hearts; they give you regeneration.

“I did one better.”

You hit him with your axe again, trading blows with him just like you thought you might.

“You’ve got to be low, how low are you?” He asks, hitting you again, but it’s too late. His body explodes on his death, his items flying out everywhere. You throw your chair back, jumping up and shouting.

“SUCK MY FUCKING DICK HATERS! I’M THE NEW PVP GODDESS AROUND HERE!”

-

@ WomenLover MOMMY? SORRY... MOMMY? SORRY

->@ TheRealBIcon dont be sorry we all thinking it she HOT HOT

@ S4pph1cSarah Anyone else see that fanart of her winning the PvP tournament… woo boy…. I’m… not okay…

@ S4pph1cSarah A thread of the HOTTEST fanart I’ve ever seen of our beloved streamer <3

@ SmexyWomenNearMe Me: “where is she?” “Her parkour skills are rusty how odd” “she’s streaming less” Her: “Watch this fuckos I’m badass and a killer”

->@ TwilightReference ”this is the face of a killer Bella”

@ CottagecoreBadass Can we talk about how dedicated she is? Like yeah she’s hot. So hot. But she’s also insanely badass and commited???

->@ CuteBuilder101 Best type of woman fr fr ->@ StarAnon Cottagecore + badass + chaotic force of nature = her (my dream woman)

@ StarAnon She really just drew all the women lovers outta hiding huh

@ ThisIsTheWriter Idk if I want to be her or if I want her but man. Oh man. I’m so bi.

[marzipanandminutiae]

Since you recently reblogged that post about women's clothing, here's what the OP said in her tags in a post about defending corsets/skirts/parasols - needless to to say your tags about them hating people who enjoy those kinda things were spot-on

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Good fucking god.

Yeah, I read the whole post in your other ask with the link (I'm not adding it because frankly I don't need more of this horseshit in my life). It was basically them taking someone commenting on the OVERWHELMING trend in historical fiction of making all women who have anything of value to say absolutely despise Gross Icky Skirts and Corsets And (in at least one case I've seen) Parasols

(while also making them baseline Modern Feminine AttractiveTM, and that's definitely a facet of the conversation worth having, too. oh, your heroine eschews corsets because she's Liberated? funny because her tits look perfectly supported. forming cleavage, even. almost like she's. wearing a bra. and her hair, that is loose and not pinned up because Hair Up = Repression is perfectly iron-curled and magically never in her way. hmmmmm.)

and this person responded to that sarcastically like "YEP YOU'RE RIGHT IT WAS ALL FINE AND DANDY FOR 100% OF WOMEN FOREVER!!! THAT'S TOTALLY WHAT YOU'RE SAYING!!! HEEHEE I PUT YOUR POST UNDERWATER BECAUSE IT'S DUMB!!!"

which like. for the love of. just stop; that is so clearly not what was being said

as for the tags, she probably thinks she's being even-handed by acknowledging that some poor backwards souls THOUGHT they liked these things, as they were misguidedly "fighting against progress," but of course they had no other options so they didn't REALLY like any of it. which is just so infantilizing to me

look, the fight for women to be allowed to wear trousers was huge and important. because some women wanted to wear trousers! and do manual labor jobs that require wearing trousers, from which women had historically been excluded! and women who want to wear trousers should be allowed to do that; gendering Lower Half Fabric Tubes is stupid, we're all going to die, and you should adorn your meat-suit in a way that makes you feel comfortable (mentally and physically) and happy and confident!

but. it was a fight for options. it was a fight for choice. it wasn't happening because one garment was good and the other was, to quote The History of the World I Guess, an Evil Virus of Satan. did some dress reformers frame it that way? yes! because humans are human and some humans deal in absolutes! but they didn't represent All Women, any more than the ones who thought wearing trousers was scandalous did

and moreover, this is still coming at things from a baseline assumption that corsets and long skirts- and again, weirdly parasols? women weren't like required to carry parasols at all times back then; do people know that? light skin as a beauty standard is a big conversation to have, but there was no Parasol Law or anything -are universally impractical and uncomfortable. and that any woman who doesn't feel that way must be either brainwashed or intentionally impeding progress

the fact that, in a time when not only are western women are fully allowed to wear trousers but skirts and dresses are seen as inherently formal for some reason, some women STILL feel their happiest and most comfortable in them (and some people of other genders, too!) is proof that you don't have to be a mindless slave of the patriarchy to like these things. if someone came to me and said "you have to give up your skirts and burn your corset; Progress is here!" I would punch them in the face. and I'm a left-wing, feminist lesbian

nobody forced me to dress like this- in fact, society would probably rather I didn't, because it's not making fast fashion companies any money and it's not #ontrend. I grew up primarily in jeans and t-shirts like most kids, teens, and young women nowadays. I chose this completely absent any societal pressures to do so, and indeed, in the face of pressures to NOT present the way I do

and if someone can choose it without that kind of pressure...don't you think there just might have been women who would have kept wearing what they wore even with broader options available? without being Horrible Deluded Serena Joys or whatever?

also I'm sorry but claiming that modern clothes- and implicitly by the rest of the text, modern trousers in specific -have the same breathability as a natural-fiber skirt over a hoop is just hilarious. they may work better for ~your specific lifestyle~ as OP condescendingly phrases it, but wrapping your legs in plastic (or even tight-fitting cotton twill!) is just not going to have the Breeze Capabilities of putting a lampshade around your waist

...not sure why I even wrote this, since in the comments on the original post OP freely admitted that they weren't reading any rebuttals anyone wrote because "women were jailed for wearing pants [which they were sometimes! but that's not the beginning and end of the conversation!] so I don't need your paragraphs." this attitude always comes back to having set ideas about history that you're not willing to have challenged. anyway.