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deadcactuswalking · 10 months ago

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REVIEWING THE CHARTS: 20/01/2024 (Ariana Grande, 21 Savage's american dream, D-Block Europe)

The story of this week is… well, there are a lot of stories, and the moral of nearly all of them is: don’t get your hopes up. Noah Kahan’s “Stick Season” has halted a certain someone off the top spot, and welcome back to REVIEWING THE CHARTS!

Rundown

As always, we swiftly ignore you-know who and instead spend a little time on the notable dropouts, songs exiting the UK Top 75, which is what I cover (read the FAQ), after five weeks in the region or a peak in the top 40. As one would expect, there’s quite a lot of movement this week so we do have a hefty list, bidding farewell to… “Just Another Rainbow” by Liam Gallagher and John Squire after just one week at #16, “Entrapreneur” by Central Cee, “You’re Losing Me” (From the Vault) by Taylor Swift getting three-song-ruled out and exchanged for another Taylor song, and then “Standing Next to You” by Jung Kook, “Murdaside” by Mazza_l20 and friends, “First Person Shooter” by Drake featuring J. Cole, “adore u” by Fred again.. and Obongjayar, “Daylight” by David Kushner, “Flowers” by Miley Cyrus and the Selena Gomez-assisted “Calm Down” by Rema. Yeah, some massive losses this week, it really is ushering in the 2024 hit parade this quickly

As for our notable gains, well, we see a return for “Anti-Hero” by Taylor Swift at #69 due to the swap I talked about earlier - it really isn’t a good trade-off in my opinion. Aside from that, there are boosts for “Black Friday” by Tom Odell at #31 which I can’t complain about, and same goes for “Never Lose Me” by Flo Milli at #24. I will complain about “Unwritten” by Natasha Bedingfield at #18, but that brings us neatly to our top five, where we have Teddy Swims fly in at #5 with “Lose Control”, followed by familiar faces, “Lovin’ on Me” by Jack Harlow at #4 and “Murder on the Dancefloor” by Sophie Ellis-Bextor at #3, and then, despite multiple versions and a music video, Noah Kahan fended off Ariana Grande’s comeback single “yes, and?”, stalling out narrowly at #2. It’s fully the season of the sticks, and also the season of 11 Goddamn song reviews, some of which were expected and don’t give me much to say, or much that I want to say, and some that just came out of thin air. I guess let’s just get this party started.

New Entries

#73 - “Scared to Start” - Michael Marcagi

Produced by David Baron

This episode is brought to you by our sponsor, Who the Hell is This Guy? So, Mr. Marcagi started out as the lead singer for non-starter indie rock band The Heavy Hours, before the release of two very recent and very obviously trend-chasing solo singer-songwriter singles. This is the second of them, and seems to have been his breakout and yeah, I suppose we have Noah Kahan at home. The song is overall about a youthful relationship that gets them into undetailed recklessness and escapism, particularly getting away from a small boring town into being on-the-road nomads, without much care for where the future actually takes them. I like the heartland rock pianos and the tried-and-true drop into half-time for the second chorus, though by the time he does it again in the final chorus, I mostly wish he just picked up the pace as the momentum needs to accelerate from there if it’s such a carpe diem track, it feels like a missed opportunity to really go hard at the final hustle, like Kahan would do. As a whole, it’s really not that difficult to see why this is here or even why people could love it, but I feel like it needed more refining to truly make it worthwhile.

#63 - “Praise Jah in the Moonlight” - YG Marley

Produced by Lauryn Hill, YG Marley and JohnnyG

When I say everything will chart in January, I mean everything. This is one of Bob Marley’s many grandchildren, and yes, that is the Lauryn Hill you’re thinking of. She married into the Marleys, this is her son, she co-produced and co-wrote the song, which additionally samples the original Marley’s “Crisis”, a 1978 track with the Wailers, an uplifiting song about living it up through crisis, staying aware of tragedy but taking time to yourself to allow for fun to be had, peace to be found. I like the song a lot, but it was an album track and hence never charted until it was sampled on this newer song from late last year, which - this is not the first time this week we’ll see this either - turns the otherwise conscious track into a love ballad, but sonically, it’s incredibly faithful, even down to the liquidy reggae groove and charming background singers. Sadly, YG does not have the presence of his grandfather, sounding mostly like a nervous, Auto-Tuned child stumbling onto the school talent show, but that’s also partly due to the mix crushing his nasal croon a bit, it feels smashed in between different elements of the mix instead of resting carefreely in it like Bob would. I do actually appreciate the shift in content for the second verse, which I can only assume was written by Ms. Lauryn Hill considering its cynical, conscious stabs at soul-taking and standing your ground. In fact, I actually like this song quite a lot - whilst it starts off as a love ballad, it ends up using more of an appreciative worship angle that fits much better with the lax, improvisational performance, especially once Lauryn comes in for the outro, it’s just nice to hear her singing again, to be honest. The guitars are also surprisingly sludgy by the end, it feels, fitting the mix’s general vibe, which makes it feel a tad sinister or at least defiant, which makes the sample flip - or really, recreation - a lot more sensible. So, yeah, I think this turns around to actually being quite good, if not great? I guess you can’t go wrong when you just plod in that classic Bob Marley tune as a loop for so long and get Lauryn Hill to do backup, I mean, it really does not seem like you can go wrong placing those two together on a track, albeit posthumously. I know it’s never coming but part of me wants to at least hope this may mean we get, if not a solo album, a wider array of collaborations from Lauryn Hill in the future.

#61 - “No Man’s Land” - Marshmello and venbee

Produced by Marshmello, Digital Farm Animals and Earwulf

To be completely honest, I thought Marshmello’s time in the Sun was over. He’s been latching onto Fuerza Regida and Latin music overall Stateside, so I figured his hit-making days could be far behind him, yet here he is without a reggaetónero or corrida band, and instead venbee, who has yet to really replicate the success of “messy in heaven”, but maybe this will be a winning combination and not another desperate last-minute attempt by Marshmello to find a final niche before the spark dies completely. Surely by now, you know where this is going. Mr. Mello even got Digital Farm Animals to co-write and produce so there really is a distant scent of imminent failure written into this one. That’s not to say the song isn’t good because, well, despite all my cynicism, it’s a damn good track, I actually really love this one. It has all the 2018 plastic tropical flavour but due to going for a faster-paced drum and bass rolick and surprisingly compressed and gross-sounding mix on venbee’s vocals, it doesn’t have any of the effortless sheen and instead sounds a bit rough around the edges, with even the little intricate details in that second verse sounding a bit out of place. That lines up pretty perfectly with venbee’s self-loathing that she feels has buried her into an isolation that she can’t really handle considering how much she hates that cycle. Now I don’t think this’ll be a hit: it sounds like something that could be a sleeper success, but by the time it would get much traction, the song is rather too depressive to be dropped into a Summer EDM mix, and honestly, we have no track record for venbee in terms of any consistent success, and it’s not like Marshmello is a pull anymore. So whilst I actually think this is brilliant, I would have to say to Marshmello: Maybe don’t get your hopes up.

#59 - “J CHRIST” - Lil Nas X

Produced by Omer Fedi, Gesaffelstein and Lil Nas X

“The biggest comeback” since Jesus and he couldn’t even break top 50? In this chart climate? In this economy? I did see a lot of social media disillusionment with Lil Nas’ religious angle, none of which I agreed with because really, it’s only his second time doing so and who decided that artists suddenly couldn’t use themes in their music? Yet that may explain the lack of success out of the gate for… “J CHRIST” - God, what a terrible song title - and I can’t say it’s unfortunate, this song is terrible, and not in an honest-sounding way either. LNX has never sounded more bored and typical, going for a vocal take that doesn’t even fully sound like him, as if he was pitched up in post, and the lyrics seem absolutely unfinished if not unchanged from a mumbling reference track. Even the catchy hook is pretty gimmicky with the “high note”, and the second verse just repeats itself sloppily over this piano-based trap beat, that doesn’t really go anywhere at all. In fact, if left on its own, one could consider this a bit of a feat: gawk in awe at Lil Nas X trying and failing to inject life into an amateur YouTube remake of “HUMBLE.” made by a guy with 12 subscribers! Yet due to the promising, alien outro from Gesaffelstein, we know that more effort could have been put into this to make it much more unique and refreshing, and his springy synth bounce lingers throughout the rest of the track, especially that pre-chorus, as a tease for something to come, which would be promising if that “something to come” wasn’t the absolute lowest barrier of entry for decent music: being interesting. Again, don’t get your hopes up.

#46 - “Alibi” - Ella Henderson featuring Rudimental

Produced by Aidan Glover, Cliff Masterson, Rudimental and Punctual

It is with the deepest of sighs that I say the late Coolio’s iconic Dangerous Minds soundtrack cut “Gangsta’s Paradise”, that has long outlasted its film companion, debuted at #1 upon release in 1995 and stayed there for two weeks total, and has returned intermittently to the UK Singles Chart since 2009 due to just how great of a song it is, a timeless Stevie Wonder flip with L.V. on the chorus and some of the most harrowing yet accessible conscious verses that have ever appeared on a chart hit. Ella Henderson, we are not doing this. Why Rudimental decided to credit themselves onto this… thing they barely produced is beyond me, because this is a worthless parody of the original, a dead-on-arrival concept with little respect for its source material… but that makes it sound cool, doesn’t it? It makes it sound risky, like it’s trying new things, when in reality, that’s far from the case. Ms. Henderson copies inflections and melodies directly from L.V., who already took them from Stevie, and replaces the lyrics with meaningless relationship platitudes. The beat is stock drum and bass, the main lead sample is from the most famous and memed part of the song. This kind of song makes me question whether I can even consider it art at all because what human aspect could have possibly been involved in this? Ella’s singing, sure, but not only are the vocals touched-up in post, it’s not like she or her choir care all too much about emoting these lyrics, and they really shouldn’t. Sure, a human - or several, according to the credits - programmed this song, but would you really be surprised if it was done algorithmically based on a TikTok search of the original song? I love sampling, it’s possibly the most interesting thing about popular music past the 1990s, but some reinventions are little more than fleeting insults at artists not alive to repel them. The man rejected Weird Al’s parody and even after he’d lightened up about that, I have serious doubt he would sign off on this garbage. May he rest in peace - I personally really love his other single “Fantastic Voyage”, maybe even more than “Gangsta’s Paradise”, and I’ll always remember his voice performance as the Kwanzaabot in Futurama. This? I’m trying not to remember it. Hopefully the UK can realise this for its cheap distasteful novelty and leave it buried in the dregs of Spotify where it belongs.

#42 - “Heather on the Hill” - Nathan Evans

Produced by Alan Jukes and Stevie Jukes

I’m… genuinely surprised Nathan Evans is still popping up, especially with a song like this. The title may be referring to the song of the same name in the 1947 musical Brigadoon, set in the Scottish Highlands, perhaps most well known in its version by Grace Kelly. Now that is a beautiful composition with a surprisingly frail performance in the verses that really gives a lot of lackadaisical charm to the track, even if I’ve never even heard of the musical before. This track by everyone’s favourite sea-shantier has nothing to do with that song. The traditional Scottish folk strings may interpolate the original slightly but this is a pop song through and through, with Lewis Capaldi-esque vocal and guitar production, it’s all compressed and staccato and aimless but at least you can tell Evans is Scottish given all the references which would seem tacky if there weren’t just so many of them, and Hell, I’m not Scottish, I can’t judge how a Scotsman expresses his Scottishness. There is a great dramatic charm in the absolute joyfulness this seems to at least want to display, especially with the Scottish folk chaos in the back of the mix and Evans just giving it all he can. In fact, I kind of love this: it’s an adorable love song that ends very abruptly for no good reason, is littered with little Scottish lyrical details, and whilst it doesn’t hit the same as the song from the musical, it’s going for an entirely different vibe: one of folkish lovestruckness and awe, admiration. This feels like a first crush, if my first crush was from Orkney. She wasn’t, of course, but I can dream; both songs I discovered from this entry I appreciate in largely different ways but are pretty admirable all the same.

#27 - “n.h.i.e.” - 21 Savage and Doja Cat

Produced by Kurtis McKenzie, Scribz Riley, Jonah and Nineteen85

Okay, so 21 Savage released a new album, american dream, last Friday, and it debuts at #2 on the UK albums chart, with three new songs debuting here because the entire album was new material, and quite frankly, next to none of it fit the concept of the album, and that includes pretty much everything we have here. It’s really frustrating when ambition, especially conceptual ambition, seems to be promised and whilst the product itself is completely fine, serviceable and in the case of this 21 album, frankly quite good, it does not abide by the ideas that were presented in, say, the introduction, the soundtrack connection, how 21’s mother appears on both the opener and closer to speak frankly about her experiences and how they relate to her son’s, especially in regards to travelling from London to the US. Given that 21’s finally gained US residency and this seemed like his way of commemorating his escape from the confusing citizenship debacle, wherein he can be proud of both his British and American heritage, I was quite disappointed when it was 90% a typical rap album with soul samples, trap beats, flexing on haters, having sex with women, killing people in comical detail and even having a second half largely consisting of R&B just for the ladies, I suppose. With all that, like I said, I enjoyed the album! 21 is a lyrically and vocally quite fun presence nowadays, and the production was incredibly cohesive in its sound despite trying out some different rhythms and vibes throughout. It is, by all means, a good 21 Savage album, but if you’re hoping for more than that, again, don’t get your hopes up. As for the tracks that debuted, they are by far the least interesting and actually some of my least favourites. This one has an eerie guitar lick but also Doja Cat all over the track just whispering and distractingly so, with 21 kind of on autopilot, even if his short verse is pretty good. Doja is doing the whole quirked-up not-a-rapper schtick with the “ad-lib!” ad-lib and basic flow accentuated by again, those multi-tracked whispers and outright refusal to write a verse of considerable length. It’s just lazy on mostly her part but pretty much everyone else as well, there’s little to care for here.

#23 - “née-nah” - 21 Savage, Travis Scott and Metro Boomin

Produced by Metro Boomin

Why is the song called that? Anyway, this is my least favourite track easily. You have a straight minute of Travis wasting my time - without the Auto-Tune, without the spacey production, without the atmospheric concepts and ambition, who even IS this guy, really, other than an unconvincing cornball who never decides on a solid flow and fills up time with ad-libs, including some weird Westside Gunn riffing this time around? Also, considering how much time he’s spent with Kanye, I’m getting slightly worried to who this villainous “they” he’s referring to in this verse all the time might actually be, he’s been oddly defensive and conspiratory since UTOPIA at least. This is a completely serviceable Metro beat, though it actually gets kind of hard on the ears midway through due to that shrill sample that doesn’t really have much to blend with when the chopped, vintage sample isn’t present. It’s a shame that the rest of the track is pretty much garbage because 21 delivers some of his most violently funny and out-of-pocket verses on this whole album, with a cold-as-Hell chorus and lines about Virgil Abloh and Usher that hit pretty hard as punchlines. Again, a shame it’s all placed here on what was for everyone else, a throwaway track.

#19 - “Eagle” - D-Block Europe and Noizy

Produced by Da Beatfreakz

DBE sold like 10 million USB sticks or something, their album is #1 yet here’s their sole track in the top 75. Now this is the kind of so-bad-it’s-enjoyable DBE I like to hear, with Beatfreakz on production, an unusually long, minimal intro, an array of deranged ad-libs, terrible Auto-Tune, Young Adz stammering helplessly and not understanding how disparate some of the consecutive lyrics are from each other. He barely sticks to a coherent flow and starts the chorus with declaring that he thinks he’s Albanian, but he doesn’t enunciate so it sounds like he just calls himself the country of Albania. We even have Dirtbike Lb going for a verse that completely washes whatever Youthful Advertisement was doing, he actually kind of kills his verse, it’s impressive. The flow switch is much clearer and well-done than whatever Adz tries his hand at, his slurring and naturally slow, droning delivery is used to its best extent here. Oh, and like half the song belongs to this one extended verse from an actual Albanian rapper, Noizy, who goes in… I think? He says near the end, “I’m Albanian, you’re not supposed to like me” and I really don’t know what to make of that, or this song in general, it’s kind of a fascinating mess with some genuine flow highlights but mostly just bizarre choices. In that regard, classic DBE.

#11 - “redrum” - 21 Savage

Produced by London on da Track and Peeb

My favourite track from this album is “see the real”, a sassy, witty and dismissive hyphy-esque bop that inflects a lot of melody into 21’s sound but not enough to dissuade you from his cold demeanour. Some of my other favourite tracks include the sincere PSA “dark days”, the needlessly catchy R&B track “should’ve wore a bonnet” and yeah, “redrum” has none of what I just described. It’s pure violence, it got the music video set in London, so here it is, with its Italian classical music sample in the intro that just eventually forms into a menacing, unchanging loop. It sounds great, but with the caveat that it also just sounds like that the whole time. If 21 weren’t generally an incredibly compelling and more importantly convincing presence as a killer on the mic, this would be a pretty unimpressive beat, so it really shows how much better an instrumental can sound when the right pocket’s found, and for 21, who is on his A-game punchline and ad-lib wise on this track, it seems almost effortless. I’ve obviously not got much else to say about this song or the album as a whole, but I do think it’s a shame that its most unique and enlightening moments didn’t make their way to the charts, or that they were so few and far between to begin with. Hey, at least we didn’t get any shreds of that terrible Kid Cudi project, right? Sheesh.

#2 - “yes, and?” - Ariana Grande

Produced by Ariana Grande, Max Martin and ILYA

It’s fine. I know it’s the big story of the week but there’s nothing too celebratory, triumphant, badass or even interesting about this comeback single from Ariana, that clearly goes for an attitude it couldn’t fully commit to, given the cheaper-than-usual sounding vocaloid chop behind the diva house pianos and a cooing that sems to miss the point of its own genre. Lyrically, it’s self-motivation but I mean, we have “BREAK MY SOUL”, and the genuinely experimental and explorative RENAISSANCE from just two years ago, we really don’t need a lacklustre Ariana Grande rendition of this genre, especially when she’s completely phoning it in. She’s not someone who’s meant to chant mantras, that’s not the kind of loose, parading singer she is, it’s why she never worked on trap beats. The spoken word bridge is pitched-up - because sure, Ariana needs pitching up of all singers - and practically egregious: going for the censor during the Ethan Slater-related line is exactly the “serve” it was intended to be, given that it’s the one time the song actually feels like it exists, but it also just drills this hole further that Ari cannot sell this at all, and should absolutely not be trying to when the audience, even if invested in the “I’m fucking the SpongeBob guy” drama, cannot find themselves motivated by because, well, last time I checked, the only other person fucking the SpongeBob guy was the mother of his child. If someone can point me to the passion and empowerment in this song and its seven other versions instead of a lingering tinge of desperate acting-out, please do, because every listen just leaves an even sourer note in my mouth. Ugh, let’s move on.

Conclusion

I actually did not dislike “yes, and?” before writing this episode, but several listens and caring to look at the lyrics more have really prevented me from enjoying it the way I wanted to so, yes, it will get the Dishonourable Mention, with the Worst of the Week being so obvious I really don’t have to say it, do I? Best of the Week goes to Marshmello and venbee for “No Man’s Land” with an Honourable Mention to Nathan Evans of all people with “Heather on the Hill” and I suppose that’s it. It was a bit of a long ordeal this week, but thank you for reading, see you… a bit earlier than next Friday, I think, but still, next week.

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whisperhillforo · 1 year ago

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#whisper hill #gráficos #María X. Salazar #Travis C. Dannel #L. Joyce Sanders #Eve Henderson

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anneliesembsims · 2 months ago

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Disclaimer: I have received free packs as part of the EA Creator Network

And here's Inez's family, her husband Travis Scott, her daughter Laurie, and her son Dale.

#EA Partner #ts4 #sims 4 #Henderson LEPacy #lepacy gen 11 #sim: Travis Scott #sim: Laurie Henderson #sim: Dale Scott

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battyaboutbooksreviews · 1 year ago

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Queer Books November 2023

🌈 Good afternoon, my bookish bats! Struggling to keep up with all the amazing queer books coming out this month? Here are a FEW of the stunning, diverse queer books you can add to your TBR before the year is over. Remember to #readqueerallyear! Happy reading!

❤️ The Pirate and the Porcelain Girl by Emily Riesbeck 🧡 Heading North by Holly M. Wendt 💛 The Wisdom of Bug by Alyson Root 💚 Trick Shot by Kayla Grosse 💙 A Holly Jolly Christmas by Emily Wright 💜 Outdrawn by Deanna Grey ❤️ Yours Celestially by Al Hess 🧡 The Christmas Memory by Barbara Winkes 💛 Violet Moon by Mel E. Lemon 💙 The Santa Pageant by Lillian Barry 💜 Only for the Holidays by Shannon O’Connor 🌈 Homestead for the Holidays by Wren Taylor

❤️ You Can Count on Me by Fae Quin 🧡 No One Left But You by Tash McAdam 💛 The Worst Thing of All is the Light by José Luis Serrano, Lawrence Schimel 💚 Today Tonight Forever by Madeline Kay Sneed 💙 Wren Martin Ruins It All by Amanda DeWitt 💜 Emmett by L. C. Rosen ❤️ Finding My Elf by David Valdes 🧡 Tonight, I Burn by Katharine J. Adams 💛 Gorgeous Gruesome Faces by Linda Cheng 💙 Bookshops & Bonedust by Travis Baldree 💜 A Power Unbound by Freya Marske 🌈 We Are the Crisis by Cadwell Turnbull

❤️ The Manor House Governess by C.A. Castle 🧡 You Owe Me One, Universe by Chad Lucas 💛 Last Night at the Hollywood Canteen by Sarah James 💚 Skip!: A Graphic Novel by Rebecca Burgess 💙 Something About Her by Clementine Taylor 💜 Touching the Art by Mattilda Bernstein Sycamore ❤️ A Nearby Country Called Love by Salar Abdoh 🧡 Normporn: Queer Viewers and the TV That Soothes Us by Karen Tongson 💛 Sir Callie and the Dragon’s Roost by Esme Symes-Smith 💙 The Order of the Banshee by Robyn Singer 💜 Once Upon My Dads’ Divorce by Seamus Kirst, Noémie Gionet Landry 🌈 Forsooth by Jimmy Matejek-Morris

❤️ A Common Bond by T.M. Kuta 🧡 Risk the Fall by Riley Hart 💛 Just a Little Snack by Yah-Yah Scholfield 💚 Home for the Holidays by Erin Zak 💙 NeurodiVeRse by MJ James 💜 Dark Heir (Dark Rise #2) by C.S. Pacat ❤️ sub/Dom by Rab Green 🧡 Bitten by the Bond by Elaine White 💛 Heir to Frost and Storm by Ben Alderson 💙 The Sea of Stars by Gwenhyver 💜 Bad Beat by L.M. Bennett 🌈 Idol Moves by K.T. Salvo

❤️ Plot Twist by Erin La Rosa 🧡 In the Pines by Mariah Stillbrook 💛 The Crimson Fortress (The Ivory Key #2) by Akshaya Raman 💚 Only She Came Back by Margot Harrison 💙 Megumi & Tsugumi, Vol. 4 by Mitsuru Si 💜 Pritty by Keith F. Miller Jr. ❤️ Just Lizzie by Karen Wilfrid 🧡 An Atlas to Forever by Krystina Rivers 💛 Come Find Me in the Midnight Sun by Bailey Bridgewater 💙 Bait and Witch by Clifford Mae Henderson 💜 Shadow Baron by Davinia Evans 🌈 Day by Michael Cunningham

❤️ Livingston Girls by Briana Morgan 🧡 Delay of the Game by Ari Baran 💛 The Nanny with the Nice List by K. Sterling 💚 A Talent Ignited by Suzanne Lenoir 💙 A Kiss of the Siren’s Song by E.A.M. Trofimenkoff 💜 Rivals for Love by Ali Vali ❤️ Whiskey & Wine by Kelly Fireside, Tana Fireside 🧡 Buried Secrets by Sheri Lewis Wohl 💛 Ride with Me by Jenna Jarvis 💙 Living for You by Jenny Frame 💜 Death on the Water by CJ Birch 🌈 Merciless Waters by Rae Knowles

❤️ Vicarious by Chloe Spencer 🧡 Sapling’s Depths by Spencer Rose 💛 That French Summer by Sienna Waters 💚 System Overload by Saxon James 💙 King of Death by Lily Mayne 💜 Warts and All by Ashley Bennett ❤️ Principle Decisions by Thea Belmont 🧡 The Best Mistake by Emily O’Beirne 💛 Sugar and Ice by Eule Grey 💙 Until The Blood Runs Dry by MC Johnson 💜 Splinter : A Diverse Sleepy Hollow Retelling by Jasper Hyde 🌈 The Mischievous Letters of the Marquise de Q by Felicia Davin

❤️ The Queer Girl is Going to be Okay by Dale Walls 🧡 Til Death Do Us Bard by Rose Black 💛 Leverage by E.J. Noyes 💚 Alice Sadie Celine by Sarah Blakley-Cartwright 💙 Godly Heathens by H.E. Edgmon 💜 Gwen & Art Are Not in Love by Lex Croucher ❤️ To Kill a Shadow by Katherine Quinn 🧡 Warrior of the Wind by Suyi Davies Okungbowa 💛 For Never & Always by Helena Greer 💙 A Demon’s Guide to Wooing a Witch by Sally Hawley 💜 Heaven Official’s Blessing: Tian Guan Ci Fu Vol. 8 by Mò Xiāng Tóng Xiù 🌈 A Carol for Karol by Ann Roberts

#book release #queer fiction #queer romance #queer books #queer #books #books to read #queer book recs #book recs #batty about books #battyaboutbooks

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nadiv22 · 1 year ago

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My favorite quotes from civ VI

TECHNOLOGY

“No man ever wetted clay and then left it, as if there would be bricks by chance and fortune.” – Plutarch

“If there are no dogs in Heaven, then when I die I want to go where they went.” – Will Rogers

“I AM FOND OF PIGS. Dogs look up to us. Cats look down on us. Pigs treat us as equals.” – Winston S. Churchill

“Who deserves more credit than the wife of a coal miner?” – Merle Travis

“When you find yourself in a hole, quit digging.” – Will Rogers

“I don’t believe in astrology; I’m a Sagittarius and we’re skeptical.” – Arthur C. Clarke

“Thousands have lived without love, not one without water.” -W. H. Auden

“I shot an arrow into the air. It fell to earth, I knew not where.” – Henry Wadsworth Longfellow

“Writing is easy. All you have to do is cross out the wrong words.” -Mark Twain

“I’m also interested in creating a lasting legacy … because bronze will last for thousands of years.” – Richard MacDonald

“MONEA, if it does not bring you happiness, will at least help you be miserable in comfort.” – Helen Gurley Brown

“A man on a horse is spiritually as well as physically bigger than a man on foot.” – John Steinbeck

“The Lord made us all out of iron. Then he turns up the heat to forge some of us into steel.” – Marie Osmond

“I cannot imagine any condition which would cause a ship to founder … Modern shipbuilding has gone beyond that.” – Capt. E.J. Smith, RMS Titanic

“Create with the heart; build with the mind.” – Criss Jami

“One man’s ‘magic’ is another man’s engineering.” – Robert Heinlein

“There is no easy way to train an apprentice. My two tools are example and nagging.” – Lemony Snicket

The purpose of education is to replace an empty mind with an open one.” – Malcolm Forbes

“It is the mark of an educated mind to be able to entertain a thought without accepting it.” – Aristotle

“Rocks in my path? I keep them all. With them I shall build my castle.” – Nemo Nox

“Not all who wander are lost.” – J.R.R. Tolkien

“People can have the Model T in any color – so long as it’s black.” – Henry Ford

“The pen might not be mightier than the sword, but maybe the printing press is heavier than the siege weapon. Just a few words can change everything.” – Terry Pratchett

“Astronomy’s much more fun when you’re not an astronomer.” – Brian May

“If facts don’t fit the theory, change the facts.” – Albert Einstein

“No one starts a war – or rather, no one in his senses ought to do so – without first being clear in his mind what he intends to achieve by that war and how he intends to conduct it.” – Karl von Clausewitz

“Science owes more to the steam engine than the steam engine owes to science.” – Lawrence Henderson

“Bolt actions speak louder than words.” – Craig Roberts

“Never criticize a rifleman until you have walked a mile in his shoes. That way, he’ll be barefoot and you’ll be out of range.” – The 2nd Target Company

“For once you have tasted flight you will walk the earth with your eyes turned skywards, for there you have been and there you will long to return.” – Leonardo da Vinci

“If you can walk away from a landing, it’s a good landing. If you use the airplane the next day, it’s an outstanding landing.” – Chuck Yeager

“Benjamin Franklin may have discovered electricity, but it was the man who invented the meter who made the money.” – Earl Wilson

“Chemists do not usually stutter. It would be very awkward if they did, seeing that they have at times to get out such words as methylethylamylophenylium.” – Sir William Crookes

“If God had really intended men to fly, He’d make it easier to get to the airport.” – George Winters

“Untutored courage is useless in the face of educated bullets.” – George Patton

“There may be no forgiveness for polyester. On this one matter, Satan and the Lord are in agreement.” – Joe Hill

“I’m a big laser believer – I really think they are the wave of the future.” – Courteney Cox

"Even though the future seems far away, it is actually beginning right now.” – Mattie Stepanek

CIVICS

“Bravery is being the only one who knows you’re afraid.” — Colonel David Hackworth

“A strong economy begins with a strong, well-educated workforce.”– Bill Owens “Look back over the past, with its changing empires that rose and fell, and you can foresee the future, too.” – Marcus Aurelius

“It was luxuries like air conditioning that brought down the Roman Empire. With air conditioning their windows were shut; they couldn’t hear the barbarians coming.” – Garrison Keillor

Divide and rule, a sound motto. Unite and lead, a better one.” – Johann Wolfgang von Goethe

“All the world’s a stage, and all the men and women merely players.” – William Shakespeare

“Invincibility lies in the defense; the possibility of victory in the attack.” – Sun Tzu

“History is the version of past events that people have decided to agree upon.” – Napoleon Bonaparte

“A good navy is not a provocation to war. It is the surest guaranty of peace.” – Theodore Roosevelt

“In democracy it’s your vote that counts; in feudalism it’s your count that votes.” – Mogens Jallberg

“There are very honest people who do not think that they have had a bargain unless they have cheated a merchant.” – Anatole France

“You can’t go around arresting the Thieves’ Guild. I mean, we’d be at it all day!” – Terry Pratchett

“Listen, strange women lying in ponds distributing swords is no basis for a system of government … You can’t expect to wield supreme power just ‘cause some watery tart threw a sword at you!” – Monty Python

“In diplomacy there are two kinds of problems: small ones and large ones. The small ones will go away by themselves, and the large ones you will not be able to do anything about.” – Patrick McGuinness

“A diplomat is a man who always remembers a woman’s birthday but never remembers her age.” – Robert Frost

“New opinions are always suspected, and usually opposed, without any other reason but because they are not already common.” – John Locke

“A common mistake that people make when trying to design something completely foolproof is to underestimate the ingenuity of complete fools.” – Douglas Adams

“Destroying rainforest for economic gain is like burning a Renaissance painting to cook a meal.” – Edward Wilson

“If you don’t read the newspaper, you’re uninformed. If you read the newspaper, you’re mis-informed.” -Mark Twain

“Sports do not build character. They reveal it.” – Heywood Broun

“A good plan violently executed right now is far better than a perfect plan executed next week.” – George S. Patton

“We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard.” – John F. Kennedy

“Which of all my important nothings shall I tell you first?” -Jane Austen

“I never think of the future. It comes soon enough.” –Albert Einstein

#civilization #civ #civilization 6 #civilization VI #civ vi #civ 6 #qoutes #list #text #english #text post #there are many people that are qouted here #that tumblr likes

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peach-and-bugs · 4 years ago

Text

Masterlist

∘₊✧──────✧₊∘∘₊✧──────✧₊∘∘₊✧──────✧₊∘

characters that I write for are organized in alphabetical order by fandom and by name. links will lead to my complete list of posted work for said character:

willing to write for characters: romantically (➵ ) platonically (✸) or nsfw (✧)

Character Alphabets (sfw ✸ & nsfw ✧)

Ask Box Headcanons and Blurbes

Agents of shield

Bobbi Morse ✸ ➵ ✧

Daisy Johnson/Quake ✸ ➵ ✧

Jemma Simmons ✸ ➵ ✧

Jiaying ✸ ➵ ✧

Leo Fitz ✸ ➵

Malinda May ✸ ➵ ✧

Phil Coulson ✸ ➵

Chilling Adventures of Sabrina

Hilda Spellman ✸ ➵ ✧

Madam Satan/Lilith ✸ ➵ ✧

Sabrina Spellman ✸ ➵

Zelda Spellman ✸ ➵ ✧

Doctor Who

Amy Pond ✸ ➵ ✧

Bill Pots ✸ ➵

Clara/Clara Oswald/Oswin ✸ ➵ ✧

Eleven/Smith!Doctor ✸ ➵

Jack Harkness ✸ ➵

Missy/Gomez!Master ✸ ➵ ✧

River Song/Melody Pond ✸ ➵ ✧

Simm!Master ✸ ➵

Thirteen/Whittaker!Doctor ✸ ➵ ✧

Twelve/Capaldi!Doctor ✸ ➵

Five Nights at Freddy (movie)

romantic (➵) platonic (✸) nsfw (✧)

Mike Schmidt ➵ ✸

William Afton ➵ ✸

Vanessa Shelly/Afton ➵ ✸ ✧

Killing Eve

Eve Polastrí ✸ ➵ ✧

Villanelle ✸ ➵ ✧

The Legend Of Korra

Asami Sato ✸ ➵ ✧

Bolin ✸ ➵

Bumi ✸ ➵

Izumi ✸ ➵ ✧

Korra ✸ ➵ ✧

Kuvira ✸ ➵ ✧

Kya ✸ ➵ ✧

Kyoshi ✸ ➵ ✧

Lin Beifong ✸ ➵ ✧

Mako ✸ ➵

Opal ✸ ➵

Tenzin ✸ ➵

The Last Of Us (Games)

Abby Anderson ✸ ➵ ✧

Dina ✸ ➵ ✧

Ellie Williams ✸ ➵ ✧

Joel Miller ✸ ➵

Tommy Miller ✸ ➵

Marvel

Agatha Harkness ✸ ➵ ✧

Bucky Barns/Winter Soldier ✸ ➵

Bruce Banner ✸ ➵

Carol Danvers/Captain Marvel ✸ ➵ ✧

Darcy Lewis ✸ ➵ ✧

Drax ✸ ➵

Gamora ✸ ➵ ✧

Hela Odendottir ✸ ➵ ✧

Hope van Dyne/Wasp ✸ ➵ ✧

Jane Foster/Mighty Thor ✸ ➵ ✧

Kate Bishop ✸ ➵ ✧

Layla El-Faouly/Scarlet Scarab ✸ ➵ ✧

May Parker ✸ ➵ ✧

Mantis ✸ ➵ ✧

Maria hill ✸ ➵ ✧

Monica Ranbough ✸ ➵ ✧

Natasha Romanov/Black Widow ✸ ➵ ✧

Nebula ✸ ➵ ✧

Okoye ✸ ➵ ✧

Peggy Carter/Captain Carter ✸ ➵ ✧

Peter Parker/Spider-Man ✸ ➵

Sam Wilson/Falcon/Captain America ✸ ➵

Scott Lang/Ant-man ✸ ➵

Sharon Carter/Powerbroker ✸ ➵ ✧

Sylvie Laufeydottir ✸ ➵ ✧

Thor Odenson ✸ ➵

Valkyrie ✸ ➵ ✧

Wanda Maximoff/Scarlet Witch ✸ ➵ ✧

Yelena Belova ✸ ➵ ✧

Parks and Recreation

Ann Perkins ✸ ➵ ✧

April Ludgate ✸ ➵ ✧

Donna Meagle ✸ ➵ ✧

Jennifer Barkley ✸ ➵ ✧

Leslie Knope ✸ ➵ ✧

Star Wars

Ahsoka ✸ ➵ ✧

Captain Phasma ✸ ➵ ✧

Finn/FN-2187 ✸ ➵

General Hux ✸ ➵

Han Solo ✸ ➵

Leia Organa ✸ ➵ ✧

Luke Skywalker ✸ ➵

Padmé Amidala ✸ ➵ ✧

Rey ✸ ➵ ✧

Rose ✸ ➵ ✧

Stranger things

Argyle ✸ ➵

Chrissy Cunningham✸ ➵

Dustin Henderson ✸ ➵

Eddie Munson ✸ ➵

El/Eleven/Jane ✸ ➵

Erica Sinclair ✸

Jim Hopper ✸ ➵

Johnathan Byers ✸ ➵

Joyce Byers ✸ ➵ ✧

Karen Wheeler ✸ ➵ ✧

Lucas Sinclair ✸ ➵

Max Mayfield ✸ ➵

Murray Bauman ✸ ➵

Nancy Wheeler ✸ ➵ ✧

Steve Harrington ✸ ➵

Will Byers ✸ ➵

misc.

Alma LeFay Peregrine (mrs peregrine's home of peculiar children)✸ ➵ ✧

Elizabeth Corday (ER) ✸ ➵ ✧

Lady Alcina Dimitrescu (RE:V) ✸ ➵ ✧

Laura DeMille/Madame Rouge (Doom Patrol) ✸ ➵ ✧

Lily Lebowski (Crossing Jordan) ✸ ➵ ✧

Marilyn Thornhill/Laurel Gates (Wednesday) ✸ ➵ ✧

Millie Rusk/MolotovGirl (Free Guy) ✸ ➵ ✧

Miranda Croft (The Flight Attendant)✸ ➵ ✧

Dr. Olivia Octaviouse (Spiderman: Into the Spiderverse)✸ ➵ ✧

Yellowjackets

Jackie Tayler (1996) ✸ ➵

Laura Lee (1996) ✸ ➵

Lottie Mattews (1996/2021) ✸ ➵ ✧

Misty Quigley (1996/2021) ✸ ➵ ✧

"Nat" Natalie Scatorccio (1996/2021) ✸ ➵ ✧

Shauna Sadecki (1996/2021) ✸ ➵ ✧

Taissa Turner (1996/2021) ✸ ➵ ✧

Travis Martinez (1996/2021) ✸ ➵

"Van" Vanessa Palmer (1996/2021) ✸ ➵ ✧

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alldancersaretalented · 1 year ago

Text

NYCDA National Outstanding Dancers 2002-2024

2002

Junior: Garrett Smith (Dance Impressions) and Erica Ross (Dance Connection 2)

Teen: Anthony Lomuljo (Dance Attack Sunnyvale) and Becca Henderson (Ballet Society)

Senior: Danny Tidwell (Denise Wall Dance Energy) and Melissa Hough (Dance Explosion)

2003

Junior: David Gensheimer (American Jazz Dance Co.) and Whitney Jensen (CSPAS)

Teen: Travis Wall (Denis Wall's Dance Energy and Marilee Glazier (CSPAS)

Senior: Phillip Spaeth (Triple Threat PAC) and Carly Lang (DDK Danceworks)

2004

Mini: Corey Snide (Eleanor's School of Dance) and Christina Spinger (Dance Motion Performing Arts Co.)

Junior: Nick Young (Young Dance Academy) and Kayla Radomski (Michelle Latimer Dance Academy)

Teen: Chuck Jones (CSPAS) and Jaimie Goodwin (Denise Wall's Dance Energy)

Senior: Jon Bond (Center Stage Dance Academy) and Ellery Baum (CSPAS)

2005

Mini: Hogan Fulton (Bobbie's School of Performing Arts) and Tiara Keeno (Wasatch Dance Center)

Junior: John Manzari (Spotlight Studio of Dance) and Angelica Generosa (Dance Stop)

Teen: Garrett Smith (Odyssey II) and Dusty Button (Movin' South)

Senior: Teddy Forance (Hackworth School of Performing Arts) and Allison Holker (The Dance Club)

2006

Mini: Ross Lynch (Artistic Fusion Dance Academy) and Catherine Hurlin (Westchester Dance Academy)

Junior: Corey Snide (Eleanor's School of Dance) and Christina Spinger (Dance Connection)

Teen: Ryan Steele (Dance Dynamics) and Kirsten Wicklund (Danzmode Productions)

Senior: Christian Denice (Bobbie's School of Performing Arts) Jamie Godwin (Denis Wall's Dance Energy)

2008

Mini: Kolton Krouse (Tempe Dance Academy) and McKenna Ross (Tempe Dance Academy)

Junior: Alex Hathaway (Dance Dynamics) and Tiare Keeno (Wasatch Dance Center)

Teen: Corey Cox (Denise Wall's Dance Energy) and Taja Riley (Denise Wall's Dance Energy)

Senior: Crain Dionne (Donna Coco's Performance Plus) and Erica Ross (Tempe Dance Academy)

2009

Mini: Brandon Chang (Dance Town) and Sarah Pippin (CC&Co. Dance Complex)

Junior: Kolton Krause (Tempe Dance Academy) and Kamila Shah (Westchester Dance Academy)

Teen: Mason Manning (Dance Industry) and Tiare Keeno (Classical Ballet Academy)

Senior: Richard Villaverde (Dance Town) and Ida Saki (Dance Industry)

2010

Mini: Tade Biesinger (Dance Impressions) and Payton Johnson (Jean Leigh Academy of Dance)

Junior: Rae Srivastava (Independent) and Jayce Kalb (The Dance Centre)

Teen: Corey Snide (Eleanor's School of Dance) and Mattie Love (Dance Impressions)

Senior: Cory Barnette (Tempe Dance Academy) and Kaitlynn Edgar (Spotlight Dance Works)

2011

Mini: Travis Atwood (The Talent Factory) and Jacalyn Tatro (Inspire School of Dance)

Junior: Niko Martinez (Dance Images & Music) and Sarah Pippin (CC&Co)

Teen: Ivan Kalinan (The Dance Zone) and Madi Hicks (Academy of Dance Arts)

Senior: George Lawrence (Dancemakers of Atlanta) and Kali Grinder (The Dance Zone)

2012

Mini: Kyle Anders (Savage Dance) and Kayla Mak (Westchester)

Junior: Jack Wolff (Precision Dance Academy) and Payton Johnson (Jean Leigh Academy)

Teen: Kolton Krouse (Tempe Dance Academy) and Jordan Pelliteri (Plumb Performing Arts Center)

Senior: Joseph Davis (Draper Center) and Alexia Meyer (The Dance Club)

2013

Mini: Justice McCort (Krystie’s Dance Academy) and Jasmine Cruz (Westlake)

Junior: Jonathan Fahoury (Artistic Fusion) and Sophie Miklosovic (Faubourg School of the Ballet)

Teen: Jake Tribus (CC & Co) and Jayci Kalb (The Dance Centre)

Senior: Alex Soulliere (Spotlight Dance Works) and Alyssa Ness (Northland School of Dance)

2014

Mini: Luke Spring (Independent) and Charlee Fagan (Main Street Dance)

Junior: Matthew Spangler (Artistic Fusion) and Mackenzie Bessner (KJ Dance)

Teen: Rae Srivastava (BHumn DanceSpace) and Jacalyn Tatro (Inspire School of Dance)

Senior: Kolton Krouse (Tempe Dance Academy) and Jordan Pelliteri (Plumb Performing Arts Center)

2015

Mini: Brady Farrar (Stars) and Madison Brown (Lents Dance Company)

Junior: Parker Garrison (Stars) and Jasmine Cruz (Westlake)

Teen: Harrison Knotsman (Studio West Dance Center) and Nina Bartell (Sweatshop)

Senior: Jake Tribus (Next Generation Ballet) and Sarah Pippin – CC & Co

2016

Mini: Luke Barrett (Dance Attack) and Eden Galloway (Center Stage Dance Studio)

Junior: Jack Easton (IMPAC) and Mahalaya Tintianco-Cubales (Westlake)

Teen: Kele Roberson (Dance Institute) and Ali Deucher (The Dance Club)

Senior: Zach Manske (Woodbury) and Jacelyn Tatro (Inspire School of Dance)

2017

Mini: Hudson Silva-Costa (Spotlight Dance Center) and Phoenix Sutch (Krystie's Dance)

Junior: Mason Evans (Performance Edge 2 and Madison Brown (Lents Dance Company)

Teen: David Keingatti (Columbia) and Sydney Revennaugh (CSA's Dancers Edge)

Senior: Michael Garcia (Dance Industry) and Kaylin Maggard (Columbia)

2018

Mini: Sienna Morris (Westchester) and ???

Junior: Eden Galloway (WNC Dance) and ???

Teen: Aydin Eyikan (Kanyok Arts) and Jasmine Cruz

Senior: Harrison Knostman (Studio West Dance Center) and Jenna Meilman (Westchester)

2019

Mini: Ian Stegeman (Woodbury) and Ivana Radan (Westchester)

Junior: Justin Padilla (Infusion Dance) and Rebecca Stewart (Spotlight Studio of Dance)

Teen: Luke Spring (East Coast Edge) and Madison Brown (Lents Dance Company)

Senior: Jamaii Melvin (Miami Dance Collective) and Madison Goodman (KJ Dance)

2020

Mini: Eric Poor (CityDance) and Kynadi Crain (Jean Leigh Academy)

Junior: Jagger Effs (Miami Dance Collective) and Sienna Morris (Westchester)

Teen: Mason Evans (Performance Edge 2) and Mahalaya Tintianco-Cubales (Westlake)

Senior: Aydin Eyikan (Kanyok Arts) and Sydney Revennaugh (Performance Edge 2)

2021 (Orlando)

Mini: Spencer Parnell (Academy of the Living Arts) and Kiera Sun (Westside)

Junior: Michael Duvali (Centerstage Dance Academy) and Macie Miersh (All American Dance Factory)

Teen: Luke Biddinger (Touch of Class) and Eden Galloway (WNC Dance)

Senior: Jemoni Powe (Academy of Nevada Ballet) and Kayla Mak (Westchester)

2021 (Phoenix)

Mini: Ellis Khoundara (Tempe Dance Academy) and Skylar Wong (Woodbury)

Junior: Ian Stegeman (Woodbury) and Carolina Garcia (Miami Dance Collective)

Teen: Justin Padilla (Westside) and Erin Park (Westside)

Senior: Justice Wooden (Just Dance) and Charlee Fagan (Main Street Dance)

2022 (Orlando)

Mini: Mali Photnetrakhom (In Motion Dance Project) and Avery Gallenero (Dance Inc.)

Junior: Bryce Young (All American Dance Factory) and Eva Jimmerson (Renner Dance)

Teen: Luke Barrett (Dance Attack) and Phoenix Sutch (Krystie's Dance Academy)

Senior: Mason Evans (Performance Edge 2) and Kailey Woronstoff (Dance Universe)

2022 (Phoenix)

Mini: Levi Caicco (In Motion Dance Project) and Kensington Dressing (Evolve Dance Complex)

Junior: Avery Khoundara (Tempe Dance Academy) and Fiona Wu (Yoko's)

Teen: Keenan Kiefer (Academy of Dance Arts) and Georgie Weir (Miami Dance Collective)

Senior: Parker Rozzano-Keefe (Westlake) and Mahalaya Tintiangco-Cubales (Westlake)

2023

Mini: Jonathan Macleod (Joanne Chapman) and Hannah Fogel (Dance Institute)

Junior: Lincoln Russo (Poirer Productions) and Kiera Sun (Westside)

Teen: Hudson Silva-Costa (In the Spotlight) and Crystal Huang (The Rock)

Senior: Jonathan Paula (Canadian Dance Unit) and Abigail Weber (Dallas Conservatory)

2024 (New York)

Mini: Marko Kokovic (Draper Center for Dance Education) and Maeve Olsen (The Dallas Conservatory)

Junior: Levi Caicco (In Motion Dance Project) and Aria Du (Yoko's)

Teen: Sam Gauss (Draper Center for Dance Education) and Evee Lee (CAP The Company)

Senior: Caleb Abea (Larkin Dance Studio) and Izzy Howard (Westside)

2024 (Phoenix)

Mini: Anderson Sander (New Dimensions) and Belle Marie Arauz (Dance Town)

Junior: Ellis Khoundara (Tempe Dance Academy) and Mali Photnetrakhom (In Motion Dance Project)

Teen: Maceo Paras-Mangrobang (Westlake) and Gracelyn Weber (The Dallas Conservatory)

Senior: Cameroon Janson (Creative Conservatory of Dance and PA) and Jordyn Sarmoen (Performance Edge 2)

#dance #nycda #dancers #talent #dancelife #westchester #westside #cc and co

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