#tragic situationship

[canisalbus]

I mean we have surviving letters and correspondence much older and from much more "irrelevant" historical figures than Vasco and Machete, so it's not that unlikely that some evidence of their relationship survived until modern dog times.

Especially if you consider that Vasco and Machete would likely preserve and keep each other's letters and presents for sentimental sake, they would still hide them of course but I think that should only make their survival and preservation more possible.

What I'm trying to say is that there is a world where their relationship become a very niche historical theory and regularly a part of "tragic historical queer figures" videos. Dog 2010s tumblr would go crazy for their tragic situationship (and Vasco's very spicy letters)

I had to put my phone down and thoroughly dwell on this world where they're occasionally mentioned in a video essay or a history podcast of some sort. And the idea of 2010s tumblr but it's dogs.

[valnvy]

i go insane everytime i think about them

[sluttybibuck]

is it casual now?

watch in 4k

[hypertechnica]

i’m going to make fiddauthor art with fidds wearing his wedding ring and you are NOT going to like it

big obligatory banner that says “cheating is bad don’t do it i just like stories with relationship drama”

closeted, internally homophobic gay men who are married with kids has to be the trope i’m weakest to. no person involved is escaping the despair brought on by a relationship built on a well intentioned, desperate lie, born out of a desire to be normal and good

he WANTED to love her so fucking badly. he felt no ill will towards her and he loves their son more than words can say. he thought the attraction, the way she felt about him, would come with time. it didn’t. he doesn’t want to hurt her yet was doomed to from the start, and he’s truly, truly sorry. this does not absolve him of anything whatsoever and she has the full right to never want to speak with him again. he lied! he pretended to feel the same when he never once felt anything but platonic affection! he’s been in love with someone else this whole fucking time! and their kid… he’s caught in the middle of it all, too young to understand why his father would hurt his family like this.

and then he disappears and never comes back. imagine you’re 5 and your dad goes to the middle of the woods with his buddy for science shit, all of the sudden your parents are yelling on the phone and signing papers, and then he goes MIA. for years.

imagine your husbands “buddy” was the one he was thinking of all this time, not you, never you. and the first chance he gets to run away from you, he takes, and you should have been suspicious by the rushed frenzy of it all, the phone calls getting shorter and shorter until it fizzles to nothing. he forgot to get you a christmas gift. he hand-made him two. there has to be something wrong with you, it has to be your fault. you wish you married the man he becomes when he’s in his presence.

he folded when you started questioning him directly - he’d been to neurotic to ever be a good liar. you thought he was the one. he thought you were nice.

by the time the divorce is finalized he’s different in a wrong way. confused, angry, forgetful, insane - if the giant homicidal robot pterodactyl you’ve been harassed by is any indication. (he’s had a bad habit of building homicidal robots when he’s mad since they met -engineer things- but it was never directed at her - thankfully it never actually does anything) he’s clearly abusing drugs - you’d feel bad if he hadn’t abandoned you with the burden of explaining why your son can’t see his father anymore.

it’s a rotten bit of your soul, but time heals you. you move on and no longer think of him. trust in your career. find a man who truly loves you with no motives attached. raise your kid to be a good man. and in a fashion not unlike shakespearean dramatic irony, this makes him move to gravity falls to find and take care of his father. you couldn’t care less what hee doing now, but damn it, it’s his father, what is the kid supposed to do? but its futile- he appears to have no remorse, hell, no memory of the incident in the first place. (this isn’t his fault but how are they supposed to know that?) so he grows bitter and cold just like his mother used to be.

imagine that.

all over a mans inability to do anything but live in denial. to force himself to live in a box and pine like a dying man over the right one at the wrong time, destined to crash and burn. to take denial to a new level- a cult, brain damaging radiation, a total ego death - just to take the edge off. take off that damn wedding ring

[cricket-of-the-hill]

So what's the deal with Fiddleford McGucket? Why's he like that?

Fiddleford as a character is so FUN because he's so complicated and tragic and honestly a little pathetic. On one hand you have this absolutely brilliant scientist with the potential to have been the in universe Steve Jobs who figured out that the universe is a hologram and built an honest to betsy transdimensional portal (with Ford's help, yes, but let's be honest: as mathematically brilliant as Ford was, I think his intelligence laid more in the theoretical side of things, really doubt he could have actually built the portal himself).

On the other hand, we have this man who up and leves his FAMILY to chase after a college friend who calls him one day saying "hey, I'm out in Oregon building a portal to another dimension. Little help?" and he doesn't even think twice before being like "bet" and getting his ass to Oregon. And even if you take in the context clues that things weren't going well with his marriage before he left (as pieced together by the brilliant @divorcedfiddleford in this post), he still had his son and McGucket Computermajigs and he just sets all that aside for this guy, which... 😶

I am gonna write this whole post on the assumption that Fiddleford was in love with Ford, but look, even if that's the case it doesn't make any of his actions less unhinged. Break here, because the post gets kinda long 😶‍🌫️

So here's the thing: in the fandom, it's fun to think that Fidds knew about Bill and they had some sort of taunting rivalry/love triangle thing going on and that's really fun to mess with, but FIDDLEFORD HAD NO IDEA ABOUT BILL. Ford never told him! So even if Fidds leaves California thinking he's gonna have his hot girl summer/queer arthouse romcom where he reconnects with the love of his youth and they spend the summer working in this secluded house in the woods where they can finally live out their romance, what he actually gets is a fucking psychological horror thriller where the guy he loves and is kinda trapped with is either slowly going insane or straight up getting possessed.

Now, all that is 😵‍💫 enough, but it gets worse because instead of doing the normal person thing and getting the hell out of Dodge, Fiddleford stays. He continues to help Ford to build the portal despite how weird the other man is getting, he continues to go cryptid hunting even after the nightmare goblin almost eats him, even if Ford clearly doesn't appreciate the work he does (research assistant? Not even partner? Come on), and never reciprocates the kind of gestures Fidds has towards him (like the infamous double Christmas gift bonanza).

Here's where the duality of Fiddleford Hadron McGucket kicks in: the thing is that he is incredibly brave in some ways and obviously really smart but also kind of a coward and an idiot when it comes to his relationships with others. He'll hit Thee Krampus upside the head with his banjo one day to save his friend and run away to Oregon instead of discussing divorce with this wife the next. He will leave everything he knows to pursue this one guy, but he will never ever ever confess to feeling anything other than friendship towards him. He'll put up with Stanford's creepy as all hell behavior but will never confront him about it even as Ford loses more and more of himself into his project (so no little intervention not even to help this man he's giving so much up for). Like, what was he expecting to get out of all this? If he was never planning to confess to Ford or leave his wife, what was he going to do once the portal was completed? Just keep on bouncing between wherever Ford went next and his family? Did he really think his wife and son wouldn't mind him leaving them behind without so much as a thought?

Operating under the assumption that Fiddleford is a closeted queer guy from rural Deep Down South Hillbilly County Tennessee (said with love, I'm also from the south, but we all know what homophobia looks like here) during the '80s (height of the aids pandemic which would have made everything worse) one can maybe understand why Fiddleford is like that. Why he is so so so afraid and why he ultimately chooses to erase his memories rather than just go back to his family.

So picture this: you are in love with your best friend but you can't tell him 'cause best case scenario he leaves you out to dry and worst case scenario maybe someone finds your boots down by the river and lets your parents know (and we know Ford is sweet and fruity himself and with a thing for outcasts and would never. Fiddleford probably knows that himself, but let me tell you that when you grow up with that fear it goes deep. Because you've most likely seen people who are kind get absolutely bent out of shape when confronted with the mere idea of someone like you existing in their near vicinity). Eventually, you get married and have a son because that is what you were supposed to do all along and even though you love your son and maybe even love your wife everything feels wrong. They expect you to be something you are not, you can never let your guard down, never be yourself, not even in your own home. So then that call comes and it's like a golden thicket: you can leave, give it a rest for a little while, go see your friend, stretch out those inventing muscles.

As much as the fandom clowns him for it, I honestly don't even think he went out there with the intention of cheating (emotionally or otherwise). BUT I do think he was hoping something would happen. It's just that it all depended on Ford taking that first step because Fidds sure as hell wouldn't. And then Ford didn't because he was too busy doing the sin cos tan with his trigonometry homework, but if he had, we could have had a brokenback mountain situation on our hands, lads. Then Fiddleford could have just gone along with it, and done all sorts of mind parkour to convince himself that that's somehow less bad than "outright" cheating on his wife.

So he gets to the cabin, right? And maybe things are good for a little while, like when they were in college. Fiddleford lets loose a little, Ford is happy with the company, they're friends! And I get the sense that they're the kind of friends that mesh really well, like their energies really match. As much as the fandom paints Fiddleford like a sweet cinnamon roll, that man is also a freak. He's out here building psychotic post divorce revenge pterodactyl robots and drinking abducted cow milk just to see what it's like. He's a bit unhinged! He and Ford are the two people in the world that can be like "I think the universe is a hologram." "Cool! Let's prove it mathematically, bro" and "I want to build a portal to another dimension. Just cause." "Catching a ride to your place with my toolbox as we speak, buddy." (My own personal head cannon is that Fiddleford didn't really become such a shaky jelly until the nightmare goblin got him. Like, he was never as adventurous as Ford, but I think before that particular traumatizing event he was all right for it).

Anyways, things are good for a bit, but the real world is still out there. Fiddleford has to make trips home every now and then, and every time he comes back it seems like something is different. A little off. At first it's nothing big, just a smile a little sharper than usual, a coldness in a look, Ford calling him "Specs" where before he was always a variation of his name. Then it's pointed comments that Fidds chalks up to a lack of sleep (is Ford even sleeping at all? Because he could have sworn for the past three nights he he has appeared in the same place Fidds left him when he went to sleep). Then it's a flash of yellow eyes, a maniacal laugh that Ford never used to make before, spells where he seemingly forgets how to use his body (bumps into things, tries to drink soda with his eyes?). As time goes on it starts to become more and more obvious that something is seriously wrong with this friend. And things back home are just getting worse and worse, Emma May isn't happy about Fiddleford skipping town so often, Tate wont stop asking for him, and look, was Fiddleford even making money while he was with Ford? He gettin' paid? Is Emma May back home trying to bring home the bacon while virtually single parenting? (How was Ford even supporting himself while studying anomalies? I can't imagine there's a lot of grants for that.)

But Fiddleford can't leave his friend and he can't really own up to how much messier things are at home because of this whole thing. So he keeps coming back to Gravity Falls, where he also can't really face up to Ford and either demand a clear answer as to what is going on or try to get him some help (an exorcist, maybe). Because if he does say something and Ford decides that he doesn't want Fiddleford around asking questions he's gonna have to go back home where after the Christmas thing he's honestly not sure he's really wanted anymore, not really sure he deserves it if he still was. So he keeps on doing his thing, telling himself "this is fine 🙂," while he sits in a room on fire with a bill-possessed Ford hanging from the ceiling like a spider and an disapproving Emma May looking in through a window.

I think the portal incident was what finally opened his eyes to the reality of his situation, in an ironic way. He destroyed his relationship with his wife and left his son for nothing. Left his own dreams and aspirations aside just to find out that when push comes to shove his opinion and well-being matter so little to this man he was ready to break the laws of physics for. He can't stay with Ford, and he sure as hell can't go back home, because that would mean having to face that he's done burned down all his bridges. So where do you go from there? Let me tell you, if I had the chance to forget the lowest, most selfish, stupid thing I did for a person who didn't even notice it, I'd do it in a second.

[mcchi-ken]

fiddauthor galore featuring: another pmmm crossover, me getting the hang of drawing that wonky man (fiddleford), and a wip

the last one is a very obscure entirely italian reference but if you get it. i will give you a little kiss 😋 little hint: its a music video. you know this song. your dad loves it. there's the word gravity in it thats why i chose it

[daffodils-loverrs]

Jackie Taylor (+ Shauna) | miscellaneous character study

F. Scott Fitzgerald, Flappers and Philosophers

Carol Rifka Brunt, Tell the Wolves I'm Home

Leanna Firestone, Two Week Notice

Black Wing, Twinkling

Madison Beer, Good In Goodbye

a.j., vulnerability

Rainer Maria Rilke, The Notebooks of Malte Laurids Brigge

Caroline Polachek, Pang

Pablo Neruda, Tonight I Can Write (The Saddest Lines)

Taylor Swift, Fifteen

[riverswaltz]

Al Pacino and Diane Keaton's on and off again relationship throughout the years.

Then Again by Diane Keaton

[calciumcryptid]

I have realized Phum's primary example of a positive romantic relationship was probably TanFang, which explains a lot.

[ethan-nestor-owns-my-heart]

Their friendship is everything to me

[chotachica]

If you like dazai from bsd you like gojo from jjk and if you like gojo from jjk you like vash from trigun, its literally stated by god

[sun-undone]

the jayvik divorce is so similar to the satosugu breakup that all it needs is a kfc in the background for it to practically be considered plagiarism

[moonagedaydreamsofrhiannon]

Lilly Kane/Veronica Mars walked, so Jennifer Check/Needy Lesnicki could run, so Jackie Taylor/Shauna Shipman could fly (and crash)

[bittersweetresilience]

can you be baited into talking about the good aesthetics of jingrenheng? the themes? please and thank you and have a nice day?

................okay... just for you anon...

they have complimentary color palettes! jing yuan has a lot of light associations, blade dark associations, and dan heng's teals are gradient or in between

they all have a symbolic plant of sorts, which sounds funny, but it looks pretty. the gingko and the spider lilies and the maple leaves. those are also red orange and yellow which mix well together. and imbibitor lunae has a lotus thing going on but he and dan heng mostly look visually similar

they have sun moon star symbolism. jing yuan is the sun, blade or should i say yingxing (应星) is the star, and dan heng or should i say imbibitor lunae (饮月君) is the moon. you could also argue that jing yuan (景元) is the world that the celestial bodies orbit in... the center of gravity, but also easy to overlook as an unchanging part of the surroundings...

dan heng is also wearing something associated with both of them. yes, The Relic™. BUT his coat also reads the same poem from which jing yuan took the name of starfall reverie

and lastly they are just three beautiful men okay it's impossible for them not to look aesthetic together

THE THEMES ✨

a guy running from his past, a guy chasing it down and driven perpetually by it, and a guy who can do nothing but hold onto it. it's like a soap drama of perfect proportions

someone who represents the right path, someone who represents the wrong path, and someone who represents the neutral path or trailblazes their own path

they were entangled in their previous lives and they remain entangled now, by their own will or otherwise. it can't get any better than this themewise.

renjing

i was going to say something about what each individual ship in the trio brings to the trio but i got distracted. what was i talking about again

okay, renheng has this 'thin line between love and hate going on' (因爱生恨) and it's about the extremes of passion to me. the hunter and the hunted. it's about the things from the past that should be shed but cannot be. then hengjing has the 'reconnecting through lives and through the mire of identity'. it's about forging a future uncolored by the mist of the past while also acknowledging that that past was there and meant something. then renjing has everything renjing has. renjing has

sorry i can't be objective about them renjing has everything because they are my babies

ANYWAY the point is when you put them together you net the ability to explore all of these different relationship dynamics at the same time plus trio dynamics like the mediation, the competition, each of them feeling left out in their own way, varying levels of memory, varying levels of history... a feast for the feasters

i also think jingrenheng successfully resolves all three of their issues in the sense that it's a relatively stable way for each of them to be able to recognize but also make peace with their past, and not let it impede their future. if jingrenheng actually experienced enough character development to get together and not kill each other, that would mean they have fixed things. a win for everybody.

[dragons-library]

I’m so pushing the gay agenda on my mom.

We are watching HotD and having massively different experiences… cause I’m watching this homoerotic friendship/failed lesbian situationship absolutely destroy Westeros, and my mom is like… watching the straight perspective?? (I don’t even know)

IM A RHAENICENT TRUTHER!!! And she will see the light!!!

[nucicain]

every sleep token song can be a satosugu song if you try hard enough