#trading in Danger

[haveyoureadthisscifibook]

vote yes if you have finished the entire book.

vote no if you have not finished the entire book.

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[jaywhangmakes]

I went to Oculus just to see where they shot Planet of the Bass

However, I couldn't find the exact spot where they did this overhead shot.

Please let me know where which spot did they shoot this.

[shkika]

It’s fun to see people draw Artificer and Hunter together so much. Which is cool btw the world is better with lesbian cats.

But if we were to look at the rw timeline a meeting between Artificer and Spearmaster is actually MUCH more likely.

Perhaps seeing her before she lost her pups. That’s interesting…

[aureatchi]

ohh we’ve come so far. you’ve come to take the crown yourself as bsd’s antagonist now tht you’ve finally come face-to-face w/ the MC. :’)

[lee-minhoe]

[sydmarch]

jumanji

[weirdlookindog]

The Most Dangerous Game (1932) - Trade ad

[testoster0ne]

sacha

[themarvelproject]

The X-Men vs. The Danger Room by Jim Lee, which was included as a 9-card puzzle in the The Uncanny X-Men Trading Cards series from Impel (1992)

[knifekris]

every day i struggle to make choices

[kollectorsrus]

[evilhorse]

The Rocketeer Movie cards 85: Mid-Air Death Struggle!

[neptuniadoesstuff]

Finally finished this alcoholic old guy named Beef (joke) whom I'm deff not gonna take in hostage-

(Small Warning for main pics: Does contain scars & burns but those are healed so nothing too serious)

(Danger Man McGhee on the Left, Normie Beef Man on the Right)

So I am kinda feeling better but still kinda meh atm. Anyways some art I wanted my time on & think it's not really good. (This is for a DT btw but I doubt the person I'm having the dt with will approve since kinda just... boring imo..) (Except one of my frends ON SCREb FRIKIN "SIMPS" FOR HIM BCS HE HAS A BEARD-)

(BUT UNFORTUNATELY I CANT CHNAGE THAT NOW BCS MY NECK WILL START HURTING & ILL FRIKIN H8 MYSELF AGAIN SO YAY!)

Anyways imma tell you some things about this moron:

He's a complete idiot who's a mechanic, but due to him being a idiot he often hurts himself on accident. (Which explains the burns)

He is divorced 6 TIMES! But only has one kid named Jasoer who is the child of his first spouse. (Which makes Jasper his estranged son)

He's a alcoholic & sometimes passes out from drinking a lot. (Btw kids don't drink you'll prob pass out or even die)

He's jealous of Sanchi (my Fallout OC) bcs well... Sanchi is smarter than him also bcs ANGUS IS LITERALLY JUST A STICK WHILE SANCHI CAN LITERALLY SNAP HIM IN HALF IF HE SO WANTS TO!

He gave himself the nickname "Danger Man McGhee" which is the most stupidest name to think of but hey a idiot giving himself a dum nickname is prob like "The floor is made of floor" or smtn.

Despite his stupidity & his very poor taste in men (srsly bro yur first lover literally SCRAPED YUR FRIKIN ARMS FOR SOME MALIOUS REASON), he's a good fighter, however ever since he stopped raiding, he kinda just works on machines & be lazy.

Thats really it tbh. I'm just not really to well mentally so I'm not really well motivated to actually do a thing like actually talk to ppl. (Plz don't ask why its... personal)

Some Extras:

(Warning: Does contain lots & lots of bl00d on one of the extras so beware)

01:

The Moron w/o his cloth things & GoObLeS (God just smite me down I don't wanna be here anymore).

02:

McGhee but w/o the goggles which aren't even canon to Fallout or FNV.

03:

MaN, drawing the bl00d on this one was as hard as me trying to keep my sanity & not try to frikin screech at my mom anytime she won't leave me the frik alone. (Dont... ask... Again personal stuff)

Anyways that's all for the bonuses/extras. I hope you enjoy this, or don't, just don't dictate what ppl like or not, I'm just a random ahh kid on the net who draws for a hobby/living & is very much not sane.

Credits

Character was created & designed by me.

Art is mine. (Do not take w/o permission or imma throw u off a cliff)

Program: IbisPaint.

Bubs' TOS: Plz don't repost/steal, trace, or recolor my art WITHOUT MY PERMISSION! If you do, I'll take yur femur and pelvis.. SO, DON'T THINK ABOUT IT! (The PNS on my blog's pinned post clearly means "Please No Steal" plz follow that rule.) If you do post my art on anything like yur blog or somewhere else (With my permission) PLEASE CREDIT ME!

[get-back-homeward]

Paul’s Trying To Get To You

The thread of this song weaving in and out of Paul’s most formative music experiences

Oct 1956: Elvis’s debut album is released in the UK as Rock ‘n’ Roll and the B-side includes Trying to Get to You

I just had to reach you, baby / In spite of all that I've been through / I kept traveling night and day / I kept running all the way / Baby, trying to get to you.

Well if I had to do it over / That's exactly what I'd do / I would travel night and day / And I'd still run all the way / Baby, trying to get to you

[full lyrics]

Jan-June 1957: Ian James gets the Elvis record and a guitar

“It was in this time frame that Paul formed a closer friendship with Ian James, an Institute boy (in his year) he’d known since 1954. Ian was also into rock and skiffle and he’d recently been bought an acoustic guitar by his grandparents, at whose house he lived in the Dingle. (Every guitar had a maker’s name: his was a Rex.) The two boys became good pals on the strength of it. While they tended not to see each other in the evenings, because they lived some distance apart, Paul often went to Ian’s house for an hour or two after school—they walked there together down the hill from the Institute—and Ian sometimes went to Forthlin Road at weekends, taking his guitar with him. Ian James held a triple attraction for Paul: he was an intelligent, decent and affable lad, he had some rock records, and he had a guitar—an unbeatable combination.

In the front room at home I had a table-top portable record player, three speed. I remember playing “Blueberry Hill” by Fats Domino over and over, just the first line and then I’d pick up the needle and put it back at the start. I also had Elvis Presley’s first album, which we played time after time after time, with “That’s All Right Mama,” “Trying to Get to You,” “Lawdy Miss Clawdy,” “I’m Gonna Sit Right Down and Cry (Over You),” “Mystery Train” … Elvis was the one to copy, he was the hero. He had everything: the charisma, the looks, the voice. Frank Sinatra had only one style but Elvis could do anything—gospel, blues, rock and roll, romantic ballads. There was nobody else like him. Paul and I talked about Elvis all the time.15

The Rex guitar was ever at hand. Ian showed and reinforced to Paul those three chord fundamentals that would get him started, C, F and G or G7, the basis for pretty much every song they loved.”

—Tune In (Ch. 5, Jan-June 1957)

July 1957: Paul is invited to join the Quarrymen and trades his trumpet for his first guitar

At some point in July 1957, Paul finally got his first guitar. It had been a long time coming and he was desperate. As he couldn’t afford to buy one he had the bright idea of swapping his trumpet for it, the one his dad had bought him two years earlier. Jim didn’t mind—it was clear where Paul’s interest was. “I traded in the trumpet for a £15 Zenith guitar from Frank Hessy’s. There was a feller there called Jim Gretty and he showed us (me and George) a great chord. I never knew its name—we called it ‘a jazz chord’…”

Mike McCartney has said of Paul and his first guitar, “He would get lost in another world. It was useless talking to him—I had better conversations with brick walls.” Paul played the guitar everywhere, even on the bus. At home he played it in the bath and sitting on the toilet. “The fine acoustic of the toilet area was always very appealing to me. And it was also very private, about the only private place in the house. I used to sit there for hours—there and the bathroom. Dad would shout, ‘Paul, get off that toilet!’ [And I’d reply] ‘I’m practicing!’ ”4

…Rod Davis has a recollection of Paul dropping in to see a group rehearsal at (of all places) Mimi’s house, and Eric Griffiths says the group all went to Paul’s house one afternoon for a rehearsal together—something Paul has never mentioned. (Like almost everything to do with the Quarry Men, solid information is lacking.)

…Ian James says he and Paul struck up an informal musical duo: “We used to take our guitars around to parties and play a few numbers. Have guitar will travel—wherever we went our guitars went too. We played songs from that first Elvis LP: ‘Trying to Get to You,’ ‘Lawdy Miss Clawdy,’ ‘Mystery Train’…

—Tune In (Ch. 7, July-Aug 1957)

Aug 1957: Paul’s away at summer camp and then on holiday but glued to his guitar

[O]n August 7, the Quarry Men played the Cavern again…This Cavern booking would have been Paul’s Quarry Men debut but for him being away with the Boy Scouts at summer camp—another ten days of wet feet, wind and Woodbines. The 19th City troop’s destination this year was the Peak District—Callow Farm, Hathersage, Derbyshire—and both McCartney brothers went. Paul (inevitably) carted his Zenith along with his sleeping bag and tin mug. Almost as soon as they’d pitched tents, Mike had an altercation with an oak tree, badly breaking his arm; he was taken to the hospital in Sheffield while Paul remained at the camp and entertained around the fire with Elvis’s “Trying to Get to You.”13

Mike was in the hospital four weeks, his plastered arm in a sling, and on the day of his release—the last full week of the school holidays—Jim arrived in Sheffield with Paul and revealed they were all heading straight off to Butlin’s. Bett and Mike Robbins had fixed them seven days at Filey, on Yorkshire’s east coast…

Ever the keen photographer, Mike operated the camera single-handedly to take a fascinating photo of Paul on Filey beach with Bett Robbins and her infant son Ted. Paul is perched on Ted’s pushchair and playing the much-traveled Zenith. The photo could be the closest taken to the date he met John Lennon, showing a 15-year-old who’s come through his chubby period and is looking good.

—Tune In (Ch. 7, July-Dec 1957)

Oct-Nov 1957: Paul plays his first gigs with the band as John’s equal

In images of the Quarry Men before Paul joined they’re all wearing different clothes. In the first photo of the group with Paul they have a uniform look, and a sharp one at that: white shirts with black bootlace ties and black trousers, and John and Paul (only) are also wearing jackets on top, white or cream—it’s Paul’s “white sports coat” and something similar John has managed to acquire. This was undoubtedly Paul’s doing, reaching back to his experience at Butlin’s in 1954 when he saw how a singing group in matching gear claimed everyone’s attention. He’d brought the thinking early to John, and John had bought it. And something else is compelling about this Quarry Men photo: although it’s John’s group, new boy Paul is not at the back with Colin or Len, or to the side like Eric, he’s up front with John. Lennon and McCartney are clearly the front line of the Quarry Men, strumming crummy Gallotone and upside-down Zenith, and they’re the only ones with vocal microphones. The group is the two of them and three others. When one sings lead the other provides harmony; often they sing the lead in unison—and their voices go together.

One can only surmise what they sang into those microphones. Nigel Walley remembers plenty of rock in the repertoire in this period and not so much skiffle, including several Elvis numbers—“All Shook Up,” “Blue Moon of Kentucky,” “Heartbreak Hotel,” “Hound Dog,” “Lawdy Miss Clawdy,” “That’s All Right Mama” and “Trying to Get to You”—as well as “Be-Bop-A-Lula,” “Blue Suede Shoes” (Carl or Elvis), “Come Go with Me” and “Twenty Flight Rock.”

—Tune In (Ch. 7, July-Dec 1957)

Jan-May 1958: Paul writes In Spite of All the Danger and John wants to record it

As George knew several more guitar chords than John or Paul, every time he showed them a new one they tried to write a song around it36—and it was in this period, possibly at Upton Green, that Paul wrote one he called “In Spite of All the Danger,” a chugging and melodic country-flavored number with a couple of extended lead guitar solos created by George. For this reason, the song was a unique deviation from the Lennon-McCartney credit: it went down as McCartney-Harrison.

The tune of “In Spite of All the Danger” was entirely Paul’s, but it leaned heavily on the melody of Elvis’s “Trying to Get to You,” a song that includes the lyric “[in] spite of all that I’ve been through.” Using an existing song as inspiration for the writing of another is standard practice, but the rock and roll era was already littered with outrageous examples of plagiarism seemingly free of legal action—possibly because the song being copied was not entirely original to that composer either.

…John decided the Quarry Men should make a record, and the others needed no persuading—just 3s 6d each. This time the answer to “Where we going, Johnny?” was 38 Kensington, where one Percy F. Phillips ran probably Liverpool’s only recording studio and record press.

Seventeen years later, without the advantage of hearing it in between times, John recalled what he could of the session: “The first thing we ever recorded was ‘That’ll Be the Day,’ the Buddy Holly song, and one of Paul’s called ‘In Spite of All the Danger.’ It cost us fifteen shillings and we made it in the front room of some guy’s house that he called a recording studio.”

…John again sings lead on “In Spite of All the Danger,” Paul provides more fine harmonies throughout, and George adds an “ah” backing. It’s said Colin and Duff hadn’t heard the song before, and so were feeling their way through it, but it’s not solely for this reason that it plods somewhat. Though the debt to “Trying to Get to You” is clear, it’s still an original number and an interesting, attractive one at that, written by a boy of 15—a fantastic achievement.

—Tune In (Ch. 8, Jan-May 1958)

[nonconstories]

Someday, I will buckle down and write my sexy monster fucking version of King Lindworm, where the prince stays at least semi-dragonfied. But see, I'm torn. Do I make the monster prince cis and he's semi-dragonfied from the wedding night, and now he's just the heir to throne and also a traumatized, aggressive monster boy married to a Very Weird peasant girl who's THE FUTURE QUEEN NOW and also yeah she's kind of a witch and oh by the way the prince is VERY MUCH not a regular person and oh by the way you know all those princesses he ate? Yeah their dads are like mad.

Or

OR

Is he only called 'the prince' because dragons are all intersex and their gender is always self-selected? Is his human form female and the peasant girl actually does complete the ritual and EVERYONE is surprised? And the king and queen just chuck their new 'princess' in a dungeon to rot out of sight and send peasant-queen home to her goddamn mill like you didn't see shit and she's like actually no I am angry AND fearless AND very horny for dragons and her trans dragon husband is all I WILL break out of here I WILL learn the magic it takes to get my real body back I WILL find my wife and the human prince is sweating goddamn bullets as Deranged Peasant Witch and Deranged Trans Dragon Prince and Idiot Moron Queen are all plotting different plots and several of these plots end with him dead.

[weirdlookindog]

The Most Dangerous Game (1932) - Trade ad