#toz official art

[scarlet-flowers]

Tales of Festival 2024 Key Visual

[nekonohimetranslates]

Official Art posted by Tales of the Rays!

[igneouswyvern]

yeah he's still my favorite sorry. not sorry

[mjohnso]

Periodic Rookie Groups Report No. 23

Periodic Rookie Group Reports are a series of biannual reports that seek to put a number to how many rookie groups debut and make comebacks in a given year. For Report No. 23, I covered the activity of '23 rookie groups and the number of rookie groups that debuted in the first half of 2024.

2023 Rookies Of the 95 groups that debuted in 2023, six groups — three boy groups, two girl groups, and one co-ed group — disbanded. They are as follows:

DVI: 4NOLOGUE announced on February 29, 2024, on their official Twitter that following discussions with the boy group members (January ‘23), they mutually decided to terminate the members’ contracts and disband the group.

FEVERSE: According to a March 8, 2024, TVDaily article, the girl group (May ‘23) disbanded in September 2023 following the conclusion of their Japanese promotions. A Kakao Entertainment representative quoted in the article confirmed as much saying, “There are currently no activities planned for the future” but that anything could happen in the future.”

HANA: Days before the girl group’s (January ‘23) first anniversary, Art Company Soul announced on January 3, 2024, on the group’s official Instagram that after long consideration and discussions with the members, they decided to disband the group. Some of the members remain under Art Company Soul to continue their activities.

THE7: Ganada Entertainment announced in a statement posted to the boy group’s (January ‘23) official Twitter on March 19, 2024, that due to the expiration of the members’ contracts and termination of their group contract, the group was disbanding. They promised to cheer the members on their new paths.

Unbalance: The project co-ed group (October ‘23) was created as part of the KBS variety show, Beat Coin. Following the conclusion of the show’s run on January 18, 2024, with its final episode, the group presumably disbanded.

URSA MAJOR: The boy group (August ‘23) created for the MBN survival show Show King Night disbanded following the show's conclusion in September 2023.

Subtracting these six disbandments brings the total number of active rookie groups to 89 groups— 41 boy groups, 44 girl groups, three co-ed groups, and one queer group. Of these 89 groups, 43% or 38 groups released new music at least once between January and June of this year, with 16% or 14 groups doing so more than once. In comparison, to data from Rookie Reports that I have compiled since 2017, this year is in line with the average rate of comeback which is around 43%.

Korean Releases from ‘23 Rookie Groups: January - June 2024

Note: Releases marked with an asterisk (*) indicate an additional release from a group following their initial release

January 04 BXB - “The Black Cat Nero” (Single) 05 POW - “Valentine” (Single) 05 RIIZE - “Love 119” (Single) 09 TBIK - “Summertime” (Single) 09 8TURN - Stunning (Mini Album) 11 BXB - Chapter 2. Wings (Mini Album)* 11 Limelight - Last Dance (Mini Album) 12 Golden Girls - “The Moment” (Single) 16 WE:A - “One More Chance” (Single) 22 EVNNE - Un: Seen (Mini Album) 27 Golden Girls - “Bloom” (Single)* 29 DVI - “Close(d) Friend” (Single)

February 01 BABYMONSTER - “Stuck In the Middle” (Single) 02 tripleS - 4study 4work 4inst Vol.1 (Album) 04 YOUNG POSSE - “YOUNG POSSE UP feat. Verbal Jint, NSM yoon, Token” (Single) 14 The Wind - Our: YouthTeen (Mini Album) 15 N.SSign - Happy & (Mini Album) 19 LUN8 - “Pastel” (Single) 19 X:IN - “My Idol” (Single) 25 X:IN - The Real (Mini Album)* 26 PLAVE - Asterum : 134-1 (Mini Album)

March 02 Hi-Fi Un!corn - “ABC is” (Single) 02 HORI7ON - “Lucky” (Single) 08 xikers - HOUSE OF TRICKY: Trial And Error (Mini Album) 13 LUN8 - Buff (Mini Album)* 14 XODIAC - “Heyday” (Single) 15 TOZ - “Magic Hour (Kor. Ver.)” (Single) 15 SEVENUS - Spring Canvas (Mini Album) 20 RuViChe - “Minsu of Delivery (2024)” (Single) 20 YOUNG POSSE - XXL (Mini Album)* 26 AMPERS&ONE - “Broken Heart” (Single)

April 01 BABYMONSTER - BABYMONS7ER (Mini Album)* 01 QWER - Manito (Mini Album) 03 Catch the Young - Catch the Young : Fragments of Odyssey (Mini Album) 03 RIIZE - “Siren” (Single)* 04 Kiss of Life - “Midas Touch” (Single) 15 BOYNEXTDOOR - How? (Mini Album) 15 Loossemble - One of a Kind (Mini Album) 17 EVNNE - “Ugly (Will Not Fear Remix)” (Single)* 18 RIIZE - “Impossible” (Single)* 29 82Major - Beat by 82 (Mini Album)

May 01 BXB - “The Black Cat Nero (Aster Remix)” (Single)* 02 Fantasy Boys - Make Sunshine (Mini Album) 02 TOZ - To My New Friends (Mini Album)* 04 Eastshine - “Heartthrob” (Single) 06 82Major - “Choke (Sped Up)” (Single)* 08 tripleS - ASSEMBLE24 (Album)* 13 ZEROBASEONE - You Had Me At Hello (Mini Album) 14 WHIB - “Kick It” (Single) 15 The Wind - “Sirius Part. 2” (Single)* 25 Kiss of Life - “Sixth Sense” (Single)*

June 04 Hi-Fi Un!corn - “Phantom Pain” (Single)* 07 ONEPACT - “Fxxck off” (Single) 17 EVNNE - Ride or Die (Mini Album)* 17 PRIMROSE - “Freyja” (Single) 17 RIIZE - RIIZING (Mini Album)* 19 BOYNEXTDOOR - “Earth Wind & Fire (JP. Ver)” (Single)* 26 YOUNG POSSE - “On My Scars" (feat. Lil Cherry, Dbo)” (Single)*

2024 Rookies Between January and June of this year, 52 groups—19 boy groups, 30 girl groups, and three co-ed groups. This number is on par with the same period last year that saw the debut of 52 groups, although with a different ratio of groups. While in 2023, boy groups and girl group debut numbers were more evenly matched, continuing the trend that began in 2020, girl group debuts again outpaced those of boy groups.

Of course, as I touched on in Rookie Report No. 22, categories like ‘boy groups’ and ‘girl groups’ do not reflect today's industry's landscape. Unlike in previous years, agencies are not the primary architects of new groups, many of which are formed and debut through alternative methods. In the first half of 2024, almost half of all groups—46% or 24 groups to be exact—fit this profile. Of these 24 groups:

Nine—four boy groups and five girl groups—were formed via a survival show.

Six—all of which were girl groups—debuted through Rainbow E&M’s Future Idol Asia Project (See my Quarterly Debut Review posts for more about the Future Idol Asia project)

Four—two boy groups, one girl group, and one co-ed group—formed and debuted independently from any agency.

Two—one girl group and one co-ed group—debuted as school idol groups.

One—a co-ed group—composed of members from various acts under Pocketdol Studio that was formed to release a special single.

One—a girl group—was a project group formed to promote SK Telecom's metaverse app ifland.

One—a girl group—is the latest addition to the ongoing trend of virtual idol groups.

I am not one for using these Reports to draw sweeping conclusions, especially when it is only halfway through the year and the numbers are softer. After all, within the industry that seems to abide by its temporal logic, a lot can change in six months. It is unlikely that any event that does happen will mean that the industry is returning to the status quo that has held for years. Far from it, 'rookie groups' as a concept seem to be in the throes of a transformative shift, the shape and contour of which are only just beginning to come into focus.

[lastthroes]

Currently on hiatus due to life. If you want to contact me for something urgent, you might have better luck finding me on Discord.

• Tales fan since somewhere around the release of Symphonia GC/Phantasia GBA.

• I like fictional siblings and Tales a lot so this sideblog focuses on that (with honorary Elle+Phi apparitions). I’ve played most Tales entries, including Japanese only ones outside of the mainline games.

• Not spoiler free. I might tag at some point but this isn’t granted. If you don’t want spoilers it’s really better not to follow me, no hard feelings.

• I tend to have a critical eye and dissect everything from the games I love. I suppose this is par the job of being a hobbyist writer, but if this is an issue for you then it’s also better not to follow me. Again, no hard feelings.

• I preemptively will always block over discourses and general terminal online-ness, as well as those looking for drama by being extremely negative (such as tagging character hate with the official tag), tag spamming (actually against TOS), or flooding the tags I follow with unauthorized reposts or AI-created ficart. I also have a no harassment/no bullying policy. If you don’t know why I blocked you, that’s most probably why. I also block back for courtesy when I do take notice. I got it wrong? Just unlog and send an ask.

• Mostly SFW, but some posts are NSFW. Blacklist #ns4t if you don’t want to see these.

-For the above reason, please refrain from following my blog if you’re underage. If you ignore this and I notice, I’m blocking you.

-Similarly, blacklist #shipcest tag and #sibcest tag if you don't want to see ships (I very rarely post anything else shippy).

• I’m an oldie still used to the older Tumblr culture and do not care about spam liking/reblogging. Go have fun.

• All art here will either be official, mine, commissioned, reblogged from the artists themselves, or reblogged from an authorized repost. If it’s not so then it just slipped, so don’t hesitate to say so.

• I am fully self-taught at Japanese and have always lived in what's popularly known as "the third world", which means I don't have access to actual education. Don't be afraid of pointing at it if I make a mistake.

Reblogs are mostly in the shorter tags, meanwhile my own posts are usually tagged under "[game] talk".

#top #tod #tod2 #tos #tos talk #toa #tol #tol talk #tov #toh #toh talk #tog #ndx #tox #tox talk #tox2 #x2 talk #asteria #asteria talk #toz #tob #zestbers talk #torays #rays talk #toc #cresty talk #toarise #arise talk

Other tags to block/mute.

#sibcest tag #wip talk #fandom stuff #drawing stuff #writing stuff #tangentially related posts #maurotxt #ns4t

[kresnikcest]

Symonne, Heldalf, and Artorius’ skit art from Tales of the Rays

[silent-shanin]

>:3c

[anjizu]

テイルズ オブ ゼスティリア ラバーストラップコレクション リニューアルver.

[dany36]

officially done with tales of zestiria!! overall, i really enjoyed the game and i'm glad i finally sat down and played it. more junk thoughts below.

so it's definitely not as bad as i had heard people say it was. i was really surprised when i saw just how much of a bad rep this game gets, but...i can definitely see some things as to why people don't like it... one of the things i had heard was that there was barely any character development in the game, and i agree with that. i was 35ish hours in when suddenly people were already talking about going into the final battle and i was like...what?! no sub-story about rose or eizen or lilah that goes more into their past/characters like sheena in tos or something?? i guess we did get more into edna with that sidequest about eizen (it was nice seeing her show emotions for once!), but other than that, i really didn't feel like the game focused on ANYONE else at any point in the story. they just sort of get introduced into your party and are there to help sorey in his quest.

speaking of sorey, i REALLY didn't care for his character at all. i think he's the only one where i was super apathetic towards in terms of character and personality. even zaveid, who i thought i was going to dislike because of how annoying i found him in berseria, grew on me and learned to like him. i don't know, i guess when i compare him to other protagonists in the tales of games i've played, he really is the most forgettable of them all. like, when he "sacrifices" himself and goes in a sleep slumber, i felt no emotion whatsoever. as soon as i got rose in my party, i switched to using her as my main (which never happens lol i'm boring and usually stick to main characters as my Player 1--emil, lloyd, luke, velvet, dude with the purple hair in vesperia for the amount i played in the game) cus i was just like wow give me someone more interesting PLEASE. so, sorry to sorey fans (if there are any) but to me he's one of the most boring aspects of the game...and he's the damn shepherd!

and continuing on that point, i think the plot in this tales game is also probably the weakest one out of the ones i've played (weak main character, weak plot). the game starts off with the simple premise that sorey is the shepherd and he must get rid of the Lord of Calamity, and...that's pretty much it. in other tales games, you start off thinking your objective is A, but then as you journey along, a plot twist occurs and you realize now that objective A really was just a small task in what is your true objective. Something like this never happens in the game, so the pace just pretty much stays the same throughout the entirety of the game. sure, there are some cool moments (rose's introduction and her learning to armatize will forever be my favorite), but they are scattered out and about and honestly in this game i can't really remember something as impacting as luke sinking that one city (haven't played tota in a while lol) or palmacosta being destroyed in tos or velvet finding out the truth about her brother.

but anyway, the rest of the cast, i absolutely loved, so it's truly a shame that they were stuck in a sort of forgettable plot. i already talked about edna and rose being my favorites, but lilah (that scene with the oregami...OOF...OOF!!!!) and zaveid are cool too. alisha is barely in the main game, but it was great seeing more of her in the DLC and showing her struggle of what she wants to do (her combat also seems cool for the couple of fights but i had to stick with rose...sorry!). i only wish we could have had more skits showing the party interacting with one other. i don't know if it's just me but i really felt like there were barely any skits in this game, which is sad because most of the cast is enjoyable and it's a shame we didn't get to see them talk with each other in skits more!

i had seen people say that it's best to play zestiria and then berseria so you can catch all the references in berseria, but...to be honest, i don't think i would have enjoyed zestiria as much if i had played it first! prime examples are the eizen sidequest and the sidequest where you FREAKING FIND MAGILOU'S TOMB. like...hello??? when i got to the eizen sidequest, i 100% would not have given as much of a shit on killing that dragon if i hadn't played berseria beforehand. it really made me sad knowing the tragic ending that eizen wound up having. and finding magilou's grave being guarded by her friend also broke my heart. like...seriously!!! that was something that i also would not have given another thought if i didn't know who magilou was. so yeah i don't regret playing berseria first since i actually think it enhanced the experience a bit more.

gameplay-wise, i really enjoyed it! took me a while to get the hang of the equipment system, but once i did, chaining combos with Rose was a blast. i also really enjoyed how easily you could change party members (unlike in tob where it costs 1 BG!) in the middle of a fight. and MAN i never get tired of seeing those sweet, sweet mystic artes animations. <3 <3 <3 it increases any character's coolness factor three-fold.

my main gripe in berseria was the terrible dungeon design. at the beginning, zestiria did a better job at putting in puzzles in dungeons so as to not make the same mistake that berseria did, but then...towards the second half of the game...it was pretty much all berseria-like dungeons of endless same-looking rooms with endless enemies (the DLC dungeon being a prime example of this). which is honestly just terrible and boring, but at least the gameplay makes the fights seem not AS tedious...

i also felt like zestiria did a better job with the music than berseria did. i can hardly recall any song i liked in berseria (there's like two or three i'd put in my vgm collection), but for zestiria, i'm gonna need to hunt down quite a few. also, i could actually remember the names of the towns/locations and what they looked like. in berseria, i felt like i was going town after town but for the life of me i couldn't remember at ALL what we did there in the first place. i really just felt like i was passing through each town not learning much about the place, but in zestiria i really got a feel of each town, so that was nice!

oh, and the ending i felt was...kind of weak lol especially cus...no one talked at all??? it was so weird haha in tos, tota, dotnw, and tob we have the characters at least saying SOMETHING in the ending but in toz it was just...animations and that's it lol. so glad we got a DLC cus i would have been PISSED seeing just rose leave off like that without saying a word and then...they show us her GRAVE??? i always think "wow i wish they would show us how the future of (insert favorite characters here) are like!! :)" but seeing rose's grave made me so sad (as well as eizen's and magilou's) like nononono you do NOT show my favorite characters just DEAD!! >:'v but anyway, yeah i mean it was an ok ending but nothing that made me feel with a great gap in my heart like tob's or tos's did. like mikleo seeing sorey again at the end? cool. did it make me feel something like when tear sees luke again at the end of tota? sadly, no. :(

and last but not least, the DLC. i mean, i absolutely LOVED seeing the girls in the team going out on their own little adventure and just interacting and talking with each other!!! lailah + edna + alisha + rose...who doesn't love that?? we got to see more of rose being the badass that she is and uh yeah her and alisha? totally gay for each other...like that last scene before they kill the final boss?? just A+++ material (except that terrible last dungeon AND the HORRID design of the last bosses??? dragons with purple bright titties so that the player will know they're FEMALE dragons??? LMAO)

oh wow i wrote more than i thought i would but uh yeah. all in all: DEFINITELY NOT a bad game, has a great cast of interesting and fun characters (except sorey) but sadly the game doesn't delve too deep into them as in other tales game, DLC was a fun addition to see more of who i thought was going to be a greater protagonist in the main story, but overall when compared to other tales of games, the weak plot puts it second-to-last in my list of tales games i've played. would i play it again? definitely :)

WHEW, ok, now off to watch the anime!! <3

[philosopherking1887]

Something Past and Whole (an A:TLA ficlet)

1587 words; also on AO3.

What should win our gratitude.— It was artists, and especially those of the theater, who first gave people eyes and ears to see and hear with pleasure what each one himself is, experiences, and wants; they first taught us to esteem the hero that is concealed in everyday characters; they first taught us the art of viewing ourselves as heroes—from a distance and, as it were, simplified and transfigured—the art of staging and watching ourselves. Only in this way can we come to terms with some base details in ourselves. Without this art we would be nothing but foreground and live entirely in the spell of that perspective which makes what is closest at hand and most vulgar appear as if it were vast, and reality itself.

Perhaps one should concede a similar merit to the religion that made man see the sinfulness of every single individual through a magnifying glass, turning the sinner into a great, immortal criminal. By surrounding him with eternal perspectives, it taught man to see himself from a distance and as something past and whole.

—Friedrich Nietzsche, The Gay Science section 78 (trans. W. Kaufmann)

Zuko was accumulating epithets, and he wasn’t sure how he felt about it.

His friends, naturally, all found it hilarious. They already delighted in poking fun at the titles of his office, calling him ‘Your Fieriness’ or ‘Your Fire Lordship’ or even, when Aang was feeling particularly obnoxious, ‘Flamey-o, (Sifu) Hotlord!’ The new epithets were just more titles for them to play around with and give him grief about.

Zuko did not find them amusing. Not, as his friends all claimed (with varying degrees of tact), because he took himself too seriously and didn’t know how to laugh at himself! Well, maybe there was some truth to that charge… but the problem with the epithets was that he found them morbid—as if the world was trying to write his epitaph before he’d even died. Trying to pin him down, to flatten him into a single static image, like a dried flower or a butterfly to be pressed into a book, catalogued alongside history’s other specimens of world rulers: Warlord Toz the Terrible, Earth King Wei the Fat, Earth Queen Jian the Just, General Chin the Conqueror, Fire Lord Sozin the Bloody, Princess Yue the Brave. Rival historians were already fighting over his father’s legacy: detractors (hoping to ingratiate themselves to the new Fire Lord) called him ‘The Phoenix King of Ashes’ or ‘The Phoenix Who Did Not Rise’; loyalists (who did not fear retaliation from a Fire Lord they thought too weak) called him ‘The Last Dragon’ and prayed for the return of the deposed Fire Lord Azula as ‘The Blue Phoenix.’

Of course, Zuko had already acquired a couple of epithets before his ascension to the throne: ‘The Banished Prince,’ or ‘The Disgraced Prince.’ Accurate enough, but too simple, too straightforward for the full truth of the matter. So too were the epithets he had gained since becoming Fire Lord, starting with the ones that Fire Sage Shyu had given him on the day of his coronation: ‘Zuko the Peacemaker’ and ‘Zuko the Restorer’—not only of his own honor, but of the honor of the whole Fire Nation, of its place in the community of nations, of balance among the nations.

Those were the official, government-approved descriptors; but Zuko heard himself being written into history in different ways, too, in reports from the network of spies that now answered to Ty Lee, or while stealing around the Capital in the guise of the Blue Spirit to listen at the windows of bars and gambling dens, lurking in the alleys near the late-night food stalls where carousers gathered and (importantly) talked. Some of these epithets were pedestrian and perfectly predictable: ‘Zuko the Burned’ or ‘The Burned Fire Lord’ were among the most common, and Zuko resigned himself to being remembered, like poor Wei the Fat, for his most noticeable physical characteristic.

Others, however, were more significant and telling of how his people viewed him. Some called him ‘The Avatar’s Fire Lord,’ ‘The Avatar’s Puppet,’ ‘The Avatar’s Pet.’ For surrendering the Fire Nation’s cause in the war without a fight, they called him ‘The Toothless Dragon’ or (in mocking reference to the temporary loss of his firebending) ‘The Dragon Without Fire.’ They jeered him as ‘Earth Lord,’ ‘Water Lord,’ or ‘Air Lord Zuko,’ depending on which nation he had just made some shameful concession to: evacuating the newer Earth Kingdom colonies; paying reparations to the Water Tribes; taking formal responsibility on behalf of his ancestor and his nation for the Air Nomad Genocide, denouncing as shameful slander the propaganda used to justify the slaughter, publicly abasing himself—on his knees with his forehead to the earth (as he had not lowered himself since he had apologized to his father for his disrespect and begged for his mercy)—and apologizing to Avatar Aang as the last survivor of his people. At their most blunt, Zuko’s own people called him ‘Zuko the Traitor’ and ‘Betrayer of his Nation.’

But not all of the epithets Zuko heard by spying on his subjects were so damning. Some sincerely used the titles Shyu had given him, Peacemaker and Restorer—spoke them with respect, gratitude, even reverence. There was a name he had first heard among Fire Nation migrants to Republic City, which had made its way back to the Fire Nation Capital to be spoken softly among his younger subjects (who barely remembered the years of the war, and had grown up with his account of things rather than Ozai’s or Azulon’s): not just ‘the Restorer,’ but ‘the Redeemer.’ Zuko hated that one even more than ‘Traitor’ or ‘Avatar’s Pet.’ He didn’t deserve it and could never live up to it; he knew he could only disappoint those who expected it of him. Better that they should call him ‘the Redeemed,’ but he could scarcely say he deserved that, either.

In the years since Zuko had raised Druk, he began hearing a few epithets he didn’t mind. ‘Zuko Dragon-tamer’ he considered inaccurate and insulting to his companion—did they think a dragon was a platypus-bear that one trained to do tricks?—but ‘Dragonrider’ was truthful enough and, he thought, had a nice ring to it. He preferred ‘Dragon-friend,’ in recognition of the honor and favor bestowed upon him by the Masters Ran and Shaw; but that one, unfortunately, had failed to catch on. His very favorite—the one he dared to hope might be the way history remembered him—he heard only three times over the space of a year, some thirty years after the war’s end… the year that Uncle Iroh died suddenly of no ailment anyone could identify. He could not tell just from hearing it whether it was ‘The Dragons’ Son’ or ‘The Dragon’s Son,’ but he liked to think it was somehow both.

Aang was teasing him about ‘Dragon-tamer’—“You should run off to join the circus like Ty Lee; I bet you’d look smashing in a ringmaster’s uniform!”—when Zuko finally managed to put words to what troubled him, instead of inarticulately spluttering his indignation. “I hate that they all want to make me into only one thing, wholly and completely, and ignore—or maybe deny—all the times I haven’t been that thing, and all the other things I am, and have been, and might still be.”

Aang considered this. “Maybe you should think of them as like roles in a play—like theater masks that you can put on and take off.”

“Yes, because when we’ve been made into dramatis personae in the past, it’s always been so flattering,” Zuko said, his voice dry and sharp as desert wind.

Aang laughed. “I’ve learned that sometimes it’s easier to just play ‘Savior of the World’ or ‘Wise Ancient World Spirit’ than to try to explain all you really are. And sometimes it’s fun to pretend that’s all you are, that everything is simpler than it is. Of course you have to take off the mask eventually… but you know how fun it can be to wear it for a little while, and for a little while just be the Dragon Emperor or the Dark Water Spirit. Or is it the Blue Spirit?” he asked slyly.

“Easy enough for you to say, when you’re always cast as the hero. What if it’s the villain’s mask they want you to wear?” Half-consciously Zuko put his fingers over his scar where it covered most of his cheek, then ran them up to the corner of the eye that was permanently narrowed, mask-like, into a threatening glare.

“I haven’t always been the hero,” Aang said quietly. “And I’ve also learned that sometimes it’s easier to accept your role as the villain than to tie yourself in knots, and most likely break your back, trying to convince everyone to love you.”

“You’re one to talk,” Zuko retorted. “You can’t even stand to let Katara stay mad at you for an hour.”

Aang chucked ruefully at that. “Becoming a parent has changed my perspective somewhat.”

“And what is ruling a nation other than parenting an enormous family of unruly children…?”

“I didn’t say that, Your Fatherliness. I mean…”

“Very funny.”

“Aw, c’mon, Peacemaker. You know you can’t stay mad at me.”

“How could I, when I’m your faithful pet?”

“Who’s a good dragon…? Ouch, those were definitely teeth!”

“Don’t believe everything you hear about me… or read in history books.”

[scarlet-flowers]

Tales of Festival ~Prima Stella~ 

Tales characters who have been previously ranked #1 in Tales of Character Popularity Polls will be getting a line of exclusive merchandise. Pre-orders til Feb 12 via AsobiStore.

Proxy orders can be done through here.

[nekonohimetranslates]

Official Art for Tales of Festival 2024!

[evanescent-epiphanies]

a little prince mika based on this design from a toz official art!

im so in love with flowy capes why dont i draw them more

[applegelstore]

My sis and I are through with the actual main plot of KH3, so I can officially go back to scheduled ToZ fangirling now. …Well, I promised Cray a bit of fix-it-fanart, so after that, I guess.

Hit the cut for a resume. It got super long and has endgame story spoilers, so you might not want to stumble upon it by accident.

Another extra big shoutout (again!) to @crazayrock for bearing my liveblogging on Discord, screaming without context and occasional spoilers. And linking me fluffy Soriku doujinshi. Here, have my favourite, spoiler-heavy excerpt of our conversation:

Okay anyway, let’s get started: GAMEPLAY

Kingdom Hearts 3 is BEAUTIFUL. The gameplay is so smooth and intuitive that you can immediately get to playing like you’d never done anything else; in fact so smooth that I doubt I will ever be able to pick up the first game ever again. It’s always been fun, but the looooooong years’ gap actually did wonders to the gameplay.

The keyblade form changes are fun and keep things fresh, you can do flashy triangle button shit every other minute, and shotlock is still insanely useful without being a game-breaker.

It seems easier than the first two main games, though?

The gummi ship is still a pain in the ass to steer, but I do enjoy the open world-like travel options (even if there’s not… much to discover except heartless lasering the shit out of you). I’m also eternally grateful that they kept the gummi ship thing from KH2 where you can just use a new gummi ship once you got the blueprint and don’t buy actual fucking legos as in the first game.

Thank you, Square. Not thanking you for the dumb cherry flan game, though.

The Caribbean being basically an open world stage was delightful! Apparently what our resident island kid needs is a big ship and tropical islands to plunder.

VISUALS AND STUFF

PRETTY LIGHTS EVERYWHERE

The long gap between the games also did wonders to the visuals.

There’s finally, FINALLY a few towns with actual NPCs you can talk to. Why it took the team so many years and the Gods know how many games is beyond me. The magic effects are beautiful, the animations smooth (honestly you can hardly tell apart cutscenes and fully rendered CGI scenes in this day and age of the PS4. I’m probably the only person still amazed by this because the only games I played on PS4 before were a few hours of Child of Light and of course Tales of Zestiria and Berseria. No, I still haven’t played FFXV but that’s a topic for another day). How far videogames have come.Even space finally looks like space, lol. Not really high-end what the PS4 can do I assume but god, it’s such an amazing and much needed upgrade from the terrible textureless colourful tubes you flew through before.

No excuse for the terrible battleship thingy before the Keyblade Graveyard, though. I got lost and beaten up so many times and crashed against more walls than I can count.

Nothing beats the World that Never Was, but the Keyblade Graveyard also has creepy cool potential, as does the beautiful but ghosted City in the Sky.

Still not getting what’s with JRPGs and very Definitely Final Dungeons (TM) that are basically space. …………or heaven. Or nothing. I’m getting the bad kind of original NGE TV series ending vibes. But. Okay.

The soundtrack is splendid

.……I miss Traverse Town and Radiant Garden, however.

Which brings us to:

THE WORLDS

I guess I can live with no more Final Fantasy characters being there (although I always loved that), and the meta jokes in Toy Story world really got me. Seeing Disney characters calling the KH villains call out on their shit was delightful. …the KH characters lampshading their own games’ sloppy dialogue writing was delightful.Still, those Disney worlds are always so much more in my head than what I actually get to play. This has been bugging me ever since the first game and it still does. I do not expect or want to replay the entire movies, but would it hurt to give the cutscenes some goddamn background music? Whenever there’s cutscenes, either the world’s usual BGM keeps playing or the music stops altogether. Together with the shortened dialogues and generally drastically shortened plots with odd cuts, that leads to scenes that are awkward at best. They never even remotely have the impact the movies had. You just sit there and think “oh wow that is so silly and awkward”.

Dancing scene in Corona? My favorite scene in Tangled. Zero impact on me without the lovely BGM (at least they made it a minigame so the moment isn’t over after 3 secs). Just for example. You can ask me like, world by world, but I can think of only exception off the top of my head and it’s not helping:

Let it Go of course. Listen guys, I actually love the song. But it’s so overused (and Frozen is an overrated movie at best that doesn’t deserve its hype in the slightest) that I can’t even really enjoy it being there. Like.


IF THAT’S OKAY WITH YOU,WHY DIDN’T YOU INCLUDE LITERALLY ANY OTHER ORIGINAL SONG FROM THE ORIGINAL MOVIES. Instead of BGM just not being there entirely, or in odd, cringey re-renderings that nobody wants to listen to (*cough* Atlantica *cough*).

Why torture me and not give me the one good scene from At World’s End (the up is down scene) when you had the chance?Kingdom Hearts is also prone to super lazy level design and wasting chances at wonderful scenery for no apparent reason other than I suppose empty cliffsides are quick to render. All games before did that, and KH3 is, sadly, no exception. We get to see a bit of Corona and Athens and they finally have NPCs, too, but you cannot even get near Arendelle. You cannot enter Elsa’s palace. You spend the entire time there climbing around in the snowy mountains of Norway, and unfortunately it looks less interesting than one would expect from the lovely concept art that the film unfortunately never used.You cannot enter Rapunzel’s tower although Sora can apparently parkour his way up even without her help.

………In short, the places you can go are, again, very limited, and a lot of interesting places and scenes you never get to see.

And to follow the plot you still only need the stuff that does NOT happen in those Disney worlds because they’re all beach filler episodes. It’s always been like that, but I keep wondering whether I’m the only one bothered by that. I’m also still salty they didn’t introduce a single new world from a 2D animated movie.

Also, as I said, I miss Traverse Town, it felt so warm and welcoming and beautiful.

And I get behind The World that Never Was missing although I loved it there, but why not give us back Radiant Garden? Destiny Islands since they’ve been restored? Disney Castle?

As much as I love the series, it never fucking lives up to its own potential. Idk whether it’s made more difficult by copyright issues or whatever, I just know that it bugs me.The first two games also had like twice as many worlds.

PLOT

I mean it’s never been deep; however, it’s complicated. No analysis or whatever from me because plot analysis and meta writing bore me like seven hells, just my emotional reaction: AHHHHHHHHHHHHHHHH 
Okay, bad news. I got into it expecting nothing, and still got disappointed. I don’t actually enjoy the prospect of writing essays about it, but here’s my tea with it; in not particular order:

1) the pacing is terrible. Nothing happens for like 30 hours and then suddenly like 20 characters’ arcs are (naturally poorly) resolved within the last few hours of cutscenes. Build up anyone? At least they actually did pick up Maleficent and the box thing again. …In the epilogue.

2) Speaking of build ups, Sora’s breakdown could have been developed nicely and steadily over the game to feel natural, and instead it’s hinted at in the beginning by everyone picking on him, but then it’s never further developed and comes out of fucking nowhere. Like. For real? It felt terribly OOC.

3) Why on earth have they shown 90% of the plot in the trailers already, and why are those scenes so massively disappointing in context

4) Kairi. Oh god, Kairi. What are we gonna do with you. I want to love her, I really do, but she’s a prime example of shittily written female leads. Mostly because she’s not leading. It’s not her fault. She’s just a fictional character. But honest to God, Nomura, why. Her screen time is almost nonexistent, and she’s entirely use- and helpless whenever she’s on screen (which isn’t often). Her ONLY point in the plot is being rescued because she is fucking useless. Why. Just why. Why waste her character like that. All we know is that she’s shoehorned into being the token love interest, but she has zero plot relevance and there is even less build up of her relationship with Sora. It’s all tell and NEVER show; and not even much telling, either. She has literally zero direct interaction with in the entire game before they share their paopu. The question remains: why are straights like this

5) On a related note: look, I don’t even ask for (or expect, or even hope) my ship to be canon. Squeenix doesn’t exactly have a rich history in queer representation. I’m totally fine with Sora and Riku being best friends. BUT. Building up Sora as the most important person in Riku’s life (and arguably, vice versa) over the course of several games, just to then hardly have them interact in the finale and then SUDDENLY bring back Kairi into the equation, who hasn’t interacted with him since the ending of KH2 (except for one unsent(?) letter) is just piss poor writing, period.I actually love Cray’s suggestion she gave me over Discord: let Sora, Kairi and Riku all share a paopu together (and let them group hug, too, you cowards). It would have been the perfect message to send (Sora as truly all-loving hero, and loving all your friends equally; romantic love isn’t more important than platonic love and doesn’t need to be singled out). Really sad that this isn’t what happens. Apparently that wouldn’t have been no homo enough.

LET THE DESTINY TRIO GROUP HUG YOU COWARDS


Do Riku and Kairi even interact once in the whole game?


HOW IS THIS A TRIO, IT’S JUST A SHITTILY WRITTEN LOVE TRIANGLE

6) Time travelling is a bitch, Christ. It doesn’t solve plotholes or can be played for drama, it just adds MORE plotholes. It just got WORSE. The cloning blues and people not aging doesn’t help, either.

7) Just so you know, I care absolutely zero for wild fan theories. You’re not Nomura. I want a statement from the man who wrote this shit himself why on bloody earth Sora dies when he apparently successfully found and brought back Kairi (and since nobody aged a day, apparently it didn’t even take that long lol). DUDES, THIS IS KINDA PART OF THE PLOT, AND YOU DON’T BOTHER TO EXPLAIN IT INGAME???? And how was Ienzo/Zexion able to revive Naminé while Kairi was still missing/dead/whatever…?

Okay so in short the writing is worse than ever and that’s saying something.

However, let’s try to find something good in this trainwreck; it wasn’t all bad. There’s some really nice scenes which sadly are better enjoyed without any context at all.

So, guess my favourite scenes.You had time enough, here’s the solution:

1) Purifying uhm er rescuing Aqua. Poor girl. She deserves the rest. Poor, poor Aqua. The only properly wirrten female in the whole damn franchise. Also the only person other than Riku who fucking gets shit done.

2) The Gayblade (TM)

3) Happy Axel in the reunion with his kids. Oh god, the poor chap deserves it so much. Thank you, Nomura. I don’t care that it makes pretty much no sense. Make him happy. Give him his friends back. Just give Axel all his friends and let him happily set things on fire. Hi I love Axel

4) The party at the beach cutscene before the credits roll. Axel and Xion get clothes. Half the organization is on our side now. I almost teared up at the Wayfinder trio saying goodbye to Eraqus’ forceghost. Hey come on he’s the voice of Luke Skywalker

5) Sully yeeting Vanitas

6) Woody calling out Xehanort that nobody loves him

7) Jack Sparrow bad breathing Luxord

I wish we had gotten:

1) justice for Kairi

2) a happy Zexion, the poor emo kid. Well maybe now he will be, with all the orga members who changed sides now, lol.

3) I will never trust mobile games ever again so I don’t want to play KHUX but I would have loved to learn about the Keyblade Wars :;))))


WHAT WAS THE KEYBLADE WAR ABOUT CAN WE SPEND MORE TIME IN THAT COOL CITY IN THE SKY WHAT’S THE DEAL WITH MIKLEO
I MEAN THAT EPHEMER KIDDO


WHAT’S WITH THE MASKED DUDES AND DUDETTES FROM THE MOVIE


WTF WHAT HAPPENED TO THEM AFTER THE MOVIE???? WHERE THOSE KEYBLADE USER NAMES ACTUAL MOBILE GAME PLAYER NAMES??? Next game? PLEASE?

I really, REALLY hope the epilogue means we will get Xiggy/Luxu as our new big bad and we learn more about the five dudes and dudettes from the movie. Please. PLEASE. I’m so up for it. Them finally pickung up the bit with Maleficent and the mysterious box again? Hell yeah.

The secret movie was really unexciting in comparison, although I laughed very hard at the “Verum Rex” scene in Toy Story world. Maybe that’s why it was much cheaper to unlock than in KH1 and KH2.

4) give Ven a drink

DLC ideas I would actually pay for because I’m a sad human being: 1) more Disney worlds 2) Japanese audio 3) at least one of the following as permanently playable characters: Riku, Kairi, Axel, Ven, Aqua. At least as a guest member as in KH2. THIS SUCH A BIG STEP BACKWARDS I’M FUMING

FINAL THOUGHTS

Kingdom Hearts 3 is a hella lot of fun, beautiful, and also moving when it sets its mind to it. Unfortunately it doesn’t always do so. I don’t feel like it wasn’t worth the wait; it was. However, I’m very salty how rotten the writing is. I do not mind logical fallacies, I do not mind the cheesiness and cringeyness; however, I do mind how so many interesting characters do not get the screentime they deserve, and Kairi is a very bad joke.

I’ll probably find more to nitpick about (Gods. Just. Don’t come up with dub excuses why Sora is lv 1 in each game. JUST LEAVE IT BE. You don’t explain why Donald and Goofy are lv 1 again, either. JUST. LEAVE. IT. BE. The sacrifice was dumb and not even moving, I’m just still furious that Kairi’s ONLY point in the plot is being so useless that it’s literally getting herself KILLED and she needs constant rescuing to the point that Sora has to sacrifice himself for her, effectively. Kairi deserves better, Sora deserves better, I deserve better than to think about this absurdity.…I’m just… gonna cherry-pick the good bits from the lore and try to pretend the finale didn’t exist, I guess. GODS.

[pengiesama]

The Real Library of Alexandria Was the Friends We Made Along the Way (Fic, TOZ/TOB, school AU)

Title: The Real Library of Alexandria Was the Friends We Made Along the Way Series: Tales of Zestiria / Tales of Berseria Pairing: Gen Characters: Laphicet, Mikleo, Sorey, Velvet

Summary: Phi crusades against two Bigger Kids making noise in the library. He winds up discovering some common ground, and becomes leader of the nerdiest gang this side of the hemisphere.

Link: AO3

This was written for After School Heroes ( @ashtaleszine ); a Tales Of zine focusing on school AUs!

The zine's purchase period is now over, but you can check out some of the other fic and art from the zine in the links below.

ASH's Tumblr: http://ashtaleszine.tumblr.com/ ASH's Twitter: https://twitter.com/ashtaleszine/

Read on Tumblr!

“…I’m not saying that you’re wrong. I’m just saying that you’re vastly misinformed.”

“So, really, you’re saying I’m wrong.”

“No, I’m saying that you’re misinformed, and that your flair for the dramatic has led you to an incorrect interpretation of our sources…”

Phi did not mind listening to debates on topics that interested him. And this one did -- he’d always liked Ancient History and was happy to hear someone discussing it with such knowledge and passion. His own class at school was currently covering the period, but...well. When all they were expected to do was to be able to name city-states and list off a handful of gods, trying to engage his classmates in discussions was an exercise in futility. Even his teacher wasn’t much better. Such was the struggle of being ten years old and maybe a bit too well-read.

No, no, the topic wasn’t the issue, nor was the debate. There was just a time and place for this kind of thing, and the public library after school fit neither of those items. There also was a need for one’s indoor voice. Phi peeped over the top of his book, scowling. His baleful stare, full of judgement and righteous fury, went entirely unnoticed. This wasn’t really that surprising, as Phi was halfway across the reading room and half-buried under a pile of heavy books at his table. He thought of clearing his throat in an accusatory tone, but the idea of making a peep in the library was anathema to the very core of his being. Sure, this section of the library was deserted except for Phi and the debaters, but...but it was the principle of the thing, and that principle was what set man apart from beast.

The two intrepid historians were wearing uniforms from a high school across town. Their status as Bigger Kids gave Phi some pause in confronting them. But with the library’s honor to defend, could he ever forgive himself if he let cowardice win? Phi thought briefly about how his babysitter Velvet might handle the issue, then paled, and stopped thinking about it, because it was kind of scary.

“—Sorey, your arguments show a level of understanding that I’d expect from someone whose historical knowledge came from half-remembered edutainment cartoons from ten years ago, not from someone who I thought knew better,” said the white-haired boy wearily.

“Look, Mikleo, I know that attributing the destruction of the Library of Alexandria to a single catastrophic event ignores other things that led to its decline—”

“And leads to more public disinformation about a section of history that’s already rife with it.”

“—but,” said the brown-haired boy (the other boy, Mikleo, had called him Sorey), pressing on. “Even if there were other events which led to its eventual decline, dissolution, destruction, etcetera, what I’m saying is that the most important and impactful of these incidents was it being set ablaze in the Siege. Aurelian’s attack on the city and the destruction of the Serapeum are drops in the bucket in comparison, when the bulk of the collection was already lost at that point!”

“But they were still important events in its final decline, no matter what your little fanfic daydreams of travelling back in time with a magic firetruck to play hero! And all this assumes that the Library even was damaged in the Siege, considering that accounts of the time are contradictory.”

“Ancient accounts from any ancient historian worth their salt all agree that the library was damaged by Caesar’s short-sighted shenanigans! And it’s not a magic firetruck. It’s—”

“Yes, yes, it’s powered by advanced technology made possible by a time loop that hinges on the hero saving the Library from being burned. You act as though I don’t pay attention when I edit your work. But if you really want to be taken seriously, you have to address the other aspects of its decline that can’t be solved by a firetruck falling from the sky.”

Sorey squinted at the ceiling in thought. “...the firetruck could fall from the sky onto Aurelian.”

“Then you’re getting into further divergent history when a Roman Emperor gets killed like a wicked witch from the Land of Oz. And there’s still the Serapeum to consider.”

“The firetruck could fall on Theophilus too.”

Mikleo appeared to be dumbstruck by this statement for a brief moment, then nearly flipped the table in rage.

“You can’t solve every tragic historical event by dropping firetrucks on it!” he all but shrieked.

“It’s called poetic irony!” Sorey shouted back. “And it’s art!”

Phi agreed with both boys on their more intellectual points, and neither of them on their thoughts about art and literature. More importantly, he also agreed with them on the importance of preserving cultural institutions, which meant that he was duty-bound to intervene in this fight before they destroyed this library too. Luckily, he knew the Dewey Decimal System like the back of his hand, and quickly collected a volume of text that might be able to smother the flames of this debate before they spiraled out of control.

Phi marched over to the older boys’ table, and – taking a page out of Velvet’s book on confrontations – slammed the volume down as hard as he could onto the wooden surface. But, as he was still a polite boy, he was sure to scream “excuse me” while he did so.

The two older boys stared at him, wide-eyed and silent, as the bang and scream reverbed off the library’s walls. Taking the opportunity for their undivided attention, Phi opened the book he’d brought over to the appropriate page and tapped a heading.

“Ptolemy VIII’s mass purges of Alexandrian intellectuals who opposed his seizure of the Egyptian throne, and the accompanying political turmoil in the Ptolemaic dynasty at the time, weakened the Library considerably,” Phi began, confidently. “This sent the Library into decline, well before Caesar’s invasion over a century later.”

The shock and confusion melted away from Sorey’s face. He reflected quietly on Phi’s thesis and gave an embarrassed little smile.

“...I guess I really did kind of get hung up on the dramatic events, huh?” he said sheepishly. “Man, with all the craziness going on during that period, it’s kind of a surprise the Library didn’t get set on fire sooner…”

“I don’t think there are enough time-travelling firetrucks in the world to drop on all the troublemakers back then,” Mikleo agreed. “But I’m guilty too, of only looking post-Siege, and at the Roman side of things.”

“And you’re both guilty of yelling in the library,” Phi added. “I could hear you all the way over there.

He pointed accusingly towards his table, which was still piled high with books. The two boys looked abashed.

“I’m so sorry,” Mikleo said. “We...we didn’t see you over there.”

Admittedly, from this table, it was quite hard to see where he’d been sitting, buried behind the books. Sorey, for his part, was already on his way over to Phi’s table. He looked over some of the volumes, interest clear on his face.

“Wow...no wonder you schooled us on this. I’ve been meaning to read some of these!”

“Well, don’t start with that one,” Phi said, gesturing to the volume in Sorey’s hand. “You’re not going to understand it without some background knowledge...”

When the time came for Phi to leave, he had lectured both boys quite thoroughly on history – and what’s more, he had quite completely forgiven them for their sins. Despite their...eccentricities, Sorey and Mikleo were very knowledgeable on ancient topics from around the world, and treated Phi as their equal -- not just some novelty to be humored and “corrected” on topics he knew like the back of his hand. They promised to be here again tomorrow, to talk more, and...and Sorey had talked about making an Ancient History Club, for the three of them, and that would just be too cool…

“It sounds like you had fun,” Velvet observed, after Phi had breathlessly explained to her all the above. “Give me your hand until we’re done crossing the street.”

Idly, Velvet wondered whether she should go through the trouble of inspecting these two new friends of Phi’s – and by “inspecting”, she meant putting the fear of god into them, and by the fear of god, she meant the fear of her.

Phi dutifully grabbed Velvet’s good hand and continued. “We’ll have official meetings once a week and unofficial get-togethers on the other days of the week, except Tuesdays, when Sorey has Track club and Mikleo goes to Home Ec club, but that day I think I can go to the library anyway and just plan our activities for the rest of the week…”

…but, honestly, they seemed like they were a perfect fit for Phi already. Velvet walked with him, hand in hand, and decided to hold off. At least for now.

[dailymikayuureminders]

I have this really bad feeling that ons is going to end the same as toz. In toz the anime the creators were going to originally make it have a straight couple ( the novel, game, and manga have the characters channoicly gay) anyways they only ended up making them cannon in the anime because fans were really upset and they basically did it for the money. I really hope mikayuu/yuumika becomes cannon but I feel like that's what would happen in it knowing the piece of shit we have for an author.

How do you know they were going to make sor//ali canon? It was all pandering to the fanboys LOL. In the end, they just gave the anime the same ending: Sorey and Mikleo together (with some twinks). I was actually expecting that (especially because the last episode came out a goddamn month later, it was obvious).

Everything is about money, nonnie. Just any ship you see becoming canon is because of money… You didn’t know?

Capitalism, nonnie, capitalism.

You’ll never see a single show that doesn’t want to sell. That’s actually kind of the point.

And idk man, I don’t think being so obsessed with canon makes sense sometimes.

Sure, I want mikayuu to be canon because, come on, a gay couple in a shonen manga with the popularity of ons?

But apart from that, I’m starting to think that being so obsessed with the canonicity(?) of the ships is silly.

You see, I was a naruhina shipper, and the ending of Naruto was extremely unsatisfying for me even though it became canon.

When you have a ship like mikayuu with:-Majority of approval (including anime and dub staff)-80% of the whole fandom’s fanarts, fanfiction and doujinshi-Majority of merchandise, official art, official soundtracks, manga and extras-Plot relevance, undying loyalty for each other, etc etc

Just what’s the point of worrying about canon? We already have it all.

Even if it’s not canon, we still won. Our ships is still considered to be the main ship.

Heck, one of the main reasons this manga even got as far as it did was because of mikayuu. Sorry to all the people who actually like ons because of the plot but honestly y’all should be thankful the shippers are here or there would be no manga to read from anyway.