#touching someone in their sleep

[salamispots]

dream from several days ago

[p4nishers]

i need a whole episode, a book and a podcast on EXACTLY what crowley was thinking during this moment

[iwasbored777]

I don't understand people who say that Gwen and Miles don't have to end up together just because they're a girl and a boy and how a girl and a boy can be just friends but at the same time those people claim that Gwen and Hobie most likely slept together when she stayed over just because they're...you know...a girl and boy, and that a girl and a boy can't be just friends...

[rangersshamecorner]

[ * hi hello ummm doodle requests? 👀 ]

[ * boop the Ink ]

(Click for better quality/Rambling under the cut)

DUDE I AM SO SORRY THIS TOOK ME SO LONG I GOT THE AO3 AUTHOR CURSE OR SM WITH THESE DOCTOR APPOINTMENTS, ECT, ECT 😭 I STARTED THIS IN APRIL AND GOT WAY TO CARRIED AWAY WITH IT AS YOU CAN SEEJDJEISHS

Please take this mini ink as an apology, they're like those tiny purse dogs rich people carry around

[hood-ex]

I hate the "being forced to share a bed" trope, but I love the "being forced to share a sleeping bag" trope. The sleeping bag is where it's at. Fuck that bed.

[spitefulfemme]

when i am upset i think about how one day i will be getting soothed to sleep by a pretty girl/person i'll get to call my girlfriend/partner in a cozy apartment that we've made a home out of and that is enough for me to fall asleep to.

- this post was made by a minor, mdni accs dni!

[hanzajesthanza]

god we need to bring crackfic back. or just short and idiotic ideas that wouldn’t happen but would be funny to read

[canisalbus]

Vasco and Machete are absolutely adorable, your style is so lovely and you draw the softest beds I’ve ever seen in any art ever

.

[nerosdayinanime]

currently obsessed w the image of giyuu just grabbing sabito's face. squish his face in one hand and wiggle em around bc sabito just lets him

[fatuismooches]

EVEN MORE CUTE DOTTORE MOMENTS TO MAKE YOU SMILE 🙏 (because I am too tired to post anything of quality)

[satorisoup]

people will think im ordinary until they say one (1) thing about tmnt and all of a sudden im explaining the entire lore starting from the 1990’s movie & why donatello is the best turtle i fear… T^T

tag limit fights me… i must yap… please listen… SOB </3

[coquelicoq]

post-canon every single member of kimcom likes to spoon kim dokja. nonsexually. it's just nice to know he's alive and there and feel his chest rise and fall within the circle of your arms. try to do something stupid now asshole. oh you can't? because of my octopus impression? that's right. take THAT. however i will make one exception for yoo joonghyuk. yoo joonghyuk may want to spoon kim dokja, but he never gets the opportunity because kim dokja wants to spoon him more. so the sleeping arrangement is yjh>kdj>all other kimcom members on rotation. actually i take it back there's one other household member who doesn't want to spoon kim dokja and it's yoo mia, but that's fine because she's one of the only people (besides kim dokja) who yoo joonghyuk would be comfortable spooning. so there's probably times when it's yma>yjh>kdj>today's lucky winner.

incidentally this is also the order for the doing-each-other's-hair train because while yoo mia WILL allow other people to do her hair, no one wants to because she always compares their skills unfavorably to her brother's. and she's really articulate about it. just utterly scathing. one time her criticism was so devastatingly, accurately incisive that she made lee hyunsung cry. yoo joonghyuk spooned him that night to cheer him up and yoo mia was so mad about it that lee hyunsung had to leave the country for a couple weeks. the household learned a valuable lesson that day. it's best not to disturb the delicate spooning/hair-train balance.

[so-very-small]

god help me, for i am consumed with sinful thoughts of giants

[fisherrprince]

adhandr tries to help

[no-1-rosalind-lang-apologist]

Juliette, the Girlboss Trope, and Structural Change

From what I’ve observed, stories with “girlboss” protagonists tend to be less likely to critique existing power structures and end up focusing more on slightly tweaking surface level aspects of them to allow the protagonist to prove themselves within the context of the existing system. To me, this is extremely interesting within the context of These Violent Delights because Juliette is arguably initially set up to fulfill this archetype. Because she is a girl, her claim to the status of heir is questioned by those around her more than it would be otherwise. She feels more pressure to be ruthless and to do whatever she can to earn the respect of those around her. Toward the very beginning of These Violent Delights, she threatens to kill Tyler when he attempts to upstage her, saying that she will kill him before she lets him take her heirdom away from her. Without knowing that These Violent Delights is a Romeo and Juliet retelling, it wouldn’t be unreasonable to expect Juliette to become the leader of the Scarlet Gang and somehow fix things from the inside at the end. She is well set up to be the Strong Female Protagonist ™ who takes what is owed to her and is hardened and kickass and ruthless and doesn’t let interfering men get in her way. 

But importantly, regardless of how much Juliette initially knows it, this is a facade. The image of the hardened ruthless heir may be one that Juliette encourages, but it is a heavily distorted reflection of who she truly is. Because at her very core, though she was raised to be the heir of the Scarlet Gang and therefore should be the literal personification of the continuation of the blood feud, that is not who Juliette is. Throughout the duology, her main motivation is protecting those she loves. At first, she believes that she can do this by working within the existing system. She tries to legitimize herself as heir within the existing power structure of the Scarlet Gang. However, the Scarlet Gang Juliette is set to inherit is one built upon a foundation of fractures that legitimizes its existence through the perpetuation of the blood feud to the extent that to solve the blood feud, or even seek to calm it, would be a violation of its very nature. The Scarlet Gang could never accept a leader that sought to do this, nor could the White Flowers, who equally rely on the blood feud as a source of power, accept the figurehead of their rival gang as an ally. To do so would be a fundamental betrayal of the nature of these two groups. Thus, Juliette must choose between legitimizing her position as heir, bringing more suffering upon the people and city she loves in the process, and giving up her position as heir and forfeiting her power. 

But if Juliette forfeits her power, who does she forfeit her power to? After all, if she merely walks away, the blood feud will still exist. The refusal of one person to fall in line cannot topple an entire system. The answer comes back to Tyler who, unlike Juliette, truly is meant to represent the continuation of the blood feud. He feels the need for vengeance and hatred at his core, and is constantly suspicious of Juliette, recognizing her lack of loyalty though it is incomprehensible to him. Ultimately, there was never room enough for both of them. When Juliette threatened his life in These Violent Delights, she did so out of fear of him usurping her place. Little did she know, he already had. In representing the longevity of the blood feud, Tyler, not Juliette represents the longevity of the Scarlet Gang. While she was the heir in name, he embodied the very lifeforce of the gang. In a way, he almost represents the Juliette that could have been. And that is precisely why Juliette had to kill him.

Though Tyler’s death is foreshadowed by Juliette’s initial threat in the first book, when she shoots him in Our Violent Ends, it is not the callous, unfeeling kill of an heir pushing aside the final obstacle before claiming their rightful place at the top. Instead, it is Juliette’s final severance from the vicious cycle of the blood feud and the illusion of her status as heir. She recognizes that the power she would wield as the future leader, or even the true heir, of the Scarlet Gang stakes its legitimacy in the continuation of the blood feud, and therefore, she would lose legitimacy as a leader if she were to act against the blood feud. This is further demonstrated when Lord Cai tells her that she can choose between dying a White Flower and being heir following his discovery of her relationship with Roma, representing her direct defiance of the blood feud, and her murder of Tyler, representing her sabotage of the longevity of the blood feud and her rejection of her status as heir.

By this point, Juliette has established that she cannot live as a part of the blood feud. She put a bullet through its heart, firing on her own kin to do so. Because the blood feud has no future, she can no longer pretend to occupy the role of heir. But at the same time, in killing Tyler, she has rejected her place within the blood feud. She cannot die a Scarlet, and she cannot die a White Flower because she refuses to be either. In the end, it is not her and Roma’s apparent deaths that aid the end of the blood feud. Instead, it is their rejection of its perpetuation through their rejection of their statuses as heirs. Their continued survival after their apparent death and the birth of their daughter stands in direct defiance to the division brought on by the blood feud. Though, as is further explored in Foul Lady Fortune, this division is still very present, Roma and Juliette’s continued survival both acknowledges that the kind of change required cannot be brought about by the efforts of one titular protagonist, no matter how world ending their sacrifice, and gives hope for a better future. Unlike the girlboss protagonist, Juliette rejects the status quo and achieves her goals by rejecting power. Instead of seeking to be the figurehead of change, which would also be extremely ahistorical, she does her part and steps back, acknowledging that as a singular person, she does not and should not have the power to fix everything. In the end, she watches from the outskirts of Shanghai, and though she is doomed to forfeit her place within her home to protect the people she loves, she is safe enough to live with her husband and raise her daughter and use her remaining connections to do what she can. Because in the end, one person cannot fix everything, no matter how powerful they are. And the spark of hope represented by Juliette and Roma’s continued survival and the birth of their daughter as well as the protection offered by their weapons ring is enough. 

[wantonlywindswept]

ficbit: captive prime (another thing someone else should write)

so anyway how bout a good dad jango fett who refused to be the prime clone template but was not actually given the choice to say no

---

The plan was perfect.

The plan was great, because Fox and Cody were geniuses, and it was coming along beautifully right up until Prime refused to fucking leave.

"I can't go," Prime said. "I'd be leaving you here."

"Yes, that is the point," Fox hissed. He grabbed the bottom of Prime's shirt, yanking forcefully toward the open cell door where Cody was waiting.

The bastard didn't even budge. 

"We've looped the security footage," Cody reassured their progenitor, who was apparently a moron, "And we have our batchmates covering for us. There's only an eighty-seven percent chance that we'll get caught after you leave, and we're at the top of our classes, so we'd probably only get reconditioned anyway."

"And that number's getting higher the longer you stay here," Fox snapped. He shifted his grip, his fingers not even making a full circle around Prime's wrist as he tried tugging him forward again. "Come on--"

Prime twisted his hand, slipping out of Fox's grasp, and Fox was going to bite him, but then a large hand rested at the back of his neck and he froze.

He stared, blankly, as Prime knelt down next to him. Warmth radiated from that single source of contact, the weight a comfort: grounding, like if every one of his batchmates' blankets had been piled on him at once. He couldn't help but sway into the touch, meeting Prime's tired brown eyes a little dazedly.

"I won't leave children alone here to die."

"We're already dying, sir," Cody said quietly, walking over to slip his hand into Fox's. "You being here doesn't stop that. But if we get you out--they would eventually have to stop making more of us. We wouldn't have to see more brothers lost."

Prime bowed his head.

"I was the source of your creation," he rasped, "And it is one so terrible that you would rather not even exist at all."

Fox and Cody exchanged a glance, and Fox reluctantly allowed his brother to pull him away from Prime, out from under his warm hand and back into the reality they lived in. 

"Boba's already on the ship," he said, because he was clever, because he knew how to manipulate people into behaving. "He's waiting for you."

Boba was the first of them, unaltered and pure and made to be loved, given to Prime as both distraction and threat: the consequences clear should he ever try to leave his cage. 

Prime inhaled a sharp breath.

"We'll cover your escape, but you have to go now," Cody said softly. "Please."

Prime let out an anguished sound, and Fox knew they had won.

They snuck him out past the patrols and looped cameras, getting him to the landing pads where a long-disused Firespray waited to take off. They were just a few steps from the loading ramp when Prime came to a halt, turning back towards them, and Fox would have screamed if he wasn't so terrified of getting caught.

"Will you just go already--"

His words cut off when strong arms wrapped tight around him, pulling him and Cody into a warm embrace. 

"I'll come back," Prime swore, pressing his forehead to each of theirs in turn. "I will come back for you. Wait for me. Survive."

"We will," Cody promised, because he, just like Fox, knew how to trick people with lies.