#top tv series of 2022
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artemispanthar · 11 months ago
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These are my top TV shows that I watched in 2022. As with the movies, I'm posting this now because I never got around to it last year.
Also like the movies, these are just what I watched in 2022, not series that came out in 2022. They also have to be new to me in 2022, so no series with new seasons that I’d already been following. These aren’t necessarily the best shows, just ones I really liked or made an impression on me. I’m including both running series and limited or miniseries.
These shows are in no particular order, I just arranged the posters how I thought they'd looked the best. The shows are:
This is Going to Hurt
Shining Girls
The Haunting of Bly Manor
For All Mankind
Unbelievable
Five Days at Memorial
Succession
The Patient
Yellowjackets
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thedarkesthour13 · 2 years ago
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Top 10 TV Shows of 2021-2022
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10. Motherland: Fort Salem
Not the best for a final season but appreciated what we got. Still loved the characters and loved seeing the new dynamics in the final season.
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9. Harley Quinn
Loved seeing Harley and Ivy finally together
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8. Moon Knight
Loved it but felt liked it should’ve been longer. Some stuff felt rushed and wish there was more time to expand and explore certain things.
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7. Warrior Nun
Honestly can barely remember plot related things but enjoyed it. Need to re-watch. Loved the characters and how much they grew also loved the new additions. Hate that it was cancelled.
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6. Ms. Marvel
Surprised how much I liked it. Thought it was one of the better-done Marvel Disney+ shows. It was fun and felt self-contained but also leading to something bigger. Can’t wait to see more of the character.
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5. Andor
Had no expectations for this but my favorite new Star Wars show after Manalorian. Loved it and seeing more of Cassian. A few times felt a little slow but still enjoyed it.
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4. NCIS Hawaii
Absolutely loved season 1. Might be my new favorite NCIS. Fell in love with it and the characters in episode 1. Also, the first time in an NCIS show where I actually shipped characters together. Look forward to watching every week.
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3. Wednesday
Wasn’t sure if I was gonna watch cause know nothing about The Addams Family but a friend begged me to so did and loved it. Wednesday is my new obsession and one of my new favorite characters. It ended and I only wanted more. Only one complaint and that was the plot felt a little easily wrapped up. Loved the characters though. Hoping for a season 2.
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2. Stranger Things
Loved it. Loved the storyline in Hawkins and the characters there. Honestly didn’t care about anything or anyone else. Biggest disappointment was didn’t get a big death like was rumored. Can’t wait for the final season.
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1. Peacemaker
Honestly surprised by this one. Hated the character after The Suicide Squad but decided to give the show a shot. Loved it. Couldn’t wait for it every week.
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The full top 100 list can be found here, and this post was inpired by this poll!
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doyoulikethissong-poll · 3 months ago
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The Beloved - Sweet Harmony 1993
"Sweet Harmony" is a song by British band the Beloved, released on 11 January 1993 as the lead single from their second studio album, Conscience (1993). The song was written and produced by the band's frontman Jon Marsh with his wife, Helena Marsh, and remains the band's biggest hit. It was used to promote the second season of the American tv-series Melrose Place in several European countries. British magazine Classic Pop ranked "Sweet Harmony" number two in their list of the top 40 dance tracks from the 90's in 2022.
"Sweet Harmony" was successful particularly on the charts in Europe, peaking at number three for three weeks in Austria, number six in Germany and Switzerland, number seven in Greece and Italy, and number eight in the UK. On the Music Week Dance Singles chart, the song peaked at number eleven. It was also a top-20 hit in Denmark, France, Ireland, and Sweden. On the Eurochart Hot 100, "Sweet Harmony" peaked at number 20. In North America, the song peaked at number 23 on both the US Billboard Dance Club Play and Modern Rock Tracks charts, and number 14 on the Billboard Bubbling Under Hot 100 chart. Elsewhere, it was a top-10 hit in Israel and Mexico, and peaked at number 147 in Australia.
The music video was based on the record sleeve on Jimi Hendrix' 1968 album Electric Ladyland. In an interview, frontman Jon Marsh said the video was "not intended to be sexual" and was "as asexual as you can get". The video is supposed to represent unity between humans. It was nominated for the International Viewer's Choice Award for MTV Europe at MTV Europe Music Awards in 1993.
"Sweet Harmony" received a total of 58,3% yes votes.
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bakanokiwami · 2 years ago
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TOP 10 ANIMANGA ON FANFICTION.NET BASED ON NUMBER OF FANWORKS (1999-2022)
To make this bar chart race, all series titles in the Anime/Manga Section on November 29 (or the closest date to it) of every year were copy-pasted from Wayback Machine to Google Sheets, rearranged according to number of fanworks, and then inputted to Flourish to turn into a bar chart race.
In 1999-2001, FFN used Anime as a catch-all tag for all anime that didn’t have their own category yet before it was removed in 2002 onwards.
In 1999, fanfiction weren’t divided into sections like Anime/Manga, TV, Books, etc. yet. It was just a small list of mixed fandoms.
Originally, the fanfiction list was sorted alphabetically too, but was changed to number of fics at around early 2013.
By November 2013, FFN started abbreviating numbers above 1,000 to K, so exact numbers aren't available for series with more than 1,000 fanfiction.
Thanks for understanding and hopefully I didn’t mess up anywhere! 🙏
Edit: This bar chart is all made with the assumption that the numbers listed in section are correct. I can't seem to get the same numbers for some for these series when I go to the specific series' page and filter everything to All though... I don't know if I'm missing something or not...
For example, currently, the anime/manga section says Naruto has 439k fics, but going to the Naruto page and filters, ratings and language to All, it says there's only 413k fics. There's also 37.3k crossover fics, but adding would be equal to 450k fics... If anyone can clue me in on how FFN calculates these numbers, I'd be very grateful.🙏
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darkfemininenergy · 2 years ago
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LET’S PLAY THAT GAME ━ ethan landry
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pairing: gf!ethan x fem!reader
warning: smut, ghostface phone call, dom!ethan, sub!reader, fingering, rough sex, choking, ropes, spit kink, fingers sucking, dirty talk, gloves kink.
author’s note: english is not my first language, and also my first time writing smut so i hope it’ll be good. if you have any request, let me know !
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YOU’D COME HOME from the gym an hour ago, the only classes you had were this morning and you were grateful to have the whole afternoon off for once. you'd had lunch with mindy at noon and then decided to take her home, since the ghostface attacks had hit new york, following the 4 survivors of woodsboro, you didn't want the young meeks martin to go home alone, even in the middle of the day, who knows what might happen, especially when you knew who her uncle was.
now you were in your kitchen after a nice shower, in the background as sound of « how to get away with murder », one of your favorite tv shows, mindy found it quite ironic since you were in a law major.
you were cooking dinner quietly after a bit of studying, standing in front of the hob, dressed in a short, tight-fitting black top and gray shorts, your phone at your side as you wrote to the young meeks martin, who was confiding in you about her feelings for anika.
and that's when your phone began to vibrate, thinking it was mindy, a slight smile appeared on your lips before you grabbed your phone, but this smile slowly disappeared in your face due to what appeared on your screen: unkown caller.
a bad feeling began to take hold of you as, paranoid as you were, you looked around you at the knives just inches from you, spotting the largest of them.
you then answered the phone, adrenalin coursing through your body.
- hello ?
the sound of the oil against the frying pan camouflaged the sound of your series in the living room, as you added spices, waiting for an answer from your interlocutor, the wait was heavy.
- hello, y/n, replied the deep, gravelly, modulated voice.
ghostface.
a shiver ran down your spine, and your body froze, paralyzed as you realized the obvious: you were part of the group of friends of the survivors of the 2022 attacks.
you turned off the gas, stopped cooking. And clicked your tongue against the roof of your mouth.
- well, go ahead, i’m wainting for the “what's your favorite scary movie ?” part.
you tried not to show any signs of fear, but inside you were terrified, imagining yourself already dead on your kitchen floor, but you knew you didn't have time to think about it and passed your index finger between the various knives on the rack in front of you, leaning slightly over the worktop.
the only response you got was a little laugh of amusement, mixed with a hint of sadism, from the killer, and it made your blood run cold.
- you're a bold one, aren't you? now, i think that i'm really going to enjoy this.
- fuck you.
-but you're also a very pretty one... he said with a seductive tone, too bad that i have to correct that filthy mouth of yours, he finished with a voice full of brutality, as if your insult had made him angry.
his change of mood startled you, and you immediately straightened up, then nervously tapped the surface of your kitchen with your freshly manicured nails.
- what do you want ? you asked, trying not to show how scared your voice sounded.
he hums slowly, as if he's thinking, and you can feel the goosebumps on your skin.
- that's a good question... what do i want... ? i want to play a game.
your heart was starting to race, so without thinking any further, you grabbed the largest knife and suddenly turned around with dynamism, all your senses now activated.
- do you want to play a game, y/n ? the modulated voice asked you.
- go to hell, i’m not going to play any of your sick game, you replied brutally.
- you look cute with that knife, tell me, what are you going to do with it, sweetheart ? stab me ? he teased.
you could practically hear the smirk in his voice and it drived you insane as well as the pet name, your grip on your knife was starting to tighten.
- where are you, asshole ? you spat hatefully.
you started to look from left to right, if anyone else could see you through your window, they'd think you were crazy to get so agitated, you leaned over to look towards the right exit which led to the hallway of your apartment, before returning to the kitchen which overlooked your living room.
you put your phone on the worktop behind your hob not far from your fridge, and activated the speakerphone to leave the call and type in the police number before he even answered.
- oh i wouldn't try to call the police if i were you, y/n, it'd be a real shame for mindy and anika to pay the consequences of your stupid actions.
your fingers stopped typing on your screen, not only because of the threat, but also because a detail had caught your attention, how did he know i was going to call the police ?
- h-how.... you began before cutting yourself off, can you see me?
he was sniggering again, and you were really beginning to hate that horribly creepy sound. you swallowed that awful lump in your throat that prevented you from speaking properly and waited for an answer.
- of course i can see you. i must admit that you look good in those, a little bit short though, does your boyfriend know you carry around in your apartment like that, y/n ?
panic-stricken, you hung up, and what a grave mistake you'd made, dropping your phone onto the wooden surface, you clutched the edge of it as if your body were threatening to collapse and you were looking for something to lean on. but then you pulled yourself together and grabbed your phone, never letting go of the knife you'd armed yourself with.
you moved towards the large window in your living room and pulled back the curtain slightly to see if anyone was outside watching you, since your kitchen was connected to the living room and, above all, open, with no door separating them.
but you couldn't see anything suspicious, only the horrible traffic jams of the city that never sleeps and people minding their own business down your street. you weren't the least bit reassured, certainly not, you had no idea where he could see you and you were terrified of it.
then you let out a groan of surprise when your phone started vibrating in your hand again, except this time it wasn't a call but a notification from an unknown number, it was a video.
your hands began to shake as you huffed and puffed to regain your composure, naively hoping to regain an ounce of control over the situation. once you'd opened your phone and clicked on the video, you saw mindy and anika on it, kissing on a sofa, the video had been taken from outside through your window and you pursed your lower lip, anxious, but starting to get angry that ghostface wasn't just threatening you, but also your friends, after everything mindy already endured because of that stupid mask.
and then, another call, again. you stared at your screen for a few seconds, looked around your living room and swallowed, grabbed your tv remote to turn it off, a silence falling over every room in the apartment when you finally accepted the call as you peered into every corner of the room, your stomach burning with fear.
- hang up again and i'll rip their heads off and send them in a box at your door ! shouted the killer menacingly and violently.
the violence of his threat burned your eyes, but you were able to swallow back your tears. you were sure he could feel your panic through the phone.
- not them, don't hurt them, s-stop it, i’ll do anything, i-i promise, you cried, afraid that something might happen to your friends.
- good girl, you see how easy things are going when you start obeying ? his voice softened, but you could still hear the amusement in it that told you he loved what was happening, that he loved scaring you.
despite the fear, the nickname he'd used triggered a reaction you'd never have suspected: a wave of heat spread through your body, even between your legs, and you suddenly felt ashamed.
- now, let's play that game. have you ever heard of hot and cold ?
you simply nodded, tucking a lock of hair behind your ears, knife still sharp in hand.
- words, pretty girl.
another heat wave.
- y-yeah, yes, i have.
- perfect. you want to know where i am, right ? then come and find me. go on.
you frowned, apprehensive about the objective behind this game, especially apprehensive about the moment when you were going to meet him.
- and then, if i find you, what will happen ?
- find me and you'll see, answered mischievously ghostface.
a new silence, neither of you speaking, the silence was heavy for you. you took two steps forward, and turned to look behind you again, the fact of not knowing where he was disturbed you and increased your degree of fear.
- are you scared, sweet thing ? he continued to mock, knowing he had the upper hand.
- shut the fuck up motherfucker, you're gonna pay for all of this, you grumbled in between.
- oh, really? i’m waiting then, he sneered, and you were willing to bet he was smiling.
his words only provoked you and you walked out of the living room, realizing that he couldn't be there, you were surprised to realize that you actually started looking for him, now angry at the way he was openly mocking you. you opened the bathroom door, peering in after turning on the light.
- cold.
you immediately left the room, closed the door and stepped into the corridor, which this time led to your bedroom. but before you got close to it, your steps slowed down, as you became more reluctant to head towards this part of the apartment, what if he was inside ?
- why are you slowing down ? maybe I'm inside.
- fuck it, you muttered.
you continued to hold your knife, getting ready to use it, when you arrived at the door to your room and opened it, you went in, and looked all around, near your desk, in the nooks and crannies, then your gaze fell back on your wardrobe, which was closed.
- are you in there ? you asked, your breath catching.
you heard his breathing through the phone become more erratic, and that's all you could hear as you held it to your ear.
- open it.
without further hesitation, you grabbed both wrists of your wardrobe and suddenly opened them, brandishing your knife in your face the next second.
but surprisingly, he wasn't there, so you straightened up and let your arm fall back down your body, then brought the phone up to your ear to hear your interlocutor, who seemed to love playing with your mind and emotions. he started laughing again, and the more he did it, the more it annoyed you than it frightened you now.
- no, i'm not there sweetheart, i was just messing with you.
- asshole, wanting to play a game without even knowing how to play it, you laughed bittersweetly.
you could sense that he wasn't happy with your answer, maybe even angry, but in any case, he didn't show it and decided to restart the game.
- you're getting colder, keep looking.
since you'd gone in the opposite direction and weren't getting any closer, you decided to return to the area you'd been in when you received the bloody call, retracing your steps, finding yourself in the hallway where your bathroom was once again.
- you're still cold.
you sighed in annoyance, but kept on walking, and when you passed the bathroom door you'd already looked in.
- warm, he warned you, and his husky voice sent shivers down your spine.
the further you went, the more your heart pounded to the point where that was all you could hear now. now you were back in your living room, you couldn't make any sense of the situation, you must have misunderstood his directions, he couldn't be there.
- you're getting warmer, good, very good sweetheart, you're almost there.
and yet, the praise almost made you blush again, you felt butterflies in your stomach and snapped inwardly as you remembered who you were on the phone with.
slightly frustrated by the flirtatious tone, you began to hold your knife out in front of you, preparing yourself better in case you found him.
as well as being frustrated, you were in total bewilderment, you had no idea where he could be, he kept messing with your head and he was very good at it.
he definitely wasn't in the kitchen, nor in the living room, not even towards the entrance, since you'd glanced around.
- keep looking, y/n, it'd be a shame if i find you first, wouldn't it ? tormented ghostface.
you held back from insulting him once more, avoided the living room areas you'd already looked at, and moved towards the only corridor on the opposite side of the apartment where you hadn't glanced.
and to do this, you had to pass through the corridor to your left leading to the front door, when you passed this door, and moved into the unlit corridor where in one of the doors lay your washing machine and other belongings, he spoke again.
- you don't want to turn colder again, don't you ? now, turn around.
paranoid, you thought he was right behind you, so you quickly turned around and took a big step back, the knife right in front of you, your arm raised, and you let out an expletive when you couldn't see anyone again. He was definitely playing with your mind and you'd had enough. You could feel the frustration heating your blood.
you made the choice not to pay any more attention to your footsteps, beginning to believe that he had lied to you and wasn't even near you, that this was just to scare you.
- warm.
but then you stopped, and that's how you noticed you were near the entrance hall. no, it couldn't be.
you headed in that direction, advancing slowly, cold sweat beginning to take refuge on your forehead.
- warmer.
shit. shit. shit.
you noticed the cupboard embedded in the wall a metre from the landing, and realized he was probably here. I'd have heard him, the kitchen's right next door. you had no idea what was going on.
- very very warm, he whispered.
your trembling hand came to rest on the wrist of the hall cupboard, hesitantly, you didn't open it immediately, feeling your breathing quicken.
in a split second, you brought your other hand to the cabinet and jerked it open. but nothing, absolutely nothing.
- fucking bastard, you growled.
you sighed, and slammed the wardrobe doors shut, the sound echoing throughout the apartment after this act of anger and you could hear him laughing in your ear.
pissed off, you returned to the kitchen to the very same spot where you had decided to call the police, still holding your weapon in your hand which was now on the kitchen counter facing the living room.
- now you're boiling.
you held your phone so tightly in your hand that you could have crushed it. you didn't know whether your hands were shaking with fear or anger, or both.
- i’m done with that shit, you growled again, if you want me, come and get me.
- want you in which way, darling ? don't get me wrong, both involve ropes, but it's an important distinction to make before we proceed.
- w-what ?
and just then, you saw a shadow with a very tall figure forming right in front of you.
you immediately dropped your phone from your hands, about to turn and brandish your knife to stab him, but a large gloved hand pressed against your mouth and an imposing body slammed you against the surface.
your scream was then muffled by the hand over your mouth, and your knife was snatched from your other hand, panic instantly seizing you after your weapon was snatched from you, you tried to fight back by reaching behind him with your hands, but his free hand had no trouble grabbing both your wrists and pinning them behind your back.
- i told you it'd be a shame if i find you first, he said mockingly.
the tears in your eyes blurred your vision, you kept squirming in all directions and your screams kept choking against your attacker's glove. then you felt them, your hands bound by ropes.
ropes that burned your wrists, he had to take his hand away from his mouth to bind your hands, and you couldn't control the rhythm of your breathing.
- no no no no no, you protested, naively trying to free yourself from the ropes.
just then, you felt his hips push you against the counter again and his hand slid down your back to force you against the surface, bended you over, he towered over you.
- p-please, please let me go, you tried not to let the tears roll down your cheeks, but your voice betrayed your fear.
- where's that attitude you were giving me earlier, hm ?
- i-i’m sorry, you let your forehead hit the cold surface of the counter, your eyes closed.
- you look so good like that, he murmured under his breath, bended over, begging for me, better than i have imagined.
a new complaint came from the back of your throat, and you started to struggle again, unconsciously moving your hips to push him away. then you felt something against you, something hard, then you heard him growl.
your mouth fell open in astonishment, you must surely have heard wrong, you thought. then you continued to rub your hips against him, your two bodies pressed together, and suddenly his left hand grabbed your hip to immobilize you.
an amused smile spread across your lips, contradicting the tears in your eyes.
- does this turn you on ? do i'm turning you on mr. ghostface ? you said in a playful tone.
- shut up, i'm gonna fuck that attitude out of you, spat the killer.
a groan threatened to leave your mouth but you managed to control it, feeling all wet after rubbing yourself against him and his modulated voice making you feel things you shouldn't feel.
a moan threatened to leave your mouth but you managed to control it, you felt all wet after rubbing yourself against him and his modulated voice made you feel things you shouldn't feel.
quickly, he removed your shorts followed by your underwear, leaving you almost naked apart from your black top, your wet intimacy exposed to the cool apartment air sending a shiver down your spine and forcing you to squeeze your thighs together.
- uh uh, none of that, open those legs for me, he said, slapping one of your thighs.
aware of the extent of your desire between your legs, you spread them slowly and slightly, enough for him to slip his hand in.
his fingers began to tease your crotch, you were about to open your mouth to express your desire, but closed it when his fingers moved to brush over her clit. you breathed deeply and closed your eyes as you felt his fingers gently beginning to knead at your clit and press against your entrance.
you took a shaky breath, clenching down around the finger gently as it was pushed in up to the second knuckle.
you moaned happily, your hips pressing forward. your hips swayed further as he began to move his fingers slowly. his fingers moved in and out of her slowly. then he gently curled them as he moved them, smiling at the cry he drew from you. his thumb gently massaged your clit, and you arched your back silently asking for more.
- you like that, huh ?
you nodded positively, moaning softly, your lip still between your teeth.
- come on, what did i told you earlier, sweetheart ?
words.
- f-fuck, y-yes.
- yes what ? while curling his fingers inside of you.
- yes, yes i-i like that.
he was starting to pick up his pace, you could hear his breathing jerking in turn, getting harder and harder by the pretty sounds you were making and the way you were moving your hips against him. although he'd been using a fairly gentle rhythm, now he was thrusting his fingers into you harder and harder, going even deeper.
causing moans that you could no longer control, especially when he added another finger, unconsciously, you closed your legs once more against the sensation that invaded you, but his other hand forced you to keep them spread for him.
even if you wanted to deny him access to your legs by closing them, you couldn't, his grip was too strong for you to move, it would probably leave a mark later.
when his fingers reached that spot inside you, you tilted your head back, eyes closed. he took advantage of your position to lean towards you, so that his fingers were deep inside you, and your belly was completely pressed into the countertop surface, as were your hips.
he grabbed your jaw to force you to open your eyes and tilt your head back even further, causing you to arch your back even more to the point of slight pain, and with your hands tied behind your back, it wasn't easy, so when you did, you fell into the big, intimidating black eyes of his mask.
but the idea of him fucking you in his ghostface costume, mask and gloves made you wetter, it was so wrong.
you gave him those doe eyes, and he swore he could have cum right now just from the look you were giving him. you half-opened your mouth as if to let out another moan, but nothing came out.
his thumb moved to your lower lip, his hand still gripping your jaw. his other hand continued to penetrate you roughly, but you still wanted more. he could read the desire on your face, in your eyes.
- what's the matter, pretty girl ? do you want my cock instead ?
you nod eagerly.
- please, i w-want it so bad.
the position you were in meant you couldn't breathe properly, your back arched, your head back as you stared into the big black eyes of the ghost mask.
his thumb pressed your clitoris just right, in a delicious way that brought back that exquisite sensation in your lower belly. but suddenly he withdrew his hand, feeling you suddenly empty, you let out a whine.
but he quickly silenced you by pushing the two fingers inside you into your mouth, his other hand controlling your movements through your jaw and forcing you to take his fingers covered in your juices.
- that's it, taste yourself, take those fingers right down your throat, whispered ghostface.
you felt your taste on his two fingers deposited on your tongue, you closed your mouth to suck greedily on his fingers that he pushed deep into your throat, creating new tears in the corner of your eyes and causing you a gag that seemed to satisfy him.
his fingers were so deep in your throat that your saliva was starting to drip down the corner of your mouth.
His hand that held your jaw withdrew from it, you felt the trace of the fabric of his gloves burn your jaw in the absence of his hand, then just after, you heard the sound of a belt unbuckling just behind you.
claiming only his fingers or his cock inside of you again, you moved your hips back, and felt the brutal material of his jeans, and then, from his underwear, you could especially feel his erection that was right against your ass.
you tried to speak, but with his fingers in your throat and the taste of your wetness on your tongue, those sounds were muffled, but you knew he'd heard you because he pushed his fingers even deeper into your mouth, making you feel a little dizzy.
as he let out a muffled moan against the movement of your hips against him, he in turn thrust against you, feeling your clitoris swell with excitement.
then, a few seconds later, unexpectedly, without any warning from him, you felt his tip right in front of your entrance and quickly, he penetrated you brutally, knocking the wind out of your lungs, causing you to scream due to the impact.
- did i go in too fast ? he laughed, tilting his head to one side, his voice still modified by the modulator.
he started to thrust in and out of you at a pace that made you see stars. his fingers left your throat, and you took a deep breath of air, you were suffocating, and yet his index finger remained between your mouth and your teeth, understanding what he wanted you to do, you bit the material of his glove, allowing him to slide his hand out, removing his glove for him, letting go of the glove in your mouth, you could then observe his hand.
large and covered with veins. You could almost recognize his hand. Your pussy was throbbing and the harsh thrusts didn't help.
suddenly, his hand grabbed the back of your neck and tilted you forward, pushing your chest against the surface where you rested your cheek. it felt so good, you could hear him growling behind you and your whole body wanted to submit to him. his thrusts pushed your belly against the counter, his hips slammed into your buttocks.
for support, he grabbed the ropes he'd tightened around your hands, still holding your neck to make sure you didn't move, you were his to fuck.
you tried to straighten up, but his grip prevented you, so you tried to look over your shoulder, and just seeing him fucking you could make you cum on the spot, his tall figure, the mask, him dominating you.
the erotic sound of his cock thrusting into you filled the room and mingled with your moans and grunts.
- harder, please fuck me harder, you begged, letting your forehead fall back against the counter, eyes closed.
- you want me to fuck you harder ? he said playfully, fine then, i’ll fuck you harder.
he did as you asked, but first by slowing down his thrusts, you then let out some moans as you arched your back, but then he thrust more brutally, deeper into you, all the while being fast. you opened your mouth in pleasure, before going back to biting your lip.
his bare hand grabs your waist and uses it as leverage to thrust into you, leaving you little or no time to adjust as he drives deep into you.
he pulls you back, using his grip on your wrists as your pussy tightens around his cock under his thrusts.
after a few more strokes that made you feel disoriented to the point where it was hard to keep your eyes open. a small noise near you caught your attention, you reopened your eyes breathing hard, and noticed the ghostface mask right next to you, he'd just pulled it off. your eyes widened in astonishment.
- taking it so well, hm whore ? he said in a taunting tone, the modulator was off, god, you feel amazing, he moaned.
and you recognized that voice.
- e-ethan ?
you couldn't see him, but he was smiling and pounding into you, his curly hair falling back on his forehead with a little sweat on his temples.
without you expecting it, his hand on the back of your neck slid down your throat to pull you back to his torso, your hands tied behind your back making the position slightly uncomfortable, but when you let your head fall below his shoulder to look up at him, you forgot the discomfort.
you couldn't believe it, ethan, the shy, dorky guy you were so close to.
- hi baby, surprised ? he smirked devilishly.
- i- you tried to speak, but another of his blows triggered a soft moan.
he laughed again, his eyes never leaving your face, watching as your eyebrows furrowed and your mouth opened in pleasure. he tightened his hand around your neck enough to reduce the air passing through to your lungs, and again he felt you tighten around him.
- look at you, what a little slut. you look so pretty with my hand around your throat.
wanting to look at him, you opened your eyes again, your eyes met and you noticed how dark his gaze was as I'd never seen it before. his hand on your hip began to rub your clit deliciously while he was thrusting in you.
he leaned over and placed his lips against yours to kiss you passionately, not giving you a chance to breathe, you kissed him back without hesitation, which made him smile.
when the kiss ended and you parted, you looked up at him again, his hand still around your neck. you let out at surprised gasp when he forced you to bend over once more, removing his hand from your throat to move it into your hair, which he grabbed to pull you back.
you found yourself in the same position as before, your back curved and your head tilted back. you could see him, but instead of the ghostface mask, you saw ethan's angelic face, who wasn't actually so angelic.
his grip on your hair made you groan, and you'd never have suspected this dominance from mindy's number one suspect.
- open your mouth.
damn.
you opened your mouth as he asked, tongue out, with a doe eyed gaze that made him growl. he leaned closer and spat into your mouth.
- swallow it.
and you did. you swallowed without replying under his eager gaze. you stuck out your tongue to prove it, god, you were sure you looked so dirty like that. his gloveless hand found its way to your cheek, and he patted it before caressing it with a delicacy that contradicted the brutality of his strokes that made you stammer.
- that’s it. you’re being very good baby.
the praise pushed you to give him a fucked up smile. the more time passed, the more you felt that knock in your lower belly. you were close,and ethan could feel it too by the way you tightened around him.
- s-shit, e-ethan, i’m close.
- i know, baby, cum for me.
with his hand pulling your hair tighter so he could get a better view of your face to see you cum, before long, you were cumming and felt your legs trembling under the intensity, and when you came, you let out the prettiest sound without worrying whether your neighbors heard you or not.
he let go of your hair, and both his hands bestially gripped your hips, he was close too, you felt overstimulated but you knew he was going to cum soon so you
let him use you. he muttered "fuck" under his breath, and cummed as he sank deep inside you, stopping his thrusts to stay deep inside you. he tilted his head back, his adam's apple perfectly visible and you didn't have to look at him to know he must be incredibly beautiful like that.
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disneytva · 4 months ago
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Disney Branded Television Greenlits ‘Sofia the First: Royal Magic,’ Sequel To ‘Sofia the First’ Slated For A 2026 Release Date.
Today, Disney Jr. announced a series greenlight for “Sofia the First: Royal Magic” a continuation of “Sofia the First” and remains one of the most successful global preschool franchises for The Walt Disney Company. The spin-off got picked up for development back in November 2022 under the working title ("Royal Prep Academy")
“Sofia the First: Royal Magic” follows Sofia as she attends The Charmswell School for Royal Magic, where princes and princesses from across the EverRealm will continue their royal studies and also learn all types of magic. During her time at Charmswell, Sofia discovers she is the most magical princess in the realm and must learn how to master her powers while making new royal friends. Each episode will contain two 11-minute stories, each with a new original song.  The sequel is created and executive produced by original series creator Craig Gerber. Ariel Winter (“Modern Family”), who voiced the role of Sofia, in the original series, is set to reprise her role. Additional casting will be announced at a later date. Many of the creative team from “Firebuds” are involved in this series, including Krystal Banzon as co-executive producer and story editor, Kris Wimberly as supervising director, and Craig Simpson as producer. The series is produced by Disney Television Animation. The new series is currently in production and is slated for a 2026 premiere on Disney Jr. and Disney+
Gerber added, “I’m incredibly excited for the chance to return to Sofia’s enchanted world and tell the next chapter in her story. At a new school specializing in royal magic, Sofia will learn how to master her magical abilities while discovering the power of friendship and teamwork from her new royal classmates. Over the years, I have heard countless stories of how much the original series meant to young viewers and I’m hoping the new show will delight the next generation of preschoolers.”
Ayo Davis, president, Disney Branded Television and VP of Current and Development at Disney Television Animation said, “Since its debut in 2012, ‘Sofia the First’ captured the hearts and imaginations of preschoolers everywhere for its beloved characters, memorable music, adventurous spirit and meaningful storylines. The enduring charm and appeal of Sofia is undeniable, and we’re excited to continue sharing her journey in ‘Sofia the First: Royal Magic.’”
The “Sofia the First” franchise still holds the record for the Top 3 cable TV telecasts for Girls 2-5 and, lifetime to date, has garnered over 755 million views on Disney Junior YouTube.
Sofia The First: Royal Magic is one of the many projects by Disney Television Animation to introduce the studio's iconic franchises and charactes to a new generation of fans, other projects include "The Proud Family: Louder And Prouder", Disney Junior's "Mickey Mouse Clubhouse 2.0", "Phineas And Ferb" as a revival and a reboot of "Darkwing Duck" by Point Grey Pictures (Nickelodeon Animation Studios "Tales Of The Teenage Mutant Ninja Turtles")
New interations of "TaleSpin" also by Point Grey Pictures (Nickelodeon Animation Studios "Tales Of The Teenage Mutant Ninja Turtles") & "Recess" with the original creators are in very early development at the studio.
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medievalandfantasymelee · 7 months ago
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COME ONE, COME ALL to the MOSTE ILLUSTRIOUS TOURNAMENT of the FINEST, the MOSTE PUISSANT and HOTTEST MEN MEDIEVAL MEDIA HAS TO ITS CREDIT.
Be it known that we shall accept submissions of the hottest men OF THE PEOPLES’ CHOOSING from any live-action* TV or movie media property set between the years AD 500 – 1550 (Tudors WELCOME!!), and any fantasy properties which emulate said period!
KNOW ALSO that we, by the grace of this fine hellsite and with the counsel of the moste honorable and illustrious @hotvintagepoll (many thanks), have made
THESE GUIDELINES here given:
ANY HOT GUY who appears in any movie or TV show released in ANY YEAR, from ANY COUNTRY, shall be deemed eligible for entry. Below are listed examples of eligible properties. If YE BE NOT CERTAIN whether your hot guy is eligible, submit him anyway!
Examples of Eligible Properties: The Lord of the Rings Trilogy (2001-03), Game of Thrones (2011-19) House of the Dragon (2022), Wolf Hall (2015-2024), The Tudors (2007-2010), Ladyhawke (1985), The Princess Bride (1987), The White Queen (2013), Rise of Empires: Ottoman (2020-2022), Vikings (2013-2020), The Last Kingdom (2015-2022), Diriliş: Ertuğrul (2014), A Knight’s Tale (2001), BBC’s Robin Hood (2006-3009), The Last Duel (2021), The Story of Minglan (2018), The Borgias (2013), Robin Hood (1939), Outlaw King (2018), Pilgrimage (2017), Legend (1985), Braveheart (1995), The Green Knight (2021), Excalibur (1981), Beowulf & Grendel (2005), The Lion in Winter (1968), Robin Hood: Men in Tights (1993), The Black Adder (Blackadder Series 1, 1982), Rashomon (1950)
Remember: This is just a list of examples—WOW ME!
These following titles are examples of properties that do not fall within or emulate the stated time period and therefore DO NOT QUALIFY: The Three Musketeers (Any Version), Pirates of the Caribbean (2004), Barbarians (2020), Gladiator (2000), Ben Hur (1959), Shogun (2024), Elizabeth (1999), 300 (2006), Troy (2004), Xena: Warrior Princess (1995-2001), Disney's Robin Hood (1973)**, Yojimbo (1961), Shakespeare in Love (1998), King Arthur (2004)***
For the purposes of this tournament, "Man" and "Guy" are defined as any bi-pedal humanoid male character played by a man. As such, characters belonging to non-human races such as Hobbits, Orcs, Elves, Demons, Fauns, Werewolves etc. ARE admissible, and, indeed, encouraged.
If you have propaganda you forgot to include in your submission, just hold onto it and send it in an ask after the Tournament begins.
You may submit as many hot men as you like but please submit only ONE ENTRANT per submission.
Do not hesitate to submit ANY hot guy you think may qualify, no matter how popular he is. There is no such thing as a shoo-in with these tournaments. If you think "Someone MUST have submitted him already!" Everyone else is probably thinking that too and then he may well NEVER get submitted and we don't want that.
Do not worry about how many submissions your hot guy might have had already--I need to get a sense of who the strongest contenders are in order to fairly seed the draws, and the best way to do that is volume of submissions.
We are voting on the hotness of the characters. While the actors who portray them are of course a major factor in this, we are not voting on the actors themselves, therefore propaganda pertaining to the actors real lives (aside from anecdotes relating to their portrayal of the character) is not admissible.
By that same token, in the case of historical figures (e.g. Henry VIII) we are judging hotness based on the fictionalized portrayals of them in these properties, not on historical fact.
Regarding immortal/time-travelling/dimension-hopping/extremely long-lived characters, regardless of when the character was born, the main action**** of the story must take place within the Medieval Period (see dates listed at the top of this post) or Medieval-esque fantasy fantasy realm in order for them to be eligible for submission. As such, characters like the Pevensie brothers (The Chronicles of Narnia) and Ash Williams (Army of Darkness) are admissible, but Asgardians (the MCU Thor films) are not.
I, as the Administrator and Master of Revels of this tournament, am exercising discretion in the admittance of characters from works by Shakespeare, since many of them have no set date.
Re: characters adapted from books/written works - Book quotes by/ about your character are not admissible as Propaganda for their tv/ movie counterparts unless said quotes were also written into the show/movie.
Book illustrations and fanart are not admissible Propaganda
SUBMISSIONS SHALL REMAIN OPEN UNTIL MIDNIGHT, JULY 1st
The Tourney shall begin at a date yet to be determined with the Melee (Qualifying Rounds), wherein the entrants with the fewest submissions and least propaganda will duke it out in a free for all brawl to determine who will enter the Lists.
SUBMIT YOUR ENTRANTS HERE TODAY!!!
-- Master of Revels
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*The "live-action" qualification does have a caveat: exception may be made for those CGI films which were all the rage in the mid-00's that used the motion-capture and likeness of the actors; for example characters from, Robert Zemeckis's Beowulf (2007) are admissible.
** this one doesn't qualify, not because it isn't the right time period, but because it falls solidly under the "Animated" category.
***Yes, sadly we are deprived of the beautiful countenances of Clive Owen, Mads Mikkelsen, Ioan Gruffudd et al because the producers of this film in their infinite wisdom and in an attempt to seem "more historically accurate" chose to set it during the Roman withdrawal from Britain, which occurred in the 5th Century (About a CENTURY earlier than Authurian tradition) and is generally agreed to have ended by AD 410. It therefore does not fall under the Medieval umbrella and is not eligible for submission.
**** "Main Action" here defined as "More than half an hour of a movie and more than two episodes of a series"
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lxclerc · 1 year ago
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𝐥𝐨𝐧𝐞𝐥𝐲 𝐜𝐚𝐥𝐥 | 𝐜𝐥𝟏𝟔
summary... charles' lonely call breaks your heart further requested... yes! warning... angst pairing... charles leclerc x reader
note... a little drabble requested back in november 2022. i'm so sorry for it being super super super late but if whoever requested it is still here then i hope you enjoy it! feedbacks are very much appreciated and encourages me to write more! extra note... also i'm taking a semester gap year so i will be trying to post more and get through requests so let me know if you want to be added to the tag list!
𝙢𝙖𝙨𝙩𝙚𝙧𝙡𝙞𝙨𝙩
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you’re exhausted, having just got home from a forty eight hour shift. being a surgical resident is absolute hell and you’re not quite sure how you’re managing but somehow you’d manage to drag yourself back home, frowning as you reach for the light switch only to find the wall empty. 
right. you’re in your own apartment, a place you hadn’t really lived at for months. mostly you’d come here when you needed something but more times than not, you go home to his apartment. it had been your home rather than this sad, lonely place void of his laughter. 
you sigh, letting your bag drop to your thrifted couch. you suddenly wished you’d stayed in the hospital on call room instead of here. being back in this place reminds you of all the things you no longer have, of the person you no longer call yours. 
god the self pity is getting tiring and you’re far too tired for another midnight crying session and so after washing the grime off your skin, you’d settled on your sofa with a bag of chips, flipping on the TV to some trashy american series to drown out your loneliness. 
however, as fate would unfortunately have it, you hadn’t even reached the second episode before your phone started ringing, his smiling face displayed on the screen. you’d frozen on your spot. you remember the exact date you’d taken that photo of him and you still had the ringtone you specifically chose for him. 
you’re haunted, your body full of memories and his fingerprints imprinted in your soul. even now, three weeks, two days and twelve hours since he’d called it off, he still haunts. you wanted to let out a bitter laugh as the ringing stopped. who’s counting right?
you refused to be his lonely call. you might be absolutely miserable and pathetic but you respect yourself enough for that. you won’t be his lonely call just because his friends and his girls are gone. you’d been his six am good morning but you will never be his midnight number whenever he starts wondering if he’d made the wrong choice. 
your phone lights up again but you let it ring. if he had more things to say to you then he can say it after the beep. 
he calls more times after that, keeping you awake as you stare at your ringing phone. a few times, you catch yourself reaching for it, reminding yourself that he’d been the one to make this choice. he’d been the one to make excuses about both your schedules being too much. and it was so unfair how he tormented you for it. this entire thing was unfair. you were willing to give everything to charles. you loved him far too much and you’d been under the impression that he felt the same but if he was willing to give you up so easily, did he really love you as much as he claimed he did?
he’d made his bed and now he needed to get used to sleeping on it. 
it was around two am when he finally stopped calling and you’re sure you’ll have a headache come tomorrow morning from staying up too late. you decide to call it a night and end your self inflicted torture, putting your phone on silent as you turned off the TV and chucked your empty bag of chips in the trash. you were just about to turn off the light when the knock came and you knew without checking exactly who it was. 
you sigh, frozen in your tracks as the knocks became more and more insistent. 
“y/n,” his voice is rough, scratchy as though he’d spent the entire night screaming at the top of his lungs and you felt a tear slip down your cheeks. he sounded so broken. maybe as broken as you felt. “s'il te plaît, mon amour.” please, my love.
you stay rooted to your place. this is unfair. this is so fucking unfair. he’d been the one to give up. charles gave you up. how dare he come crawling to you now? 
“Je suis désolé. Je suis désolé. Je pensais que je pourrais apprendre à moins t'aimer. Tu me manques,” he rambles. “i miss you so fucking much i didn’t even think it was possible, baby.” I'm sorry. I'm sorry. I thought I could learn to love you less. I miss you.
a sob rocks your body as you fall to the floor, clutching yourself as though you’re trying to hold yourself together. 
“please, baby,” he begs and you can hear the way he’s crying too. “J'ai besoin de toi.” i need you.
and then you open the door. because you loved him too much. because you could never give up on him. 
taglist: @ricsaigaslec @dragon-of-winterfell @coffeehurricanes @privcherry7 @miniminescapist @sebsdaniel @writing-about-current-obsessions @bisexual-desi @cialovessirlewis @multilovebot @lovelynikol16 @troybolton-14 @dr3lover @myescapefromthislife @sunf1owerr @t-nd-rfoot @navixfr
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nutty1005 · 5 months ago
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Xiao Zhan | The simpler is more complex
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Original Article: https://mp.weixin.qq.com/s/Zkps0vHvP89ZrMWQIUZ3NA Original Author: JIAWEI This article was originally published on 10 August 2024 on ELLE’s Weixin Official Account 世界时装之苑ELLE.
Xiao Zhan believed that truth brings simplicity. But in performance, he is starting to like multi-sided and complex characters more, or rather, this is the true and real state of human existence. At a time when everything is being simplified, to be willing to admit the difference between people, to seek the possibility of communication, to be sensitive and defend complexity, this definitely requires passion, as well as courage.
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Two black curtains reached the top of the studio ridge, neatly separating the shooting area from the surroundings, there was a need to go through a maze of them to enter the small core space. Pure white, plenty of air conditioning, and the camera shutter sound was high-frequency and continuous.
Xiao Zhan wore black clothes and rarely made any unnecessary movements. For a while, the lights broke down and photography was suspended, so he maintained standing in the dark with one foot on the wooden box; when the staff and the photographer were discussing the photographs, adjusting the styling, he stood alone in front of the display screen, and the weak screen light enveloped his body. Very occasionally, he swayed slightly to the background music, his legs lean but muscular.
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#01 I’m afraid of becoming dull
After entering the entertainment industry, these things quickly became part of his daily life – cameras, spotlights, monitors, and barriers. Because of his career and popularity, he had fissioned into countless “Xiao Zhans”, such as giant portraits on the facades of high-end shopping malls, the projections of an astonishing number of fans, or the appearance of characters in successive movies and TV series.
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Currently, in the dressing room after the shooting, Xiao Zhan was carrying his box of whole grain salad, vividly imitating the scene of meeting director Zheng Xiaolong.
“I was a little bit hesitant, so I asked the director if he wanted me to be thinner or stronger? He said, thin, of course thinner, so good looking, sharp.” After a while, Zheng Xiaolong saw him again while taking final costuming photographs, “He said, hey, you’ve done well.” From then till now, he has lost more than five kilograms.
Xiao Zhan, the source of all of this fission, was presentable and relaxed, to him the glamor seen by the outside world was a supplementary value. Sometimes he even forgot about it and said, “No one really cares about you.” Then he continued to talk about his work.
Recently completed was the 5-month filming of “The Legend of Zang Hai” in Hengdian. The previous film, also shot for 5 months, was the film “The Legend of the Condor Heroes: The Great Hero” directed by Tsui Hark. This was often the case for large-scale movies and long-running television dramas, it took four or five months once you joined the group. In 2022, his filming work was mainly “Where Dreams Begin / The Youth Memories” and ��Sunshine By My Side”, in 2021 it was “The Longest Promise”, in 2020 it was “Ace Troops”, in 2019 it was “Douluo Continent” and “The Oath of Love”.
Endless filming appointments. Hence, it was sometimes impossible to decide whether the interval between filming should be lengthened or shortened.
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In the second half of 2019, during the filming of “The Oath of Love”, Xiao Zhan was filming during the day and recording the variety show “Our Song” at night. Both sides were very challenging. The former was his first time playing the male lead in an urban drama, so he had little experience and was under great pressure; the difficulty of the latter lies in the harmonizing, “I had to memorize all the harmonizing that were different from the song’s tone, and not to be led astray. “
“Then, I thought it didn’t matter. I slept for an hour or two and woke up a good man again. But now, while my mind says it doesn’t matter, my body will make some protests.”
This year he was filming in Hengdian. Later, one day, he discovered that his tonsils were inflamed and it was painful to swallow, but he went to work as usual. Until the director came over and asked him, what happened to your eyes? Only then did he see his own swollen eyes in the mirror, held on until the afternoon, “completely like a frog.”
He had to go to the hospital, the symptoms themselves were very common and could be stopped by taking medicine. What can’t be done was exactly what doctors advised the most: you need to rest.
More importantly, “Perception will become dull. I am really afraid of this, afraid of becoming very mechanical and formulaic.” When saying this, the emphasis was on the word “really”. When he chatted with seniors, “They also said that you have to live life, you need to experience life.”
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The fact is that the life in the limelight is somewhat contrary to the life of ordinary people, but the profession of an actor requires him to be in touch with as many folds of life as possible.
A while ago, he watched a one-man show on a variety show, describing the current workplace situation of contemporary young people. Xiao Zhan had opened a studio and worked before entering the entertainment industry. He could understand the gloom caused by going to work, but the new vocabulary and tools that appeared in the workplace made his sense of resonance weaken. He found himself gradually uncoupling to a certain extent.
#02 The flavor of life lies in the details
In early June, Xiao Zhan took a short vacation and returned to his hometown of Chongqing. He loved walking very much, and one night he walked for several hours, visiting old streets, People’s Liberation Monument, and even around the place where he used to work.
In 2014, the 23-year-old Xiao Zhan graduated from university and worked as a designer in a design studio. Every weekday morning, he transferred from Line 2 to Line 3 at Niujiaituo Station, pushing through the crowds and squeezing onto the light rail, and several times he had been squeezed so hard that his face was pressed against the glass windows.
He simply stuck against the glass and looked at the Jialing River below, seeing the strange rocks exposed in the dry season and various people, including winter swimmers, joggers and fishermen, with a rather optimistic spirit.
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He still loved to observe the people around him——
“Why are you still here so late?”
“People walking in a hurry must be people who have just gotten off work and are rushing back, their behavior is just like when I was trying to catch the subway, when it’s the last train and you want to run, in a panic. Some food delivery guys are rush forward undauntedly. There are also some very leisurely people, sitting there drinking beer, then going home and starting a new day.”
“Everyone has an exciting story happening, and it is everyone’s life that makes up our society. So it is wondrous, everyone is the protagonist, we are all filming our own biographies, how will tomorrow’s story develop?”
At that moment, mixed in, he was like all those who have been busy working in a foreign land for a long time and finally had the time to go home, and discovered that “it had been a long time since I came here, and there had been quite a lot of changes.” “Actually, I’m not particularly happy or have any other feelings. I’m living, that’s all.”
Two and a half days later, Xiao Zhan left Chongqing and returned to Beijing due to work, then rushed to Shanghai, and then in turn to France. This time he brought his parents too. This was a long in coming family trip, within a week, they traveled from France to Switzerland and back to France. Every detail of the trip was magnified, they were happy, bickering, or just walking for a while, “it was all very vivid.”
On the day they parted, they had dinner at a restaurant in the south of France, the car to pick him up arrived and he had to leave first. Before leaving, his mother hugged him and told him to take care of himself. In a rare move, his father also hugged him awkwardly.
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The flavor of life lies in the details.
“I used to think that work was everything and life was not that important, it was nothing more than having a place to sleep, then getting up, going to work, finishing work, and resting. But now, when my parents have grown older, and I have not been with them for a long time, you will feel as if each other’s lives, even your family’s, would become further and further apart. “He especially did not want this to happen.
The way to avoid suspension and regain the real sense of life is not difficult. “When you have time, go out and see more. The important thing is to feel life and feel the world. Even if some of the things are bad and cruel, they are all life, and will burst out with energy when you need it.”
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#03 Stay innocent, stay complex
Halfway through the interview, Xiao Zhan suddenly said that he was ambivalent about long interviews. On the one hand, he was worried that he had not grown up enough and would show ignorance in the conversation, but on the other hand, he wanted to explore some subtle feelings through the conversation because he felt that he was not good at using words to record them.
Observation, feeling, understanding and expression are the essentials of why actors can bring creativity.
“Dialogue is also muscle memory.” Xiao Zhan said, “Although I am very introverted, I am not antisocial. Because I think actors need to learn to express, express your inner thoughts, and digest the content conveyed to you by the other party.”
Before the filming of “Sunshine By My Side” started, he met with the main creators and held several script meetings to deepen his understanding of one another and the characters. In the early stages of “The Legend of Zang Hai”, the producer also mentioned that he would discuss the script in detail and talk about a scene with a lot of his own understanding.
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Xiao Zhan is not an actor with a professional background, when he first entered the industry and filmed “Battle Through the Heavens” and “The Wolf”, he had strong doubts and asked himself, am I suitable? The constant negativity and self-refuting made him lose self-confidence.
Sometimes he would be asked what he would be doing now if he had not participated in the talent show, debuted, or entered the entertainment industry at the age of 23. He had thought about it, but did not look back.
If he was not good at acting, then he needed to spend extra time taking acting classes, review more in the monitors, and ask more advice from his seniors. He put his head down stubbornly, and with hard work, he slowly found the knack.
Later the filming of “Where Dreams Being / The Youth Memories” started, Xiao Zhan played Xiao Chunsheng, a young man from the military courtyard in Beijing, who was completely different from him, and even his accent was completely distinct. He felt insecure. Before filming started for many scenes, director Fu Ning would run over and whisper to him, “Don’t be afraid Zhanzhan, just speak bravely, if you feel it, just say it, the audience actually can feel your emotions and what you want to express.” .
He also gradually gained more self-awareness: “Techniques may not be my area of ​​expertise, I rely more on feelings. Only when I feel it myself then I can have the confidence to interpret it. If I rely solely on some techniques, I don’t think it is sufficiently moving.”
It had been 8 years since Xiao Zhan first acted, and his resume included leading male roles in films and television dramas of various themes. But he still felt that he is a newcomer and hopes to cooperate with more experienced production teams if there is an opportunity in the future.
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He would not think too much, he actually did not know his work plan divided by year. He only cared about the work arrangements for the next stage, rather than “asking about things that are too far away.”
“I still feel like a child now, but in fact I am not anymore. It seems like I am still in high school, but in fact I have grown up.” The nature of a child means curiosity, desire to explore, and power of imagination.
He placed the curiosity and desire to explore into his characters, “I mean, for myself, when I dig into the character’s background and past, I explore the complexity and contradiction of the character as a person, and present it. Only in this way can some of his choices and motivations be understood by the audience, and the work may then be good, and only then can you have the audience you have now, right?”
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#(Q&A)
ELLE: During the break, will you think about anything on the set? Xiao Zhan: Of course, I remember that just a few days after filming was completed, I was still dreaming that I was still filming, and the director and I were still discussing how to say that phrase on set? How to handle that scene?
ELLE: Do you actually miss the atmosphere on the set? Xiao Zhan: I like it very much, because I like the feeling of everyone creating together and working together to get something done.
ELLE: When you first entered the entertainment industry and your popularity grew very quickly, you said you felt it was a bit unreal and magical, but now you seem to be quite relaxed. How did this change occur? Xiao Zhan: Rather than being unreal or magical, after so many years, I feel that I hadn’t had time to adapt to such a fast pace at that time, so when I woke up from sleep, I was like where am I today? What am I doing? I think it is a process, just like when you first enter the workplace, you will be very excited, “Work here I come, please take good care of me”, “My highness is here, everyone get out of the way”, “I can do it, I will do it”. (Laughs) But after experiencing a lot of things, you will feel that it seems that everything needs to be considered in the long term.
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White Jumpsuit Gucci 2025 Spring/Summer Men’s Collection Quatre Jean Concept Ring Quatre Cofalit Concept Ring Puissance Quatre Concept Ring All are Boucheron
ELLE: In several interviews, you mentioned that you like to play roles that “can convey energy.” Why do you have such a preference? Xiao Zhan: Because I think this is the life of the character. The kind of energy I’m talking about is not just a single, generally understood positive energy, I’m talking about nourishment that can subtly influence and moisturize. I believe that every character has a complete storyline inside, this is what I like very much, and as long as you dig deep, you can move people. I don’t really like to call the villain a “villain”, as it seems to be a bad character from the beginning, but in fact it is not, he may have his own difficulties.
ELLE: It sounds like “transmitting energy” is just a general term, but is it actually about understanding different people through performance? Xiao Zhan: Yes, if you break it down to each character, what they convey is different. But if you want to talk about “good people” and “bad people”, then I don’t think it’s interesting.
ELLE: So do you think performance is a form of communication? Xiao Zhan: Yes, you can say that, I think it’s great to say that, (performance) is a bridge to communicate with the audience. Just like when a drama is broadcasting, I will read some of the audience’s comments and impressions after watching it, and I feel that they have a very rich feelings about the work. When I see some comments that are exactly the same as my thoughts during the filming, I will feel very amazed, as if the bridge is really connected, we don’t know each other in life and have never communicated with each other, but he suddenly understands my thoughts then, I’ll just feel that, oh, acting is a beautiful and magical thing.
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ELLE: Do you watch some science fiction movies, TV series, and literary works? Xiao Zhan: Yes, I used to like watching “The Three-Body Problem”, I have actually watched some science fiction movies recently, the American drama “Constellation”, and recently I am watching “Dark Matter”, which is about infinite flow and parallel time and space. Because I think maybe there really is a parallel time and space. Every choice you make will split out a different parallel time and space.
ELLE: Then will you imagine Xiao Zhan in parallel time and space? Xiao Zhan: I will really wonder, for example, is he still an actor? Maybe yes, but is he still filming now? Is he still singing now? Or is he also a designer? Is he an employee or is he his own boss? (Laughs) Really, I will.
ELLE: As for the future, what do you think it will be like? Xiao Zhan: Wow, I feel that the world may return to its original nature when the time comes instead, maybe the world will become a better place, and people will return to very essential communication.
ELLE: This is very interesting. Why do you think so? Xiao Zhan: Anyway, at least now I have a little aversion with this kind of ubiquitous Internet, when we were young, there were no mobile phones, everyone just chatted during meals, my friends would all come downstairs to play, hide and seek, and play various games, I feel that that time was very precious instead.
ELLE: Will there still be an actor career by then? Xiao Zhan: I think there will be. I believe that as long as life goes on, drama will continue. Because everyone needs an outlet, emotional resonance and sustenance, be it images or sounds. So I feel that even if the world is destroyed, as long as there are still people, drama will definitely exist.
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grecoromanyaoi · 9 months ago
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helloo since we're on the topic: top historical fiction (or adjacent) ? can be any time period I just really love your taste in shows/games/etc and am always on the lookout for history inspired media !
thank you!!! im rly glad im like. inspiring other ppl to engage w things im insane abt hudofajsdfdassfsad. anyways. i will probably expand that list bc i literally forgot every single thing i ever read. also i havent watched that many movies so far
ancient times: i havent really watched a lot of movies/series set in ancient times so far :(
rome HBO (2005-2007) (tv series) - OF COURSE. i personally think its one of the best series ever made. they combine political, miliatry history with the lives of every day people in an incredible way. they never let you once engage with the series through modern lenses. according to my teacher (a historian, archeologist & self described 'romaphile') its incredibly historically accurate, mostly the clothing, set designs, characterization, military practices, etc. except for the things they straight up made up, of course.
i really enjoyed gladiator (2000), i think its a masterpiece.
prince of egypt (1998) i guess?
all the asterix movies of course, all the animated ones and most of the live actions. but i wouldnt really call it historical fiction
ok i havent actually finished watching it for now but sebastiane (1976) - an erotic, x rated, gay interpretation of the martyrdom of st sebastian. its in latin also.
wait i cant believe i forgor about assassin's creed odyssey - so far the only one ive played. its so fun and incredibly immersive visually. especially pour moi who cries into the pillow about how ill never experience the ancient world. also you can b a faggot which is always fun. i have things to say about their portrayal of same-sex sexuality and slavery in classical greece but i get why they did that considering its supposed to like. appeal to a lot of people, and a more "historically accurate" portrayal (for example of pederasty or how common slavery was etc.) would b v difficult for a lot of their target audience. alas.
medieval and early modern era:
the name of the rose (1986) - my medieval history teacher literally showed us bits of this movie to teach us about monasteries and monks fhdosiasdjasd.
the borgias (2011-2013) - incredibly messy, lots of political intrigue, and so so fun to watch. about the history of the borgia family. filled to the brim with drama.
the three musketeers (1993) - my favorite adaptation, also coincidentally the one i grew up on. casting tim curry as richelieu was genius. he slays so hard.
i also like bbc's the musketeers (2014-2016) - a neat little series. very fun and entertaining to watch.
outlaw king (2018) - like i dont think most ppl heard of this movie. its about robert the bruce's fight to reclaim the throne of scotland. starring chris pine
vikings (2013-2020) - its fun. i havent watched the entire series tho. dont expect anything resembling historical accuracy
the northman (2022) - you will see something resembling historical accuracy
mihai viteazul (michael the brave) (1971) - a fun movie. very much romanian propaganda tho.
1670 (2023-) - such a fun series!!! incredible cast, shows respect to the actual history and the lives of historical people. really cute and funny.
caravaggio (1986) - a biopic about caravaggio.
wait i also forgor about pentiment - an intriguing, immersive, and incredibly beautiful video game! it has a lot of 'the name of the rose' vibes, with it being a medieval murder mystery taking place in a monastery. its incredibly touching and made me cry, and in the last few years i very rarely cry. also im 99% sure its an indie game? go support the creators!
vaguely-medieval/early modern fantasy:
mirror mirror (2012) - a retelling of snow white. a very fun movie imo, with incredible costume design. julia roberts plays the evil queen and she SLAYS. armie hammer is unfortunately in that movie.
stardust (2007) - one of my fave movies growing up. more modern-inspired but still.
the green knight (2021) - controversial i know but i actually loved this movie! i liked it both as a standalone movie but moreso as a 21st century adaptation to sir gawain and the green knight.
galavant (2015-2016) - !!!!!!! one of the most series ever! they manage to tackle such difficult concepts and conversations with a hilarious wit. so fun to watch. i listen to a lot of the songs still, and rewatch every once in a while.
disenchantment (2018-2023) - very fun to watch, especially the first season.
i also really liked the novel uprooted by naomi novik. its a polish-inspired fantasy.
modern era:
killers of the flower moon (2023) - of course. a masterpiece
aferim! (2015) - a romanian movie set in 19th century wallachia, about two officers, a father and son, who were sent by a nobleman to retrieve an escaped enslaved romani man. a lot of the people in the comments were calling the movie humorous and funny, maybe im missing smth (as im watching with subtitles n dont understand the original language) but it was a very difficult watch for me??
the handmaiden (2016) - need i say more
black sails (2014-2017) - a prequel to the famous novel 'treasure island'. not an easy series to watch. incredibly good.
the favourite (2018) - need i say more pt 2
the rabbi's cat (le chat du rabbin) (2011) - animated movie set in early 20th century algeria. a rabbi's cat learns to talk overnight.
the nice guys (2016) - a fun murder mystery set in the 1970s
o brother, where art thou (2000) - a retelling of the odyssey set in the southern us in the 1930s
victor/victoria (1982) - set in early 20th century paris. julie andrews pretends to be a man and takes on a job as a drag queen. extremely fun, extremely gay movie.
lady chatterley's lover (2022) - very much porn for moms but it was a nice watch imo
amulet (2020) - set in like. idk. sometime in the 20th century. this is a horror movie, deals a lot with misogyny, sa, and so on. i really like it, personally. a lot of people, mostly weird men, dont tho.
the great (2020-2023) - i have mixed feelings about this show. on the one hand, its really fun to watch. on the other hand, its basically ofmd for girls who have public mental breakdowns whenever someone claims corsets were oppressive. and theyre so weird about russians, jesus christ.
disses:
domina (2021-) - i just couldnt get into it, esp since i tried right after finishing rome hbo. it was kind of silly, and not in a good way. takes itself wayyyy to seriously.
i didnt like spartacus (2010-2013) - the dialogue was almost grotesque and the editing, especially the transitions, straight up killed me
damsel (2024) - holy fuck what a trainwreck of a movie. absolute waste of angela basset and robin wright. the only good thing were the costumes.
lancelot du lac (1974) - i just didnt like it at all. couldnt get into it. i guess it was way too french and artsy fartsy for me. a movie that was trying to say both too little and too much at the same time.
i didnt rly like bram stoker's dracula (1992) - i mean. it was a fine movie. it was definitely not the godfather. the movie itself was meh. the visuals tho? absolutely stunning
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seoul-bros · 2 months ago
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J-Hope catching up with good friends
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I love this photo of Kentaro Sakaguchi with cute & cuddly J-Hope...
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......exchanging top end gifts at a top end restaurant which looks very similar to the one, where J-Hope gave Jin his send off meal before enlistment in 2022
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He and Kentaro Sakaguchi were last seen together after J-Hope's solo performance at the 2022 MAMA Awards in Japan.
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But they have been friends for a long time. Here they are in July 2018.
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BTS participated in the OST for the TV series Signal with Don't leave me (2018) & also in the OST for the film Signal with Film Out (2021).
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Here they are together when he visited BTS at a fan meet in Japan in April 2018.
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He was also a guest on their Music Blood interview in 2021.
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J-Hope and Kentaro Sakaguchi IG Story
Post Date: 27/10/2024
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retiredkat · 4 months ago
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#1 INTERVIEW WITH THE VAMPIRE
AMC2022–
It was a tough choice choosing between Shōgun and Interview With the Vampire for the top spot, but the decision ultimately came down to the astounding narrative feat the AMC series accomplished in its second season.
Part 2 left New Orleans behind for post-World War II Paris, where Anne Rice’s beloved vampires Louis de Pointe du Lac (Jacob Anderson, who’s long overdue for Emmys recognition for his performance — Season 2 will be eligible next year) and daughter Claudia (the wondrous Delainey Hayles) attempt to make a new life for themselves after their attempted murder of their maker/Louis’ immortal companion, Lestat de Lioncourt (Sam Reid, equally snubbed by awards shows for his Season 1 performance). Season 2 follows the second half of the eponymous Rice novel, which being the gothic, romantic horror story it is, ends in tragedy for this broken family of bloodsuckers but also in catharsis wholly earned after 15 episodes in a storytelling pressure-cooker.
The series at large, but Season 2’s fifth and last two episodes especially are examples of what TV can be when artists are given the carte blanche to create (another thing this and Shōgun have in common). Showrunner Rolin Jones and his team planted narrative seeds in the show’s very first episodes back in 2022 that wouldn’t pay off until these final hours, all culminating in multiple jaw-dropping reveals involving Lestat and Armand (Assad Zaman, one of the casting department’s greatest finds) that were decades in the making in the show and yet still unpredictable. (Season 3, The Vampire Lestat adaptation, is going to be even more uncharted territory.)
Like the Rice novel before it, Interview With the Vampire uses monsters to excavate the depths of human emotion, taking bigger and bolder swings with the source material than the 1994 film dared to do. Love and death, grief and remorse, euphoria and despair are all covered as Louis carries out his “odyssey of recollection” with investigative journalist Daniel Molloy (Eric Bogosian at his best) in 2022 Dubai. At its core, the show is a remarkable exploration of a most basic but confounding human experience that we spend our lives navigating: there are many sides to every story, but no matter how strongly we feel that our version is fact, the one haunting truth is, multiple things can be true at once. Imagine unpacking that for all eternity. — Kelli Boyle
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bakanokiwami · 2 years ago
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TOP 10 CARTOONS ON FANFICTION.NET BASED ON NUMBER OF FANFICTION (1999-2022)
To make this bar chart race, all series titles in the Cartoons Section on November 29 (or the closest date to it) of every year were copy-pasted from Wayback Machine to Google Sheets, rearranged according to number of fanworks, and then inputted to Flourish to turn into a bar chart race.
In 2000-2006, FFN used Miscellaneous Cartoons as a catch-all tag for all cartoons that didn’t have their own category yet. It was then renamed to Misc. Cartoons in 2007 before it was moved to the Misc. section in 2008.
Code Lyoko and Avatar: The Last Airbender were actually miscategorized at first and were found in the Anime section from 2004-2007 (2005-2007 for ATLA). I used their data from that section for those years.
In 1999, fanfiction weren’t divided into sections like Anime/Manga, TV, Books, etc. yet. It was just a small list of mixed fandoms.
Originally, the fanfiction list was sorted alphabetically too, but was changed to number of fics at around early 2013.
By November 2013, FFN started abbreviating numbers above 1,000 to K, so exact numbers aren't available for series with more than 1,000 fanfiction.
This bar chart was made with the assumption that the numbers listed in the Cartoons section are correct. I can't seem to get the same numbers for some of these categories when I go to the specific categories' page and toggle ratings, other filters, and language to All though... I'm not sure where the discrepancy is coming from. (And it’s not the crossover fic numbers that need to be added to serie’s total fics from what I’ve observed.)
Please refer to this post for more bar chart races.
Thanks for understanding and hopefully I didn’t mess up anywhere! 🙏
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summerlinenss · 11 months ago
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out of curiosity, if Max doesn’t release its metrics, then what metrics are you actually using to make these statements about the show’s popularity? what does “it’s currently in the 99.7th percentile of the comedy genre, meaning it’s in higher demand than 99.7% of all comedy series in the u.s.” even mean? How are you measuring what’s “in demand” - by who? Where? It’s bold to claim that this show was wildly popular (despite the fact that I never hear about it outside of tumblr, tho that’s a personal anecdote) but cancelled just for being queer, so I would be really interested to know where you’re getting all these numbers from. Thanks!
hey anon! first of all i am so sorry for the delayed response. i started typing something up and then i got distracted with something else and totally forgot about this in my drafts.
sure, i have no problem citing sources. i probably should’ve linked some in my original post, that’s absolutely fair.
this ended up way longer than i planned so bear with me, but a quick overview of what i’ll be going over:
1) what are the stats/where did they come from?
2) how is the show so popular?
3) was it really cancelled for being queer?
(also just a disclaimer that this will contain spoilers for the show)
1) first, the numbers
you’re right that hbo doesn’t release metrics to the public. in fact, ceo casey bloys tried to justify the cancellation to the hollywood reporter by saying “the numbers weren’t there,” despite refusing to say what exactly those numbers were or where they came from.
however, there are websites dedicated to researching/analyzing the data of different media. one of those is parrot analytics, who focus on industry insights like audience demand, competitive analysis, and content valuations. they’re trusted as a reliable source by forbes, the new york times, reuters, the wall street journal, and more.
this is what we can learn from them about our flag means death from a basic google search (note that all of this data is relevant to the last 30 days as of january 26 2024):
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audience demand for our flag means death is now 33.6x greater than the average tv series in the united states. as explained in the “about demand distribution” section, this means it’s one of only 0.2% of all u.s. shows to fall in the “exceptional” performance range compared to the “average” demand benchmark of 64.1%.
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the change in demand for ofmd in the u.s. has increased by 7.5% compared to the average tv series.
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ofmd now actually ranks at the 99.8th percentile in the comedy genre in the u.s. i’m not a math person, but in basic terms, this is like a scale of measuring and comparing performances to create an average score. essentially, ofmd is performing at the very top of all comedy series in the u.s.
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ofmd has 100% home market travelability. as it says above, the market of origin is always 100%, so in fairness i included the graph of international markets for comparison. some of these aren't super high, however (as explained by parrot analytics themselves) one of the key issues with the international market is accessibility to content, which has been an ongoing struggle for international fans. many people (i guess fittingly) have resorted to pirating ofmd because they don’t have access to max or affiliate streaming services in their country.
there are more stats i could have and wanted to go more in-depth into but it would make this even longer than it already is, so i’ll just leave some links you can check out if you’re interested and move on:
• comparison of ofmd's success to shows like ted lasso, euphoria, and peacemaker
• ofmd's placement as #1 most in-demand breakout series in the u.s. for 8 weeks
• ofmd's impressive 94% critics score and 95% audience score on rotten tomatoes
• how ofmd evolved from sleeper hit to a flagship series at max
• a list of ofmd's past and present award nominations/wins
• praise and recognition from news/entertainment sites: the atlantic (2022); the new york times (2023); tv guide (2023); vulture (2023); forbes (2023); the los angeles times (2022); vanity fair (2023)
2) so why haven’t you (or others) really heard of the show outside of tumblr despite all this success? likely because max did a terrible job marketing it.
ofmd first aired on hbo max (pre-merger before it was “max”) in march 2022. the entire season aired over one month, every thursday at 12am pst. season 2 followed a similar release schedule in october 2023.
season 1’s marketing was almost non-existent, pretty much relying on taika waititi’s name being attached. there was one teaser and one full-length trailer, as well as a few clips on youtube of taika and rhys darby answering pirate-themed trivia, all painting the show as a “silly pirate workplace/buddy comedy.” but hbo max didn’t put any real effort in because they didn’t care. david zaslav and the other higher-ups had no faith in the show and expected it to fail.
most people weren’t aware it was actually a romance due to the poor marketing, and although there were many romantically charged scenes between them, many were still wary to believe it wasn’t queerbaiting until ed & stede confessed their feelings and kissed.
showrunner david jenkins has said in interviews that he had no idea how deeply queerbaiting had hurt audiences and impacted their ability to trust what’s on screen without feeling like they’re being ridiculed, despite the fact that he was calling it a love story the whole time. it wasn’t until people realized they weren’t being queerbaited and that it was a funny, sincere show with a compelling plot that word-of-mouth began to spread. by the time the season 1 finale aired, there was a decent-sized fandom that continued to grow as it received more praise.
it was a fight to even get the show renewed for season 2, and david jenkins and the cast have majorly credited that renewal to the unexpected and massive fan response to the show, which basically forced hbo’s hand.
max didn’t bother trying to properly promote the series until season 2, when they begrudgingly accepted that it was one of their most profitable and successful shows. ofmd had huge billboards in times square, downtown los angeles, and on the side of hbo headquarters. they started accurately marketing the show as not just a workplace comedy at sea, but a heartfelt romcom. max began selling long-demanded merch (which became best sellers) and spent money on an FYC campaign.
i will emphasize, whether they liked it or not, they knew ofmd was their new moneymaker (especially with the recent end of succession, which was obviously a cash cow for hbo).
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photo credit: @/bookishtheo
3) now if it was that successful, was it really cancelled just for being queer?
i mean, i can’t say that definitively. no one can. there are several potential factors at play that we may never know, and there have been a lot of rumours and speculation (many of which i don’t feel comfortable discussing in case they aren’t true) since the cancellation.
but do i believe the fact that it’s a queer romcom was one of those factors, especially since max has a history of cancelling and scrapping its most diverse projects? absolutely.
first and foremost, i can’t stress enough that this isn’t just a show with a few characters thrown in for token representation. ofmd is built on a diverse, intersectional cast and narratives, including:
• lgbtq+ representation: 5 main couples are explicitly queer (including mlm, wlw, nblm, and nblw relationships). multiple characters are implied to be poly, and there’s a polycule forming in season 2 that was hinted to be developed more in season 3. beyond relationships, it’s confirmed that (similarly to the way wwdits depicts all vampires as being pansexual) all of the pirates are somewhere on the queer spectrum.
• bipoc representation: the majority of the main cast are people of colour. this includes david fane, joel fry, leslie jones, samson kayo, vico ortiz, anapela polataivao, madeleine sami, samba schutte, ruibo qian, and taika waititi, as well as many guest actors (like rachel house, simone kessell, and maaka pohatu) and extras.
• disability representation: multiple characters have physical disabilities, most notably amputated/prosthetic limbs and visual impairment. a lot (actually most) of the characters also deal with mental health issues, particularly coping with severe trauma and suicidal ideation/behaviour.
• the show has been praised for addressing difficult and serious themes like toxic masculinity, colonialism, and self-discovery, all while still managing to be a witty comedy and not come across as “preachy.”
• the diversity also extends off-screen, with a team of directors, writers, and additional crew comprised of numerous bipoc, women, queer people, and trans/non-binary people.
my point isn’t just the quantity of representation, but the quality. they take great care and respect into every marginalized group depicted on-screen. the actors would often be consulted about their characters’ costumes, hair, tattoos, and the kind of language they use. it’s not a world where discrimination magically doesn’t exist, they just have zero tolerance for it. if a character does something homophobic or racist, you can guarantee they’ll quickly (and often violently) be punished.
so okay, sure, it’s got great representation. what does that have to do max cancelling it?
because they’ve been interfering with production from the start.
i already mentioned the marketing issues so i won’t get into that. it was also revealed in interviews with david jenkins after season 2 that hbo cut their budget by 40%, which is why they had to do everything they could to save money. this included letting go of some of the original cast (and even still having episodes where some of them don’t appear at all) and moving the entire production to AoNZ. the budget cuts also meant two less episodes, so they had to rush to fit an entire season’s worth of plot into eight half-hour long episodes.
but one of the biggest frustrations is hbo’s (alleged) censorship of the show. samba schutte revealed that the entire plot of episode 2x06 was completely different in the original script. before it was rewritten as “calypso’s birthday,” the episode took place during lucius & pete’s wedding and focused on the crew getting sick of the sexual tension between ed & stede and trying to get them to hook up (this aligned with lucius & pete getting engaged and ed & stede deciding to take things slow in the previous episode).
vico ortiz and writer jes tom have also commented that many scenes between jim, oluwande, and archie establishing them as a polycule were cut, including one of the three of them emerging from a bedroom in their underwear. jes has mentioned other elements of season 2 that had to be cut out or rewritten, like the implication of other poly dynamics between the crew and more sexually explicit scenarios and jokes.
considering that ofmd is an extremely sex-positive show that isn’t afraid to be raunchy or taboo, it’s clear that either higher-ups at hbo forced them to cut these things out or they had no choice but to cut them out due to tight budget/time restraints.
in addition to this, a recent article citing an “anonymous insider” has alleged that hbo was uncomfortable with and was unsure how to market the “shock violence” in the show (the same network that aired game of thrones), which david jenkins outright called out as being bullshit. ofmd is rated TV-MA and the posters and trailers all show the audience that it contains violent content. there is literally nothing more graphic in ofmd than any other pirate show — it’s probably a lot tamer than most of them, actually.
violence on the show is most frequently used in a comedic context, in the sense that it’s not meant to be seen as scary or taken seriously. the few instances of serious graphic imagery on the show are meant to invoke a mood shift, like ed’s transformation into the kraken or ned low’s murder. it should also be noted that some of the most graphic deaths are reserved for bigots, like ed snapping the neck of a colonizer who was ridiculing stede’s love letter.
it’s also most often used in a sexual context — not sexual violence, but violence as a sexual metaphor. more specifically the act of stabbing as a metaphor for penetration, as seen with both ed & stede and anne & mary. bearing all this in mind, it seems like the real issue here isn’t executives struggling to market explicit violence to a mainstream audience, but rather explicit gay content.
as much as we joke and affectionately call it the “gay pirate show,” ofmd has always been nothing more than an opportunity for rainbow capitalism for hbo (e.g. the fact that they waited three months to announce season 2 just so they could do it on the first day of pride month). like other cancelled queer media, ofmd was a way for hbo executives to show how “inclusive” and “accepting” they are when it was convenient (aka profitable) for them, but they never actually respected the show or us as a community.
it’s impossible to be certain of what the exact reasoning for cancellation was, especially when they won’t give us a clear answer themselves. and maybe it had nothing to do with ofmd being a queer romcom at all. maybe that’s all a horrible coincidence. but for hbo/max to axe a critically acclaimed and beautifully inclusive show that’s successful by every metric, with an extremely devoted fanbase, especially after casey bloys just had the nerve to ask “gay twitter” to hype up the gilded age? it doesn’t exactly put them in the best light regardless.
in summary, i’ll leave you with this editorial, which details how the campaign to save ofmd isn’t just about one show, but a fight to save the future of all queer art.
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stvlti · 28 days ago
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"The Penguin (HBO TV series) is deeply misogynistic"
Note: I am writing this review after the 1×08 finale, so beware of spoilers
There was a clickbaity headline floating around earlier about John Turturro, the original actor for Carmine Falcone in The Batman (2022), not wanting to reprise his role in The Penguin (2024) because of the excessive violence against women in the show. But fans who watched the show pointed out that it isn't particularly misogynistic in its portrayal of violence: there's no gore, and the gang violence we see is pretty much equal opportunity genre-typical violence committed against male and female characters alike. What I feel like is misogynistic though is its ending.
Sure, the recurring female characters of the show were well crafted and three dimensional: Sofia Falcone Gigante, in spite of the violence she is shown to have suffered in the psychiatric care / prison system, is a force to be reckoned with for most of the series; Eve Karlo is not simply Oz's regular sexual companion who capitulates to his every whim but a partner in crime to a degree; the mother Francis Cobb, for better or for worse, sculpted Oz into the man he grew up to become with her lovebombing and manipulation.
The issue is that this is a series that follows a villain's rise to power. And while we always knew that Oz was never gonna have a redemption arc, that he was just going to get worse - or rather, the show was going to reveal to viewers more and more of just how deep and limitless his cruelty and cunning goes - the show had us sympathise with all 3 of these female characters only to ultimately sacrifice their autonomy and freedom to bring the storyline to a close with the Penguin on top. Because there's Oz winning and the women around him being taken out of the picture, and then there's Oz winning and the women being chained back down to positions of entrapment that they'd been in for most of their lives after they've tasted freedom. Sofia physically and geographically ends up right back where she is before this saga - incarcerated and institutionalised - but she's already getting the fairer end of the deal. At least she's attained a certain degree of enlightenment after her journey through the criminal underworld and her soul-searching with regards to her place in society and the path she wanted to take.
But Francis? We finally learn in the last 2 episodes that she's a tragic character all along, who was dealt a lose-lose situation with how to raise Oswald after that defining traumatic incident in their family, and she has had to live with the consequences of her choice for decades, secretly hating both herself and her son unbeknownst to Oswald. And just when she finally finds her release in having that confrontation where she lays all her cards on the table with Oz, she is incapacitated by her medical situation and, worse, kept close by Oz's side until the day she dies. She finds no closure, she finds no peace. She has no mouth but she must scream. Francis's ending is straight horror.
And Eve is stuck roleplaying the relationship with his mother that Oz has constructed in his head, knowing that the mother herself is trapped in the other room. This is sickening enough as it is, but this is also after she learns that the man she has found allyship with was the reason her deceased friends and found family never got justice for their brutal murders all along. After she finds solidarity with Sofia, another woman who lost her family to Oz, the show puts Eve right back in Oz's arms because oh, that's right, her material conditions as a sex worker means that she never really had a fair chance to make her choice in a place like Gotham.
But the thing is, out of all 3 women, Eve was the one that could've easily skipped town and escaped Oz's influence in the end. There was no reason for the narrative to bring her back to Oz's side other than to end on a twisted note of irony. This is why The Penguin (2024) is misogynistic. Not because of some imagined amount of physical violence against women portrayed on screen, but because the narrative ultimately punishes its female characters in order to illustrate Oz's villainy - something that we as viewers already understood from all his morally reprehensible actions throughout the series. Even in the finale, we're sufficiently reminded of his villainy in his actions towards Victor Aguilar. There was no need to tack on the last 5 mins and show us the unhappy endings that Francis and Eve are given.
(Another tangential thought I had as well is that those last 5-10 minutes of the finale create a very noticeable tonal shift from your regular tragic crime noir drama to an outright horror ending, which isn't necessarily contradictory to the genre, but it is very sudden and jarring.)
I understand that the showrunner for The Penguin is a woman, Lauren LeFranc. She likely knows exactly how horrifying that ending is to the female, femme, and/or queer contingent of the audience. So the question remains: why?
Edit: I've had multiple people argue with me and say they disagree with my review - in that they don't think the show is misogynistic. Guys, I put the post's opening statement in quotation marks for a reason. I'm not saying that the show is "deeply" misogynistic. I'm quoting the assertion that it's misogynistic and arguing around it. Do I personally think the show is deeply misogynistic? Hell no! I literally listed out the ways the show gave us well rounded and three dimensional female characters. In case you need that spelled out for you: I do NOT think the show is misogynistic/anti-feminist in its entirety. I'm just saying that there's something misogynistic about its ending. Happy to be proven wrong with examples and explanations.
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