#top stories google

[bethanydelleman]

I think I figured out the problem with the Enemies to Lover's trope, it has a bimodal distribution. Let me explain!

Most tropes have a normal distribution:

I hypothesize that with EtoL, there is very little middle ground. This is a bimodal distribution:

You either do EtoL well and join the ranks of the immortals, or you crash and burn. I've discussed previously what makes EtoL work, but there seem to be a lot of traps for writers to fall into when it comes to this trope. For example:

the turn being based too heavily on lust (common JAFF trap)

never fully establishing the enemies phase

insufficient apology on one side (almost always the man's) which makes the other's acceptance unsatisfying

the pair have the communication skills of a newborn baby (ei: the misunderstanding could be fixed with a single sentence)

one side is a real asshole but it's excused because of TRAUMA

growth is ignored in favour of acceptance (can work, usually doesn't)

Relationship is clearly toxic, above and beyond the extenuating circumstances/magical premise (The problem isn't that Edward is a vampire, that's part of the premise. The problem is his disregard for Bella's autonomy)

One side gives in because the other is too obsessed with them

Once Upon a Time flew by having Hook feel meaningful remorse for his past actions (the scene with the Little Mermaid got me so good) and establishing begrudging respect between him and Emma, The Mindy Project crashed and burned by not showing sufficient growth in Danny (does he respect her career now or are they just horny?). Parks and Recreation got it by making the leads both good people who just got on each other's nerves because they had different valid approaches. I think Brooklyn 99 is one of those rare mediocre ones, because the enemy stage isn't fully established but the relationship is still satisfying. The Kdrama Alchemy of Souls got it right by having both main characters display an impressive amount of personal growth, while 100 Days My Prince burned because it relied too heavily on obsession and trauma excusing behaviour.

Pride & Prejudice and Much Ado About Nothing show that the beginning dynamic can be completely different, old antagonists vs. first impressions, but the trope can still work if it's done right. The problem is that it's so often done wrong.

So when it's good, it's SO GOOD, when it's bad, it sucks.

[vinelark]

Hiiiiii!!! First of all, absolutely LOVE bbts! I have lost count of how many times I have reread it at this point. Still go feral over it regularly. I'm at chapter three rn and wanted to ask how Bart figured Tim out. I'm probably just a bit dumb, but I can't figure out what gave him away. Anyways, hope you have a nice week! :)

hello! thank you! and no this is a very fair question considering kon’s pov is (conveniently) distracted when this goes down. i went a bit more in depth here about why bart realizes in this moment but kon doesn’t, but the gist of bart’s realization is that he says “hi, tim” and this loopy, supposedly random civilian immediately says “names,” which is exactly how robin reprimands them every time they use one of their names in the field, and hey come to think of it this random civilian on a roof is kinda robin-shaped—

“Shit, okay,” Bart says, and a moment later he’s crouching next to Tim. “Okay. Okay. Hi, Tim.”

Tim mumbles something while Kon is listening to the whine of sirens down the street, and Bart does something very un-Bart-like, which is freeze for almost a whole second.

[…]

“He said ‘names.’”

“He’s said a few names”—like Kon’s name, and Bruce, which Kon can’t think about right now or he might do something stupid like go hunt down Mr. Wayne and drop him in the middle of Antarctica so Tim never has to apologize for anything ever again—“because he’s high on an extremely fucked-up hallucinogenic. Just focus on keeping him physically secure.”

“No, he literally said—” Bart cuts off, eyes widening. “Oh. Oh. Never mind.”

and then bart realizes that whatever’s going on here kon doesn’t know and bart is like mfjdhdhdASDKFJ 🤐🫡

[beneathsilverstars]

working on my designs for young odile and gf(?), and coming up with clothes is so stressful... i know id5 probably just drew whatever looked cool but i am sitting here like b but how am i supposed to decide what they'd wear if i don't know the socio-political context, fashion is a cultural conversation not to mention a product of supply chains and labor !!!!

[rosykims]

THATS WHAT GOOD ZUGZWANG DOES TO A MF !!

[revasserium]

the unofficial ultimate bungo stray dogs reading list

this is mainly for myself bc i rly do want to read most if not all of these and i'm sure it's already been done by someone somewhere. but, i thought why not post it lmao; most if not all of these can be found on anna's archive, z-library, or project gutenberg! (also, consider buying from your local bookstore!) for those that are a bit harder to find, i've included links, though some are from j-stor and would require login to access.

detective agency:

osamu dazai:

no longer human (novel)

the setting sun (novel)

nakajima atsushi:

the moon over the mountain: stories (short story collection)

light, wind and dreams (short story)

fukuzawa yukichi:

an encouragement of learning (17 volume collections of writings)

all the countries of the world, for children written in verse (textbook)

yosano akiko:

kimi shinitamou koto nakare (poem)

midaregami (poetry collection)

edogawa ranpo:

the boy detectives club (book series)

japanese tales of mystery and imagination (short story collection)

the early cases of akechi kogoro (novel)

kunikida doppo:

river mist and other stories (short story collection)

izumi kyouka:

demon lake (play)

spirits of another sort: the plays of izumi kyoka (play collection)

tanizaki junichirou:

the makioka sisters (novel)

the red roof and other stories (short story collection)

miyazawa kenji:

ame ni mo makezu; be not defeated by the rain (poem)

night on the galactic railroad (novel)

strong in the rain (poetry collection)

port mafia:

mori ougai:

vita sexualis (novel)

the dancing girl (novel)

nakahara chuuya:

poems of nakahara chuya (poetry collection)

akutagawa ryuunosuke:

rashoumon (short story)

the spider's thread (short story)

rashoumon and other stories (short story collection)

ozaki kyouyou:

the gold demon (novel)

higuchi ichiyou:

in the shade of spring leaves (biography and short stories)

hirotsu ryuurou:

falling camellia (novel)

tachihara michizou:

in mourning for the summer (poem)

midwinter momento (poem)

from the country of eight islands: an anthology of japanese poetry (poetry collection)

kajii motojirou:

lemon (short story)

yumeno kyuusaku:

dogra magra (novel)

oda sakunosuke:

flawless/immaculate (short story)

sakaguchi ango:

darakuron (essay)

the guild:

f. scott fitzgerald:

the great gatsby (novel)

the beautiful and the damned (novel)

edgar allen poe:

the raven (poem)

the black cat (short story)

the murders in the rue morgue (short story)

herman melville:

moby dick (novel)

h.p. lovecraft:

the call of cthulhu (short story)

the shadow out of time (novella)

john steinbeck:

the grapes of wrath (novel)

of mice and men (novel)

lucy maud montgomery:

anne of green gables (novel)

the blue castle (novel)

chronicles of avonlea (short story collection)

louisa may alcott:

little women (novel)

the brownie and the princess (short story collection)

margaret mitchell:

gone with the wind (novel)

mark twain:

the adventures of tom sawyer (novel)

adventures of huckleberry finn (novel)

nathaniel hawthorn:

the scarlet letter (novel)

rats in the house of the dead:

fyodor dostoevsky:

crime and punishment (novel)

the brothers karamozov (novel)

notes from the underground (short story collection)

alexander pushkin:

eugene onegin (novel)

a feast in time of plague (play)

ivan goncharov:

the precipice (novel)

oguri mushitarou:

the perfect crime (novel)

decay of the angel:

fukuchi ouchi:

the mirror lion, a spring diversion (kabuki play)

bram stoker:

dracula (novel)

dracula's guest and other weird stories (short story collection)

nikolai gogol:

the overcoat (short story)

dead souls (novel)

hunting dogs: (i must caveat here that the hunting dogs are named after much more comparatively obscure jpn writers/playwrights so i was unable to find a lot of the specific pieces actually mentioned; but i still wanted to include them on the list because well -- it wouldn't be a bsd list without them)

okura teruko:

gasp of the soul (short story; i wasn't able to find an english translation)

devil woman (short story)

jouno saigiku:

priceless tears (kabuki play; no translation but at least we have a summary)

suehiro tetchou:

setchuubai/a political novel: plum blossoms in snow (novel)

division for unusual powers:

taneda santouka:

the santoka: versions by scott watson (poetry collection)

tsujimura mizuki:

lonely castle in the mirror (novel)

yesterday's shadow tag (short story collection; i was unable to find a translation)

order of the clock tower:

agatha christie:

and then there were none (novel)

murder on the orient express (novel)

she is the best selling fiction writer of all time there's too much to list here

mimic:

andre gide:

strait is the gate (novel)

trascendents:

arthur rimbaud:

illuminations (poetry collection)

the drunken boat (poem)

a season in hell (prose poem)

johann von goethe:

faust

the sorrows of young werther

paul verlaine:

clair de lune (poem, yes it did inspire the debussy piece, yes)

poems under saturn (poetry collection)

victor hugo:

the hunchback of notre-dame (novel)

les miserables (novel)

william shakespeare:

romeo and juliet (play)

a midsummer nights' dream (play)

sonnets (poetry collection)

the seven traitors:

jules verne:

around the world in 80 days (novel)

journey to the center of the earth (novel)

twenty thousand leagues under the seas (novel)

other:

natsume souseki:

i am a cat (novel)

kokoro (novel)

botchan (novel)

h.g. wells:

the time machine (novella)

the invisible man (novel)

the war of the worlds (novel)

shibusawa tatsuhiko:

the travels of prince takaoka (novel; unable to find translation)

dr. mary wollstonecraft godwin shelley

frankenstein (novel)

[vnillacone]

Pokémon trainer Virgil for my au 💜 Three down, three to go!

[compacflt]

wip wednesday: boy you really would’ve thought I’d have posted these by now

[prismatic-starstuff]

Now I've been preparing myself for Mr. The Impaler to be many things, so I wasn't surprised when Miyazaki outright referred to him as Marika's son in the Kotaku interview

The part that had me doing a wide-eyed double take was when Miyazaki outright referred to him as a hero

[js337]

yknow, jjk is one of those anime that keeps catching my eye through gifs so i always thought of maybe watching one day. and i was literally just thinking how for as long as it's been airing, i have such little knowledge (as in absolute zero) of the plot that all the gifs and screenshots i've seen have never really spoiled anything, bc i have no idea what's going on in them. i don't even know any of the characters' names

except for one, now, because right as i thought that, i scrolled past a fckn massive "HEY THIS HAPPENED" spoiler on twitter lmao

[brainjuicey]

oh my goddddd early days tom cruise films make me feel something entirely different its something the scientists havent discovered yet

[cogitrot]

I was really excited for a Tomb Colonist ES.

Whelp.

[seahdalune]

good ways to find stories of a niche genre is not to use google, but to look up "(insert character archetype) Of The Day" accounts and scroll

[prosearchgroup]

Navigating Talent: Insights into Finance and Healthcare Recruitment Strategies

Recruitment within the finance and healthcare sectors is a dynamic and multifaceted endeavor, driven by a confluence of industry-specific trends, evolving skill requirements, and broader economic forces. In this section, we delve into the current landscape of recruitment in these critical fields, highlighting the key trends and the most sought-after skills and qualifications.

Current Trends in Finance and Healthcare Recruitment

The recruitment landscape in finance and healthcare is continuously shaped by several pivotal trends. In finance, technological advancements are revolutionizing the way organizations operate and recruit. The rise of ProSearchGroup, into financial systems have created a demand for professionals adept in these cutting-edge areas. Financial institutions are seeking candidates with not only traditional financial acumen but also the technical prowess to navigate and leverage these innovations.

Regulatory changes also play a significant role in shaping recruitment strategies in finance. As governments and regulatory bodies introduce new compliance requirements, there is an increased demand for professionals skilled in risk management, regulatory compliance, and ethical governance. These changes necessitate a workforce that is both adaptable and knowledgeable about the latest regulatory landscapes.

In the healthcare sector, the recruitment trends are equally compelling. The rapid advancements in medical technology, telemedicine, and electronic health records (EHRs) are driving the need for healthcare professionals who are tech-savvy and proficient in these new tools. Additionally, the ongoing global health challenges have highlighted the critical need for specialized healthcare practitioners, from epidemiologists to critical care nurses, underscoring the importance of a robust and responsive recruitment strategy.

Economic factors further influence recruitment in both sectors. Economic fluctuations can lead to varying levels of demand for financial services and healthcare, impacting hiring trends. In times of economic uncertainty, financial institutions might prioritize hiring risk analysts and financial strategists, while healthcare providers might focus on recruiting frontline medical staff to manage increased patient loads.

Skills and Qualifications in Demand

The evolving recruitment landscape has led to a distinct set of skills and qualifications that are highly sought after in finance and healthcare.

In the finance sector, there is a growing emphasis on data analysis and risk management. Professionals who can interpret complex data sets, identify trends, and provide actionable insights are in high demand. Expertise in financial modeling, forecasting, and strategic planning is also crucial as organizations strive to navigate volatile markets and economic conditions.

Moreover, the integration of AI and machine learning into financial operations requires a new breed of finance professionals who are not only proficient in traditional finance but also have a strong foundation in technology. Skills in programming, data science, and cybersecurity are becoming increasingly valuable as financial institutions seek to protect their assets and enhance their technological capabilities.

Healthcare, on the other hand, demands a unique blend of clinical expertise and technological proficiency. With the increasing adoption of telemedicine and digital health platforms, healthcare professionals must be comfortable using these technologies to provide patient care. Additionally, there is a significant demand for specialists in critical care, mental health, and geriatrics, reflecting the changing demographics and health needs of the population.

Interpersonal skills, empathy, and the ability to work under pressure remain paramount in healthcare. The ability to communicate effectively with patients, families, and interdisciplinary teams is essential for delivering high-quality care and ensuring positive patient outcomes.

In summary, navigating the recruitment landscape in finance and healthcare requires a keen understanding of current trends and the ability to identify and attract candidates with the requisite skills and qualifications. By staying abreast of industry developments and aligning recruitment strategies with these evolving demands, organizations can build a workforce capable of driving success in these critical sectors.

[generationa1trauma]

whats up guys i am, as always, doing the most for no good reason

[familyabolisher]

I've walked past the Barbie branded selfie booth, sat through the reel of old commercials that precede the previews, and watched Margot Robbie learn to cry, and I’m still not sure what “doing the thing and subverting the thing,” which Greta Gerwig claimed as the achievement of Barbie in a recent New York Times Magazine profile, could possibly mean. This was the second Gerwig profile the magazine has run. I wrote the first one, in 2017, which in hindsight appears like a warning shot in a publicity campaign that has cemented Gerwig’s reputation as so charming and pure of heart that any choice (we used to call them compromises) she makes is justified, a priori, by her innocence. This is a strange position for an adult to occupy, especially when the two-hour piece of branded content she is currently promoting hinges on a character who discovers that her own innocence is the false product of a fallen world. But—spoiler alert!—the point of Barbie’s “hero’s journey” is less to reconcile Barbie to death than to reconcile the viewer to culture in the age of IP.

“Doing the thing and subverting the thing”: I haven’t finished working out the details, but I think the rough translation would be Getting rich and not feeling feel bad about it. (Or, for the viewer: Having a good time and not feeling bad about it.) One must labor under a rather reduced sense of the word “subvert” to be impressed with poking loving fun at product misfires such as Midge (the pregnant Barbie), Tanner (the dog who poops), and the Ken with the earring, especially given that the value of all these collectors’ items has, presumably, not decreased since the film opened. Barbie may feature a sassy tween sternly informing Robbie’s Stereotypical Barbie that the tiny-waisted top-heavy billion-dollar business she represents has made girls “feel bad” about themselves, but if anyone uttered the word “anorexia,” I missed it. (There was a reason Todd Haynes told the story of Karen Carpenter’s life and death with Barbies, and it wasn’t because an uncanny piece of molded plastic has the magical power to resolve the contradictions of girlhood and global capitalism.) There’s a bit about Robbie going back into a box in the Mattel boardroom, but Barbies aren’t made in an executive suite; they come from factories in China. On the one hand, it’s weird for a film about a real-world commodity to unfold wholly in the realm of ideas and feelings, but then again, that’s pretty much the definition of branding. Mattel doesn’t care if we buy Barbie dolls—they’re happy to put the word “Barbie” on sunglasses and T-shirts, or license clips from the movie for an ad for Google. OK, here’s my review: When Gerwig first visited Mattel HQ in October 2019, the company’s stock was trading at less than twelve dollars a share. Today the price is $21.40. 

Christine Smallwood, Who Was Barbie?

[sunrizef1]

Lost in Japan

Pairing: Oscar Piastri x Reader

Warnings: None, cursing

Authors Note: I was almost done with a max fic and this song overtook my mind until I finished this. Also trust, I will be using bear as a nickname for Oscar in every fic from now on.

Summary: Lost in Japan by Shawn Mendes

Word Count: 5.1k (this was supposed to be short)

Oscar was bored. Lando was off celebrating a successful weekend somewhere out in the city of Shanghai while Oscar was sat alone in his hotel room waiting for the flight McLaren has organized to get him back to England. He hadn’t won. He hadn’t even gotten a podium. So there wasn’t much for him to be exactly thrilled about. So instead, he was just scrolling through his phone, checking various social media apps before he finally landed on Instagram.

He clicked on the first Instagram story at the top of his page, which happened to be Lando’s. He ignored the pictures of him celebrating at some party, tapping through the various shots of him getting more and more inebriated. He was with Max and Charles at the party so Oscar wasn’t too concerned. He clicks through a few more people stories before landing on a specific one that makes him slow down.

Oscar stares at his phone screen, eyes glazing over your Instagram story. He’s clicking through passively, pausing as he gets to one of you at dinner the night before. He lets it play out but quickly clicks back when he notices the Tokyo, Japan tag that you’ve placed near the top of the screen.

As Oscar stares at the picture, trying to take in every detail, he’s struck by an idea. He clicks out of the app, opens up his messages and navigates to your contact, already standing up from his hotel room bed to grab his already packed suitcase.

It didn’t look like he’d be using that plane ticket back to England after all. He clicks the call button under your name, holding the phone between his shoulder and his cheek as he grabs his things, exiting the room after he slides his backpack on.

The phone rings for a bit too long, making Oscar slightly worried that you wouldn’t pick up but it does eventually connect and Oscar is met with the sound of your voice filtering through the phone speaker. The door shuts with a soft click behind the Aussie as he steps into the hallway.

“Hello, Oscar,” you hum through the phone. Oscar can practically hear the smirk on your lips even through the low quality iPhone speaker.

Oscar huffs a laugh at your tone, dragging his suitcase behind him as he walks down the hall, “Hi, y/n.”

"What can I do for you?” you ask and Oscar can hear shuffling from your end of the call. As the words leave your lips, he reaches the elevator, tapping the button on the wall to call it to his floor.

“Do you have plans tonight?” Oscar reaches the point quickly, trapping the phone back between his shoulder and ear as the elevator opens and he steps in, tapping the lobby button.

You pause for a second, proccessing the question and contemplating your answer, “Besides falling asleep in a few hours? Nope.”

Oscar hums, pulling the phone into his hands and typing impatiently into google as you speak. He finds the soonest, and nicest, flight to Japan he could, purchasing the ticket without a second thought.

“Why?”

Oscar freezes for a moment, looking up from the ticket he'd just bought to narrow his eyes at the elevator door, “I saw you're in Japan-”

“Oh, so you're stalking me now?” Oscar rolls his eyes as you laugh through your question, painting the image of your grinning face in the Aussies mind.

“Shut up, no, anyway-,” Oscar sighs, dragging his suitcase out of the elevator as it reaches the lobby, “Im in Shanghai, I thought I'd fly over to see you.”

Your silence on the other end of the line is deafening. Oscar even checks to make sure the call is still connected due to how quiet you were. Taking your lack of response as a bad sign, Oscar starts to ramble, hoping to do a bit of damage control, “Just because I'm only a couple hundred miles away and the race is over and I'm bored. Its just been so long since we were so close, especially during the season and I miss y-”

“When does your flight leave?”

Oscar, who’d frozen on the sidewalk outside the hotel, unfreezes to gesture for a taxi. It was only a five-minute drive to the airport from the place Mclaren had been staying so he hoped this wouldn't take too long. He mutes for a moment to tell the driver to take him to the airport. The driver nods, pulling away from the curb.

“Uhhhh-” Oscar navigates through his phone to check his flight details as he sits back in his seat, “Half an hour?”

“Ooh, you better hurry then,” You hum, a playful tone laced through your words, “Dont want to miss it.”

Oscar laughs happily, just glad to hear you joking along. He does find some reality in your words though, doing the math to see if he even had enough time to make his flight. He was honestly running on hopes and prayers at this point.

“What made you suddenly so inclined to fly to Japan on a random Sunday?” Your voice pulls Oscar out of his thoughts and he pauses, smiling abashedly as the answer comes to his head.

“Just can't get you off my mind.”

Oscar can’t see you. But if he could, he'd see a warm smile carved onto your face due to the warmth his statement had caused.

“I don't know Osc, I'm actually pretty tired. Might just head to bed,” Oscar rolls his eyes as you try and stifle your giggle.

“Do I need to convince you to stay awake, then?”

You huff a laugh, humming in affirmation, “I’d love to hear it.”

“Well,” Oscar starts, racking his mind for some suggestions of what to say to get you to agree to this, “You don't miss me?”

“I never said that,” You reply quickly. Oscar raises an eyebrow, head falling back against the seat as he trys not to groan.

“So you do miss me?”

You hum quietly, the sound almost too low for Oscar to hear it through the phone, “Maybe a little bit.”

The Aussie chuckles, “I thought so.”

“Can you blame me? It's been a while. I miss my favourite koala bear,” Oscar gets the sense that the words were meant to come out teasing but he can't help but notice how genuine they sound. He laughs nonetheless.

He's about to respond when the cab comes to a sudden stop and he looks out the window to see the airport in front of him.

“Shit, I'm here.”

Oscar swings his backpack onto his shoulders, rifling through a pocket to find enough cash to hand to the driver, not really considering an exact amount and, instead, just asking the driver if that was enough. When the driver tries to hand change back, Oscar leans away, grasping the door handle to swing the door open to get out. He grabs his suitcase as well, leaning down to shout back into the car.

“Keep the change, thanks mate!” Oscar shuts the door, dragging his suitcase behind him as the cab drives away.

“Such a gentleman, I take it you're at the airport now?” you tease him, a genuine questioning tilt laced in your words.

Oscar nods before remembering you can't see him, “Yeah, just got out of the car.”

Oscar rushes through the large door, holding it open for an older woman to walk through before he steps in past her. He glances around the room, trying to find airport security so he could get to his gate.

“You gonna make your flight?” you seem to be finding a lot of amusement in his frantic rushing.

Oscar huffs, pinning his phone between his cheek and shoulder to check his watch. He still had about twenty-five minutes to get to his plane.

“Twenty minutes,” he responds, walking quickly down the hall when he spots a sign directing him that way.

“Ooh! Ah, I have faith in you. If you're anywhere near as fast as you are on the track I'm sure you'll be fine.”

Oscars eyes trail over the hall, locking onto the security gates and causing him to walk a little quicker, “You watch the race today?”

You don't respond for a few minutes but when you do, your voice is a lot more calm than it had been a few moments before, “Mhm. You did good Os.”

Oscar lets out a sigh, shaking his head as a grin fights its way into his lips, “Thanks, I'm glad you think so.”

Oscar steps into the security line, grateful for the fact that there are only a few people in front of him. He ignores the weird glance the old lady in front of him sends his way as he rushes to a stop behind her, replying with a tight smile.

“Its not just me, Osc,” you reply, sensing his disdain for the days race through the phone, “Everyone thinks you did well.”

Oscar hums, stepping up a few steps as a couple of people pass through, leaving just the old lady in front of him. As he reaches the bag scanners, he pins his phone on his shoulder again to lift his bag up onto the conveyor belt, tossing his bag down beside it.

“One second,” Oscar responds, muting his phone to drop it into a bowl along with his airpods, sending them through along with his bags.

After he's put all his things on the belt, he steps away, walking through the metal detector when the agent signals for him to go.

It takes a few moments for the agents to check his bags but when they come through he pulls the suitcase off and sets it beside him, turning back to slide his backpack over his shoulders. He slides his AirPods into his hoodie pocket and picks up his phone, unmuting the call before walking away, his suitcase in tow.

“Im back,” Oscar clicks away from the call for a few seconds to check his flight details before putting the phone back to his ear.

“Did I just get sent through a security scanner?” you sound amused and Oscar can practically see your smirk just from the tone of your voice.

“Didnt want to hang up,” he grumbles, searching the signs above him for his gate, walking quickly when he spots it. A clock on the wall indicates that he's still got 15 minutes to get to his flight. He thinks about it for a few moments, quickly realizing that it was 15 minutes until scheduled takeoff and boarding would actually end in five minutes.

“Im honored-”

“Fuck!” Oscar cuts you off, too busy now sprinting down the airport corridor to think about that fact, “Shit! I'm gonna miss it!”

You don't respond for a few seconds but you eventually do, a loud laugh echoing from your throat as you take in his situation.

“Oh my god, are you late for boarding? Osc!” you laugh, the image of the driver sprinting down the hall engrained in your head.

He doesn't reply, the phone now down near his hip as he runs to his gate. The run feels like an hour but, in reality, was only actually a few minutes, the clocks on the walls ticking down as if mocking the Aussies poor planning.

He finds some kind of respite, though, as he finally gets to the gate, slowing down as he steps up to the gate agent. The lady seems surprised to see him run up but she doesn't turn away, instead glancing him up and down with a concerned look before responding.

“Hi! Do you have your ticket?” the woman is surprisingly kind about the question, especially considering she had been preparing to leave as he'd rocked up.

Oscar nods, still trying to catch his breath. He pulls his phone open to navigate to the ticket, facing the QR code forward for the agent to scan. She does so before nodding politely and leading him down the path toward the plane.

Oscar lets out a sight of relief and lifts the phone back up to his face, “I made it.”

Your laugh has calmed down but you snort at his almost war-torn sounding voice, his strife obvious due to his lack of breath, “Congrats, man.”

He gets lead onto the plane, thanking the woman who'd brought him and smiling at the flight attendants as he walks a few steps past them. He finds his seat, dropping his phone onto it to lift his phone and stow it away in the overhead bin. He grabs his phone and sits down, relaxing into the seat after setting his backpack on the ground.

“I’ll be in Japan in a few hours,” He says, running hand over his face, “See you there, yeah?”

You hum, “See you there, bear.”

Oscar ignores the nickname, pretending it didn't make him smile, “Im gonna hang up now, promise you won't be asleep when I land?”

You laugh, “I promise, Oscar. I'll even go get a red bull for some extra energ-”

“Yeah, nope. Goodbye.” Oscar interrupts before you can endorse the rival team.

“Bye koala bear,” you respond and the phone clicks softly as you hang up. Oscar sets the phone down to pull his airpods out of his pocket, connecting them in order to watch some movie for the flight.

The flights only a few hours long but it feels a lot longer than that to Oscar. It's a haze of random Netflix shows and bagged pretzels, the monotony of the flight boring Oscar out of his mind.

He's relieved when the plane touches down, his proximity to the front of the plane allowing him to stand up and grab his things fairly quickly. Its about 9 pm local time, the sky outside not shedding any light through the plane windows.

Oscar walks out into the airport, grateful to be off the cramped plane and finally move his legs again. He stops at one of the few shops still open to buy an overpriced bottle of water, pausing as he spots a bag of those haribo peach rings you like so much. He doesn't think much as he grabs the bag, throwing it onto the counter beside his bottle and offering the cashier a polite smile.

After paying, he grabs the bottle and the bag, grasping them in the same hand as he pulls his suitcase along with the other one.

He strolls through the airport, trying to rid himself of the fatigue from the race and the plane ride. The only thing keeping him from falling asleep was the thought of seeing you again.

Speaking of you, Oscar doesn't realize he has no idea where you were staying or where you were until he's stepped out of the airport doors, standing on the sidewalk with his suitcase sat next to him. He tries to recall if you'd told him anything about your Japan trip or even if he'd seen anything on your story but he comes up empty.

He clicks on your contact, pressing the phone to his ear as the call rings. He frowns as you decline, confused as to why you'd hang up.

He's just about to walk back inside to wait when a car horn honks, causing Oscar to look up in front of him.

His eyes widen as they lock onto an orange Mclaren 570s Coupe, the car shining beautifully under the street lights. As he stands and admires the car ahead of him, the window closest to him rolls down and he sees your head duck down to lock eyes with him.

“You getting in?”

He laughs incredulously, opening the passenger side door and carefully sliding his suitcase into the small storage space behind the seats.

He sets his backpack on the floor below him, flopping back into the sear and sliding his seatbelt on. He sets his water down and tosses the bag of peach rings into your lap, “Nice car.”

“Thanks,” you reply brightly, eyes widening as you observe the bag of candy before moving it into your hoodie pocket, “Thought id go all out with the rental for the few days I'm here.”

Oscar hums, glancing around the nice car, coincidentally a Papaya McLaren. He refused the urge to ask you if you'd been thinking of him when you'd picked the vehicle.

After you make sure his seatbelts on, you pull away from the airport terminal and navigate onto the main road, pressing play on your playlist to let music filter quietly through the speakers.

The car glides smoothly down the streets of Tokyo, bright lights reflecting off the sides of your face. Oscar looks your way, completely aware that your attention was locked on the road, giving him the free pass to admire you.

Your eyes dart around the road in front of you, neon lights reflected in your irises. Your teeth dig at your lower lip, chewing lightly as turn the car. You’ve got one hand on the wheel, the other one moving around between the center console and the fraying edge of your shorts. You're wearing a quadrant hoodie and Oscar can't tell if its his or if you both just owned the same hoodie. The fit didn't help, he knew you bought your hoodies oversized anyway.

You glance over as you come to a stop at a red light, grinning when you see his eyes on you.

“What?” You ask, laughing slightly as you lean back from the wheel, splitting your attention between the road and Oscars face.

Oscar shakes his head with a small smile, his own attention turning out the window as you drive through the green light.

“Have you eaten?”

Oscar shakes his head, “Nah.”

You nod, taking the next turn to pull into a parking lot, stopping the car after you find a spot. You step out and Oscar takes this as his cue to get out as well, shutting the car door gently behind him.

When Oscar gets around the car, he finds you leaning against the edge, your feet crossed as you wait for him. He steps to your side and you push off the car, the familiar beep of it locking ringing out as you walk away.

As you both walk toward the restaurant, you step into Oscar's side and he’s quick to swing an arm over your shoulder. You wrap an arm around his torso, reaching the other up to tangle your fingers with his.

He's only slightly disappointed when you have to drop his hand in order to open the door. But you keep your hand against his ribs and he keeps his arm around your shoulders, not ready to let you go yet.

The second his feet pass the threshold of the building, he's hit with some of the most delicious scents he'd smelled in his life. This late at night there isn't much action apart from a few stragglers who Oscar assumes had just gotten off work and needed a bite to eat.

An older man swings around the corner from the kitchen, faint food stains gracing his otherwise white apron. He has a huge grin on his face and it only increases when he sees you. He pushes his glasses up on his nose, wiping off the steam that had accumulated on the lenses.

“Ah! You're back again!” The man calls out to the pair of you. Although his words do make Oscar assume the man was mostly talking to you, “And you brought your boyfriend!”

You don't correct the man and after seeing the grin on your face, Oscar doesn't either.

“Yeah, he just got in from Shanghai. Haven't had dinner yet.”

“Go, go,” the man smiles, pointing toward the dining room, “Sit where you want, ill get to you in a second.”

The man waves you both toward the tables and you step out of Oscar’s grasp. He doesn't have to be disappointed for long as you wrap your hand in his to lead him through the restaurant, stopping at a booth before sliding in. Oscar slides in the seat opposite of you, his legs knocking against yours under the table.

Quickly, the man, who Oscar now assumes is the owner, comes over to the table, setting down two glasses of water and a pair of menus in front of the both of you.

“You know what you want?” The man grins as he gestures toward you, seemingly familiar to you. Oscar takes a sip of his water, letting the coop liquid run down his throat.

You nod happily, “Yeah, I think so.”

The man pulls out a small notebook to write down whatever you say and you continue by saying a few different dishes, the only one Oscar having had before being sushi. He doesn't say anything, knowing that you knew more about this place and the menu than he did.

After you're done ordering, the man walks away and strolls into the kitchen, handing the order to the woman behind the counter before placing a small kiss on her cheek.

Oscar looks back to you, a small smile on his face after seeing the couple who seemed to be running the restaurant themselves, “You’ve been here before, then?”

You nod, leaning over to take a sip from your glass, “Yeah, came here yesterday for lunch.”

Oscar hums, glancing out of the booth to look around the room. Paintings and neon signs decorate the walls and what seems to be photographs taken in the restaurant all line the wall by the entrance. Oscar can vaguely see that the photos of are different people posing, all with happy looks on their faces. He huffs a breathy laugh when he sees one of you with your friends.

The time spent waiting for your food is filled with casual conversation, Oscar asking a lot of questions about how your Tokyo trip had been so far.

You don't ask about the race. There's some kind of unspoken understanding that Oscar had run to Japan to get away from racing for once. Here, with you, Oscar wasn't Mclaren racing driver, Oscar Piastri, he was just Oscar. Or “Bear”, as you called him. A nickname that you seemed unable to let go of. Oscar pretended to be annoyed every time you said it but he couldn't deny the smile that formed every time he heard the Australia-themed moniker.

“Bear?” There it is. Oscar looks up with a raised eyebrow, deducing that you'd asked a question he hadn't answered.

“I asked if you're staying with me tonight.”

Oscar snorts before smirking, shaking his head as he locks eyes with you, “Yeah, wouldn't dream of being anywhere else.”

You blush, looking down toward the table, past meals having left vague food stains on the wood.

Before you can respond, the man returns, plates and bowls balancing in his hands. You look up politely, smiling as the man starts to place the food on the table, “Thank you so much.”

The man grins as he places down the last plate, “Of course. Enjoy.”

He walks away and you turn toward Oscar who stares vaguely at the food in front of him, “Dig in.”

You make a move for your chopsticks, looking over the food before taking a bite of whatever is immediately in front of you. Oscar glances around, not sure where to start.

Noticing his hesitancy, you pick up a piece of what you'd been eating and bring it up toward his lips, pulling back after Oscar bites into it.

“What is this?” Oscar asks as he chews, covering his mouth as he speaks. Whatever it is, it's pretty good, having a light and slightly sweet flavour. Its also a bit more rubbery than chicken, but its pretty good nonetheless.

You swallow your own bite, having scooped up some rice along with it, “Unagi. Grilled eel.”

The only indication of Oscar's surprise is his widened eyes but after a few seconds, he reaches over to take another bite, humming as he chews on the eel. You smile, moving on to grab some kind of skewer.

You slowly move through the foods, explaining each one to Oscar as he tries them.

They're all good but Oscar's favourite is the yakitori, the skewers of grilled chicken. By the time you've finished the food on the table, Oscar is about ready to pass out.

So you pay as soon as you can, Oscar grumbling about his inability to pay for the meal, lacking the proper currency. He does Venmo you when you put your phone down, though.

The owner makes playful conversation with you, thanking you for coming around and telling you you're welcome back anytime. Oscar just stands with his head on top of yours, trying not to fall asleep.

You're about to leave when the man calls you back and you turn around to see him holding a camera in his hands, “For the wall? Need to remember the happy couple.”

You laugh, glancing around to see the many many photos of various friend groups on the wall behind you, turning back around with a soft look as you nod. You lean into Oscar who wraps an arm around you, tilting his head toward you. You tangle your hand with the one on your shoulder, holding up a peace sign with your other one.

The familiar click of a camera sounds and the man smiles warmly, waving you both out the door, “Have a great time! Thank you for coming!”

You wave goodbye, stepping out of the restaurant and pulling out your keys to unlock the car. Oscar untangles from you to walk to the passenger's side and step in. You drop in as well, setting your phone down in the centre console. Oscar is staring out the window when he feels something drop in his lap and he glances down to see the bag of peach rings he'd bought you.

“Can you open that?” You ask, starting the car and putting it in reverse. You glance over your shoulder as you pull backward, one arm behind Oscars seat and the other on the wheel.

Oscar, at risk of getting caught staring, turns his attention to the candy, ripping the edge and grabbing a few pieces to throw in his mouth.

Once you've got onto the main road, you hold out a hand and Oscar drops a couple pieces which you proceed to eat.

The drive is quiet, the both of you feeling the exhaustion of the day catch up to you. You eventually pull up to the hotel, stopping the car and stepping out. Not before grabbing more candy from Oscar, though.

Oscar leans over to grab his suitcase, stepping out of the car and sliding his backpack on. He grabs his water bottle from the airport, stuffing it into the bottle compartment on the side of the bag. He looks up and starts walking, stepping by your side as you enter the hotel. You stroll through the lobby, leading both of you to the elevator.

As the elevator starts moving up, you both lean against the wall, letting the quiet music be the only sound beside a couple yawns.

The elevator dings as it passes each floor. Oscar watches as you dig your key card out of your pocket, running your fingers along the edge absently.

The doors slide open, leading you to walk out, Oscar in tow. You drift down the hall, humming along to whatever song was playing in your head. Oscar vaguely recognizes it as Taylor Swift.

When you reach your room, you scan your card and push the door open, holding it to let Oscar pass through.

He does, pushing his suitcase next to the far side of the bed. He can hear you setting your things down, the familiar clink of keys on glass ringing out in the otherwise quiet room.

“I’m gonna use the bathroom,” he says lowly, sliding past you and into the attached bathroom. He can hear you hum in affirmation just before he shuts the door.

When he emerges, you're sitting on the edge of the bed, pulling off your shoes before tossing them on the floor. You’ve taken off your hoodie (or Oscars) and its not lain over the chair across the room.

You glance up, smiling as you see the Aussie walk out, “Hi.”

Oscar huffs amusedly, sliding off his own shoes as he walks toward you, “Hi.”

You hum, looking up as he walks closer to you before leaning slightly to angle his face toward yours. You both pause for a few moments, waiting to see who'd break the stand-off first.

It ends up being you, as you pull his face down towards yours, your kiss almost searing. The kiss feels like it lasts a lifetime and Oscar almost wishes it could. He does pull away, though, just to move you away from the edge of the bed, smiling when he hears your laugh ring out after he's practically tossed you onto the mattress.

He moves up as well and before he can even get his bearings, you're pulling him back down again, hands in his hair and your lips on his.

The next morning, Oscars awoken by the sound of your quiet laugh. He rolls over with a tired groan, wrapping his other arm around your torso.

“What are you laughing at?” he grumbles, tiredness clear in his voice.

You turn to face him, looking impossibly beautiful for having just woken up. You hold your phone toward him and Oscar glances down at the screen before looking back up at your face with a questioning glance.

“Lando sent me a video this morning,” you start, closing your phone and tossing it aside to grasp his tired face between your hands, “Its quite funny.”

“What was it?” Oscar mumbles, leaning to press a small kiss on your forehead.

You lean back, looking him in the eyes and seemingly trying to hide your smirk, “It's a video of his teammate sprinting through the Shanghai airport.”

Oscar groans, trying to ignore your warm laugh, “Fuck.”

He's not really mad, not when the video was the source of your happiness right now.

There were a lot worse sights to wake up to than your happy face beside him.

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Tags: @casperlikej @evie-119