#too many individually referenced characters to tag here really!

[gogandmagog]

Guys! Yesterday I had a book-shaped piece of mail, and inside of it was my copy of Children and Childhoods in L.M. Montgomery: Continuing Conversations being returned, from another very dear user here! I bring this up only because some-months-ago I promised to copy out a particular article from this book, for yet another user here, who was interested! Interested because it’s on the the subject of a Fan Favourite thing... fan fiction. And better still because some of our (basically famous) mutuals here are mentioned by name! If you’ve ever wondered if the Montgomery scholarship is reading your fan fiction... the answer is yes, they are! They totally are. More than that, they also have some thoughts to share… as well as recommendations of their faves too! This article even covers the F/F and M/M fan fiction presented by fans in LMM’s universe, and I’m personally super excited to be able to begin reading these works, as soon as I can find them all. I’ve done my best to link what I could immediately find, but some of the mentioned stories were unavailable... potentially due to changes in usernames? (That said... if anyone knows of the works indicated here, that I haven’t provided a link for, please do share!)   This article, by the way, was written recently... in 2020! It’s very current, and it covers a few stories that were still being actively updated during the pandemic. The focus of this article is less so on canon (or really just the Anne/Gilbert pairing), though, and seems to prefer demonstrating the versatility of mixing relationships (Anne and Emily, for one!) and the wider more general universe-building aspects (the entanglements of future generations/Anne’s grandchildren) that fans have been expounding on for nothing less than decades. 

Okay, here we go! xx

Continuing Stories: L.M. Montgomery and Fanfiction in the Digital Era by Balaka Basu

Fanfiction – the recreational (re)writing of texts – is a literary genre of rapidly growing significance. Abigail Derecho in her brief history of fanfiction identifies it as “a genre that has a long history of appealing to women and minorities, minorities, individuals on the cultural margins who used archontic writing as a means to express not only their narrative creativity, but their criticisms of social and political inequities as well.”

Insightfully defined by Francesca Coppa and Mary Ellen Curtin as “speculative fiction about character,” fanfiction can be even more precisely understood as fantasies about the diegetic positioning of characters in the context of various settings, communities, relationships both textual and paratextual, and eventually all manner of cultural mythologies.

Kristina Busse and Karen Hellekson describe the production of fanfiction as “part collaboration and part response to not only the source text, but also the cultural context within and outside the fannish community in which it is produced.”

They point out that the shift in the method of dissemination of fanfiction from newsletters and zines to internet archives means that “ever-younger fans who previously would not have had access to the fannish culture except through their parents can now enter the fan space effortlessly; financial resources have become less of a concern because access to a computer is the only prerequisite; and national boundaries and time zones have ceased to limit fannish interaction.”

The nature of fanfiction allows participants to cross-generational and socio-economic boundaries in an ongoing exchange of responses to a source text with which they share a fascination, developing new texts that in turn elicit their own responses. While the creation of fanfiction is evidence of an affective, loving, communal relationship with the source text, this genre of writing is still dismissed in many quarters as overly emotional, purely erotic, and even perverse, a type of amateur and immature engagement with popular texts that produces writing necessarily divorced from literary significance. Produced in staggeringly vast quantities by subcultures with complex vocabularies and traditions that can intimidate the casual reader, fanfiction is perceived by many to be more of a cultural practice than a literary genre, variously denigrated for its pornographic potential and its lack of originality. However, close examination reveals that fan writers are able to create a critical dialogue with the originating author in acts of communal storytelling that incorporate allusions and reference points to which other dedicated fan readers and writers may respond.

In this chapter, after examining how L.M. Montgomery and her writer heroine Emily themselves engage in practices now associated with fanfiction, I survey four forms of fanfiction that remove Montgomery’s novels from her seemingly idyllic and timeless island settings, contextualizing her characters and plots within history and other genres: the sequel set during the Second World War, the modern AU (alternate universe), the gap-filler, and the slash fic, all of which allow the young readers who grow up with her novels to engage in dialogue with the stories they love, a type of literary conversation that Montgomery herself models within her texts. Emily’s reading, which is active rather than passive, resembles twenty-first-century fans’ ownership of the texts they love, provoking creative responses. For instance, after reading works by Lord Tennyson, Elizabeth Barrett Browning, and Matthew Arnold, Emily writes, “Teddy lent me 3 books of poetry. One of them was Tennyson and I have learned The Bugle Song off by heart so I will always have it. One was Mrs. Browning. She is lovely. I would like to meet her. I suppose I will when I die but that may be a long time away. The other was just one poem called Sohrab and Rustum. After I went to bed I cried over it. Aunt Elizabeth said ‘what are you sniffling about?’ I wasn’t sniffling – I was weeping sore … I couldn’t go to sleep until I had thought out a different end for it – a happy one.”

The reactions Emily catalogues are those of the fan; they are viscerally felt in the body and attempt to dissolve the boundary between author and reader, producer and consumer. She inscribes Tennyson within her heart in order to possess the poem she loves; she creates a relationship between Barrett Browning and herself; and, most significantly, she interjects her own desired happy ending into Arnold’s tragic narrative, a corrective desire that is at the core of many works of fanfiction. Emily’s diaries and her story reflect Montgomery’s own experiences from childhood to adulthood as reader, writer, and reader-turned-writer discussed in the introduction to this volume. Depicting Emily as a voracious reader and a life-writer like herself, Montgomery places the child Emily’s voice in conversation with that of the narrator through Emily’s letters to her dead father in Emily of New Moon and through her diary entries in Emily Climbs and Emily’s Quest, creating a form of joint authorship that is referenced explicitly in “Salad Days,” the second chapter of Emily Climbs: “book is not going to be wholly, or even mainly, made up of extracts from Emily’s diary; but, by way of linking up matters unimportant enough for a chapter in themselves, and yet necessary for a proper understanding of her personality and environment, I am going to include some more of them. Besides, when one has material ready to hand, why not use it?”

The narrator’s willingness to use the “material” that is “ready to hand” reflects Montgomery’s and Emily’s practices, and also validates other writers’ use of the material Montgomery places at their disposal. As with many fans, Emily’s reading frequently makes itself felt within her writing.

Like Montgomery, Emily learns her trade through mimicry, from her first poem in blank verse inspired by James Thomson’s Seasons to her unwitting imitation of Kipling that is pointed out by her teacher, Mr Carpenter, in his review of her work. Like Sara Stanley of The Story Girl, whose compelling and fascinating stories are rarely if ever original, Emily is a fan of the oral traditions of her community, incorporating and building upon them in her own writing, transforming and recreating, for instance, the story of “The Woman Who Spanked the King” in Emily Climbs.

The retelling and versioning that Emily practises signal her immense admiration for the source texts she adapts, just as the creation of fanfiction does for Montgomery’s readership and fans. The possibilities inherent in versioning and adaptation are illustrated in Emily’s Quest. When Montgomery depicts Emily undertaking the reworking of someone else’s narrative, she is adapting an episode from her own experience while working for The Echo in Halifax, which she records in her journal. Montgomery, like Emily, was asked to create an ending for a serialized story, “A Royal Betrothal,” after compositors had misplaced the original text.

Like Emily, she claims that her “knowledge of royal love affairs [was] limited,” and that she was unaccustomed “to write with flippant levity of kings and queens.” Nevertheless, Montgomery manages to create a conclusion that passes muster, since “as yet nobody has guessed where the ‘seam’ comes in.” She is, however, curious about the original author’s reaction to her unauthorized adaptation, and while she never discovers this in real life, she does imagine it in her fiction when she introduces Mark Greaves, who is horrified by Emily’s new ending for the story but enchanted by its author. Neither Montgomery nor Emily engages in this sort of writing from a place of fandom; they have no previous attachment to “A Royal Betrothal,” and both are writing professionally. Nevertheless, the ability to solve the puzzle of the story and the weaving of their work into an already extant text are the very project of fanfiction: ludic narrative composition that recalls the way children play make-believe with the narratives they love, reworking and extending them. It is telling that Montgomery uses the metaphor of the “seam” to describe this particular craft. Jane Dawkins, writing about her fanfiction, which is inspired by Jane Austen, describes her fan novel Letters from Pemberley as “an old-fashioned patchwork quilt, where in place of the scraps of fabric reminding one of the favorite frocks or shirts whence they came, there is a line or a phrase or a sentence from one of [the original] books or letters stitched alongside the lesser scraps of my own manufacture.”

Montgomery’s final book, framed by the two world wars, is just such a patchwork sequel, albeit providing only brief glimpses of the characters that readers met as children and who have now grown older. When a version of the book was published in 1974 as The Road to Yesterday, these glimpses, lacking the interstitial materials, became even briefer, mirroring the more forced insertion of beloved characters that the two earlier collections, Chronicles of Avonlea and Further Chronicles of Avonlea, display. Only two of Anne’s grandchildren – Gilbert Ford and Walter Blythe – are obliquely referred to, in the story “A Commonplace Woman,” where an unpleasant young doctor reflects on both of them as potential rivals for the affection of a beautiful girl he himself hopes to pursue.

However, the full novel, The Blythes Are Quoted, published in 2009 and comprised of short stories about the people in Glen St Mary and over the harbour, is interspersed with poetry by both a young Walter and an adult Anne. The poems are cut with tiny slices of dialogue that suggest the continuing lives of fans’ favourite characters and how they might have developed. In “‘Dragged at Anne’s Chariot Wheels’: L.M. Montgomery and the Sequels to Anne of Green Gables,” Carole Gerson notes the mixture of feelings from pleasure to frustration that Montgomery records in her journals as she prepares to write her first sequel.

While Montgomery wrote the first installments of her various series out of inspiration, she was certainly aware of what her market desired from subsequent installments. She often regretted the necessity of marrying off her characters, but was aware that her fans demanded this conventional outcome for the characters they had come to love; these traditionally romantic endings, when not offered by Montgomery herself at the instigation of her publishers, are regularly deployed by contemporary fanfiction authors building on the source texts.

Indeed, long before the original structure of The Blythes Are Quoted was revealed to readers in Benjamin Lefebvre’s afterword, fanfiction writers were spinning off lengthy narratives that included a third generation of young Blythes, Fords, and Merediths dealing with the onslaught of the Second World War. While earlier installments in the Anne series – such as Anne of Green Gables and Anne’s House of Dreams – depict the deaths of Matthew, Anne and Gilbert’s first daughter (Joyce), and Captain Jim, Walter’s death in Rilla of Ingleside is somehow more striking. Unlike Matthew and Captain Jim, he has not yet had time to grow old; unlike Joyce, readers have had opportunities to get to know him as a child in Rainbow Valley and as he grows into young adulthood in Rilla of Ingleside. His death is unnatural and, therefore, all the more horrifying. These two aspects of Rilla of Ingleside – the evocation of history by a nostalgic fictional world that is still tied to real time and the use of high drama, tragedy, and romance – provide fanfiction authors with a model they can use to appeal to the emotions of those readers who are immersed in the next generation of Montgomery characters.

The Second World War, then, provides an entry point into the series for fanfiction authors, who can deploy real history coupled with beloved characters to create a tale that feels absolutely authentic. One example of this is a short story, “The Pen and the Sword,” written in 2007 by MarnaNightingale. Here, mimicking the style of Dorothy L. Sayers’s The Wimsey Papers (a series of Spectator articles published between 1939 and 1940, which interestingly also continue the story of First World War–era characters during the Second World War), MarnaNightingale employs epistolary excerpts and newspaper articles to tell the story of a family going through the horrors of war for a second time. Grounding her fragmented story – like The Blythes Are Quoted, a mixture of genres – in the accounts of novelist Mollie Panter-Downes (1939) and war correspondents Ernie Pyle (1940) and Ross Munro of the Canadian Press (1941), whose articles are attributed to Kenneth Ford, she offers a story that, like Rilla of Ingleside, is anchored to the historical moment, while also nostalgically focusing on the character development that comes from Gilbert Ford’s death, Rilla’s and Faith’s reactions to the war, and the lives of their children. Here war also serves as an opportunity for new experiences, particularly for women and children: Rilla takes a factory job as a machinist, liking it better than working in Carter Flagg’s store; one of Anne’s grandchildren, Susan, plans to be a doctor; and Faith, who worked as a Voluntary Aid Detachment nurse in the First World War, mentions how she can sympathize. As well, the daily tidbits that flavour the pages of Rilla of Ingleside are there: one article, attributed to Anne, includes the recipe for Susan Baker’s war bread, reminding readers of the problems of wartime rationing, even in the Americas. Real life events – like the Canadian forces trying (and failing) to make a beachhead at Dieppe – arouse the passions of the reader. Unlike Austen – who also famously wrote of three or four families in a country town, but kept the Napoleonic wars firmly in the shadows – Montgomery brings the passions and high drama of the world stage into the sleepy villages of Prince Edward Island, which inspire fanfiction spinoffs.

The long novel Cecilia of Red Apple Farm, by a fan author who posts under the pseudonym ruby gillis, also directly reworks passages and scenes from the whole range of Anne books, set in the late-nineteenth century, to The Blythes Are Quoted, set in the early years of the Second World War, to highlight the similarity between her new generation of characters and their ancestors. Cecilia is the daughter of Una Meredith and Shirley Blythe (characters often married off in fanfiction). Like MarnaNightingale, ruby gillis provides period flavouring in the styles of dresses and behaviour and in references to 1940s popular films and songs. Simultaneously, this setting offers new opportunities to her female character: Cecilia wants to be a doctor, and rather than staying in Canada, she joins up to be a nurse in England. She has a series of romances – one with Sid Gardiner (before he marries May Binnie), and one with her cousin Blythe Meredith, who is this generation’s poet – before finally ending up with Marshall Douglas (the son of Mary Vance). Just as Anne initially refuses Gilbert Blythe in favour of Roy Gardner’s resemblance to her ideal man in Anne of the Island, ruby gillis’s Cecilia is fooled by the allure of Sid and Blythe as Roy Gardner–like romantic heroes into believing that she does not truly love her fun, practical, “Gilbert-esque” friend. Published in 2004, Cecilia of Red Apple Farm further illustrates the opportunities presented by reusing and reworking a body of texts through its incorporation of Montgomery’s poem “I Wish You” as the work of Blythe Meredith. Montgomery includes this poem and attributes it to Anne in The Blythes Are Quoted, although ruby gillis could not have known this when writing. The repetition of names and circumstances might seem derivative, but for readers who have read and reread the original books so many times, the extension of the story world is prized, even if – perhaps even because of – its callbacks to the original text. Due to the tendency of fans to fixate on “the good bits” in a reread, these parts can be taken for the whole.

Austen fanfiction demonstrates this aptly. Indeed, Helen Fielding’s second Bridget Jones novel, Bridget Jones and the Edge of Reason (1999), illustrates just such a reading of Pride and Prejudice: she shows Bridget, a fan, watching the scene from the 1995 mini-series in which Darcy, dripping in a wet see-through shirt, exits the lake, and then rewinding and rewatching the scene multiple times. How many times might a similar fan reread Walter’s letter from Courcelette? This repeated reviewing of selected portions can replace the amplitude of the original novel. With this delimited focus, narrative is no longer seen as a progression, but as a single moment of pleasure, sustained as long as possible. Reading the Second World War as a repetitive sequel to the First World War further highlights this possibility.

Even Montgomery seems to do so, as demonstrated in The Blythes Are Quoted, with its new generation of characters confusingly named after the old: Walter, Jem, Rilla, Di, Anne, and Gilbert. A variation on Marah Gubar’s kinship model, this kind of continuation highlights the blurred boundaries between child and adult characters who are literally related to one another and whose adventures mimic one another.

In a third example of fanfiction set during the Second World War, Weeping May Tarry, a long novel by ElouiseBates, Meggie, the heroine, is Shirley’s daughter (and also, surprisingly, Paul Irving’s granddaughter). In this story, which like Cecilia of Red Apple Farm is an installment of a longer series, Meggie is sent off to a conservatory of music to study singing, aptly combining the traditions of the nostalgic boarding-school novel with “Girl’s Own” wartime fiction. Following the tradition of Magic for Marigold, which explicitly suggests in its second chapter that the Murrays of Blair Water and the Lesleys of Cloud of Spruce exist in the same universe, @e-louise-bates (like many other fanfiction authors, including ruby gillis) suggests that all of Montgomery’s characters exist in a single universe: Meggie partners briefly with the grandson of Sara Stanley (The Story Girl and The Golden Road) and is close friends with Jane Stuart (Jane of Lantern Hill).

Going even further, @e-louise-bates introduces the grandchildren of the What Katy Did series as friends for Meggie and includes Betsy from Dorothy Canfield Fisher’s Understood Betsy as Bruce Meredith’s wife, creating a world where all the characters of early-twentieth-century girls’ fiction seem to have truly lived, where their descendants must cope with victory gardens and dances with soldiers at the Exhibition Grounds, and where kisses are much more commonplace than they once were.

These particular continuers of Montgomery are also desirous of membership in the community of her fans, seeing their literary endeavours as productive of approval from a fellow readership. Likewise, the novels are notable for their sociality – they seem to offer the reader not only a fantasy friendship with the characters themselves but also the very real society of fellow readers of the works. Thus, these fan authors attempt to diversify their stories so that they represent contemporary beliefs regarding multiculturalism; ruby gillis, for instance, introduces into the family by way of marriage a French girl who has had to flee the Nazis due to being Jewish, a situation Montgomery and her contemporaries might have had some difficulty accepting, considering early-twentieth-century attitudes toward interreligious marriage and Montgomery’s othering of the German-Jewish peddler who sells Anne green hair dye.

The Second World War thus offers writers of Montgomery fanfiction the loom on which to weave new, more diverse stories, even as The Blythes Are Quoted, which also traces the characters’ reactions to this new war, demonstrates how these readers-turned-writers followed Montgomery’s own trajectory, not knowing that they were doing so. On the subject of fanfiction, young-adult author Patricia C. Wrede writes: “The thing that fascinates me about fanfiction, though, is the way that it models the decision tree that writers go through (whether consciously or unconsciously) to get to their final product. For those of us who do this part mostly unconsciously, it can be interesting and instructing to see the multitude of alternate paths that a story could have taken, all laid out more-or-less neatly in different authors’ fanfics [… taking a slightly different fork in the road] resulting in the plot veering in a completely new direction. Friends become enemies; enemies become friends; goals and objectives and results shift and change.” Within these pieces of fanfiction, then, fan writers are able to follow these decision trees with subsequent generations of characters as well.

Another avenue of access occurs when fan authors transpose historical narratives into the contemporary moment. Perhaps the best-known example of this modern alternate universe [AU] conversion is the television program Sherlock, which takes Arthur Conan Doyle’s Victorian detective into the twenty-first century. While new cultural contexts appear, the essence of character is meant to be retained. Just as Sherlock uses text messages and blogs to substitute for telegraphs and handwritten journals, fans of Montgomery reimagine the relationships between her characters as if they were taking place online.

For instance, “Work in Progress” (2012) by verity postulates a friendship between Montgomery’s most famous heroines, Anne and Emily. In this piece of fanfiction, Emily circumvents Aunt Elizabeth’s injunction against fiction during her time at Shrewsbury High by becoming a blogger who is restricted to the “truth.” The story’s online summary, a part of which reads “Anne rolls her eyes. ‘Is your aunt really going to know if you cheat on your nonfiction with some hot prose on the side?’” shows how the story preserves the character qualities that Montgomery laid out, complete with references to the Murray pride and Anne’s orphanhood. Mr Carpenter’s admonitions are spelled out at the beginning of the story:

“Emily Byrd Starr has a sticky note on her desktop. It reads:

ITALICS

CAPITALS

!!!!!

“just”

“really”

CTRL+F!

It is almost like having Mr Carpenter in the room with her.”

Verity creates humour through the juxtaposition of contemporary social media and allusions to Montgomery’s source text. Another story by verity detailing Rilla’s romance with Ken Ford and her friendship with Una Meredith, “Rilla of Toronto,” takes place mainly through instant messages. In this story, Rilla reflects on her life from eighteen to twenty-five, tracing a continuum from her child self to her new adulthood, underscored by verity’s translation of Montgomery’s work into contemporary millennial language.

A third type of fanfiction narrative, the gap-filler, focuses on and expands the implications of the source texts. Moira Walley-Beckett’s Netflix/CBC series Anne with an “E,” as Laura Robinson shows in chapter 12 of this volume, is somewhat fanfictional in and of itself: as Robinson points out, the show fills gaps by bringing to the fore the darker currents that have always been beneath the seemingly untroubled waters of Anne of Green Gables, including Anne’s potential post-traumatic stress disorder from the disturbing life she led before coming to Green Gables. This kind of versioning and adaptation tacitly permits fan authors to feel that their versions are just as valid as those produced by professionals. Gap-fillers frequently expand on romantic pairings and in fandom are often referred to by portmanteaux of characters’ names that perpetuate some inside joke or work as puns. “Shirbert” – a moniker for Anne and Gilbert – is the latter, and demonstrates how fans posting on sites like Archive of Our Own (Ao3), Fanfiction.net, and Wattpad (this last generally populated by younger fans) develop their own language to identify their stories within the community for which they write.

One such story, “You caught me staring, but I caught you staring back,” by Anuka, clearly inspired more by the television series than the novels, begins with an author’s note that reads, “I decided to write some fluff for these two, because I need more Shirbert moments, and season 2 is so far away. I added gifs to make it more vivid.” Here, the romance between Anne and Gilbert as depicted by Montgomery and Walley-Beckett is not sufficient for the reader-turned-writer. Anuka wants the gaps in the narrative to be more fully explored than they are on either page or screen and to be made more “vivid” by the inclusion of images that help make the story come alive.

Similarly, “Rilla Blythe’s Wedding: A Not Entirely Comprehensive Account” by Scylla also fills a gap: Rilla and Ken’s wedding day, a scene that Montgomery leaves to the reader’s imagination at the end of Rilla of Ingleside. Modelled upon other accounts of weddings within Montgomery’s fiction, the story also suggests that accounts of Walter’s death have been gravely exaggerated, as he makes a stunning appearance at his sister’s wedding. In order to align her work with Montgomery’s novel, Scylla ensures that Little Dog Monday’s awareness of Walter’s death remains, but makes it only a technicality, writing, “His heart had stopped for a full ten seconds – long enough for his Captain to feel for his empty pulse and for Dog Monday to be jolted with the fullness of his death. Little dogs, after all, can only have tender dogs’ hearts. Grief to Dog Monday was an all-consuming thing, and when Walter’s heart began to beat once more, he was deaf to its spark of joy.” After meeting with his eldest sister, Joyce, in heaven – which is, as he had always hoped, Rainbow Valley, Walter is returned to life so that he may write of peace as well as war (as he did when he was a boy), marry Una, and repair the broken hearts of readers who did not want to lose him.

While heterosexual pairings are the most prevalent in Montgomery fandom, there is room for queer imaginings as well.

This very popular genre of fanfiction, known as “slash,” is generally defined as stories that centre on samesex romances between characters, particularly between men. Montgomery slash fiction usually stars Walter Blythe.

One slash story, “but i don’t know who you are” by @freyafrida, imagines a bisexual Walter. Told in an enduringly popular sub-genre of fanfiction often referred to as Five Things Plus One (which involves a series of thematically linked but not necessarily chronological scenes), the story is summarized by @freyafrida as “Five people Walter thought he wanted, and one person he didn’t notice until it was too late.”

This last person is original to Montgomery’s text: Una, whose apparently unreturned attraction to Walter is woven through Rilla of Ingleside. The other five potential partners are all alluded to as Walter’s close friends, beginning in childhood with Alice Parker from Anne of Ingleside and Pat Brewster from The Blythes Are Quoted and then carrying on through adolescence and young adulthood with Faith Meredith, Ken Ford, and finally Paul Irving from Anne of Avonlea. While his feelings for Faith and Ken are clearly unrequited, Alice, Pat, and Paul all express their own desire for Walter. The inclusion of the famous poet and Walter’s “model” uncle, Paul Irving, in particular, particular, illustrates how traits of sensitivity and aesthetic appreciation that challenge traditional ideas about masculinity are frequently interpreted as queer by fan readers and writers.

In another slash fiction, cero_ate’s “The Moving Finger Writes, and Having Writ Moves On,” Walter discovers his homosexuality while fighting in Europe:

He wrote half truths and lies once more, when he wrote his Rilla that he could not form poems of the depths of the war. For who could write his sister of the phallic love he had found? He had found his reason in a tow-headed American boy. He meant so much more to Walter than mere friendship could explain. He wanted to write, as sweethearts write, of the tempest of joy in the darkest night. But how would they understand? How would they even try to understand he sought not the Dark Lady of Shakespeare but the youth, fair and Wilde? When he was presented with Una’s faithful heart, he spurned it. When his tow-headed darling presented his own, Walter took it, greedy for him. His grecian style love, the boy who’s [sic] eyes danced, even in the darkest of days. He would do anything to keep him safe. But he could not present him to his family, for their scorn or pity. War had broken him, but made him as well.

While male/male pairings are generally the most popular stories in fandoms, Montgomery’s novels, peopled as they are by communities of girls and women, require that readers who want to queer the text must explore what is called femslash (that is, slash fiction featuring two female characters).

Such relationships have been explored within the academic setting. For instance, Laura Robinson remarks in “Bosom Friends: Lesbian Desire and the Anne Books,” that the relationship between Anne and Diana uses “the language that readers associate with adult romantic love rather than girlhood affections,” even as it is expressed through the heterosexual paradigm of marriage.

One fanfiction author, ArcticLava21, makes it clear that such fan written stories are not speculation but instead address key issues of representation. The author’s note to ArcticLava21’s short Anne/Diana story, “Nature,” reads, “Hello everybody! Hope your [sic] having a wonderful day. Before anyone yells at me for ‘sexualizing platonic friendships’ please note that this is for all those queer kids who grew up pretending. Pretending that he ended up with him instead of her, or desperately wanted representation. Are we good? <3 Enjoy yourselves lovely people.” The intended audience of the story, “queer kids who grew up,” again establishes the transgenerational kinship between Montgomery’s child and adult fans.

All fan fiction, shared on the Internet, exist in dialogue not just with Montgomery’s fiction but with the author herself, and between the fans who read the novels as children and adolescents and the adults that these readers become.

Whether fan writers extend the narrative or fill gaps, transpose chronology or to queer the text, these pieces of fanfiction allow fans not only to insert themselves into the narrative, but also simultaneously to revivify the original novels, published a century ago. In performing interventions to the text, Montgomery’s young fans grow up to reply to the discussions that she began long ago in the pages of her journals and stories, ensuring that all three – author, reader, and text – are continually reborn into a conversation that will never end.

[factual-fantasy]

23 asks! Thank you!! :}} 🎀

what

Originally I added the bandages to mirror my real hands being covered in Band-Aids when I made my sona. :0 (It was due to cat scratches and dry skin don't worry-)

Now they represent my "artist hands".... and my still really dry skin XDD

Oh yeah absolutely. His crab arm is so heavy that if he falls into the water he'll sink 😬 he cant move it fast enough to help him swim to the surface.. good thing Blue Beauty is always nearby! <XD

It also takes a lot of energy to move and he deals with sore back/shoulder muscles a lot. The way the crab arm formed, its like all the muscles in his back are used to lift and operate it. When he walks around he kind'a uses it as a crutch or a third leg. His legs each take a step and then his crab arm lifts forward and clunks on the ground.

"tap tap.. CLUNK. tap tap.. CLUNK."

Despite all this though, Louis still really likes his new arm and isn't bothered much by all the hardships it brings :)

@neo-metalscottic

Thank you so much!!! :DD I'm hoping I get over this soon 🥺

As for Grim's eyes, I mention that coloring mistake in the tags of this post. It was simply a matter of me misremembering what Gengar looks like :// But I'm thinking I'll keep his white eyes anyways. He looks a lot more friendly that way :}}

THEY HAVE SPARKS?? THEY'RE INDIVIDUALS?? I thought they were just mindless clones! Man.. That makes things in the show even darker-- <XDD

And ohhh, yeah I can see it. I wonder why they decided to add him of all characters? He does have cool shades tho XDD

@holly-opal

Yeah, that's the idea. <:/ I have yet to plan out how she died tho-

@glitchhayden418

There she is!! :DD She looks great!! :}}

And thank you, I'm hoping I get well soon too 🙂💔

She never has to stop! I've decided that my characters can eat as much as they want, whenever they want, however they want, and suffer absolutely no consequences what so ever.

Cici just seems to be taking advantage of this ability more than the others <XDD

@artblock200322022

:DD Thank you!! I'm so glad you like my interpretation of the Octonauts! :}}

@possibly-astraeus

Oof. Always disappointing to hear people finding me through stolen artwork..

But yeah, you're at the source now! :} Just remember, if you find my artwork anywhere else other than here? Its stolen ://

@shallow-isles

I simply misremembered what Gengar looks like and colored his eyes wrong :/// (I talk about it in the tags of this post) But I think I'll keep them white. He just looks so friendly and soft with white eyes.. 🥺

As for Sylveon, I like to think that tying his ribbons around others like that is his way of giving them a hug :}} Since Grim is so r o u n d, there's not many places the ribbons can comfortably tie and not be in Grim's way. His ears are the perfect spot! :}

@tallchest13-blog

THANK YOU! :D WOULD YOU BE UPSET IF I GAVE THIS TEA TO CICI THO? SHE REALLY WANTS TO TRY IT :((

@aishutoon

Ohh! They look so round and cozy!! :333

@yourstrulylightstar283 (Referencing this post)

Thank you! :}}}

@circadiananomaly (24k post in question)

Thank you! I'm hoping this is all over soon as well. :'(((

@candyglumboy

Like, my Pokémon Violet team? :0 There will not be any new members no.. you can only have 6 Pokémon in your party at a time!

...Then again there's Patty.. the Hoppip that Anastasia replaced.. I miss her.. 🥺💔💔💔

I hope I feel good too.. 😔😔😔

@graminos

:DD Thank you! I'm glad you like them!! :}}}}

(Post in question)

Me reading this ask ksjnakjn 🥺🥺💞💞💞 that was all basically on point!! :DDD

@youlikwjazz004

I'm afraid I have absolutely no idea how to explain that :'(( 💔💔

The very best I can explain my art process is; "I just.. draw it. And if it doesn't feel right, I just draw it differently until it does feel right." Its all down to muscle memory and drawing what "feels" right. I don't think I'm able to explain that-- 😭😭😭 I'm very sorry! <:'(((

@askladyinwhiteandfam

Woah! What a critter! :00 ✨✨It looks great! :DD

@square-the-cyan-idiot542

WAAAHGG THANK YIU!!!- Oh crap you ok tho--

@littlelightfish (Post in question)

:DD Thank you! I'm so glad you like him!! :}}}

@beryl-shade

He'd be amazed! :00

[crestfallercanyon]

20 Questions for Fic Writers! Thank you so much for the tag, @incorrectcoldflashblog !! I'm excited to jump in (and have definitely answered too long windedly, haha, whoops)

How many works do you have on AO3? sixty-six!

What’s your total A03 word count? I was going to guess like over 100,000, which I guess I was technically correct because it’s 717,161!

What fandoms do you write for? A bunch! On this profile I’ve written for The Flash/Legends of Tomorrow, The Maze Runner, Bandersnatch (Black Mirror), Teen Wolf, Inception, and recently have gotten very into Shameless!

What are your top five fics by kudos? All coldflash (pretty sure it’s the most active fandom I’ve ever written for at a more active time, so, makes sense): a) Lullabies for Little Criminals (719 kudos) b) distract me from my last disaster (600) c) Something Out of Nothing (557) d) getting back to fine (512) e) Didn’t Change a Thing (424)

Do you respond to comments? Why or why not? I try to, and for the longest time I kept up with it. Then I got overwhelmed with a bunch of stuff around late 2021 and into 2022 and stopped. Now i’ve started again, but there’s still a huge backlog that I haven’t gotten to. Please know that I appreciate you if you’ve commented!

What’s the fic you wrote with the angstiest ending? I’ve written so many angsty fics, I don’t think I could name a single one, so here are my major fandoms (5+ fics) breakdown: a) This Time of Doubt (The Flash, coldflash) Len knows there’s something wrong with this timeline, and if he has to go through Barry to prove it, he will. (TW: Implied/Referenced Character Death) b) Red Lights, They Blink Your Name (The Maze Runner, minally) Gally’s going to follow that signal, even if it leads him into the dark. c) it’d be better if you flayed me alive (Shameless (US), gallavich) Mickey can't believe he agreed to let Ian shave his face before his fuckin' court hearing.

What’s the fic you wrote with the happiest ending? a) Conflicts of Interest (The Maze Runner, thomally) My maze runner criminal law lawyers slow burn au. b) What’s Mine is Yours (The Flash, coldflash) Barry and Len move in together. c) Nocturne, Murmures Milkovich Turns out, Ian still has things to learn about his husband.

Do you get hate on your fic? Only once, and I actually deleted that fic in its entirety. It was the first longfic coldflash I ever posted, and it rattled me pretty good. It was quite nasty. Since then, never again! (and I wouldn’t delete it this time around, I don’t think, but it was a multi chap and I was so stunned by the comment I just never wanted to continue writing it, so).

Do you write smut? I have tried, but I'm not the most confident in it. I’ve got Scheherazade in coldflash fandom, and then two thomally fics: Corpus Delecti (which is a fic you won’t see unless you’re logged in) and then he goes down easy for me.

Do you write crossovers? I do not.

Have you ever had a fic stolen? Not to my knowledge.

Have you ever had a fic translated? Not to my knowledge.

Have you ever co-written a fic? Not yet!

What‘s your all-time favourite ship? I genuinely don’t know how to answer this question. I don’t really have one. To be perfectly honest, if someone writes it in a way that’s compelling, I’ll probably enjoy it.

What’s the WIP you want to finish but doubt you ever will? Probably Stranger Than Your Sympathy. I’m sorry, I want to, but there’s just some foundational things that I would change (mainly Newt’s characterization, I actually prefer how I characterize him now)

What’s your writing strengths? I like to think I'm good with characterization and like... individual internal narration. The whole reason I write fanfiction is because I love exploring characters' heads and their dynamics and their world (or how they interact with aus). So, I like to think that what I write is true to character and makes impactful scenes.

What’s your writing weaknesses? I get easily inspired, so I have left some fics behind (I am so sorry Aphelion and Shiva, I will come back for youuuuu); and then I have worked hard on it, but I occasionally get very long winded and have a hard time killing darlings for the sake of pacing.

Thoughts on writing dialogue in another language for a fic? I’d love to be able to write in multiple languages, but I’m only fluent in English. At most, I could maybe write in Spanish, but I still would be worried about it being accurate.

First fandom you wrote for? Um, before I really knew what fandom was or anything like that, I wrote Naruto fanfic The first fandom I wrote for knowingly and participated in was Fire Emblem Three Houses.

Favourite fic you’ve ever written? Ufda, this is such a hard question. I’m again going to break it down into fandoms — a) Something Out of Nothing (The Flash, coldflash) b) Thou Shalt Not (The Maze Runner, thomally)(tbh this one changes all the time, ask me tomorrow it will probably be something different). c) I think it is all these things I have left to say to you Now it's my turn to tag! I'm very excited to do so, so here we go (and of course, no pressure!)! @blue-summers , @its-tea-time-darling , @itsthemxze , @sampharos , @callivich , @michellemisfit , @pathsofoak , @mmmichyyy , @go-catch-a-chickn , @sophiainspace , @sproutwings , @iasconsumesmedia

ALSO if anyone else would like to do this, go ahead!

[peachy-panic]

Only Temporary: Sebastian Tate

Hello. I was completely blown away by the positive response I got on the first piece of Jaime’s story (title under construction). Thank you to everyone who had a kind word to say about it! You made me really happy I made the mildly frightening choice to post.

In the interest of acclimating to the no-rules, freedom-to-post-out-of-order structure of this community, I wanted to introduce a new piece of the puzzle this time, with a new character that will come into play later.

Also, this piece goes into a little bit of the details, but for frame of reference on the BBU-adjacent thing: this story takes place in a not-so-distant future of the BBU, where WRU has undergone some changes. I look forward to exploring this world building more as I go.

Anyway, I’m rambling again. Thanks for reading. Here it is:

WARNINGS: General BBU warnings, talk of institutionalized slavery, classism, and general terribleness of large corporations. Referenced past homophobia and rough parental relationships, briefly implied/referenced non-con.

When Sebastian reflects on the day he graduated from med school, a sort of emptiness is the memory that first bobs to the surface. Among the cheers and camera flashes in the crowd, white coats and proud smiles, what Sebastian recalls most vividly from that day is looking out into the sea of parents and families and people there to support their loved ones on one of the biggest days of their lives, and not seeing a single person that had come for him.

What should have been one of the happiest moments of his life had been quickly overshadowed by the sinking feeling that none of it mattered as much as it would have if he had someone to share it with. Like there was something so fundamentally wrong with his life, that even something as objectively good and right and decent as becoming a doctor could be dulled over into a feeling of nothingness.

Perhaps, he thinks in hindsight, that moment had been foreshadowing for the following months ahead of him.

Watching rejection after rejection pour in from his top residency programs had felt like nothing short of his own personalized nightmare. He had spent several nights in a row on the phone with Alex, his undergrad roommate and only friend, clamoring back from the edge of many a panic attack, spiraling into all-out existential dread about the future and the past and what all of it meant for him if he couldn’t land an internship, let alone a real job out of school. To his credit, Alex never gave up hope in his friend. Or at least, he did a decent job hiding it if he did. Which was probably exactly what Sebastian needed to get through that particularly dark time in his life, and a good reminder of what a solid friend he had. Even if it was a party of two.

Unfortunately, Sebastian did not have the same faith in himself.

He was able to keep up some facade of optimism as his top five were picked off one by one. Telling himself, despite his devastation, that they were a pretty far reach, anyway. Even with good academic standing, it was famously no walk in the park to land yourself at John Hopkins or Mayo as a first-year. He even maintained a brave face as his first few safety programs reached capacity and moved forward without his name on the roster.

It wasn’t until he received his final rejection letter from some internal medicine place in Bumfuck, Idaho that he felt himself slip into dangerous territory. Sebastian knew himself well enough to know his own depressive patterns by then, and he knew it was only exponential decay from there.

Rock bottom came, as it did, in the wee hours of the night, after a full bottle of wine. Alone in his small apartment, surrounded by half-packed boxes with no destination, Sebastian found himself sprawled out on the floor with his laptop hot against his thighs. He couldn’t have explained why he opted for a privacy browser, but something about it allowed him to justify the words that he typed into the search bar.

It was a new low, and one he had sworn to himself he would never stoop to. Yet there he was.

He gave himself a moment to reconsider, to back out of what was undoubtedly a morally-gray train wreck waiting to happen as his thumb hovered over the enter key. And then the alcohol decided to override his moral compass.

Facility Care is the open secret of the medical profession. It comes with its fair share of stigma, and rightfully so, but it is notoriously easy to break into and pays a decent wage.

There are two types of people who end up stooping to that kind of employment. More often than not, it consists of doctors and nurses who had their licenses revoked or suspended somewhere along the line and needed a way back in. As far as Sebastian understood, they aren’t terribly ridgid about the particulars of each circumstance. After all, in the eyes of the law, the patients they would be treating are a price tag away from being entirely expendable.

The other percentage of Facility Care workers, and the reason Sebastian found himself staring at his too-bright computer screen with a sinking feeling of dread that night, are young medical graduates who find themselves in a tough spot. It isn’t difficult to spell out the logic behind that one when you open the WRU CAREERS tab on the home page and see the bright white words printed across the top of the screen:

LOAN FORGIVENESS.

It is shamelessly predatory and aggressively capitalistic, but Sebastian supposes that particular exploitation is pretty far down on the list of transgressions for an institution of legalized slavery. A few broke and hopeless medical students were hardly going to keep the Powers That Be up at night when they were able to rest easy under the weight of hundreds of thousands of stolen lives.

The whole thing is part of the massive PR overhaul the company did a few years back. In a world that was slowly inching toward civil activism and with the accessibility of platforms like social media to hold them accountable, WRU had to adapt to survive. Adaptation, in this case, took the form of changing the barest of minimums in order to keep themselves above board — to the public eye, anyway. Anyone who dares to take a closer look at the policy changes can see that it’s bullshit.

Changing ownership conditions to a rent-by-contract basis isn’t the humanitarian move they try to paint it as. In the end, it probably just equals out to more money in the company’s pocket when they can get more return on their “investments,” and a larger chance of exploitation for the people being moved around.

Getting rid of the Romantic division is an entirely meaningless gesture when they are still loaning out human beings with no legal rights and the inability to say “no.”

And offering an open job market with good wages and healthcare options to lower class individuals is a pretty convenient way to mute the backlash.

Essentially, you can tie a system of slavery and abuse up in a bow and make it pretty on the outside, but at the end of the day, it’s still fucking slavery.

Not that he has any room to criticize now. Now that he’s one of them.

In the end, Seb tries to justify his decision a few different ways. He is, after all, more or less a young man alone in the world. The odds are stacked against him and have been for a while. With only his own two legs to stand on, the only force stronger than his internal ambition is his instinct for survival, and he’s been running on those fumes for longer than he can count.

He had lasted less than two months under his parents’ roof after he came out of the closet at eighteen. It wasn’t exactly a surprise for anyone involved; Sebastian’s parents had known about (and subsequently bottled) his… urges… since he was in high school. Probably before that, if he is being honest with himself. And Sebastian, for his part, had spent the better part of his teenage years mentally preparing for the inevitable. He can recall long, late nights he had spent crying into his pillow and the perfectly-scripted ‘coming out’ speeches he recited to his mirror when he was one-hundred percent sure his parents were asleep.

Of course, none of the preparation had been anywhere near adequate when he actually found himself wilting beneath the heat of his father’s glare, the weight of his mother’s grief.

But. He had recovered. That is the point he tries to remember when the memories sting fresh beneath his skin, even all these years later. He has more-than proven himself to be a survivor. He has worked harder than anyone he knows for every scholarship, every grant, every dollar to put himself through school. Sacrificed nights out and real relationships for night shifts at shitty diners and long weekends cramming for exams. It hadn’t been easy, but he considers it the price he had to pay for his independence. For freedom, to live the life as the person he is meant to be, despite his unfortunate odds. He spent years telling himself it would be worth it. That one day, his hard work would pay off.

He can’t stop now.

Sebastian doesn’t have the luxury of taking time off to reroute when his navigation has gone amiss. He is walking the precarious line of rapidly accruing interest and student loans and a dwindling savings account, and there is no safety net below him.

Beggars can’t be choosers, and as it turns out, beggars sometimes have to compromise their moral integrity in order to survive.

It’s only temporary.

That is the mantra that gets him through the (half-drunken) application process and the (disturbingly lax) interview process. It is a job. One job. In the medical field, though the details are up for debate, and it is real-life money for rent and food and a savings that will hopefully be sizable enough to get him where he really wanted to be. Which is… really, anywhere else.

He can do ‘temporary.’ And perhaps, some misguided part of him thinks he can do some genuine good from the inside, too. ‘Be the change you want to see’ and all that.

It is a far jump from the floor of his apartment, sloshed and exhausted and desperate, to the cold, sharp reality of walking into his place of employment on his first day of work. Ironically, it feels a lot like an echo of the emptiness from his graduation day.

‘Sterile’ doesn’t quite cover it. ‘Sterile’ is the expectation of any well-respected medical establishment, but the inside of the facility walls has been wiped clean of far more than bacteria and germs. It is completely devoid of humanity. The long corridors that connect the medical wing to the general ward are windowless and dimly lit by flickering fluorescent panels that had make his head pound for the entirety of his first week.

He is given an office, though it is a term he, himself, might use loosely, as it is more akin to what was probably a storage closet before the old prison had been converted into the state’s training headquarters. It leaves him just enough space for a small desk and two chairs. On his first day, he asks if it is okay to bring in some personal items to spruce the place up. The older, balding doctor who had been assigned to show him around merely shrugs, and Sebastian decides to take that as a yes.

The small, pink-framed photo of a six-year-old Sebastian Tate in his grandfather’s white coat and an old-school stethoscope around his neck is hardly enough to make the place cozy from the corner of his desk, but it’s a good enough reminder of why he has to make this work.

‘It’s only temporary.’

‘Be the change you want to see.’

He will do his best.

[the--highlanders]

tagged by @penny-anna, thank you!!

How many works do you have on AO3?

142!

What’s your total AO3 word count?

473,453... hopefully I’m on track to hit 500,000 by the end of the year! like obvs it’s not really about the word count & when I’m writing I’m not thinking that I have to make things longer (tho I think my fics have been getting naturally longer lately? I think I’m spending more time on descriptions and scene-setting. which I like but which def hasn’t been a conscious choice) BUT I am using word count goals to stave off the temptation to count kudos and notes & then get anxious about that. sir that is my emotional support ao3 word count.

How many fandoms have you written for and what are they?

the only fandom I’ve properly posted stuff for is dr who... if you go back far enough in my main blog there might be like, 2 sh*rlock fics on my main blog. wouldn’t recommend it tho I was still in high school when I wrote them GFDJHS

I did write for both sh*rlock and torchwood tho. also warrior cats when I was quite a bit younger. & teeechnically my first fanfic was for the saddle club. but I was like, 3. so I didn’t know what a fanfic was. I was just writing a ‘book’ about the horses.

What are your top 5 fics by kudos?

(excluding timetracks because it’s not a fic to me, it’s a collection, I only put it in one ‘fic’ so I wouldn’t have to come up with individual titles for everything in it gjdhfks)

- stones

- tenth time lucky

- coincidences

- lucky guess

- amber

which is. an interesting selection gdfjkg

Do you respond to comments, why or why not?

I try to! I don’t get that many so it’s doable. I do need to get better at answering them quickly though jkdf I am very small and a little bit shy and people are very nice

What’s the fic you’ve written with the angstiest ending?

oo idk maybe longing for a time that never came? (no idea why I called it that ghdfk. it’s kind of pretentious for something that never had any rhyme or reason to it). because like. are they going to survive? idk!!!

(would also like to plug this art @ettelwenailinon made for that fic because I love it and also can’t believe it’s four years old??? hello????)

more recently I think it’s the kirkyard (which is a title I actually like!! I really like this fic actually) because two can’t do any more than get jamie out of the church but jamie doesn’t KNOW and he doesn’t understand why two doesn’t even stop to talk to him & it’s painful imo

Do you write crossovers? If so what’s the craziest one you’ve written?

not really! I’ve nothing against them, I just don’t tend to write them.

I wouldn’t really class my daemon au as a crossover because like. it’s not really set in the hdm universe, just uses the concept of daemons.

on the other hand I feel like the only crossover I have /is/ pretty niche and a bit wild. lifeboat is a crossover with ark: survival evolved which is very dear to my heart & in my head sits quite nicely with the dr who universe. that fic was SO self-indulgent to write but I loved it. plus the idea of victoria’s dad having THREE scientist friends who went mad in pursuit of godhood is so incredibly funny to me that I forget it isn’t canon

(also the character being referenced in that fic is now voiced by david tennant in-game/will be in the animated series so. gift of prophecy. dfjkhsglfk)

Have you ever received hate on a fic?

nope! like I said everyone has been very nice. the only hate has been from myself gdfhlk

Do you write smut? If so what kind?

don’t read it & don’t write it. just not my thing!

Have you ever had a fic stolen?

not as far as I know o:

Have you ever had a fic translated?

yes!

What’s your all time favorite ship?

I mean it’s two/jamie. I’ve been here for like 6 years. still digging my hole.

What’s a WIP that you want to finish but don’t think you ever will?

talked about it in more detail in this ask but in terms of two-era stuff I’ve only got one that’s definitely never being finished and another that’s not got a great chance of being finished. & stuff I’ve written for other fandoms is just. look it’s gone gdjksdfdg. I don’t care about my dead sh*rlock wips it isn’t 2014 anymore

What are your writing strengths?

I honestly have no idea??? like I’m not being modest or anything, I genuinely don’t know. I think I can write some funny dialogue sometimes.

What are your writing weaknesses?

I’d really like to be better at plotting out longer fics tbh. having coherent plots and carrying through themes and details. people who can introduce an apparently inconsequential detail early in a fic and have it become relevant later in a way that makes you gasp are like, gods to me

What are your thoughts on writing dialogue in other languages in a fic?

I’m too nervous about getting stuff wrong so I wouldn’t do it unless I felt like I had enough of a grasp of the language to know what I was doing. but I am at a stage where I feel confident having some simple gàidhlig in my fics!! which is nice. I’d really like to be able to write more, and also to be able to write jamie’s dialogue with like. a sense of english as his second language/gàidhlig as his first? like in the occasional turn of phrase or way of putting something. outside of fic I’m super interested in what someone from that period who had gàidhlig as their first language and english as their second language would have sounded like and how they would have spoken.

my absolute dream would be to be able to translate all my fics completely into gàidhlig, but I’m probably years off from that, if I’ll ever be able to do it. I would really love to be able to write fiction in it, that would be a mark of proficiency in the language for me.

What was the first fandom you wrote for?

kind of answered above!

What’s your favorite fic that you’ve written?

oougkj idk!! I have so many now and honestly I forget about a lot of them.

the selkie au always has a special place in my heart, and I do love doing more historical-based ones, so I’ll say the kirkyard because I was already talking about it. if I can be a know-it-all while writing something I’m usually happy gjhklkh.

tagging @galacticlamps and anyone else who wants to do it!!

[phantastus]

Is there any symbolism behind the bird scientific names tags representing Silent Hill characters? Like, did you pick them for any particular reasons? 👀

Oh man, well, I guess I never went into detail about them anywhere. They definitely were picked for a reason but the reason is related to a currently-unwritten fanfic and literally who knows when that’s going to happen (Gravity needs to get finished first and who knows when that’s going to happen :’]), so I might as well try and do it now.

When I was in college I started coming up with concepts and symbolism for a fic project and because I’m obsessed with birds all of it involved birds and the title of the fic was appropriately “Four and Twenty Blackbirds”, with the ‘four’ specifically referring to Harry, James, Heather, and Henry (because they were the main characters). Each of them had a different ‘blackbird’ species representing them. 

So when I decided to make separate aesthetic/inspo tags for individual characters (I already have a #silent feels tag for general SH inspiration, but I am crazy and it was NOT CONVOLUTED ENOUGH FOR ME), I decided to use the scientific bird names since it was conveniently already cemented in my brain. THIS IS GOING TO BE VERY, VERY LONG SO I’M PUTTING IT UNDER A READMORE. Click for pretentious Silent Hill fan analysis.

HARRY MASON | CORVUS BRACHYRYNCHOS (American Crow)

Harry Mason is the “”generic”” all-American protagonist who rises to a heroic status pretty much out of sheer determination and a commitment to his loved one. He’s not an unusual person, in fact he’s deceptively normal-- so the American crow felt right for him since they’re so common. You see them so often you don’t even think about them, but they’re smart, resourceful, and resilient survivors (something that especially comes into play with Harry post-SH1 when he’s eluding the Order). Harry is underestimated because of his normalcy but he’s capable of incredible things.

Also crows (and other corvids) have deep, almost humanlike family bonds between parents and offspring. They’ll maintain relationships even after the babies grow up and become fully self-sufficient, with the adult children regularly visiting their parents and socializing or helping to take care of younger siblings.

In the context of the fic Harry’s symbolic/prophetic connection to such a common “pest” species is sort of a derogatory assignment on the part of the Order/the town, as he’s seen as a heretic troublemaker (CULTS HATE HIM!! LOCAL MAN STEALS MESSIAH AND THWARTS FATE WITH ONE COOL TRICK!)

JAMES SUNDERLAND | CORVUS CORAX (Common Raven)

Ravens are like the most symbolic corvid, every gothic poet/novelist/artist and their grandma used them to represent death, grief and malaise, and James’s story is nothing if not filled with all three of those things. I mean, come on:    “By that Heaven that bends above us—by that God we both adore—    Tell this soul with sorrow laden if, within the distant Aidenn,    It shall clasp a sainted maiden whom the angels name Lenore— Clasp a rare and radiant maiden whom the angels name Lenore.”            Quoth the Raven, “Nevermore.” -Edgar Allen Poe, u know where it’s from.

Also in college, I got very interested in the myth “Raven Steals the Sun”, which has a number of different variations (it’s a story shared across multiple First Nations peoples of the Pacific Northwest and Alaska, there’s no one clear origin-- you can read about a couple of versions here!) but most involve the titular Raven delivering the Sun to the world after stealing or freeing it from a dark place where it was kept. Depending on the version, Raven's motives can either be purely selfish or more benevolent, and sometimes starts the story as a pure white bird who is stained black with soot in the act of taking the Sun. The duality of Raven’s intentions as well as the theme of light/warmth being hidden in darkness until it’s brought out felt fitting for a character whose motivations are complex and left a little ambiguous in canon (James grapples with whether his own act was purely selfish or one of love/mercy) AND someone who is naturally warm and caring but slipped behind a cold, dark wall of depression and self-isolation. The theme of being permanently marked/transformed by an act, whether for good or for bad, felt fitting too.

(Obligatory Disclaimer That My (Very White) Personal Interpretation Should Not Remotely Be Considered An Authentic Take On The Myth And Is Not Intended To Be Appropriation. For fic purposes the story would only have come up as an interesting symbolic parallel/running motif among many others, not a Literal Connection. James is a clueless white dude and Silent Hill doesn’t even take place on the west coast.)

“BUT WAIT! Doesn’t stealing the sun from a malevolent party and freeing it sound sort of like Harry rescuing Alessa/Cheryl/Heather??” Yes, this was going to be a source of in-character confusion and a surprise twist when it turns out they got their birds mixed up. Blah blah nothing is as it seems and destiny is mutable.

One time while I was walking on a foggy beach I got followed around by an enormous raven who was just sort of waddle-hopping after me looking forlorn and scruffy and the experience stuck with me and now all these years later my enormous galaxy brain is just like “That was Big James Energy”.

Wow that was long, I’m sorry.

HENRY TOWNSHEND | CORVUS FRUGILEGUS (Rook)

The most obvious symbolism is probably the chess piece with the same name-- that felt fitting for Henry since he’s probably the protagonist who has to do the most strategizing. Between his limited inventory and his progressively-more-cursed apartment and escorting Eileen and his five billion trips across multiple fractured Otherworlds, my poor guy has a lot to mentally keep track of. In the fic, he was going to wind up being the one to keep track of all the weird complicated bullshit items and rituals they had to complete to get through the Otherworld.

The rook chess piece also resembles a castle, and unlike the other protagonists whose stories progress in a linear fashion, Henry operates from/returns to his home base shitty cursed apartment.

BUT ONTO THE BIRD the rook is a corvid like the crow and the raven, and shares their pest/death omen status in popular culture. Just appropriate for SH protags in general since they keep getting in the way of the cult’s business and also misfortune follows them.

In the SH3 Crematorium Puzzle (I’ll talk more about that in Heather’s section), there is a poem:    "The black Rook is the praying sort    Who hears the gods in the skies    His whispered petitions go on without end    And glassy and dim are his eyes" Obviously this does NOT describe Henry as a person, but it IS eerily reminiscent of the title that was thrust upon him: Receiver. Maybe if Walter’s plans had succeeded, this is how Henry would have ended up.

There is also an old belief that if rooks abandon an established “rookery” (place where they regularly roost), it’s a sign of calamity to follow. If Henry the Certified Homebody (tm) bursts out of the apartment complex and goes staggering down the street, you should get out of that apartment complex.

HEATHER MASON | AGELAIUS PHOENICEUS (Red-Winged Blackbird)

Oh boy this one’s probably the weirdest but here we go.

The first obvious thing is that unlike the other three, the red-winged blackbird is not actually a corvid (it’s from the Icteridae family, not the Corvidae family). In-universe, this was supposed to represent Heather being inherently different from the rest (like... she basically is an iteration of the Silent Hill deity), even if she seems to be a normal human. Harry’s act of stealing her from the Order and changing her appearance/name to hide her was going to be depicted as “dousing Her in black ink, but [the ink] not able to fully conceal Her radiance”. The red and gold shoulders of the blackbird visually symbolize her “””true nature””” peeking out.

I also associate her specifically with the MALE red-winged blackbird (the female looks completely different, hooray sexual dimorphism) because gender is a fuck and Heather understandably has some really intense and complicated issues with womanhood/femininity. One of my favorite aspects of her as a character is how she blurs the line between masculine and feminine, especially since she’s been through so much... extremely gendered violence, to put it lightly. Heather Mason says FUCK YOUR GENDER BINARY.

As a fun side-note, Heather is also represented (or appears to be, ymmv) by a bird in canon! The SH3 Crematorium puzzle (on hard mode) features a series of poems each about birds, and each one represents a character if you squint. Heather seems to be referenced in this one:     "The Wren, with pure heart as yet unrefined     Makes us laugh with his feeble lip-smacking     But still we all know he shall never grow old     And he knows not how much he is lacking." Heather’s role as a brash, foolhardy youth who talks tough to cope is pretty blatantly summed up in there, as is the fact that she’s... functionally immortal and keeps fucking reincarnating. The wren, a plucky little bird, is perfect for her. The part of the main riddle that references the wren is also... ominously on the nose, given Heather’s backstory:     "Burn the one who knows no death     Pure, adored by those above     No prayers within, just simple love.”

YET ANOTHER CREMATORIUM POEM could be construed as representing the town’s God (or the spiritual force of the land, w/e), damaged/corrupted/turned malevolent by All The Bullshit:     "The Kite, hot, crazy, and panting mad     Sweet shackles that tease and excite     Death itself would drive him wild     Red blood that turns milky white"  Heather is a pure-hearted protagonist in one sense, but there’s plenty of not-so-subtle hints to a bloodlust and desire for violence just waiting to break free (ESPECIALLY when Heather does certain things that could be considered taking on the role of God). So to me the Kite is what happens when Heather gets sick of being nice and decides to go apeshit.

“BUT WAIT what does this have to do with the red-winged blackbird?” The inherent trinity of Heather’s character (Alessa/Cheryl/Heather, the Mother of God/Daughter of God/God Herself) deserves a bird trinity too. I’M GREEDY, I WANT *ALL* THE BIRD METAPHORS!

Red-winged blackbirds are bold little shits who will straight up harass birds of prey. Kind of like Heather does to God.

The fact that “phoeniceus” was part of the scientific name was a VERY delightful coincidence-- but I’m not complaining about how satisfying I found it that my Bird Choice (tm) inadvertently connects her to the concept of the phoenix, poster child of pyrogenesis.

That was even longer than James’, I’m so sorry.

SO THAT’S THE META BEHIND THOSE CHOICES FOR THE FOUR MAIN CHARACTERS. If you’re still interested after all that BS, I can write up another (probably much shorter) post for the other characters. Thanks for the ask!

[crushzone]

Hi Nin! I know this might be weird of me to ask because you are an artist yourself, but I am rather new here and was wondering if you have any other artists you'd recommend? If not that is ok!

Hi there, not weird at all! I LOVE supporting fellow artists, I find their wonderful talent and dedication incredibly inspiring, seeing their beautiful works on my feed constantly reminds me to take a step back from my exhaustion and to simply remember why I love to draw to begin with: because it’s fun.

I’m usually really picky about artists I follow and their style, but when I find the ones that I enjoy, I go ALL OUT with my support. So without further ado, the following artists listed are those I am not only in love with, but those who I genuinely look up to. 

So make sure you stop by their page to show them some love and appreciation for their hard work (because hard work extends beyond the individual pieces they’ve made, it’s also for the countless hours they’ve spent on practicing and perfecting their craft, constantly challenging themselves to learn new techniques). 💛

👇🏼👇🏼 Nin’s Artist Recommendation👇🏼👇🏼

---------------------

@aku-jumbi - HQ!!, Various, You all had seen me share a BUNCH of their works on my blog, but it’s just because their art is so SOOOOOOOOO good. Your style leans toward photorealism, while still maintaining its painting-like quality, so if you had ever wondered how your favorite characters may look like irl, they’ve got you!!! Watching your speed painting is so fascinating, idk how you do it, but you’re always killing it every time (Like our process is so different, so it was really interesting to see how you approach your works you know?). This piece of Kei Tsukishima and Oikawa Tooru are two of my favorite works you’ve done!

@achieve-the-sun - HQ!!, Various, Let me start off by saying that I love Morghy’s art so much, that they are the first and only person I had ever commissioned from so far. They drew Keishin and I sooo adorably, it brings me so much joy to look at it on the daily. Your style reminds me of freshly baked cookies, or the warmth of bakeries, I can’t help but feel a sense of coziness whenever I look at your adorable artworks. This piece you did of Kageyama and Hinata was what had drawn me to you. Everything from your color choices, fluid gestures, and expressions are such a delight to look at!

@chaotickatts - HQ!! I am so in love with Katts, you all. I had never seen anyone draw like this, her style is really unique. I can go on forever about why I love your art, but one of the biggest things that drew me to your style is the way you draw bodies. I like the variation and realistic details you include, for instance, I absolutely adore the way you gave Sakusa more moles on his body, and the way you drew dad bod Osamu. Idk, I think there’s so many different types of body shapes and details out there, and it brings me joy to see you being so inclusive of them in your art.

@namusw - Hunter x Hunter. Was drawn to their Hunter x Hunter works and I don’t even watch/read that manga. Honestly, just check them out, I love everything about their works, they are also a killer at both traditional and digital styles. This piece of Hisoka, Illumi, and Chrollo was the one that made me fall in love.

@cranbearly - HQ!! I really adore the way they draw expressions and their coloring style (inspired me to attempt some flat coloring). This piece of Oikawa and Iwa made me follow them instantly. Expressions are so difficult to nail, and you’ve done such an amazing job conveying every emotion the characters are feeling, I’ve learned so much just from looking at your works, so thank you for blessing us with your craft.

@a-zebra-was-here - HQ!! Their art has a very carefree type of vibe and their coloring style brings me so much joy. I’ve really enjoyed your drawings of the Miyas’, this piece of the twin was what got me, and this other piece, the first image of young Miyas’ was so SO well done, I am in love with the way you colored that. 😻 

@erionmakuo - Various, dude....I want to cry, I don’t even know what to say, EVERY SINGLE PIECE of your artworks just BLOWS ME AWAY. The way you color your art is just so ethereal, the color schemes you had chosen, the way you mix the color of your lighting, textures, and everything in general, I can go on about this all day but just hop on to their blog and you will know exactly what I mean. I don’t have a particular piece that drew me in because I was blessed by all your works at once.

@uranarino - HQ!!, Your artworks bring me so much joy. If I have to describe your style like an experience in life, I would say it reminds me of how it’s like to fall in love with someone for the first time, if that makes sense. That sudden overwhelming feeling you get when you’re doing the most mundane things with someone you care about, only for time to stop as you realize how in love you are with them? Yea, your art captures that really well. These two pieces of Kuroo returning home with his groceries and of him taking a day nap with his cats was what had drawn me to you.

@queenoftheantz - HQ!!, Various, Their style is really unique, it kind of reminds me of an adventurous graphic novel or something you would see on Cartoon Network (idk, I thought of Chowder, but please, I really mean it as a compliment, I just really love the fun cartoon style you have.) They also do some animations! I really love this piece of Kyotani you did, the landscape and colors look SOO GOOD!!

@noodlemanjpg - HQ!!, Various, love LOVE your style and the way you draw expressions. I also really love how you color, your works “appear” effortless, but I know a lot of knowledge and precision is put into crafting it. This piece of Kuroo x Yaku being all cozy at the couch was what had drawn me to your blog, it makes me smile every time I look at it. Kuroo’s smitten expression is just...ahsdl;adjs I can’t help but smile with him.

@diabolism666 - HQ!!, c’mon, you can’t be in the HQ!! fandom without at least seeing one of their artworks. In fact, I had seen your art even before I’ve gotten into this show, and it was love at first sight, lemme tell ya. EVERY. SINGLE. THING. you had drawn are so good, it doesn’t even matter if it’s a more simplistic drawing or elaborate one, I am just always staring at it in awe. Thank you for being so incredibly active about it too, idk how, but you’ve produced so many amazing drawings and we’re just incredibly grateful for it. You draw some of best Tendou, Reon and Toshi out there. Your works have so much range, I really feel like you can draw ANYTHING hahaha.

@viria​ - Various, Viria *sobs* your works are so good. The way you draw faces and affection just gives me butterflies. I don’t even watch Fullmetal Alchemist, but this piece you did of Edward and Winry made me fall so deeply in love with your works. Your style has a certain softness to it, even when it is of an angry character, and I love it.

@nipuni​ - Various, another artist that I am incredibly nervous to tag because your works are just out of the world. You also seem so so nice and is always incredibly helpful whenever anyone sends you an ask. Just...I have the biggest crush on you and your works. EVERYTHING you had drawn is so stunning, and I mean it. The details, pose, composition, and coloring, it is just so perfect, I could pull up particular artworks, but I was really blessed by it all at once. If you are into fantasy-esque realistic looking portraits, check her out, she exudes so much knowledge and talent.

@hinamihere - HQ!!, Your artworks are soo stinkin adorable. Your color choices, expressions and the way you draw hair is just so cute, your art always bring the biggest smile to my face. This piece you did of Akaashi and Bokuto was what drew me to you, when I saw it, I “awhhh”ed so loudly, my hubby had to ask me what’s up, and when I showed it to him, he had the same reaction, even if he’d never seen Haikyuu!!

@oxxuri - BNHA, so SO good, the way you color, light, and draw is so beautiful. Every single detail, down to every lashes and strands of hair is so beautiful. You draw some of the most attractive faces I had ever seen, these drawings of Aizawa and Midoriya brings me so SOOOO much joy, and I don’t even know anything about BNHA.

@amezure - HQ!!, their comic strips always make my day, I was giving their blog a peep so I can pull up specific examples and my statement is instantly confirmed when I stumbled across their newest comic art of Kuroo and Bokuto and started laughing HAHA. 😂 Your self study sheets are incredibly informative and I find myself referencing them often, it’s so nice to see my favorite artists continue to polish their craft through endless amounts of studying, practice, and analysis. It serves as a constant reminder for myself to do the same. I love the way you draw people (check out this piece of Bokuto x Akaashi), but I ESPECIALLY love the way you draw animals. (Specifically anything that has to do with lil owl Bo and Akaashi 🥺)

@obobro - Avatar the Last Airbender, HQ!!, I am absolutely in love with the way you color and draw portraits. Your drawing and detailing has so much range; you have a series of hand drawings, and that alone already displays so SO much range. I was really drawn in by this drawing of Tsukki, Zuka + Azula, and of Sokka + Katara, you can really tell they were related and I love it so much. Your art has so much life to it, it’s truly fascinating. 

---------------------

I have a couple more artists to recommend, so if you’d like a part 2 to this, please lmk.

But yes, I genuinely stand by my recommendations, these guys are so SO good at what they do and I am currently sweating because the thought of tagging all my artist crushes in one post is actually kinda scary lol.

Hope this helps! ✌️ 

[amphtaminedreams]

The Eras of Lana Del Rey: Lookbook no.9

Hi to anyone reading,

Hope you’re okay! AND that you didn’t end up here because you searched the Lana Del Rey tag so you could see people ranting about her-you’re about to be very disappointed. Sorry. This is not about to be some Question for the Culture discourse because the world is bleak enough right now and the last thing we all need is to be reminded of that saga. 

Being a Lana Del Rey fan is easy, they said. She’s not a controversial artist, they said. And yet 2020 had to do what it does best and fuck everything up. 

Whether people like her or not, it’s made me so angry reading all the abuse she’s been getting about her appearance for the last couple of weeks, because I really thought that if we could agree on anything it was that attacking individuals for the way they look because you dislike something they’ve done (with the exception of shit like racist tattoos and blackfishing) is, you know, awful and judgemental as fuck? Like you do realise when you treat the word fat as a pejorative that the fat people you don’t have a problem with understood that you meant it as an insult too? I think what all those people tweeting about Lana’s weight, and that includes some of her fans, are forgetting is that she was in her early 20s when she was thrust into the limelight. As much as there’s this conspiracy that her dad bought her a career in the music industry, she’d made the decision to go it alone and had lived in a trailer park as a struggling musician for years. On top of that, we have the unreleased tracks with lyrics seemingly referencing an eating disorder in her younger years. OF COURSE her body is going to look different. Why is it that we treat weight gain as an inherently bad thing without any insight into the other factors that constitute a person’s “health”? It’s fucking insane that so many feel they have the right to comment on other’s bodies in the first place and it breaks my heart that she might be reading these comments. This wasn’t intended to necessarily be a rant about how much I love this woman but all the shit I’ve read about her on the internet these past few months have pushed me to it. You'll respect your queen of alternative music or I shall stan twice as hard on your behalf. You can thank me later when you come to your senses xoxo

I’d love to say it was intentional that I finally finished this post the week Violet Bent Backwards Over the Grass was released but that would imply I have my shit way more together than I actually do. If I’m being completely honest, I’ve only heard L.A Who am I to Love You so far 1). because I want to wait for the hard copy for the rest and that doesn’t turn up til September and 2). because I do not have my shit together, lol. That being said, there is no doubt in my mind that I am going to love it-one thing I have always loved about Lana’s lyrics is how well they paint a picture and this is something that poetry only more freely allows for the exploration of. That ability to create such a strong narrative voice and atmosphere is a talent that extends to her visuals and the production of her records too, and is something I really missed when it comes to the Norman Fucking Rockwell era. I’m just going to say it: a strong aesthetic is to NFR as memorable songs are to Lust for Life. Lacking. Am I allowed to say that as a fan? The collaborations don’t do it for me, okay, and as as NFR is concerned, aside from The Greatest/Fuck It I Love You video which went down the whole neon surfer girl route, it’s hard to identify a cohesive theme. It’s understandable that at this point, she would want to just focus purely on the music, and it goes without saying that NFR will stand the test of time in that regard but I don’t think we can deny that when people think of Lana in the future, it’s not gonna be a green windbreaker that comes into their heads.

^Illustration credit to Filip Kozak (https://filipkozaksart.tumblr.com/?fbclid=IwAR3vwLX2pNxoFNhTPD1ky14LllPqlLtL1GxGlD79xuHxdtzcHLw-6aNBZWo)

And here’s where this Filip Kozak illustration comes into it; after years of it sitting in my camera roll for years, it finally has a use. There’s really nothing better to illustrate how mundane life has become this year than the disproportionate level of excitement my photo-hoarding-self experienced realising it would fit perfectly into this post and is thus eligible for deletion. Up there with being able to fit a whole box of biscuits onto the shelf at work rather than having to individually take out as many as I can and then shove them on top of the existing box of biscuits one by one. Truly riveting content on this Tumblr page. Back to the point-by using this as my stimulus for the post rather than the Lana Del Rey albums as outfits tag that went round on Twitter, I can conveniently exclude NFR as an outfit inspiration category, and that saves me from having to buy a charity shop windbreaker with its price bumped up 150% by some upper middle class Depop e-girl or boy who uses the word peng as a descriptor like it’s a nervous tic. To make up for leaving out NFR, I’ve tried to branch out a bit and do the outfits not just based on the music videos or album covers but also from street style and stage looks and photoshoots from around the same period too. It was hard not to be influenced by the general “vibe” and sound of the albums either when I was planning outfits, whether it’s the grand, orchestral instrumentals of Born to Die or the 70s psychedelic rock inspired riffs of Ultraviolence and hopefully that’ll show as well! Enjoy:D

Born to Die (Release Date: 27th January 2012)

It’s been 8 years, and when you ask most people what they think of when they hear the name Lana Del Rey, they’ll probably dismiss her as the one who sings about being sad and doing coke and sleeping with older men. That’s the Born to Die impact. Say what you want but it’s one of only a handful of albums released by a female artist to have spent more than 300 weeks on the Billboard 200 chart and it really established the mythos of “Lana Del Rey” because before all this, before all the think pieces from other women claiming she’d set feminism back hundreds of years with her music, before she ousted grayscale Effy Stonem as the queen of angsty teen Tumblr (which as you can probably guess was a subsection of the internet I was very much engulfed by, lmao), she was just Lizzie Grant, a relatively normal aspiring singer songwriter in her early twenties. But as Lana Del Rey, she was someone else-some beautiful, mystical being that personified the sentiment of being born in the wrong era. Whilst every other singer’s record labels seemed to be trying desperately to thrust them into the future and keep them on top of all the musical and stylistic trends, it was refreshing to hear someone whose music and visuals captured all the most glamorous elements of the past. Part Priscilla Presley/Jackie O reincarnation (the National Anthem video really illustrated how Lana is just as much a storyteller as she is a musician), part high level mobster’s wayward wife à la Michelle Pfeiffer in Scarface, she was the good girl by day and the bad girl by night, and I think that’s a duality we can all relate to or would like to think we’re interesting enough to relate to deep down.

Her style from around this period was EVERYTHING. She had those grungy Tumblr girl elements, the camo jacket and the oversized pieces and the leather jackets, but she also heavily drew on the styles and silhouettes of the 50s and 60s with the beehives and the new look Dior inspired cinched waist dresses. Even now in 2020, I think this period is what most people would think if they were asked to describe Lana’s style. I made sure I got the grungy pieces in there with the chunky boots and the vinyl and the oversized leather but the foundation of her looks back then were usually these daintier throwback pieces like the white silk dress and the corset and the mint fur trimmed coat (House of Sunny’s Penny Pistachio coat).

Favourite lyrics from the album? “Now my life is sweet like cinnamon, like a fucking dream I'm living in” from Radio. Nobody asked but I’m gonna give it to you anyway.

Born to Die: The Paradise Edition (Release Date: 9th November 2012)

Lana’s Paradise EP contains probably my absolute favourite song of her’s, Ride, and with that, the beautiful opening monologue that will stay in my mind forever. This era was of course ushered in by Tropico, the short film that included the premiere of the songs Bel Air, Body Electric and Gods and Monsters, which established the ethereal tone of this period-it’s in the name, after all. Both the album and the videos were other-worldly and leaned heavily on religious symbolism which I’m sure pissed off many a middle-aged bible basher at the time. Most prominent in her lyrics were reflections on the freedom of the open road which corresponded with visuals of biker gangs and desert dwellers and modern interpretations of the Wild West, as was an attempt to capture the nature of the so-called “American spirit” which as Lana portrayed it shared more qualities with a kind of celestial, transient being than any kind of solid concept or identity. She played an emotionally detached stripper and a haunted saloon-style-bar singer (almost looking like a runaway bride) and Eve the “first woman” all in the same album and honestly, if that’s not iconic, I don’t know what is. We saw SO many incredible red carpet looks in this period too which built upon this idea of her as the fallen angel tempted by original sin that Tropico established; I feel like this era was all about laying bare the soul of the character she played, this broken, delicate but ultimately liberated being that was so dangerous to the idea of the strong, stable modern feminist ideal. She went about it in COMPLETELY the wrong way in a post that betrayed the ignorance of the privilege she has as a white female performer, but I think this is what she was getting at in it and Ultraviolence only went on to bolster her critics.

In response to the criticism she still receives about the choice to wear a Native American war bonnet in her Ride music video, I’d like to say that it really seems like she’s learnt from that-actions speak louder than words and so though it’s not my place to say whether this makes up for that error, the work she’s done with Native American reparations-focussed foundations since and the money she’s donated to the cause says a lot about her intentions. Again, I want to stress that it’s not my place to say! But it’s a detail that is often overlooked so I thought I’d mention it here. 

“I was a singer, not a very popular one. I once had dreams of becoming a beautiful poet. But upon an unfortunate series of events saw those dreams dashed and divided like a million stars in the night sky, that I wished on over and over again, sparkling and broken. But I didn’t really mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is.”

Ultraviolence (Release Date: 13th June 2014)

AH, Ultraviolence. My favourite of Lana’s albums and imo, a masterpiece. ONE skip. ONE. Sorry Guns and Roses. I got stoned in my back garden and listened to this (for research purposes ofc, heh) and ended up deciding that this is what I want to listen to when I die (also whilst stoned). It sounds dramatic but listening to this album in that state of mind is such a heavenly experience that I’d be too zen to notice myself slipping away into nothingness on the basis that if I didn’t as long as I could stay in that bubble of awe, nothingness forever wouldn’t be so scary after all. I know, I know, that sentence has big Jaden Smith’s old tweets energy. But if an album is what helps me get over an existential crisis, I beg you allow me the nonsensical ramblings about how I felt like I was ascending into the stars.

Though in terms of the lyrical content the public perception is probably correct, I think the reputation Ultraviolence has as Lana’s darkest, most gothic album (which is something I’ve in incorporated into the outfits I put together) is mistaken; instrumentally and visually it drew more on 70s psychedelic rock and the bohemian counter culture of the period than anything, and her stage looks are a clear reflection of that, and also the outfits I was most excited to channel. It seems counter-intuitive to the moody atmosphere I associate the tracklist with but it’s my go-to summer album; it’s raw (probably her most stripped back work along with NFR, lots of the songs are barely edited) and it’s gloomy but let’s be real, hot as fuck-don’t bother making a sex playlist, just put Ultraviolence on shuffle, and you’re good to go. This was the album where Lana debuted some of her most criticised lyrics and where the notion that she glamourises abuse comes from, one of the points she also seemed to be getting at in the Instagram post, but imo it’s fair to say that she sang truthfully about the initial allure of a dangerous relationship and the nature of the mindset that facilitates staying with somebody poisonous where you do feel like you’re nothing without them. Turning horrific experiences into romantic tragedies is how Lana has always made her music and yeah, out of context there are some fucked up lyrics on the album, but policing how a woman expresses her trauma and complaining that she glorifies weakness because she wrote honestly about the reality of a complicated partnership is hardly any more “feminist” than the lyrics themselves. I can only guess that the reason Lana felt the need to bring up this criticism in 2020 is because these darker themes are going to be revisited in her upcoming album and that in spite of the issues with the way she expressed herself, this time critics will be more accepting of how she chooses to address these themes. 

On a lighter note “yeah my boyfriend's pretty cool, but he's not as cool as me” will always be a great line. Simple but effective. If my boyfriend ever is cooler than me it’ll be doing Lana a disservice.

Honeymoon (Release Date: 18th September 2015)

Considering that a lot of other Lana fans are of the opinion that this is her best album, I find it weird that I really don’t remember all that much about this period, other than High by the Beach being released and then hearing Salvatore and Freak for the first time. I guess because she didn’t do a Honeymoon specific tour and didn’t make that many public appearances in this period? It was definitely harder for me to find visual reference points beyond the HbtB music video and the cover art, so I mostly drew on the general vibe of the album, a cinematic accompaniment to a summer in Italy or the South of France, filled with exotic instrumentals and the sense of impending romantic doom that Lana does so well. I suppose if I associate the visuals of this era with anything it’s idyllic florals and warm tones, bygone country club pool days, a rich American’s vacation in Southern Europe, long walks on the beach (and as our Lord and Saviour Jujubee once said, big dicks and fried chicken). Apparently inspired by Lana’s relationship with Francesco Carrozini, it’s a hazy story of some ultra-feminine, submissive archetype becoming unhealthily enchanted by a mysterious “foreign man” who’s ultimately not all that good for her, which as the story goes turned out to be quite prophetic. Going against the grain, it’s my least favourite of her albums after Lust for Life, but in spite of that, I will always remember how obsessed I was with the sax riffs (I think? I don’t know my instruments all that well so forgive me, lol) on Freak and I definitely understand why it’s a firm favourite for so many.

“You could be a bad motherfucker, but that don’t make you a man.” was truly a cultural reset of a line.

-on an unrelated note, OMG, I never realised how I have my mouth open in literally every fucking photo I take, somebody tell me how to pose, please and thank you-

Lust for Life (Release Date: 21 July 2017)

Lust for Life is a controversial one. On the one hand, I appreciate that this album was the victory cry of a happier, more independent, politically-aware Lana in spite of it apparently being a far more optimistic sounding album than the one she wanted to release, but on the other there were way too many collaborations for me and this meant that the album lacked a sense of cohesion and the characteristic narrative thread that usually runs throughout her tracklist. Aside from Love, Cherry, Get Free and Tomorrow Never Came, most of the songs on the album aren’t hugely memorable and it’s a crying shame that a collaboration with STEVIE FUCKING NICKS of all people left so much to be desired. Coming from two witchy icons, I expected something absolutely magical so maybe I was setting myself up for failure, but come on. We could’ve had a real anthem there.

Aesthetically speaking however, this is one of my favourite eras for Lana, which is unsurprising when you consider the tracklist contains references to both Woodstock and Coachella. I’m not gonna lie, I think seeing Coachella fashion in my early teens was my style awakening-I remember seeing Vanessa Hudgens’ outfits and being like, wow, I want to be her (oh, what a fall from grace)-so the late 60s/early 70s flower power groupie style Lana adopted in this period really spoke to me. It was all long hair and dreamy pastels, and this era included some of the most head-to-toe coordinated looks we’ve ever seen from her. Of course I couldn’t completely abandon the grungy touches that I love, that I tend to associate with the early Lana street style days and the Paradise and Ultraviolence music videos rather than with this album, but I’m never gonna pass up an opportunity to whack out a good floral two piece and putting together Lust for Life inspired looks is the perfect excuse to do that.

So, that marks the end of this post! If you made it to the end, thank you so much for reading! I have a Yesstyle lookbook and review to edit but now that I’ve finished that, I’m trying to go down more of a style inspiration focussed  route with my lookbooks rather than just putting together outfits from clothes I’ve just bought (though I might still do one every so often to bring in a new season-let’s just ignore the fact that they’re all blending into one bc climate change for now, one catastrophe at a time please universe). I find that if you have a specific idea in mind of what you want, it’s super easy to find something similar on Depop and Ebay and that way you avoid buying new things and also take old things off a person’s hands that might otherwise end up being thrown out by a charity shop and then dumped into a landfill from there. Something I’d LOVE to do before this year is out is put together a lookbook based on the most stylish TV shows of the last decade, but that probably won’t be for a while-even so, if you have any recommendations of series to watch which could fit into this category, let me know! 

To finish, I need to go a little bit off-topic so forgive me, but I truly don’t know why this even needs to be said: WEAR A FUCKING MASK. IT IS NOT A POLITICAL ISSUE. IT IS A BASIC HYGIENIC PRACTICE THAT HELPS SPREAD THE STOP OF A HIGHLY CONTAGIOUS DISEASE! RUDIMENTAL SCIENCE! NOT A CHANCE TO PROVE HOW “EDGY” YOU ARE! SERIOUSLY, STOP MAKING A FUCKING PANDEMIC ABOUT YOURSELF! NOBODY ENJOYS WEARING THEM BUT THEY HELP PROTECT OTHERS! SO UNLESS YOU HAVE A VALID MEDICAL REASON NOT TO BE WEARING ONE, DON’T BE A SELFISH PRICK! 

Sorry to sign off on a rant-y note with something that has nothing to do with Lana, lol, but all the stupidity has been grinding me gears lately and I had to let it out on behalf of all retail workers: if we can wear a mask for 9 hours at a time, YOU can tolerate the mild discomfort of wearing one for 10 minutes. I know this doesn’t apply to the majority of people but there’s always a couple of arseholes, isn’t there!?

Stay safe,

Lauren x

[matteredloyaltyaa]

                                                       NAV.

                GOOGLE DOC (RULES/ABOUT/VERSES).

                                         PLOTTING FORM.                                             HEADCANONS.                                                   WISHLIST. 

Tumblr mobile friendly version of my rules under the read-more.

DISCLAIMER:

I do not claim to own or have created this character, though the headcanon posts you see here are of my own interpretation of this character and events. I am private and selective, meaning that I only write with mutuals (those who I follow and who follow me in return), and tend to watch who I follow back and/or write with for my own comfort. However, my askbox is open to everybody if you wish to talk to me or the character on this blog, but I may not answer everything put in there.

PASSWORDS:

Due to my social anxiety, I don't have a password in these rules, nor do I send them in. I read everybody's rules and pages before following and usually before interacting.

ACTIVITY:

This is my main blog, which means that I am on it most of the time. However, I do suffer from some mental disorders, namely anxiety, depression, and OCD. These tend to affect how I interact ooc and can make me overly distant sometimes, and it's usually nothing anybody has done to me but my own mind running off on it's own about things. So, I do apologize for that. I may be absent from blogs during bad periods or make a couple posts here and there that I always delete after an hour or two stating that I'm in a bad way. Everything will be tagged.

HIGH HONOR: 

Please note that I base my characterization off my raw play of this game, in which Arthur is HIGH HONOR and you may see more of that toward the end of his main verse. However, I still play him as a morally grey individual, especially as he’s trying to find his own mind on things in a way, but ultimately he leans more toward honorable moral choices (or what are considered honorable for the life he leads). He will do both good and bad things. At his point in time, I’m not exactly leaning towards adding a low honor verse, as his portrayal within the fandom has turned me off completely and after playing that route myself, I don’t really see much reason to. However, that may change if I end up finding a way to put a spin to that.

BLOG & PERSONAL TRIGGERS: 

Please note that I don't have many triggers myself outside of suicide and overly anxiety inducing content (jumpscares, purposely paranoia inducing posts, etc). 

There are some themes that I would like to avoid writing about in detail or at all. Namely, I WILL NOT write out anything like incest (the John/Arthur ship tends to fall into this category for me, along with Arthur/Dutch and Arthur/Hosea, so I will say that it's a NOTP for me), abuse (outside of mentions in regards to backstory, all forms), pedophilia, and rape. Also, I should note on a personal side that pregnancy can make me a little uncomfortable due to some gender stuff with me. I don't mind mentioning it, nor do I mind parental relationships when it comes to Arthur and sometimes outright adopting children in certain verses, but threads and interactions solely based off pregnancy can make me uncomfortable. It's difficult to explain but I would like to avoid it. Really, when in doubt, just ask.

This blog does and may contain triggering material, due to the nature of this game and the character. The biggest ones that will be present here are violence, guns/shooting, crime, and illness. I should also note that, due to the fact that this game takes place in 1899, there may be some triggers related to the views of this time period. Arthur himself is rather progressive and doesn't hold those views himself, but that doesn't mean the people around him don't and may be referenced in threads. Everything will be tagged as I catch it and where needed.

SPOILERS: 

This game has been out for at least a year now. I will not be tagging for spoilers anymore, so please follow or read at your own risk if you are working through the game for the first time.

WRITING, SPEED, and NSFW:

My general writing style is paragraph/paragraphs. I don't mind one-liners but I usually only reserve those for starters that I’m writing and I tend to expand on the length of those as I go. I format my posts, mostly just some minimal spacing, small text (not sub), and all-caps words, bold, and italic usage. If this bothers anybody or makes it hard to read, please let me know and I can continue our thread in a non-formatted way. I also use icons, but I will follow my partner's lead on iconless rps. I can also be a little long-winded with my replies but you aren't obligated to match that. As long as I don't get like three sentences back to five paragraphs, we're all good.

I'm a slow rper. It may take me a day or two to get around to things, both asks, threads, and messages. I don't mind a nudge here and there but if it feels like you're pressuring me, I will warn you and block if it continues.

I'm 24, the muse is 36 in his main verse. We are both over the age in regards to nsfw. Smut is kind of rare for me and I don't do it often on Tumblr, however if we're in a ship and you want to write that over Discord, I may be open to it. That said, too, I will ONLY write nsfw with people and muses who are OVER 18. There is no exception to this. That noted, too, Arthur's in his 30's so a massive age gap may not appeal to him much either.

SHIPPING: 

I’m going to sound like a hardass but: I am a highly selective shipper on here, and the ships that do appear on this blog are ones I have had for quite some time. Everything of a romantic nature will need to be discussed with me and the chemistry has to be there for me to agree to shipping. I’m not an insta-shipper, nor am I accepting to pre-established romantic relationships outside of those in canon. They will need to be discussed with me like every other ship and may be subject to me disagreeing to do it. Otherwise, I am multi-ship, despite being highly selective, and I’m fine with discussing them but please be aware of this.

FOLLOWING, DRAMA, AND DUPLICATES: 

I will usually give someone a day or two of active posting after following before I unfollow if I don't receive one back. I don't mean anything personal by that, I'm simply making sure I don't accidentally like or send anything in if we aren't mutuals. That said, too, I am selective with who I do follow. If you're a sideblog and you don't have that blog easily accessible on your main blog or you don't message me about it, I'm likely going to miss it. I don't follow rp blogs that are run more like personals if only to keep my dash slower. Also, generally, if our writing styles don't mesh, you're rude to me, or you post nasty things, I will likely unfollow/block/or not follow back.

I don’t interact with or reblog callout posts. I don't have great patience with ooc drama and will likely unfollow if there is a lot of it being posted by you.

Following and being followed by duplicates (other Arthurs) is completely fine with me. However, with the mentality sometimes, I won't go out of my way to follow first if only to avoid making anybody uncomfortable by me doing so. I'm also non-exclusive for general interactions, so multiples of the same character I am fine with. I may take mains, however, which means these blogs get priority over plots and focus in headcanons, etc.

CROSSOVERS AND ORIGINAL CHARACTERS: 

I'm crossover friendly so long as I know the character/fandom. That said, if I just can't get into it or make it fit, I won't force it.

I love original characters and you guys are cool with me, however I do need to see at least some stats or a verse we can interact in before I follow/follow back. I'm also fine with your OC knowing Arthur in their backstory but, again, romantic stuff needs to be talked over with me first.

STARTER CALLS: 

I've found that I don't enjoy doing starter calls. I may do them here and there when the urge strikes, but the best way to interact with me is to message me or continuing memes sent or sent to me. I'm also more than happy to like other starter calls, too, if you want to throw them my way.

QUESTIONS?: 

No. Go away. >:(

I’m kidding. Just drop me a message, I’ll get back to you. I also have a Discord available to mutuals, if that’s what you prefer. I promise I’m not as much as a hard ass as these rules make me seem.

ABOUT THE MUN: 

Hey! Thank you for reading these if you do. A little introduction here: my name is Rory, I'm 25, Canadian and operate mostly out of the GMT-7 time zone. Though, I tend to post at odd hours so that may not be too noticeable. I'm nonbinary and I prefer they/them. I'm a full time university student, which means that I may disappear when studies pile up or my time is divided. That said, I do enjoy talking to people when I'm able. My IMs and Discord are always available to mutuals, just drop me a message.

[citialiin]

FIVE SONGS

list five songs associated with your muse and its meaning to them as a character, or to you as the writer. this can be applied in-character or out-of-character. it can go as deep as looking at the song’s real-world origins or meaning along with the themes it carries to the muses’ story, values, or experiences, or as simple as if your muse would listen to this kind of music, or even if you just listen to these pieces for inspiration.

TAGGED BY: @dansiere​​, who did such a good detailed job they even included an “honorable mentions list” ? i am embarrassed to type mine out now TAGGING: @blossomingbeelzebug​​ @zhrets​​ @dirtyfilthysunshine​​ @prcphesise​​ @hyakiru​ @foxcharmed​

01. kaun komsott - ros sereysothea

this song actually lyrically has absolutely nothing to do with ziggy !!!!  kaun komsott /  កូនកំសត់ actually just means “poor/pitiful child” it’s just a khmer dub of a song from a taiwanese movie lol but i feel like this is the kind of music he would listen to that made him fall in love with, like ... humanity, as dumb as that sounds. it’s time period appropriate (late 60s/early to mid 70s), the song is really good and it’s SO emotional.  i could see him sitting in the apartment of his bandmates after being “found” and they teach him how to use the record player and he sits there going through each and every record they have and listening to this and its like the fucking scene in ratatootie where the goddamn rat can visualize tastes as colors but he would be so enamored with the song he would see it in colors or something i dunno.  something has definitely fucking happened to my brain because ever since nat and alex and i rewatched ratatootie we keep referencing it for our characters. anyways i ended up using an instrumental of kaun komsott in the final film i made as the song that plays during the end.  so this song just also means a lot to me because it’s part of how i made this character and the film/story i animated to go along with him, i am sure you are all absolutely sick of hearing me talk about it <3  

02. who can i be now - daveed booweyywywy now you found me, now can I be real?  can I be real? if it’s all a vast creation / putting on a face that’s new someone has to see / a role for him and me someone might as well be you

one of z’s most obvious character motifs is figuring out self identity through adopting different guises.  he markets himself as being so overly confident and almost arrogantly certain of himself -- rock god space idol whatever -- as his own way of learning who he thinks he might be underneath it all.  i think at first it started off a little innocuous, a ‘ fake it till u make it ’ thing at the least and maybe more obviously a ‘ im not a human so i have to pretend to be someone else ’ deal, but over time it became almost all consuming and just obliterated all his previously held sense of self in favor of some weirdly demented version of who he wanted to be.  683 starts off with the same core personality traits as ziggy: maybe he’s a little vain, a little selfish, but he’s very interested in creativity/self-expression and he wants to be thought of as a unique individual and appreciated for his differences.  but the difference is that 683 isnt an arrogant asshole who has no regard for other people in the slightest.  so yeah ... who can u be now ... is it worth it to adopt a different guise or should he go through the effort of figuring out what parts of his personality were corroded by human influence and what parts are genuinely him?  my big endgame thoughts for his story would be that he eventually just decides to retire from the public eye and fucks off entirely.  this would be over the course of a long long long time -- maybe he has a good 20 yr run in the industry -- but there are some things about him he has to deal with (mental health issues, drug addiction, also the fact that you’re a freaky alien creature who doesnt age like a human so you’re physically like 46 and you still look like you’re 25?) so he inevitably decides he doesnt need the horrible pressure of fame and he ought to just live his life for himself.  i think this would be a nice final song for him to sing/perform -- then he goes into the dressing room and cuts his hair and just vanishes. bye.

03. sunny afternoon - the kinks Help me, help me, help me sail away Well give me two good reasons why I oughta stay 'Cause I love to live so pleasantly Live this life of luxury Lazing on a sunny afternoon

1. i think this would sound A LITTLE like the kind of music he would write/play albeit i feel like his would be more exciting and have more samplings of like laser noises or pewpewpew or weird spaceship sounds BUT.  its also pretty time period appropriate.  even in “modern” verses ziggy is inexplicably obsessed with the 1970s, he likes bell bottoms and thinks groovy patterns are neat and he owns too many lava lamps.  anywayz. 2. just the general idea of feeling unfulfilled with luxury -- even if ziggy enjoys his fame and wealth and the absolutely insane amount of pussy/dick he gets at some level he is still cognizantly aware of how weirdly empty he feels.  he ditched atomina and came here because he felt unfulfilled and bored and unwanted.  now he feels wanted (clearly, everyone loves him) and he feels entertained (earth is So Good at fun distractions) but his fulfillment still isnt quite there.  he’s getting there -- but in exchange of being able to live this life of fame, he’s had to kind of change everything about himself and live this almost caricature version of himself, and he knows he cant keep it up forever.  the luxury will run out one day and he’ll be a washup and no one cares about celebrities once they stop being hip.  it is literally only a matter of time before ziggy has to find out who he is because no one can be a “rockstar” forever.

04. i hate jimmy page - mindless self indulgence SUCKAS CAN REACH OUT TOUCH ME EAT ME BITE DA FUTURE & FUCK DA PAST  I'm lower than most animals and fear what might be weird and all those voices in my head have every right to be there i ain't a girl just cause i rock the boat i ain't a boy just cause i rock your world

i mean he does hate jimmy page but that’s beside the point. its just a good song about being a crazy rockstar and has the same Craziness that i feel like accompanies his character ... just go listen to it you will understand. there is nothing to explain here.  even the lyric “ill show u how official midgets jack me off” like just accept it. it’s whatever  but yeah i aint a girl i aint a boy ... i guess his gender (or lack thereof) never really comes up in rp but its still an important part of his character.  if any of u guys ever call him a man in prose again ill kick ur ass.  gender is like an accessory to him and he just takes whatever aspects of masculinity/femininity he prefers and discards everything else.  to him he’s just as much a “man” or a “woman” as he is a “human” which is to say he isnt, at all, and he just pretends to be because he feels obligated to.  also ziggy’s brain kind of sounds like this...just Noises.  his brain sounds like a microwave that’s been going off for 26 years.  i think his brain is a single uncooked pinto bean rolled in glitter that’s been left in a box with a cobweb

05. ghostride - crumb daydreaming I stay in the backseat / the slow beat rocks me back to sleep keeps me on automatic  press my face up close against the glass i see the people when they pass they move so automatic you wake up when I go down / the radio reminds me I'm alive we've been hearing it all night

i care more about 683 on atomina than i do about ziggy on earth sometimes (BUT I CARE THEM BOTH. DO U?) so ... 683 feeling aimless and drifting but trying to find purpose through passion, a person, some sort of concrete meaning -- going through the motions of life makes him feel empty he spends almost every day going through the same toil while feeling guilty or like a burden and also feeling like he’s ultimately nothing more than a replaceable cog in a machine. his species had a near extinction = bottleneck which made them so genetically similar they’re almost clones of each other.  no one ever seems to do anything wrong except him, he finds no joy or fulfillment in anything at all.  all he ever wanted (which isnt a selfish desire at all) was to feel purpose, or feel wanted, or appreciated. inevitably he leaves because of his own imagination -- he yearns for something More, and he doesn’t know What, so he figured he ought to at least Try instead of waste his life away. also atomina is supposed to sound like “automatic.”  do NOT make fun of my bad scifi.  i am trying to mimic the way 1970s scifi is endearingly cheesy.  come here.  i just want to touch you with this knife.  gently tho it wont go inside of you. bro you are bleeding. bro we are bleeding and i keep putting the knife in your soft parts.

[threewaysdivided]

I appreciate the response. Yeah, among other adjustments, had the plot been handled a little differently, I feel like Sam’s relationship with her parents could have evolved into something like that of Danny and Jazz and their parents. And don’t get me wrong; I still like Sam, too.

(In reference to this post and follow-up ask.)

Good to hear from you again 😊

I think there were a lot of things across the board that could have been tweaked or edited to improve the integrity of the series.  If I had to boil down the problem with DP to a single point I’d probably say it’s that the most interesting parts of the show are the characters/world/implications but the writers (or some of them anyway - I suspect there might have been some conflict between Hartman, the lead writers and the execs’) wanted certain plots, aesops and gags, and chose to brute-force them in regardless of whether they actually worked with what was already there.  Basically, it lacks consistency and internal logic.

For Sam in particular I think there are a few things that could have been handled better:

First one’s more a general complaint at the show and might light a fire under my notes but heck lets go there anyway but the writing has kind of a sexist bent that really doesn’t fit the characters or need to be there. Considering how much Danny and Jack are shown to love and respect Maddie and Jazz there’s no way they’d call their involvement in Genius Magazine “the swimsuit edition”.  Paulina might be traditionally feminine but “She surrendered her individuality for a boy! I’m so proud of her!” is not a line that any human girl in the history of human girls would say unironically.  There’s also a few too many jokes that basically boil down to “male character is emasculated/ vulnerable/ likes feminine-coded things, hyuk hyuk hyuk”.

I’m bringing this up not just because they’re gross cheap gags but because for Sam specifically, this pervasive low-key contempt for women and femininity in the writing, especially the tendency to portray almost every non-sympathetic girl her age as one-note, brainless boy-crazy cliches that she can’t connect with, really does not help her character.  I would have loved to see more genuine interaction between Sam and the other girls, even if it most of it was Kim Possible-Bonnie Rockwaller style antagonistic rapport.  We could have seen her develop some kind of tenuous connection with one of the A-listers, or even just have a secondary-female-character to be cordial towards - kind of like Mikey is for Danny and Tucker.  Hold up, outside of Valerie, Star and Paulina are there any named secondary girls at Casper High?  Sam doesn’t seem to have a single female friend in the show and considering how vocally judgemental she is, it can almost read like she’s rejecting them outright for being girls, which really undercuts attempts to make her seem feminist. (I mentioned it in a past tag but this feels like an early-2000s-male-writer mistake of equating Female Empowerment™ with the ability to tear down other women and belittle traditional femininity - which isn’t so much Feminism as it is Internalised Misogyny.)  Even just mixing up the pairings to put her with Star instead of Kwan in Lucky in Love would have helped.

I’d have also liked to see more awareness of and consistency in the conflict between her activism and her wealth.  It kind of undercuts the significance of her activism when you realise that she’s wealthy enough to make these choices with little cost to herself; it’s much easier to go vegan or buy renewable/ recyclable /sustainable /fair-trade when price isn’t an issue, especially if you also have serving staff to offset the time cost.  Once you notice this it makes her activism feel more tokenistic, and also like she doesn’t really understand her own privilege when she tries to push her agendas onto the school/ her classmates without considering why they mightn’t be able to do so as easily.  It’s also weird because the source of her family’s wealth is a cellophane-toothpick-wrapper (i.e. something that basically produces litter) but she still seems very comfortable enjoying the material benefits despite her pro-eco anti-consumerism sentiments.  It’s bizarre that she’s more concerned with the social consequence of ‘fake friends’ than the ethics of capitalism.  It can come off a bit “do as I say, not as I do”. 

It would have been nice for the show to give more screen time to reinforcing that Sam is aware of that conflict and is making an active effort to hold to her principles even at the cost of personal comfort; maybe showing some unease at the source of her wealth, trying to live below her means and only spend up on ethical/ eco-friendly/ sustainable products, op-shopping or hand-making her goth accessories, going out of her way to re-use or re-purpose things even if buying a new one would be ‘better’, actually showing or referencing her doing substantial hands-on activities (e.g. going off-screen or taking the boys to do tree-planting, litter pickups, soup kitchens, animal-shelter work etc).  Just something to help make it clearer that she genuinely cares and isn’t just doing the low-mess lip-service activities because she enjoys indulging in the image of Wokeness™.

These things would have helped regardless of how her family was written but let’s hop back on topic and talk about them.  I don’t have any prescriptive preference but let’s spitball a few different options and how they could have played:

#1 Sam’s parents don’t respect her interests and want her to fit a mold

In this case I’d make it that they don’t really pay attention or show much caring for who Sam really is as a person; their image of and interactions with her are more of a fantasised version of the ‘perfect’ daughter they want, they make very little effort to encourage her actual interests and are perhaps restrictive about what they let her do in the few moments when they do bother paying close attention (you might compare to some versions of Tim Drake’s Parents from DC Comics).  Classist, overly image-conscious, snobby and superficial.  

This would be the most sympathetic portrayal of her character without changing it very far from how it is in DP canon - helping contextualise why Sam is so fiercely defensive of her autonomy, why she pushes so hard when trying to get her opinions across and why she’s so judgemental of rich people and disdainful towards classic femininity - even possibly explaining her more hypocritical/ manipulative/ entitled traits as learned behaviours.  It would also give her more legitimate reason to be less empathetic towards others - after all even if they have struggles and family troubles it’s still better than what she’s dealing with (Danny’s parents may not be attentive but hey, at least they love him for himself, right?)

For this version I’d probably put her arc around growing past the “suffering olympics” model of viewing other people’s pain, but also in her finding family in Danny/Tucker/her Grandmother’s circle of connections, learning how to have healthy power-balance and communication in her relationships with others (aka: getting over her hypocrisy and realising that assertiveness is about communicating that “I matter, and so do you”) and pulling away from her parents’ influence - maybe even living with Ida a lot of the time.

#2 Sam’s parents are well-intentioned but overbearing

For this one, Sam’s parents would genuinely want the best for her… only they have an overly old-fashioned and restrictive view of what “the best” is and are a bit set-in-their-ways.  They’d probably view “hippies” and “goth” stuff as “dangerously rebellious hooligan-activities” and likely to be somewhat patronising about Sam’s passion for it being “just a phase”.   They’d be worried about her hanging around “the Fenton Kid” and “the Foley Kid” both because Danny’s parents are kind of irresponsible screwballs about safety but also because they put a lot of value in image due to their belief in social connections being the way to get ahead.  Them pushing Sam towards classic femininity and specific activities would be less about disrespecting her identity and more about their overly narrow view of “success” and worrying that she’s going to end up losing valuable opportunities and “wasting her life” if she keeps on down her current path.

This would still give Sam more sympathetic context for her views on femininity and pushiness about self-expression. 

Personally I think the arc I’d like to see here is one themed around responsible/considerate assertiveness and valuing alternative perspectives.  Sam coming to realise her own hypocrisy - that she can’t push her views onto others while complaining about her parents doing the same - developing more sympathy for Danny as she realises that he’s in a similar position with Jack’s insistence that he’ll inherent Fentonworks and his parents’ narrow-mindedness about ghosts, interacting with other girls and seeing their perspective, learning how to assert her opinion while making allowances for others’ (maybe an alternative version where she connects with Star in Lucky in Love and, after Aragon’s defeat in Beauty Marked, Sam still says she personally thinks it’s dumb but then steps down and lets Star win because she understands that Star values it), and getting her Grandma’s help in convincing her parents to widen their perspective while still responding to their concerns.

(This one has the overall kindest message and I think I like it best).

#3 Sam’s parents are trying and Sam’s actually the problem 

This one is the one that’s the least sympathetic to Sam.  Her parents still don’t get the Goth/Activist thing and they have some concerns about safety but they understand that it makes her happy and they’re okay with it so long as she’s not getting into trouble or mixing up with anyone that could hurt her.  Them pushing her towards more feminine/optimistic things is less pushing and more trying to encourage some hobbies that offer a bit more common ground.  They might have reservations, and they might not always have time, but they would like to be part of their daughter’s life… except for the problem that Sam has wrapped herself up in a teen-drama persecution complex and got it into her head that they “won’t accept her” are “pushing her to be someone else” and “don’t understand” so there’s no point even trying to explain or connect.  In this one Ida isn’t taking sides on purpose but she ends up accidentally enabling Sam a little because Sam reminds her of her younger days and she likes spoiling her granddaughter (and doesn’t much care for her daughter-in-law).

In this case Sam’s flaws would be framed much more as flaws born of her making superficial snap judgements, thinking she knows better and being too proud to admit she’s wrong.  There would definitely be moments of her coming across as an entitled, privileged holier-than-thou brat who invents problems because she likes feeling sorry for herself, especially early in her arc.

This version of the story would go the hardest on Sam with the general lesson being “you need to respect that other people are people who have their own problems, feelings and needs that are as real and valid as yours”.  She’d still have good qualities and Danny and Tucker would still obviously like and value her but there’d also be times of strain where they don’t want to hurt her feelings but are clearly getting worn out with the nonsense.  At its worst, maybe a “you’re like mustard. Great in small quantities, but a lot of you is…a lot” type confrontation.

I’d also give the secondary cast the most fleshing out, agency and sympathetic-ness here, and have beats where Sam has to realise that they’re lot more complex than her 2D stereotyped view of them and are dealing with actual serious problems to which hers are largely non-issues by comparison.  I’d probably play Dash and Paulina similar to in the fic Alibi (go read it, it’s good) - Dash being gay and performing aggression because toxic masculinity, insecurity, and being terrified of anyone outside the A-listers finding out (still not okay that he’s a bully but at least more understandable), while Paulina is hiding high emotional perceptiveness behind her pretty face and deliberately bearding for him to keep bigoted parents/ teachers off his back.  I’d also probably have a subplot in an alternate Life Lessons where Sam follows Valerie around because jealous/possessive and, like Danny, ends up realising that she’s working two jobs to help her Dad with their financial problems.  Basically she’d be getting hit with the Reality Stick a lot.

There’d also be more instances of Sam getting directly called out by the other girls. Fleshing them out as people and showing that their dislike is less superficiality and more because she unfairly judges and antagonises them all the time.  Giving them more agency in Beauty Marked and have them be direct about “we know you’re just here to be smug about how much ‘Better’ you are but have you considered that we’re doing this for ourselves and actually enjoy it?”.  Having Paulina be less “tee hee I am indeed a Witch” in Parental Bonding and more “Ugh fine, fine, I don’t really like him that much but you were being so obviously Jealous and Judge-y and I figured if I played a little you might actually step up.  But fine, if you’re sure.  Here’s your necklace back, I’ll let your dorky ‘friend’ down tomorrow.  But pro-tip?  You like someone you gotta go for it - otherwise don’t complain when your boy-toy gets taken by someone who actually means it.”  (Still petty, but emotionally intelligent pettiness, which… not really much better, but at least more interesting.)  A lot more of Sam realising that she’s not a particularly good feminist and that she’s no more entitled to Danny’s affections than anyone else.

To be honest, while I could say the most about this version and there’s a lot of potential drama there it’s the one I like the least because it means canonising my least favourite proto-abusive bad-faith narcissistic reading of Sam, casting her as an almost-villain and essentially punishing her over and over until she character develops into a decent human being.  Sure it’s an important message about how you treat others but it’s not a very nice or kind story and while there might be the odd fic that makes it cathartic I can’t say I’m a huge fan.

Again, if I had to pick, I’d probably go with something like #2. 

But there we go.  Another thrilling instalment in the “overly long posts about Sam Manson” saga.  

Hope you enjoyed it and thanks for stopping by!

[lululawrence]

lululawrence’s April 2019 Fic List

Click here for previous months’ fic lists

Guess who’s back, back again... I actually wrote that when I drafted this post a month ago and I’m keeping it cause it’s funny ahhaha So this month has been a ride, hasn’t it? I’ve read some amazing fic though, so I’m super excited to talk about it with you! I read quite a few from the Shake Off the Dust collection as well as fics from the beginning of round 2 of @onedirectionbigbang and other various things as I tried and failed to keep up with all the new fic coming out haha We are so blessed to have so much amazing fic. So, without further ado, here are the fics I read and loved this month!

Hazy by @nikogda / nikogda This fic was written for me because I was anxious one day and they saw a post referring to it and they wrote this as a soothing fic for me and lemme tell ya, IT WORKED. It was so soft and... well... hazy. haha I loved it. A great fic to come back to on a rough day, for sure!

Keep Your Hands Up, So I Can See by @goodmorningtoyouuniverse / GMTYUniverse This fic was such a great HP AU! It was enemies to lovers with a touch of misunderstanding and frustrations and just all the good things with cameos by some of our favorite characters from the original series! I loved it very much a lot. It threw me into the world and made me smile quite a bit.

it's in his kiss by @disgruntledkittenface / disgruntledkittenface This is where Maggie took what she wrote through requests on ask and posted them to ao3 for the kiss meme and lemme tell ya! There’s some ships she wrote that I never felt a desire for, and she wrote them so perfectly that I almost started shipping them hahahaa Each chapter is it’s own little world and it pulled me in so entirely that they felt like full fics! How does she do that in such few words? I dunno. But they’re all glorious. Every last one. Defo a great read when things are hard too, i’d read a chapter when I had a moment and it made my busy, stressful days so much better.

Nothing's Gonna Stop Us Now by @allwaswell16 / allwaswell16 I think this one was written for the short fic fest, and I loved it so so much! She describes Harry’s movements as “giraffing about” or something like that and I will never stop laughing about that. Add to it that Harry in the fic legit thought Louis was a mannequin and I just DIE. It’s amazing. Such a silly, fun fic!

Soju (소주) by @gettingaphdinmomo / gettingaphdinlarry This is a Shiall fic that just drew me in. It has such a visual and atmospheric pull to it, like all of her fics do, and it makes you almost feel as if you’re somehow there. I dunno how she does it, but her magic is worked for sure with this fic and I had to just sit there, and process when it ended. A fun, short fic to easily get lost in.

Just Go With It by @rainbowsandlovehl / rainbowslovehl (Larrymateforlife) This fic!!!! Meet Cute heaven! It was light and fluffy and awkward and silly and I loved it so much and for real this Brett character was TOO MUCH. hahahahaha With the added fun of the little jokes like talk of organic guacamole etc and I loved it so much. It was the smile I needed.

All I Want Is To Fall With You by @2tiedships2 / 2tiedships2 Mel keeps posting fics that are so fun! How does she do it? This time the crew takes on a ski trip and Louis has to deal with stupid alphas staying in the same cabin without knowing about it beforehand and of course nothing goes to plan! That’s half the fun, though, right? Besides. The alphas aren’t that bad. haha

Do You Wanna Ride by @phd-mama / phdmama She wrote this fic for @justalittlelouislove and I screamed reading it the whole time. I took so long reading it because I kept stopping to scream and share how uncomfortable I was over the obvious awkwardness and sexual tension and it was just SO SO SO GOOD. The embarrassment just gahhhhhhh I loved it.

Strawberries & Cigarettes by @dimpled-halo / dimpled_halo A year later I FINALLY read this and I loved it as much as I knew I would. I wanted pain, and it gave it to me! It gave me pain and healing and a gorgeous story. It was such a great read, I’m so so happy I finally had the time to dedicate to it because it was just. So much of everything I love.

Let It Down by @red--special / red_special This fic has also been on my to read list for ages and I am also so so happy I got to read it finally! It was such a great fic and so much fun and so sexy and funny and awkward and I wanted to bask in it a little longer. It was so so good. hahahaha I keep thinking about the tattoo and I can’t stop giggling. Just do yourself a favor and read this fic. haha

Like A Siren In The Night by @crazyupsetter / whoknows This is an a/b/o fic that I could not get enough of or read fast enough. It’s historical, though that doesn’t play a major role, and the playing with the world building was SO MUCH FUN to read. The way their relationship developed as well was just DELICIOUS. I loved every second of it.

please forgive me if my lips quake by @disgruntledkittenface / disgruntledkittenface Girl direction! With a cat! I was heart eyes the entire fic and once again, such feeling was evoked in it that I wanted to just sit and enjoy it for awhile longer. Sigh. What pure enjoyment! I loved it.

I was the King (tonight let it go) by @sadaveniren / SadaVeniren I... Okay listen. lollll I didn’t write this obviously, but it felt like such a self indulgent read I almost wished I had? If that makes sense? It was everything I love. I LOVE the emotional side and thought behind BDSM. Like, that’s most of what makes it so so so interesting and fascinating for me to read, and Sada gave that to us with this fic in DROVES as well as the fighting against natural inclinations etc etc etc. It was just a fab fic and I loved so so so much of it.

Failure to Launch by @all-these-larrythings / Rearviewdreamer Michelle has a way of taking things I don’t know about and making me love them so so so much. This film was one that many I knew loved and I felt mainly meh about it, but I knew if Michelle wrote it I would love it, and I WAS RIGHT. She took all the things I was not fond of in the original and twisted them so it still referenced the original source, but made it so much better. I loved it so so so much because it was so very much like the original film, but also very much her own. 

Come Home to Me by @pocketsunshineharry / ishiplouis I wanted pain, and pain was what I got. I cried and I kept waiting and waiting for things to come together again and they finally did! But WOW the pain leading up to that! It was amazing how much was harnessed in it. I will say, please beware the tags. Some heavy topics are handled in the fic - including some depression/anxiety etc - so please be safe with that. A great read, though! 

fondre ton absence by @scrunchyharry / scrunchyharry OMG OMG OMG OMG OMG OMG OMG I just. I’m a sucker for WWI and WWII period anything. It’s one of my favorite periods in history for the social, political, militaristic, just EVERYTHING historically. I find it fascinating and I adore it. I was both excited and wary how this would go then, knowing how much I love it. Well. I cried the entire way through and was in awe of how the time period and everything was handled. It’s an amnesia friends to lovers wartime period-typical homophobia acknowledging fic which basically means it is my dream fic. I cannot rave about it enough, much less the incredible art that was done by @whenthebodiesspeak!!! It was STUNNING and yeah. Just. Amazing. A masterpiece.

An Unbalanced Force by @kingsofeverything / FullOnLarrie MAROLD HAROLD with art by @goodmorningtoyouuniverse! I cried a few times during this one and it was such a realistic and beautiful and comprehensive view of a relationship, of adulthood, of trying to find love again after, just... all of it. It is a study of flawed individuals trying to make do and learning where their lines are and it is gorgeous. I loved it so so so much and I keep randomly thinking about it. A great fic and worth the wait and teasing she gave us over the months! hahahaha

That's What I'm Here For by @taggiecb / taggiecb ANOTHER DREAM FIC, ANOTHER FIC THAT MADE ME CRY! I cannot rave enough about how this big bang has kicked off, like, I just truly cannot. @noellehenry did a gorgeous moodboard for it as well, and I just. Demisexual farmer Louis who has been on his own for so long he just. Hardly knows how to be social anymore and Harry has to come and teach him and I’m about to give away spoilers so I’ll stop but this fic is so close to my heart, okay? I love love love love love it.

To Carry Onward by @londonfoginacup / LadyLondonderry THIS LITTLE FIC!!! I keep yelling, I know. Sorry not sorry. But for real it’s 500 words and just...so full of love and longing and mystery and hope and I cannot. I love Emmu’s words and worlds and this is no exception.

A Spell and A Spark by @dinosaursmate / dinosaursmate It’s out in the world! This fic was everything I needed when I read it. I was having a really rough time, and I would get to the end of those days and get to read this fic and it soothed me, cheered me, and took me away to another world. It was so much fun and just pure joy to read. And then the art that @londonfoginacup made for it! It was such a great combo of writing and art. Another wonderful fic for big bang!

{insert acclaimed artist} was never even in love anyway by underthesunlight This is the first of several fics I read from the Shake Off the Dust collection and it was such a fun read. It was domestic and silly and soft and it made me smile.

Primtemps by @londonfoginacup / LadyLondonderry She’s just so good, isn’t she? I finished this fic and almost immediately went back to the beginning because I wanted to read it again. It’s so soft and you could almost SMELL what she was describing. It was a perfect read of a perfect day and it made me long for the days in the past that I’d had like it. Glorious.

Taking Care of You (Is My Favorite Thing) by @allthelarrylovex / cherrylarry Niam! Not usually my pairing of choice, but I loved it so much. I also very much identified with the shitty allergies aspect of it as I am dealing with that myself at the moment, so it just had me sitting there nodding like IT REALLY DOES SUCK BABES I GET IT hahaha

You Keep Me Warm by @crinkle-eyed-boo / crinkle-eyed-boo (KimmieRocks) I’ve not read Own the Scars yet, but I still read this despite it being a time stamp, and I’m so glad I did. I loved it and it made me smile. It also made me want to read the original, so I can’t wait until I have a chance to!

Love's Gentle Spring by @laynefaire / Layne Faire (HisDarlin) This is also a continuation! It’s a fun addition to her spring drabbles from last year, which are not necessary to read in order to enjoy this, though it does add to the fun hahaha I loved that little series so much and was very very glad she made this addition!

Housewives of Our Lives by @homosociallyyours / homosociallyyours I’ve never watched any of the housewives shows, but that didn’t matter. As usual Megan wrote a fic that had me wanting to be their friend and hang out with them as they did these ridiculous things because it sounded like such fun. I loved it as well.

A Larry Limerick by @kingsofeverything / FullOnLarrie I know this was mostly silly and to be funny, but I enjoyed it so I’m including it here hahaha

sun, here it comes by @louandhazaf / YesIsAWorld and It's been a long, cold, lonely winter by @kingsofeverything / FullOnLarrie I’m putting both of them here, because if you haven’t read them yet you should. They are two sides of the same story, and I fully recommend you read them in the order I listed them too haha I did and it was wonderful and delightful and basically all things good. SO much fun.

just me, him, and the moon by HazHas4Nips This was cuuuuuuute! I don’t even know what more to say, I just keep sitting here and smiling thinking about it. So I guess if you want a fic that makes you smile, this is a great little one. 

Spring Break by @allwaswell16 / allwaswell16 This fic came out of a partially true story and it was so much fun to finally be able to read what Anitra did with it haha I was giggling and loving it so so much the entire way. As usual. Can’t go wrong.

What's Mine is Yours by @uhohmorshedios / yeah_alright This fic is listed as a Narry fic, and it is, but it’s Narry friendship which made me giggle so so so much! hahaha It was so funny and the way Harry was described and Niall’s just...almost annoyance? I can’t even explain. It’s so much fun. 

Latching Onto You by @reminiscingintherain / reminiscingintherain This fic is pure fluff. Fluff and silliness and all things sweet and good. I was trying to find the best way to describe it and the first thing that came to mind was it was a bowl of sweet dessert and I finally realized it’s a parfait. It’s got layers, but all of it is sweet and soft and yummy. hahaha SO if that sounds like something amazing in a fic, then you defo wanna give this a read! 

Face Your Fears by @sadaveniren / SadaVeniren I’ll be honest, I finished this one around 2 am after a very long day and had to wake up too early again this morning, so I still haven’t fully computed this fic lollll Just know the pain is real, it is glorious, the journey the characters all take and the way Harry and Louis’ relationship grows is so incredible, I just... this fic is everything I’ve wanted in an a/b/o since I started reading a/b/o almost five years ago haha 

And that’s my very long fic list from this month! I hope you enjoy them as much as I did if you give them a try. And please remember to leave nice comments and kudos for the authors who work so hard to gift us with these stories! Happy reading :D

[trashyeggroll]

Look at you getting analytical on the ARROWs Professor Trashy. :) Next please do why not shipping a queer pairing on a show and or pointing out flaws about it doesn't make you homophobic! Sitting patiently for your class.

😘 I would be a terrible professor anon bc flattery would make me buy fyre fest 2 tickets

PARAMETERS/DISCLAIMERS:

1. So you said queer pairings WHICH I accept as a blanket term for LGBTQ+ on my blog, but I think based on how simplistic gender identity is almost exclusively depicted in US media so usually this just means canonically only knowing a character’s pronouns and I’ll come back to that. Basically, let’s assume for the sake of this we’re talking specifically about mlm and wlw ships.

2. I’m also going to assume you don’t mean where a character has canonically identified with a monosexual queer label, eg lesbian, and under the fairly narrow way sexual orientation is typically defined in media. Because yes, it is typically homophobic to ship a lesbian with a cishet man over litch rally any woman in the general setting, but more on that later too.

3. This would be a much less fraught issue if we had a robust catalogue of queer stories told by queer people with all kinds of endings (happy to sad) and genres (war movies to romcoms), but because that’s not how capitalism and moralistic censorship in media works… we know that our attention and dedication to a franchise/ship is what the studios want from us to get that content.

This topic is another one where people tend to focus on individual examples, but the real issue is the big picture and repetitive behavior as experienced by queer folks. Western media and the male gaze love a “lesbian finds THE RIGHT man” storyline, and it’s not a coincidence that that also is a line delivered in abuse to lesbians: “you just need to try some dick”. I’m sure lesbians are not the only ones who’ve experienced this but because lesbians are women, the element of misogyny adds an extra twinge of violence to that outlook.

But a less basic and depressing approach to this, the Captain Marvel/Thor v Captain Marvel/Maria Rambeau example is a fairly decent example where one meaningful look between m/f characters can set off an Internet shipping lovefest but then folks gets real “friendship is the truest love” re: someone with whom a woman has a substantive relationship that isn’t given a romantic label. But that argument will never be resolved by Discourse, right, because the canon is the only place that can clarify, and MCU never will, so we’re left to our own devices. That’s just one example among a repetitive behavior that makes mlm/wlw ships feel inferior. Please don’t @ me, ya’ll know this is a Space Wives house no matter what anyone says 💆🏻

OK, now—

Most of the time, we are left to infer a character’s identity the via relationships they have, rather than any spoken identity. And most of the time, we are put through some heavy handed coming out reference for wlw and mlm characters, but it seems like we are increasingly getting some actual, spoken identities, ex: Grace Choi says the words, “You do know I’m bi, right?”

But IRL and with media, straight people still are just there, right? That’s why the coming out narrative belongs to queer people, and straight people “coming out” ain’t cute solidarity. The absence of words is what makes characters straight (and sometimes it’s queerbaiting), and we are right to demand the actual language we use to form community is used in the media representing us, in a substantive and respectful way.

Also IRL, when we are kind and at our best, we know that someone who has identified as a lesbian for years entering a loving, healthy relationship with a cishet man is OK. Nobody’s being invalidated. It’s not commentary on my marriage to my wife. It has literally no impact on anyone but the two people in that relationship, as long as we on the outside aren’t trying to be the Sexuality and Gender police… which we humans are much more prone to doing with thousands of strangers on the Internet 😬

So keeping in mind that people get so worked up at least partially due to #4 above, I think the question isn’t even about the ships necessarily, but how this friction in fandom is occurring. First and foremost, we should listen, without defensiveness, to everyone who tells us that the things we say or create make them uncomfortable in some way, and that doesn’t mean you have to agree, because it’s up to you to decide to hold yourself accountable what you feel is right. And if you’ve ever been the person trying to hold someone else to account, same applies to listening to the answer (including not accepting half assed apologies or whatever you have the emotional bandwidth to do after saying your piece). I think that if someone is going to someone else’s blog, commenting on their content, essentially proactively taking steps to let someone know you don’t like their ship for reasons other than problematic ones… you’re just stirring the pot for no reason. Make your own posts. Keep it out of the main tags. Filter and block content and blogs that make you angry.

Anyway, how’s that for the windy lead up to my answer to the question, which is: When we’re dealing with labeless characters, no matter how they present or who they date in canon, I think everything is fair game for fanon, and there’s a weird demand for performativity in calling someone homophobic for not supporting a wlw or mlm ship. In a general sense, and given the disclaimers above.

The most important questions to me are: Is the construction of this fanon relationship healthy? Would they be happy?

Outside of that, if we don’t have any indication otherwise, what’s the harm in shipping a “queer” pairing, a straight pairing, or both? Or neither? Or, why are we playing into the baseline assumption that no label = cishet? And, isn’t it at least partially bi/pan phobic to call a m/f ship hetero by default? 🤔 Same for it being transphobic to call the characters cis by default? The “phobic” words aren’t really right here: It’s more like passive reinforcement of heternormativity.

HERE’S THE THING THOUGH: That’s where I feel like Tumblr discourse (and I don’t use that word as a pejorative) has full speed lapped Hollywood and Western media bc no fucking way do they get to make that argument at us. Not until they have given us the utopia world of #4. We’re still getting your Call Me By Your Name’s and MCU patting itself on the back for that one dude referencing a husband. They get no benefit of the doubt until they make real steps toward inclusion and giving as many people as possible the opportunity to feel seen and understood and well represented on a worldwide stage.

So what I’m saying is, I just don’t think there’s any reason to fight each other when identity is left in the air, amongst the fandom worlds. We turn to fellow fans and content creators for the rep we want, the ships we want, and to commiserate on the sins of canon. The real enemy is scarcity, specifically a false scarcity created by the capitalistic media world, and we should be together in demanding to be seen by culture as fully realized human beings with just as much of a spectrum of experience with the world as cishets.

[bakudekuficlibrary]

Heelloo! This blog is absolutely wonderful. Before sleep, I always come to look for a fanfic based on the lists and it's very helpful. I can't help but sleep like a bear after reading a good fic recommended in this blog. Hope you continuee! And alsoo I have a request... if there is any fic with a jelly Kacchan, but a frequently jealous Kacchan. Because I love reading that type of scenes. Hope you answer meee, thankk youuu!!! ;;;

Hi! Thank you so much for the kind words, and I’m so sorry for the wait! Here’s a link to the Jealous Kacchan mini-list, just in case you haven’t seen it yet. Hmm… I think possessive behavior fics have a lot of Jealous Kacchan moments, so here’s a mini-list! (Some fics are tagged with both “Jealous Bakugou Katsuki” and “Possessive Behavior,” so you will see some works listed on here that were already listed in the other mini-list!)

-Ellie

20 Works.

Before Midnight by DriftingGlass ( E | 211,528 | 28/28 )

Izuku Midoriya takes the same train to and from school Monday through Friday, morning and night. His only company during these lonesome hours comes in the form of another boy his age—a teen with scarred hands and blood gem eyes, a stranger with ash-blond hair who walks in a shroud of danger and mystery.

“Would you stop with that fucking muttering, idiot?”

And before Izuku can find his footing, his life becomes a full-blown collision course thanks to walking cannonball Katsuki Bakugou.

(And along the way he may have found the missing fuel to his fire).

[Graphic Depictions of Violence | Underage | Implied/Referenced Child Abuse | Emotional/Psychological Abuse | Attempted Sexual Assault]

[Abandoned] Alexithymia by DriftingGlass ( M | 61,246 | 10/11 )

It’s as if he’s inhaling a breath of snow and ashes—a shock and choke in his throat, strangely reminiscent of the day he realized that the birthmark blooming on his shoulder was identical to the drawings on his childhood friend’s desk.

Now, twelve years later, it only confirms Izuku’s impending doubts that, yes, he is now legally claimed by Katsuki Bakugou.

[ THIS FIC HAS BEEN DISCONTINUED. ]

[Underage]

[On Hiatus] Lost Omega by GreyDayMoon ( Not Rated | 36,940+ | 12/? )

Izuku was just trying to take care of himself and his mother but a single slip up sends him into unfamiliar territory where he encounters an aggressive alpha who drags him into tribe life.

*On temporary Hiatus*

[Graphic Depictions of Violence | Underage | Dub-Con]

[On Hiatus] And He Was Magnificent by Skaii, SugarbabyIzuku ( E | 4,134+ | 1/? )

Midoriya Izuku is an omega slave, born into a life of subservience. He’s trapped, never to reach his dreams of something more; until he’s thrust headfirst into the world of Bakugou Katsuki, the crown prince of Incendium Kingdom. Now, Izuku must adjust to a new life as Katsuki’s slave—while a war that threatens to shake the land looms on the horizon.

[Graphic Depictions of Violence]

[On Hiatus] Quirkless by InkHound ( M | 29,444+ | 6/? )

Izuku’s heartbroken at the tender age of four— the doctors have confirmed he is quirkless. But the truly crushing blow is when not long afterward, little Izuku has a chance meeting with his number one hero; All Might, who tells him that without a quirk, he can’t be a hero (it’s just too dangerous).

Later that night, Izuku is watching his favorite All Might video in a daze. He puts the question to his mother; can he still be a hero, without a quirk? He watches as she freezes up, pale-faced and wet-eyed before she rushes to his side and speaks in a trembling, tear-filled voice;

“Oh baby, my sweet baby ‘zuku,” she says through her tears, “Of course you can.”

And everything changed.

[Underage]

The Bonds that Bind Us by DMMegsie ( M | 28,298+ | 5/? )

Travelling with his trading caravan, Izuku is on his way home when they stumble across an already heated battle in the middle of an open field in the dead of night. Being mistaken as part of attacking party, Izuku finds himself fighting off the fabled Demon King of the Mountains of Fire.

However, during the battle, Izuku breaks a necklace on the Demon King that held an unspoken promise from his mother from long ago, which changes everything.

Nothing ever as it seems, nor is it simple. As an omega of elven descent, Izuku has a lot to learn about the greater world and himself. The same could be said of the half dragon lord of the mountain.

[Graphic Depictions of Violence | Rape/Non-Con]

Oubaitori by DriftingGlass ( M | 32,666+ | 4/16 )

From the moment he was born, Izuku understood that he was different. He was a rarity, an omega; not necessarily seen as useful or even desirable. It didn’t take long, however, for his entire future to be placed in the hands of an alpha, one by the name of Katsuki Bakugo.

Through many pitfalls, confusion, and pains of growing up in a city where both are outcasts of their own kind, it takes more than just the threads of instinct and arranged contracts to bring two hearts together.

Love isn’t fate. It’s pure luck.

[Underage]

Mark Me Up by Flightless_Bird ( T | 1,674 | 1/1 )

Katsuki’s gaze cut into him again like a lightning bolt and it took Izuku a second to realize what the tilt of the blonde’s head meant: come here.

Hero & Zero by GreyDayMoon ( Not Rated | 8,493+ | 4/? )

Bakugou was the number one hero, surrounded by fans, and loaded with fame and fortune. So why would he care if a boy from his childhood still watched him from the edge of crowds? He wouldn’t give a shit about Deku who would? Who would even be looking for that stupid messy green hair?

Except maybe he would.

The Only One Who Can Make You… by TitanOrphanAnnie ( E | 898 | 1/1 )

PWP One-Shot about some fooling around after class that ends up fluffier than Kaachan was prepared for.

Possessive fuck by Thetrash ( E | 2,585 | 1/1 )

Izuku has a study date with Shoto and Katsuki decides to fuck him before he leaves.

[Dub-Con]

Aphiemi by DriftingGlass ( G | 9,591 | 1/1 )

[ Aphiemi - “to send for one’s self, to forsake, to hurl away, to disregard, to put off.” ]

Emotions are incredibly difficult to control and formulate the way you want to. For one Katsuki Bakugou, he’s made mistakes and placed assumptions on one person he realizes he cannot bear to live without, no matter how much he simultaneously detests and adores the little shithead.

Gagging For It by sagequit ( E | 3,006+ | 2/? )

Bakugou discovers that Midoriya has a bit of an oral fixation. Shameless PWP.

SeriesPart 1 of Bakudeku Filth

[Underage]

Soft Spots by Saysi ( E | 38,613+ | 18/? )

Midoriya and Bakugou don’t have the best of relationships - except when they find themselves alone.

Bakugou quickly finds himself developing a soft spot for the nerd.

Happy birthday Midoriya!

[Underage]

Fake It Till I Make You Mine by AnimeLoversInTown ( E | 8,514+ | 3/? )

All Katsuki wanted was to get away from people and eat his lunch in peace. How is it that after only two short minutes of blissful silence, he suddenly had to deal with Deku bawling, got suckered into listening to his problems, and wound up with a boyfriend? Ah well, at least he wasn’t bored.

[Underage]

Miko!!! by Hermaphrodite ( T | 30,110+ | 6/? )

Izuku isn’t really sure, but hes pretty certian in his past life he must have been a terrible person, maybe a heretic that had a cult following and went on a mass murder spree that cost people their lives or something, because there is no way that the gods could hate him this much for absolutely no reason besides existing. Firstly, he was born as a Omega, almost a second class citizen at this point if he was going to be honest with himself, and now at the age of four being branded Quirkless by doctors who were giving his mother looks of pity that clearly read that they thought just what society has conditioned them to think. To them, he was a quirkless, useless omega.Just because you live in a world where everyone has superpowers and you don’t doesn’t mean you aren’t any less of a hero! World be damned! They’ll just have to watch me do it!(Quirkless Omega Izuku accidentally summons Tamamo-No-Mae and becomes a DemiServant, and now with her power he will shape the world and show everyone Omegas can be Heroes! and well, Kaachan just wants everyone to stop staring at his Deku)

Where the Stars Burn Brightest by DriftingGlass ( M | 18,467+ | 3/? )

In a world where countries are torn asunder through quests for greed, power, and understanding the realm of industrial technology and ancient magic, only the strongest—and smartest—live a full life.

Every individual is born with a phrase marking their bodies, linking them to their soulmate through the threads of fate and time.

Izuku Midoriya is born with only half of a soulphrase on his wrist, destined to never meet the other half. A cruel omen.

Though this has not stopped Izuku from dedicating his young life to researching soul-born magic and science under his master, the legendary Toshinori Yagi. He is determined to manifest his Quirk, with or without a destined soulmate.

However, his life takes an unexpected turn when he rescues a volatile criminal—a man of savage beauty and many secrets.

And so, Izuku realizes rather quickly that in his dangerous new quest, only the most willful survive, and if his new companion is anything to show for it, nothing will prepare him for what’s to come.

[ Rewrite of The Rhythm of Fire and Wind ]

[Graphic Depictions of Violence | Past Abuse]

I Like You Deku, damn it by AjhayLee ( T | 8,364 | 1/1 )

Bakugou Katsuki dreams about his past self as a prince and liking his attendant childhood friend. The thing is, he couldn’t confess his feelings and he wasn’t able to tell him. Upon realizing that he also like the present Midoriya in the process, he does what his past self couldn’t do the fourth time he woke up from the dream.

[Major Character Death]

class act by savedetonate (neverlasting) ( E | 1,696 | 1/1 )

Katsuki is riled up and feeling petty, and Izuku is looking too good to ignore.

[Underage]

Consumed by youreroad ( M | 5,209+ | 3/? )

Izuku and Katsuki had known each other since they where kids. They have their ups and downs and even had a fall out during middle school but in the end they are best friends. Even with Katsuki’s abrassive personality Izuku knows Katsuki cares for him.

He just has no idea to what extent.

In which Izuku tries to date and Katsuki is consumed by his obsession.

[pass-the-bechdel]

Dollhouse season one full review

How many episodes pass the Bechdel test?

92.3% (twelve of thirteen).

What is the average percentage per episode of female characters with names and lines?

46.83%

How many episodes have a cast that is at least 40% female?

Nine, over half (six of those were 50%+, one of them 60%).

How many episodes have a cast that is less than 20% female?

Zero.

How many female characters (with names and lines) are there?

Twenty-eight. Thirteen who appeared in more than one episode, six who appeared in at least half the episodes, and one who appeared in every episode.

How many male characters (with names and lines) are there?

Forty-two. Eleven who appeared in more than one episode, five who appeared in at least half the episodes, and three who appeared in every episode.

Positive Content Status:

Not good at all. The series is rife with violence against women and involves sexual assault on a constant basis, with acknowledgment or exploration of such inclusions intermittent and interlaced with excuses. Needless to say, it never even gets close to flirting with an above-average content rating (average rating of 2.76).

General Season Quality:

A mess. There are elements of good things here, and some episodes that utilise that potential, but mostly this is a show that doesn’t seem to know what it wants to do or how far it really wants to pursue its own promises, and it is full of dead air and extremely questionable storytelling, wrapped around one of the least-dynamic lead characters I’ve ever seen. It’s a recipe for failure, and a disappointing one at that, because done right, this could have been truly amazing.

MORE INFO (and potential spoilers) under the cut:

Let’s nail down how consent works, because it might be the most important issue at the heart of this show that the writers just don’t seem to understand: consent is not a binding contract. Real consent is 

1. ongoing (may be revoked at any time if the individual in question wishes; must be re-established or renegotiated if the circumstances originally consented to change)

2. enthusiastic (if the individual becomes uncertain/uncomfortable with conditions, actions must halt until consent has been renegotiated and re-established)

3. informed (an individual cannot consent to terms that are obfuscated or omitted; consent gained through lies or trickery is not consent at all), and

4. willing (coerced consent - whether through threats, ultimatums, manipulation, or other means - is not real consent. If the individual is placed in a position where declining is not a viable safe option, they cannot give consent).

Pretty clear-cut, really. With that in mind, the only way that the Dollhouse could operate in an ethical manner would be if the dolls were genuine volunteers who were restored to their original personalities after every engagement, so that they could consider the requirements of each job as they arose and pick and choose which ones they were comfortable fulfilling; it would then also require that their imprinted personality include strict parameters agreed to beforehand to preserve their ability to revoke consent if their boundaries are violated. Of course, there would still be LOADS of ways for the technology to be abused, but that’s an irrelevant discussion in context, because that’s not how the Dollhouse operates. Many of the dolls are not willing participants from the outset, but even if they are, after being stripped of their personalities and memories they lose the power to make informed choices and their enthusiasm is all programmed in, and it’s irrelevant anyway because they are not presented the opportunity to give or deny consent in their ongoing situation. Whether or not the dolls can consent is not up for debate: by definition, plain and simple, they cannot. To suggest otherwise is kinda the same thing as when people say that marital rape isn’t a real thing, as if signing a marriage contract permits your spouse to override your bodily autonomy anytime they want. Consent can be fickle, subjective, and highly conditional, and those are all good things because they protect the basic human right to personal sovereignty. Consent is not a binding contract. 

Despite occasionally throwing around lines about how ‘you can’t consent to being a slave!’, the show doesn’t want to commit to the idea that the dolls are, unequivocally, being abused, and the failure to be morally assertive on that point leads to some seriously reprehensible presentations, most notably in terms of rape. The oft-repeated lofty idea behind what (theoretically) makes the Dollhouse ‘good’ is that they give people ‘what they need’, which mostly means fulfilling sexual fantasies. Naturally, this makes all of the Dollhouse clients who acquire a doll for sexual purposes, rapists. They know that’s what they’re getting into, too, they know that they’re paying big bank to have a person brainwashed into fulfilling their desires, which by definition means that the person is being denied the capability to give consent. This isn’t a naughty secret being hidden from the client; it’s a known factor which they’ve decided they don’t care about. They’re ok with taking advantage of this person in order to fulfill their ‘need’. Thus, the fact that Joel Miner just wants to play house with an imprinted version of his dead wife is not cute or romantic, it’s still rape, but the show doesn’t treat it that way: it’s directly handled like we’re supposed to be happy that he gets what he wants, in the same episode as the writing finally bothers to dabble vaguely in the concept of consent issues after it turns out that Sierra has been raped by her handler (while NOT imprinted to think she wants it). Thus, the episode in question draws a straight parallel between the idea that there’s ‘real rape’ (what Hearn does), and then there’s innocent wish fulfillment (what Miner and anyone else who bothers to have their victim programmed first does), and we shouldn’t conflate the two. Except, obviously, we should conflate the two. Both are rape. There’s not a moral grey-scale here, that’s like arguing that if you drug someone first so that they can’t resist, that’s less assaultive than if they were cognizant enough to struggle. Both are rape, both disregard the bodily autonomy of the victim and deny them the right of choice. ‘But I really miss my dead wife!’ doesn’t make it better, and it certainly doesn’t make it ok. And giving people ‘what they need’ at the expense of others is not virtuous - especially when you factor in the price tag attached to a made-to-order sex slave.

The above-referenced episode is one of the most egregious examples of this at play, but it’s a recurrent issue throughout the series, and not one that’s gonna go away. The story is not interested in analysing the fact that DeWitt has repeatedly raped Victor; her conflict about the issue revolves around the feeling that she - like the other Dollhouse clients - is pathetic for ‘needing’ programmed service. And while Ballard expresses misgivings about the idea of raping Mellie, he still does it, repeatedly, and there’s no condemnation from the narrative; we’re supposed to see this as a complication to Ballard’s moral compunctions, that he’s confronted with shades of grey in the black-and-white world he had imagined, but there are no shades of grey. You knowingly committed rape. More than once. The first time they had sex, when he didn’t know she was a doll? THAT is something Ballard can feel conflicted about, because he didn’t do it knowingly, he was not able to make an informed decision, his own ability to consent was impaired and he’s entitled to feel abused by the Dollhouse machinations that put him in that position. THAT is legitimate conflicted emotion. Going “fuck you, Dollhouse, you want to send me a sex slave, I’m gonna take out my conflicted emotions ON HER through what I readily recognise as rape”, that’s...not something a character can do and then still hang around on the show representing any kind of morality. That’s not even anti-hero material, that’s villainy, and if we respond to Hearn’s crimes by snapping his neck against a coffee table, why is Ballard still roaming around feeling righteous? The show is so sketchy on morality, it doesn’t even present Ballard’s attitudes as self-delusions, it isn’t exploring his descent into evil. Even from the first episode, it was unclear where the story really sat with Ballard, seeming simultaneously aware of the fact that he’s not as pure and heroic as he imagined himself, but also never pursuing the idea of exploring a more complex moral reality. If ‘now he’s a rapist but he feels bad about it (but not bad enough to NOT DO IT IN THE FIRST PLACE)’ is supposed to suffice as ‘deconstruction’, boy howdy, I got news. You can’t even pretend to deconstruct anything if you’re too busy equivocating to have an opinion in the first place.

I’ve used this word so much already in relation to this show that it’s starting to lose its meaning, but what Dollhouse really suffers from is a misogyny problem. I touched on it already in the episode ‘Omega’ when I talked about how Alpha’s ruminations on the nature of the self/consciousness/etc are undercut by the intense misogyny of his character and story, because his presence in the narrative and his impact on other characters is so heavily tied up in the violent expression of his misogyny that there’s no room for a clear-minded discussion of anything else, and in truth the entire series suffers from the same affliction. Misogyny is so ubiquitous in the story at the same time as being so rarely acknowledged that they can’t engage meaningful thematic discussions about anything else; misogyny is the elephant in the room, and so much space is being dedicated to it, there’s nowhere to squeeze anything else in edge-wise. The refusal to acknowledge the clear-cut nature of consent and thereby the inherent sexual assault built into the frame work of the narrative is part of this, but it also represents an insidious division between ‘real misogyny’ and the various kinds that the show doesn’t want us to acknowledge, the many and sundry equivocations it is entertaining in order to avoid having a moral backbone. Alpha literally slicing up women’s faces is ‘real misogyny’ (by the writers’ definition), and a character like Nolan putting Sierra in the Dollhouse so that he can have force her to have sex with him is ‘real misogyny’ (quite contradictory since Nolan still has his doll programmed to want him, just like all the other clients; apparently it’s only rape if the perpetrator is a mustache-twirling cackling supervillain type). Tanaka slinging off about ‘whores’ is ‘real misogyny’ that Ballard can take umbrage with, but Ballard’s infantalising obsession with calling women ‘girls’? We’re not batting an eye. The fact that Echo is repeatedly engaged by one Matt Cargill, whose rape sexual fantasy is all about teaching a ditzy inexperienced girl new things? Cute! Echo being violently beaten in more than three-quarters of the episodes this season, sometimes multiple times per episode? Eh, that’s normal. That’s normal writing. 

The ‘real misogyny’ is the stuff that the writing deems worthy of being called out, and like with the issue of creating a false grey-scale to excuse ‘softer’ rape crimes, this creates a situation in which more low-key misogyny can skate by unchecked because we’re being encouraged to view it comparatively, instead of objectively. If you’re talking about a violent serial rapist and you say “he calls women ‘girls’ all the time, too!”, it sounds like you’re being silly, because hello, there are much bigger problems to talk about. On the other hand, if you don’t sit around making softening comparisons, you can actually talk about how women being infantalised by men is a big problem that is part of a larger tapestry of misogyny, especially disturbing for the intersection with sexualisation (HUGELY at play with the dolls in their ‘doll state’), and relevant to the discussion of pedophilia (which, incidentally, the show featured TWICE in just thirteen episodes, but without any kind of exploration or commentary that would suggest an actual reason beyond the voyeuristic fetishisation of sexual violence which is this show’s bread and butter). Because the misogyny problem on this show is so all-encompassing (along with the rape-apologist grey morality, it is built into the framework of the series itself), the fact that it is never acknowledged and brought into the thematic conversation of the story blows a hole out the side of the writers’ ability to have any kind of sophisticated conversation about the morality of their subject matter: the combination of oblivious sexism and wanton avoidance leaves the moral compass of the story...nonexistent, really, smashed to pieces and rendered useless. It’s like they didn’t want to have to talk about the morality of the Dollhouse at all, they just wanted the narrative conceit of programmable people and the opportunity to indulge various objectifying fetishes, but since that’s not how storytelling works they figured they’d ramp up the ambiguity and pass off the lack of nuanced discussion as ‘shades of grey’, despite how inappropriate that is with sex trafficking. Thus, you get a show which treats “but if the perpetrator is sad, is it really rape?” like that’s a legitimate question.

Honestly, we could unpack this show forever, because all of it needs unpacking, because it’s riddled and stained irrevocably with garbage in a way that is pervasive and complicated, but I’m gonna let this lie for now. We’ll talk about it all more as season two unfolds, and when I review that season’s developments and eventually, the full series (save me). There’s loads of stuff that I didn’t even touch yet, so at least I know I won’t be starved for content. I did know that, coming in, I knew it’d be an unhappy mess. The one thing that really surprised me about season one is how little the narrative actually discussed its own invoked themes, I thought they did better than that - perhaps season two will fill that void a bit. Maybe Echo will get hit in the fucking face less, too. I’m not gonna bet on that. After all, what would this show be without women turned into sex objects and then violently punished for it? Well. For starters, it would be better.