#too full of emotions to deal with this

[knightcallie]

Mr. Rose 🌹 I don’t suppose you’d want to break a rule or two tonight~ ❣️

Aka Weichei needing to vent out his newly realized romantic feelings towards seven after being cut out of their life 😔👊

Ft seven lawless of @infamous-if not knowing what to do with their realization that the song is about them at certain lyrics bc personal hc that seven’s home had rose bushes & sometimes the others/classmates would call him Mr.rose/rose boy

[thebibliosphere]

I'm a fecking edjit.

I keep complaining about this never-ending EDS flare, but I forgot that a mast cell reaction can not only be triggered by pain but also ignite the pain neural pathways and basically become a fecking ouroboros of self-devouring misery.

Pain triggers mast cell degranlation. Mast cell degranulation causes pain.

I'm not just having an EDS flare. I'm still degranulating from last week's migraine episode. I stopped medicating too soon.

Christ on toast.

I hate this disease.

[triglycercule]

alright,,,,,is this newyears gift,,,,,, i dont no. but maybe it's late enough that i'll be able to forget that i drew this 😁😁😁😁 mttpoly doodles. whoever sees this sees this

[e-adlirez]

Spoilers for Sinsmas/Sinsmas ramble

So I had Sinsmas paused on my browser to do life stuff as usual, I Will Be Okay was in my head, and I walked back to my computer after life stuff and realized the frame I had it paused on was

D

Do you see what I'm seeing

Their positions aren't just similar, they're reversed. In "I Will Be Okay", Via is on the floor and Stolas's shadow is standing up, looking down on her and reaching a hand to her from above, which she swats away. At the end of Sinsmas, Stolas is kneeling on the floor, with Via looking down at him from above, and her hand resting on Stolas's, which she pulls away from.

AND THE PARALLELS AND REVERSALS DON'T END THERE

From what I could see, it seems like there's only one instance where the parallel doesn't totally apply.

This.

Merry Sinsmas, Helluva Boss fandom :D

:'D

[jrueships]

A HEAARRRRT IS A HOUSE FOR LOOVE AND IVE LEARRNNED THAT IT DONT TAKE MUCH TO BREAK A HEAARTT

sorry I just had to get that out lol I love that damn movie. That film, the temptations film (Paul and Cornbread my loves) and the little richard biopic will always have Leon as one of my fav actors idc idcccc also it took me way too long to find out the five heartbeats weren't a real group 🤣

IS A HOUSE ! FOR LOVE !

And I've LEARNED ( ive leaarnnned!!) 🗣‼️‼️

NO NO, DONT SAY SRRY FOR HAVING GOOD TASTE. NEVER BE SRRY FOR HAVING GOOD TASTE !!!!

ALL ur takes are MWAH. Just MWAH.

PAUL AND CORNBREAD LOL!! THE LOVES!. OUR BEAUTIFUL LOVES!!!. UGH. UGH. IM SO OBSESSED WITH THESE MOVIES. BOTH!! OF THESE GROUPS ARE REAL AS LONG AS U BELIEVE!!!

& i know dresser ran to that limo once he heard Eddie begging for his job back (our poor softie gentleman baritone baby..) but i think somebody should be jt's moral compass bcs duck is just 😭 sick of him

Leon deserved SO MANY MORE major movie roles just by being beautiful and bitchy like . His 50 cent movie cameo was so fucking funny.. TY FOR SAYING THIS. GENUINELY. I AM SO GLAD SOMEONE ELSE LOVES THESE MOVIES TOO. The characters are hilarious and tragic and I am. Infatuated with them all. They all have their lil moments to solidify them as real or to reflect them being real and it's just. Mwah.

Eddie almost at rock bttm begging for his job back bcs he loves music. He Loves. Music. But he has trauma so much trauma but he's Trying. He's trying so hard and then he opens his coat to reveal he still has their old performance uniform but makes a funny noise:

JT:

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[paigemathews]

"A Warren. It's a family trait. So are the short tempers, the great cheekbones, the strong wills, and, of course, the powers. All blessings. All signs of where you came from."

Honestly, thinking thoughts about Warren witches and the short tempers. We see this one best through Piper obviously, but I was thinking about the way that this manifests in especially Wyatt out of all the next gen kids.

I feel like Wyatt really represses a lot of his negative emotions. Don't get me wrong, I do generally think that he's a pretty kind, optimistic person in general, but I also interpret him as someone who has this kind of fear at what he's capable of. I've mentioned this before, but the way I went about "depowering" Wyatt, for lack of a better word, to a manageable level is that he locks down most of his powers so that his control is somewhat resigned to not using them because while he's not necessarily afraid of his powers, he's afraid at their potential power. I mean, my Wyatt is currently hovering around 23ish in my next gen stuff, and that is an intense amount of power (and pressure) to put on someone who is still trying to figure out what the fuck they're trying to do right now. However, the issue is that a witch's powers are closely tied to their emotions, so with Wyatt basically locking down his powers, he basically locks down those emotions as well. The trigger for a lot of the particularly destructive powers, aka the ones Wyatt ruthlessly extinguishes in fear of unleashing tend to be rooted in stuff like anger or fear.

So when it comes to Wyatt's temper, I think it's really hard to actually unleash it. One, I think that he's just kind of hard to piss off in general. Chris and Mel have always been the two to start fighting, so he tends to take on a mediator role with them (especially bc the only other next gen kid to stand a chance is Peyton, Phoebe's eldest). So he's pretty good about letting shit roll off his back, because both of his siblings will turn their anger on him if his interference goes poorly. Two is that he's at least. kind of aware of other people's expectations of and for him, which don't really tend to be very human. He's pretty awkward with some of it, because so many people expect this saintlike, godlike figure of the Twice-Blessed and he's a 23 year old working as a library assistant at Magic School trying to figure shit out. (Especially when it comes to the magical politicking bullshit, Wyatt's so earnest and open that he struggles with it. It's an interesting time when the Marks family manages to drag any of the Halliwells to a witch event bc of the layering expectations and personalities for each Warren.) But he's pretty good at the compassion and gentleness that people expect, and he leans into that when he can sense those expectations. Thirdly, and I'll relink this post, Wyatt internalizes the fuck out of shit. He doesn't really blame someone else, even if they've wronged him. Instead, he fully takes on the blame and guilt himself and basically self-flagellates himself about it.

For the most part, he's very difficult to anger. However, when someone actually does manage to piss him off, there are two possibilities. Firstly, he basically unleashes it if he's able to, aka evil beings. Secondly, he hardcore represses it. Not even in a swallow the acid in your throat type of way, but like he ruthlessly shoves it so far down that he can't even taste the burn in his throat anymore type of way. In that case, he just blocks it out and pretends it doesn't exist until he basically believes it. The biggest thing is that when it comes to short tempers, no one really realizes that Wyatt even has one.

Needless to say, and actually the inspiration for this is that repression demons can wreak a whole lot of havoc through Wyatt if they can get to him. It'd be a source of pretty significant power to the demon and damage to those around Wyatt, and the guilt he'd have afterward? Could honestly power another repression demon. An important part of growing as a person and as a witch for him would need to be embracing and dealing with his emotions, all of his emotions, in a healthy manner instead of just repressing them entirely. I feel like that'd make some cool plotlines for growth, especially with the empaths in the family.

[yuri-for-businesswomen]

talking to women:

talking to men: haha yeah messi is the goat totally

[apamates]

Fitz' loved ones going "is anyone going to inflict unimaginable trauma on that boy??" and not waiting for an answer

[aria0fgold]

They weren't kidding, when a lot of Bad has accumulated, even the smallest inconvenience can Break you.

[themyscirah]

I apologize sincerely for the person I am about to become here

[cherrysnax]

the one thing abt being hyper aware of ur flaws is that u can kinda make it a lil bingo game

[graevs666]

do u ever just find continuous signs tht ur not meant to be here

[welcometogrouchland]

KIKI'S DELIVERY SERVICE

[godblooded]

the first thing people always notice about alana is her eyes.

[pangzi]

thinking thoughts about pangzi and xiao hua...