#tomb sweet tomb
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atomic-chronoscaph · 1 year ago
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Liberace and Vampira (1956)
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citysvg1 · 5 months ago
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The Haunted Mansion Svg
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tampire · 7 months ago
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Tomb Raider 2: The Dagger of Xian
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theartingace · 11 months ago
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this scene stuck with me because it was so funny but going back to read it again to make sure I had the text right.. I forgot that it's bookended by the sweetest and saddest conversation ever right at the end 😭
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nona-gay-simus · 10 months ago
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Some days I truly feel like TLT has ruined... books for me. Like, I don't even like ACOTAR but I can think of at least four series that are basically ACOTAR with dragons, ACOTAR with gods, ACOTAR with vampires, ACOTAR with witches, and that's just off the top of my head.
But there's truly nothing out there that captures all or even some of the elements that enthralled me about TLT. The characters, the character dynamics, the magic system, the voice, the mix of science fiction and fantasy, the prose that knows exactly when to be funny and when to be serious, the queernorm world-building and variety of lesbian genders... It does not exist. Even if I find something with similar themes it will be bland fantasy voice and (most likely) boring straight ship of fem4fem.
It's even ruined audiobooks narrators because no one can compare to moira quirk and her sexy accent and wonderfully animated narration that makes the characters come to life.
And it makes me really sad to think i might never discover another series I love as much as this one. Not even close.
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henreyettah · 2 years ago
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Nona bath + conditioner time! 🧼 🫧 🛁
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piss-off-erik · 4 months ago
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honestly shoutout to Moira Quirk. That woman acted the shit out of the locked tomb series and I really really hope she’s narrating Alecto too. Do I remember any character names?! NO! Would I recognise Magnus’ sweet Welsh accent from three rooms away? INSTANTLY!
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demigod-shenanigans · 6 months ago
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I’ve got beef with ToA for several reasons but the fact that Leo bonds with both Thalia and Reyna is actually very good and funny to me. You go boy. Befriend all of your boyfriend’s loved ones.
Him bribing Thalia with hot sauce is so <3
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the-butter-churner · 5 months ago
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welcome back gideon nav
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amlli · 2 years ago
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gtn pool scene my beloved
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harrowedsoup · 8 months ago
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99% of the time I HATE when people have characters pet names because it’s so easy to get out of character with them but Harrowhark would absolutely call Gideon Beloved. She would call her a horrible cuckoo one moment and beloved the next. She’s calling Gideon a brainless dumbass two sentences before casually calling her the loveliest flower of her house.
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cemetegee · 16 days ago
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Could Ianthe see Cytherea's Corpse?
The question if Ianthe could really see the corpse under Harrows bed, is an important approach to her character. Gaslighting Harrow would be one of the most cruel things she's done (besides of the murder of Naberius Tern) In my opinion, there are several hints that the corpse was NOT visible to anyone, and I'd like to present them to you.
But before we start, what is even the "proof" that she could see it?
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I love Gideon very much, but she is an unreliable narrator. How does she want to know that? The fact that she narrates the whole book implies, that she can see The Body as well... And The Body is surely not visible to anyone else. Sure, dor The Body, it's kinda clear that it's not visible to anyone else (SINCE NOBODY EXCEPT HARROW NOTICES IT), and for Cytherea's body we have less evidence. Still, Gideon lives in Harrow's mind and can obviously see things other's don't see. Her information is not trustworthy.
Ianthe is also not trustworthy, but that doesn't mean that she didn't say the truth that time. So let's look at the facts:
Something's odd with the body. And by "odd" I mean "really odd". It starts with the fact that it just casually walks through the Mithraeum, when we see it for the first time:
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Ahem, Wake, not gonna criticize you, but... Don't you think it's a little dangerous for your identity as a dead corpse, if you walk through a space ship WHERE LITERALLY ANYONE COULD SEE on your way? Except if you... Weren't visible to anybody... And only Harrow could see your for some reason...
The next thing! It's explicitly stated to the Lyctors looked for it one the whole ship! Since the corpse is an old friend of them, you'd expect they'd have a certain interest to find it...
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They shall have looked everywhere, but NOT under Harrow's bed? (To be honest, since they don't really trust Harrow, you'd expect it would be one of the very first places to look for it.)
+ Jod couldn't detect it anywhere? (Well, it's Jod, it could be a lie, but why should he lie about that?) That's actually the BIGGEST hint, that something's necromantically odd with the body. It apparently can camouflage itself from being necromantically detected BY GOD HIMSELF. (Why shouldn't it also could make itself "invisible"?)
One another thing! (Or actually: several another things, that fit in the same category.) Physically things don't seem to affect her sometimes.
Like for example the wards. Why don't they affect her? Gideon seems to think they should. (Again: she's an unreliable narrator, but still, it's a hint)
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Or the bone cuffs? You would expect as a physical being she should need to break them to escape. But they appear to be untouched. As if she'd just slipped out...like a ghost.
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And let's look on the "Gaslighting" scene once again. Before, Wake-in-Cytherea is described as walking very clumsily:
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How can she silently disappear, suddenly, in the three minutes Harrow needs to calm down in the bathroom? (Like THIS!) Something's off with the disappearing, that's for sure.
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And there's also the last thing, which is actually what brought me on the Cytherea-wasn't visible train. Let's assume for a moment that Ianthe does lie about the corpse to Harrow, okay? That she CAN see it, and that she intends to invalidate Harrow's experience to make Harrow believe her perceiving wasn't trustworty. What's exactly was gaslighting is btw! (Although it's really questionable why she should do that, since Harrow obviously already doesn't believe that, one, and second... You would think that such a mysterious walking corpse is a HEAVY security risk - not only for Harrow, but also for Ianthe! - so that she better should accept it's existence if she'd see it. But okay.) If she wants to do that, why does she try to validate Harrow's perceiving in a scene before? Hm?
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What she says means very much. "I believe you that the corpse HAS been moving. (I believe YOU!) But it doesn't have to be such a sinister thing as you think. Maybe there's a completely harmless explanatation for it (Like necrophilia.)" It's a try to calm her down and reassure her. How does that fit together with the destabilising of gaslighting? It doesn't fit at all...
To conclude: I believe the corpse WAS there. I mean, it must have gone somewhere after the strike on ""Ortus"", and why shouldn't the location be under Harrow's bed? But I'm not so sure, to not say that I doubt that the corpse was visible to anybody. There are just...to many strange things. I couldn't really explain what she did (someone else suspected different layers of the River as an explanatation, what I find very interesting - if you have an other theory: go ahead! I'm very interested to see it) but I really think she did something. Some things only make sense if she was either very careless or invisible and some things absolutely don't make sense without anything being strange about her.
But how to interprete Ianthe's expression during what she says (which could btw another point for the theory that the corpse wasn't visible)? I've often heard people say that Ianthe would lie about the corpse, because she thinks it would be funny to gaslight Harrow. But I ask you: does she look as if she had fun here?
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My personal theory is... That she is concerned. And probably specifically concerned about her participation on the lobotomy. I mean, imagine you had played around in someone's brain with some sharp tools... Wouldn't you be concerned you've BROKEN something, if that someone would suddenly start to come up corpses which ""don't exist""? It's even a concernment she tells Harrow before. An outcome, she WOULD NOT LIKE:
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I am very sure she thinks - what's not true, but I think she thinks it! - that she has damaged something permanently in Harrow's brain. (During the lobotomy.) But she can't say that, because of her vow and the Sewn Tongue. (And maybe a little bit of shame, if life is fair.)
PS: if you have any other theory, feel free to share it!
The majority said I should make this post, and I bow to the majority! I remember there was a post which included some of these points, but it seems to be gone. I feared mine could become too similar (although these *are* my points), but now that I've done it I see, that it's not so similar at all. (If someone gives me the link, I can paste it in [place where I'd paste it in]).
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g0ddamnb0x · 3 months ago
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Something that means a lot to me is that at the end of HtN Pyrrha insists she liked Alecto. Well, not sure if she meant she liked her, or if G1deon did (as she is pretending to be him at that point), but anyway. Alecto was liked as she was, and not only as Nona!!!
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phalangemedes · 8 days ago
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I kept this in my drafts cause I was gunna expand on it, but I dunno if I need to. Either way, I thought it was interesting that the refugee trio from Canaan are all just different aspects of Grief represented through the kaleidoscope of their personhood. Because mourning is a spectrum, no more or less vivid for the death being metaphorical or literal, and there’s been some weird hot takes that more or less emotive grieving is ‘strange’ or whatever, so, onward!
Judith is unable to feel her own emotions (or at least with any depth) because she's made herself an emotional void, due to training (Cohort AND Second expectations), repression and losing Marta. She was already constipated and that tipped her over to cutting her own throat so she’d emotionally starve.
The last emotive thing she had was oh captain my captain levels of obsession for the woman that rejected her romantically, DUTY, and with equal verve the self loathing for wanting that.
(Also she was being medically maltreated by BoE and then used as a Duracell so y'know, you can not like the woman for being an unsympathetic hypocrite but also, rough ol' time for Jodypops)
Corona has used the flamboyance of her emotions as a manipulation tactic since she was like.. 5 and oops it suddenly stopped working! The tits, the smiles and the twinkly eyes have no effect in camo land, if anything, they are tired of her shit and only “warm up” to her when she starts submitting to them in ways they understand (Re: BoE are a hierarchy and she is Not the top rung). She's also grieving Ianthe not wanting her (worse, choosing BABS) and failing to throw her Pretty Girl weight around as much as she used to, whilst cosplaying a Cav to feel worth something (habitual, comforting).
On top of that, she’s bouncing from pillar to post in an attempt to be desired because her worth is locked up in other’s perception of her. (She fails so hard to connect with anyone she starts chatting up G2deon's corpse like.. It's SAD even if she's Tridentarii heinous (affectionate insult))
And Camilla is forcing herself not to feel because she doesn't have time for a breakdown. She's tick listing how to “make things right” through torture (shock bracelet) being used as a means of coercion for Judith (also torture) having what was left of Pal taken away from her (I mean this literally and figuratively, because his skull, then hand, are hope AND HIM) ((likewise the BETRAYAL from a necro and a cav about it)) and being denied doing GOOD (denial of treatment of Judith). I think honestly she reacts the most MUNDANELY, by just... powering through, keeping busy, not thinking about it because then it'll be real.
And she doesn't let herself break until Paul, because she’s still trying to fix everything until the very moment it’s un-fixable. (And in some ways Palamedes takes the burden of it for her, by giving her the choice, the "it's okay, now, you can feel". All that time, bottling the HURT because she has to be useful because if she's not useful what's left? It's the vice of grief as you excuse yourself from the young woman you're caring for, it's locking the bathroom door, sitting in the bath and your body betraying you with the mother and fucker of a panic attacks. It's getting punched in the solar plexus because you turned around to make a comment and not only is that person gone, but they aren’t coming back.
None of them are any more or less tragic, but they are all acceptable and staggeringly normal forms of grieving.
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corpsesoldier · 6 months ago
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if you were at denver fan expo dressed as gideon and harrow and gave someone dressed as falin as bone bracelet. I love you.
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twink-with-an-agenda · 2 years ago
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She 👏 is 👏 horny 👏 for 👏 revenge 👏
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