#tom arthurs | Explore Tumblr posts and blogs

warnersister · 6 months ago

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How the Peaky boys would react to “you wearing a sundress” -> headcannon

(NSFW) but more implied then truly written, but still read at your own risk

Tommy🪖

🪖it was a hot day, and you were rummaging through your clothing chest to try find something suitable to wear to bear the heat outside.

🪖Tommy had headed out early, business to attend to with Alfie Solomons.

🪖he hadn’t meant to wake you, trying to sneak around the bedroom to get dressed and get out of the house: especially after a… long night

🪖but still, you stirred and whined “Tom?” You breathe with a rasped voice “s’alright, back to sleep darling” he instructed but you endured, sitting up and stretching your arms high above your head and Thomas watched as the covers fell to reveal your bare torso and it took all his self control to stop salivating.

🪖you climbed out of bed and threw the slip dress over your head, heading towards your husband who was buttoning his shirt in the mirror

🪖you turned him towards you and swatted his hands away, and he allowed you to finish buttoning his shirt for him, finishing the top button and pulling the collar down to kiss him.

🪖”Solomons is coming by today” Thomas huffed and you looked up at him with narrowed eyes “long meeting?” You ask and he shakes his head “shouldn’t be” you nod “d’you want me to come by later? Bring you some lunch?” You ask and he connects his eyes with yours “y’know y’worry me when you stay in there all day” you continue and he offers a small smile. “I’ll take that as a yes” you say, kissing the corner of his mouth and tapping his chest, ushering him out of the door. “Go on, shoo.”

🪖he smirked and grabbed his cap on the way out, whistling as he went

🪖so there you were, already sweeting with mere silk on your body

🪖you saw a dress with the tags still on, yellow and billowing at the bottom: sundress

🪖you looked it over one before deciding it was the perfect choice for today’s endeavours.

🪖you’d nipped out to the market first, collecting some supplies to make him some soup or whatever you could conjure up.

🪖you even grabbed some sunflowers too; having bought him a vase for his office, thinking it needed some life brought into it, given the volume of lives that were lost in that room.

🪖later in the day you headed to Tommy’s office, assuming that his meeting must be done by now and to feed him.

🪖you’d headed to the Garrison, greeting Harry and having a few wandering eyes following you as you approached the Blinder’s designated room, thinking nothing of it as you turned the door knob.

🪖Tommy couldn’t be mad at your intrusion for the sheer sight of you. His pupils blew out of his head as he looked you over, he’d never seen this dress before. Yet his jaw gritted at the way Alfred fucking Solomons had the same reaction.

🪖”oh I’m so sorry gentleman” you said, pivoting to leave “no no, sweetheart. Alfie was just leaving. Weren’t you?” Tommy asked and Alfie creased his brows but with the eyes his business partner was giving him told him everything he needed to know. “Yeah yeah, just leaving Tom”

🪖Alfie stood, to leave and smiled at you “lovely to see you, poppet” Alfie said, you’d always gotten along with him; you hugged him as he welcomed it, and he grinned at you “you look gorgeous you, yeah? Lovely new dress. Fabulous it is” “fuck off Alfie” “yeah yeah I’m going, bye love”

🪖Tommy looked you over as the door clicked shut with tight lips. “I’m sorry Tom I didn’t think he’d still be here-” “have you had that on all day?” He cuts you off and you raise your brows “the dress?” “Mhm” “oh yeah, found it earlier. Never worn it.” You say, spinning to give him a giddy look at it.

🪖Tommy couldn’t help but smile “c’m ere.” He beckons you over and you approach him “I brought you some lunch-” you begin “nah, got all I need to eat right here” he says and grabs your hips, prompting you to discard your basket on his desk.

🪖he sits back in his seat; opening his legs to pull you to stand between them. He gently takes the fabric between his fingers, then drags his hands so slowly up to your torso, not looking at your face. You fidget anxiously, his hands dragging back down to the hem of the dress.

🪖”dangerous wearing this, love” he says, dipping his hands under the dress to rest on your upper thighs, finally looking at you. You smile. He realises how easily the fabric is lifted, pushing you back to sit on his desk “can’t do this to y’old Tom and expect to get away with it” he says, with a tut, unzipping his trousers and removing his suspenders as he pushes your underwear to the side.

🪖”I’m buying you more o’ these.”

Alfie🧸

🧸Alfie was sat reading the newspaper in his armchair, Cyril asleep beside him when you came into the room.

🧸”so, what do you think?” You asked and Alfie looked up but had to do a double take. A white sundress with frilled straps and tight torso. “Blimey poppet, what’s this then?” He asked, dropping his glasses to the end of his nose to get a better look at you.

🧸”a sundress Alf!” You say, “y’bought it last year, remember?” “Thought I’d remember buying something like this.” He says, standing to his feet, moving to take your hand in his own “give us a spin then darling” he says, turning you as the fabric billowed as you went only for your gorgeous beaming face to return to him.

🧸”now this is fucking fabulous ain’t it darlin’, fucking fabulous. Bloody love it. Suits you nicely” he mumbles as you smile “but y’can’t wear it” he says and your face drops “y’what?” You asks, brows furrowing. “Y’aint givin y’old man heart palpitations and expecting me to let y’out of the house, flower. Not like this” he says sternly, wagging an accusatory finger at you.

🧸”but we’re got to go to the market-” you protest “nah, we ain’t” he says, picking you up and throwing you over his shoulder as you yelp. He flips the rim of your skirt up so he gets a great view of your ass, smacking it lightly “Alfie!”

🧸”don’t think I won’t shag y’on these stairs, treacle, now let me get up the fucking stairs, yeah?”

🧸then later in the day when you’d finally manage to coax him off of you and out of the house to the market, there was a hand permanently on your waist. And then at some point you bent over to smell some flowers and Alfie couldn’t help but lean his hips into yours. You yelped “Alfie!” You hissed. “C‘mon love I can’t cope.” He grunts, impatiently prompting the rest of the shopping to go by faster, flipping the skirt of the dress up again when he finally got back to the car.

Arthur🍺

🍺so. Fucking. Antsy.

🍺can’t keep his fucking hands off of you.

🍺left early, didn’t he? Ended up waking you up; banging all the doors shut and all that as he clambered out of the house.

🍺you decided that was your wake up call regardless, knowing full well that if he’d have left in a state such as the one he was in last night then it wasn’t good business. Meaning it’d perk him up for you to visit him and calm down his anger during the day, even if it was only a chat to rectify his emotions.

🍺you’d gotten yourself dressed without a second thought, inly to do a double take and head right back into the house when you felt the sweltering temperatures outside the from door.

🍺you’d rummage through your clothing chest, struggling to find anything suitable for such an occasion, used to the drizzly cool downpour of the indefinite English winter.

🍺then you spotted it; the sundress

🍺Arthur had gone mad for it last year, and it was forgotten about at around Christmas time when it was way too cold for attire like that, but now was the perfect opportunity to wind him up again.

🍺and you were in a teasing mood after the way he’d slammed the front door shut and made a crack in the mahogany.

🍺so you’d slipped it on, it was a lovely shade of pink; baby pink to be exact. Arthur loved that colour on you, made him forget all his troubles and appreciate his woman for a while - especially when he couldn’t get his hands off you. So, giving yourself a once over you spritzed a bit of the expensive perfume Thomas had kindly gifted you the Christmas prior, the one you knew Arthur liked the smell of, and headed out the door.

🍺you decided to stop by the bakery on the way to his office, the bakery with the young cashier who had a large crush on you who Arthur absolutely despised, and you knew it’d get him even more rilled up knowing full well that you’d been in that dress, had leant over the counter while the young lad stumbled over his words and explained what was in every one of them, let you sample the one that the lad knew full well was your favourite, and gave you it on the house with a tip on the hat and a kiss on the hand.

🍺yeah this was turning out to be a pretty good day.

🍺so you waltzed through the building, little spring in your step as you greeted all the turning heads who watched you as you walked.

🍺you knocked on his door “fuck off” and you opened it “sorry Arth, thought you’d want some company” you say in the shyest voice you could manage to muster. His demeanour immediately changed when he heard your voice, his posture settled but when he looked at you his mouth ran dry.

🍺”brought you a bun” you say, taking it out of the bag you’d brought and knew full well he looked at the branding on the paper packaging. His jaw went slack. “Fuck me love, y’tryna kill me?” He asked, taking his cap off his head and shooting his head beneath it. “What do you mean, darling?” You asked, feigning innocence, heading to his desk as you placed the treat in front of him. “You know fucking damn well what. That bastard dress is back again” he says, grabbing your waist with calloused hands to bring you closer to him and he looked you over.

🍺”wearing the nice perfume too, ain’t ya love?” He asked meekly and you nodded “warm day and I couldn’t find anything else. Saw how quickly you’d left his morning so I thought I’d bring you something to eat” you say with a small, innocent smile as you stroked his cheek. He swallowed hard, eyes unwillingly shifting from you to the pastry on his desk.

🍺”y’ve been to that fucking bakery, ain’t ya?” He asked, gritting his teeth “well it’s your favourite-” “and that little bastard was serving wasn’t he?” He asked again, eyes narrowing “who? Daniel-” “yes fucking Daniel that little cock rocket who thinks he can get in your knickers that’s who” he seethed.

🍺then it dawned on him. “And he saw you in this fucking thing” he growled, bunching the pink material in his hands as he huffed “m’sorry Arth. Didn’t think” you reply. Liar. “Nah I think you knew. Knew to tease y’old Arthur didn’t you?” He asked, thumb drawing small circles into your waist. You replied with a small smile “I knew it! Y’little minx!” He chuckled, shaking his head.

🍺”well!“You exclaim, taking his hands and prying them from your waist as his face dropped “I’ll leave you be. Enjoy your pasty. Love you.” You say, turning to make your leave and he almost growled.

🍺”where the fuck do you think you’re going?” He asked, standing up after you as you walked back through his door, failing to suppress your smirk. He pretty much sprinted after you, grabbing you roughly and throwing you over his shoulder to turn right back around and into his office. “Got all I want to eat right fucking ‘ere. You ain’t leaving this office in this bastard dress” he promises, slamming the office door behind the two of you.

John🥃

🥃bold of you to think you’re even leaving the house with it on.

🥃he’s not like his brothers, he wouldn’t leave without saying goodbye unless Tommy was literally at the door screaming for him, and even then he was quick to reassure you before he sprinted out the house.

🥃no he liked to wake up with you, especially now there were too many kids to count running around the house.

🥃he liked to wake you up with little kisses, grab you at the waist and pull you back into bed if you tried to leave, brush his teeth beside you in the bathroom, help get the kids ready, pick your outfit, and let you tie his tie which usually took a good half hour between all the songs he’d sneak in.

🥃gave him a sense of homeliness.

🥃a bit of normality.

🥃today was no different, he’d woke you up with little kisses, rolling you to sit on top of him, legs either side of his hips as he repetitively kissed you as you giggled and tried to rise for a breath.

🥃”mammy I’m hungry!” A voice came from the doorway and you saw your agitated son pawing at his pyjamas as he looked at you desperately. “Fucking kid interrupting. About to fu-” John mumbled quietly before you were placing a hand over his mouth with wide, warning eyes. He smirked at you. “Alright mate, I’ll come, leave your poor mammy alone” John answered, finally managing to pry your hand away. “Thanks daddy” he says, giddily, as John reluctantly placed you back in bed and rolled out, chucking a shirt on and turning back to you. “Don’t move” he says, wagging a jokingly warning finger at you and you laugh “yes sir” you salute and he smirk.

🥃”right c’mon mate.” John says, grabbing your son and slinging him onto a piggy back to go grab him something to munch on.

🥃you practically jumped out of bed to go grab the new sundress that you bought last week, you hadn’t shown John yet and decided that today was the day you were going to wear it, especially now you had the quick couple of minutes of peace alone.

🥃”right, little’uns eating his breakf- fuck me” you spun around to look at your husband and smiled “what d’y think?” You ask, “g’i us a twirl” he said, crossing his arms and leaning against the doorframe with a smirk. You did as he said and pivoted around, showing how the dress spun with you.

🥃”it’s a sundress” you say “I can see that flower” he replies, walking up to you to have a good feel of the fabric, gliding his hands from your upper back to your waist as he pulls you into him “y’can’t wear tha’.” He says simply and you giggle “why’s tha Johnny?” You ask and he raises his brows “that little name tells me you know goddamn why gorgeous.” He says “y’cannea wear it cause I’m not gonna be able to keep my hands off of ya.” He says, quickly turning to slam the door shut before picking you up and dropping you on the bed, climbing on top of you and leaning in to kiss you hungrily.

🥃you move to take the dress of and he shakes his head “now, now whole point of this dress is that it’s easy access now, ain’t it?” He hums “leave it on I’ll work around don’t you worry ‘bout me.” He says quickly with his tongue protruding to lick his dry lips as he looks you over.

🥃he dips his head under the hem of the dress and eats you like a man starved. “Mammy! Daddy we’re ‘ungry!” You hear from beyond the door and John stops his movement to come back up for air and clamp a hand over your mouth to stop the sounds coming out of it. John huffs, frustrated but clears his throat. “Harriet darlin’ can you reach the milk?” He asks after a minute “I can da’.” Her little voice replies “Toby can you reach the cereal?” “Uh-huh” the other retorts. “Great and Charlie? Bowls and spoons?” “Yeah I know where they are daddy!” The little one says “perfect. Harriet want you to get the milk, the big ‘un I’m not having you using up the fancy shit your mam bought from Camden. Y’here me?” He asks “yeah dad” “Toby, grab the cereal and Charlie get the bowls and lot.” He instructs “okay!” The collective voices come out. “Hannah need you to make sure it’s all gone to plan, alright hon?” He asks “sure thing” then you hear the patter of feel heading down the stairs

🥃”and I swear to god if any of you little shits make a mess y’ll all be up for the fuckin’ high jump!” He announces loudly, before quieting down and turning back to you “where were we?”

🥃and then when you’d finally managed to pry him off of you, he begrudgingly let you wear it “don’t forget we’re going to Alice’s garden party.” You say “what?” He asks, noticing how you’ve dressed all the kids appropriately “y’ain’t going looking like that flower” he says “I sure am. Come in you lot! In the car!” You say, ushering him out the door

🥃he managed to sneak you away one or two times at the party.

Bonnie🥊

🥊Bonnie’s just as bad as John

🥊cannot keep his hands off of you

🥊”’m takin’ y’ to Bonnie Gold’s fight.” Your brother said walking into the room “wear summot nice, that dress I bought you” “why?” “Just get dressed” you nodded at Tommy, not opposed to visiting Bonnie Gold any day.

🥊”is his sister coming?” Bonnie asked his dad hopefully and the man smirked “why?” “J’st wonderin’.” “Yeah well keep y’eyes on the prize” Aberama told him “she is the fuckin’ prize” “try keep y’hands off of ‘er until the fights over, yeah?” He asked and him and Bonnie just shared a knowing smirk.

🥊you put on the sundress Tommy had bought you the other week, deciding it was a nice enough day to have a breeze against your skin, plus you had a pair of lovely shoes to match.

🥊so you rocked up downstairs, dress on and ready to go and Tommy just gave you a once over “poor lads gonna have a fuckin’ heart attack” John said, laughing “shut up John” you reply, as he opened the door to the car for you, offering his hand to help you up. “You look nice” Arthur commented with a raised brow “damn fucker better win this fight”

🥊”Bonnie” Thomas nodded as he entered the building, followed by his brothers, you at the back with John who’d strung an arm over your shoulder. “Mr Shelby” he nodded at him, but was clearly distracted. “Don’t you worry, Bonnie. She’s right ‘ere.” Tommy says, moving out the way for John and you to come into his view. “Hiya, Bon.” You smile “hiya flower” he manages to muster.

🥊yet, his breath had caught in his throat at the sheer sight of you. Your gorgeous face, hair done up nicely, and a fucking milkmaid dress. Some lovely sundress that other men didn’t deserve to see. Bonnie’s jaw clenched.

🥊”right, we’ll leave the two of you for a minute. Aberama, let’s chat” Thomas said, leading the others away “if he tries anything come and fuckin’ find me.” John said, looking Bonnie over once with narrowed eyes before strutting off after the others.

🥊Bonnie smirked looking at you “y’look lovely” he said quietly, approaching you “not too bad y’self Bon” you giggle as his hands wrap around you, leaning down to kiss you gently. “This fuckin’ dress. Y’do it on purpose?” He asks and you crease your brows “do what?” You hum and he sighs “I guess you’re not beautiful on purpose are you darlin’?” He grins, grabbing your hand to drag you into his changing room and lock the door behind you.

🥊he picks you up and you squeal with a laugh, wrapping your legs around his waist as he holds you against the door. He slips his hands under the hem of the skirt and holds your thighs gently.

🥊”this fucking dress” he says, chuffed that he managed to slip his hands all the way up to settle on your waist and you just smiled at him. You could feel him toying with the waistband of your panties and you laugh “Bon we’ve only got ten minutes!” You giggle and he sighs “guess we’ve got to be quick then, ay sugar?” He asks, undoing his trousers and just merely pushing your panties aside.

🥊you lean your head into the curve of his neck, muffling the sounds erupting from your mouth and muffling them with his bear skin and he slid in and out of you. “God ‘m so fuckin’ obsessed with you.” He groaned “y’know what this makes me think of?” He asks and you shake your head in question against him. “Makes me think of a mammy. What a mammy should wear when she’s pregnant ‘nd can’t get into nothin’ else.” He mumbles. “This wha’ya were tryna do t’me?” He asks “tryna get me to make y’a mammy? Cause it’s working darlin’. So well.” You whine at his remark.

🥊and when you both finish you try to pull up from his shoulder but he holds you firmly in place “Nuh uh. You dress like a mammy y’become one” he says and you can’t help but smile at his statement. Eventually, he unwraps you from his waist and lets you down onto shaky legs. A knock comes at the door “five minutes, son. Get your hands wrapped” you hear Aberama say to him followed by leaving footsteps. You smile up at him “c’mon I’ll wrap your hands”

🥊you pull him to where the wrap is, sitting him down on the bench and standing between his legs as you work on protecting his hands.

🥊He was being extremely difficult

🥊trying to wrap a man’s hands when all he wants to do is have them under your dress is an extremely difficult task as he kept groping at your skin rather than letting you work. “D’ya want your hands wrapping or not?” You ask with a huff and he smirks “would rather be doing somethin’ else.” He shrugs, but lets you finish. And when you do he pulls you into a tight hug, leaning against the fabric where your breasts were constricted.

🥊”Bonnie, c’mon lad it’s time” you heard your brother say from beyond the door, knocking on it thrice (sausage roll video lol)

🥊Bonnie groaned from under your dress (you didn’t know when he’d managed to snake his way back under there) but you grabbed his hand and yanked him from his seated position to standing; pulling him towards the door and unlocking it to take him to the ring.

🥊Bonnie pulled the hand that was dragging him, sending you flying into his chest with a force that nearly winded you as he gave you one last kiss. “Bonnie! Go!” You giggled, pushing him away and towards the ring, taking a stand beside your brothers as the match began.

🥊The rounds went by painfully slow for Bonnie; regardless of the fact that he was winning - but in reality it was only a good few minutes of pure fighting.

🥊then when the match was finished, he waltzed over to the Shelby family like he owned the place and offered a blood-filled grin as it dripped down his chin.

🥊”well done Bonnie lad.” Tommy said, lighting a cigarette. “Cheers Tommy.” He replied, adrenaline still pumping through his veins. “Didn’t y’get some money f’this match?” John asked, lighting his own. “Nah he’s got his own trophy right over there” Tommy replied, nodding at you as they all turned to see you chatting with Bonnie’s father.

🥊”just do us a favour” Thomas told him and Bonnie immediately nodded “marry her.” “Don’t have to tell me twice, mr Shelby.” Bonnie told him with a chuckle, heading to grab you to resume your activities.

Isaiah♟️

♟️haha.

♟️again, bold of you to assume that you’re getting fucking anywhere with that thing on.

♟️feel like it’d be a black sundress, one with frills on the sleeves.

♟️you’d gone for a walk with Finn, Tommy having told you both to fuck off for a while while they dealt with some deeper business; so a stroll around seemed to be the choice at hand.

♟️eventually though, Finn had gotten distracted by a sign you’d read that said ‘pretty women here shilling for a good time’ and left you to fend for yourself, opting not to follow your twin into the whore house, yet you weren’t in your own company for long, feeling a cap placed on your head and an arm around your shoulders.

♟️“Hey pretty, what’re you doing all alone?” Isaiah asked, as he feel into step with you, but came to a sudden halt almost lurching you back. “And who let you wear that?” His eyebrows raised as he looked you over. “Why what’s wrong with it?” You asked “nothin’ nothin’. J’st don’t understand why it’s not on my bedroom floor” you smacked his chest and giggled “Isaiah!”

♟️”y’shouldnt have been let out wearing this, love” he said, backing you against the wall of one of the nearby buildings. “Well I was with Finn” you reason “hmm? And where is Finn now?” He asks, taking your chin between his forefinger and thumb, forcing you to look at him.

♟️”in some whore house” you mumble in reply. He scoffs “some brother”. Then he starts again “why don’t we turn my house into a whore house and get that dress off you and into my room?” He suggests and you roll your eyes “such a way with words”

♟️”y’look fuckin’ insatiable” he says, leaning down to kiss that sensitive spot on the crevasse of your neck. “Dunno how I manage to keep my hand off you most of the time, doll” he shrugs “and in this? Fuck y’not gonna be walking anytime soon”

♟️you laugh at him “you wish peaky junior, now I was enjoying a lovely walk before you came along.” You hum, pushing him back by the chest and he scoffs “I’m a Shelby I can fend for myself” you shrug “not while I make you a Jesus.” He retorts, smirking like he knew he’d won. “Whatever, Isaiah” you say, calmly walking away

♟️he laughs loudly, running after you “c’mon Mrs Jesus we’ve business to attend to!” He announces, swiftly placing a hand onto your chest and pressing you back against the wall, lifting you up and placing hungry hands under the hem of your dress “Isaiah!” You scold, “not here!” He rolls his eyes “fine”

♟️and he places and arm under your knees and one to support your head as he carries you bridal-style back to his house. You clutch at his suit jacket and squeal at his action, holding on for dear life until you got to his home.

♟️did not wait until you got to the bedroom

♟️defo had his way with you against the door once it’d been firmly slammed shut and locked

♟️and on the sofa

♟️and the kitchen table

♟️and then bedroom

♟️(you never took the dress off)

♟️and eventually when you’d decided Tommy was probably done with his important business you managed to coax a begrudging Isaiah to the Garrison with you, who’d initially planned to keep you up all night with him but instead you were heading to a pub instead of his bed; which you’d end up in later anyways

♟️”oh she’s alive!” Arthur said sarcastically as you join them, noticing your presence and subsequently you noticed Finn’s. “How long did you last? Two minutes?” You asked and he scoffed “fuck off” “and of course I’m alive, I’m fine. It was Finn who left me alone!” You say, blame bombing your twin who looked at you with evil eyes.

♟️then Isaiah popped his head round “plus I wasn’t alone I was with Isaiah” you say matter-of-factly and Finn grits his jaw “what’ve I said about staying away from my fucking sister you fucking scrubber” Finn growls, landing a pent-up punch to Isaiah’s jaw who stumbled back slightly. “Didn’t say nothin’ ‘bout fucking her did ya?” He retorted and then he was running for the hills with three brothers sprinting after him.

♟️”men.” Polly said with a roll of her eyes

Michael🎱

🎱he wouldn’t be here nor there

🎱loved how it looks on you

🎱but hates the fact that other men see you wearing it.

🎱he makes heart eyes when he sees you in it, believing it to be the typical dress of a wife and mother; so it pretty much feeds into his delusions.

🎱the only time it saw the light of day in public would’ve definitely been when he’d been courting you. When he’d been invited to some garden party of a rich aristocracy down southwards.

🎱what Tommy failed to mention was that the Capitalist had a daughter a few months younger than Michael, of whom was extremely well spoken, and ridiculously pretty.

🎱he’d obviously weaselled his way over to you and the rest was history.

🎱and of course, history tends to repeat itself.

🎱again, you were heading to a garden party: Shelby arranged this time around, to show your initial family that the marriage between yourself and Michael was going well and therefore Tommy’s expansion to a more wealthier estate was worth the investment.

🎱”I’ll meet you there darling, business to take care of.” Michael had told you that morning while adjusting his collar, allowing you to help him straighten the tie you had wrapped around his neck. “Okay” you hummed, he always loved how you’d never pried.

🎱in reality he was off to see a man about a dog, in other terms; kill a man. Kill a man who’d been eyeing you up like a fucking slice of meat the evening prior. Eyeing you like he wanted to eat you like a man starved, as if your husband didn’t have a firm arm wrapped around your waist and oversized number of carats around your finger.

🎱even had the nerve to try talk to you, had groped at your ass and Michael covered your eyes with one hand while he clocked the bloke around the jaw with the other.

🎱never wanted a woman to see him fight, especially his woman.

🎱so he went about killing the man the next day; well he’s probably dead by now. He took his cap calmly to the man, beneath that bridge by the canal, castrated then blinded the man and left him struggling on the ground, having a couple of lesser known Peaky men surveying the area for the rest of the day to make sure no aid was to come to him, and when his struggling stopped they were to sort his body out.

🎱you made your way to the garden party independently, having worn a darling sundress; white and pristine and freshly pressed, accompanied by a sun hat and some subtle shoes; conservative enough for Michael not to complain that you looked like a whore, but skin-showing enough not to overheat in this sweltering weather.

🎱you were there before Michael, embraced by John and given a kiss on the temple by an already tipsy Arthur who was in that sort of mood where a gent gets rather happy when squidgy, it was a fine line with Arthur.. happy to angered

🎱but you entertained him, saying your hellos and greeting the rest of the family you’d married into, patiently waiting for Michael’s attendance.

🎱he was there soon thereafter.

🎱and he was fucking seething.

🎱he took one look at you as his mouth ran dry, grabbed your wrist and dragged you away from the garden getting countless opposing arguments from the likes of Ada and John questioning what he was doing

🎱but nothing could soften the red he saw.

🎱how dare you wear that dress?

🎱practically threw you into the car, you’d never seen him this upset, let alone have it take it out on you; his loving, doting housewife of whom he trophied for every mistake he made, initially he thought you were his punishment from god.. sent an angel for a devil to take care of. But he’d gotten the hang of switching into a loving husband the minute he returned home

🎱but tonight was different

🎱”Michael, darlin-” “how dare you?” He seethed and you silenced yourself “pardon?” “How many fucking times have I told you you’re not wearing this fucking dress in public, hmm? And you wear it around my fucking horny cousin?” He growls and you don’t know how to reply “he looks at you like you’re a fucking piece of meet, sweets.” He tells you, finally looking at you

🎱”undressing you with his eyes. Watched him myself.” “John has a wife-” “John hires prostitutes. Y’think he’d be a better husband?” He asks, knuckles white as he grips the steering wheel harder “no-” “no. Cause I’ve never hired a fuckin’ prostitute since we’ve been together, and I work hard for you, y’know. Got no where to take my anger out cause I love you so much.” He says and despite the harshness of his words your heart swells.

🎱”killed a man for you and I show up to you actin’ like a fuckin’ whore?” Your mouth opened agape and he chuckled darkly “think I didn’t kill that bloke? Think I’d leave him safe? Nah, not with my missus I wouldn’t” he confirms, placing a hand on your leg as he speeds back home.

🎱he stops the car and doesn’t move for a minute.

🎱”listen to me very carefully, flower. I’m going to change my bloody shirt, and you’re gonna go upstairs, lay on the bed and wait for me. Yeah?” He asks “yeah o’course Michael.” You say as you get out the car

🎱”and leave that fuckin’ dress on!” You hear called behind you.

Finn🎞️

🎞️Finn is just horny 25/8 icl.

🎞️doesn’t know what does it for him about that dress, but it does something.

🎞️it was a hot day, and the family was in some beer garden, Arthur already off his head drunk and the brothers just enjoying one another’s company after successfully ridding the threat of a rival family, the head now dead and the rest cowering to surrender.

🎞️Tommy told Finn to bring his lady friend, the one who worked at the bookshop along, decided it was time to meet the family, and so he did.

🎞️waltzed into your little hole in the wall, grinning as you peered your head around to see the customer who’d caused the door’s bell to chime, and you broke out into a mighty smile just as he did, him opening his arms for you to rush over and into a bone crushing hug.

🎞️even shared a sweet kiss as he said a gentle “hello pretty”

🎞️he noticed the dress you were wearing was new, initially not noticing it as he was too caught up in admiring you. “What’s this? Is it new?” He asked, taking your hand to spin you around. “It is” you grin, allowing the white flowing material to spin as he made you “it’s lovely” he says, noticing something about it but he didn’t know quite what.

🎞️”why are you here?” You hum with narrowed, suspicious eyes as you leant your chin against his dress “aren’t I allowed to say hello to my favourite girl?” He asks with a smirk “yes but I can tell there’s something. A look in your eyes.” You say and he sighs, defeated “party at the Garrison” he says “when?” You ask “right now” he says and you laugh “Finn I can’t just shut shop at 12 oclock on Thursday!” You say, as he reaches into his pocket, throwing ten whole pounds onto the counter “Finn! Where did you get that much money?” You gasp “don’t worry bout it. Enough for you to close?” He asks and you scoff “I can’t accept ten whole pounds, Finn” you tell him “sure you can cause I’m not having it back” he shrugs, pulling your hand to coax you out the door “okay fine!” You surrender as you relent, allowing Finn to pull you out the door and in turn, you lock your door behind you.

🎞️then when you showed to the party, you were greeted by tipsy cheers and hellos as Finn introduced you to his family, Polly and Ada immediately dragging you away to have a separate conversation as they question you about everything to which you giddily go along with.

🎞️John came to stand with Finn, where he was stood still; drink in hand as he watched you interact with his family. “What’s up, Finn?” He asked, nudging him with his elbow and Finn finally broke out of his trace to smile at his brother. “Nothin’.” He shrugged. “Can’t be about your missus, y’head over heels for her.” John said, and Finn immediately raised his brows in panic “no! no! Nothin’ like tha.” Finn said, shaking his head. “Then what is it?” John asked, looking at you, trying to figure his younger sibling out.

🎞️”dunno. It’s summot about that dress” Finn said, eyes raking over you as he tried to figure out what it was and his brother chuckles “easy access, mate.” John said and Finn creased his brows “y’what?” “Sundresses mate, fuckin’ kill me. Easy access innit? Don’t have to even take the dress off” John told him matter-of-factly, necking the rest of his beer in one. Finn’s eyes darkened and John couldn’t hold in his laugh at the realisation that Finn had settled that that was what it was.

🎞️John claps him on the back “if y’wanna sneak off I’ll cover” he said, but by the end of the sentence Finn had already started after you “cheers, mate!” He said to John “sorry, stealing her” he said to Polly and Ada against their judgement, dragging you away from the conversation and into the Peaky office inside the Garrison.

🎞️you giggle at his actions as he locked the dork “what y’doin sill?” You ask “party’s outside!” You say, as he picks you up and holds you against the door, dropping his hands for them to head under the hem of your skirt “right, ‘nd I’ve just figured out that this dress is driving me fuckin’ crazy” he says “you’re fuckin’ insatiable” he says “d’you even know what that means?” You ask and he shrugs “find me a dictionary later or summot.” He says

🎞️”what’s up with the dress” you ask, as he undoes his trousers “easy access innit?”

Aberama🌞

🌞Aberama is a cultured bloke

🌞by that I mean he’s had many a trips around the sun, and in that time good women are few and far between in his opinion

🌞so regardless of you being substantially his younger, he was positive that you were the woman for him and therefore he had to have you.

🌞recently you’d moved into his vardo with him, having left the urban life behind.

🌞he’d woken up one morning to the sun blaring at him through the unclad opening of the vardo, stretching his arms above his head in a mighty yawn, almost certain it was almost midday by this point; especially after the long trek they’d had to get to this sight the night prior.

🌞he reached his arm over, but the spot in the bed was cold and empty, a lone spot where you should’ve been laid. He creased his brows, shooting up in bed to a sitting potion, realising that you were no longer in the vardo at all.

🌞he groaned. Damn you and your early rising tendencies.

🌞he rubbed his eyes and pulled on a pair of undershorts, smirking at the remembrance of the night prior once you’d arrived. He popped his head out of the doorway, looking left and right but curiously not being able to find any trace of you.

🌞he climbed down the steps and placed his hands on his hips, walking around the side of the wooden structure towards the lake that trickled slowly downstream. And that’s where he found you:

🌞his gorgeous bride.

🌞he’d always told you that he never expected you to conform to the traditional gypsy wife role, never needed you to bear him any more children or do the cooking or cleaning. Hell, you could lay around all day doing nothing and he’d look at you with the same adoration he always does. He didn’t even expect you to want to live in a vardo, yet you’d shown up with a bag and a smile when offered.

🌞 yet you refused, you demanded to help. Demanded to conform. You would cook the rabbit he’d kill (given you’d been a bit sick at the initial sight of it). And you’d kill his clothes, paying no mind to any blood shed on it.

🌞you were knelt against the river bank, ringing some clothes out you just washed then placing them into a small wicker basket, in a dress he didn’t quite recognise.

🌞”what y’doin up, sweetheart? Thought I told y’to relax today” he started, beginning towards you. Your head spun and those wide, innocent doe eyes gleamed back at him “had a big journey last night. No good f’little girls to be working the day after” he said, matter of factly with a stern look.

🌞”just wanted to get these clothes washed” you mumble, placing the final garment in the basket. “And what’s this you’ve got on, hmm?” He asked, as you look at your clothes “oh it’s a dress” “Mm I can see that, darlin. Just never seen it before” he tells you and you stand to give him a little spin. “My sister bought it for my birthday” you said and he grunts, gently grabbing your hips to pull you into him and sway you back and forth along with the breeze, dancing to nature’s music.

🌞”well y’know what these dresses are?” He hums and you shake your head, placing both hands on his chest. “These dresses are the kind that mammys wear. The kind you’d wear when they’re all pregnant and swelled up with little babes.” He says, accusingly. “Kind that little wives wear that are asking for a hiding” he warns

🌞”didn’t mean nothing by it, abe. Just thought it was nice” you admit and he smiles “I know you did, princess. Just an innocent little flower y’are.” He shakes his head.

🌞”but y’ve seen the other mammys around the camp haven’t you? Seen how they’ve dressed. Think you know what you were doin’ to your old man” he teases and you shake your head “m too old to be a da’ y’know. Way too bleeding old. Punishing me ain’t ya? Just asking for a little’un” he tuts and you giggle as he picks you up bridal style and carries you back to the bed where he’d began

🌞”Aberama! The clothes!-” “Can fuckin’ wait” he grunts “got a little’un to put in ya first” he says, dropping you onto the bed and lazily flipping up your skirt to do what he did best.

🌞make your skin fucking crawl.

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damienkarras73 · 6 months ago

Text

An essay on Furiosa, the politics of the Wasteland, Arthurian literature and realistic vs. formalistic CGI

Mad Max: Fury Road absolutely enraptured me when it came out nearly a decade ago, and I will cop to seeing it four times at the theatre. For me (and many others who saw the light of George Miller) it set new standards for action filmmaking, storytelling and worldbuilding, and I could pop in its Blu Ray at any time and never get tired of it. Perhaps not surprisingly, I was deeply apprehensive about the announced prequel for Fury Road's actual main character, Furiosa, even if Miller was still writing and directing. We didn't need backstory for Furiosa—hell, Fury Road is told in such a way that NOTHING in it requires explicit backstory. And since it focuses on the Yung Furiosa, it meant Charlize Theron couldn't return with another career-defining performance. Plus, look at all that CGI in the trailer, it can't be as good as Fury Road.

Turns out I was silly to doubt George Miller, M.D., A.O., writer and director of Babe: Pig in the City and Happy Feet One & Two.

Furiosa: A Mad Max Saga is excellent, and I needn't have worried about it not being as good as Fury Road because it is not remotely trying to be Fury Road. Fury Road is a lean, mean machine with no fat on it, nothing extraneous, operating with constant forward momentum and only occasionally letting up to let you breathe a little; Furiosa is a classical epic, sprawling in scope, scale and structure, and more than happy to let the audience simmer in a quiet, almost painfully still moment. If its opening spoken word sequence by that Gandalf of the Wastes himself, the First History Man, didn't already clue you in, it unfolds like something out of myth, a tale told over and over again and whose possible embellishments are called attention to in the dialogue itself. Where Fury Road scratched the action nerd itch in my head like you wouldn't believe, Furiosa was the equivalent of Miller giving the undulating folds of my English major brain a deep tissue massage. That's great! I, for one, love when sequels/prequels endeavour to be fundamentally different movies from what they're succeeding/preceding, operating in different modes, formats and even genres, and more filmmakers should aim for it when building on an existing series.

This movie has been on my mind so much in the past week that I've ended up dedicating several cognitive processes to keeping track of all of the different ponderings it's spawned. Thankfully, Furiosa is divided into chapters (fun fact: putting chapter cards in your movie is a quick way to my heart), so it only seems fitting that I break up all of these cascading thoughts accordingly.

1. The Pole of Inaccessibility

Furiosa herself actually isn't the protagonist for the first chapter of her own movie, instead occupying the role of a (very crafty and resourceful) damsel in distress for those initial 30-40 minutes. The real hero of the opening act, which plays out like a game of cat and mouse, is Furiosa's mother Mary Jabassa, who rides out into the wasteland first on horseback and then astride a motorcycle to track down the band of raiders that has stolen away her daughter. Mary's brought to life by Miller and Nico Lathouris' economical writing and a magnetic performance by newcomer Charlee Fraser, who radiates so much screen presence in such relatively little time and with one of those instant "who is SHE??" faces. She doesn't have many lines, but who needs them when Fraser can convey volumes about Mary with just a flash of her eyes or the effortless way she swaps out one of her motorcycle's wheels for another. To be quite candid, I'm not sure of the last time I fell in love with a character so quickly.

You notice a neat aesthetic contrast between mother and daughter in retrospect: Mary Jabassa darts into the desert barefoot, clad in a simple yet elegant dress, her wolf cut immaculate, only briefly disguising herself with the ugly armour of a raider she just sniped, and when she attacks it's almost with grace, like some Greek goddess set loose in the post-apocalyptic Aussie outback with just her wits and a bolt-action rifle; we track Furiosa's growth over the years by how much of her initially conventional beauty she has shed, quite literally in one case (hair buzzed, severed arm augmented with a chunky mechanical prosthesis, smeared in grease and dirt from head to toe, growling her lines at a lower octave), and by how she loses her mother's graceful approach to movement and violence, eventually carrying herself like a blunt instrument. Yet I have zero doubt the former raised the latter, both angels of different feathers but with the same steel and resolve. Of fucking course this woman is Furiosa's mother, and in the short time we know her we quickly understand exactly why Furiosa has the drive and morals she does without needing to resort to didactic exposition.

Anyway, I was tearing up by the end of the first chapter. Great start!

2. Lessons from the Wasteland

Most movies—most stories, really—don't actually tell the entire narrative from A to Z. Perhaps the real meat of the thing is found from H to T, and A-G or U-Z are unnecessary for conveying the key narrative and themes. So many prequels fail by insisting on telling the A-G part of the story, explaining how the hero earned a certain nickname or met their memorable sidekick—but if that stuff was actually interesting, they likely would have included it in the original work. The greatest thing a prequel can actually do is recontextualize, putting iconic characters or moments in a new light, allowing you to appreciate them from a different angle. All of season 2 of Fargo serves to explain why Molly Solverson's dad is appropriately wary when Lorne Malvo enters his diner for a SINGLE SCENE in the show's first season. David's arc from the Alien prequels Prometheus and Covenant—polarizing as those entries are—adds another layer to why Ash is so protective of the creature in the first movie. Andor gives you a sense of what it's like for a normal, non-Jedi person to live under the boot of the Empire and why so many of them would join up with the Rebel Alliance—or why they would desire to wear that boot, or even just crave the chance to lick it.

Furiosa is one of those rare great prequels because it makes us take a step back and consider the established world with a little more nuance, even if it's still all so absurd. In Fury Road, Immortan Joe is an awesome, endlessly quotable villain, completely irredeemable, and basically a cartoon. He works perfectly as the antagonist of that breakneck, Road Runner and Wile E. Coyote-ass movie, but if you step outside of its adrenaline-pumping narrative for even a moment you risk questioning why nobody in the Citadel or its surrounding settlements has risen up against him before. Hell, why would Furiosa even work for him to begin with? But then you see Dementus and company tear-assing around the wasteland, seizing settlements and running them into the ground, and you realize Joe and his consortium offer something that Dementus reasonably can't: stability—granted, an unwavering, unchangeable stability weighted in favour of Joe's own brutal caste system, but stability nonetheless. It really makes you wonder, how badly does a guy have to suck to make IMMORTAN JOE of all people look like a sane, competent and reasonable ruler by comparison?!?

…and then they open the door to the vault where he keeps his wives, and in a flash you're reminded just how awful Joe is and why Furiosa will risk her life to help some of these women flee from him years later. This new context enriches Joe and makes it more believable that he could maintain power for so long, but it doesn't make him any less of a monster, and it says a lot about Furiosa's hate for Dementus that she could grit her teeth and work for this sick old tyrant.

3. The Stowaway

Here's another wild bit of trivia about this movie: you don't actually see top-billed actress Anya Taylor-Joy pop up on screen until roughly halfway through, once Furiosa is in her late teens/early twenties. Up until this point she's been played by Alyla Browne, who through the use of some seamless and honestly really impressive CGI has been given Anya's distinctive bug eyes [complimentary]. It's one of those bold choices that really works because Miller commits to it so hard, though it does make me wish Browne's name was up on the poster next to Taylor-Joy's.

Speaking of CGI, I should talk about what seems to be a sticking point for quite a few people: if there's been one consistent criticism of Furiosa so far, it's that it doesn't look nearly as practical or grounded as Fury Road, with more obvious greenscreen and compositing, and what previously would've been physical stunt performers and pyrotechnics have been replaced with their digital equivalents for many shots. Simply put, it doesn't look as real! For a lot of people, that practicality was one of Fury Road's primary draws, so I won't try to quibble if they're let down by Furiosa's overt artificiality, but to be honest I'm actually quite fine with it. It helps that this visual discrepancy doesn't sneak up on you but is incredibly apparent right from the aerial zoom-down into Australia in the very first scene, so I didn't feel misled or duped.

Fury Road never asks you to suspend your disbelief because it all looks so believable; Furiosa jovially prods you to suspend that disbelief from the get-go and tune into it on a different wavelength. It's a classical epic, and like the classical epics of the 1950s and 60s it has a lot of actors standing in front of what clearly are matte paintings. It feels right! We're not watching fact, we're watching myth. I'm willing to concede there might be a little bit of post-hoc rationalization on my part because I simply love this movie so much, but I'm not holding the effects in Furiosa to the same standard as those in Fury Road because I simply don't believe Miller and his crew are attempting to replicate that approach. Without the extensive CGI, we don't get that impressive long, panning take where a stranded Furiosa scans the empty, dust-and-sun-scoured wasteland (75% Sergio Leone, 25% Andrei Tarkovsky), or the Octoboss and his parasailing goons. For the sake of intellectual exercise I did try imagining them filming the Octoboss/war rig sequence with the same immersive practical approach they used for Fury Road's stunts, however I just kept picturing dead stunt performers, so perhaps the tradeoff was worth it!

4. Homeward

Around the same time we meet the Taylor-Joy-pilled Furiosa in Chapter 3, we're introduced to Praetorian Jack, the chief driver for the convoys running between the Citadel and its allied settlements. Jack's played by Tom Burke, who pulled off a very good Orson Welles in Mank! and who I should really check out in The Souvenir one of these days. He's also a cool dude! Here are some facts about Praetorian Jack:

He's decked out in road leathers with a pauldron stitched to one shoulder

He's stoic and wary, but still more or less personable and can carry on a conversation

Professes to a certain cynicism, to quote Special Agent Albert Rosenfield, but ultimately has a capacity for kindness and will do the right thing

Shoots a gun real good

Can drive like nobody's business

So in other words, Jack is Mad Max. But also, no, he clearly isn't! He looks and dresses like Mad Max (particularly Mel Gibson's) and does a lot of the same things "Mad" Max Rockatansky does, but he's also very explicitly a distinct character. It's a choice that seems inexplicable and perhaps even lazy on its face, except this is a George Miller movie, so of course this parallel is extremely purposeful. Miller has gone on record saying he avoids any kind of strict chronology or continuity for his Mad Max movies, compared to the rigid canons for Star Trek and Star Wars, and bless him for doing so. It's more fun viewing each Mad Max entry as a new revision or elaboration on a story being told again and again generations after the fall, mutating in style, structure and focus with every iteration, becoming less grounded as its core narrative is passed from elder to youth, community to community, genre to genre, until it becomes myth. (At least, my English major brain thinks it's more fun.) In fact there's actually something Arthurian to it, where at first King Arthur was mentioned in several Welsh legends before Geoffrey of Monmouth crafted an actual narrative around him, then Chrétien de Troyes added elements like Lancelot and infused the stories with more romance, and then with Le Morte d'Arthur Thomas Malory whipped the whole cycle together into one volume, which T.H. White would chop and screw and deconstruct with The Once and Future King centuries later.

All this to say: maybe Praetorian Jack looks and sounds and acts like Max because he sorta kinda basically is, being just one of many men driving back and forth across the wasteland, lending a hand on occasion, who'll be conflated into a single, legendary "Mad Max" at some point down the line in a different History Man's retelling of Furiosa's odyssey. Sometimes that Max rips across the desert in his V8 Interceptor, other times driving a big rig. Perhaps there's a dog tagging along and/or a scraggly and at first aggravating ally played by Bruce Spence or Nicholas Hoult. Usually he has a shotgun. But so long as you aren't trying to kill him, he'll help you out.

5. Beyond Vengeance

The Mad Max movies have incredibly iconic villains—Immortan Joe! Toecutter! the Lord Humongous!—but they are exactly that, capital V Villains devoid of humanizing qualities who you can't wait to watch bad things happen to. Furiosa appears to continue this trend by giving us a villain who in fact has a mustache long enough that he could reasonably twirl it if he so wanted, but ironically Dementus ends up being the most layered antagonist in the entire series, even moreso than the late Tina Turner's comparatively benevolent Aunty Entity from Beyond Thunderdome. And because he's played by Chris Hemsworth, whose comedic delivery rivals his stupidly handsome looks, you lock in every time he's on screen.

Something so fascinating about Dementus is that, for a main antagonist, he's NOT all-powerful, and in fact quite the opposite: he's more conman than warlord, looking for the next hustle, the next gullible crowd he can preach to and dupe—though never for long. For all his bluster, at every turn he finds himself in way over his head and writing cheques he can't cash, and this self-induced Sisyphean torment makes him riveting to watch. You're tempted to pity Dementus but it's also quite difficult to spare sympathy for someone who's so quick to channel their rage and hurt and ego into thoughtless, burn-it-all-down destruction. When you're not laughing at him, you're hating his guts, and it's indisputably the best work of Chris Hemsworth's career.

It's in this final chapter that everything naturally comes to a head: Furiosa's final evolution into the character we meet at the start of Fury Road, the predictable toppling of Dementus' precariously built house of cards, and the mythmaking that has been teased since the very first scene becoming diagetic text, the last of which allows the movie to thoroughly explore the themes of vengeance it's been building to. A brief war begins, is summarized and is over in the span of roughly a minute, and on its face it's a baffling narrative choice that most other filmmakers would have botched. But our man Miller's smart enough to recognize that the result of this war is the most foregone of conclusions if you've been paying even the slightest bit of attention, so he effectively brushes past it to get to the emotional heart of the climax and an incredible "Oh shit!" payoff that cements Miller as one of mainstream cinema's greatest sickos.

Fury Road remains the greatest Mad Max film, but Furiosa might be the best thing George Miller has ever made. If not his magnum opus, it does at least feel like his dissertation, and it makes me wish Warner Bros. puts enough trust in him despite Furiosa's poor box office performance that he's able to make The Wasteland. Absolutely ridiculous that a man just short of his 80th birthday was able to pull this off, and with it I feel confident calling him one of my favourite directors.

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