#today has been relatively productive

[lemonhemlock]

tried watching the new queen charlotte series but was immediately put off by the ridiculous anti-corset propaganda, so get ready for another rant.

first of all, this is the georgian era so what she's wearing are called /stays/ - corsets are a victorian invention. why do we still not know this in 2023 when period productions have remained consistently popular throughout the years? the concept of tighlacing (the goal being a reduction of the waist) is also victorian and was not the norm at all and v much an extreme practice. this understanding of history is so superficial, it's as if an alien were to open up People magazine and conclude that all human women resort to butt injections and lip fillers to stay with the fashion of the times. also, no, you cannot tighlace in stays to obtain a waist reduction because they are shaped like a funnel (picture 1 = long stays, 2 = short regency stays, 3 = corset)

charlotte goes on to complain about how dangerous whalebone is and that it might kill her if she makes the wrong move. what the actual fuck? whalebone was actually the very best material to use for this because it was sturdy yet flexible and allowed the /stays/ to completely and comfortably mold around a woman's unique body shape. one of the reasons why today it is v difficult to replicate the same effect in corsetry is because we do not have access to whalebone (killing whales is not cool for obvious reasons) so corset-makers have to resort to other materials like plastic or metal, which CAN break. whereas whalebone doesn't really break as easily. furthermore, stays/corsets were NEVER worn on bare skin, but with a chemise/shift underneath.

why did women in the past resort to this type of undergarment, you ask? well, apart from the fact that women need bust support, the stays also serve the purpose of allowing all the many skirts and petticoats to be placed comfortably onto the waist. you try piling on that much fabric around your bare waist and see how you like it and if you can even carry it all around without it cutting into your stomach.

clothes throughout human history did cater to the popular fashions of the time, yes, but they also reflected the technological limitations and there was thus a practical aspect to it. this is a time before elastic bands, before industrialization and fast fashion, clothes are v difficult to make, everything is done by hand, so a lot of care is put into preserving them, because they are /expensive/ and labour intensive. you don't want your fancy outergarments to get ruined so you wear a lot of undergarments to absorb your bodily fluids since those are easier to make and don't have to look "pretty", can be stained and patchy etc. again, why do you need so many layers in the first place? because this is a time before comfortable heating, with poorly isolated and drafty houses, and it's bloody cold otherwise.

the third reason why that monologue was so dumb is because CHARLOTTE is the reason regency court dress was so preposterous. long story short, in a few decades, the fashionable silhouette changes wildly from the late 1700s to the 1810s.

the regency waistline was much higher and the gowns were much more flowy and unstructured than the late georgian ones (what's commonly known as the empire waistline). the long stays of the late 1700s were now replaced with short stays that really were similar to modern bras. the scene in the first season of bridgerton where they squeeze penelope's sister into what looks like a pair of long stays (?) is bonkers bc no one would wear a waist-constricting boned undergarment under a regency dress. why would they? the natural waist is not even emphasized in any way. this is just another reason to peddle the women-were-oppressed-by-their-lingerie agenda. so if charlotte really hated long stays that much, regency would really have been her time to shine, right? wrong. the woman loved the fashions of her youth so much she forced everyone who came to court to still comply to them, which is why we get the absolutely atrocious regency court dresses - essentially a combination of the georgian style with side panniers, but with an empire waistline.

yeah, this is how daphne SHOULD have looked like when she was presented at court in front of charlotte. i can understand why the showrunners decided to just leave her in a regency silhouette because this is ugly af. but, anyway, queen charlotte is the last person on earth to be complaining about how uncomfortable stays are.

creative licence aside, the reason this pisses me off is because it is SUCH lazy storytelling. the show wants us to know charlotte is a spunky pseudo-feminist character so the easiest way to do that is to have her complain about the evil 'corset' trying to kill her. it is so profoundly ahistorical and does nothing to contribute to the conversation about women's true problems and true limitations during that time. instead of genuinely exploring social history and women's actual lived experiences, we are STILL, in the year of our lord 2023, diverting the discourse towards fabricated issues that never existed in the first place.

the reasons actresses complain about boned underwear in interviews are manifold. costume designers are very overworked, they have to produce clothes for hundreds of people in a very short time, so they simply do not have the time or resources to construct corsets/stays that fit the actresses like they are supposed to. in the past, these garments were made individually for every person and completely to their own requirements. they also make these actresses wear the boning on BARE skin to look extra sexy to the audience or to emphasize their oppression - that never happened, a shift was always worn underneath (hello dakota fanning scene in the alienist??).

moreover, they lace them up until they constrict their ribcages - these women are already super thin and their bodies cannot support more reduction - instead of relying on the historical practices of padding and illusion. nowadays, body parts are what's fashionable - that's why so many resort to fat transfers or breast implants or starving themselves to achieve a flat stomach. in the past, anyone of any size could have accomplished the fashionable silhouette because they had a wide array of accouterments to plop underneath their garments - panniers, bustles, hoop skirts, padding of any sort. it didn't matter how big your waist was, you just padded other areas until you achieved the desired shape. fat women wore corsets/stays, too. working women, who did a lot of physical labour, did the same. how were they able to perform all of their tasks if they were incapable of moving or breathing? even today, people wear medical corsets all the time.

TLDR the media's obsession with portraying modern women as so liberated because they wear bras instead of "patriarchal" underwear is so tedious.

EDIT: Some very basic chronological tadpoles to make this easier to place within historical context. "Georgian" is used to denote the 18th+ century when Great Britain was ruled by several kings named George, so roughly 1714-1830. Within this interval, we refer to the Regency period as encompassing the regency of Prince George, future King George IV, when his father George III was incapacitated by mental illness. The official political regency took place during 1811-1820, but culturally speaking, this was extended to roughly the end of the 18th century up to maybe 1830 or 1837. This is the time period of Napoleonic wars and Jane Austen novels, so all her heroines should normally wear Regency styles. Think "empire waistline" as in Imperial France and Napoleon. The Victorian era (and its corsets) follows throughout the rest of the 19th century. Queen Charlotte was a contemporary of Marie Antoinette's, so they should be dressed in similar fashions (robe à la française vs robe à la anglais).

[kyunniebuns]

˗ˏˋ Jealous! Lovesick! Jinwoo x Fem! Reader ◛⑅·˚ ༘ ♡ ˎˊ˗

ₓ˚. ୭ ˚○◦˚𝕊𝕦𝕟𝕘 𝕁𝕚𝕟𝕨𝕠𝕠˚◦○˚ ୧ .˚ₓ

・┆✦ Entry : 042 ✦ ┆・

╰┈➤ ❝ [ You really wanna do this?] ¡! ❞

Hunting had always been a dangerous job, but in your eyes? it's better than an average 9-5 job. You were never really the type to be locked in a simple place. You loved getting into gates just because they inspire you for your next creative projects— Minus the fact hat you have to help transport heavy mana crystals.

Better than nothing, it pays a lot and you get to spoil yourself with things you could only dream of as a child.

As the day comes into a close, your boss hands you your pay for the day and sends you off.

With the heavy envelope in your hands, you cheer happily and rush home where you can shower and dress properly

Despite the fact you're a weak hunter, you still can't help but dress prettily. You were sweating like a pig earlier, and now that you're clean and fresh you're wearing a frilly dress and a cardigan over your shoulders.

After making sure you're looking okay, it's off to the outside world you go.

Your childhood teddy bear made a comeback and you decided you wanted to buy the new big size for it.

The streets of seoul were so alive and crowded, but thankfully the air was extremely refreshing.

When the store finally came into view, you immediately jumped in excitement and dashed inside to where the shelf of the teddy bear was.

The yellow bear was given bigger sizes, and the one you picked is almost as big as your upper torso.

Are you complaining? No of course not! The reason why you worked so hard today is because you wanted this bear specifically.

After fangirling for a bit, you clear your throat and make your way to the cashier where the lady smiles at you politely and scanned the code.

Before you can even reach for your wallet to pay— A hand behind you shot up and offered the cashier a black card.

"I'll pay for the bear," The familiar, handsome voice says. "Please."

"Jinwoo!" You squeak, turning your head to see Jinwoo's familiar face who just threw you a charming smile.

"I told you that if you wanted something, just text me." Jinwoo says, ignoring the cashier who was clearly trembling and out of her wits as Jinwoo tapped his card on the scanner. "Is that so hard to obey, hm?"

"...How did you even find me" You pout.

"You wont shut up about the doll last night and I just so happen to know there's a plushie store nearby your apartment." Jinwoo ruffles your head, just as he always did ever since you two were little. "Come on, quit being a pouty little thing and walk with me"

Jinwoo takes your heavy plushie in his arm, taking your wrist with the other and guided you out of the store.

"H-hey, where are we even going?" You whine, but ultimately just gave in and followed behind Jinwoo.

The two of you walked for a while and eventually reached a relatively peaceful park.

Jinwoo starts chatting you up, asking about your day and how work went. And in turn, he told you about how boring his day is.

Yeah, must be nice to be a powerful hunter now, huh? Everything is relatively nboring for Jinwoo now because it's just so easy now.

"Stay here, I'll get us something to drink." Jinwoo says, handing the plushie to you.

⋅ ˚ ₊ ‧ ଳ ‧ ₊ ˚ ⋅ ⋆ ౨ৎ ˚ ⟡ ˖ ࣪

Jinwoo went to a nearby cornerstore, slightly humming to himself as he starts picking up a few snacks and drinks.

His mind was stuck on you, he is supposed to be doing something productive for today. But after Jinho heard that he was craving to visit you, the boy's face beamed immediately and pushed Jinwoo out of the ahjin guild— Practically kicking out of the building he owns himself and be off.

What was going on in Jinho's head at the time? He can never really know.

But he is thankful anyway, he had always been quite fond of you. Jinwoo has long since had a crush on you, but never once tried to court you. You two grew up together after all.

You probably think of him as your older brother figure.

While him?

Oh Darling,...

When he's with you, the grey skies would turn blue and brilliant. The air would feel even more fresh and lovely. Everything around you would suddenly be seen through rose-colored lenses.

Just as long as you were there, everything was beautiful.

He wanted to give you the world, he wanted to protect you, only him.

You were Jinwoo's salvation.

So long as you are there for him, he'll always come out as the strongest.

Everything is much bearable as long as he knows he would come back to earth greeted by your lovely smile and affections.

Jinwoo wanted nothing more than to protect your precious smile, make sure that tears won't ever threaten to touch that lovely and pretty smile of yours.

What is it that you want? Just tell him and it shall be yours.

Why would you be denied of your own happiness anyway? As long as he is there, you'll never be unhappy. You wont ever be sad.

He will make sure of that.

"..."

Jinwoo pauses in his tracks towards you, his grey eyes turning lilac immediately as he sees you chatting up another man.

He saw that person before in the eyes of his soldiers whom he placed in you. He was one of your colleagues who is acting a little too close with you sometimes.

That bastard is always hovering around you and was icking Jinwoo as of late.

And to dare even appear now when he is having his alone time with you?

Jinwoo's gaze hardened even more when the bastard tried reaching his hand up towards your face.

"Hey," Jinwoo's voice interrupts, immediately startling both you and the man into stopping what he was doing.

He fakes a polite smile, approaching with confident strides, "Ah, a coworker?"

"Mhm, he was passing by and decdied to greet me!" You cheer happily, failing to notice the ever slightly flicker of lilac in Jinwoo's grey eyes.

"Is that so?" Jinwoo hums, giving you the snacks and drink he bought you before reaching his hand up to offer it to the man. "I'm Jinwoo, her friend."

"J-Jinwoo?" The man paled as he shakily accepted his offerm and winced lightly when he felt Jinwoo's tight grip. "U-uhm..."

It was only a small squeeze, really, not enough to break his finger. No, not just yet.

Jinwoo's grey eyes would flicker into a different color, not that you can see so he isn't too worried. He was directly gazing at the man, his stare direct and straightforward.

It was a silent statement to back off.

A silent exchange between men, really.

That should be enough, right?

Jinwoo lets go of his hand and the bastard excuses himself, saying he needs to help his mom back home.

"You were smiling at him," Jinwoo says once the person was far away, his grey eyes coming back as it gazes upon your shorter stature beside him.

"Should I be grumpy then?"

"Pfft," He rolls his eyes, tapping on your nose lightly. "And what if I wanted you to?"

"Hahah, knock it off!" You lightly smack his hand away, making Jinwoo just shake his head in return.

⋅ ˚ ₊ ‧ ଳ ‧ ₊ ˚ ⋅ ⋆ ౨ৎ ˚ ⟡ ˖ ࣪

Jinwoo thought he already warned the bastard enough, wasn't that handshake enough?

he was just checking in on you really, when his shadows picked up the distant conversation of your coworkers saying that the same man should just start making a move on you.

He hasn't been hiding that foolish lovestruck look on his face after all.

Why waste any more time.

"Hahah..." The bastard sheepishly chuckles, scratching his cheek. "I'll ask her out in a bit"

A pit in Jinwoo's stomach dropped, and it wasn't a pleasant one. He was never the jealous type of person anymore after all. After becoming the shadow monarch and getting whatever he desired back then, he stopped yearning for unnecessary thing in exception for you whom he has been pining for forever.

Unlike his little jealousy back then, right now it's as blazing as the fires of hell. He was mad.

It's an unpleasant thing he is feeling.

That man? Really?

What can he do for you?

Fuck around and all?

He doesn't even look like he is willing to move mountains for you.

And if a monster suddenly appears what then? Will that vastard throw himself head first to guarantee your safety?

Can he ever even spoil you?

Will he stay loyal and never break your heart?

Will he never dare to look at another woman once he's yours?

Will he ever make sure you never cry?

It's making Jinwoo's head spin.

And before the bastard can even get your attention— He disappeared.

"..." Jinwoo's eyes would turn purple again, tapping his finger on his throne's arm as the man appeared before he completely startled.

"Wasn't my warning enough?"

"Hunter Sung?" The man trembles, collpasing on the floor as Jinwoo suddenly rose from his seating and approached. "Wait! I-I can explain!!"

"Explain what?" He snarled, his gaze completely cold and ruthless. "That you just attempted to make a move on my girl behind my back? I already shook your hand, wasn't that enough?"

"Please!" He begs, completely scared and about to piss himslef as Jinwoo wrapped his hand around his neck and lifted him up. "Hunter Sung, please!"

"I could kill you right now," Jinwoo tilts his head a bit, his blank look completely deranged. "Or maybe lock you up here in the land of eternal death, torture you, break your your mind, tear you limb by limb and put you back together,... Do you think I can't do any of this?"

"I-I'll stay away!" He cries out, "I-I have a family, my mom!..."

Jinwoo drops him, wiping his hand with a handkerchief as the bastard gasps for air.

"I-I wont touch her! N-no, I'll resign and find another job!" He begs. "Please, please don—"

"No need." Jinwoo scoffs. "Getting jobs these days is hard. If your mom needs you then keep the job,"

"But!—"

"Do you want me to change my mind?"

"No sir!"

Jinwoo gritted his teeth, if it weren;t for the fact this guy had his mom he would have kept him here. Instead, he just waved his hand and the bastard disappeared right before him.

He pace back and forth on the throne room for a while, taking a breather, trying to calm down. Nibbling on his nail even as he just felt so restless and pissed with no way of calming down.

Calming down?

Jinwoo fishes out his phone, it's 6:30 and you probably have clocked out by now.

He gets out of his domain and waited for you in the usual spot he wait in when you finish your shift.

"Jinwoo!" The sound of your voice echoes in his mind when you called out to him. "How come you're here?"

"I was bored" He lies, simply grinning. "Come."

"But I'm sweaty and icky!" You complain.

"Just for a bit, yeah?" He insists, and you in turn only pout.

"Alright, what is it?" You cross your arms.

"Free tomorrow?" He simply says.

"Well, yeah, I don't have a shift" You say. "how come?"

"I'm asking you out, duh" Jinwoo chuckles.

There was silence at first as you tried processing his words.

"Are you serious?" You blurt out, your face turning completely pink.

"Have I ever lied to you, hm?" He muses, leaning down to meet you at eye level.

"N-No, but... I mean..." You fidget, playing with your fingers. "You're an S-ranker.. And I'm... Well."

"I'm Jinwoo, jagiya" He simply says, making you look up at him.

And in those grey eyes is a tender and loving gaze, in those eyes you see that he is silently asking you to not look at him as the most sought after hunter. Not the most powerful man ever to live, not the man who turned his situation from helpless to this, not the man who was always mocked and now basks in the spotlight of fame and wealth— He was asking you to see him as a man who is courting you.

"Yes, you're..." You smile softly and leaned up with your tippy-toes, kissing his cheek gently. "My Jinwoo."

꒰ 🪼 A/N: When I tell you Ilove my monarch so much you don't understand. Jagiya can mean either= Honey or Baby heheh. I love him so much pls I wanna cri. Let me kiss him silly. And btw I'm no longer making the moodboard things because they're tiring and I don't wanna run out of photos to use! I hope u understand ueueueu!!! The Jinwoo cai requests will be up tomorrow that is a promise ꒱

ʚ(੭´͈ ᐜ `͈)੭ .｡✧･ﾟ: ~♡ — All stories written by kyunnie; translations, reposts, plagiarism are strictly forbidden.

[tempfrangit]

very self-indulgent thoughts today about 141 x reader who isn’t just white, who like your hair (because my dumbass gave myself a chemical haircut with bleaching). something all other partners have if not disliked, been annoyed by the amount of hair care you devoted your time to.

gaz has female relatives, he knows not to just touch your hair or interrupt your schedule for it, but he loves to watch you, perched on the edge of your tub. he’ll help you do your hair if you ask, but sometimes just the closeness of watching you is all he needs. he’ll happily let you help him take care of his hair, even.

johnny does not have an once of control — johnny touches your hair all the fucking time and sometimes you have to swat his hands away. he can’t help it, he just loves the way it feels between his fingers and the way he can smell your conditioner, the soft edges of your scent. he has the most dexterous fingers, though, practically begs to help you because he knows he can help. just let him help, hen. (but if you give him an inch, he'll take a mile and you will never have a moment of peace.)

simon takes it as an honor that you let him sit with you, it took a while for that possibility to pop up and he's not losing out on more time with you. he’ll braid your hair for you, he’s around to help you if you need it. when you’re sleeping, he’ll twine his fingers in your hair — but has 5000% gotten a strand stuck in an unknown split nail, and yanked it, and woken you up. man learned to file the edges of his nail very quickly.

price keeps everything in stock for you. low on a product? no you’re not, he restocked when he went to the shop for lighter fluid. he’ll help you make a whole evening of doing your hair, a nice relaxing time. he only touches your hair when you tell him it’s okay unless you’ve already okayed it for a night because he respects you.

there’s more that could be said but my brain is mush

[literaryvein-reblogs]

A Writing Refresher: Basic Grammatical Terms

Adjective: A word which qualifies or modifies the meaning of a noun; as in a 'red hat' or a 'quick fox'. They can be used to complement the verbs 'to be' or 'to seem' ('Sue seems happy today'). Adjectives are sometimes formed from nouns or verbs by the addition of a suffix such as '-able' (lovable), '-ful' (heedful), '-ic' (heroic), '-ish' (foolish), '-ive' (combative), '-ous' (famous), or '-y' (needy).

Adverb: A word which qualifies or adds to the action of a verb: as in 'he ran quickly', or 'he ran fast'. Adverbs can also qualify adjectives, as in 'the grass is intensely green'. They are usually formed by adding '-ly' to an adjective: 'playfully', 'combatively', 'foolishly'. They can also sometimes be formed by the addition of '-wise' to a noun ('the hands went round clockwise).

Clause: The word is often used but very hard to define. It is a sentence or sentence-like construction included within another sentence. A main clause might be a simple noun plus verb ('I did it'). A co-ordinate clause is of equal status with the main clause: 'I did it and she did it at the same time.' A subordinate clause might be nested within a sentence using the conjunction 'that': 'he said that the world was flat.' Here 'he said' is the main clause and the subordinate clause is 'the world was flat'. Relative clauses are usually introduced by a relative pronoun: 'I read the book which was falling to pieces'; 'She spoke to the man who was standing at the bar.'

Conjunction: A word used to connect words or constructions. Co-ordinating conjunctions such as 'and', and 'but' link together elements of equal importance in a sentence ('Fish and chips' are of equal importance). Subordinating conjunctions such as 'because', 'if', 'although', connect a subordinate clause to its superordinate clause ('We will do it if you insist'; 'We did it because he insisted).

Noun: A word used as the name or designation of a person or thing, such as 'duck' or 'river'. Abstract nouns denote abstract properties, such as 'invisibility', 'gentleness'. Proper nouns are nouns that designate one thing, as, for example, personal names.

Object: Usually the thing to which the action of a verb is done. More technically a substantive word, phrase, or clause, immediately dependent on, or ‘governed by’, a verb, as expressing, in the case of a verb of action, the person or thing to which the action is directed, or on which it is exerted; that which receives the action of the verb. So 'the man patted the dog', 'the woman was reading the book'. An indirect object of a verb denotes that which is indirectly affected by an action, but wihch is not the immediate product of it, as ‘Give him the book’, ‘Make me a coat’.

Participle: a word derived from a verb which functions like an adjective, as in 'let sleeping dogs lie'. More technically 'A word that partakes of the nature of a verb and an adjective; a derivative of a verb which has the function and construction of an adjective (qualifying a noun), while retaining some of those of the verb'. Present participles usually end in '-ing' and usually describe an action which is going on at the same time as the verb: so in the sentence '"Go and play on your own street," she said, kicking the ball', the saying and the kicking are simultaneous. Past participles usually end in '-ed' or '-en' ('the door was kicked in'; 'the door was broken'). They are used in two main ways: combined with the verb 'have' they form a past or 'perfect' tense (so called because it describes an action which has been completed or 'perfected'), as in 'I have smashed the plate'. Past participles can also be used in passive constructions (which describe what was done to something rather than what something did), as in 'the plate was smashed'.

Preposition: A part of speech which indicates a connection, between two other parts of speech, such as 'to', 'with', 'by' or 'from'. 'She came from China', 'He gave the chocolates to me'.

Pronoun: A part of speech which stands for a noun: 'he', 'she', 'him', 'her', 'them'. Possessive pronouns express ownership ('his', 'hers'). Reflexive pronouns are 'herself', 'himself', 'myself' and are used either for emphasis (he did it all himself'), or when an action reflects back on the agent who performs it ('he shot himself in the foot'). Relative pronouns include 'who', 'which', 'that' and are usually used in the form 'he rebuked the reader who had sung in the library'. Interrogative pronouns ask questions ('Who stole the pie?'; 'Which pie?'). Indefinite pronouns do not specify a particular person or thing: 'Anyone who studies grammar must be mad.' 'Somebody has to know about this stuff.'

Sentence: This is a term which professional linguists still find impossible to define adequately. It is usually supposed to be 'A sequence of words which makes complete sense, containing subject, object and main verb, and concluded by a full-stop'.

Subject: Usually the person or thing who is performing the action of a verb. More technically the grammatical subject is the part of a sentence of which an action is predicated: 'the man patted the dog'. It can be a single noun, or it can been a complex clause: 'the bald man who had just picked up the ball gave it to the dog.'

Syntax (Greek 'together arrangement'): a term designating the way in which words can be arranged and modified to construct sentences. Writers characteristically use syntactic sub-ordination when they aim for a highly formal effect, and syntactic co-ordination when they aim for a simpler, more straight-forward effect.

Verb: Usually a word which describes an action (such as 'he reads poems', 'she excels at cricket'). More technically 'That part of speech by which an assertion is made, or which serves to connect a subject with a predicate.' This technical definition includes the most frequent verb in the language: the verb 'to be' which can be used to connect a 'subject', such as 'he', with a 'predicate', such as 'good at hockey'. There are verbs which take an object ('he raps the desk'), which are called transitive verbs. Other verbs do not, and are termed intransitive verbs ('I sit, he lives'). Some verbs can be used either transitively or intransitively: 'I sing' is an intransitive usage; 'Paul McCartney sings "God save the Queen"' is a transitive usage. The main verb is the verb on which the structure of the sentence depends, and without which the sentence would not make any sense. In the following sentence the verb 'fell' is the main verb: 'The boy, who had run too quickly, fell'.

[foone]

You know what I hate about modern mice? how pointlessly anti-repair they are. I have had plenty of mice break over time, and often it's just that some fluff or skin-flakes got wedged in the mouse wheel or under the buttons. You just need to open them up and clean them. Except.. where are the screws?

OH THERE THEY ARE. under the little skid-pads, which cannot be put back on once you take them off, because the adhesive has been ruined! You have to buy replacement pads, if they're available, and maybe cut them down to size, as well as clean off the residue of the previous pads.

You know how this problem could be fixed? JUST DON'T PUT THE PADS ON TOP OF THE SCREWS!

Then you'd have no problem. Easy to disassemble and clean.

But then it'd look 5% uglier because apparently people are scared of seeing screws, and also people might not just throw it out and buy a new one!

It's the terrible sort of weird planned obsolescence that happens as an almost accidental side effect of improving the product. Like, ball mice? They were designed to be disassembled. You didn't even need a screwdriver! Because you had to clean them regularly, or they'd gunk up too fast. Modern optical mice? They still get gunked up, the buttons and wheel still die eventually. They can be cleaned and repaired. But now that it's not required for all of them to be cleaned regularly, that function has been removed. they're designed to be disposable.

The same thing happened with TVs way back when. If you open up a TV from the 50s (or just look at the back, honestly, many of them were designed to be always-open), you'll find a schematic showing where all the tubes are and what models they are. Was this because the 1950s was a golden era of reparability? NO! it's because they burnt out all the time and you had to replace them! As soon as TVs got reliable enough that replacing tubes was no longer needed, the schematics became hidden behind paywalls and for authorized-service-personnel-only.

It would be only a minor change in aesthetics to make your mouse repairable/cleanable. Hell, most of the time when it's not simply fixed by cleaning it, it's because one of these broke:

This is an Omron D2FC-F-7N microswitch, used in a bunch of mice. It's designed to last about a million clicks. With a soldering iron and some solder (like 25$ on amazon) you can trivially replace it. New switches cost between like 10 cents and 2 dollars, depending where you buy it and how many you want. A couple bucks of parts and half an hour's worth of work, you can repair a 40$ mouse that's "died".

But they make it unnecessarily hard with the slide-pads being unreplacable. You have to find ones that match, you have to carefully clean off the old residue with IPA, or the new ones you just bought will fall off. All to make it look SLIGHTLY better (how often are you looking at the aesthetics of the bottom of your mouse, exactly? (no furries are allowed to answer this question!)) and maybe, just maybe, to push it over into "not worth it". You could do all that, but you have to buy new switches, new slide-pads/mouse-feet (SHUT UP FURRIES), and can you remember where your solder even is? you last used it when you were trying to fix that keyboard...

Basically one thing that is maddening to anyone with the very basics of electronic knowledge (seriously: the amount of skill you need for this is the kind you can get in less than an hour from watching a youtube tutorial) that we're surrounded by all this electrical nonsense that will break and have to be thrown out, but is mostly breaking in ways that could be fixed in a very short amount of time with relatively little work.

It's infuriating to go on amazon to buy another damn mouse and it pop up "hey you last bought this in 2021, you fool" and you're like I KNOW, IT SHOULD STILL BE WORKING TODAY!

I have computer parts from the 80s in my room right now that are still working when stuff made in the last 5 years is already dying! There's no reason it should be this way. It's an endless waste of time and money and resources and it's just to make some logitech or whoever executives slightly richer.

It's deeply bullshit. The modern day is going to be identifiable as the geological layer where most of the trash was generated. We're living in the middle of the quisquiliarumferous period: the layer of garbage.

[charliemwrites]

Part 4 of Nikto’s commandments

Content: Sexual Desire, Dissociation, Depersonalization, Codependency, Acts of Service, Masturbation

You moan his name sometimes in your sleep.

Usually just before you wake up, panting and overheated, shooting wide-eyed glances his way. Lying to you would be a sin beyond redemption so he always lets you know that he’s awake. You often apologize, sometimes you assure him you’re alright. It takes him a while to identify the look in your eyes those nights — he was unfamiliar with it even before: guilt.

You feel guilty.

Puzzling out the why of that takes longer still. You’re a mystery to him, ineffable. The way god is supposed to be. Unlike the Christian one, you almost always have a purpose behind what you do, and you’ll answer Nikto whenever he dares to ask. (He’s not going to ask about this.)

He first thought that you were calling for his help in dreamt pain. That your blown out pupils, trembling hands, and flushed face were products of fear and imagined torture.

But then you started to lean into his neck in your sleep, making soft, high noises. Would press your ass into the cradle of his hips, grind against his thigh. Alien as his body is to him now, he can recognize emotion in others. Lust, desire.

Coming to terms that you feel these things for him has been another challenge altogether. (But you are a loving god, a compassionate keeper. The sweetness and mercy and nobility found in the viscera of his world. If there is anything of him worth wanting, you would find it.) If you are attracted to this… vessel he inhabits, who is he to question you?

The guilt, though. That he is still puzzling out.

If anyone should feel guilt, it is him (though he doesn’t, isn’t even sure if he can). Now that you’ve made him more aware of his body, of his desires, there’s a constant buzz of arousal in his blood. For you. He craves you constantly. Your touch, your voice, your scent in his nose. He could suffocate on you.

It’s selfish, it’s sinful. To desire anything of you when you have given him everything and asked for nothing in return. Not even his loyalty, freely given. It is why he could not say yes when you offered to slake his desire; it would have been akin to blasphemy.

Unless.

Unless you have asked something of him.

“Whoa!” A giggle as you tilt your head back to him, amused and curious. “What was that for?”

He feels wooden as he glances down at you. His arm is around your waist, nearly crushing you to him. Hadn’t even realized he moved. You don’t seem to mind, palms light on his forearm. Still looking to him.

He does not answer. Can’t find the words past the panic clawing at his throat. Lets you go slowly, finger by finger. You don’t step away once free.

You say something else. Something about rain maybe? He’s too busy staring at the deft hands you cup around your mouth.

How soft and gentle they are on his skin, skipping over the worst scars. The first thing you always do is touch him. When he’s out of a shower, just changed, climbing into bed, waking up. You reach for him, as if you can’t bear to be parted with the same intensity he feels.

Do you crave to touch him in other ways? Has he denied you, unwitting as it may have been?

It would be one thing to ask anything of you, especially for his own sake. But to give you something… even if it’s such an unworthy offering as himself…

“Nikto?”

His eyes flick down to yours. You smile at him, point at your own temple.

“Busy up there today, huh?” It’s not even a tease, but he feels as if he’s made another misstep.

“Sorry.”

You shake your head, bump your shoulder into his arm. “I’m just checking that you’re alright.”

“Alright” being relative. He objectively understands that he is broken and damaged. That he does not operate at full capacity all — or even most — of the time.

But with your help he’s established a baseline, a “normal.” Something to measure his body, and more importantly his damaged mind by.

“I am… alright,” he decides finally. “Just thinking.”

“Okay,” you answer, easy as that. “If you want to talk, I’ll listen — but you don’t have to.”

You don’t have to is your favorite thing to say to him. He would laugh if he remembered how.

He grunts an affirmative and follows you to wherever you’re headed next.

—

That night, your ankle is hurting. Nothing serious, you assure Nikto. Just rolled it a bit. You promise it just needs rest, low level painkillers, and a bit of elevation.

Nikto is unpracticed at care. For all he practically lives in your pocket, medical care is unusual for you. He spends so much time keeping you safe, protected, alive and unharmed. He has little direction when it comes to your discomfort.

Luckily, you provide direction in spades.

“Two pills from the bottle with the red cap and a glass of water please.”

His cock twitches hard. Fills out almost dizzyingly fast in the confines of his tac pants.

He fetches both for you, holding each in turn as you pluck the pills from his hand and sip the water. You sigh gratefully and tell him to set the glass on the nightstand. Another bolt of pleasure to obey, while you like droplets from your bottom lip.

“Can you grab my computer and the charger? I want to watch something before bed.”

He brings them, stands waiting while you fiddle with it. Waiting for another request. He’s achingly hard now. Throbbing in his underwear.

“Oh! Hairbrush too, please?”

When he hands it to you this time, hand almost to the point of shaking, you give him a sheepish smile.

“I’m sorry, I keep making you run around.”

“Don’t be.” His voice is gruff, but it so often is that you don’t seem to find anything amiss. “More?”

“Ah… well, if it’s not too much trouble, could you grab the extra blanket? It’s cold tonight.”

He tries to pace himself. To balance the pleasure of obeying against the speed of completing the task. You hum in delight as he drapes it over you — a fluffy monstrosity of a thing. Utterly decadent, he’d never even entertain the idea of having one. But you deserve a dozen of them if you wanted them. He’d retrieve them now for you if only you asked.

(He wishes you would ask.)

He is harder than he ever remembers being. (Granted, there are many gaps in his memory, even now. But there is enough there to know this is true.)

“Okay that should be the last thing for a bit.” You’re looking away and don’t see the minute deflation of his shoulders. He’s nearly panting. “Come snuggle in?”

“In a moment,” he says, surprising himself. You seem a bit (pleasantly) surprised too. He’s never denied you anything for even a moment. But if he sits next to you now…

“Ah, gotcha,” you say when he turns for the bathroom.

You start playing whatever tv show you have queued up to offer him privacy. He closes the door after himself and for the first time since regaining his freedom, takes himself in hand.

First | Previous | Next

Masterlist

[flanaganfilm]

howdy!! do you rewatch your own work? if so, how often? im wondering if it has the same "artist just sees faults with what they create" thing, or if youre able to appreciate past projects the way they deserve

I don't, typically... usually, by the time we're finished with post production, I've seen the thing so many times that I'm thrilled to stop watching it. I'm either sick of it, or just feeling like it doesn't belong to me anymore. There are other reasons, too - Hill House was a traumatic production for me, for example, I have a lot of complicated emotions woven into it, so I haven't felt ready to rewatch that one since before it aired. Maybe in a few more years.

Somewhat recently, I've revisited a few of the older movies with my eldest son, who is 13 now. He's basically as old as my career itself. We've watched Oculus, Hush, The Midnight Club (which he LOVED, proving it worked for our target audience) and Ouija: OOE together, and each of those screenings was a really cool experience. His reactions and questions were really fascinating, and I felt like I was able to see those movies anew through his eyes. That's the closest I've come to feeling like I was really seeing them, and that's only because so much time has gone by for those. I watched the Director's Cut of Doctor Sleep a few years back at the Stanley Hotel in Estes Park Colorado. It was part of a live NoSleep Podcast event, and that was the first time I'd seen that movie since it was released. It was also the first and only time I'd ever seen the Director's Cut with an audience. That was a really special screening and it meant a lot to me.

I haven't yet had the guts to revisit any of the TV series other than Midnight Club. As my kids get older, I'm sure I'll watch them all with them. The one I'm most excited to see is Midnight Mass, which remains my favorite of the shows. I haven't seen it since before it came out - I remember the last day of post on that show, watching down each episode with final mix and color. That's a series I wish I could actually watch like a viewer at home, and while I'll never truly be able to do that, I look forward to looking at it with some real distance.

There are a few of the older projects I'd be curious to watch now. I wonder how Absentia holds up - I was such a baby when we made that movie, and it's been so long. I imagine I could watch that today and have a really trippy experience. I also haven't revisited Before I Wake in a very long time, and I always really loved that script. The movie was a rough road, and my feelings were mixed by the time it finally found its finish line (Relativity Media really beat that one up), but that could also be a really interesting viewing experience at this stage of my career.

But generally, each of these movies is a journey, and once the journey is over it's tough to ever really go back. There's little point, and moving forward feels like a matter of survival. The "finished product" is only the tip of a large, deep, labyrinthian iceberg for me. It's impossible to only see what's on the surface, no matter how hard I try.

(Interesting side-note: The only exception I've found to this rule is The Life of Chuck. We just finished post production on the movie, and I've watched it dozens and dozens of times now - but I've never grown tired of it, not even a little bit. That movie is something special, and I am eager to watch it again - and again - and again. I don't know that I'll ever want distance from that one; in fact, watching it brings me a sense of joy, comfort, and safety.)

[jamiepaige]

Constant Companions Closeup #9: OBJECT OF AFFECTION

(also on spotify!)

O, wayward soul, I beg of thee an ear; Companionship, a Constant of desire, is all too fleeting. Would thee quell this fire? My love, do you know what you want to hear?

Welcome back to the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! Yesterday was some gay shit (Liaison) and today is some more gay shit (Object of Affection)

---

I'm usually pretty good about letting go of the things I make and letting them live imperfectly, but there is exactly one released song of mine that I've ever been actively unhappy with the final product of, that I haven't been able to let go of my displeasure with.

Honor Majesty, off of Autumn Every Day.

It's not that it's a bad song, or that it didn't have good ideas! In fact, I genuinely think it shares more with the music I make now than a lot of my older work does. Rather, it was incredibly rushed and full of uninspired choices I made for the sake of completing the song rather than making it the best version of itself, and it ultimately ended up falling incredibly flat relative to what I wanted it to be!

I really like the intersection of synthpop/electropop and fantasy. One of my favorite musicians ever is Baths, whose album Romaplasm is chock full of this exact thematic and sonic intersection, and it's so deeply inspiring to me that it still gets put on whenever I want to dream things up. I've always wanted to make things like that! Bubbly and fantastical, brimming with a sense of magic so pervasive it makes even the mundane seem mystic.

...Also I'm just a fantasy dork okay. I like wizards and shit. Sue me

I've been wanting to make a grandiose and fantastical story song for years, and my single attempt to do so felt like it missed the mark entirely. I did touch on fantasy a couple times on Bittersweet, but ultimately, when I started working on this album, I knew exactly what I wanted to take a second crack at.

---

The intended story in question here is fairly vague, but to sum it up as literally as possible:

A rebellious, disobedient, gender-questioning prince has mildly inconvenienced "his" royal lineage one too many times. Their solution is to invoke magicks widely regarded as heretical - what's a fantasy monarchy without some hypocrisy - to seal their "son's" soul within an automaton body, rendering "him" a perfect, subservient doll.

This doll is promptly spirited away under cover of darkness by a mage, and is granted free will once again. She experiences the crushing weight of newfound self-awareness and nearly spirals out of control, before realizing the mage who saved her is the same - a doll. It turns out being a magical-mechanical construct has its perks if you are TRANSGENDER. then they overthrow the monarchy and fuck nasty or whatever idk this is where the story gives way to things like "metaphor"

this is a song about artifice and being transgender

Seriously, though, I know that being an electronic-music-producing transgender lesbian with a thing about dolls or robots or whatever is a major endless-store-shelves-of-identical-buzz-lightyear-action-figures moment on my part, but dammit, I own a copy of Logic Pro and a genuine leather wizard hat, I inject estrogen into my stomach fat every Wednesday, and I think ball joints are cute. I'm posting this on Tumblr, for gods sake, I am unconcerned as an active choice

---

With the exception of Liaison, the entirety of Constant Companions utilizes only three unique vocal synth characters - ANRI, Gumi, and Teto. This trifecta was born organically from simply being the vocal synths I enjoy using the most, and in this song, I wanted to use all three of them almost like one single singer, freely shifting intonation based on the context. I messed with this idea before on Ballroom, my voice meshing and melting into Gumi V3's voice, but it felt especially appropriate for this context; Plus, I feel like there aren't a lot of examples of vocal synths being used/recontextualized in this way, and that's a shame in my opinion!!

I really want to do more story-driven songwriting like this in the future as well. Now that I'm a bonafide VocaloP I've been floating the idea of doing a song series with this trio... I'm mostly just worried I'll want to get too ambitious with it.

Off the top of my head, Object of Affection references at least eight other songs of mine - Honor Majesty is an obvious one, but it also directly samples parts of Autumn Every Day, and lyrically references genuinely just a bunch of things. I'm probably forgetting some, even!

I know I'm the Leitmotif Lover, but it's a lot even by my standards. However, this song's entire existence already served to satisfy a fairly self-indulgent desire, and these days, I don't deal in half measures. I think the final product serves as a lovely little look back at where I've come from, though, and perhaps even a little glimpse into the future!

That all being said, Object of Affection in some sense is also a love letter to a beloved part of my creative process - the voice memo. A lot of the audio I've provided with these posts have been recordings off my phone for good reason! Not only are the chops at the beginning of the song entirely comprised of edited recordings I got on my phone, but the sample at the very end happens to be from a particularly legendary recording, never before heard by the public...

Until now. I present to you an excerpt from "the worst beat on planet earth", featuring none other than unit.0.

That's about it for today!! If you have any questions, I'll gladly answer them below, but otherwise, I'll be back here tomorrow to talk about this album's title track laid askew - My Darling, My Companion!

[octuscle]

Browth Spurt

Martin, Michael and Christian were interns at promaxx, one of the fastest growing venture capitalists. promaxx specialized in biotech, and the board's dream was to find the first unicorn capable of bionically optimizing humans.

"If they were able to do that, they hadn't done a good job on themselves," Martin whispered to Michael. He had to stifle a laugh. There were indeed a couple of rather ridiculous-looking nerds in the "growth spurt" presentation. They were talking about a combination of pills and autogenic training, which was supposed to unleash undreamt-of powers in men. There was actually a pile of CDs and a few packets of pills on the table in front of them. Images of men screaming "Alpha" from every pore flickered across the projector.

The promaxx product manager had either heard Martin or read his mind. In any case, he asked why the young men didn't look like the ones whose images had just been projected onto the wall. One of the start-up nerds, who weighed a maximum of 70 kilograms at around 200 cm tall, began to stammer that they weren't quite sure yet what the side effects on the psyche would be and that their minds were, after all, the company's greatest asset. Christian, who has always been a bit cheeky, laughed and said that this might not be a good starting point for entering the market. The product manager gave him a high five and added that he was not interested in hearing more, he was sure that everyone present could do better with their time, the meeting was over.

The start-up entrepreneurs from "growth spurt" stood there with their mouths open. They had expected everything, but not such an early termination. The product manager left the room without saying goodbye. Martin and Christian followed in his footsteps. Only Michael stayed for a moment, tried some comforting small talk and then left. The nerds packed up their things in disappointment and left the meeting room.

"Why were you still talking to the losers? "Christian asked Michael. Christian opened his jacket and took out a pack of tablets and three CDs. "That's why," he said with a grin. "We'll see what this stuff is worth now. And if it can become a unicorn, we can say we've discovered it."

That evening, the three boys lay in their beds. The tablets with a glass of water on the bedside table. The CD inserted in a player. They had all had to search a little to find something that could play this ancient media. The three of them chatted on their chatroom.

Michael: Have you already Martin: Nope Christian: Nope Michael: I've put the CD in, but I can't hear a thing. Christian: Same here. Martin: I've swallowed the pill! Michael: Okay, me too now Christian All for one, one for all! …

Christian fell into a deep sleep relatively quickly. His boner built an impressive tent in his bed. At some point during the night, he had a wet dream and blew an incredible load. And then once again. And then once more. And then he woke up.

Christian: Shit, are you awake? Christian: Shit, shit, shit! Michael: Bro, it's 05:00. A bit early for the gym. Martin: You say, weakling! I've been up for half an hour doing push-ups and squats.

Christian sits up. He burped. Must be from the pills. Like the puddle he had slept in. And that body that had torn his pyjamas to shreds. Martin sent a photo of a monstrous bicep with the comment "Then I'll see how I can get it to burn." Something was different. But Christian didn't know what…

Christian: Bros, I must have overdone it a bit, I don't fit into my clothes anymore. Michael: Same here, bros, had to train naked. Shit, my cock rubs against the floor during the push-ups and doesn't get limp at all. Martin: I was just at my brother's. His clothes fit me reasonably well. I'll pick you up and bring you something.

Christian went into the shower. His three-day beard went perfectly with his dark complexion. No need to shave today. His parents were still closing up when Michael and Martin pulled up outside the house. Christian opened the door, naked as God had made him. "You're a fucking statue, bro," Martin said as he handed him a pile of clothes. Christian posed. The light from the hall lamp cast his shadow on the early morning street. The milkman gawked. And almost had an accident.

"So, bro! We think you should think again about the nerds from yesterday," Michael said to the promaxx product manager. He just looked at them. He didn't notice any change. The three junior managers looked impressive as always. The fact that they called him "bro" flattered him. "Sorry, big boys, but the rejection is already out."

Christian looked at his bros and asked, "Do you think what I think?" "Shit, when I see you, I always think the same thing, stud!" said Martin. He obviously wasn't wearing any underpants. And he was leaking plenty of precum. "Michael grabbed his crotch and said "Let's fuck the guys from "growth spurt". Christian grinned. "At least there's one here who hasn't fucked his brains out or swapped them for brawn."

The three of them had quite a problem getting into the Uber. The driver said that with three guys that big, he would definitely need a gas surcharge for being overweight. The three boys laughed uproariously as if it was a good joke. They liked it when people admired them. And they were indeed admirable. "Stop, Taxi-Bro," yelled Mike. They had just passed a store selling gym gear. "We need to get in there quickly," he added. "Dude, you're a lifesaver," said Chris and gave him a fist bump. Martin's brother's suits were just too tight. And you couldn't show them off. And the sun was shining. Sun's out, guns out. Their motto is college days. Hehehe, they didn't do much other than hang out in the sun on campus. They were living proof that you could build a career on good looks alone.

"Damn, don't you think you should at least cover your nipples?" asked the Uber driver. "And what the hell is so smelly here?" Martin let his pecs dance in the back seat. "Bro, don't talk, drive! In tank tops, my monster pecs are like prison!" And in the passenger seat, Mike crossed his arms behind his head in such a way that the driver almost fell into the bush in his armpit. "Stink? All I smell is man musk". Christian farted a huge protein fart. "Not only musk, bro." The three bros laughed. The driver stepped on the gas, hoping the tip would compensate for at least some of the pain this ride was causing him.

The CEO and CFO of "growth spurt" looked helplessly at the three men, who could barely get anything past their lips apart from "dude", "bro" and "sick big muscles". The guinea pigs they had experimented with so far had also developed a powerful sex drive and tyrannized all the other reference animals. But at least they hadn't been tattooed and had smelled like a gym locker. Mike, Chris and Martin would make great advertising characters after all. Maybe they'd be able to collect equity that way. And they would need it. At least now they had three extra mouths to feed with a massive appetite for cum and protein.

Pics made @ki-kink

[synthaphone]

Allowing myself to go on a tangent about the nearly 26 year old virtual pet website that i am way too invested in.

So today they released the Candy Pteri. While I appreciate what they were trying to do here with it effectively having two designs that you get to choose between (The "Melted Candy Pteri" on the left is a Paint Brush wearable that can be removed to reveal the customizable base pet on the right), I think in this case, they have created two extremely boring designs when they could have easily created one strong design, or hell, even two strong designs if they wanted to do extra work.

Because with this release, we get a base Candy Pteri with no real lineart changes (like the rounded hair tufts and spines on the Candy Zafara), and an alternate design that's just... a drawing of a Marshmallow Peep™???

I would have WAY preferred a base Pteri where they did something like give it a little marshmallow dollop shape on its head and in place of the tail tuft, like my friend @darieyrie suggested. Or they could give it the Peep dot eyes and more rounded features! There's all kinds of ways you could do this concept.

I'd be less frustrated if the Peep wearable had any Pteri traits whatsoever, but its JUST a Peep that's been slightly microwaved. Which is a little funny, but even more than the Toy Poogle is just an iDog, the Candy Pteri does not have any deviation from its base inspiration at all. It's not actually an execution of the concept of "Candy Pteri thats based on a Peep" if there's no Pteri left at all!

(also are they just banking on the Just Born corporation (who make Peeps) never taking any action on this? it kind of goes beyond 'cheeky reference', its EXACTLY their product. I mean, it seems unlikely that they'll notice or bother doing anything if they do, but i don't really know why you'd risk that.) The saving graces of this design, imo, are that the pink and cream color scheme of the base pet IS pleasant (though the lineart and shading treatment aren't really my bag), and some people will enjoy the novelty of having a pet Marshmallow Peep™.

But really this is just the latest of a number of recent outfit and color releases that feel like they don't think people want Neopets. Like. This cardinal outfit that they also released today.

I love the idea of a cardinal Pteri! But this outfit literally takes away every distinguishing trait of the Pteri to make a high effort, nicely rendered, but stylistically incongruous generic cartoon cardinal????? Its not even a Neopet anymore!!! Even if I set aside my personal dislike of the overly rendered style they're using for more and more of the site assets, this wouldn't work with most of the rendering removed either, because it would still be a Pteri in pose and proportions only.

Not every new design and outfit that's come out in the past couple years has these issues and there have been a number I've really liked, and I DO think its great that the quality of the art has improved since the JumpStart era. But I would really appreciate it if the new pet colors in particular were designed a little more thoughtfully, so that they at bare minimum still resemble the species they're supposed to be outside of the rough pose and proportions. It sometimes feels like there isn't a rough draft or workshopping progress for new colors, and the members of the art team just kind of do their own thing and then the very first draft of an idea is what gets polished and released.

The current art direction for the customization aspects of the site just has me feeling like they've decided to throw out years of relatively cohesive art and world design for a strange jumble of ideas that don't really capture the appeal or feeling of Neopets to me.

[wip]

For a long time now, it's been impossible to see comments or reblogs with comment/tags on posts over a certain age when using the mobile app or blog view. Today I was looking at a post from 2015 that I knew had at least one reblog comment and lots of tags, but all the reblogs were under "other". I found the comment (but couldn't see any tags) by going to the [blog name].tumblr.com/post/[###] link and scrolling through all the notes in one list, but it's impossible anywhere else.

I know this probably has to do with the many changes Tumblr has gone through in that time, but it's still really inconvenient to have disappearing notes on the platform where part of the charm is that posts can survive for, at this point, almost a decade and a half.

Is it even possible to fix this, and of so, is it something you would consider?

Answer: Hey there, @maplerosekisses!

It is possible to fix this, and we would like to fix it, but it’s a daunting problem at Tumblr’s scale. Buckle up for storytime.

Long, long ago, Tumblr was created, and in the beginning, there weren’t even notes on posts. There weren’t even reblogs or likes. In fact, we were one of the first platforms to introduce the heart icon and the concept of “likes”! We created the reblog! Back in those days, each of these actions were tracked separately. Likes were tracked in one database table and reblogs weren’t tracked at all as notes. When we introduced replies, those had yet another way of being tracked in our database. Totally separate entities on the platform for years.

Eventually, we wanted to consolidate these into one number—so we had to count each of those different places. That’s horribly inefficient, and as Tumblr grew in size and popularity, this became a bottleneck that hurt the whole platform. So one of the things we did was to invent a new denormalized database table called “notes,” to track all of these different things in one place so we could easily count them. We still have that table, and it’s still the fallback whenever we need to count the notes on a post.

But this itself is ancient history. Since then, the product has changed even more, and we removed replies and re-added them later, back in 2015 or so—and made some changes in that process to help further improve efficiency. These improvements allowed us to include media in the notes view, and be able to split out replies versus reblogs-with-comment versus likes (kind of going back to the way it was originally.) Even then, we didn’t yet support showing tag usage in the notes—that would come even later.

In the process of making all of these changes for efficiency and functionality, we had to ask ourselves, as you point out: should we try to backfill these new database tables with all of the data from before? For a long while, we were using both systems to power the notes view, so we could display as much information from “before” as we could. Eventually, we didn’t need to do that anymore, because the number of people scrolling back to that “before” time became infinitesimally small. And that's the situation we’re in today.

Because if we wanted to backfill the data, we would need to process literally tens of billions of posts and notes from before 2015, at a conservative estimate. Let’s say it’s 10,000,000,000, for the sake of argument: if we started an automated process to go through them at ~100 per second (which would be relatively safe at our scale, so Tumblr doesn’t break as we’re digging up these old rows in the database), it would take over three years of continuous operation to complete that task.

In situations like this, we have to ask ourselves if that’s worth it. So far, the answer we’ve determined is no. But we may find a more efficient way to do it, there’s undoubtedly a way, and when we do, we will re-evaluate the decision again. We hope that makes sense—trying to make changes to Tumblr can be really, really hard.

But thank you for your question. We appreciate them and hope that goes some way to answering your query. Keep 'em coming, y'all.

[torchship-rpg]

Dev Diary 19 - State of the Union Part 1

It’s been a while, cosmonauts, but we’re back at it. This last week has been an incredibly productive one for Torchship, solving a ton of longstanding issues holding up the Alpha, and digging back into the art.

But you’re here for the mechanics, and boy, we have some pretty cool ones for you this Diary. Today we’re going to be talking about the meta-campaign and the core of what drives a multi-episode run of Torchship; playing not just to encounter little morality plays out in the stars, but to find out how the resolution of those issues changes things back home.

To be clear; this is campaign mechanics, and long campaign mechanics at that. You can play short campaigns and one-shots too, but we want to write a game that’ll hold up to truly epic campaigns, or sequential campaigns if you ever wanted to do Torchship: The Next Generation.

Your campaign can take you a great many places, but all of them revolve around one question:

The Star Union & Representative Agents

As we’ve mentioned before, the players are not just playing the crew of their spacecraft as they go trekking around the stars. That crew is the product of a society, and when the players are out making decisions in the stars, we assume that similar choices with similar reasoning are being made by the people back home.

For that reason, players get to have a lot of influence over the direction of the Star Union both through their actions in the actual episodes, and through decisions and votes they hold over what the Star Union does. This isn’t actually their characters deciding what’s happening unilaterally; it’s the assumption that your crew are, in a sense, the median voter. When the players decide to invest the Union’s resources into a certain upgrade path or project, this represents the Union’s population settling on that course of action for all the same reasons the characters would make that decision in their place.

For this reason, while you can be many things in Torchship, you can’t really be a rebel. If you try, you will be part of an enormous rebellious movement that will very quickly become the new authority and now you’re right back to your day job as a government employee, looking wistfully at your old leather jacket as you file a T-18 Use Of Telemat Report.

I can already hear your protests that you want to be a bold iconoclast that strikes out in defiance of the norms of society. I regret to inform you that you want this because it is a norm of your society to be a bold iconoclast striking out in defiance of things.

It’s The Economy, Stupid

The Star Union is mechanically represented with its own character sheet and its own stats; changing that sheet over time is your job. It’s relatively simple, with stats primarily acting as ways of gating your access to the cool upgrades that improve your capabilities, make your rocket better, and get you shiny new toys, but it matters a lot.

At the end of every Episode, you go into a mode of the game called Resupply. This quite literally represents the time passing as your rocket flies from one star to another, usually taking about one week before arriving at the next planet/on the television sets of households across the nation.

Resupply is a portion of the game which can be resolved immediately after the start of one episode or before the start of another, but one of the best ways to do it is during the time between your play sessions; it’s designed to be something easily hashed out over chat programs and the like. We’ll go into more detail about what you do there and how in the future, but the important part is knowing that this is when the Union’s economy starts mattering.

The Union has two sets of Economic stats. The first contains just a single stat, Productivity. This is how many Credits the Star Union generates at the end of each Episode because it has a bunch of factories and farms and stuff. Productivity is difficult and costly to increase; you can do so by starting Projects, with the amount of time and Credits required varying depending on what kind of Project it is. 

Getting infrastructure in place to exploit a rich belt of Very High Rotation asteroids for the valuable quark nuggets inside is a relatively quick and cheap project; it just requires you the players to find and secure such a resource. By contrast, building up Production through modernization and expansion of existing industrial capability is slow, hard work that will take multiple episodes to complete.

The second set of stats is the Infrastructure stats, covering all the stuff that production is used to maintain. These are Social, Technological, Military, and Redundant Infrastructure. Respectively, this is the Union’s standard of living, how shiny and new its stuff is, how big Star Force has gotten, and how many warehouses you have. You increase all of the stats by paying into funds for them, investing your Credits when you have a surplus until you’ve paid them off.

For the most part, these are used to gate access to upgrades; if you want that shiny new laser, you need to get Technology and Military Infrastructure to a certain point first. Redundant Infrastructure is the odd-man out; it doesn’t really give you access to many new Upgrades, but it has a vital function we’ll get to in a second.

Every point of Infrastructure costs 1 Credit per Episode to run, and at the start of the Campaign, the Star Union is overextended; it’s trying to take on all the costs and responsibilities of being the leading power of Local Space while simultaneously managing an enormous humanitarian crisis partially of its own making, and integrating a large number of refugees from the aforementioned enormous humanitarian crisis. Infrastructure will be higher than Production, and that means the balance has to be paid by none other than the Star Union’s exploration, diplomacy, and prospecting service.

That’s you.

This difference is called your Union Dues, and it's very important that you pay them. If you fail to pay, you’ll have to roll on the WHOOPS I FORGOT TO PAY THE POWER BILL table. Regrettably, this is not its final name, but it is what’s in the document right now.

You might think that this isn’t too big a threat; you’ll just always make sure to save up enough Credits to pay your Union Dues even if you have a bad Episode. That’s where we smile maliciously and tell you that you can’t. Societies don’t typically like sitting on huge amounts of surplus production and not using it on things that people want and need, so for that reason, the amount of Credits you can store between Episodes is limited by your Redundant Infrastructure. You know, Infrastructure you also have to pay for.

If your Dues aren’t out of control, you aren’t running too many Projects that you don’t want to fail, and you’re not burning your expensive consumables, then yes, you can usually meet your Union Dues no problem using the banked Credits from Redundancy. But a streak of bad episodes or out of control spending can send your campaign into a death spiral. The good news is that eventually, the Star Union will contract until it reaches equilibrium, either voluntarily or through terrible rolls.

The bad news is that the Star Union will contract until it reaches equilibrium, and you live in the Star Union! And so do a great many people who are going to have opinions about that.

Speaking of…

Getting Political

The Star Union is more than just a series of economic stats. All the people those stats represent have hopes and dreams, and more importantly, they have voting power on local councils. Being a direct democracy, the Star Union has a tendency to undergo pretty seismic political shifts very quickly when circumstances change, and any good campaign is going to have a lot of Circumstances.

To represent this, we use a series of Movements. You may remember us talking about these way back, or rather an earlier version of them; we’ve since expanded how they work and set up a system which allows them to exist alongside others.

So… let’s meet a Movement.

The Centralists are the Leading Movement at the start of your Campaign; they’ll be largely unopposed for the moment, but the Civil Anarchists and the Neo-Trotskyites are waiting in the wings and can join them in a coalition fairly easily.

What that means in practical terms is that they have the highest Power Rank at 5. As both a Major Power and the Leading Power, the Centralists give you two passive effects. Their Major Power bonus relates to Stability, which we’ll talk about in a moment, while their Leading Movement Effect is the benefit you get for being at 10-12 Unity on the Unity track. You’ll remember that from Dev Diary 15; that universal rule is actually just the default you get from these guys being in charge!

They also have a Taboo, which represents a value of this Movement, the violation of which discredits their influence; it’s stuff that makes them look hypocritical or disgusts their followers. For the Centralists, that’s failing to keep Promises made to groups in negotiation; their reputation is built around being the trustworthy and reliable ones that follow through on their deals.

Here’s some examples of other Movements’ Major Power Effect, Leading Movement Effect, and Taboo:

Progress Triggers

Movements advance in Power Rank by gaining Progress; that’s what is tracked on that neat little circular dial. At the end of each Episode, you go through the Triggers for all the active Movements and add Progress based on which ones got done. As a Movement rises in Power Rank, the Triggers are reduced in strength proportionally; at Rank 5, the only Trigger which actually gives the Centralists Progress is bringing new Members into the Union. Don’t worry, though; they have another means of keeping power.

You’ll notice that the 4 Progress trigger, Focus on Fundamentals, triggers when you miss Union Dues. A lot of Movements have triggers like this; this is where we put the stuff that the Movement specifically believes they’d do better. So when the Centralists are out of power, they get a boost from the economic mismanagement of whoever is, but once they have influence in government, failing to balance the budget isn’t going to work in their favour.

By extension, lower-value triggers tend to be things that drive or revitalise a weak Movement, while high-value triggers are triumphs or threats that validate them, either mobilizing a weak movement with a victory, or cementing the authority of a strong one.

For another example, here are the Neo-Trot Triggers. You can see how their lower triggers, the first ones to fade, are the relatively small fundamental issues that form the emotional foundation of the Movement; the Neo-Trots won’t be irrelevant so long as we keep finding planets ruled by jerks and evil computers, and their quest for increased military spending grows more pressing every time a Star Patrol rocket limps back full of holes.

The #4 trigger here ceases to help the Neo-Trots once they take power; it’s expected of them. Both the Centralists and Civil Anarchists get this trigger at 5 instead, which creates an interesting contradiction; once they’re in power, winning battles empowers their rivals because, through victory, they are making themselves obsolete. If they keep winning their fights, why do we need to shovel more resources into Star Force?

That’s why their highest triggers are stuff that give them more material power directly instead. Producing and distributing weapons increases the size of those sectors in the Union’s economy and bureaucracy, increasing their influence, while a war breaking out mobilizes the economy and places all their experts in positions of authority. This also, of course, gives them an incentive to keep arming people and fighting wars once they’re in power…

Stability

Each time an Opposition Movement (that’s any Movement which isn’t the Leading Movement) goes up by a Power Rank, it prompts a Stability Check. You also have to roll Stability Checks if you fail to pay your Union Dues. This is pretty simple; Stability is a number from 0-6 representing people’s faith in the current leadership of the Star Union. You roll 1d6 for each Stability Check; if the result is above your current Stability, the Leading Movement loses 1d6 Progress, potentially sliding back to lower Power Levels. If that happens enough, they’ll be displaced as the Leading Power.

Note that passing Stability Checks has an effect; each test you pass lowers Stability by 1. Fortunately, restoring Stability is pretty easy; every Credit put into the Social Infrastructure fund raises Stability by 1, and incidentally also gives the Leading Movement 3 Progress. 

So basically, the Leading Movement can have whatever ideologically it wants, but once it's actually in power, it only stays in power by raising people’s standards of living, though it does benefit from a slow decay of everyone else’s Progress. If the Centralists spend the entire budget on giant golden statues of Yuri Gagarin, then they won’t be in power for very long, and if they really screw it up… well, that’s what Crises are for.

Endgames

Each Movement has a number of Endgames; the five major movements all have a sort of soft ‘win’ condition that cements their power in some way and makes a lasting change on your game. For example, Federation-Builders basically cements the Centralists’ power for the foreseeable future by having them make good on their promises, and in the process gain a new and fiercely loyal following.

Well, I say soft win condition; they aren’t always.

A ‘lose’ condition deactivates or disempowers a Movement, representing the movement breaking apart, being thoroughly discredited, or otherwise losing their ability to carry on. For the Centralists, the only thing that’ll knock them out of the game is the Cybernetic Democrats actually getting their wild experiment off the ground and fully implemented, which is a huge and expensive Project.

How severe these lose conditions are will vary. Some movements will be outright destroyed, either instantly or by fading out, but others are more resilient.

Finally, we have the Crisis. Crises are triggered if Stability hits 0, and they’re bad. The most survivable ones prompt multi-episode arcs in a mad scramble to save the Union; the worst functionally end the campaign. The Centralists being in charge when the state they build fails means that it all comes apart in their scramble to save it; the cordial competition for the future of the Union becomes a shooting war. This might be where you end your campaign, or it might be where you throw in with another Movement and try to win it for them!

Many Crises will be internal…

… but not all of them.

Expanded Movements

The five core movements we mentioned before are all primary Movements, with a full set of triggers, effects, and endgames. Each of them represents a potentially valid direction for the Union that you, as players, can choose to back or suppress. 

However, the nature of this system makes it very easy for us to add new Movements to the game. Most of these Movements are Minor Movements, with reduced triggers and rules which are usually single-issue and whose Endgames are simplified and easier to hit. Minor Movements don’t cause Stability hits when they gain Power Ranks and can’t take the Leading Faction slot, they can slot easily into a ruling coalition without breaking things, or fade once their purpose is achieved.

For an example, if you integrate the Nariene into the Star Union (either by defeating its current government or making an alliance that bypasses that; we’ll be talking about them in the next Dev Diary), you get the very pressing Minor Movement “Nariene Green Movement”, which is clamouring, quite reasonably, to have their planet saved from the runaway greenhouse effect they’re under. They’ll gain power quite quickly with triggers firing based on the Union’s economy growing, and once they hit Major they’ll mandate the funding of their Project. Once their homeworld is saved, their endgame is triggered and the Movement fades, leaving you with a nice permanent bonus as everyone in the Star Union gets a bit better at reducing, reusing, and recycling.

Not all late-joining Movements are Minors, though; some of them can very much become the Leading Power and change your game accordingly.

Finally… not all the Movements are intended to be viable paths forward. Movements can emerge in dire circumstances, reflecting adverse pressures, but they can also come out of your actions as Star Patrol, if you feed the worst impulses of the Union and give material power to bad actors.

Which is why you don’t start your campaign with five moments. You start with six.

[boldstarks]

Giedi Prime (House Fenrir Dune AU)

word count: 1498 Words pairing: Feyd-Rautha Harkonnen x Bene Gesserit!Reader warnings: none (yet) summary: you arrive on Giedi Prime for the Na-Baron's birthday celebration, but you have another task ahead of you.

Before you arrived on Giedi Prime, you didn't believe a place could be completely devoid of color, but as you stand on one of your father's heighliners looking over the planet, you have come to believe what they say. You peered at the black and white planet below from the bridge as the ship waited for its permission to land on the surface. House Fenrir was one of the many invited to the celebration for the Na-Baron's twentieth birthday and one-hundredth gladiator fight.

Even from outside the atmosphere, you can see the planet is heavily polluted from the fervent industrialization led by House Harkonnen over the centuries.

A nervousness settled in your stomach when you entered the planet's orbit, and your father's reservations about the match weren't easing the anxiety creeping through your bloodstream. Today was the day that you would begin to seduce the Baron's heir.

"We could always go back home," the archduke said. He has joined you at the window.

"It would not serve our house to make an enemy out of the Harkonnens," you reply in a monotone voice.

They were known for maintaining a cruel and tyrannical grip over their worlds. Violence and war were ingrained in their culture, and you had no doubt they would inflict that bloodshed on your people. If their treatment of the people of Arrakis was any indicator of how they treated those who displeased them, you knew they could do the same to Fenrir.

"Wise words," Lady Aurelia, your father's concubine, said.

Lady Aurelia was the closest thing you had to a mother after your own had died of a mysterious illness during your adolescence. You knew she did not see you the same way, though. Your father openly favored you and your older sister, Maron, over her two sons. To her, you were simply an obstacle in the way of her eldest son inheriting your father's title.

"They could reverse engineer our harvesters or simply kill us and take over production, and the emperor wouldn't bat an eye," you said, turning away from the grim image of the planet that you would soon call home if all went according to the Reverend Mother's plan.

"I hate the thought of leaving you in this place," Vulcan says.

Lady Aurelia sighs. "Y/N can take care of herself; I've seen to it."

"Lady Aurelia is right, father. I am more than capable of completing the task that the sisterhood has given me," you tell him.

Your reassurance only causes the worry lines around his mouth and forehead to deepen.

"Your Grace," a servant said.

The three figures at the window turn, and the servant curtsies quickly in respect.

"We have been given permission to land, Your Grace. We await your command," the servant says and curtsies again.

You watch her nervously scamper off. It seems that Vulcan wasn't the only one on edge today.

The landing was relatively uneventful, and the surface of Giedi Prime was just as bleak as you imagined. There were no natural plants in sight, and the air had a bitter taste to it that coated your tongue, throat, and sinuses. It made you miss Fenrir bitterly, with its vast oceans and thick forests that enveloped the less developed parts of the planet.

In the light of Giedi Prime's black sun, your ice blue dress looks silver. It's form-fitting to your body with a halter neck and leaves your arms bare. The look was completed with teardrop-shaped pearl earrings set in silver hardware.

A female servant is already waiting for you when the ship lands. She is pale and completely devoid of hair. She wears a dark-colored dress of a peculiar cut, and she keeps her eyes on the floor.

She curtsies deeply when you step off the ship with your father and Lady Aurelia into Harkonnen Palace's ship dock.

"I have been ordered by the Baron to show you to your quarters before the spectacle, Your Grace," the servant says in a small, timid voice.

Your father opens his mouth to reply, but the girl turns on her heel quickly and hurries toward another crowd of visitors being led by another woman in an identical dress. She waits to let the guests from a house you didn't recognize pass before continuing her beeline to the door.

You see Vulcan and Aurelia exchange a glance before all three of you follow after her.

The inside of the Harkonnen Palace is just as bleak as the outside. It is made up of identical black and white hallways; one could easily get lost in them. The servant girl expertly navigates these identical hallways without raising her eyes. She's obviously been here for quite a while. You wonder what horrible things she witnessed, or perhaps endured, in her employment here.

The woman is completely silent until she arrives at a nondescript slate gray door with a black panel installed on the wall next to it. "This is your room, Lady Y/N, and your parents are right beside you."

She motions toward an identical door to the left.

Lady Aurelia goes to her and your father's door and presses her hand to the panel. The panel glows, and the door slides open.

"What did it just do?" your father asks, puzzled.

"The doors to your quarters are programmed, so you need your handprint to get into them, Your Grace," the girl responds. "The Baron has found guests feel more secure when they are the only ones who have access to their living space."

Your father nods and presses his hand to the panel. Lady Aurelia walks into their room without another word.

"Just knock if you need anything, darling," Vulcan said, following her inside.

Their door slides shut behind them, leaving you alone with the servant.

"How did I find my way around?" you ask.

The girl makes eye contact with you for the first time.

"I strongly advise you not to walk around without someone to escort you, My Lady," the servant girl said firmly. "This is not a place where one wants to get lost."

This wasn't a request; it was a warning. The girl's eyes darted back toward the ground. You place your hand on your door's panel. It warms slightly when it scans your handprint. The door slides open, and you step inside. The servant girl won't meet your eye again before the door slides shut.

If you were anyone else, you would feel as though you had stepped into the belly of the beast. But you're not just anyone; you're Bene Gesserit. You're exactly where you're meant to be.

---------

You sit on an elevated platform that sits slightly lower than the one occupied by the Baron Harkonnen, the Reverend Mother, and your father, the Archduke, along with an unknown count and his wife. The crowds in the stands below are packed with Giedi Prime citizens. The black sun has once again washed the color out of everything. You were provided a pair of small field glasses to view all the fights through.

You're sitting with six other Bene Gesserit sisters that you have never met before. Despite knowing little about them, having some of your sisters here is a comfort.

In some twisted way, you looked forward to having your way with Feyd-Rautha. The Reverend Mother Helen described him as violent, calculating, and isolated. The Baron and his brother, whom they called the Beast, were neither fit to raise an emotionally intelligent, stable child. That only made your job simpler. It doesn't matter how physically strong Feyd-Rautha is; he's sexually and emotionally vulnerable. And you could mold him into whatever you see fit.

The opening fights are lackluster. It's obvious the opponents have been drugged to ensure the safety of the Harkonnen gladiators. You noted this with distaste and nearly rolled your eyes. The Harkonnens claimed to be the most dominant, well-trained fighters in the galaxy, but they couldn't be bothered to truly fight someone without resorting to petty vices and trickery. Nevertheless, the crowd roars with satisfaction whenever blood is spilled on the sand of the gladiator pit.

Now comes the main event: Feyd-Rautha's one-hundredth kill in the gladiator pit. Was this the measure of a Harkonnen man? Slaughtering drugged prisoners was supposed to be a show of power and strength while wearing a shield.

A horn blows, and the crowd begins to shriek and whoop once again. In the arena, a large set of doors slide open, and the Na-Baron emerges from the darkness beyond the doorway, a knife in each hand. He raises them toward the sun and circles the pit. The light of the black sun glints off the blades. He's hairless, like the other inhabitants of his planet. He's dressed in light black armor and practically preens for the crowd before kneeling. He bows his head in respect to his uncle and dedicates this win to the man.

The Baron is satisfied by this display, and the barbarism begins.

taglist: @ariesmai

[ending-the-cycle-ask]

Everyone else is asking questions, but I just want to know how your day has been

“Today” is a bit of a relative term, considering we work with time travel, but my past 24 hours have been… fine, I suppose.

We ran some final tests, pulled off a very successful heist, made the final preparations for the party… I feel it’s been a very productive day, all around.

Although… Speaking of, that CCC just loves to get in our way.

We’re considered “anomalies”, so yes, we tend to attract their attention… And as for weaknesses… There aren’t any that we know of. It’s a bit hard to argue with the guys hanging multiple nukes over our heads.

We would’ve had our hands on that Diamond months ago, had they not come in for “clean-up” after that Henry guy bit the dust… Thankfully, we have it now, but that certainly threw a wrench in our plans…

Yes, that was us. Some things changed, but others didn’t, so what does the fate of one jewel really matter to you? Two men still died, one still went missing, and Henry seems to have survived in spite of it all.

By the time tomorrow comes to an end, none of it will really matter anyways.

———

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[wisteria-lodge]

Gender and Harry Potter is such a hydra that just keeps revealing more heads the more you try and chop through it. Case in point: Today I just realized Harry Potter might've been originally intended as a book for boys, which if it was *wow*, way to miss the mark Joanne. Do you think it was actually intended for a male audience? To me it kinda makes sense if it was because of the way most women and girls are portrayed in it.

Bloomsbury Publishing definitely requested that JK Rowling publish with her (gender neutral) initials instead of 'Joanne Rowling' because they were concerned boys would not buy a book with a woman's name on the cover.

My guess is that her British publishers slotted it more firmly under 'boy' than her American publishers did. Harry Potter is 100% a school story, a super established British children's book genre. Historically, there are boy school stories (set in all-male posh public schools) and girl school stories (set in all-female posh public schools.) Hogwarts is of course co-ed, but that fact that it comes out of a literary tradition in which all the characters are the same gender... might help explain why in-universe gender politics seem remarkably absent from the wizarding world.

It actually kind of bugs me, when a canon-compliant fic makes a big deal about male-only inheritance or something, because that's just not something we see. There's one line about "Black family tradition" saying that the house goes to the next oldest guy, but since Dumbledore is worried that *Bellatrix* is about to inherit, it clearly isn't that important.

JKR has made a fantasy society where gender doesn't really matter - Augusta Longbottom and Walburga Black are clearly the powerful matriarchs of their respective families, Maxime and McGonagall are headmistresses, no problem. There isn't the boys quidditch team vs girl's quidditch team, the locker rooms and the prefects bathroom seem to be co-ed, "robes" are gender neutral, there isn't a sense that a specific discipline or type of magic is gendered (we see both male and female Transfiguration, Care of Magical creatures, and Defense Against the Dark arts professors...) There is kind of a sense that the boys are supposed to ask the girls to the yule ball... but multiple girls still ask out Harry. Gender comes up a lot in these books yes, but not so much in the actual worldbuilding. We have gendered bathrooms and dorms, and the rule that the girls can go into the boy's dormitory, but not vice-versa. Ron considers lace a girly fabric. Of the top of my head, that's all of the "gendered" rules I can think of.

But, since the main character is a boy, it makes sense that her British publishers would slot it more into the category of "school story (boy)" and market accordingly. I think it's extremely likely that she was asked to lean more heavily into quidditch, an aspect of the world building that JKR is clearly not interested in. She's said multiple times that she dislikes writing quidditch games - which is why she throws in comedy with the commentary, or makes some magical thing go down, or finds ways to cancel quidditch entirely. The mechanics and tension of the game *itself* are not interesting to her. I think it's also possible this is a reason for Hermione's relatively late intro into the friend group during Book 1? Harry can be friends with a girl, but first we need to establish that Ron is his *best* friend.

But then the books hit America, and the whole "school story" thing didn't read as "boy" as much as it just read "British." There was a sense in American advertising, especially in the 90s, that girl's products were for girls, but boy's products were for everyone. Scholastic Publishing seemed less interested in gendering the book, and more interested in making sure it didn't come off as too high-brow to American children - so we get the name change from "Philosopher's Stone" to "Sorcerer's Stone," things like that.

But then right before the publication of Book 4 the series exploded, and JKR could have just self-published the thing if her publishers didn't behave. So I think that you can see the fingerprints of that marketing push on Book 1, which grandfathered in a number of worldbuilding choices that JKR maybe wouldn't have made later. But pretty quickly it just became JKR doing her thing.

[max1461]

This has mostly disappeared from my corner of the internet over the last few years, but it used to be the case that every once in a while some story would go around about a corporation or a government doing some fucked up shit in pursuit of their self-interest, and people in the comments and reblogs would act utterly aghast that said government or corporation would do such a thing.

This was always baffling to me, and I have only ever been able to interpret it as a sign of profound naivety. Of course, I too think it is awful, sad, and unjust when people are exploited, killed, abused or so on by the institutions of our society. But "aghastness" is not synonymous with these things, to be aghast is to be (or present yourself as) in some sense surprised. And surprise is wholly unwarranted here.

I suppose this is part of my worldview that feels very fundamental, it feels deeply obvious, and I struggle to figure out how to talk productively with people who did not get the memo: exploitation and abuse of others in pursuit of self-interest is in some sense the natural behavior of agents in any kind of competitive context. It requires a lot of effort and coordination to mitigate this behavior. We do not feel "aghast" when someone is bitten by a dog. Dogs bite people, idiot! And corporations exploit their workers, lie, cheat, and steal, unless you work very hard to prevent them from doing so. And governments exploit and neglect their citizens, and go to war and kill and maim, unless you work very hard to prevent them from doing so. Individual humans, as members of a social species for which cooperation is paramount to survival, have quite a lot of specific programming whose purpose seems to be to discourage us from doing these things (empathy, loyalty, etc. etc.), and yet very often we still do them!

I have relatives who have a hard time believing in US atrocities abroad, on the grounds that "Americans are the good guys, and the US just wouldn't do that". This is very stupid! Do you think the US got where it is today without cracking some eggs? Bullshit. There's never been a government or a military in the history of humanity that "just wouldn't do that". I sometimes see posts on here from tankies, defending Chinese or Soviet atrocities on the grounds that these things must be Western propaganda, a socialist government just wouldn't do that. Again, I find this so obviously false as to be essentially beneath engaging with. We don't live in a just world! Often, a very effective strategy for achieving whatever it is you're trying to achieve will involve treating people like shit. It is what it is.

I'm not trying to play defense for injustice here. Obviously I think we should do as much as we can to prevent these abuses. But I think that doing so must start with basic recognition of the following: it is the nature of institutions—being as competition between them is essentially unavoidable, and being as their decision processes are unavoidably removed from the face-to-face social context which is so load-bearing in motivating respectful treatment between individual humans—to abuse people in pursuit of their (perceived) self-interest. This behavior is mundane and expected. It can be mitigated in various ways, ideological and structural, but it will probably always be with us to some degree. To look at it and express shock in any capacity suggests a completely misguided understanding of how the world works.

This is the first and most important thing I ever learned about politics or society.