#toc 2021

[eggmeralda]

thumbnail that says "staying in my band until I feel appreciated" and the video is 3 years long

[zerosconsort]

Zero's Fic Binding - Archive Anthology - Stony Volume 1

A collection of fics all written by Areiton (@areiton)

let me hear (your battle cry) | chains around my daemons | monsters of sea & sky | inspired | muse

Fandom: Marvel

Ship: Steve Rogers / Tony Stark

Start Date: 10/07/24

End Date: 11/25/24

Pages: 355

First Archive Anthology book. This is a collection of 5 of my favorite Arei Stony fics. They are all also from 2021, which I did not mean to do but just so happen to realize as I was typesetting. I wanted to start this proof of concept project with someone who I A) knew and B) would be cool with me using their fics as a test.

So, the cover. She's beautiful. For the AA series, I want the covers to be the uniform - so every Stony book will copy this cover type, but the colors will shift to blue and white for Vol 2, and then back to red and gold for Vol 3. I sketched out the Iron Man that I wanted myself and made an SVG for the first time, leave me alone, adding the swoosh marks to him and to Steve's shield. I wanted a simple, classic looking font for a universal text title. This book series wont have quotes on the back so instead I have a full spread of the graphic. Tony's the icon on the spine this time - and I think he looks great~

Ah! The side shot. I used my guillotine for the first time - so the chop on this bitch is CHRISP. Headband is gold and handstitched. The whole side profile? Crispy like fall leaves.

Title page shots. A TOC (that I only notices was a little low after I had printed both copies) with a new and customized copyright page. I looked at a bunch of pages in the Renegade Bindery discord and compiled something that felt right AND specific to this project going forward.

Typesetting this was not…bad. It did take a while while I worked out fonts and overall ideas, but ones I had them I was able to fly through. There are quite a few here, so lets take a peak...

I kept Let me hear a little simple - with more medieval drop caps and banner headers. This fic is the only one with a nontypical drop caps - but with how simple the titles were I wanted a little bit more. I also - as per my standard - did this fic first, and then started to dig down and get more complicated the further in I got.

Chains has a little more flavor - each chapter has a splash of color. Originally I had hyper detailed headers for this fic, but they just look like SO MUCH, and I couldn't figure out a way to make them look uniform with the different daemons I was showcasing. Scaling back with a flash of color, but not to much, feels much better for this fic. Also realized that I need to figure out how to trim to what my printer considerers a 'full page'.

mos&s has a little more character for the headers, where I pull peace out from each chapter to add to the title. This chapter header - and the last one - are my favorite. I used hand drawn lines to highlight under each chapter title, and pulled a color for the splash image to match with both that line and the matching line breaks in the chapters.

inspired is told from Tony's point of view - so I kept the chapter titles black and white, with harder linework and a focused idea from in each of the chapters.

In contrast, muse is told from Steve's POV - so every chapter header is an explosion of color. They're all based on a variety of art mediums - spray paint, stamp art, charcoal, oil pints, anything I could find that I remember ever doing myself. I also colored each of the drop caps a contrasting color to what the header art is.

All in all, I'm very happy with how this came out. This is the blueprint I'll use for any of my Anthology books going forward. I already have at least three more in mind for Stony specifically, and then a collection of Raven Boys and Good Omens ones that are not long enough to be a book by themselves but I still want THEM ON MY SHELVES.

Thank you again Arei - your wonderful <3 Go read Arei's fics ASAP!

[beardedmrbean]

At least 110 mostly elderly people have been brutally murdered by gang members in the Haitian capital, Port-au-Prince, according to a human rights group.

The National Human Rights Defence Network (RNDDH) said a local gang leader had targeted them after his son fell ill and subsequently died.

The gang leader reportedly consulted a voodoo priest who blamed elderly locals practising "witchcraft" for the boy's mystery illness.

The United Nations said the number of people killed in Haiti so far this year in spiralling gang violence had reached "a staggering 5,000".

Warning: This story contains details some readers may find upsetting

While details from the massacre are still emerging, the UN's human rights chief Volker Türk on Monday put the number of people killed over the weekend "in violence orchestrated by the leader of a powerful gang" at 184.

The killings happened in the Cité Soleil neighbourhood of the capital.

According to reports, gang members seized scores of residents aged over 60 from their homes in the Wharf Jérémie area, rounded them up and then shot or stabbed them to death with knives and machetes.

Residents reported seeing mutilated bodies being burned in the streets.

RNDDH estimated 60 were killed on Friday while another 50 were rounded up and murdered on Saturday, after the gang leader's son had died of his illness.

While RNDDH said that all the victims were over 60, another rights group said some younger people who had tried to protect the elderly had also been killed.

Local media said that elderly people believed to be practitioners of voodoo had been singled out because the gang leader had been told his son's illness had been caused by them.

Rights groups said the man who had ordered the killings was Monel Felix, also known as Mikano.

Mikano is known to control Wharf Jérémie, a strategic area in the port of the capital.

According to Romain Le Cour Grandmaison, a Haiti expert at the Global Initiative against Transnational Crime (GI-TOC), the area is small but hard for the security forces to penetrate.

Local media said that residents had been prevented from leaving Wharf Jérémie by Mikano's gang, so news of the deadly killings was slow to spread.

The group forms part of the Viv Ansanm gang alliance, which controls much of the Haitian capital.

Haiti has been engulfed in a wave of gang violence since the assassination in 2021 of the then-president, Jovenel Moïse.

Data gathered by GI-TOC shows there was a decline in the murder rate between May and September of this year, after rival gangs had reached an uneasy truce.

But attempts by the gangs to expand their territory beyond their strongholds in the capital have led to particularly bloody incidents in the past two months, with ordinary residents rather than rival gang members being increasingly targeted.

On 3 October, 115 locals were killed in the small town of Pont-Sondé in the Artibonite department.

That massacre was reportedly carried out by the Gran Grif gang in retaliation for some residents joining a vigilante group to resist attempts by Gran Grif to extort locals.

If confirmed, the death toll given by the UN for this weekend's killings in Cité Soleil, would make it the deadliest incident so far this year.

With gangs in control of an estimated 85% of Port-au-Prince and increasingly large swathes of the countryside, hundreds of thousands of Haitians have been forced to flee their homes.

According to the International Organization for Migration, more than 700,000 people - half of them children - are internally displaced across the country.

Gang members often use sexual abuse, including gang rape, to sow terror among the local population.

In a report published two weeks ago, Human Rights Watch researcher Nathalye Cotrino wrote that "the rule of law in Haiti is so broken that members of criminal groups rape girls of women without fearing any consequences".

Attempts by the Kenyan-led Multinational Security Support Mission to quell the violence have so far failed.

The international police force arrived in Haiti in June to bolster the Haitian National Police but is underfunded and lacks the necessary equipment to take on the heavily armed gangs.

Meanwhile, the Transitional Presidential Council (TPC) - the body created to organise elections and re-establish democratic order - appears to be in turmoil.

The TPC replaced the interim prime minister last month and seems to have made little progress towards organising elections.

"They reign over a mountain of ashes," GI-TOC's Romain Le Cour Grandmaison writes of the council in his report.

[anchesetuttinoino]

Obscurans...

Lo abbiamo già detto nel 2021. Per quanto dovremo ribadirlo? Toc Toc Sig.ra Boldrini non ha nulla da dire? (…) “Dobbiamo smettere di fingere che i talebani siano cambiati”, ha ammonito McMaster. “La nostra autoillusione ha portato molti ad abbracciare un capovolgimento orwelliano della moralità considerando i terroristi jihadisti come partner. (…) I talebani sono intenzionati a imporre una…

[myuin390]

A few things, one MrDrNose probably sat on the information like he did with Olivia's and Candace's ages, along with much more of ABIBAZ lore (https://www.tumblr.com/cornedbread/755850455682285568/merry-christmas-to-me-and-the-entire-dollex-and). There wasn't any evidence that anybody asked him about Angell's age before 2021, so he could have very well made her 18 before then. Two, this relies on her having a predatory age gap with MrDrNose, which there isn't.

Link: https://eternitydev-games.fandom.com/wiki/Angellica#cite_note-3

Links: https://www.disabled-world.com/disability/publications/printables/girls-weight-chart.php https://www.verywellhealth.com/average-height-for-women-8420952#toc-average-height-of-women-in-america-vs-worldwide

Based on the average height for adult women and the fact that Alice herself is Angell's height, we can reasonably assume that Angell is at least on the older end of the spectrum. Her height also hasn't notably changed between games, meaning that if she was 160 it in 2020, she was 160 in 2018. Based on the lockers she's 10+ because lockers aren't in middle schools. Based on how tall she is, we know she's atleast 14. Considering the fact that this game is 16+ making a protagonist that's under 16 is just weird, so 14 and 15 are out despite being very close to 160. Angell's age range is 16-18. You can't call him a p-do because she's around the same age as him during these events. There's no evidence to say that she wasn't 18 at the start or just aged up as he got older because he didn't like writing a character that young.

Also I just wast to emphasize how he probably did make her 18 earlier and that Olivia is 19 as of that info dump. The info dump was also likely made during the time that ABIBAZ remastered was being made.

Some middle schoolers could recognize it and some adults in their 30's couldn't, what's your point? She's not under 14. Even you think she's underage she's not under high school age.

Look, MrDrnose could be gross about kids but neither this point or the point about Olivia prove it. Also just to talk about Scrina because I know this is going to be brought up, MrDrnose posted a picture of Scrina wearing plaid underwear and a bow tie while looking embarrassed. It could be seen as fetishization but to me it just looks more like embarrassment. Plaid isn't a sexualized pattern and wearing underwear doesn't seem inherently sexual, especially considering that she doesn't have a human form. It's like putting underwear on a toaster or a bear. I could consider it gross if there were other actual instances of MrDrnose acting like this. It's weird, it can be used to reinforce that he's inappropriate with his teenage characters, but I don't think it has enough to consider him disgusting on its own.

[aricastmblr]

Jungkook cantando canciones de Jimin - Lie - Promise - Serendipity - Filter    - Christmas Love - With you - Vibe feat Jimin  -   Angel Pt.1 FastX

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

Jungkook Vlive 2017.04.22. 꾸기 라이브🐰🐇  - Lie

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

BTS_twt 30 ene. 2019 - Promise by Jimin

그리고 지민씨도 피해갈 수 없습니다.

Y Jimin tampoco puede escapar

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-BTS ‘LOVE YOURSELF 承 Her’ Fansign ( Aladin Event) 22 Sept 2017 Jimin and Jungkook-Serendipity

-MCountdown jimin y jungkook - Serendipity

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-  BTS (방탄소년단) 'BREAK THE SILENCE: THE MOVIE COMMENTARY PACKAGE'  (Commentary ver.) 2021 - Serendipity

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-HAPPYJINDAY Vlive 4 Dic 2020 llamada con jimin y estaba con jungkook - serendipity(04122020- jin vlive llamada a jikookkookmin que iban a casa)

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-InTheSoop2 Ep.2 2021 Jungkook - Serendipity 

    ☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-Bts world tour love yourself speak yourself the final dvd 2019 - Serendipity

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-2022 SEASONS GREETINGS JK estilo-Serendipity

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

JK💜 Vlive 7 marzo 2021 - Filter

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

[BANGTAN BOMB] 2021 FESTA Exam Behind the Scenes - BTS (방탄소년단) -  Christmas Love by Jimin - Sobok, sobok  16:35min

https://youtu.be/QlAPYyVue-g?t=995

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

[BTS VLOG] Jung Kook l CAMPING VLOG 2022 - With you 15:28min

https://youtu.be/4M5jGbVfItE?t=928

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

Jungkook weverse live 1 febrero 2023   - Vibe feat Jimin 22:40min

잘 지내셨습니까 - Have You Been Well  - ¿Has estado bien?  

https://weverse.io/bts/live/2-113198481

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽   ☼˖☽

jungkook weverse live cantando set me free pt.2 - cantando-tarareando like crazy del primer álbum de jimin face

JK

BTS

03.27. 11:53

슈취타

Suchwita

https://weverse.io/bts/live/3-115956451?hl=en

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽   ☼˖☽

el nos dio pistas en sus weverse lives y ni uno ni en-cuenta  T T

JK

BTS

03.23. 13:06  

배고��요 ... 첫끼 ... 불금 ...

Tengo hambre... primera comida... viernes (tgif)

https://weverse.io/bts/live/3-115684831?hl=en

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

jungkook weverse live 24 Mayo 2023  -  Angel Pt.1 FastX

Knock Knock  - Toc Toc  

https://weverse.io/bts/live/1-119598161

[thuocdantoc-vn]

Sau một thời gian chuẩn bị, Hợp tác xã Nam dược Thuốc dân tộc Bắc Kạn đã chính thức khởi công xây dựng, đưa vào trồng thí nghiệm các dược liệu quý bản địa. Dự kiến đến tháng 10/2021 Hợp tác xã sẽ đi vào khai thác.

https://thuocdantoc.vn/thuoc-dant-toc-khoi-cong-xay-dung-hop-tac-xa-nam-duoc-bac-kan.html

[diario-vespertino]

“La salud mental es tabú, si decís que estás medicada te tachan”

Actriz, dramaturga y artista multifacética, Maruja Bustamante escribió y actúa una obra que aborda sus padecimientos psicológicos. Una conversación en profundidad sobre la doble moral del ambiente teatral, la discriminación hacia las corporalidades no hegemónicas y la escasez de tramas con protagonistas gordas. Maruja Bustamante es una artista multifacética imposible de encasillar. Actriz de cine, teatro y televisión, performer, escenógrafa, guionista, directora, dramaturga y docente en la Escuela Municipal de Arte Dramático (EMAD), donde dicta Taller de Dramaturgia, espacio que antes de jubilarse ocupaba el histórico Mauricio Kartun.  Desde que arrancó a actuar, a los ocho años, no ha parado. Hoy Maruja está terminando de filmar una película en la cual las protagonistas son una reina y una princesa gordas, con la presencia de otras corporalidades no hegemónicas; el estreno será en una nueva edición del Festival Asterisco. También dirige “Alicia por el momento”, que se podrá ver en Timbre 4 (México 3554, CABA) los lunes de mayo y junio a las 21, y está a punto de estrenar otras tres obras: “Adiós, cyborg, amor”, de Belén Gatti, y las dos restantes de su autoría (“Chacha San Pietro y  “Potencia Gutiérrez”). Uno de sus mayores desafíos recientes fue escribir y actuar “La casa oscura. Un documental sobre la salud mental”, que se estrenó en 2021, giró por distintos escenarios y se presentará en Caras y Caretas (Sarmiento 2037, CABA) el miércoles 19 de abril. Con una larga trayectoria arriba de los escenarios, asegura que no fue fácil llevar al teatro un tema que continúa siendo motivo de estigmatización y discriminación hacia quienes son diagnosticadxs.

–¿Cómo surgió hacer “La casa oscura”? –Hace varios años que quería hacer algo así y me costaba porque el tema es muy tabú y, además, para cualquier cosa que quieras hacer, si decís que estás medicada, te tachan. De mí han dicho ‘ojo que Maruja está medio loca, entonces mejor que no venga’, cuando, en realidad, todo el mundo se medica. Traté de hacer cosas sobre salud mental, pero todo lo que se me ocurría me parecía una porquería, hasta que un día me llamó Mariela Asensio y me dijo ‘Maruja fui al psiquiatra y me diagnosticaron TOC’. A ella la conozco desde los 20 años, somos colegas que siempre nos encontramos porque tenemos intereses similares. Me lo contó porque una vez me escuchó hablar de lo que me había pasado. En 2012 tuve un surmenage con ataques de pánico, visiones y casi me internan. Me costó 10 años ver cómo hablar de eso y la recuperación fue un montón. Ella tiene TOC nivel Dios, de los que cierra la puerta 70 veces y me dijo que se sentía muy mal. Quería hacer una obra y que yo la acompañe, porque sentía que sola no iba a poder. La obra trata de nuestros diagnósticos y de cómo hicimos o cómo hacemos para sobrellevarlos, en tono de comedia. Es un show documental sobre la salud mental porque tiene un tono cómico, también tiene momentos tristes, pero depende, hay gente que va y llora todo el tiempo porque se siente muy identificada. Hablamos de los tratamientos, de la familia, del trabajo, porque lo que tiene la salud mental es que de repente atraviesa toda tu vida y tenés que ver cómo convivir con el mundo y con eso que te está pasando.  "No podemos salir haciéndonos las divas, muchas personas nos esperan y nos quieren abrazar." –Y también convivir con personas que no entienden lo que te pasa. –Claro, a mí me han dicho ‘con Maruja no porque le agarra eso que le agarra y no puede hacer nada’. Yo tenía muchos pánicos, entonces de repente quedaba paralizada y se me estigmatizaba. Llegué a tener pánico escénico, eso fue lo más triste que me pasó. Llegaba al teatro y no podía salir al escenario. Cancelé funciones, entonces obviamente me odiaban y todos decían ¿qué le pasa? Durante la pandemia varios de esos que hablaban de mí tuvieron un ataque de pánico, no querían salir de la casa y me llamaban pidiendo perdón. ‘Maruja yo hablé muy mal de vos en ese momento, no entendía qué te pasaba’, me dijo una colega. Lástima que primero tuvo que pasarle para que se diera cuenta. Si hubiese más información no pasaría eso. Como docente pienso que por suerte estoy yo, porque otro profesor a mis alumnos con esos episodios los hubiese dejado libres. 

–Imagino que, por lo poco que se trata la temática de la salud mental, tuvo buena recepción la obra. –Sí, es muy fuerte todo lo que nos pasó. Un día vino de incógnito Carla Vizzotti, la ministra de Salud. Cuando terminó la obra dijo que nos quería saludar, nos dio un abrazo y me dijo: ‘Te quiero pedir disculpas porque el sistema médico no te supo contener’, porque en un momento en la obra me quejo de eso. Yo veía que alguien lloraba mal en primera fila, pero no sabía que era ella. Ahora nos lleva a congresos de salud mental en el país para que mostremos la obra a profesionales, directores de hospitales, jueces. Yo pensaba 'hagamos esta obra para sacarnos todo y si ayudamos a una persona ya soy feliz', pero después me di cuenta que estamos ayudando a muchas personas con esta obra. También hacerla lo sentimos como una responsabilidad. Una vez vino una mamá con su hija que estaba teniendo muchos pánicos. Cuando salí la chica lloraba y me preguntó ‘¿te puedo abrazar?’, la abracé y me dijo ‘¿me decís algo?’. Y le dije 'vas a salir, por lo menos es lo que me pasó a mí, salís sí o sí'. Me decía 'gracias' y lloraba, fue muy fuerte. No podemos salir haciéndonos las divas, muchas personas nos esperan y nos quieren abrazar. "Llegaba al teatro y no podía salir al escenario. Cancelé funciones, entonces obviamente me odiaban y todos decían ¿qué le pasa?" Trayectoria en movimiento A los seis años Maruja empezó danza y a los ocho le dijo a su mamá que quería ser actriz. Empezó con talleres de actuación en la Asociación Cristiana de Jóvenes, donde iba a nadar, porque su mamá no conocía otros espacios de teatro. Por una de esas suertes de la vida, Maruja vivía en el mismo edificio que la actriz y dramaturga Ana María Giunta y a la mamá de Maruja se le ocurrió preguntarle dónde podía llevarla. Giunta le recomendó que estudiara en el Instituto Vocacional de Arte Manuel José de Labardén y al año siguiente ya había ingresado; también pasó por el Club del Teatro. Luego se formó con Helena Tritek, su maestra de actuación, y también con Graciela Dufau y Ricardo Bartís. A los 22, una amiga le recomendó hacer un casting para una obra de José María Muscari que se llamaba “Catch”: “Entré a 'Catch' después de una audición en Parque Chacabuco que fue muy feroz y había un montón de pibas. Esa fue la primera obra que hice con Muscari; hice cuatro más con él, eran sus primeras obras”, recuerda Maruja. A los 25, ya había estrenado su primera obra como autora y directora, a la que llamó “No mires sin Mirta”. Cuatro años antes había debutado como directora en Teatro por la Identidad con la obra “Fronterizos”; sus compañeros le pidieron que la dirigiera. “Helena Tritek siempre me decía 'vos dirigí porque se te ocurren cosas'. Naturalmente siempre les decía a los actores 'ponete esto, hacé lo otro'. Helena y su hijo Hugo empezaron a estimularme para que dirigiera. En un momento, cuando estábamos haciendo unos cuentos de Silvina Ocampo en bibliotecas de la Ciudad, Helena se fue de viaje y nos dijo a todo el grupo 'me voy a ir, pero les dejo a Maruja como directora'. Ésa fue la segunda obra que dirigí y la llamé ‘Si no vuelvo no te asustes’; la hicimos en la fábrica IMPA”.

En paralelo, Maruja estudiaba Comunicación social en la UBA. Llegó a la mitad de la carrera, hasta que un profesor de la materia Taller de comunicación audiovisual le dijo “¿Qué haces estudiando esto?”. Dejó la UBA y entró a la FUC a estudiar cine, mientras seguía haciendo teatro. Estudió montaje, pero lo que más le gustaba era escribir guiones. Intentó ingresar a la Escuela Metropolitana de Arte Dramático, no lo logró y se puso a estudiar de nuevo. Volvió a rendir, entró y cursó una maestría en Dramaturgia en la Universidad Nacional de las Artes. Maruja es de esas artistas que está en formación constante. Ahora estudia en el laboratorio de Lyon y el año pasado cursó el Programa de Cine de la Universidad Torcuato Di Tella. Hizo, además, talleres de poesía y de canciones con Tommy Lebrero y con Rosario Bléfari. Pinta hace 12 años y aunque reconoce que dibuja mal, en la pintura encontró mucha tranquilidad. Fue una de la seleccionadas para realizar la residencia del Royal Court Theater de Londres que se hizo en Latinoamérica, un programa en el que participaron profesionales dramaturgxs de Argentina, Uruguay y Chile. "En el teatro siempre hubo una doble moral, es como que todos nos aceptamos como somos, pero después en las obras no hay representatividad." Gordofobia en escena Maruja apenas supera los 40 años y su trayectoria actoral alcanza las tres cifras. Participó en más de 110 obras, actuó en tv, cine y teatro, pero su universo profesional no termina ahí. Es una de las referencias ineludibles de la dramaturgia contemporánea en el teatro argentino, un espacio que tradicionalmente han ocupado los hombres. Maruja viene a romper no sólo con una estructura patriarcal, sino que además cuestiona los estereotipos corporales en escena: ¿qué lugar tienen los cuerpos gordos en la ficción?, ¿qué personajes les están vedados arriba de un escenario? En un ambiente donde parece que todo es aceptado, por las ranuras de las tablas de madera se cuela la misma gordofobia que reina en la sociedad.

–¿Cómo fue hacer teatro durante tu adolescencia, qué te pasaba con tu corporalidad?  –En el teatro siempre hubo y sigue habiendo una doble moral, es como que todos nos aceptamos como somos, hay algo de eso que nadie va a negarlo, pero después en las obras no hay representatividad, eso lo viví siempre. En la adolescencia me daba terror hacer castings, pensaba 'no voy a quedar', además mi papá me decía que perdía el tiempo, porque era una gorda asquerosa. Yo un poco luchaba con eso y quise buscar contención con mis profesores, uno me dijo 'vos tenés que aspirar a hacer comedia y personajitos con ese cuerpo que tenés, porque no te van a dar oportunidad de hacer otra cosa'. Era duro que me dijera eso porque cuando estudiás, estudiás como todes, todo, o sea, estudiás para hacer de Julieta, por dar un ejemplo. –¿Qué lugar tienen los cuerpos gordos en la ficción? –Hace unos años vengo analizando que lo peor que nos pasa a las corporalidades diferentes, sea cual sea –yo soy gorda, pero también a les afrodescendientes o quien sea–, es que no incidimos en la acción de los relatos, siempre estamos satélites y somos prescindibles en las historias. Lo importante de una obra es la acción, que le pase algo a los personajes, y a esos personajes no nos pasa nada. Es algo fuerte que se traduce y que viene de la sociedad. Vas a hacer de cocinera, no importa si cocinás o no. Ahora últimamente lo que nos pasa es solo eso, ser gorda. Te pasa que si sos gorda nadie te quiere, si sos judía tenés un montón de conflictos con el judaísmo, no tenés nada que resolver, el personaje no tiene ningún camino que recorrer, entonces es aburrido actuar. Yo hice de mucama incontadas veces. "Lo peor que nos pasa a las corporalidades diferentes, sea cual sea, es que no incidimos en la acción de los relatos, siempre estamos satélites y somos prescindibles en las historias." –¿Qué otros papeles te daban? –Hice de secretaria, recepcionista, cajera, también hice de friki, de gorda loca como digo yo. Estoy hablando en el audiovisual comercial. No me tocó mucho la gorda simpática porque tengo un tono medio oscuro, me parece, pero está ese arquetipo: me toca más la gorda que rompe cosas, mala, resentida y también hay una zona donde me hacen hacer de tierna y medio tonta. En el teatro he protagonizado algunas obras como, por ejemplo, “Todo tendría sentido si no existiría la muerte”, que hice con Mariano Tenconi; me va a odiar por decir esto, pero él me dijo 'te la escribí para vos porque para mí vos sos Liliana'. Yo me emocioné un montón, es muy halagador que te escriban una obra y le tengo mucho aprecio a Mariano, pero Liliana, el personaje que hacía, era francamente gorda. Cómo se vestía, un poco medio heavy metal, tomaba merca y tenía una camioneta, otro personaje se confundía y la quería besar y ella le decía ‘yo no soy lesbiana’. Ya ahí había un estereotipo de gorda que se viste medio masculina, que le gusta el heavy metal, es obvio que es torta, se manejó ese estereotipo. La obra hablaba de una mujer que está muriendo de cáncer y que su último deseo era hacer una película porno. Todos los personajes están sexualizados en la obra y en algún momento tienen un encuentro con alguien, menos Liliana. Ella solo filma la película, para mí eso fue un gesto, más allá de que era re divertido y Liliana es la que apoya al personaje principal a que haga su película porno, no participa de la película porno. Están todos haciendo la película porno menos la gorda. Cuando se lo señalé a Mariano le dije “es inconsciente lo que te pasa, Mariano, no vas a poner a la gorda a coger”. Es rarísimo, no pasa porque también nos aniñan.

–¿Creés que eso cambiaría si la persona que escribe o dirige esa obra tiene una corporalidad no hegemónica?  –Yo pasé por eso y hay que deconstruirse también. Hoy en día pongo corporalidades que me identifican, de hecho, ahora voy a estrenar en el Cervantes una obra que se llama “Potencia Gutiérrez” y uno de los personajes es Serena, que es la hermana de la bastonera del carnaval, que es como la diosa, reina. Ella es gorda, rapera y no le importa nada del carnaval ni los estándares de belleza. Es hermosa, tiene un enamorado y no sabe qué hacer con él. Tiene mucha acción en la obra, le pasan un montón de cosas, está sexualizada, no está aniñada. También me gustaba que la madre sea gorda, pero no sé si la actriz va a poder, me gustaba que sea una madre que fue reina del carnaval y que engordó, ese tipo de personas que de verdad existen. Las madres siempre son atléticas, pero las madres que tuvieron dos hijos no sé si están todas tan atléticas, por dar un ejemplo. De hecho, también dirigí la obra “Yegua”, que es sobre una lesbiana motoquera que se le rompe la moto, busca dónde guarecerse, se mete un convento y revoluciona a las monjas. Elegí una actriz gorda para ese papel y puse una yegua que era otra actriz gorda como para ver qué pasaba en una obra donde son todas gordas y una vez una directora de teatro me dijo '¿por qué no pusiste a alguien más sensual para hacer de tortón?', que es Melina, el personaje principal. Yo le dije que para mí Melina es re sensual. Ahí pasa esto de la doble moral. Salen de Teatro Abierto, todo bien, pero si hay unos momentos de desnudos o situaciones eróticas, prefieren a una flaca que a Melina. –¿Qué pensás del cupo, que ahora se usa mucho para ser políticamente correcte? Por ejemplo, en la tv o en el teatro, que son todas actrices flacas y una gorda. –Pienso que es muy aburrido y muy duro para esa persona que es el cupo, porque se da cuenta. A mí me ha pasado mucho también como dramaturga que, por ejemplo, hay un ciclo de dramaturgos en el Cervantes y somos ocho: siete varones y yo, como si yo fuera la representación de todo el pensamiento de las femenidades del mundo. Es un peso muy grande y en el caso del cupo gordo pasa lo mismo. No soy solo gorda, estudié, hice esto, lo otro. También lo que sucede mucho es que nos confunden porque no nos miran bien. Por ejemplo, con Karina Hernández es como si fuésemos una y ella me cuenta que le pasa lo mismo. Pienso que es porque no nos miran a la cara, porque no tenemos un pedo que ver.  ::: Estefanía Santoro para Revista Citrica /Fotos: Agustina Salinas::: Read the full article

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Digital Signature Market Insights By 2032 | Anticipating Growth and Advancements with Opportunities and Challenges

The Digital Signature Market is undergoing a significant transformation, with industry forecasts predicting rapid expansion and cutting-edge technological innovations by 2032. As businesses continue to embrace digital advancements and strategic shifts, the sector is set to experience unprecedented growth, driven by rising demand, market expansion, and evolving industry trends.

A recent in-depth market analysis sheds light on key factors propelling the Digital Signature market forward, including increasing market share, dynamic segmentation, and evolving consumer preferences. The study delves into crucial growth drivers, offering a detailed outlook on industry progress and future potential. Additionally, the report leverages SWOT and PESTEL analyses to assess market strengths, weaknesses, opportunities, and threats while examining economic, regulatory, and technological influences shaping the industry's trajectory.

DataBridge Market Research has newly launched the NUCLEUS Platform, a Cloud-Connected Intelligence Platform that allows users to analyze and integrate macro and micro-level data seamlessly. This revolutionary tool bridges the gap between data analytics, market research, and strategy, providing businesses with a fully automated, Interactive Dashboard with Real Time Updates throughout the Year to drive profound growth and revenue impact.

Competitive intelligence plays a pivotal role in this sector's evolution, with leading companies innovating and expanding across key regions. The latest market insights provide a comprehensive overview of emerging opportunities, investment hotspots, and strategic business approaches.

For businesses and investors looking to stay ahead in the Digital Signature market, this report serves as a vital resource, offering data-driven insights and strategic recommendations to navigate market challenges and capitalize on future growth opportunities. As 2032 approaches, staying informed about industry trends and leveraging intelligent market platforms like NUCLEUS will be crucial for maintaining a competitive edge in this fast-evolving landscape.

What is the projected market size & growth rate of the Digital Signature Market?

Market Analysis and Size

According to a study at the University of Maryland, there is a cyber-attack every 39 seconds, affecting 1 in 3 Americans every year. 64% of the companies globally have experienced cyber-attacks and 43% of these attacks are on the small scale businesses. Digital signature offers the most secure form of documents exchange between the companies or any given parties.

Global digital signature market was valued at USD 3.52 billion in 2021 and is expected to reach USD 32.82 billion by 2029, registering a CAGR of 32.19% during the forecast period of 2022-2029. In addition to the market insights such as market value, growth rate, market segments, geographical coverage, market players, and market scenario, the market report curated by the Data Bridge Market Research team includes in-depth expert analysis, import/export analysis, pricing analysis, production consumption analysis, and pestle analysis.

Browse Detailed TOC, Tables and Figures with Charts which is spread across 350 Pages that provides exclusive data, information, vital statistics, trends, and competitive landscape details in this niche sector.

This research report is the result of an extensive primary and secondary research effort into the Digital Signature market. It provides a thorough overview of the market's current and future objectives, along with a competitive analysis of the industry, broken down by application, type and regional trends. It also provides a dashboard overview of the past and present performance of leading companies. A variety of methodologies and analyses are used in the research to ensure accurate and comprehensive information about the Digital Signature Market.

Get a Sample PDF of Report - https://www.databridgemarketresearch.com/request-a-sample/?dbmr=global-digital-signature-market

Which are the driving factors of the Digital Signature market?

The driving factors of the Digital Signature market include technological advancements that enhance product efficiency and user experience, increasing consumer demand driven by changing lifestyle preferences, and favorable government regulations and policies that support market growth. Additionally, rising investment in research and development and the expanding application scope of Digital Signature across various industries further propel market expansion.

Digital Signature Market - Competitive and Segmentation Analysis:

Global Digital Signature Market, By Component (Solutions, Services), Deployment Mode (On-Premise, Cloud-Based), Organization Size (Small and Medium Scale Enterprises, Large Enterprises), Industry Verticals (Banking Financial Services and Insurance (BFSI), Education, Human Resource, Government, Real Estate, I.T. and Telecommunication, Healthcare and Life Sciences, Others) – Industry Trends and Forecast to 2032.

How do you determine the list of the key players included in the report?

With the aim of clearly revealing the competitive situation of the industry, we concretely analyze not only the leading enterprises that have a voice on a global scale, but also the regional small and medium-sized companies that play key roles and have plenty of potential growth.

Which are the top companies operating in the Digital Signature market?

Some of the major players operating in the digital signature market are

Adobe (U.S.)

OneSpan (U.S.)

Thales (France)

DocuSign, Inc. (U.S.)

Ascertia (U.K.)

Zoho Corporation Pvt. Ltd. (India)

Secured Signing Limited. (New Zealand)

Entrust Corporation (U.S.)

DigiCert, Inc. (U.S.)

IdenTrust, Inc. (U.S.)

GlobalSign (U.S.)

Symtrax (U.S.)

Comsigntrust (Israel)

Multicert (Portugal)

AlphaTrust Corporation (U.S.)

SunGard SIGNiX Inc. (U.S.)

Notarius (Canada)

RNTrust (UAE)

Bit4id srl (Italy)

LAWtrust (South Africa)

Get a Sample Copy of the Digital Signature Report 2025

What are your main data sources?

Both Primary and Secondary data sources are being used while compiling the report. Primary sources include extensive interviews of key opinion leaders and industry experts (such as experienced front-line staff, directors, CEOs, and marketing executives), downstream distributors, as well as end-users. Secondary sources include the research of the annual and financial reports of the top companies, public files, new journals, etc. We also cooperate with some third-party databases.

Geographically, the detailed analysis of consumption, revenue, market share and growth rate, historical data and forecast (2025-2032) of the following regions are covered in Chapters

What are the key regions in the global Digital Signature market?

North America (United States, Canada and Mexico)

Europe (Germany, UK, France, Italy, Russia and Turkey etc.)

Asia-Pacific (China, Japan, Korea, India, Australia, Indonesia, Thailand, Philippines, Malaysia and Vietnam)

South America (Brazil, Argentina, Columbia etc.)

Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa)

This Digital Signature Market Research/Analysis Report Contains Answers to your following Questions

What are the global trends in the Digital Signature market?

Would the market witness an increase or decline in the demand in the coming years?

What is the estimated demand for different types of products in Digital Signature?

What are the upcoming industry applications and trends for Digital Signature market?

What Are Projections of Global Digital Signature Industry Considering Capacity, Production and Production Value? What Will Be the Estimation of Cost and Profit? What Will Be Market Share, Supply and Consumption? What about Import and Export?

Where will the strategic developments take the industry in the mid to long-term?

What are the factors contributing to the final price of Digital Signature?

What are the raw materials used for Digital Signature manufacturing?

How big is the opportunity for the Digital Signature market?

How will the increasing adoption of Digital Signature for mining impact the growth rate of the overall market?

How much is the global Digital Signature market worth? What was the value of the market In 2024?

Who are the major players operating in the Digital Signature market? Which companies are the front runners?

Which are the recent industry trends that can be implemented to generate additional revenue streams?

What Should Be Entry Strategies, Countermeasures to Economic Impact, and Marketing Channels for Digital Signature Industry?

Customization of the Report

Can I modify the scope of the report and customize it to suit my requirements? Yes. Customized requirements of multi-dimensional, deep-level and high-quality can help our customers precisely grasp market opportunities, effortlessly confront market challenges, properly formulate market strategies and act promptly, thus to win them sufficient time and space for market competition.

Inquire more and share questions if any before the purchase on this report at - https://www.databridgemarketresearch.com/inquire-before-buying/?dbmr=global-digital-signature-market

Detailed TOC of Global Digital Signature Market Insights and Forecast to 2032

Introduction

Market Segmentation

Executive Summary

Premium Insights

Market Overview

Digital Signature Market By Type

Digital Signature Market By Function

Digital Signature Market By Material

Digital Signature Market By End User

Digital Signature Market By Region

Digital Signature Market: Company Landscape

SWOT Analysis

Company Profiles

Continued...

Purchase this report – https://www.databridgemarketresearch.com/checkout/buy/singleuser/global-digital-signature-market

Data Bridge Market Research:

Today's trends are a great way to predict future events!

Data Bridge Market Research is a market research and consulting company that stands out for its innovative and distinctive approach, as well as its unmatched resilience and integrated methods. We are dedicated to identifying the best market opportunities, and providing insightful information that will help your business thrive in the marketplace. Data Bridge offers tailored solutions to complex business challenges. This facilitates a smooth decision-making process. Data Bridge was founded in Pune in 2015. It is the product of deep wisdom and experience.

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Bank Kiosks Market Analysis, Size, Scope & Segmentation, Dynamics and Opportunity including Challenges by Forecast 2025 - 2032

The Bank Kiosks Market is undergoing a significant transformation, with industry forecasts predicting rapid expansion and cutting-edge technological innovations by 2032. As businesses continue to embrace digital advancements and strategic shifts, the sector is set to experience unprecedented growth, driven by rising demand, market expansion, and evolving industry trends.

A recent in-depth market analysis sheds light on key factors propelling the Bank Kiosks market forward, including increasing market share, dynamic segmentation, and evolving consumer preferences. The study delves into crucial growth drivers, offering a detailed outlook on industry progress and future potential. Additionally, the report leverages SWOT and PESTEL analyses to assess market strengths, weaknesses, opportunities, and threats while examining economic, regulatory, and technological influences shaping the industry's trajectory.

Competitive intelligence plays a pivotal role in this sector's evolution, with leading companies innovating and expanding across key regions. The latest market insights provide a comprehensive overview of emerging opportunities, investment hotspots, and strategic business approaches.

For businesses and investors looking to stay ahead in the Bank Kiosks market, this report serves as a vital resource, offering data-driven insights and strategic recommendations to navigate market challenges and capitalize on future growth opportunities. As 2032 approaches, staying informed about industry trends will be crucial for maintaining a competitive edge in this fast-evolving landscape.

What is the projected market size & growth rate of the Bank Kiosks Market?

Market Analysis and Size

Bank kiosks have gained great prominence as these are specifically developed for rural areas of country where the number of banks is limited, and people can't reach to the bank for utilizing their services. These banks function with the help from leading banks in the private, public and cooperative sectors.

Global Bank Kiosks Market was valued at USD 745.00 million in 2021 and is expected to reach USD 4643.43 million by 2029, registering a CAGR of 25.70% during the forecast period of 2022-2029. Multi-Function Kiosk account for the largest type segment in the respective market owing to the less capital expenditure in application development, equipment purchases, and installation, among others. In addition to the market insights such as market value, growth rate, market segments, geographical coverage, market players, and market scenario, the market report curated by the Data Bridge Market Research team also includes in-depth expert analysis, import/export analysis, pricing analysis, production consumption analysis, and pestle analysis.

Browse Detailed TOC, Tables and Figures with Charts which is spread across 350 Pages that provides exclusive data, information, vital statistics, trends, and competitive landscape details in this niche sector.

This research report is the result of an extensive primary and secondary research effort into the Bank Kiosks market. It provides a thorough overview of the market's current and future objectives, along with a competitive analysis of the industry, broken down by application, type and regional trends. It also provides a dashboard overview of the past and present performance of leading companies. A variety of methodologies and analyses are used in the research to ensure accurate and comprehensive information about the Bank Kiosks Market.

Get a Sample PDF of Report - https://www.databridgemarketresearch.com/request-a-sample/?dbmr=global-bank-kiosks-market

Which are the driving factors of the Bank Kiosks market?

The driving factors of the Bank Kiosks market include technological advancements that enhance product efficiency and user experience, increasing consumer demand driven by changing lifestyle preferences, and favorable government regulations and policies that support market growth. Additionally, rising investment in research and development and the expanding application scope of Bank Kiosks across various industries further propel market expansion.

Bank Kiosks Market - Competitive and Segmentation Analysis:

Global Bank Kiosks Market, By Type (Single-Function Kiosk, Multi-Function Kiosk, Virtual/Video Teller Machine), Offering (Hardware, Software, Service), Distribution Channel (Rural, Semi Urban, Urban, Metropolitan) - Industry Trends and Forecast to 2032

How do you determine the list of the key players included in the report?

With the aim of clearly revealing the competitive situation of the industry, we concretely analyze not only the leading enterprises that have a voice on a global scale, but also the regional small and medium-sized companies that play key roles and have plenty of potential growth.

Which are the top companies operating in the Bank Kiosks market?

Some of the major players operating in bank kiosks market are

NCR Corporation (US)

Diebold Nixdorf

Incorporated (US)

Cisco Systems (US)

Inspur (China)

GLORY LTD. (Japan)

Hyosung America (US)

GRG Banking (China)

Korala Associates Ltd (UK)

Auriga Spa (Italy)

Hitachi-Omron Terminal Solutions, Corp (Japan)

Shenzhen Yihua Computer Co., Ltd. (China)

Slabb, Inc. (US)

Elite Microsystems Pvt. Ltd. (India)

Explora Infotech Limited (India)

KIOSK Information Systems (US)

Phoenix Kiosk Inc. (India)

Aldan Technology Sdn Bhd (Malaysia)

Short Description About Bank Kiosks Market:

The Global Bank Kiosks market is anticipated to rise at a considerable rate during the forecast period, between 2025 and 2032. In 2024, the market is growing at a steady rate and with the rising adoption of strategies by key players, the market is expected to rise over the projected horizon.

North America, especially The United States, will still play an important role which can not be ignored. Any changes from United States might affect the development trend of Bank Kiosks. The market in North America is expected to grow considerably during the forecast period. The high adoption of advanced technology and the presence of large players in this region are likely to create ample growth opportunities for the market.

Europe also play important roles in global market, with a magnificent growth in CAGR During the Forecast period 2025-2032.

Bank Kiosks Market size is projected to reach Multimillion USD by 2032, In comparison to 2025, at unexpected CAGR during 2025-2032.

Despite the presence of intense competition, due to the global recovery trend is clear, investors are still optimistic about this area, and it will still be more new investments entering the field in the future.

This report focuses on the Bank Kiosks in global market, especially in North America, Europe and Asia-Pacific, South America, Middle East and Africa. This report categorizes the market based on manufacturers, regions, type and application.

Get a Sample Copy of the Bank Kiosks Report 2025

What are your main data sources?

Both Primary and Secondary data sources are being used while compiling the report. Primary sources include extensive interviews of key opinion leaders and industry experts (such as experienced front-line staff, directors, CEOs, and marketing executives), downstream distributors, as well as end-users. Secondary sources include the research of the annual and financial reports of the top companies, public files, new journals, etc. We also cooperate with some third-party databases.

Geographically, the detailed analysis of consumption, revenue, market share and growth rate, historical data and forecast (2025-2032) of the following regions are covered in Chapters

What are the key regions in the global Bank Kiosks market?

North America (United States, Canada and Mexico)

Europe (Germany, UK, France, Italy, Russia and Turkey etc.)

Asia-Pacific (China, Japan, Korea, India, Australia, Indonesia, Thailand, Philippines, Malaysia and Vietnam)

South America (Brazil, Argentina, Columbia etc.)

Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa)

This Bank Kiosks Market Research/Analysis Report Contains Answers to your following Questions

What are the global trends in the Bank Kiosks market?

Would the market witness an increase or decline in the demand in the coming years?

What is the estimated demand for different types of products in Bank Kiosks?

What are the upcoming industry applications and trends for Bank Kiosks market?

What Are Projections of Global Bank Kiosks Industry Considering Capacity, Production and Production Value? What Will Be the Estimation of Cost and Profit? What Will Be Market Share, Supply and Consumption? What about Import and Export?

Where will the strategic developments take the industry in the mid to long-term?

What are the factors contributing to the final price of Bank Kiosks?

What are the raw materials used for Bank Kiosks manufacturing?

How big is the opportunity for the Bank Kiosks market?

How will the increasing adoption of Bank Kiosks for mining impact the growth rate of the overall market?

How much is the global Bank Kiosks market worth? What was the value of the market In 2024?

Who are the major players operating in the Bank Kiosks market? Which companies are the front runners?

Which are the recent industry trends that can be implemented to generate additional revenue streams?

What Should Be Entry Strategies, Countermeasures to Economic Impact, and Marketing Channels for Bank Kiosks Industry?

Customization of the Report

Can I modify the scope of the report and customize it to suit my requirements? Yes. Customized requirements of multi-dimensional, deep-level and high-quality can help our customers precisely grasp market opportunities, effortlessly confront market challenges, properly formulate market strategies and act promptly, thus to win them sufficient time and space for market competition.

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Detailed TOC of Global Bank Kiosks Market Insights and Forecast to 2032

Introduction

Market Segmentation

Executive Summary

Premium Insights

Market Overview

Bank Kiosks Market By Type

Bank Kiosks Market By Function

Bank Kiosks Market By Material

Bank Kiosks Market By End User

Bank Kiosks Market By Region

Bank Kiosks Market: Company Landscape

SWOT Analysis

Company Profiles

Continued...

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[ladycorpsy]

Acho que tenho TOC e transtorno dissociativo

Meus pais começaram a ir no psiquiatra.

Primeiro foi meu pai, ele quase não saia de casa (ele ainda não sai muito, mas tá relativamente melhor). Ele descobriu que tem agorafobia e toma remédio pra ansiedade. Quando ele fica muito mal ele toma tarja preta.

Minha mãe foi a poucos dias, ela é extremamente ansiosa de uma forma que nem dormir ela consegue. Pra piorar ela foi a primeira vez no psiquiatra no dia que chamaram meu irmão pra servir no exército. Ela tá tomando remédio ora ansiedade e Rivotril agora.

Eles já tentam a muitos anos levar eu e meu irmão no psicólogo ou no psiquiatra, mas nenhum de nós nunca aceita. Meu irmão eu não sei bem o motivo, sinto que ele realmente só não quer.

Mas eu tenho medo, porque tenho certeza que alguma coisa eu tenho que tratar. Mas pra mim, se eu não tenho o diagnóstico então não tenho que lidar...

Dissociação

Quase todo mundo dissocia, eu sei. Mas comigo é com muita frequência. Nem sei o porquê.

Eu não lembro quase nada de nenhum ano kkk Só me lembro do ano passado e de uns flashes em todo resto da minha vida, mas eu nunca tô em primeira pessoa

É muito estranho

Tipo, eu me lembro quando eu fiz uma cirurgia em janeiro de 2021, e antes dela eu tava muito mal

Mas eu sei que eu tava mal, e lembro alguns poucos dias. Mas a maior parte do tempo que eu tava ruim eu não me lembro do que eu fazia ou como me sentia, só sei que eu fiquei muito ruim durante esse tempo

Não sei se deu pra explicar, é confuso até pra mim. É como se eu soubesse que aquilo aconteceu mas eu não consigo lembrar do momento que aconteceu, como foi e etc

Por exemplo, em 2020 eu namorei. Eu simplesmente não lembrava disso. Em 2023 eu vi um print de uma conversa que eu tava terminando com esse namorado, e eu não sei como eu não lembrava. Depois que eu vi o print eu lembrei de algumas coisas. Eu já conhecia ele e começamos a namorar antes da pandemia, eu terminei porque ele tinha ciúmes de amigas e do meu irmão.

Como eu não lembrava disso? Não sei.

Transtorno obsessivo compulsivo

Eu não sei se o que eu passo sería exatamente TOC, porque sinto que não entendo muito do transtorno, mas as pessoas que me conhecem dizem que eu pareço ter. E eu tenho algumas características que pessoas com TOC tem.

Eu não gosto que mexam nas minhas coisas, ninguém sabe fazer da maneira correta. Quando eu era mais nova minha mãe tentava arrumar a minha cama mas eu sempre ficava irritada co. Ela lorque ela não fazia da maneira correta.

O travesseiro tem que estar do lado esquerdo, a almofada do direito. Minhas pelúcias no exato encontro entre os dois. Se está calor e estou usando lençol, ele tem que ficar esticado no canto da cama, se for cobertor tem que estar dobrado e no canto inferior direito do colchão.

As roupas me incomodam muito, os tecidos, texturas e até cheiros me incomodam. As vezes chego a vomitar.

Eu também tenho sérios problemas com tudo que eu considero nojento, eu não chego perto e muitas vezes nem consigo ver que já passo mal. É terrível.

Agora, o que eu considero mais louco kkkkkkjjnnn

Quando eu tô comendo alguma coisa, eu tenho que dar uma certa quantidade de mordidas.

Se eu der uma mordida, eu vou ter que beber algo três veze, ou comer outra coisa e dar mais três mordidas. Então, foram duas comidas e dois números impares. Totaliza como dez. Dez é um número medíocre, poderia ser melhor ma sme deixa satisfeita.

Se eu der duas mordidas em algo, eu vou ter que dar oito em outra. Ou comer outra coisa com duas mordidas. Ou dez goles de água. Esse número dá muitas possibilidades, 4, 12, 10... Mas eu prefiro usar o 2 como complemento. Eu gosto de quase todos os números pares.

Menos o 6. (E derivados)

Não tem explicação, simplesmente não gosto.

E essa loucura continua com todos os outros número, três mordidas que tem que dar mais duas mordidas e mais cinco goles e mais dez mordidas que fecha tudo como 22. Esses são só exemplos, tem muito mais.

O problema, e que as vezes as coisas que eu como são grandes, mesmo assim se meu cérebro achar necessário, vou ter que dar só duas mordidas.

E se eu não fizer, tenho ataques de ansiedade. Me sinto simplesmente péssima.

Eu também posso ter outros problemas, dislexia, TDAH, tag, borderline, TEI ... E a lista continua. Também sou muito muito paranóica, acho que esse é um dos que mais me atrapalha.

Eu tenho uma paranóia tão grande que é difícil de explicar.

Por isso tenho medo de ir ao médico, porque sei que a chances de eu ter muitos transtornos e problemas mentais é alta... kkk

Ou não também, pode ser só coisa da minha cabeça 🤷🏻‍♀️

[strjackst]

Fasteners Market Overview, Segmentation, Key Players, and Regional Analysis

Fasteners Market Overview, Segmentation, Key Players, and Regional Analysis

Fasteners Market Overview:

The fasteners market refers to the industry that involves the production and distribution of hardware devices used to join, secure, or affix two or more objects together. These devices are integral to various industries, including automotive, construction, aerospace, manufacturing, and consumer goods. The fasteners industry is essential due to its role in ensuring the structural integrity and functionality of products across numerous sectors.

The global fasteners market size was valued at USD 80 billion in 2021. It is estimated to reach an expected value of USD 142 billion by 2030, at a CAGR of 6.4% during the forecast period (2022 – 2030). 

Fasteners come in various forms, including bolts, nuts, screws, washers, rivets, and anchors. The demand for fasteners is primarily driven by industrial growth, increased construction activities, and the expanding automotive and aerospace sectors.

Request sample link:https://straitsresearch.com/report/fastners-market/request-sample

As of the latest market analysis, the global fasteners market is witnessing growth due to rising demand for durable and reliable fastening solutions. Advancements in materials (such as corrosion-resistant coatings and alloys) and innovations in manufacturing processes have further boosted the market. Additionally, the increasing adoption of automation and the need for high-performance fasteners in advanced applications are contributing factors to the market’s expansion.

Market Segmentation:

The fasteners market can be segmented based on the following factors:

Product Type:

Bolts: Widely used in construction, automotive, and machinery sectors.

Nuts: Often used in conjunction with bolts, nuts are essential in creating secure joints.

Screws: Commonly used in woodworking, electronics, and household applications.

Washers: Used to distribute the load of a fastener and prevent damage to surfaces.

Rivets: Primarily used in aerospace and construction for permanent fastening.

Anchors: Used to attach fixtures or objects to walls, floors, and ceilings, often in the construction industry.

Material:

Steel: Dominates the market due to its strength and versatility.

Aluminum: Light-weight and corrosion-resistant, ideal for automotive and aerospace applications.

Brass: Corrosion-resistant and used in electrical and plumbing applications.

Plastic: Lightweight and resistant to corrosion, used in consumer electronics and automotive applications.

Titanium: High-strength, lightweight, and corrosion-resistant, widely used in aerospace.

End-Use Industry:

Automotive: Fasteners play a critical role in vehicle assembly and repair.

Construction: Fasteners are integral in building frameworks, facades, and infrastructure.

Aerospace: Precision and high-performance fasteners are used in aircraft and spacecraft manufacturing.

Industrial Machinery: Fasteners are used in machinery for assembly, repair, and maintenance.

Electronics: Used in assembling electronic devices and consumer gadgets.

Sales Channel:

OEM (Original Equipment Manufacturer): Direct supply to manufacturers.

Aftermarket: Fasteners sold for repair, maintenance, or retrofitting.

Fasteners Market table of content:https://straitsresearch.com/report/fastners-market/toc

 Market Analysis:

The fasteners market is experiencing growth driven by several factors:

Demand from Emerging Economies: Rapid industrialization, urbanization, and infrastructure development in emerging markets such as India, China, and Southeast Asia are contributing to increased demand for fasteners. As these regions invest in construction, automotive manufacturing, and infrastructure, the demand for fasteners is anticipated to rise.

Automotive Industry Growth: The global automotive industry is a significant consumer of fasteners, especially with the rise of electric vehicles (EVs), which require advanced fastening solutions to handle new materials like lightweight metals and composites. As the automotive sector continues to expand, particularly in emerging markets, fastener demand is expected to grow.

Technological Advancements: The development of high-strength, lightweight, and corrosion-resistant materials in fastener manufacturing is increasing their use in critical applications like aerospace, automotive, and industrial machinery. The introduction of advanced coatings and surface treatments for fasteners is enhancing their durability and performance.

Rising Demand for Customized Solutions: As industries evolve, there is an increasing need for customized and precision-engineered fasteners. Companies are demanding more specific types of fasteners to meet the stringent requirements of different applications.

Environmental and Sustainability Considerations: The growing awareness of sustainability has led to the increased adoption of recyclable and eco-friendly materials in fastener manufacturing, promoting their use in green building projects, electric vehicles, and renewable energy sectors.

Top Key Players in the Fasteners Market:

Elgin Fastener Group LLC

Birmingham Fastener and Supply, Inc

W. Industries, Inc

Hilti Corporation

Nippon Industrial Fasteners Company (Nifco)

LISI Group - Link Solutions for Industry

Dokka Fasteners A S

ATF Inc.

Acument Global Technologies, Inc.

Arconic Fastening Systems and Ring

Buy now link:https://straitsresearch.com/buy-now/fastners-market

Regional Analysis:

North America:

North America holds a significant share of the fasteners market, driven by strong demand in the automotive, aerospace, and construction industries.

The U.S. is the largest consumer of fasteners due to its established industrial infrastructure and significant automotive sector.

Growth is further fueled by advancements in manufacturing technology and the increasing trend of automation.

Europe:

Europe is a key market for fasteners, particularly in the automotive, aerospace, and machinery sectors.

Countries like Germany, France, and Italy are major consumers of fasteners, with the automotive and industrial manufacturing sectors being the primary drivers.

The region is also a hub for high-tech, high-performance fasteners used in aerospace and automotive applications.

Asia Pacific:

Asia Pacific is expected to witness the highest growth rate in the fasteners market, driven by rapid industrialization, urbanization, and infrastructure development in countries like China, India, and Southeast Asia.

The automotive sector is a major contributor to fastener demand in the region, with increasing production of vehicles and growth in the electric vehicle (EV) market.

The construction sector in China and India is also a significant factor driving fastener demand.

Latin America:

Latin America is experiencing moderate growth in the fasteners market due to the development of the automotive and construction industries.

Countries like Brazil and Mexico are significant consumers of fasteners due to their expanding infrastructure projects and automotive manufacturing sectors.

Middle East and Africa:

The Middle East and Africa are witnessing steady demand for fasteners, especially in the construction and automotive sectors.

Growth is primarily driven by ongoing infrastructure development, particularly in countries like Saudi Arabia, UAE, and South Africa.

About Straits Research:

Straits Research is a prominent market research and intelligence organization that specializes in providing comprehensive research, analytics, and advisory services. With a focus on understanding consumer behavior and global market dynamics, Straits Research employs advanced research methodologies to deliver valuable insights across various industries.

[healthcaremarketanalysis]

Pharmaceutical Gelatin Market worth $1.5 billion by 2027

Download PDF Brochure: https://www.marketsandmarkets.com/pdfdownloadNew.asp?id=21807555

Browse in-depth TOC on “Pharmaceutical Gelatin Market” 185 — Tables 32 — Figures 196 — Pages

Hard capsules segment held a major share in pharmaceutical gelatin market in 2021.

Based on applications, the pharmaceutical gelatin market is segmented into hard capsules, softgel capsules, tablets, absorbable hemostats, and other applications. Hard capsules accounted for the largest share in the pharmaceutical gelatin market in 2021. The large share of this segment is attributed to the rise in demand for hard capsules across the globe owing to the advantages of hard gelatin capsules such as rapid drug release, uniform mixing of drugs, and others.

The porcine source segment held a dominant share in global pharmaceutical gelatin market in 2021.

Based on source, the pharmaceutical gelatin market is segmented into porcine, bovine skin, bovine bone, marine and poultry. The porcine segment held a dominant share in 2021 and is anticipated to grow at a significant CAGR during the forecast period. The large share of the porcine segment is mainly due to the high utilization of pig gelatin in the pharma market due to the low cost of production and short manufacturing cycle.

In 2021 Stabilizing agent segment dominated pharmaceutical gelatin market.

Based on function, the pharmaceutical gelatin market is segmented into stabilizing agent, thickening agent and gelling agent. The thickening agent is projected to witness the highest growth during the forecast period. Various elements such as use of gelatin as thickening agent in syrups, liquid dosages, creams and lotions is expected to project the segmental growth during the forecast period.

Type B segment gained major share in pharmaceutical gelatin market in 2021.

By Type, pharmaceutical gelatin is segmented into type A & type B. The type B segment is projected to grow at a higher CAGR during the forecast period. The growth of the biopharmaceutical sector, increasing preference for bovine bone for manufacturing pharmaceutical gelatin, and the cultural suitability of bovine sources are some of the factors driving the growth of the type B segment in the pharmaceutical gelatin industry.

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Asia Pacific region is likely to grow at a faster pace during the forecast period of 2022–2027

Geographically, the pharmaceutical gelatin market is segmented into North America, Europe, Asia Pacific, Latin America, and the Middle East & Africa. North America accounted for the largest share in the global pharmaceutical gelatin market in 2021. The presence of key market players coupled with increasing demand for pharma gelatin in biomedical and biotechnology applications is upsurging the demand for gelatin in the region.

The leading players in the pharmaceutical gelatin market are Darling Ingredients, Inc. (US), Gelita AG (Germany), Tessenderlo Group (Belgium), Nitta Gelatin Inc. (Japan), and others. These companies have adopted organic and inorganic growth strategies, such as product launches and acquisitions, to maintain their leading positions in the pharmaceutical gelatin market.

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Recent Developments

In May 2021, Darling Ingredients Inc. announced that its Rousselot brand expanded its range of purified pharmaceutical-grade modified gelatin with the launch of X-Pure GelDAT — Gelatin Desaminotyrosine for biomedical applications.

In July 2022, Gelita opened a biotech hub for developing proteins from biotechnological processes for applications in nutrition, cosmetics, and pharmaceutical and medical products.

[tinnhanhkinhte24h]

Giải quyết dứt điểm mặt bằng 3 cầu vượt cao tốc Vạn Ninh - Cam Lộ

Việc thi công 3 cầu vượt thuộc Dự án cao tốc Vạn Ninh - Cam Lộ đoạn qua tỉnh Quảng Trị vẫn đang bị vướng mặt bằng, nguy cơ ảnh hưởng đến tiến độ thông tuyến dự án vào ngày 30/4/2025.

Dự án cao tốc Vạn Ninh - Cam Lộ thuộc Dự án Đường bộ cao tốc Bắc-Nam phía Đông giai đoạn 2021 - 2025 có chiều dài gần 66 km, tổng vốn đầu tư trên 9.900 tỷ đồng, khởi công ngày 1/1/2023; trong đó, đoạn qua tỉnh Quảng Trị dài trên 32,5 km đi qua các huyện: Vĩnh Linh, Gio Linh và Cam Lộ.

Chủ đầu tư dự án là Ban quản lý Dự án đường Hồ Chí Minh. Tuyến chính của dự án đoạn qua tỉnh Quảng Trị đã hoàn thành giải phóng mặt bằng tháng 10/2024.

Thiết bị và vật tư được tập kết để thi công Dự án cao tốc Vạn Ninh – Cam Lộ đoạn qua xã Vĩnh Sơn, huyện Vĩnh Linh, tỉnh Quảng Trị. (Ảnh: Nguyên Lý - TTXVN).

Nguyên nhân do chưa thống nhất phương án hỗ trợ về đất và công trình cho các hộ dân bị ảnh hưởng bởi dự án.

Tại cầu vượt Quốc lộ 9D, thị trấn Bến Quan, huyện Vĩnh Linh còn 13 hộ dân kiến nghị tỉnh hỗ trợ về đất, công trình. Đây là những hộ dân có nhà ở sát cọc giải phóng mặt bằng, nhà ở có sự chênh cao giữa cốt hiện trạng và cốt hoàn thiện sau khi thực hiện dự án; không còn không gian để xây dựng các công trình phụ trợ phục vụ sinh hoạt như sân, tường rào, mái che. Ủy ban nhân dân huyện Vĩnh Linh đề xuất Ủy ban nhân dân tỉnh Quảng Trị đồng ý chủ trương hỗ trợ trên 9,4 tỷ đồng đối với 13 hộ này.

Giám đốc Ban quản lý dự án, Phát triển quỹ đất và Cụm Công nghiệp, Du lịch biển huyện Vĩnh Linh Võ Văn Trà cho biết: Căn cứ để hỗ trợ là theo Khoản 2, Điều 108, Luật Đất đai 2024 quy định: “Ngoài việc hỗ trợ quy định tại Khoản 1 điều này, căn cứ vào tình hình thực tế tại địa phương, Ủy ban nhân dân cấp tỉnh quyết định biện pháp, mức hỗ trợ khác để đảm bảo có chỗ ở, ổn định đời sống, sản xuất đối với người có đất thu hồi, chủ sở hữu tài sản cho từng dự án cụ thể.”

Theo đó hỗ trợ 100% đơn giá nhà ở, công trình xây dựng trên đất ở và 80% đơn giá nhà ở, công trình xây dựng trên đất nông nghiệp để các hộ, cá nhân di dời xây dựng lại nhà ở và công trình xây dựng phục vụ sinh hoạt ra phía sau phần đất còn lại.

Tại huyện Cam Lộ, việc xây dựng cầu vượt Quốc lộ 9 đoạn qua xã Cam Thủy có 28 hộ bị ảnh hưởng; cầu vượt Quốc lộ 9 đoạn qua xã Cam Hiếu có 78 hộ dân bị ảnh hưởng.

Đến đầu tháng 1/2025, một số hộ chưa thống nhất phương án hỗ trợ, chưa nhận tiền hỗ trợ hoặc còn kiến nghị được cấp đất tái định cư.

Theo Phó Chủ tịch Ủy ban nhân dân huyện Cam Lộ Trần Hoài Linh, địa phương sẽ sớm hoàn thành công tác giải phóng mặt bằng sau khi được Ủy ban nhân dân tỉnh và các sở, ngành xem xét, giải quyết các khó khăn vướng mắc.

Địa phương đã kiến nghị tỉnh và các sở, ngành chỉ đạo giải quyết các vấn đề như: giá đất để tính tiền bồi thường, hỗ trợ đất trong hành lang đường bộ; mức độ ảnh hưởng đối với các trường hợp sử dụng đất trong hành lang bảo vệ an toàn công trình; phần đất ngoài giấy chứng nhận quyền sử dụng đất chưa được bồi thường, hỗ trợ; tài sản, vật kiến trúc của các trường hợp tái định cư tại chỗ.

Ban quản lý Dự án đường Hồ Chí Minh đã kiến nghị Bộ Giao thông vận tải đề nghị Ủy ban nhân dân tỉnh Quảng Trị đẩy nhanh giải quyết bồi thường, hỗ trợ cho người dân để bàn giao toàn bộ mặt bằng cho dự án trong tháng 1 này.

Xem thêm: https://vietnammoi.vn/giai-quyet-dut-diem-mat-bang-3-cau-vuot-cao-toc-van-ninh-cam-lo-20251720235460.htm 

[automotiveanddefense]

Autonomous Bus Door System Market Report

Autonomous Bus Door System Market Report: Key Insights and Trends

Company Overview

Straits Research presents a comprehensive analysis of the Autonomous Bus Door System Market, highlighting its growth trajectory, key trends, and regional dynamics. This market, critical to the evolution of autonomous public transport, is set to transform urban mobility.

Get Your Exclusive Sample of the Autonomous Bus Door System Market Report Today starting at just USD 1850! : https://straitsresearch.com/report/autonomous-bus-door-system-market/request-sample

Industry Dimensions

The global Autonomous Bus Door System Market was valued at USD 6 million in 2021. It is poised for unprecedented growth, projected to expand from USD XX million in 2022 to USD 160 million by 2030, at an impressive compound annual growth rate (CAGR) of 44% during the forecast period (2022–2030). This explosive growth underscores the rising adoption of advanced mobility solutions in smart city initiatives.

For more details: https://straitsresearch.com/report/autonomous-bus-door-system-market/segmentation

Industry Key Trends:

Increasing focus on smart city infrastructure driving demand for autonomous public transport.

Advancements in door system technology ensuring enhanced safety and efficiency.

Rising adoption of electric buses propelling market growth.

Government initiatives supporting sustainable and automated transport solutions.

Integration of IoT and AI technologies to optimize door system functionality.

Growing investments in public transportation in emerging economies.

Detailed Table of Content of XX report: @https://straitsresearch.com/report/autonomous-bus-door-system-market/toc

Autonomous Bus Door System Market Size and Share

 The market’s exponential growth is driven by technological innovations and the need for efficient urban transit solutions. The surge in electric and autonomous bus adoption further amplifies the demand for advanced door systems, consolidating the market’s position as a pivotal component of next-generation transportation.

Autonomous Bus Door System Market Statistics:

2021 Market Value: USD 6 million.

Forecasted 2030 Market Value: USD 160 million.

CAGR (2022–2030): 44%.

Top players include KBT GmbH, Bode Sud S.p.A., and Ventura Systems CV.

Regional Trends:

North America: The region’s robust transportation infrastructure and early adoption of autonomous technologies position it as a leader in the market. The U.S. is at the forefront, with significant investments in smart city projects and sustainable transit systems.

Asia-Pacific (APAC): APAC is experiencing rapid urbanization and government-driven adoption of autonomous buses. China and Japan are major contributors, with their focus on reducing carbon footprints and enhancing public transport efficiency.

Europe: Europe’s emphasis on sustainability and technological innovation bolsters its market presence. Germany and France lead with strong manufacturing capabilities and government policies favoring autonomous mobility.

LAMEA (Latin America, Middle East, and Africa): The region shows promising potential, driven by growing urban populations and increasing investments in public transport. Countries like Brazil and the UAE are adopting smart transport solutions to meet urban challenges.

Autonomous Bus Door System Market Segmentations

By Bus Type:

Shuttle bus

City bus

Intercity bus

Coach

BRT (Bus Rapid Transit) bus

By Door Type:

Conventional doors

Folding doors

Sliding plug doors

Coach doors

Inward gliding doors

By Mechanism:

Pneumatic

Electric

By Level of Automation:

Level 4

Level 5

By Propulsion Type:

Internal Combustion Engine (ICE)

Electric

By Component:

Hardware:

Actuators

Door Controls

Door Panels

Seals

Door Accessories

Others

Software

Services

For more details: https://straitsresearch.com/report/autonomous-bus-door-system-market/segmentation

 Top Players in the Autonomous Bus Door System Market

KBT GmbH

Bode Sud S.p.A.

Circle Bus Door Systems Co. Ltd.

Masats LLC

PSV Transport Systems Ltd.

Shavo Norgren (India) Pvt. Ltd.

Transport Door Solutions Ltd.

Vapor Bus International

Ventura Systems CV

Schaltbau Holding AG

To purchase the report: https://straitsresearch.com/buy-now/autonomous-bus-door-system-market

[aricastmblr]

jungkook canta lie > promise > serendipity > filter > christmas love > with you > vibe feat jimin > set me free pt. 2 > like crazy > letter spoiler guitarra > angel pt.1 fastx > like crazy english version > letter >

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Jungkook Vlive 2017.04.22. 꾸기 라이브🐰🐇  - Lie

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BTS_twt 30 ene. 2019 - Promise by Jimin

그리고 지민씨도 피해갈 수 없습니다.

Y Jimin tampoco puede escapar

☼˖☽  ☼˖☽ ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽  ☼˖☽

-BTS ‘LOVE YOURSELF 承 Her’ Fansign ( Aladin Event) 22 Sept 2017 Jimin and Jungkook-Serendipity

-MCountdown jimin y jungkook - Serendipity

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-  BTS (방탄소년단) 'BREAK THE SILENCE: THE MOVIE COMMENTARY PACKAGE'  (Commentary ver.) 2021 - Serendipity

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-HAPPYJINDAY Vlive 4 Dic 2020 llamada con jimin y estaba con jungkook - serendipity(04122020- jin vlive llamada a jikookkookmin que iban a casa)

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-InTheSoop2 Ep.2 2021 Jungkook - Serendipity 

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-Bts world tour love yourself speak yourself the final dvd 2019 - Serendipity

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-2022 SEASONS GREETINGS JK estilo-Serendipity

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JK💜 Vlive 7 marzo 2021 - Filter

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[BANGTAN BOMB] 2021 FESTA Exam Behind the Scenes - BTS (방탄소년단) -  Christmas Love by Jimin - Sobok, sobok  16:35min

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[BTS VLOG] Jung Kook l CAMPING VLOG 2022 - With you 15:28min

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Jungkook weverse live 1 febrero 2023   - Vibe feat Jimin 22:40min

잘 지내셨습니까 - Have You Been Well  - ¿Has estado bien?  

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jungkook weverse live cantando set me free pt.2 - cantando-tarareando like crazy del primer álbum de jimin face

JK

BTS

03.27. 11:53

슈취타

Suchwita

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el nos dio pistas en su weverse live y ni uno ni en-cuenta  T T

(Letter by Jimin con guitarra)

JK

BTS

03.23. 13:06

배고파요 … 첫끼 … 불금 …

Tengo hambre... primera comida... viernes (tgif)

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jungkook weverse live 24 Mayo 2023  -  Angel Pt.1 FastX

Knock Knock  - Toc Toc  

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Jungkook Weverse Live

JK

06.05 01:03

ㅎ...

heh...

jk viendo a jimin cantando like crazy versión ingles en el programa de LEEMUJINSERVICE

jk imitando a jimin hablar XD

jk hablando de la pelea del día lluvioso T T 

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jungkook weverse live

JK

7.26

-oh, ¿viniste?

Jungkook en weverse mira y canta mv de jimin

지민 (Jimin) '편지 (Dear. ARMY)' Live Clip #2023BTSFESTA

jk-¿Escuchamos la Letter (Carta) de Jimin-hyung?

jk- busca Letter by Jimin

jk-Jimin Jaman Jimin Jaman Jimin Park Jimin Park Jimin Park Jimin Park Jimin letter" JK weverse en vivo 7.26

jk-canta y mira vídeo de Letter by Jimin

jk-La canción es buena.

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