#to which she replied

[songmingisthighs]

"you can't love this group and its members that much"

i've loved my little siblings who have pee, pooped on, and made fun of me, my dog who have ruined approximately 4 of my fancy ass shoes, heck i've loved regular men for less so you bet your ass i can love these men who made me laugh at their ass fixation when i was neck deep in depression

[tumbler-fucking-sucks-goodbye]

I got a colonoscopy recently, and didn't tell the doctor about the tattoo on my ass that says

Your Name

and I've been cracking up about it since approximately June 17th when I initially made the appointment

[chloesimaginationthings]

So why is Vanny so determined to get on Michael's good side?

It’s mostly because every one on one interactions they’ve had so far has been negative pff

[petr1kov]

here's the scene i've mentioned before where nemesis and melinoë talk about hypnos, for those who wanted to see it!

[bigfatbreak]

Since Fu and his methods have been kinda debated on in this fandom, I've just making sure. Is Marinette over-positiving her memories with Fu since she blames herself for him getting mind-wiped or would he be really scold her on recklessness and taking care of herself?

former. grieving his memory wipe is making any kindness he did seem to gleam like precious stars in her memory, which is making it hit that much harder. she's definitely spiraling around losing him right now, and not seeing the reality that he chose child soldiers to fight a supervillain. he really might've scolded her for being reckless, but nowhere near as lovingly as she's imagining he would - she's putting positive words in his phantom mouth because his loss hurts her more than she's willing to communicate, and its become the cornerstone of her isolation.

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[uncanny-tranny]

I'm begging abled people to stop saying, "I'd rather die than have [disability]!" or, "how could you not choose to die?" about disabled people being disabled. This especially for those who have an acquired disability.

Maybe this sounds harsh, but if you value the function of your body to the point where you would sacrifice your life over it, that's your business and solely your business. However, that disabled person exists right now. They exist in the same world as you, with a disability you personally would rather die than have. They are alive right now. How the fuck are you going to choose to treat them? Because telling them or implying you'd want to die than be like them is certainly not a good sign.

[98chao]

truly i love all of you and i'm so grateful for all the support i get on my vanilla milkshake posts here because i've just seen the way people talk about vanilla milkshake and mysticao on twitter and its genuinely taken 50 years off my life. now i've been reminded as to why i should never join the crk fandom on twitter

[krotiation]

So like. Did we know sleeper sirens were a thing before or is this a double reveal, along with Steele's background?

[twi-replies]

took a small break to play around with making my twi in EQ style and did some slight redesigns!

[vickyvicarious]

"Faugh! Mina is a woman, and they have naught in common! They are Devils of the Pit!"

:)

First time reading: aww, his love for Mina won't allow him to even categorize them as 'women', because she's a woman and she would Never.

Rereading: ...ah. Oh dear. About that.

I do love the foreshadowing in this line. Mina never quite becomes one of these women, but she comes scarily close. They are eager to welcome her, and call her one of them. Jonathan himself is fully willing to change his tune too - should Mina become a devil of the Pit, he'll follow her, rather than the rejection implied here.

Of course it's not full dramatic irony. That would have to be reserved for some kind of Bad End AU where Mina's too far along and ends up joining the vampire ladies/probably killing Van Helsing, but Dracula gets killed too. Then you could actually have a potential end with Jonathan "alone in the castle with those awful women" - but by his own choice this time. The line is still pretty great though.

[crimeronan]

I'm rereading Chapter 2 of why did love put a gun in my hand and the bit where Hunter says "It's just his temper, he doesn't mean to do it" is making me so sad. I'm used to thinking of Hunter as the character with the most accurate read on Belos in this AU but even HERE he doesn't seem to realize how calculated the abuse is. 😟😟😟

i went back to remember what the full context for that bit is and ough. god. yeah. it's a gut punch:

hunter is Certainly the character with the most accurate read on how violent and dangerous belos can be. but even so, he can't conceptualize the level to which he's been manipulated....

when belos hurts HIM, that's just fulfilling a mutual contract between them. sometimes belos needs to hurt somebody and he can't help it and he and hunter both know it's best if hunter takes that on, right?? no need for anybody else to be involved. keep it in the family

hunter saying "i know how to talk to him" because talking to belos on luz's behalf has always worked Before, because belos wants it to, because that's the best way to keep hunter loyal...

"he's still the same person he's always been, he doesn't want to hurt you at all" with the implication of "he DOES want to hurt me and always has, but that's all right." boy.......

if hunter had a truly, TRULY accurate understanding of belos, then he would have either run away with luz or smuggled her out of the castle ages ago. because he would understand that he really.... has no control. over the amount of danger that luz is in.

instead he needs the belos situation to be one that's self-contained, as long as hunter keeps playing his role. if he controls the situation then he can keep luz safe. and consequently it's also his fault if luz gets hurt. because hunter is supposed to do Anything to keep her from getting hurt.

that is his Job.

[ilynpilled]

why must everything that the text clearly states atp be misconstrued like i really dont get it he has plenty of flaws in that relationship but we, and cersei, know that he was ready to kill robert for just the disrespect of the cheating if cersei said the word. he doesnt concern himself with the personal consequences, he is reckless, detached from a lot of things, and can close his eyes at the future if he doesn’t want to acknowledge it. also the concern over the “shame” and ned type judgement feels so overestimated to me atp. he never regrets aerys, he is mad at how he is perceived (but again, notably doesnt try to rectify it by telling the truth for a lot of complex reasons), but he would never take it back. if he believes its the right thing to do, and is not overdosing on copium trying to juggle vows he cares about, he will do it, reputation be damned. though he has selfish concerns regarding being viewed as good, the internal matters so much more than the external: see weirwood dream: who actually shows up? what makes the fire go out? “it was not him. it was never him”, see the trebuchet fiasco, see the choice in adwd. why shouldnt we take cersei at face value when she implies that if jaime knew about the physical abuse he would have killed him? he loves and cares about cersei to an insane degree, even if he can be selfish toxic and unhealthy too. not to mention he would be glad to kill robert anyway lol. i really find it very very difficult to imagine that he wouldnt have killed him based on almost every single part of his characterization.

[ash-and-starlight]

do you sometimes think about the fact that ouyang has canonically been called a wet cat? in the text? i do. i think about it all the time.

MULTIPLE TIMES MAY I ADD!!! horrible little meow meow pathetic sopping wet in the rain CANON 👏

[fablecore]

☆ cure dolly posting ☆

since the start of 2024, i've been learning japanese from a youtube channel called organic japanese with cure dolly! she's been a game changer for me, teaching japanese from a japanese speaker pov instead of as an english speaker trying to make it fit english rules. she covers a wide breadth of context behind the various topics of her videos, including the philosophy of language, the cultural implications of language, and the root connections between words. for ex. わけ / wake, a common word meaning 'the cause/reason of a situation', connects to 分かる / wakaru, which means do understandable, but fundamentally means divide/separate/break down, which is a sword (刀) cutting something in half = 分.

and she's very good at clearing up the misconception that japanese is a difficult language to learn. it's actually highly logical, especially compared to the bizarre rules of english. (<- this is a joke video but at the same time i think clearly demonstrates how absolutely bonkers english is.)

she has over 200 videos in her channel, and they cover everything from the most basic, fundamental rules of japanese grammar (だ・い・う engines + invisible が subject), to discussing the hypotheses of linguistic professors while teaching her viewers about language aquisition.

the person behind the cure dolly channel passed away in 2021. she always referred to herself as an android and has never revealed her true name, occupation, or anything about her private life. i cannot properly explain how much her passion and humor has moved me while watching her videos. i can't explain how it feels to see her channel subscribers keep climbing slowly but surely, years after she passed. people leave comments like these on all of her videos:

she makes the language take place all over my brain.

she puts it in my heart!

[babygirlhaljordan]

since damian doesn’t really have his own green lantern, i decided to create one: tala >:3 more information can be found here about her but a very basic summary can be found here.

tldr version: tala is a 13-15 filo-american that uses her green lantern abilities to be a magical girl bc she’s a HUGE anime fan. with damian also being an anime fan… u can imagine the chaos that ensues

damian & tala hcs

hal jordan is her mentor, so you can imagine the amount of annoyance damian holds for her. much like her mentor, she’s impulsive and acts before she thinks. but she has a big heart and always aim to do the Right Thing. much like batman, damian often insults her but unlike her mentor… she never really catches it. if she does, she’s left unbothered

damian follows her tumblr + ao3 acc. he did it to figure out her secret identity but she all she does is post about anime & write precure fanfiction. he does NOT find anything useful except what she believes is the Correct Ships for sailor moon

they discuss anime together. while tala leans more to the magical show genre, she enjoys shoujo. and with a lot magical anime girls being apart of the shoujo genre they are able to bond >:3 she makes damian watch anime and unlike hal, he’s able to follow up with what’s going on. she gets so excited about that and declares him as her “best friend” (he refuses the title but can’t help but feel warm and fuzzy inside)

being the youngest in the family… they complain about older siblings. while tala only has one, that one is equal to damian’s 5… her sister makes fun of her interest in anime (despite watching it with her in the past. so, if anything, her sister is a hypocrite)

damian actually enjoys some of the fanfiction she wrote. he actually makes fanart for her works. and when they get older & tala needs a job… she becomes an author and damian (who wants an outlet for his superhero work bc that shit is stressful!) is an illustrator for her works

i imagine they’d meet thru being apart of a team together, all with heroes their own age and NOT friends with damian’s other family members bc i’m tired of him being friends with characters that were initially the other batfamily’s teams (kory for jason, raven for damian, etc)

it’s great for both of them because neither have worked with a team before outside of their own mentors (hal jordan or bruce wayne/dick grayson) with other members they’re challenged to work with new ppl (which u often deal with in life threatening emergencies) + learn from each other