#to the people -still-. still fucking figuring it out.

[dear-ao3]

friends, besties, worsties, davids, and meow meows of the jury. i have a tale for you. while i claim to be no bard (like saph, the queen of very long dramatic tumblr stories that make your heart weep), i must spin a wee bit of yarn in the form of a story. what story? a story of the green cake.

we shall, as most stories do, start almost at the beginning.

the date? january 2nd.

the time? late.

the occasion? saph comes home the third.

the problem? i have no butter or sugar.

now, saph's birthday was recently, so like any other best bud i said i was making a cake. i believe my exact words were 'i'm making you a cake whether you like it or not."

now, gang, i must level with you. this is the fourth cake i've made in my life. i am a reasonably good baker (i can bake a Mean Loaf of Bread), but i'm not a very experienced baker. 3/4 cakes were reasonably good, and only one was just slightly off. so, my track record is mixed, but i am hopeful.

now, let me take you to the present.

i am sitting at my dining room table, typing this post. i am wearing a shirt covered in flour, the green cake is in the oven.

how did i get here?

well, we won't go to the beginning. we've already seen what was basically the beginning, with me having no butter or sugar. the real story begins the morning of january 3rd. which is today. which is when saph comes home, expecting a green cake. as most reasonably well adjusted people do when their roommates parents are visiting, i stressed cleaned the entire apartment at 4am, after realizing the mice in my walls are fucking. i did not leave them a condom. i did not have one that would fit them. i can only hope they have plan b. so naturally, i went to bed at 6am.

and i still had no sugar or butter for the green cake for saph.

and i needed to get started on this cake before 10am, or saph would be here before it was finished.

and i went to bed at 6am. so naturally i set my 9:00, 9:02, 9:04, 9:06 alarms, and hoped i'd lock in when i woke up.

friends, i hate to admit it, but i did not lock in. nay, i slept through all of my alarms and woke up at roughly 9:45. it was cold, damp, and the mice were still probably fucking. i threw my hair into a messy bun, and ran downstairs, only to find my mom was selling me to one direction.

jk. it was far worse.

because saph said she had sent me something.

what did saph send me?

a full poster of david malukas! do i know why? no! but he lives in my kitchen now, providing me with mental support. thanks david!

so, i begin to make the cake after laughing for about 10 minutes about why david is now in my apartment. it starts off surprisingly well. i have not forgotten the salt.

everything is normal.

until i remember.

the cake needs to be green.

why? idk thats what saph said she wanted so i am just going to do what i was told to do and make this damn cake green.

but its now late in the process, and if there is one thing i have learned in all my years of watching the great british baking show with my mom, it is to never over beat your cake.

and my cake, right now, was perfect. trust me. i ate plenty of dough to know it was wonderful.

so now i am trying to figure out how to make the most perfect shade of nico rosberg green, feeling a bit like an alchemist. david malukas is staring me down. my time grows shorter and shorter with each beat.

and then, gang, i had to give up on this being nico rosberg green. i did not want to kill my cake. my green cake. my now mint-green cake that i am baking for saph. so naturally i'm like, okay, time to pour this.

easy, right?

WRONG.

so one thing to know about me is i suck at cutting things.

it's unfortunately a key ingredient in cake making that you have a stupid little circle on the bottom of your cake tins. i cut it the best i could. which was bad. so i'm already fighting demons trying to get the stupid parchment paper from sliding every which way, and then, my friends, i realized something horrible.

the batter had not mixed at the bottom. so now i was fighting even more demons and trying not to get loose flour in my cake.

i think i succeeded. only time will tell. david is watching. the cake is almost done.

i am setting the green cake free.

look upon him now, and weep. the green cake prevails! even though he doesn't look very green yet.

and now, for the hardest part. frosting.

let's see how that goes.

david still watches.

[livefromtheelephantsfoot]

I've had this sitting in my drafts for over a week bc I AGREE and I have SO many thoughts abt this.

I think one of the underlying reasons is a failure to engage with the fact that, to a lot of people at least, eugenics makes intuitive sense. I remember as a kid when I first had natural selection explained to me, and it didn't take much for me to wonder "huh, what does that mean for humans? does that mean it's a bad thing that we've insulated ourselves from stuff like disease?" (Obviously 8yo me wouldn't have said it like that, but I did wonder.) I'm almost afraid to point it out, but I really don't think it's just a me thing.

Later I learned abt Eugenics, that it was this bad evil thing that lead to genocide, and I was horrified. If I could empathize with the proponents of it, at least early on, what did that say about me? But it didn't actually answer my question. So now I had this first idea, evolution, that was obviously true and explained so much about the natural world, and this second idea that still seemed to naturally follow from it but was Bad. And I didn't know what to do with that.

And I started to notice how common the second idea was, too. The most pervasive thing I noticed was how common "Darwin Award" jokes are-- the joke, of course, being that people who die doing something stupid are making a positive contribution to the human gene pool. I don't really like those jokes. I ended up with the impression that eugenicists were right abt the human gene pool being a thing that we ought to be concerned about damaging, but they just went Too Far. You'll notice people who think this way disagree on where Too Far was. It made me uncomfortable that there could be an idea that was right, and if ignored would cause problems down the line, and at the same time acting on it was morally wrong, and everyone agreed it was a bad idea but only when called by a particular name--otherwise it's just common sense.

I don't think it was until high school that I started to understand that eugenics was, in fact, bad science. It makes sense with a surface level understanding of evolution, but the more in-depth you go, the more it falls apart. Artificial selection in dogs is such a great way to point this out. "It worked so well in dogs, why not try it in humans? Oh, wait..."

Eugenics requires the assumption that natural selection is at once a great and powerful force worthy of abandoning all morals in order to worship, while being so fragile that human civilization is at risk of overthrowing it within a couple hundred years.

Of course, the truth is that eugenicists weren't and aren't abandoning their real values in favor of what their understanding of natural selection would suggest. Eugenics was built on racism and ableism, and there is no escaping that. People latch on to ideas that validate their preexisting beliefs. You know what we can say, pretty confidently, about what's "healthy" genetically, for dog breeds and for humans? Variation. You'll notice that you don't see a lot of eugenicists advocating for interracial marriage. Even setting aside the (very important) ethical considerations for their methods, if eugenicists had their way, humanity would be barreling toward an artificial bottleneck that would REALLY fuck us over genetically.

Even that is missing nuance, though-- we're still in the realm of stick figure drawings. Genetics are really complicated. All this requires you to pretend that we fully understand what all of our genes even do, and we just don't. And that's ok! We do not, in fact, have to base public policy on whether G exists!

Natural selection is still happening to us, and if its slown down lately then I'd chalk that up to a global civilization mixing up our gene pool (which, again, is unambiguously a good thing from a genetic perspective) more than modern medicine helping disabled people have kids (which is not a new thing! we have been helping each other for millions of years). The human genome is not at risk of collapse.

We haven't even touched on poverty being a structural issue that requires people to exploit (ie, if all the poor people disappeared poverty wouldn't end, the next group up would be moved into their place) or the question of what mental health issues even ARE (I'm a proponent of the idea that, of the disorders/cases that are primarily caused by genetics, most are just the extreme ends of traits that are necessary to the general population and can't actually be removed-- extremely simplified example: everyone needs a sprinkle of neuroticism to function, sometimes someone gets a heavier dose and winds up with clinical anxiety, and every once and a while someone gets way too much and had OCD. even if environment weren't a factor at all, and even if anxiety were such a simplistic trait that we could track it with a very high degree of confidence, keeping the person with OCD from having kids wouldn't stop OCD from existing. they might be more likely to have kids with OCD, but them not having kids does nothing to the fact that OCD is a product of inherent variation that it would be a VERY bad idea to try to eliminate), or delving into IQ [even longer rant redacted].

I think sometimes people think eugenics is bad but its still true, like thinking that if people with certain traits have children it will change society for better or worse based upon what traits are promoted. I think its important to emphasize that eugenics is not only wrong morally it's also fake and stupid bullshit

Like eugenics was supposed to be based on the idea that "If it works with animals to select only the best ones to breed, why wouldn't it work with humans?"

well it doesn't work with animals, that's the thing. applying the eugenics ideas to domestic breeds of animals hasn't made better animals it's just made animals with more extreme expression of certain traits. turns out that when you decide which traits are the "best" and become obsessed with the genetic purity of the animals that have the "best" traits, you might well end up with some sad suffering creature like a Pug, or the Persian cats with the smashed faces that are in constant pain because their teeth and airways and brains are getting crushed by their skulls, or those meat chickens that grow so fast they can hardly even stand up after a few weeks old, or inbred race horses with tiny feet and fragile toothpick legs

like almost all traits are neither "good" or "bad" they're way more complex than that. a long tail or a long snout or a stubborn, independent personality can be good or bad depending on the situation. Who gets to decide what is a "good" trait or a "bad" trait? It's arbitrary and selecting for traits that are "good" in your opinion will often have both "good" and "bad" outcomes because the "good" and "bad" are part of each other and not separate its just part of being alive

Obviously oversimplifying everything but you get it. we did eugenics with dogs and how did that go? not very well

[nosyp]

Twisted Desires

Part 1 | Part 2

A/N = Contains spoilers, read at your own discretion. Don't blame me if you learn smt before watching season 2 <3 (also yes im reusing pics)

Warning = Smut🔞, Murder, Violence, Stockholm Syndrome, Captivity, Isolation

Pairing = Front man (Hwang In-ho/Player 001) x reader

Summary = You found out your boyfriend, In-ho, joined the squid game. As you watched the game unfold, you can’t help but feel the growing tension between you two, especially as the stakes get higher and your bond grows darker.

Word count = 2.1k words

There was no. fucking. way.

Your boyfriend, Hwang In-ho and frontman, actually joined the game. You watched intently as he walked through the gap between the two groups of people. One was on the ‘O’ side and the other on the ‘X’ side. He was the last to vote since he was player 001. The voting went from the last player to the first. 

He paused at the table, eyes moving back and forth from the two buttons in front of him. The silence was intense, heavy. Then, his hand moves to the red button… what the fuck? No, actually… he didn’t press it yet. He halts, his hand still in the air. You can see his head turning to the blue button… and he presses it, making the count bump up an extra one. Of course he did. 

At the end of the vote, the ‘O’ side won, which means that the game will continue. The opposing side looked clearly frustrated. I mean, you couldn’t blame them. This game costs their lives if anything. 

Soon, the speaker announces: “The lights will go out in… 3… 2… 1”

Then, the lights shut down, darkness consuming the room. The screen showed the room with heat detection, you could now only see red silhouettes of the figures. Carefully, you inspected the figures and spotted a familiar one moving. The door to the room suddenly opened and the figure passed through the threshold. 

Not long after, you suddenly got a call on the corded phone. The ringing of the phone echoed through the room. You hesitated to pick it up, carefully locking eyes onto the device. Your hand grazed the keypad of the phone, and you picked it up.

“Hello?” you ask the other voice.

“[Name],” his voice crackles through the phone, low and cold. “Are you watching?”

You can hear the slight rustling on the other end, but it’s not enough to make sense of what’s happening. The silence starts again before he continues, “I need you to stay quiet. Don’t try anything funny.”

You can feel your heartbeat picking up pace as you strain to hear any background noise. The weight of his words presses on you. “I’ll be with you again. Soon.”

You knew the man was crazy, but you hadn’t expected something like this… or maybe you did. He often spoke about ‘joining for fun’. There was nothing fun about the whole thing though.

“I don’t think I can really go anywhere,” you respond, still able to hear the rustling in the background.

“Good.” he says before hanging up. The phone call closed with a long beep. 

This bitch somehow managed to find a way to dictate your life, despite being trapped in a game surrounded with many other people. Honestly, he’d probably find some other way if he couldn’t call you. 

The next few days, you watched as he blended into the crowd of players and played his own game. Surprisingly, but also unsurprisingly, he managed to survive game after game. Though, he probably wouldn’t have died even if he lost. The fear of the other players, the chaos, the high stakes, it unnerved you. 

The worst part about it was his calm, cold demeanor only grew more unsettling as he navigated the games with ease. There was no doubt in your mind that he was doing this for his own amusement, but you couldn’t tell what his goal was. Was he playing to win, or was he just having fun with the entire ordeal? Either way, it made you sick.

Every day, you were forced to watch from the sidelines, your mind consumed with thoughts of what might happen to him… or to you. You still hadn’t heard from him since that last phone call, but you could feel his presence in every corner of this twisted game. His control over you, over everything, was absolute. The way he operated, making sure his every move was calculated, was nothing short of terrifying. He was always somehow one step ahead, he could always predict future movements with precise accuracy.

He hadn’t just entered the game to survive, you swore he had entered it to manipulate it. You could only wonder what his true intentions were as you waited, trapped in this nightmare. Every moment you spent here, unable to escape, only added to the sickening realization that no matter what happened, you were always going to be his pawn. A toy in his little game.

The door suddenly clicked open, and in came two of the triangle-masked men. They hadn’t said anything and just stood near the door. 

“What do you want?” you ask, shattering the silence of the room.

“Boss asked us to ensure your safety ma’am,” one of the men replied.

“I don’t need your fucking protection. How many times do I have to say that?” you spat fiercely. You didn’t even know if they were enjoying the torment with the boss or just doing their job. You’d probably guess the latter but the choice of workers this year was… very peculiar. Most of the people were nut-jobs, taking up weird & dangerous jobs prior to joining the ‘squid game’. 

“Boss insists,” the other states, like you didn’t know.

You roll your eyes at the response and just sent them a deathly glare. “I honestly never wanted this… and I highly doubt you wanted it either,”

Silence followed, none of them responded. 

—

It was supposedly nearing the end of the whole operation and it started to get interesting. Seong Gi-Hun, or player 456, had hatched a plan to attract the guards and when they got close enough, he would attack. The others, including your boyfriend, joined the plan.

The fight was already brutal. A purple-haired guy was already brutally stabbed to death by a fork and so many of the other players met the same fate as well. Blood was splattered all over the walls and floors, you couldn’t even imagine how long the cleaning’ll take. 

The situation started to escalate as it turned into a gun-war. The masked group was obviously having the upper hand, they had more manpower and resources. Honestly, you admired Gi-hun’s bravery. He probably knew this was a high risk mission, the whole thing would have some amount of sacrifices.

One-by-one, they took down the masked men and it seemed like they actually had a chance. But you knew In-ho probably wouldn’t let that happen. And as you expected, he took down the two men with him. It didn’t take him long to flee the scene and go back to hiding behind the scene.

The door opened, and in came the infamous leader.

“So… you’ve had your fun… what now?” you speak up, interrogating him.

He pauses, stops in his place, you can see it from the reflection on the screen. His gaze flickers to you, he was still in his green outfit with blood all over him. “Hmmm… I need to go back to being the front man,”

You turn your head towards him, giving him a small smile, not of gratitude or anything though. “You put up quite the show… who knew you could do all that?” you say teasingly.

“You really don’t know me at all, do you honey?” he responds, with just as much tease in his tone as you.

Hearing his tone, you got up from the sofa and grabbed a napkin from the table. One step after the other, you slowly got closer to him and wiped the blood off of him. 

“How sweet of you,” he says. “What changed?”

You stop after hearing the question. It was true, just a second ago you were angry at him. And it all just dissipated in thin air, what is happening to you?

“Nothing, just missed my boyfriend,” you giggle. “You should go change now.”

“I think we have time…” he says, his hand grabbing a hold under your thigh. He lifts it up and wraps his other one around your waist.

“W-what…? For what?” you ask curiously.

“You’ll see,” he says, his lips brushing over yours.

Before you could even process what was happening, In-ho’s grip on you tightened. His hands were firm on your body, pulling you flush against him with a strength that left you breathless. Without a second of hesitation, he crashed his lips onto yours, silencing any protests you might’ve had. The kiss was wild, needy, like he couldn’t get enough of you. And before you even realized it, your legs were wrapped around his waist, holding onto him as though you needed his support.

You felt the weight of his arms around you, supporting you, guiding you, and suddenly, it was all too much. His breath was ragged against your lips as he tugged you closer, the heat of his body mixing with yours.

His touch was possessive, but so tender in the way he gripped your skin. Every second, every movement, was loaded with unspoken words… his desire, his lust, his need for you, but also something darker, a reminder of who he was in this twisted game. Yet, all you could think about in that moment was the pull between you, how his presence seemed to drown out everything else.

You could feel his heartbeat hammering against your chest, syncing with your own, and for a moment, everything else faded away. There was no game, no chaos, no twisted rules. This time… it was just him and you.

It was almost dizzying. The way his lips moved with an intensity that left you breathless. You melted into him, giving in to the urgency of the moment, your hands threading into his bloodstained shirt as you pulled him even closer. And just as quickly, he deepened the kiss, a growl vibrating in his chest, pulling a desperate moan from you.

It was messy. It was raw. It was everything that you shouldn’t want, but couldn’t stop yourself from craving more of him.

“Don’t think,” he murmured against your lips, his voice low and rough, just how you like it. “Just feel. Feel me.”

His words fell onto deaf ears as you numbed against his touch, His lips trailed down to your neck, kissing and nipping at the sensitive skin there, making your breath hitch in your throat. You clung to him, desperate for more, for any scrap of his attention, but your head was spinning.

“In-ho…” you managed to breathe, barely able to form words, your chest heaving as he kissed his way back up to your jaw, his fingers digging into your skin in that familiar, possessive way.

“Shh,” he whispered, his voice rough with barely contained desire, it was something more than that. He was desperate for you now. His hands roamed every inch of your body, tracing the lines, memorizing every curve as if he needed to own every part of you. “You don’t need to say anything. I know what you want.”

He spoke like he had all the answers, and in that moment, he probably did. The way he held you, the way he moved with such authority, made it impossible to do anything but give in to him. To him and this chaotic, twisted connection you shared. Maybe you weren’t any better than him.

Your fingers threaded through his hair, tugging him back to you as your lips crashed together again. It wasn’t gentle this time. The kiss was rough, hungry, full of tension and need. His hands gripped your hips, guiding you in a rhythm that only seemed to escalate the fire burning between you. His breath, hot against your mouth, sent shivers down your spine, and you couldn’t stop yourself from moaning against his lips.

You felt his smirk before you heard it. “You’re mine, [Name],” he muttered against your lips. His words were a command, a promise, and you couldn’t deny the thrill that ran through you at the sound.

He pulled back slightly, his eyes burning with an intensity that made your heart race. “You want me, don’t you? Want me more than anything else right now. Tell me you want me,”

His hands were on you again, pressing you deeper into him, and in that moment, there was no escaping him. No escaping the pull of his dark, twisted affection.

You didn’t answer, not with words, but your body told him everything he needed to know. He hummed in satisfaction and you let him explore you even deeper.

[thebroccolination]

GMMTV ISN’T CONTRACTUALLY FORCING THEIR ACTORS INTO THE CLOSET

Recently, I saw a fan from the U.S. claiming on TikTok that GMMTV contractually forces their queer actors to keep their sexual identities a secret. Why else would there be so few openly queer actors???

So, first of all, it’s not like the few openly queer actors in GMMTV had to break some corporate closet door to escape, and then GMMTV went, “Aw, shucks. Well, I guess y’all win. We’ll keep paying you, you little rainbowy scamps.” There are only a few of them because being openly queer in Thailand’s media industry is still fucking hard.

Fluke Natouch of Until We Meet Again (and OhmFluke 1.0) fame left his agency years ago to work freelance so he could navigate his career on his own terms. When openly gay director New of Studio Wabi Sabi approached him to offer the role of Pharm, Fluke very actually asked New if he was sure he wanted an openly gay actor in his series. This was a conversation that two openly gay men had! No sexualities whatsoever were hidden in the having of this conversation! Or in the public recounting of it later!

Fluke asked New this because there are still roadblocks for openly queer actors, and as a freelancer, he knew this. Some sponsors are hesitant to have a queer face on their commercials, and some of the industry’s upper management are old bigoted guys holding the purse strings. Why do you think so many of these guys have to appear straight-presenting?

Interfans contribute to the glorification of heteronormativity, too. How many times have I seen interfans lusting over the KinnPorsche actors as “real men” or excusing Joss’s myriad issues over the years because he’s “so hot”?

How many femme actors are given roles with complexity? How many are shunted into comedic roles or tragic figures? How many interfans point at Pharm and complain that He Cries Too Much? You’ve all seen it. “P’DEEEEEAN.”

Regardless of what interfans claim to want, the series that tend to do best nowadays feature straight-presenting actors. Bad Buddy, 2gether, My School President, KinnPorsche, etc.

Ironically, the series that lean hard on queer themes tend not to do as well.

So you can see why most choose to keep at least a veneer of heterosexuality or else keep the glass closet door closed.

New cast Fluke and Cooheart in Until We Meet Again because Studio Wabi Sabi was both agency and production company owned by New, and New could do whatever he wanted. SWS was very much a safe haven for queer actors of all levels of openness.

And regardless of my complaints about New’s directing and perpetual insistence that he do all the editing and sound design himself (stop, man, I’m begging you, learn how to delegate), he has been working for years to create a welcoming space for queer actors in an industry that is still extremely cautious, and I’ll always respect him for that.

As much as people love to hate a corporate body, GMMTV’s myriad flaws are more based in the categories of “terrible organization” and “poor management” and “haphazardly throwing a thousand medicore, half-baked projects at a wall until one of them sticks by chance and then celebrating that surprise hit into the ground”—not “forcing their actors into the closet.”

As far as I’m aware, the only khuujin (“imaginary couple”) in the industry who’s Openly Dating is PorscheArm, and they were already out and together before the fame, so they’re more Public Figures Advocating for Social Progress than they are BL actors. I’d say ZeeNuNew are borderline, because while they seem increasingly more cavalier with their subtlety, even they’ve been excruciatingly careful in their labeling over the past few years. (“Are you a couple?” “You could call us that.”)

And there’s a reason for the caution. Things are changing for the better, but progress is slow.

In an early, post-SOTUS interview from 2016, infant actors KristSingto were point-blank asked by TV hosts if they’re “normal” with a heavy insinuation that they’d be mocked and laughed at unless they asserted their heterosexuality in front of a live audience. Not exactly a warm and kind environment to say, “Actually…” As the first in the line of fire, KristSingto were constantly bombarded with invasive questions and suspicion and homophobia, and it’s only been nine years since SOTUS aired.

Now, you’ve got the evolution of hosts making lewd innuendos at khuujin and trying to “trick” them into Coming Out for content. Yet, all the khuujin seem to know how to play the game Juuuust Right to avoid saying anything concrete and damning, leaving just enough crumbs for fans to pick up on and enjoy.

Because look how the few openly queer actors are treated. Bruce Sirikorn Kananurak’s best-known role is framed villain Aey in Lovely Writer, and Gun Korawit Boonsri is regularly cast as Sassy Gay Side Character. Cooheart gets variety in his roles, but he’s with Studio Wabi Sabi under New, an openly gay CEO who famously allows his actors a ton of freedom in their image. And it says a lot to me that Cooheart didn’t make the move over to GMMTV along with his colleagues last year.

So, y’know, of course I’m not saying GMMTV is paradise. While he was with SWS, Boun said he wanted to get tattoos but New advised him against it because it might have limited potential roles. So New didn’t forbid it, he just cautioned Boun against doing it. Meanwhile, he implied recently that he’d like to dye his hair blond again, but GMMTV has to approve things like that. Hence, you’ll hear about some GMMTV actors who just get a tattoo done or cut their hair without telling anyone and then they show up for work with an insouciant shrug; the beg forgiveness>>>ask permission move.

So GMMTV does have some stupid public image rules, and they have also discouraged certain actors from interacting with each other in case it drives their profit margins down (see: The Chronicles of Management Driving KristGun Apart—I’m making a post about it, don’t worry). And I’m sure the Grammy Powers That Be go ://// if a GMMTV actor says, “Hey, I’m thinking of telling the world I’m bisexual tomorrow,” and go, “Maybe don’t though.” It’s just not something they’re Contractually Obligated to hide; it’s more common sense.

Like I said, GMMTV’s real crimes in my eyes are things like 1) repeatedly trying to push men like Foei and Joss who’ve proven themselves to be toxic nightmares to women and queer people over and over throughout the years, 2) overworking their most popular actors to physical and mental exhaustion, 3) barely promoting their GL productions despite their obvious popularity, 4) shoving their Not Singers onstage with zero vocal training, 5) prioritizing trends over quality, 6) having Zero Plan of what to do Most of the Time, 7) hiring on more and more actors without hiring enough managers to support them, and more.

There’s no “you gotta be Heterosexual-Presenting or else” clause in their contracts. They’re just actors in a conservative Asian country where marriage equality has only recently been recognized, and that’s not even close to having social equality. Plenty of western actors don’t want the extra baggage of being Openly Queer (see the Kit Connor debacle), let alone in a country controlled by military and monarchy.

Thailand isn’t a queer paradise.

Hell, look at Japan: they invented BL and GL and their government isn’t even close to recognizing marriage equality. To the majority of Japanese people, BL and GL are embarrassing subgenres that “Normal People” (ie: what heterosexuals are called in Japan—yes I’m serious) would never publicly admit to enjoying. I know this because I was a Queer Foreigner in Japan for eleven years and my whole existence was weird.

As far as I’ve heard from friends who work with GMMTV, it’s a far more progressive company than many interfans give it credit for. Many of the staff are openly queer, a ton of their directors are openly queer, and their actors who are queer are either open with the understanding that there are limitations to that choice or closeted to protect their job opportunities. Once you’re Openly Queer, you’re pushed into a very different and much smaller box, and they all know it.

So y’know. GMMTV actors aren’t All Straight, and the ones who are queer aren’t Closeted by Force. GMMTV is just a company of people with a wide tapestry of nuance, just like you’d expect from any large organization of artistic and business folk producing queer media for a general audience.

In 2025, let’s please abandon the myth that GMMTV is an evil kpop company. <3

It’s a sloppy, poorly run nightmare factory. :D

EDIT: Also, director X confirmed on Twitter last year that GMMTV has no anti-dating policy.

[wlfchnlv3r]

Sugar

Sugar Daddy! Bangchan x Sugar Baby! Fem reader

Synopsis: You find out what happens when you keep your sugar daddy, Bangchan, waiting.

Word count: 800

Warnings: smut, foreplay, blowjob, “punishment”, not the usual relationship, 🔞🔞!

Note: HAPPY NEW YEAR! Let me know if you want more sugar daddy! Stray kids!

The small bar was full of people, laughter and screams filled the room with a lightness you aren’t used to.

You are on a date with one of your male friends, Lee know, the one’s you usually see one time a year (maybe), as the conversation between you two goes on you hear your phone vibrate with a ton of message on the table.

You glance quickly at the screen seeing the name of Bangchan on the screen.

Bangchan is actually your sugar daddy, he helps you to pay for your school tution and yes, you guys often have sex and a few dates at week; not to mention the crush you have on him.

Bangchan

Where are you?

You should be studying at your house, why aren’t you there?

Who are you with?

Are you fucking ignoring me?

You gasp a little seeing his massages, and he’s still typing.

As soon as you read the message he just Sent your eyes widen.

Bangchan

You are playing a dangerous game, y/n, i want you in my office on your knees within the next 15 minutes or you won’t like what is going to happens.

Your try to keep a normal expression and just turn off the phone but for the rest of the date your mind is elsewhere.

As soon as you leave the bar you reach for a cab that will take you to Bangchan’s office.

The ride is not long and in ten minutes you are entering the the building where Chan’s company is located.

You smile politely at his secretary, a blonde girl with high heels, before entering Bangchan’s office.

He leans back in his chair, his eyes fix on the door. His icy gaze scrutinises you as you enter the room, a mix of annoyance and tension on his face. He gestures for you to close the door behind you, his voice cool and composed as he speaks, "Lock the door.".

Your eyes immediately goes to his figure, “chan-“.

His eyes narrows his expression stern as he repeats his directive, "I said, lock the door. Don’t make me say it again.", his voice is cold and authoritative, leaving no room for argument; He leans back in his chair, watching you intently, as if daring you to refuse.

You don’t say anything, and just lock the door behind you.

Once the lock clicks into place, Bangchan rose from his chair, his movement smooth and calculated; He walks towards you, his gaze never leaving your face, his expression now tinges with a hint of anger and possessiveness.

He stops mere inches away from you, his body close but not touching yours, looking down at you, his voice a low, commanding tone, "You kept me waiting.".

You never saw him this angry so you decide to stay silent.

His jaw clenches, the muscles in his face taut with annoyance. He takes a step closer, closing the gap between you, boxing you in with his body against the wall.

Chan presses his hands against the wall on either side of you, trapping you in his proximity, before leaning in, his voice a low, growl, his eyes scanning your face intently, "You're mine, do you hear me?".

You nod, “yes…I’m sorry” that was the only words that escapes your mouth.

His expression softens slightly, his touch gentles as he cups your face in his hand, his thumb tracing over your cheek, "I don't want apologies; I want you to understand that I won't tolerate you seeing other men… now, I want you on your knees” he commands.

Bangchan stands and pulls his pants down without hesitation. His cock is swollen and already throbbing as he stares down at you. "Suck my cock”, he simply says.

After a few moments you fall on your knees, you let your hands move to his bare V line, like you always do, before your lips wraps around his tip, letting your tongue feel his pre-cums.

Bangchan groans and lets his head fall back. He immediately tangles his fingers in your hairs, gripping on them.

"Fuck," he hisses between his teeth as you take him deeper, while his other hand grips your jaw like he's trying to keep you from moving too much, "You're all mine, sweetheart. Every part of you. I'm the only one who gets to experience this feeling”, his voice is a low, hoarse whisper, filled with a mixture of possessiveness.

Your eyes are filled with tears from the effort of taking his dick deep in your throat.

You can tell he's close by the way he fuck your mouth slower and deeper.

He comes after a few thrust, forcing you to swallow every single drop of his salty release.

Bangchan loosens his grip on your hair and jaw, taking a steps back and tucks his dick back in his pants.

You wip your lips with your wrist and stands up looking at him in the eyes,

He leans in, his lips brushing over your ear, his voice a possessive whisper, “Remember sweetheart, you're mine. You belong to me, and I'm going to remind you of that, every chance I get."

Taglist: @felixleftchickennugget @kiwininja35 @sweetpickledjins @slmnheart @elqivxstxr @catffeinexo-xx @multistancheck @justwonder113 @mylittleponeypinkrosieposie @hello-stranger24 @raptorbait529 @cocofia143 @minniesverse @eastjonowhere @justwonder113

(Comment to be added to the taglist🎐)

[thedepressedjuggalette]

I already know how this went down to get all three of them there. Scoob and the gang went to a hotel and suddenly found themselves dealing with a ghost situation that would lock people into the building. They couldn't find any signs of masks or shady behavior by the owners so they called Ghost Busters. The GB crew tried to lockdown the ghosts but then realized that these ain't the same kind of ghosts they usually put up with and people started dying in retaliation so out of desperation they called Sam and Dean. Sam and Dean came in guns blazing. In the end, it was a team effort via Velma and Fred's traps, the GB tech, and Sam and Dean's collective hunter knowledge and weaponry. When all was said and done they all stopped by a pub for a round of drinks and screwing. Legend has it, they're still trying to figure out how the fuck one ghost could cause THAT much trouble without being a demon from hell itself.

[silkpout]

Cocky Gojo who teases you when you finally give into your “no contact” with him. You had been seeing him for a little while but rumor got around and you heard from a few people that he wasn’t exactly the “relationship” type, so you decided to cut it off right there and spare yourself the heartbreak.

Since then, he had been sending you countless texts, voicemails and even went as far as emailing you- all of which you ignored. You figured it was elaborate lovebombing from just another fuckboy and you were not going to fall victim… or so you thought. You made it a strong 2 1/2 weeks before the temptation was downright unbearable. So you did what anyone would do... show up at his apartment. It somehow seemed less humiliating than responding to his 200+ text messages.

Gojo doesn’t even try to hide the smug grin on his face when he swings the door open and sees you standing there, shifting from side to side. “Well, well, well” he drawls on, leaning against the doorframe, arms crossed over his chest. “Took you long enough, sweetheart”

𖦹𖦹𖦹

In no time at all, Gojo has you propped-up against his apartment window, nipples pebbled from the cold glass, as he ruts into you, your nipples grazing the window with each thrust. You hit at his thigh from overstimulation, as he fucks you into your 3rd orgasm of the night. “Bad girl” he mumbles, swatting your hands away from where you’re trying to push him. He traps you even closer, breast firmly pressed against the glass so that they splay out pornographically. “you take what the fuck I give you.” His grip on your waist is bruisingly tight, while the other hand snakes down your body to find your swollen clit, rubbing mercilessly in tight circles.

Your head thrashes from side to side, lost in the haze of ecstasy as you feel the familiar coil in your stomach. “We both know this is what you’re made for” Gojo huffs out, lips pressed against the shell of your ear “No running away now, you didn’t answer my texts for days, pretending you didn’t miss me, hgnh! but I know b-better. I know.” While his hands and thrust are punishing his words are softer- tender almost. But you're too lustdrunk to think about it too much.

“ngh- show me how much you need this baby” Gojo whimpers as his thrust start to get sloppy, still not letting up on your clit, he buries his head into your neck. “you need me, you need me, you need-” Gojo’s whimpers fill the room, he had never sounded so desperate, so depraved. You feel him shudder under you. “you need me, fuck! I-” his words dripping with desperation send you hurtling over the edge. You feel yourself clamp down on him like a vice and suddenly feel his own release as he holds you so tight it hurts. He pumps his cum into you unforgivingly against your cervix. You reach up immediately to stroke his hair as he rides out his climax, still taken aback by his desperate words, wondering if it was all just pillow talk or something more.

While you’re lost in thought you hear him speak up quietly but sternly beside you, trying to catch his breath. His demeanor laced with something much different from the man he was a few minutes ago. Something darker. “Don’t you ever fucking pull some shit like that again” Your eyes meet his and you shudder at the intensity of his gaze, “now show me how sorry you are baby.”

[broareweabouttoviberightnow]

Dallas' head snaps back, and he stumbles with the force of an unexpected hand on his shoulder. For the briefest moment, he goes entirely limp, lets his fist hang in the air and doesn't try to scramble back to the boy on the steady retreat in front of him.

Darry's got him. And if he'd thought it through for even a second longer that would have scared the shit out of him. But then the fingers are tearin' into his jacket and forcin' him backward and he finally whips his head around and realizes the reality: two very pissed cops have got him.

And he immediately starts fightin' again. He writhes in their grip and the kid he'd been whalin' on is suddenly skitterin' back with renewed fear. Dallas bares his teeth once and figures he's made his point.

The next ten minutes are a blur.

His heart is poundin' in his ears and he can feel his pulse as it rattles under the cuffs the cops slapped on him the second they could get his wrists within a foot of each other and his head is achin' and he realizes for the first time he tastes blood but he can't focus on anythin' because all he can think is Fuck, Darry is never gonna forgive me for this.

He says it all the time. When he rolls in an hour late and thinks Darry's gonna kick my ass. Or when he lets Pony have just a little too much of his beer and the kid's gigglin' fit to wake the dead when Dallas 'n him sneak back in. Or when he hauls off and picks stupid fuckin' fights for no reason.

But this time he means it.

He groans and drops his head to his hands in the little holdin' cell they have him waitin' in until they process him. Last night's argument flashes vaguely in stills through his mind. He wasn't comfortable with people... carin'. He just didn't know what to do with it.

You can't tell me what to do, Darrel. Dallas flew up from the kitchen table and paced wildly away from Darry. Pony watched him with wary eyes. Soda bit his lip and looked at Dallas like he was tryin' to tell him a hundred things Dally didn't know how to understand.

Yes, I can. I won't have you actin' a fool and gettin' yourself hurt. Darry frowned and he's got these lines in his forehead Two jokes he never had before Dallas moved in. Dallas can't stand to see them.

You're not my brother. And you're not my dad. I ain't never had no one tellin' me what to do in my whole life and I'm not about to let you start. He'd slammed the screen door and gone straight to Tim's, started a fight, wound up at Buck's 'n drank til he vomited, woke up this mornin', and started another.

Darry was goin' to throw him to the fuckin' curb and never talk to him again. And Dallas deserved it. He wasn't one of the Curtis boys. No matter how hard he wanted to be.

"Name?" A cop had reappeared in his cell and he kicked himself for missin' it.

"Curtis." Dallas opened his mouth. Shut it. Opened it again. "Fuck. No, sorry." Since when the fuck did he apologize to cops! "It's Winston. Dallas Winston."

The man just stared at him, Curtis already written across the top of the paper in big, bold letters. "Are you sober, kid?"

"Yes, I'm fuckin' sober! My name's not Curtis. How the fuck do you not know me?" To his horror, he feels hot tears in the back of his throat. He's just some no-good juvenile delinquent every bastard officer in this town knows by name except this one apparently because all he is is trouble. And Darry hated him.

"Sure, kid." The man shuffles his papers together. "Officer Matthews has already called your- big brother is it? He's on his way."

"He's not my brother!" And now he's actually cryin' which is bullshit! Who cares! Who cares that Darry is gonna look at him just like his father did. Like he was a burden he'd do anythin' to get rid of. Like the worst thing Dallas ever did was simply show up in his life one day. Dallas is used to this. He's not someone who stays. He was meant to be left. He's a violent dog. He only knows how to bite.

"Dallas?" Darry's voice makes him jump. He doesn't pull his hands away from where they're pressed so hard into his eyes that he sees stars. He can't bear to look up and see what he already knows he will—not hatred, but cold, cold indifference.

"Out." Darry isn't talkin' to him, Dallas can tell he's turned around by the way his voice bounces back to him off the cement walls. He flinches anyway. "Please." He adds like an afterthought and Dallas hears the door open and close.

"I'm goin' to touch you, ok?" Dallas doesn't say anythin', just makes a low noise in the back of his throat. He feels Darry gently tip his head back, eyes still squeezed shut. He feels him softly check the area on his jaw he knows will bruise tomorrow and run experimental fingers along his ribs for breaks. Dally hisses once and Darry immediately pulls back.

"Oh, Dallas." And suddenly Dallas is fuckin' cryin' again. Darry sounds so tired and worn down and old. Did Dallas do that? Did Dallas make him like that? And the sob that catches in his throat makes him choke.

But then he's pressed against Darry's chest and his hands are strong on Dalla's back and in his hair and Dallas doesn't even fight it. Just lets himself be held and doesn't even mind he feels as small as Ponyboy.

"Come on, Dallas Curtis. Let's go home."

[my-smial]

#LOOK you try interpreting the FUCKING PRONOUNS in that poem

Expanding on my own tag because I can!

Poetic old English does not strictly require pronouns and has a grudge against names, meaning you get massive passages of two people fighting without once clarifying who's hitting who, and then you run into a He and try to reference back and the last name was like 40 lines ago and it's unclear whether the author just switched the reference at some point because they want to.

At one point, the monster Grendel's Mother, who is notably feminine, is referred to with male pronouns. It's unclear whether this is intentional gender fuckery to make a point about how she is acting masculine by engaging in battle (compliment? insult? also unclear) or whether at some point a scribe make a mistake.* Anyway, how do you translate that into modern English?

Oh AND then we have, like, lists of genealogies and suchwhat where it then just drops a He and you're trying to figure out which of the list of ancestors is being active right now.

All of this leaves out that the manuscript is damaged, and so sometimes a burned section just ends with a pronoun and the reference is completely lost.

*personally, I'm team "intentional" but it's still very confusing to run across and like. look. given point 1 I was excited to have a battle where our two combatants used different pronouns, and then I didn't even get that

It’s easy to forget JRR Tolkien was a fairly prolific academic translator with an interest in early medieval literature and philology. It’s so inspiring that he found time to write The Hobbit while fighting for his life over Beowulf.

[alwaysurvalentine]

marry me (if I ever get the nerve) - st fic

Based on a prompt from my @steddiebingo 12 Days of Christmas card: 'proposal'

wc: 2.4k | cw: none

enjoy! 💛

~

One.

A crowd is blocking the pathway when Eddie and Steve round the corner. Steve cranes his neck to see around the crowd and then scoffs. 

“What, what is it?” Eddie’s trying to see through the people in front of him, but every time he shifts, they do too. 

“Someone’s proposing in the middle of the park. Can’t even imagine how embarrassed she feels right now. Can you imagine?” 

Steve continues to rant, one hand waving in the air while he vents and the other one tugging Eddie along the edges of the crowd to get past. 

Marriage has been brought up between them before, an idea that seemed nice but somehow far away. Even without saying it, Eddie knew it was something that Steve wanted. It’d been an easy plan from there: save up money for a ring, pop the question, and then marry the fuck out of Steve Harrington. So far all Eddie had done was start saving for a ring. 

He stumbled upon the perfect ring just last month, a simple gold band with the option to engrave the inside. Right now he can’t decide what he wants to put there, but he figures he’s still got some time to think about it.

“Like what if she wants to say no? He’s basically put her in a situation where she has to say yes and then go back on that answer later.”

There’s genuine distress in Steve’s voice at this stranger having to deal with this. Eddie squeezes his hand and offers a placating smile. Up ahead is the cafe they’d been heading towards in the first place. For once there isn’t a line and Eddie lets go of Steve’s hand just to open the door and bow. 

“My love.”

All of the tension building up in Steve leaves him with a roll of his eyes and he smiles when he steps in before Eddie. Even though Steve wasn’t a fan of the couple they saw, Eddie sends a quick thanks because now he knows. 

Absolutely no proposing in a crowded public place.

~

Two.

Light always finds Steve. No matter the time of day, if there’s a ray of sunshine, it’s shining on his boyfriend. It’s one of the first things Eddie noticed about him when they started dating. Now is no exception, sun peeking through their blinds to shine on Steve’s face. 

Steve has barely moved from where he left him this morning, mouth slack with a line of drool leading to a small spot on his pillow. Eddie sets the tray holding their breakfast down for a moment, leaning over to swipe the drool away with his thumb. He rubs his hand on his pants and then rests a gentle hand on Steve’s shoulder.

“Good morning, sunshine.” Steve’s eyebrows furrow when he wakes, eyes blinking open just to squint shut at the light. 

“C’mon, I made breakfast.” 

Steve yawns and smiles softly, rubbing at his eyes. Eddie grabs the breakfast tray again, orange juice sloshing in the glass but not spilling with the movement. The small smile on Steve’s face turns into a full blown grin and he smooths over the blanket when he sits up. 

The plate of breakfast smiles back at him, bacon curving up towards two eyes made of eggs. A gentle hand takes his wrist and Eddie’s tugged down close enough for Steve to press a kiss against his cheek. 

“Thanks, baby.” Sleep still paints Steve’s words, a roughness there only because of their activities from the night before. An image of Steve on his knees, eyes half lidded and tongue hanging out of his mouth flashes into Eddie’s mind. He’s quick to dismiss it though, trying to stay on task. 

Afterall, this breakfast is serving a purpose. Today is going to be the day that Eddie proposes to Steve. All he’s got to do now is pull the ring out of his bedside table and ask the question. Just a small, intimate setting for his Stevie. 

He leans toward his dresser drawer right as the phone starts to ring. 

“Hello?”

“Oh, uh, hi Eddie. Is Steve there?” Max is on the other end of the line, voice tight.

“One sec.” Eddie passes the phone over easily and mouths that it’s Max on the other end. 

“Hey, what’s up?” 

Judging by the face Steve makes at something Max says, this proposal is about to be pushed to another day. When Steve shifts the tray off of his lap and scoots out of bed, Eddie knows he’s right. 

“Woah, hey, it’s okay. I’m glad you called. Give me fifteen and we’ll be there.” Another pause and Steve flashes a grimace in Eddie’s direction. 

“You know he would understand. Okay, okay, yeah, it’ll just be me. See you soon Mayfield.” 

Guilt covers Steve’s face when he turns to Eddie. He tosses the phone back onto the bed and pulls jeans over his boxers. 

“Sorry, Max needs me to help her with something real quick, but I’ll be right back after that. Rain check on breakfast in bed?” 

Disappointment curls in Eddie’s stomach but he nods anyway. “Of course, no worries. Is Red okay?” 

Just as much as the kids are Steve’s in all the ways that matter, Eddie’s adopted them too. If one of them is in trouble, he wants to know. 

“Yeah, just something going on with her mom.”

“Why don’t you bring her back here? I can make some more breakfast and we can all do brunch and watch trash TV.” 

Steve closes the distance between them with a few quick strides, pressing a kiss to the corner of Eddie’s mouth. His hands come to rest on Steve’s hips, keeping him close so he can steal a couple close mouthed kisses before Steve leaves.

“That would be great, I love you.” Another kiss and then Eddie lets him go so Steve can brush his teeth before heading over.

Might need to recruit Robin to help make sure proposing doesn’t get interrupted.

~

Three. 

Tuesdays are date nights.

Eddie doesn’t know if it was on purpose, but the first date he and Steve went on was a Tuesday and now it’s just become tradition. It’s the one day of the week that the gremlins know to let them have their night. 

Tonight, Eddie’s even got Robin helping to run interference. Obviously he had to run this plan by her. They both figured while he’ll be popping the question, doing so over a candlelit dinner without getting on his knee was still lowkey enough for Steve to let it pass. 

(Robin also tried to argue that Steve would be fine with a massive proposal because the only answer he’d have for Eddie would be yes. Her puppy dog eyes aren’t nearly as lethal as Steve’s, so he hadn’t caved.)

Eddie had asked Steve to dress up for dinner tonight for a reservation made at The Grillhouse. They don’t always do fancier dinners, more than happy to dance around the kitchen together instead. Steve had asked what the occasion was and squinted skeptically when Eddie stuttered that he had big news he was excited to share. Despite all of his practice as a DM, he still can’t lie to save his life. Luckily, Steve had dropped it and shifted the focus to a story from work. 

Now Eddie finds his palms sweaty, empty plates sitting between them. This is his window.

“Stevie?”

His boyfriend tilts his head to the side, humming quietly to show he’s listening.

“I brought you to dinner saying I had some big news to share. But really, that news couldn’t be possible without you.” 

Steve’s face softens and he reaches across the table to take one of Eddie’s hands. They sit like that for a moment, Eddie swallowing before reaching into his coat pocket to grab the ring. 

The pocket is kind of deep and all he feels is fabric so he digs in a little further. Still, all he feels is the cotton lining against his fingers. 

And then he realizes. 

He forgot the ring.

He forgot the ring. What is he supposed to tell Steve now?

“I’ve decided to send some of me and the guys’ tapes to some producers.” 

The smile on Steve’s face is bright enough to challenge the sun and Eddie knows he’ll be sending out those tapes this week just so that he hasn’t lied to the man in front of him.

“Holy shit!” A couple of people swivel their heads at the sudden exclamation but Steve doesn’t pay them any mind, raising his glass to Eddie. Never one to leave Steve hanging, he’s quick to lift his own glass for Steve’s toast.

“Congratulations, baby, I’m so proud of you!”

Hot tip: don’t forget the ring.

~

Four.

Steve’s bopping his head as he walks through the kitchen. Everyone’s just cleared out of the apartment after spending the night. He hasn’t been able to convince Steve to play D&D, but it doesn’t mean his boyfriend doesn’t love any opportunity to host. Every couple of weeks their apartment is flooded with the full group, pizza for dinner and then Steve pulls out all of the stops for brunch the next day. 

There’s a pile of dishes waiting to be washed in the sink and a couple of pans left to cool on top of the stove, but like always - Steve’s turned on the radio first. Which works perfectly with Eddie’s plan. 

He’d called the radio station earlier in the week and asked them to play their song so he could propose to the love of his life. The girl on the other end had squealed at the request and let Eddie know she’d email with the time they’d be able to put it into the show. 

When he glances over to check the time, he’s surprised to see that there’s only a a couple of minutes to wait until their song is queued up. He’s got just enough time to run upstairs to grab the ring and then he’ll finally be able to ask. Steve’s just grabbing the pans off of the stove to move them towards the sink when Eddie steps out of the kitchen. 

It seems oddly quiet when Eddie makes it downstairs. Maybe it’s just because of how loud it was last night and this morning.Mumbled cursing welcomes him back into the kitchen and Eddie sees the reason behind the quiet. Their radio is currently cradled in Steve’s hands, eyes locked in on the different dials like it’ll suddenly start working if he looks disappointed enough. 

“Steve?” 

The look of horror on Steve’s face has Eddie chuckling as he walks over.

“I broke the radio.” Genuine heartbreak colors Steve’s words and Eddie takes the radio from his hands with a smile.

“That’s okay, looks like it got some water on it. Did something splash out of the sink?” Steve nods, eyes focused on the radio in Eddie’s hands. 

From what Eddie can tell, they might have to just replace the whole thing, somehow Steve’s managed to get the entirety of the speakers wet. His proposal might’ve been foiled again, but at least he gets a huff of a laugh when he rolls up his invisible sleeves to wash the dishes, bumping Steve out of the way. 

Alright, maybe the radio thing was a little complicated, time to regroup.

~

Plus One.

“Wayne, I feel like I’m losing my mind.” 

His uncle just laughs from his side of the table, coffee cup lifted to his mouth despite the steam rising above it. 

“No, I mean it. I’ve tried proposing to him so many times but I keep messing it up!” Eddie runs a hand through his hair and has to stop for a moment when a ring tugs on his curls. The chipped mug in Wayne’s hand gets set down and he leans back, eyes squinted in a smile while he looks Eddie over.

“Alright, let me get this straight. You wanna propose to your boy?” Eddie nods. “Why don’t you just ask him, plain and simple?” 

“Oh, yeah, just ask him plain and simple. Because that’s totally easy. Have you met him?”

Wayne raises a brow, unimpressed at Eddie’s dramatics. 

“I just want it to be perfect, Uncle Wayne. What if this is like the universe telling me not to do it? Everything keeps going wrong…”

Another sip of coffee and then Wayne leans forward, elbows on the table. “Listen here, you love him?”

“Of course I do.”

“And he loves you?”

Eddie can feel the blush when it spreads across his cheeks. 

“He tells me all the time.” 

“Then I think no matter how you ask him, the only answer he’s going to say is yes. Knowing you two, you could just slide the ring on his finger and Steve would have the wedding planned in a week. What’s really holding you back?” 

Damn Wayne for knowing him so well. 

This answer doesn’t come as easy, dread building in Eddie’s gut while he tries to figure out the best answer. If he voices this and Wayne agrees, he’ll probably never recover.

“C’mon, spit it out.” 

“Whatifhedoesn’tthinkI’mworthbeingstuckwithfortherestofourlives?”

Another unimpressed stare, lips pursed at Eddie’s quick speech.

“Just, what if he doesn’t think it’s worth it? Being stuck with me forever?”

“Eddie, listen up, and listen good. No such thing as being stuck with you. I can tell that he adores you, knew as soon as I saw the two of you together. Just because your old man,” and Wayne pauses when Eddie’s head snaps up, “chose to ignore the gift you are, doesn’t mean other people will. I’ve been lucky enough to see you grow from that scrawny kid angry at the world to the man I see now. You’ve got your own family now, one you built all on your own, and not a single one of them feels like they’re stuck with you. Y’hear me?” 

Eddie wants to feel embarrassed at the tears in his eyes, but instead all he feels is warmth all over - loved. He jumps up and scoots into Wayne’s side of the booth, throwing his arms around the older man’s neck just like he did as a kid. When he backs up, Wayne’s eyes look a little teary themselves.

“Alright, let’s go, I gotta get ready for work.”

(When they get back to the trailer, Eddie opens the door to his own makeshift family crowded around the living room. It takes a moment to take it all in, streamers hanging from the ceiling, balloons all over the floor, and then Steve on one knee with a ring held out. 

It’s an easy yes.)

[littlelamy]

𝓲𝓷𝓽𝓻𝓸𝓭𝓾𝓬𝓲𝓷𝓰 𝓱𝓸𝓵𝓵𝔂!𝓻𝓮𝓪𝓭𝓮𝓻

author's note: so excited to show introduce you guys to holly!reader. also HUGE credits to @rafesplaymate for inspiration. i read her glamourmodel AU and became obsessed to say the least.

holly!reader has everything the kook life offers—money, power, designer everything—but honestly? she can't stop thinking about the pogue life. it's messy, it's chaotic, and it's fucking free. she loves the way they don’t give a shit about all the fake crap she’s surrounded by. she craves the simplicity of living in the moment, without having to worry about her daddy’s expectations or some fancy-ass gala. the pogues are wild, and that's exactly what she wants. it's her dirty little secret, but she's obsessed with it.

whenever holly!reader’s old man is off doing his bullshit corporate stuff, she knows it’s her time to escape. she doesn’t need anyone else but jj. he's always ready to ditch whatever he's doing just to pick her up, and she loves that. no questions, no bullshit—just him, her, and a car ride to wherever the hell they feel like going. she doesn’t have to play the perfect kook when she’s with him. it’s just fun, no strings attached. and let’s be real, jj’s exactly the kind of guy she needs to get out of her head. sure, it’s john b’s beat-up van, and the thing probably smells like a mix of saltwater, beer, and whatever they dragged in from their latest adventure, but it’s still the best fucking ride. it doesn’t matter if it’s not a shiny sports car—whenever jj’s driving, everything else fades away. he’s the only one who can make her forget about her fake-ass world, even if it’s just for a little while.

though the kook is very popular on the island, she has a special place in her heart for the pogues. holly might be the golden girl in figure eight—always smiling, always looking flawless—but deep down? she's tired of the fake ass smiles and shallow conversations. yeah, she’s got a crowd, but it’s the pogues who really get her. they don't care about appearances or how much money she’s got. they just... live. no masks, no games. she’d trade all the glitz and glam for a night spent with them in a heartbeat. but of course, she'd never admit that to anyone, 'cause that’d be a hell of a confession.

holly!reader is a definite tease. let's be real—holly knows exactly what she’s doing. whether it’s that flirty little smile or the way she twirls her hair when she’s talking to someone, she’s always got people on edge. she’s got the looks, the charm, and the attitude that drives people insane. but she’s not dumb—she knows how to use it. keep them hanging, keep them wanting more, but never give them what they want. it's all a game to her, and she’s winning.

holly!reader gained the nickname ‘playmate.’ it didn’t take long for everyone to start calling her 'playmate.' it's that mix of innocence and sex appeal, that perfect balance between the girl next door and the one you wanna fuck. holly owns it. she’s got that glamour look down to an art, posting sultry shots of herself in the most random spots—like, by the marina, on the beach, or even in her daddy’s mansion, just looking effortlessly hot. people talk about it, but hell, she’s the one getting all the attention. it's not her fault they can’t stop staring.

holly!reader is known for her glamour photos. you know the deal—holly!reader is always posting something. she's the queen of Instagram on the island, with every photo making people want to drop everything and come meet her. she's got the glamour shots, the beach shots, the “casual” shots of her looking like a fucking goddess no matter what she’s doing. you know she’s not just posting for fun—each shot is her way of saying, "look at me, fuckers." and honestly? it works. the Cut’s her playground, and she's the star of it all.

taglist: @namelesslosers @maybanksangel @averyoceanblvd @iknowdatsrightbih @rafesheaven @anamiad00msday @ivysprophecy @wearemadeofstardust0 @rafesangelita @sstargirln @rafedaddy01 @soldesole @bakugouswaif @skywalker0809 @vanessa-rafesgirl @evermorx89 @outerhills @ditzyzombiesblog @slavicangelmuah @alivinggirl @auroramadelyn

[jimilter]

on the borderline — 05 | pjm. (m)

Park Jimin has been your buoy, your anchor and the ship of sanity that guides you to shore amid storms of self-doubt, nearly all your life; as have you been his. That is not to say nothing has ever brewed beneath the surface of platonic friendship, or that the two of you have never been victims to mistiming. Regardless, you would never risk the friendship you have with him now for anything. Even if you have to hurt him – or even yourself – in the process.

pairing: jimin x reader

rating: m (18+)

genre: angst | drama | friends to lovers!au

word count: 7.6 k

— warnings: swearing + repeated mention & description of sex (some gets detailed and explicit, hence the rating!) + mention of a past toxic relationship + perhaps a present toxic relationship? + the worst kind of emotional constipation + misunderstandings + lies and pretense +one-sided feelings + reader is a bigger mess + jimin is a mess too :/

— note: HAPPY NEW YEAR 2025, PEOPLE! <3 it was excruciating getting back into this one but it was also kinda therapeutic bec real life has been whooping my ass :( i have begun writing the sixth part too bec i truly forreal wish to complete this series without taking another year helP!

ps. the rating, genre and warnings mentioned above pertain to this chapter, only.

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𝐕 ⇢ 𝐀𝐁𝐘𝐒𝐒 𝐎𝐅 𝐀𝐁𝐘𝐒𝐌𝐀𝐋 𝐂𝐎𝐌𝐅𝐎𝐑𝐓 ♪ between heaven and disaster

07:03 AM | Text Message from Grumpkin 🎃💖 hey sorry i missed all your calls and texts :( i figured u would ask abt seokjin and the date and i kinda didn’t wanna talk abt it not necessarily in a bad way just a “let me figure it out first” way which still doesn’t excuse ghosting u so i AM rly sorry :( how was your flight? and the dinner meeting?

07:16 AM ↳ SHE LIVES!!!!!! ↳ Good morning Grumpkincess <3 ↳ All that you said about your date has just made 1000x curious now yk ↳ Oh, and I had a horrible flight ↳ My partner drooled on my $70 shirt 😭 ↳ Barely had time to change it before our meeting at 4 UGH

Text Message from Grumpkin 🎃💖 good morning WHAT now ? that better not be a new pet name park jimin

↳ Yes it is, Grumpkincess ↳ A grumpy pumpkin princess ↳ Adorable right?

Text Message from Grumpkin 🎃💖 ykw your cringe ass deserved getting your shirt ruined karma 🖕

↳ Ihy 🖕 ↳ Ok enough of this can we pls talk???

Text Message from Grumpkin 🎃💖 ??? are we not talking?

Jimin rears back from his phone almost violently. Did you, of all people, really just imply that texting is equivalent to talking? He is pretty sure that of the entire time that the two of you have lived in separate towns, you have spent more than half of it on video calls with each other.

That is talking for the two of you.

Or at least it used to be, before he got onto this flight which has apparently landed him in some parallel universe. 

He immediately sits up in bed and calls you.

And you immediately disconnect the call.

What?

His jaw is still dropped when his phone vibrates in his palm again, indicating an incoming voice call from you. Scowling, Jimin nearly whines a what the fuck into the phone.

“I look like dogshit, dude, please,” you groan from your end.

“Seriously? You’re telling me you won’t show me your face because you look bad?” Rolling his eyes, Jimin reclines on his bed, a little assured at hearing your voice but also a little confused by your words. “Dude. I’ve seen you with puke all over your clothes, I’ve seen you with cum on your face, I’ve seen you with a black eye, I’ve seen you with—”

“Okay, I get it!” you interrupt with another groan. “I feel like dogshit, then. Is that better?”

Now he is concerned. “No. Obviously. How can that be better? Babe, what’s going on? You’re being…”

“Weird? Bitchy? Whiny? Annoying?”

“No, just…” He bites his bottom lip. “A little unlike yourself.”

“Wow, that's worse.” You give a small sigh. “I’ll be fine, I just need to recalibrate my head. Don't worry.” 

How can he not worry when you sound this tired and timid? Jimin almost wants to ask if Seokjin has something to do with it. But then his brain starts to conjure up images featuring exactly how that man could have tired you out and that leaves a bad taste in his mouth, followed by a series of negative emotions that make his heart race and his head hurt.

He went through this same series of emotions last evening, too, when you didn’t respond to his messages. He doesn’t want to give himself enough time to analyze any part of it, though, because he isn’t ready to face what he might uncover.

“How can I help?” he ends up asking, because putting his mind to literally anything else would be better than self-introspection right now.

You don’t respond immediately and everything is so quiet that Jimin can hear your breathing on the other side. Then you hum. “Honestly? Just give me a little time, Min. I’ll be fine.”

“Time? As in…time away from this conversation?”

“Yes, dork. Some time by myself, with my thoughts.” You chuckle as you say the words but Jimin doesn’t find them funny. 

He swallows the tight discomfort in the back of his throat and scoffs in response, though. “Well, okay then. Your funeral. And here I was thinking I will tell you about this weirdly snobbish butler-assistant guy the clients brought with them to the meeting last night.”

“Wait, butler-assistant?” You exclaim with a curious scoff, and Jimin smiles at the spark of the familiar humour that tinges your voice. “What the fuck is that?”

“Escapes me! They had this Alfred lookalike guy driving their limo, who joined in when they sat at the table with us, and—get this—dude kept interrupting me to tell his boss the time every fifteen minutes! What fucking clownery!” Jimin pauses to inhale, slightly disappointed when he hears you give a distant chuckle. You’re not invested. Your head’s somewhere else. He doesn’t want to share his story anymore. “I might sock him in the face if pulls that shit again, today.”

You give a hum in response, which sounds decidedly half-hearted. “I’m sure your intimidating scowls would’ve scared him away already, Min. He probably won’t join your meeting today.”

Jimin’s mouth slowly parts at the unfamiliarity of your remark. You never miss any opportunity to roast him about being a pacifist. How did you allow his claim of throwing a punch to go by so easily? 

And intimidating scowls? What happened to calling them ‘little bitch stare-downs’?

First you refuse to show him your face, sticking to this annoying voice call that’s overheating his phone because he doesn't have his airpods with him right now, and then you’re talking in a language that is so unlike you.

The discomfort in the back of his throat swells into a strange feeling that reaches the pit of his stomach.

“Yeah, I hope so… Sure.” His words come out low, hoarse and confused. So he clears his throat and puts a grin on his face. “Anyways! You sound like you need a fat nap to function like yourself again – I'll allow you to have that.”

“Mm-hm, I agree.” It could be his imagination, but you sound almost relieved. “I’ll call you soon, okay? Say hi to Tara for me.”

Jimin grunts and disconnects the call, immediately tossing his phone away as if it has personally offended him. Well maybe not the device, but the caller certainly has.

Just then, the door to the suite’s balcony opens and shuts, footsteps making their way to the other twin bed opposite the one he's lying on. He's almost counting down the seconds before a comment is made, and he doesn't have to wait long, when:

“Trouble in paradise?” comes Min Yoongi's taunting lilt.

Exhaling in ire, Jimin rolls his eyes. “For the last time: there’s no paradise to trouble, Yoongi.”

“You know what I mean, dude. You look worried. And frustrated. It's got to be about…her.”

Jimin winces at the emphasis on the pronoun. “She's not Voldemort, dude, you can say her name. What the fuck?”

“Ah, is that so? Then how about… the love of your life?” 

“Yoongi! Stop with that already, man. It's not like that between us, we’re just friends who lean on each other for support,” Jimin speaks on autopilot, having perfected the words he has been repeating ever since his colleagues got to know about your existence in his life. “It’s a strange dynamic but it works out well for—”

“Oh, shut up, King of Delusions. About time you stop fooling yourself and me with that bullcrap.” Now it's Yoongi's turn to scoff at Jimin. “Your feelings for her are becoming more and more obvious with time. And if I can see them with such clarity, I bet that you can as well. Which only means that you’re knowingly turning a blind eye. And it is pissing me off.”

So, yeah, this isn't the first time Jimin's hearing this lecture from his friend. 

It’s always the same story whenever any mention of you happens in Min Yoongi’s vicinity. Jimin should, ideally, be immune to the non-stop badgering, but the older guy somehow always manages to bring in fresh points to the table, so Jimin is forced to react with even louder groans, each time.

“When the hell are you going to admit you’re in love with her?”

“I’m literally not,” Jimin’s complaint comes out as a whine, and he mentally counts down the seconds till Yoongi will bring up the fact that he was stopped from pursuing you by Jimin. He wonders if the actual reason why Yoongi does this is because the guy still has a crush on you and feels resentful towards Jimin for not letting him ask you out. “Please stop.”

“You’re not in love? Sure, buddy. You forbade me from pursuing her like some alpha male protective of his mate… doesn't get more soulmate-y than that!” Yoongi rolls his eyes with a grimace. “When the fuck are you going to face yourself?”

“This again? Seriously? I've told you countless times that I did that because she was uncomfortable with your affections,” he reminds Yoongi for what feels like the hundredth time. “I was being a good friend.”

“Right, and she still doesn't know anything about it, does she? She still thinks I stopped pursuing her because I lost interest. Why haven't you told her you had a talk with me?”

Jimin closes his eyes and drags both his palms down his face because Yoongi is absolutely correct. “I… Because it doesn't concern her.”

Yoongi is silent for a while. When Jimin peeks past his fingers to see if the guy may have fallen asleep, he finds Yoongi gaping at him. “Are you even listening to yourself? You stopped me from pursuing her because she's uncomfortable, but telling her about it doesn't concern her? Make it make sense, Park!” He scoffs. “Does she even know we're friends? Does she know you're on this trip with me?”

Jimin remains silent, slowly turning his head to the other direction. “Not really. Told her I'm accompanied by Tara,” he mumbles, only for Yoongi to give a dramatic gasp.

“What? She doesn't know we're friends? Why the fuck would you lie to her about me? Are you ashamed of me, you asshole? And Tara, of all people? What the fuck is wrong with your head?”

Jimin almost laughs at Yoongi’s horrified expressions, but then stops himself because he half suspects the guy might toss him off the balcony if irritated enough, and they’re on the twentieth floor. “It's just… It never came up, I guess? I… don't really talk to her about work much…” His excuse is so weak it makes him physically cringe.

“You were literally just crying to her about our client's butler…”

“Okay, okay, fine!” Jimin sits up, sliding back to rest his head against the headboard, and looks up at the ceiling. “I don't know why I couldn't tell her. But it's not because I'm in love with her, okay? That doesn't even make sense because I still tease her about you for fun. And I also didn't stop you from pursuing her because I wanna be with her, or anything. I don't have those kinds of feelings for her. Promise.”

“Okay. What kind of feelings do you have for her then?”

Jimin opens his mouth to reiterate that you're just friends, briefly shutting his eyes in exasperation—and then freezes. 

An entire cinematic reel of images sets in motion behind his closed eyelids, all featuring your eyes, your skin, your warmth — and his intimacy with them. The darkened haze of your gaze when he pulled away from kissing you. The softness of the skin of your shoulder when he dug his teeth into it; the taste of your skin. Of you. He can nearly smell the scent of your hair in his lungs and can hear the short, hitched breaths you puffed out next to his ears. 

His heart rate kicks up and sweat dots his forehead within the seconds it takes for him to open his eyes again.

It is as if he got dunked into scalding hot water, stifling him and overwhelming all his senses all at once. He feels warm all over. His chest feels heavier than before.

Shit.

This isn't the kind of behavior someone’s ‘just friend’ would exhibit. These aren’t the kind of thoughts he has ever had about you, before.

Shit. 

“Well?” Yoongi is looking at him expectantly with zero judgement in his gaze. “What kind of feelings, Jimin?”

He and Yoongi share a sort of bond where they serve as each other’s sounding boards about decisions that they take at work, with their team. That is not to say that they aren’t good friends and only talk about work. But it’s just that these conversations have never really included much honesty from Jimin’s end whenever the topic hovered over you. 

Jimin can feel that he is about to change that now, though. 

He breathes in and honestly confesses to Yoongi what he hasn't even said to himself out loud, yet: “They’re… confusing.” 

Yoongi nearly jumps off his bed and lands on one corner of Jimin's, eyebrows raised and mouth agape. “Confusing? Not strictly platonic the way they used to be? Dude…” He shakes his head in awe. “This is new. What's changed?” 

Jimin fiddles with his thumbs, lips pursed together as he finds himself caught in a very uncharacteristic fit of nervousness. “So there's this… this thing that happened before I left for this trip… And it changed some things, I guess?”

Yoongi blinks at him, expressions dropped to a deadpan. “You slept with her, didn't you?”

“Wha—how the hell—”

“I’m older than you, I've seen more in this world than you have, so hush with the theatrics. Tell me what happened after that.”

Well. Where does he begin? “She… went on a date with a guy, so—”

“A date? Right after the day you had sex with her?”

Jimin clicks his tongue and shoves Yoongi's shoulder. “Yes and it's not a big deal, okay? We decided that we are going to move ahead and remain the kind of best friends we've always been. And she'd made plans for that date before we slept together, so it's all completely fine.”

Yoongi is squinting at him by the time Jimin stops speaking. “Hm. Is it, really? All completely fine?”

“Yes, it is! I just said it was!”

“O—kay? So what's the problem, then? You decided you both would move ahead and you did – what's the catch? You don't like that she's being normal?”

“No, that's not it. She… wasn't exactly normal, either. She sounded…” Jimin gulps the nerves that block his throat as the prospect of losing your friendship swims up in his vision. “She sounded off. Different. Distant.”

“Oh, boy… Are you scared that she hit it off really well with her date and moved away from you?”

Jimin rolls his eyes. “That's impossible.”

Yoongi gives a smirk which unnerves Jimin in all the bad ways. “Is it? Because if it isn't the possibility of her growing distant from you and closer to someone else that's been troubling you, your issues are way deeper and definitely scarier. Good luck, pal.”

Throughout the entire day full of meetings that Jimin goes through, Yoongi's words keep circling in his head. Did it really bother him that you went on a date? He swore up and down that you guys will remain normal and that night will remain just a memory. So obviously it was correct of you to go on that date you’d planned in advance! 

Why the hell is he acting up when you're doing exactly what you both planned you'd do? 

Jimin chooses to have lunch by himself, in one corner of the cafeteria, leaving Yoongi to mingle with the clients, and mulls over his situation and state of mind. 

Maybe he is bothered by your date. And maybe he is so bothered because it was too soon. 

Because he can't get the images of that night out of his head the way he thought he'd easily be able to. 

When he tried to nap on the flight, he saw you riding his dick. When he got into the shower, he saw your teary face after he'd eaten you out good. He had to touch himself to take the edge off, praying that Yoongi wouldn't hear him, and that literally helped with nothing.

Does he actually… want you? 

The last time this happened was around six years ago.

Jimin sips at his almond milk as memories of a time he’d thought was distant and forgotten cascade through his brain.

The two of you were juniors in college. He'd recently gotten out of this toxic relationship that had sucked all the joy out of his life and was spending his days sleeping in and skipping classes, and his nights drinking with friends. It was 2 am when he saw an Instagram post of you posing sweetly for the camera and all he could think of was how badly he missed you. How he hated the fact that you went to different colleges because he wanted to see you so bad. 

He'd left a series of drunk texts in your DMs, of all places, telling you that you were the best girl he'd ever met and that you were perfect in every way and how happy you would make someone by being theirs. You'd replied the next morning, thanking him for being a sweetheart and then told him that you’d found the lucky one – because axolotl had finally asked you out on a date. 

Jimin would never admit it to anyone, but he’d been really upset and extremely jealous of that stupid asshole. It had gotten to the point where he over-inserted himself into your relationship to let fucking axolotl know that he’d come first in your life. That is not to say that the dude wasn’t toxic enough by himself. But when Jimin saw the way his actions were causing you hurt too, he decided to retreat.

That was when he swore he would step back and be the best bff to you at every step in life.

And he’s been on that road pretty religiously!

All the flirting he gets up to with you is totally harmless and only for fun because he enjoys making you blush. Which is probably why he tried to categorize that night under this ‘harmless fun’, too. But it’s clearly not working. 

He’s restless. He needs to return home and see you in person.

He needs to ensure that he can still be your friend despite all these thoughts plaguing his brain.

What the hell is going to do if he doesn’t arrive upon the desired answer, however? He hasn’t the slightest clue.

Jimin spends the rest of the day waiting for your call – which never comes.

He texts you when he’s done packing his bags after his last meeting, but you don't respond.

The heavy feeling in his stomach grows heavier and heavier – until it becomes so suffocating that he has to come out to the balcony and breathe in some fresh air.

Except – smoke fills his lungs upon the first inhale, and he wrinkles his nose at Yoongi’s cigarette.

“What? Can't a guy enjoy a smoke in peace? We have to be at the airport in an hour.”

“Oh, no, don’t mind me. Please relish every bit of your death stick, by all means.”

Yoongi snorts at his words, and snuffs the remainder of the cigarette out with a roll of his eyes. “Your panties are in a twist again. What's happened now?”

“I'm fine.”

“Sure. And everything's okay between you and she who shall not be named?”

For a moment, Jimin nibbles on his bottom lip, watching the way the remnant smoke swirls away from the balcony and disappears into the late afternoon sky. Then he sighs. “I don’t know. She hasn’t responded to any of my texts and she didn’t call me. She’d said she would. I feel too fucking tense, it’s like my neurons are collapsing in on themselves.”

“Oh, man… If only you were a smoker, I would have procured you some of the best weed in the market. Would have taken the edge off with a handful of puffs.”

Jimin scowls at the guy. “Thank you for your consideration. Think I’ll just hit myself over the head with a saucepan and call it a day.”

“Stop stressing out so much, you moron. We’ll be back there in four hours. Take a cab straight to her place and talk everything out. Distance is a bitch that creates miscommunication. It’s just a matter of hours.”

Jimin nods to himself.

Just a matter of hours.

Just a matter of hours.

He can’t do it.

Jimin parted ways with Yoongi the moment he grabbed his luggage at the airport, and made a beeline for the cab he booked to take him to your place. He booked the ride in advance, even before he shot you a text informing his arrival back in town.

But just as his butt touches the leather seats – he realises that he can’t ambush you at your place.

So he regretfully gives the driver his own address and agrees to pay the extra amount that this re-routing would cost.

He shuts his eyes and lets out a deep, guttural exhale of frustration. Just a few hours ago, he couldn't wait to get to you fast enough.

And now, when he is at such a short distance away from actually being able to approach you and have a face to face conversation, his nerves have shackled him down and he cannot get himself to do it.

Some part of him believes that he needs to have a proper talk with himself about what the hell has happened with the dynamics the two of you share before he can prepare himself to have one with you. But some part of him believes that to be just a cop out. Which isn’t a complete lie, because at the end of the day, he is deathly afraid of losing you.

He needs to destress his mind.

But you’re the person he turns to when he needs to destress his mind.

Maybe… he can call you? That won’t be as risky and potentially devastating as paying you a visit, right?

Right. It can’t be. And he’s gotta talk to you because he misses you like crazy.

When his cab finally slows down before his apartment, his anxiety has reached a high that is making his forehead sweat despite the car's AC. Hopping out of the vehicle, he pays the driver and quickly gets into his apartment.

“It’s all gonna be fine, Park,” he mumbles to himself in a lame attempt at a pep talk while he changes out of his clothes and hops into the bathroom for a quick but hot shower. “She's your best friend in the world. You won't lose her. To anything.” He thickly swallows. “Or anyone.”

Donning some sweatpants and a t-shirt, he walks into his living room with his hair still wet and opens up a window to let some fresh air in. The sun has just sunk beneath the horizon, leaving behind some remnant daylight and a beautiful orange hue. Inhaling the crisp evening October air, he pulls his phone out of his pocket.

07:42 PM | Text Message from Grumpkin 🎃💖 woohooo! welcome back to the town, dork <3

He smiles at the text and calls your number.

You pick up the call within seconds of its ringing, filling his phone screen with your entire form that is seated in your bedroom’s bay window.

Jimin’s words sort of get stuck in his throat at the sight of your gorgeous self dressed down in grey lounge pants and a pastel yellow hoodie. 

Wait, gorgeous? You look exactly the way you have always looked. 

And… you have always looked gorgeous, haven’t you?

Jimin can feel his palms beginning to sweat. No, Yoongi was wrong. He wasn’t ready to face you. He isn’t ready to confront all that has changed in his perception of you, when you are exactly the same person that you have always been. 

Your hair is wet, as if you just exited the shower too. And the way your hoodie drowns your entire body seems like the most adorable thing in the world to him. Your cheeks have a darker tint to them, too – caused by warm water, excitement about talking to him, or something else entirely? He hasn’t a clue. It just makes you look prettier and his heart beat louder.

Jimin is suddenly overcome with the urge to run all the way to your place and envelop you in a hug.

And you both never hug—both certifiably allergic to physical affection.

Fuck, he wishes he was there so that he could cup your pretty face in his palms and cover your kissable lips with his own. His fingers twitch with the urge. 

Fuck. 

Fuck.

“Welcome back, dork!” you announce, spreading your lips in a joyous grin. “Are you sleeping with your eyes open wide?”

Broken out of his crisis-inducing trance, Jimin forces a chuckle out of his throat, “I—I was gonna sing-song ‘honey, I'm home’ to you, but you picked up the call t—too fast.”

Fuck, did he just fucking stutter? You don’t seem to have noticed, thankfully, because you simply laugh some more. Your eyes are big and bright and brimming with affection, even if you've pursed your lips in a faux display of anger.

He feels like he missed looking into their depths. Has it really been just two days since he last saw you?

Wait, not even fully that – he left your place yesterday morning.

And now he’s on a freaking video call with you, clutching onto his phone like it’s his lifeline, nearly panting for your attention and affection as if he’s been starved for it. 

Shit, shit, shit, he is supremely screwed.

“Honey’s glad you’re home, too, I guess?”

Your response is ten-on-ten on-brand with the sort of banter the two of you engage in. It makes him believe that everything is actually good. That it’s all gonna be alright. 

Jimin smiles and hopes to God he doesn’t look as stupidly lovesick as he feels in the moment. A lost puppy finally returning home to its owner. 

Cursing under his breath at his train of thoughts, he reclines sideways on one of his sofa chairs and fluffs his wet hair away from his forehead. 

“So, how was your trip? How’s Tara?”

“Trip was good. Productive. We sealed the deal – despite the stupid Alfred-ass guy. And Tara’s fine, too.” He tries his best to disguise his wince as a smile. “Rushed home the moment we touched down.”

“Oh, her husband must’ve picked her up, right? Forgot she's married.” You nod to yourself, scratching your head and furrowing your brows in thought. “How was your flight?”

“It was fine. Had to sit next to a guy who fell asleep the moment we took off, and constantly kept leaning his head on my shoulder. It’s just a three hour flight! He couldn’t stay up that long?” he grumbles, rolling his eyes because the guy he’s talking about is actually Min freaking Yoongi. “I think I have a cramp in my right side because of him.”

You chuckle at that, popping some salted almonds into your mouth. “So what’s the plan for the week? You got office tomorrow?”

“Yep! Although we both are allowed to go in a bit late.”

“That’s considerate of your company.”

There’s a dull pause in the conversation which Jimin uses to wordlessly admire your face on his phone screen, again. He remembers the way other guys used to compliment your eyes, or the length of your nose, the plumpness of your lips, and how he used to just roll his eyes at their words because he didn’t see what they saw.

Well, now he does. He sees all of that and so much more. He sees it and he craves it. 

If not kiss you then at least see you. Be in your proximity. Admire your smile without a camera distorting it into pixels.

He wishes to visit you. He feels ready enough. Composed enough. He will keep himself safely off of risky topics. 

Like, come on. He is twenty-seven. Mature enough to handle himself enough to not make a fool of himself or accidentally ruin a friendship that he holds dearer than his life. Of course he is.

“So, what about you? Any plans for the night? Should I come crash?”

It’s out before he can overthink—or even fully think—of a proper, saner, more sophisticated way to pose the question.

And given the way your eyes widen slightly, regret singes his tongue that articulated the words. “Uh…”

Catching himself in time, Jimin sits up and makes a show of narrowing his eyes at the screen. “What? What is it? What are you hiding, little wench?”

A laughter bubbles out of you, but he can sense your awkwardness through the expressions you wear. It guts him. Swallowing thickly, he raises his eyebrows and beckons you to speak.

Finally, you exhale and purse your lips. “Well, um. I, uh, kinda have Seokjin coming over later?”

The way Jimin’s jaw drops to the floor hasn’t a smidgeon of acting to it. “Say what?”

You wince, biting down on your bottom lip. “Yeah…”

“I… Didn’t you say you didn’t wanna talk about the date?” His voice comes out hollow and plain, absolutely unlike what it usually is.

“I did, yeah, but I also said I needed to figure it out. And we’re, um, just figuring things out. I’ll tell you when—”

You cut off with a jump as your doorbell goes off in the background.

Seokjin is there. Seokjin is at your place. To be with you. To hold you, kiss you, touch you — and probably more.

Jimin feels the floor disappear from beneath his feet. His stomach is lurching and he is free falling. 

“I'll, uh, I'll be right there!” you call in the general direction of the door, casting a hesitant glance towards your phone.

Jimin's free-fall increases in velocity.

“Is that… him?” he asks in a scratchy whisper, face nothing short of horror-struck.

And when you give an almost shy nod, Jimin's brain short-circuits and he can't see a thing.

“Well, okay then! Have a great time! See ya later!”

He disconnects the call and allows his phone to drop down into the carpet beneath the chair he’s seated on. 

Despite trying his hardest, Jimin can’t stop his mind from making up images of you and Seokjin entwined in bed, with you making all the sounds that Jimin elicited out of you not forty-eight hours ago.

Fuck.

He feels shaken up. 

Getting up, he walks into his kitchen and grabs a bottle of water.

“It’s fine,” he tells himself. “It’s just weird because it’s too soon. Otherwise it’s good. It’ll be great. She needs this. I told her to go for it.” 

He clears his throat and sips some more water.

“They’re just sleeping together, anyway. She isn’t going to fall in love with him overnight. And if she does, she’ll tell me… And I’ll support her because she’s my be–best friend in the world.”

Even as the words leave him, they scorch his insides on their way out. His brain feels fuzzy with all the misplaced anger, regret and loss he feels. 

It’s half past two in the morning and Jimin is scrolling brainrot content on social media to put his mind off of the activities you might be getting up to. If you'd be in your bedroom or if you'd be in the living room, in front of the TV. 

If Seokjin would be eating you out in the same spot where Jimin—

Okay, here's a video of fifteen rubber duckies! They're being squashed at the same time! They're making such a horrendous but hilarious sound!

Needless to say – he isn’t doing a great job keeping himself distracted.

Groaning at himself, he refreshes his feed and gets ready to scroll again. And then he comes to a halt.

A post from you has popped up. 

It's a selfie featuring you and Kim Seokjin, seated in your car, heads tipped together in the middle of the seats, grins on your faces and cones of vanilla ice-cream in your hands. A passably normal and arguably cute picture.

Until Jimin’s eyes travel to the content below the picture.

He sits up in his bed upon spying the ‘💝’ emoji you’ve captioned the post with.

A heart emoji? You abhor those! Last time you willingly put one on your social media was way back when you were still with axolotl!

Oh…

Oh no…

Does this mean that you and Seokjin…?

And when the fuck were you planning to tell him?

Jimin needs to talk to you. Soon.

Foregoing any texts announcing his arrival, Jimin decides to steer his car towards your place, right after work on Monday. He gets off an hour later than you, so there’s no chance he won’t catch you.

But as he locks the vehicle and makes his way up your apartment, it hits him that there is a very real possibility that he might find Seokjin in there with you. And Jimin is completely unprepared to confront the man without having a conversation with you first.

So he presses the bell with his fingers crossed – and gives a sigh of relief when you open the door by yourself.

You’ve changed out of your work clothes and are dressed up in the same set of hoodie and lounge pants he saw you in during the video call, yesterday. And his urge to capture you in a hug and then smother you in kisses is back.

Stifling it all, however, Jimin focuses on the social media post he saw and allows the feeling of irritation and betrayal he felt upon spotting the heart emoji to wash over him, again. 

Then he grins at you. “Surprise?”

Your gaping mouth closes on a chuckle and, rolling your eyes, you let him in. “Unannounced but not unpleasant, hey.”

Jimin resolutely looks away from the couch in your living room, unwilling to let his resolve to confront you weaken by any means, and heads straight to your kitchen table to occupy one of the bar stools.

“So. How’s work?” He asks, leaning over the counter a little, and squints at your form as you busy yourself pouring a glass of orange juice for him.

“Uh, what? Work’s work. Did you come here to ask me that?” Your head tilts to the side in a question and Jimin exhales in defeat.

“No. Obviously. I'm here to ask you about Seokjin.” You tense at that and Jimin gives a scoff. “Okay, don't you dare try to whip up a story! You didn't tell me on Saturday – fine. You barely told me anything yesterday, harsh but acceptable. But now I'm here and now I wanna know what's going on. And if you dare try to look for a way out this time, I will drive a knife through your gut.”

He didn't mean to go that dark, but your behaviour has gotten on his nerves so awfully, that he couldn't help it.

“Wha–Jimin! I told you I'm still figuring it out…” You avoid his eyes as you speak, playing with the drawstrings on your hoodie. “I'll tell you first thing when I have clarity.”

“Well, I think you do have clarity but you’re just refusing to share it with me. And you need to hurry the fuck up with that because I'm losing patience here.”

Your forehead furrows. “Hey… You can't rush me to make up my mind about someone! It's bad enough that you pushed me to go on a date with him.”

“But I'm literally not rushing you? I saw that social media post you made, and you captioned it with a…heart emoji. You never make public gestures of affection with someone so quickly, so I just wondered if you had developed actual feelings for the guy, beyond the admiration you claimed to have for him. I was concerned about you. What choices you'd made.” He looks away from your face and down at his manicured nails. “As your best friend.”

Your sharp inhale draws his attention back to your face, and he is met with a somewhat cautious expression. “Oh? So you're being a concerned friend? That's – that's the only reason why you'd like to know about me and Seokjin?”

Jimin's breath gets caught in his throat. What did you just ask him? What did you imply?

He frantically searches your face to look for cues that would guide him towards the right way to respond to your question, but all he can find is impatience and thinly veiled disappointment.

The amount of confusion he feels makes his head spin.

He can either be honest – or he can play this safe. And given the amount of risks he has taken with you recently, he would very much rather stay in the comfort zone for once, even if it means that he has to lie.

“Sure. I mean…what other reason could there be? Right?”

Your shoulders slump in defeat and your eyes lose a bit of their sparkle. Before Jimin can even begin to analyse what the hell any of it could be about, you're straightening up again with a determined set to your shoulders.

“Yeah. That's right. No other reason. None at all. You're a concerned friend, that's good. That's great.” You lick your lips and then walk around the counter to sit on the other stool, next to him. Your eyes are hesitant when they meet his own. “Because Jimin, I've been wanting to tell you something. I've thought about this throughout the weekend, and… I really, truly regret that night. What we did was stupid, careless and extremely catastrophic. We shouldn't have slept together.”

Jimin feels a part of his soul crumble and wither at those words.

His brain slows down, gaze grows heavy, and his lungs have to put in extra effort to keep his breathing steady. 

Stupid, careless and extremely catastrophic.

His fingers tremble when he tries to reach for the glass of juice, so he pulls them towards his palm and forms a fist to hide them from you.

“You… why?” He hates himself for sounding as small and lost as he does. Clicking his tongue, he runs both his palms down his face and looks up to meet your saddened eyes again. “I mean it's great that you moved on the way we'd planned, but you don't have to regret the night we shared. It's okay. You can have it both ways.”

You shake your head, eyes even more sadder than before. “But I don't want to. We are supposed to be friends forever, Jimin. You and I… We can’t - I… I can’t lose you. To anything. So I can't do what you’re doing. Cherish that night's memory and behave normally. I need to forget and I need you to know that I wish it never happened. And that I'm… I'm sorry that I’m not strong enough.”

Jimin tries to swallow past his dry throat, only to cough when he can't. 

It kinda sounds like you're afraid you might want him still, so you are nipping the possibility in the bud by denying that the two of you ever crossed the line. It kinda sounds like you can’t move ahead because of that night, so you wish to act as if it didn’t happen.

But you are lighter on words and heavier on nibbling your lip, so maybe you've somehow figured out how precious that memory is to Jimin and you’re just trying to spare his feelings, which – ouch. 

He knew he was becoming pathetic but he didn't realise it was this pathetic.

Scoffing, Jimin gets up and shakes his head. “Don't worry, I wasn't getting any ideas about us doing a repeat of what happened, if that's what you were concerned about. I only want the two of us to resume being the best of buds and share everything the way we used to.”

“No, Jimin, that's not—I mean, you wanted me to give Seokjin a real shot and I did. And so I don’t want there to be anything that holds me back from being honest about it.”

The set of words hurt him more than they should, but he moves past them to address his main concern that you still seem to have missed. “Hey, listen to me. I didn't come here to hound you about Seokjin because I have a problem with what's going on. I came here because I have a problem with you not telling me what's going on. I have a problem with you believing you need to keep it from me for some stupid, untrue reason that you might’ve made up in your head.”

You don't say anything for a while, don't even look up to meet his gaze. Your lower lip stays between your teeth and your eyes don't look away from the kitchen counter where both your hands rest next to the untouched glass of orange juice.

And then you suddenly look up and into his eyes, determination all over your face. “You need to get a girlfriend.”

Uh.

What?

Gaping at the offputting, crooked smile that overtakes your face, Jimin slowly shakes his head as he wonders if he might've heard you wrong.

“Yeah,” you continue, nodding to yourself, “I feel guilty, Min. I’ve broken our no-dating pact, so it's only fair if you get to leave, too.”

Woah. Two dates with a guy and you've already declared your pact broken? And yet you wouldn't say a word about Seokjin beyond the fact that you’re pursuing it because Jimin asked you to.

He is quite literally too stunned to speak.

You laugh a little, looking almost nervous. “What? Don't tell me you fell in love with me or something, Min. That night was purely physical, right? We're mature enough to remember that.” 

The words hit him in a bad way, because you very clearly said them in a way that was meant to hurt him. Of course it was purely physical! But nothing between the two of you can ever be without at least some semblance of emotion because you both go way back! Even the playful insults you toss at each other and the jokes you share carry affection, intimacy and meaning. 

He doesn't have the slightest clue what you've been trying to do all this time, but if you truly want to rile him up and upset him tonight, he's going to forfeit and give you the satisfaction of having succeeded. He hasn't got enough mental strength to decipher the meaning of everything you're doing and then try to diffuse the grenade you've built.

So Jimin steps away from the counter and gives a loud scoff. “Don't be ridiculous. Of course not, there's no way in hell. How could I ever be in love with someone like you? Look at your emotional range and look at mine. I know, better than anyone else in the world, that you’re incapable of love. I know not to love a rock. I'm not stupid.”

Your face falls and eyes turn glossy, but Jimin can bet you aren't hurting like he is. You can't. That's one of your superpowers – compartmentalising so well, you sometimes don't even see the hurt that devastates others. 

“R–right. Didn't have to insult me, but you're right.”

“Why?” Jimin scoffs. “Isn't that what our relationship is about? Being friends? Laughing together? Insulting each other?”

You frown at him. “Why're you talking like that? Why are you getting angry at me?”

Jimin blinks at your words, watching the way your eyes look truly clueless, and sheer sadness envelopes him. 

Because it hits him now. Maybe you didn’t say those words to hurt him. Maybe he underestimated your inability to feel. Maybe you really don't get why it was special. Because you really didn't feel why it could be special.

Maybe nothing between the two of you has ever carried any emotion to it, for you.

You have no idea about the emotional turmoil he's been in the past two days when he couldn't get you out of your mind, because you were on a completely different page. This is why it was easy for you to go on that date and then call that guy home the next day.

The night you shared with Jimin doesn't matter to you. Jimin doesn't matter to you.

Not the way he thought. Not the way you do to him.

And his evolving feelings for you, whatever they end up becoming, would only serve to be an inconvenience in your life that you would just ask him to sort out instead of helping him wade through them because… 

This is who you are. 

This is who you've always been.

This is the girl he met in eighth standard, had a crush on, became lifelong friends with, had sex with, and developed more than platonic feelings for.

This is you.

He doesn’t know how to deal with this realization. He can’t deal with this sitting in your kitchen. And he can’t deal with this without a drink.

So he collects his coat and walks out of your house, ignoring your calls of his name and choosing his own sanity over you for once

© jimilter | 2025

[fuck-customers]

i love when the resident kitchen idiot that everyone hates, who everyone has been complaining about for months, who kept getting bumped between sections because he wouldn’t do the work expected of him, who only still had a job at all because we didn’t have a body to replace him with, decides to come in at 9:30a for a brunch shift drunk enough that people can smell it on him and gets fired before he can punch in.

it was our last shift before a four day weekend for thanksgiving, you couldn’t give it an extra 4-5h?

the hilarious thing is that we’ve been in a temp chef shuffle since he got hired and every. single. one of them. has immediately fucking despised this guy. the first chef (who hired both me and the kitchen idiot) had probably the lowest standards of quality for our style of venue and would put up with a lot more bullshit than was definitely reasonable but left to go start his own restaurant. then it was our sous chef (who had been hired shortly before me) who would baby him through everything like he’s helping a pre-k’er figure out his letters and left to get his trade journeyman’s—leaving me as the person with the longest tenure in this kitchen and foisting the idiot onto me as his “trainer.”

thing is, i do not have the patience to train someone who refuses to be trained. if i can tell at a glance that it’s not simple misunderstanding due to language barrier, but malicious willful ignorance, i’m not gonna be fucking nice anymore. i’m gonna start actually calling out the bullshit that everyone else had been dancing around for two months prior and the more i have to repeat myself the less happy i’m gonna be and the more aware of it i’m going to make you.

the temps who came in after the sous left agreed with me btw. which included first chef’s boss and another temp. idiot got himself fired less than a week in to our new permanent chef’s tenure and even HE came to me in private to ask if there was anything he could do to get the guy to give a fuck, and i just told him “there’s nothing you could say to him that nobody else already tried” which he sympathized with.

i shouldn’t have to tell you every time you slice meat that you need to wipe down, sanitize, AND reassemble the slicer AND sweep the floor under around the station afterwards as part of completing the task. i shouldn’t have to tell you every time you plate desserts that the point of the toothpick is to keep the plastic wrap OFF the cakes, so it’s not peeling up the frosting/glaze, so that it’s presentable for the customer, and thus punching a hole through the wrap to spear the toothpick through and press the wrap flush to the cake is completely counterinfuckingtuitive. i shouldn’t have to tell you every time you use the food processor that you 1. need to mix all of your ingredients in a separate bowl BEFORE trying to blend them, and 2. need to make sure the blade is in position BEFORE dumping in a bunch of shit that’s going to gum up the works otherwise. i shouldn’t have to reiterate to you and have you repeat back to me three times in quick succession that you only need to follow up to a certain step in the recipe with only a certain collection of ingredients, almost literally draw you a fucking diagram, and then turn around to find you’ve fucked it up so badly it’s clear you didn’t even look at the recipe at all and just the ingredients list (despite having made this recipe before) and have simply proceeded to waste an hour of everybody’s time and the better part of a week’s worth of product—and then fuck it up AGAIN somehow when told to redo it, so that i, AS USUAL, have to waste prep time coming back through behind you to make sure we actually have any usable fucking product.

it got to the point where he was literally turning to me and the girl who still works cold line with me and asking why we weren’t doing the tasks we (as his superiors in the section) kept assigning to him, or at least the part of the task that comprises like 80% of what needs done, and he outright told the latest temp chef that he doesn’t like being expected to do what’s asked of him when he got confronted about it. if not for the fact he got himself fired i would’ve had full clearance to tell him the next time he asked some dumb shit like that “because it’s your job, and if you’re not gonna do the work you’re being asked to do, you can clock out and go home, because otherwise why the fuck is anyone paying you to be here?”

oh well! good riddance to bad rubbish. love it when the trash lets the door hit it on the way to taking itself out.

the funniest thing was when he tried to come back in today, the first day after that four-day holiday, like he expected to still have a job. bro you came in drunk before 10am lmao you don’t have a job anymore you just have a fucking problem. and i have one less! goodbye, i wish you a very harsh wake-up call and a hearty go fuck yourself! get better soon, far the hell away from me ❤️

Posted by admin Rodney

[classicblackcat]

Just some Buck angst and anger. It was going to be longer and maybe it will be at some point.

“When Chris was little and we would go places, people would think he was my kid. Even when we were with Eddie, they would still think he was mine.” Evan didn’t move from where he was standing in front of the French doors that led to Tommy’s patio. He didn’t turn toward the other man. He didn’t think he could face him. “Sometimes he’d just let it pass, but a lot of times he would giggle and say, ‘He’s not my dad, he’s my Buck. My Buck.” It still choked him up to think about the way Chris would say it. Now, he did turn to Tommy, feeling brave in the still dark room. “My whole life, I have only belonged to three people and they all left me. And I don’t get to be mad about it. I don’t get to be mad at Maddie. Who fled one miserable life and ended up in another. I don’t get to be mad at Chris. Who is a heartbroken kid. I don’t get to mad at Eddie. Who is a father desperately trying to be there for his son. None of them even left me because of me. But you.” He laughed bitterly. “I thought I belonged to you. I guess I didn’t. But at least I can be mad. I hate you.”

“Then why did you-.”

“Let you fuck me? Because I wish I belonged to you. Because I miss you. Because I love you.” Buck sighed heavily, suddenly very, very exhausted. “I’ll see you around, Tommy.” He crossed the room, walking right past Tommy without a second glance. He kept going until he was out of the house and in his Jeep. He didn’t know where he was going when he started driving, but he’d figure it out on the way.

[tyrantisterror]

At Sea Without a Map Post-Script

After two months of so, my little writing experiment At Sea Without a Map has come to an end. And because I'm vain, I not only felt compelled to share it, but to talk about it in depth after the fact, so here we are. This is going to be long, though, so I'm not only going to break it into sections, but put it all under the cut for the sake of your dashboard. So go ahead and dive into the depths of the Sea of Monsters with me one more time!

Part 1: Never Stop Blowing Up

The writing process of Wizard School Mysteries Book 3 was really strained - not because of the book itself, mind you. When I was actually able to work on it, Book 3 came together really well - I think it required the least substantial rewrites of any my novels thus far. It's just that real life was kind of beating the shit out of me while I was trying to get it done - or maybe the better metaphor was that it was just slowly but steadily draining me of energy all the time. I'm honestly surprised I got the book out in roughly the same amount of time as the first two - by the way life had been treating me, it should have taken longer.

But when I got done with it I was accutely aware of how tired I was. I still had the creative drive, but fuck I needed something simple as a palette cleanser - something easy, and more importantly, something that was allowed to be bad. I needed something creative to do that was surplus to requirements and fully within its rights to suck ass so long as I had fun making it.

Around this time, I decided to rewatch Dimension 20's Never Stop Blowing Up. Brief explanation of what that is: Dimension 20 is an actual play show, i.e. a recording of people playing D&D and other TTRPGs. I'd say its reputation is built on the contrast of its main DM, Brennan Lee Mulligan, who makes these meticulously crafted campaign plans, and his chaotic band of improv comedian players who promptly derail those plans spectacularly. Like, a good deal of the show's humor comes from Emily Ashford or Ally Beardsly doing something so off-the-wall that it shatters whatever the scene was going to be and creates a far more absurd and zany spectacle in its place. Which is why Never Stop Blowing Up is pretty notable, because it's the one campaign where Brennan himself is the agent of chaos, fully unleashing his own brand of madness that the players struggle to keep up with. And fuck does he seem to have fun with it.

Of course, all of the analysis above is purely from the outside looking in - it's likely that a lot of the "chaos" is played up for the audience. But still... there is something to the idea of a person who's been working on meticulously structured stories letting loose and just doing something extremely stupid.

So I decided to give myself a Never Stop Blowing Up moment - a short story that would be simple by design, with no standards to live up to or goal beyond "have fun telling a silly little story." I then came up with a few key criteria:

It can't be set in the Midgaheim/ATOM universe. I don't want the burden of figuring out where this story would fit among others.

It's gotta be a romance. People who've read my books might have picked up on the fact that I like to write about people falling in love, for the same reason I like to write about fire-breathing reptiles and friendly monsters (i.e. I use writing to indulge in things I'll never experience in real life). I've only used romance as subplots in my fiction before, and tend to feel a bit guilty if I focus on it too long - like I'm being self indulgent. Well, this is all about self indulgence, so the romance should be front and center.

It's gotta be SIMPLE, episodic even. Not complex plotting required.

I almost chose my xenomorph romance for this, but I had developed its outline to the point where it would be too complex to fit. I then considered a sort of superhero story that could be pitched as "what if Bringing Up Baby but Katherine Hepburn's character is a Harley Quinn-esque supervillain and Cary Grant's character gets turned into some sort of horrifying genetic mutant in the first ten minutes." That one hit a weird roadblock when I got to the character brainstorming phase (the first phase of any writing project I do) - I was trying to figure out what the mad scientist who turns out Cary Grant-figure into a mutant would be named, came up with the name "Dr. Skullfuck," immediately realized that having a character named "Dr. Skullfuck" is a Mark Millar-ass writing move that I could not allow myself to do, but then couldn't stop thinking of the name "Dr. Skullfuck" and giggling, which just brought all thinking to a grinding halt on that project.

(I'll still probably do it someday, though - just, you know, without Dr. Skullfuck)

Inspiration struck again, though. I'd been getting into Epic: The Musical, a musical retelling of The Odyssey, and it put me in the mood for a sea monster story. But, more than that, it got me thinking about one particular archetype from sea monster stories - but that brings us to the next part of this Post Script...

Part 2: It Was Always About Calibani

Ok, so, one of the big changes Epic: The Musical made involved Odysseus's encounter with the sirens, and before you read more of my rambling, I'd like you to watch two animatics for the two songs in question here:

A summary: one of the sirens takes the form of Odysseus's wife to try and tempt him into getting in the water, Odysseus tricks her into giving him directions, captures her and the rest of her kind, and proceeds to have his men slaughter them horribly. In the OG story the sirens don't die - nor does their song involve imitating a man's wife, for that matter, it's just a really pretty song.

This is done for an important narrative purpose - Epic: The Musical is focused on analyzing the moral ambiguity of Odysseus, and how it is constantly challenged by the impossible choices he is forced to make in his attempt to get home. At this point in the musical, Odysseus has decided to stop trying to be a compassionate man, shirking all mercy in favor of utter ruthless pursuit of his goals. These two songs are meant to be unsettling as hell - this is the beginning of a series of heartless choices by both Odysseus and his men that will culminate in the mutiny and complete annihilation of Odysseus's crew, as well as Odysseus himself being so hopelessly stranded that nothing short of divine intervention will save him.

I bring this up because when I first heard these two songs - specifically while watching these two animatics - it, like... it devastated me. I was so horrified and sad, so shaken by it. And part of it was for the reasons outlined above, but admittedly that wasn't the gut reaction I had. No, my immediate reaction was, and I quoute my own broken brain verbatim here: "You can't kill the sirens! They're not for killing, they're for loving!"

...now, those of you who know me are probably not surprised by this very stupid sentiment coming from me. One of my more popular posts is just me talking about how down bad I would be for various folkloric monsters whose whole shtick is "looks like a pretty lady but Watch Out." But as a person filled with immense self loathing and doubt, my brain immediately looked at that very stupid sentiment I expressed and said, "Wait, no, that's fucking dumb, I'm fucking dumb. The sirens are remorseless murderers. These sirens in particular preyed upon a man's love for his wife, who he has not seen in twelve years, to convince him to let them kill him. They are, by all standards of morality, Very Fucking Evil, and if they were not women you would not feel bad about them getting killed."

And as my brain argued with itself over this topic, I got to thinking about the various monstrous/othered sea women of The Odyssey - not just the sirens, but the witch Circe, the nymph Calypso, the monsters Scylla and Charybdis. And I thought about the others of their kind in other myths and folktales - selkies, mermaids, etc.

There's an archetype of sea monster that focuses entirely on one specific anxiety sailors are prone to, namely the fact that (for a good deal of human history) being on a boat meant spending a lot of time away from women. The horror of this monster is how it uses that desire for female company to tempt people into danger - like a mirage, it leads you to expose yourself to danger in pursuit of an illusory comfort.

But, unlike real world mirages, these monstrous sea women DO exist in their stories. More than that, they're often, like, sad and lonely. Their narrative purpose is just to be a temptation, but that doesn't change the fact that they do have lives of their own in these worlds. And, softie that I am, I can't help feeling sad for them, especially the ones who actually seem to want the same companionship the sailors they tempt want. Sailors don't stay with their Circes, they don't marry their Calypsos. The sirens live on a barren rock, alone, Scylla is left to wallow in misery at her monstrous form, and the selkie always has to leave for fear of being trapped by a person who won't love her on her terms.

I realized I had my hook for this simple, easy, silly little sea monster romance story: I was going to give a sea woman the happy ending she'd never get from anyone else.

Sailor may be the protagonist, but make no mistake: At Sea Without a Map was always, always, ALWAYS about Calibani.

The goal with Calibani was simple: I was going to set up a fairly standard Monstrous Sea Woman, but where other stories would let her be in one episode of the travel narrative and move on, this one would stick around. She'd be an unambiguous predator of human beings - an open and admitted maneater - but she would have no true malice to her. She, like all predators, eats what she can get to survive, and it just so happens that she's adapted to eat humans. And the story would pose the same question to the reader that my brain posed to me during Different Beast: is there any way you could make a siren-style sea monster sympathetic? Can you make a normal person who doesn't have my particular brain rot look at a maneating siren and think, "You're not supposed to kill her, you're supposed to love her!"

One of the few unavoidable plot points of At Sea Without a Map was that Calibani and Sailor's relationship would become romantic. What kind of romance it was could have varied substantially - it could have been one-sided, it could have been toxic, it could have been far more tragic OR far more comedic. But it was always, always going to be a romance of some sort - the goal of this experiment was to make you, the reader, love Calibani. All else was icing on the cake.

I decided to base Calibani's personality on Miranda from The Tempest - i.e. a sweet girl who is both wordly and naive, who understands the strange setting of our "lost at sea" story far better than the audience viewpoint character does, but views the mundane world of the audience viewpoint character with wonder and naiveté. In fact I almost named her Miranda outright... except I already had a character in the setting I chose for this story who had that name, and as an allusion to the same Shakespearean character no less. So I settled on naming her after Miranda's adoptive sibling (of sorts), Caliban - more fitting in some ways, as Caliban is a fish-human hybrid who is arguable more native to the magic island in The Tempest than Miranda herself.

(Calibani isn't the only Tempest name homage, either - her mother, Sycorax, takes her name directly from Caliban's unseen but oft-spoken of witch mother. Dr. Antonia Warefore takes her first name from Antonio, one of the human villains in The Tempest who hopes to use being lost at sea as a way to perform a coup. And the mothman Iriel takes her name from Ariel, the wind spirit in The Tempest who aids the wizard Prospero in controlling the magic island. If Sailor has a "real" name, it's probably either Ferdinand or Miranda, the two lovers who manage to blend civilization and the wilderness together with their romance.)

Visually, I wanted Calibani to not be any common archetype of sea monster woman, but rather something that evokes the popular images while still being her own thing. She's not a mermaid or a siren or a selkie - she's basically "what if a sea serpent was also a girl." In-universe, she's chubby because she, like all marine megafauna, needs blubber to survive. Out-of-universe, she's chubby because I've found that routinely drawing cute chubby girls is good for my mental health.

Part 3: CYOA

Now, while we live in a post-Muncher society where shame and cringe are emotions only the cowardly should experience, I am nonetheless Very Catholic about expressing my own feelings of, like, liking girls and shit. I cannot help feeling guilty when publicly expressing adoration of women without, like, an excuse - it's gotta be a joke or something, you know? I can't be genuine about it, or else Jesus will beat me with a cane for disrespecting women with my lecherous gaze.

But luckily I've cultivated a loyal audience of fellow monsterfuckers, which meant I had an excuse lined up: if I made this a choose your own adventure type deal, a story with audience participation, then you all would be my accomplices. And Jesus can't cane all of us! He doesn't have enough hands! I found a loophole bigger than his stigmata!

Plus I love collaborative story-telling - there's a thrill in not having total control of where the narrative is going. As Brennan Lee Mulligan must know, there's a joy in having to deal with the chaos thrown your way by letting others grab the figurative ball, even if just for a moment.

Part 4: Offbeat Melody

Since I did not want to set this story in Midgaheim, I decided to steer myself away from a vaguely medieval setting altogether. But I also didn't want to limit myself with the need for "realism" that putting it in a normal sea would require, and making a new setting whole cloth would start pushing this project into "not easy" territory.

Luckily, I had a setting lying around that I hadn't played with in a while, which just so happened to have a location that was PERFECT for the sort of Never Stop Blowing Up style madness I was aiming for. For a few years I ran a Monster of the Week TTRPG campaign called Offbeat Melody, and one of its core setting elements was taking the goblin universe hypothesis in paranormal science (yeah it's a real hypothesis) to an illogical extreme. We had specifically seen glimpses of the Sea of Monsters in Offbeat Melody, i.e. the parallel universe where monsters like Nessie, Ogopogo, Champ, and the like all hail from. Well, why not have a whole story set there? It's literally a universe devoted solely to creating sea monsters - what better place to strand our modern Odysseus?

Offbeat Melody was always sort of a Never Stop Blowing Up project, or at least NSBU adjacent. Some of my most unhinged story-telling moments are in that campaign - you could make a supercut of just the "commercial breaks" in the various sessions and it'd basically be an I Think You Should Leave episode. Taking one obscure corner of its multiversal world and exploring it in detail was perfect for this project.

Part 5: Monster by Monster

With our main romance as sorted out as could be for a CYOA story, it was time to figure out the "episodes" of this sea voyage. I settled on there being ten to roughly align with The Odyssey - just in terms of number, mind you, not in a one-to-one comparison. The first was, obviously, Calibani herself, which left nine more slots for me to fill with monsters. Let's go through them together in brief:

Tree Storks - any lost at sea story eventually has to get its protagonist into an island at some point, but this immediately begs the question, "Why don't they just stay on the island where it's safe?" The answer to that question has to be, "it's not safe there, actually." The Odyssey does this quickly and cleverly with a one two punch: the first island seems safe until you realize the food on it brainwashes you into forgetting everything except your desire to eat it, and the second island is full of delicious sheep but also giants who will eat you just as easily as they eat the sheep. When other islands show up in the story later, you immediately regard them with suspicion, because you don't know HOW they're going to be fucked up, but they definitely will be. My goal with the second episode was to establish the same sort of danger - that land is NOT safe, that islands WILL be fucked up and dangerous in ways you might not expect.

I also wanted to establish that this is not just a sea of monsters, but a very WEIRD sea of WEIRD monsters. It couldn't be any old monster on this island - it had to be one that was unique, unexpected, and maybe just a bit silly while still being menacing.

I've always felt that there's a lot of un-mined horror potential in storks, cranes, and herons - any bird with a long neck and spear-like beak it uses to stab smaller creatures from above. Just imagine yourself in a frog's place in the world - tiny, going about your business, when suddenly something shoots down at you from above and impales you before you even feel the shadow fall over your face. Or perhaps you did see the shadow - some of these birds spread their wings to create shade specifically to attract fish, and then spear the poor little bastards.

Well, what do people often look to islands for when out at sea? Shade - the shade of a palm tree. And palm fronds kinda resemble feathers, don't they? Wouldn't it be both ludicrous and terrifying is there was a stork big enough to mimic a palm tree - and wouldn't that be a DEVIOUS trap for a sun-drenched sailor to fall for? So the Tree Storks were born.

The Globster - I made a list of sea monster archetypes in the early planning for this project, and one I wanted to include was a kraken, i.e. some sort of tentacled sea beast. But I didn't want to do JUST a big squid or octopus, or even a riff on them. I wanted to take the idea of "big sea monster with lots of tentacles" into a stranger direction.

Since the Sea of Monsters is explicitly the home universe of lake and sea monster cryptids, I thought it might be fun if ASWaM's kraken equivalent was a globster - just a big ball of rotten meat. I love drawing monstrous faces, so I decided it'd just be, like, MADE of hideous rotten faces, all melting and congealing together, with its tentacles doubling as the tongues of its many mouths. A perfectly wretched image that, like the Tree Storks, would do well to establish how Fucked things could get in this setting. Plus similar monsters had appeared in Offbeat Melody, which would make for a fun sense of familiarity for the, like, five or so readers of mine who had listened to that campaign before.

Captain Peter & the Dolphin - Another thing I did in the early planning stages of this project was make a list of the different sea voyage stories I know and love, the most contentious of which is The Life of Pi. That's a story that I love on a literal level but kind of hate on a figurative level - its whole theme/message is that doubt is the worst thing you can have, that if you don't commit to believing something with zealous conviction you are a coward. As a person who thinks doubt is valid, that "I don't know" is sometimes the ONLY truly valid answer to a question, I have issues with that message.

But I can't help loving the beautifully ludicrous idea of a non-anthropomorphic tiger sailing the ocean on a big Odyssey of its own. Like, if that story didn't actively hate me for being agnostic, it would be one of my favorites.

So I decided to, you know, just steal the idea of a tiger Odysseus. The tiger in The Life of Pi is named Richard Parker. Richard Parker also happens to be the name of Peter Parker's dad. Hence we get Captain Peter - the figurative son of Richard Parker, if you will. And to ratchet up the absurdity of a tiger Odysseus, I made him a pirate and the sole sailor of his voyage. Somehow, this tiger has manned a boat on his own.

Captain Peter was intended to be the hero of another story - a sign for the readers that it IS possible for a stranded person (or, in this case, tiger) to survive out here. To that end, he had to rescue our heroes from another threat, but not one that would be interesting enough to take the focus off of the tiger pirate. Originally I planned for that threat to just be a big shark, but I ended up liking my shark design too much to put it in a role that small, so I quickly designed a nasty dolphin for the role instead. I think that worked out well, honestly.

Dr. Neptune - Episodes 5 and 6 were the mid-point of this journey, so I wanted the two monsters of those to escalate things significantly. I figured episode 5 was probably a good place to FINALLY give some meaningful exposition on what was going on, and there are a lot of stories about mad scientists doing weird shit on islands in my big list of sea voyage stories I love. So we get Dr. Neptune, a classical brain-in-a-jar mad scientist who's affable enough to give more-or-less accurate exposition but loony enough to be a problem. This also felt like a good spot to remind the reader that Calibani is not just a girl with a tail but rather a Sea Monster herself, and one that we'd been making stronger by allying with.

With his human-but-not-quite nature and cyclops eye, Dr. Neptune could sort of be seen as the Polyphemus of this story, couldn't he?

The Crocodisle - One of the sea monster archetypes on my list was "the island that's actually a sleeping monster," of which there are many in mythology and folklore. My favorite is the Jasconius from the voyage of St. Brendan, mainly because it's more or less benign and actually comes back to help St. Brendan and his crew at the end of the story. I always love when I can find an old story with a friendly monster in it.

When thinking of my own spin on the island monster concept, I remembered the only Magic the Gathering card I had as a kid, which I still have and love to this day: The Sandbar Crocodile. This card already inspired Crocogon's color scheme in The Atomic time of Monsters, but I felt I could go to that well again one more time, and so made a crocodile that wasn't just a sandbar, but a whole damn island to itself. And, like Jasconius, it turns out he's pretty chill.

I did not think of the pun name "Crocodisle" until I was actually writing the chapter in question.

The Femdom Mermaids - These three were a late addition to the roster. When I had Calibani bring up mermaids early in the story, I realized as soon as I wrote her rant about them that we'd HAVE to meet some later on in the story.

The readers had significantly shaped Calibani and Sailor's romance by this point, and I decided that it could be useful to have a chapter that was devoted to showing definitively how these two were good for each other. I thought the mermaids could provide a good contrast: have them act out a seemingly more benign take on the monstrous sea women trope (they abduct our hero to protect and care for them!) only for it to quickly feel MORE deranged than Calibani's comparatively simple desire just to eat him.

The spirit of Calibani's rant about mermaids was taken from weird* girls I knew in high school complaining about cheerleaders, so I wanted the mermaids to look like the sea monster equivalent of popular kids to Calibani's chubby weird girl. Two of them got the names of famous beauties - Helyne = Helen of Troy, Clio = Cleopatra.

(*when I say "weird" I mean it in a complimentary and affectionate sense)

Bob, meanwhile, kinda... rebelled, I guess? Before I had names for them, I listed "bob" by her as just, like, a descriptor for her hair cut, but then I liked it as her name, and once she was named Bob she became more than just a mean popular girl. She was a weirdo too, the little punching bag of the two mean popular girls who did their dirty work and smiled through their abuse because hey, at least they included her. It gave the trio an easily defined dynamic, helped make two of the three more visibly nasty, and gave us comic relief in an arc that could very well have gotten too uncomfortable otherwise.

And I guess it worked - readers REALLY loved Bob, and were very vocal about it, and I realized mid-arc that I had accidentally made her too likable to just leave in this arc. So Bob got to be rescued from her awful friend group thanks to readers like YOU.

Lord Ironteeth - yeah, this was the shark that was too cool to be a minor threat. When I drew his noggin, I realized he would need a chapter of his own, one with gravitas. I decided he'd specifically be the threshold guardian -once we beat him, we'd know for sure how to get home, even if there were a few more threats in store.

Spindle Inc and Sycorax - when I was a kid I used to have this recurring nightmare about being on some sort of underwater sea station that had this huge sea serpent trapped inside it. I'd look at the sea serpent from a window within the station and see it coiling in its tank, only for it to look at me with fury. In that glance I would suddenly realize two things with absolute clarity: first, it was going to break free and kill everyone, and second, we deserved that destruction for what we had done to it. The terror of the dream was less that the sea serpent was going to break free, and more the guilt of knowing that all the mayhem that was about to unfold was our fault to begin with.

I thought that would be fun to homage with the penultimate chapter of this story. OBVIOUSLY the sea serpent was Calibani's mom, obviously the trauma of its capture was why Calibani grew into a predator that specializes in hunting humans, obviously we would have to free the sea serpent despite that running counter to Sailor's goal of getting home. Easy, easy, easy plot point to include.

Spindle, Inc. is the primary antagonistic force in Offbeat Melody, so they easily slotted into the role of the arrogant humans who captured this monster for nefarious and selfish motives. They could tie a lot of other plot threads together too - Dr. Neptune was a scientist who worked for them as a contractor only to get screwed over (i.e. they stranded him in the Sea of Monsters, expecting him to die, and then used his research to make their own base of operations in it), we'd learn of him through a spindle briefcase left behind by some unfortunate rogue agent who got eaten by the Globster while he was trying to escape, hell they could even be one of the possible origins of Sailor themself (more on that later). Very useful villains, Spindle.

The Abyssal Mother - I knew the last sea monster would need a lot of punch to it. I briefly considered just a big whale - the Moby Dick to Spindle's corporate Ahab - but it felt underwhelming after all that came before. So I went for arguably the most dramatic possible sea monster, a full on Cthulhu-style elder god. If you're a frequent follower of this blog, you might know I have particularly high standards for Eldritch Abominations, so I realized this was going to be a pretty big challenge for me to live up to, and decided to keep the cthulhu in question reserved to the last few entries as a result - the less it appears, the less it has to live up to.

I realized I had a good angle when my experiments with the Cthulhu "squid for a head" concept ended up having a face framed in shadow - you know, the same visual that our protagonist has in most appearances. That provided some very juicy parallels between the two that made this final monster feel particularly noteworthy to me, ones that I'll leave you to ponder, since they tie into...

Part 6: Themes

I did not set out to have a theme in this story. I just wanted to make a sailor and a sea monster kiss. That was my only goal.

But I really don't begin with theme in ANY of my writing. I figure out topics I want to address, but for all my novels I feel like the themes didn't start coming together until about halfway through the first draft, when enough of the elements of the story had been set down and interacted with each other enough for me to realize what I was saying with them. A huge part of my second and third drafts for my novels have focused on making the themes of my stories more concrete and unified.

Well, ASWaM is very much a first draft of a story, but it's a simple enough story that I think the theme found itself pretty well despite lacking subsequent drafts to refine it.

ASWaM is about doubt and direction. It's about being adrift in a world that is in many ways hostile by nature, about not feeling like you're where you're supposed to be or even WHO you're supposed to be, and about setting off aimlessly in the hope that maybe you'll find your way to that mythical land of "what my life is supposed to be."

When I began the story, Sailor had amnesia and wore clothes that obscured their identity as a way to make it easier for anyone to step into Sailor's role. Sailor had to feel like You, the Reader, and so we don't know their name, their gender, their eye color, their hair color, even their skin color (note that their hands are always wearing gloves, and their face is always in shadow).

But it also meant Sailor is, well, undefined, at least at the start of the story. Sailor doesn't know who they are, what they are, how they came to be. Sailor feels distinctly that they should be Something Else, should be Somewhere Else, should be Someone Else, should not be who/what/where they are. Sailor is plagued by doubt, by a need to go in a different direction, by a need to be other than they are.

This initially contrasts with Calibani, who begins the story very confident that she is doing exactly what she was designed to be doing and acting exactly like she should be. As they interact, they begin to shift each other in opposite directions - Calibani questions her existence and nature, sometimes to a self destructive degree, and Sailor begins to find something about who and where they are that they like. They find a healthy middle ground together - doubtful enough to want to be better people, but with love for themselves that allows them to not feel the need to up-heave their lives entirely.

I knew at the start that I would build an expectation for there to be some answer to the question of who Sailor is and where they came from, because those are the questions that begin the whole narrative. I brainstormed a number of answers to those questions, but once I got a few chapters into writing the story and saw this theme of doubt developing, I realized I couldn't answer them. From a thematic standpoint, the doubt HAD to remain. So I gave hints to possible answers, bits of evidence to support the possibility of them being true, but never planted a smoking gun that answered it for sure.

Sailor can't know the answer because NONE of us know the answer. Outside of blind Life of Pi style faith, you cannot know for sure that you are living the life you're supposed to live. All you can do is figure out whether you're happy with the life you've got, or if you need a change. Sailor will never know who they are supposed to be, but they did learn who they are, and they love that person now.

For those curious, the possible Sailor origins are:

Occam's Razor: they're exactly what Dr. Neptune theorized, i.e. a human who got stranded in the Bermuda Triangle (or the Devil's Triangle or any other number of paranormal triangles) and fell into the Sea of Monsters. The trauma of that experience gave them amnesia. It's just brain damage and bad luck.

A Spindle Experiment: Dr. Warefore mentions that Spindle has been trying to find a way to make a human who can evolve like the denizens of the Sea of Monsters. Sailor may well be an attempt to do just that, perhaps one they wrote off as a failure and abandoned (they do that a lot)

A Deep One: Sailor is the offspring of one of the denizens of the Sea of Monsters (most likely the Abyssal Mother herself) who has somehow been tricked into believing they are human, to the point where they seem to be human to everyone else, even other monsters. Maybe a human summoned a sea monster to breed with on earth, and Sailor ended up being subconsciously drawn back to the Sea by their blood. Maybe Sailor never actually lived on earth at all, but was only made to THINK they had as part of the transformation into a human.

The Platonic Ideal of a Sailor: the Sea of Monsters is full of archetypal concepts, and arguably a sailor trying to find their way home is just as archetypal as any sea serpent, mermaid, or kraken. Our only proof that humans aren't native to the Sea of Monsters is Dr. Neptune, and he's not as reliable an expert as he claims to be.

This theme of doubt and direction also made the compass more important to the narrative than a simply mechanic for audience participation - a compass, after all, gives direction, and the feeling that Sailor is not where they're supposed to be, that they need to head in a different direction, is ultimately the catalyst of the plot. The compass is, in many ways, the antagonist of the story - the force that keeps Sailor from accepting themself. I realized this a little after I started making the different directions have personalities - initially they just represented broad concepts (North = follow conventional wisdom ala the North Star, South = preserve your short-term self interest at all costs, East = act with curiosity and be willing to take calculated risks, and West = throw caution to the wind and do anything that seems novel and exciting), but over time they became little characters themselves.

Since it was our thematic antagonist, I decided to pepper in some ideas about what the compass might be in-universe - and, in a move that would no doubt frustrate the compass, we also don't know for sure which of those is "correct." Is the compass a poltergeist, some amalgamation of dead sailors who try to steer other lost souls home? Is it a malign entity that leeches off of those desperate enough to seek its aid, living through them while pretending to aid them? Is it a device Spindle made to lure sailors to their clutches, OR to guide their experiments in human/monster hybrids? Was it a cursed item that forced a sea monster to assume a human shape? Who can say - the compass sure can't, it can only tell you a direction to go in.

Part 7: Q&A

Since this was an interactive story, I felt it was only fitting to add one last interactive element to this post-script write up, and some of your happily obliged me by sending in questions.

When I noticed how fast readers were falling for Calibani, I figured there was a good chance we'd end up staying in the Sea of Monsters. By chapter 7, I figured it was more or less a given, and by the end of the Lord Ironteeth encounter I was almost 100% sure Sailor would remain at sea. There was always a chance, though - while a look at the polls shows that the audience got more and more on the same page towards the end, there were always dissenting voices, and the desire to get an answer to the question of Who Sailor Was remained strong, as a number of people kept trying to find angles where they could get that AND stay with Calibani.

I was surprised early on by how easily the audience fell in love with Calibani, to the point where I made a few posts commenting on it. I mean, I shouldn't have been - as I said earlier, I have cultivated an audience of fellow monsterfuckers on here, and I know at least a few of them saw my bait and knew they could get me to be freaky in a way we found mutually agreeable (thank you all again for helping me escape being caned by Jesus for being horny).

Like, we REPEATEDLY ignored developing the plot in the Tree Storks chapter for several days just to spend more time with Calibani - something that I enjoyed immensely (this whole thing was an excuse for me to write and draw a cute chubby sea monster girl as much as possible aftter all) but also knew as a storyteller was not what most would consider a good story call. I like how it turned out, but it defied conventional narrative wisdom, you know? I was surprised.

On the other side of the coin, I was also surprised by how the audience NEVER chose an option that was humorously disastrous. I gave plenty of them, and, like, generally in collaborative storytelling there will be at least one moment where your collaborators decide to do the really, REALLY stupid thing that makes everything spiral out of control really quickly. I figured at least once the audience would choose the troll response, but no, you guys worked hard to keep Sailor and Calibani alive. You refused to let them hurt each other, refused to let them throw themselves into danger, refused to imperil them for your own chuckles. It was very sweet and unexpected.

I say "you refused" but to be fair it's not like NO ONE voted for the troll options - they generally got a handful of votes, just one that was beaten by a landslide of more reasonable options. Hopefully those of you who voted for the troll options enjoyed Bob throwing you a bone by disintegrating Dr. Warefore - that was my consolation prize to you.

Yes. I knew at the beginning that there would be two endings for this story: either Sailor leaves the Sea and goes home, or Sailor stays there forever. Or, you know, Sailor dies as a result of you guys choosing several stupid options in a row, but as stated above you guys avoided those scenarios pretty decisively.

Had Sailor gone home, the following would have occurred: first, they would forget everything that happened in the Sea of Monsters. Second, they would wake up in a hospital, having been found in the Atlantic Ocean by a human-recovery charity run by... oh, isn't that funny, some tech company named Spindle Inc! Spindle would foot the medical bills and even offer Sailor a job, but Sailor would decline because even now they're still not sure what Spindle even does. Sailor would go back to their life and find it familiar and utterly mundane, but not particularly happy. Their father died when they were 18, their mother was never in the picture, they have no siblings. They worked an office job and were sort of a nonentity - that position has long since been filled, but Sailor gets a new job and lives out much the same life: simple, mundane, dreary. Every now and then they get a pang of desire to leave, to go to sea, but they push it out of mind. They never even see the ocean again as long as they live.

Sailor would have gotten the normal life they thought they were supposed to have, the normal memories and name and identity, the mundane life of a normal person. And they just had to trade everything they found in the Sea of Monsters to get it. A question is answered, a direction is followed, but is it the right answer, the right direction?

Well, I think doubt would have remained.

I had a very vague idea for there to be some sort of man-eating giant in, like, a crystal castle. He got cut to make way for the mermaids.

I wanted to fit in a big whale and a giant crustacean, but there wasn't room or an interesting angle for me to want to make room for them. Saved for a possible sequel, I suppose.

I also wanted to have a scene with, like, DOZENS of sea monsters, including some of the ones from Offbeat Melody, but the goal of "this should be EASY you dumbass" made me kill that idea pretty quick.

Thank you!

The primary inspirations were:

The Odyssey and Epic: the Musical

The voyage of St. Brendan

The many "weird shit happens on an island" movies in Toho's filmography, i.e. Godzilla vs. the Sea Monster, Son of Godzilla, Yog Monster of the Deep, Matango, etc.

The Island of Dr. Moreau

The Boy and the Heron

Ponyo (specifically Ponyo's parents - I wanted Sailor to have the same desperate energy as that wizard who fucks the giant sea goddess)

The Life of Pi

Slay the Princess (perhaps most obvious in the use of second person narration, multiple voices in the protagonist's head, and falling in love with a creature that has tried to kill you at least once)

I'm going to use this to springboard to a related point in a second, but first a genuine yet humorous answer: Yes, absolutely yes, I am enough of a big romantic sap that I would give everything about my life away to be with a person who loves me and explore a world of monsters in a heartbeat. Hell, I would have jumped in the water the minute Calibani asked and died with her fangs in my neck and a smile on my face. I am dumb this way. Do not follow my example.

On that related point, though... Most stories like this, I daresay ALL stories like this that I know of, end with the hero abandoning the fantasy world in favor of reality, never to return. And that seems like the proper choice and lesson on the surface - we don't want to tell audiences to give up their real life in favor of a fantasy, after all. That's encouraging escapism, and that's not healthy!

But, like... textually speaking, the fantastical world IS real to the characters in these stories. And it's often not really an escape - was Sailor's life devoid of conflict and suffering in the Sea of Monsters? Fuck no! It's just that they figured out how to deal with that conflict and suffering - they built skills and a support system, they adapted, they learned how to overcome what was there.

I think it can be argued that sometimes the return to a "normal" world is, in itself, an escape - the idea that your life can spiral into chaos but that's ok, you can just reset everything and go back to The Way It Was and Should Be is just as unrealistic and unhealthy an idea as You Should Escape to A Better World. Sometimes your plans for your life fall apart, sometimes you're thrown into a place you never intended to go, sometimes you have to learn skills you never anticipated needing and ally with people you never thought you'd befriend to deal with problems you never dreamed you'd have to overcome. And sometimes it's ok to look at your derailed life, your Not Where You Should Be life, and say, "Well, I've learned how to live here... maybe I can stay."

Especially if there's a cute chubby sea monster girl who loves you.

Bob was never supposed to appear past chapter 7, but about halfway through that chapter I realized the audience and I myself would be heartbroken if we didn't rescue her. Definitely for the best - she provided some well-needed comic relief in the final chapters.

This is gonna sound snarky, but, yeah - there were 58 choices with four options a piece, and we only chose one of the four. While some of the options would have similar results, almost none would have had identical outcomes. And some would have been VERY different.

Like, to go back to the beginning: when Calibani attacked, we could either throw a net on her, harpoon her, try to drive around her, or hide below deck. We picked the net, but for the other three options:

Harpooning would result in us hitting her in the thigh, causing her enough pain that she collapses on our deck and we, horrified at the violence we committed, just sort of push on. Calibani would be wounded for at least the next chapter, perhaps longer, and significantly weaker (and probably harboring a great deal of hidden resentment while also being genuinely scared of Sailor). She would be vulnerable during the stork attack, forcing Sailor to take a more active role in that chapter.

Trying to steer around her would result in us essentially fighting her with our boat, resulting in the boat capsizing and Calibani getting tangled up in it. We'd wake up alone on Stork Island and have to travel in search of our boat, alone and vulnerable among man-eating trees. We'd run into Calibani again, also beached and in trouble, end up recruiting her to help us get our boat out of the sand.

Hiding below deck would end in a sea storm that leaves us inside our boat as it's beached on Stork Island. We'd fend off the storks alone, and run into Calibani once we get our boat out to sea, as she got away more or less unscathed.

All of these would have majorly changed the trajectory of our relationship with Calibani and our identity as Sailor, despite seeming to have the same component parts on the surface. Now account for how similarly slight changes in the other options could have gone, and we could have had a very different story indeed.

Part 8: Our Girl

I just think she's neat!

[planar-river-road]

wyrm brings up several good points but I really want to double down on Cauldron's lack of control when it comes to making power vials. As far as I remember, they were still regularly producing Case 53s at the time of the story because they only had an incomplete understanding of how the shards worked. (They managed to figure out how to make safe powers well enough to run their power brokering scheme, but I wouldn't be surprised if a couple of those customers also died or turned into Case 53s simply without them admitting to it afterwards.)

Moreover, they still kept letting people like the Slaughterhouse Nine run around because they were desperate for more natural triggers. The Triumvirate existed for years because they couldn't make a reliable supply of Triumvirate level powers (and the last time they succeeded they got one of their own killed for it). If there was a single thing they were honest about it was that their ultimate goal was to kill Scion (and the Endbringers as a stepping stone/proof of concept). If they'd had a way to reliably produce S-Rank powers I think they would have been stocking up like crazy, everything else be damned.

Also the power curve in Worm is steep. Making or finding more powers in Worm is indeed trivial. People who can punch through a wall or very quickly move to the end of the block are a dime a dozen. People who can smash through a full building or move across a whole city in seconds are extremely rare and/or have some very specific and annoying limitations on their powers. A lot of the actual S-Rank parahuman threats in Worm are S-Rank because they're impossible to take down (Crawler, Jack Slash, Butcher, Lung) or their powers are self-propagating (Bonesaw, Nilbog, Noelle, Amy). In contrast, the Endbringers are considered on a level of their own despite the fact that they're sandbagging hard. Parahumans on a power level of global mass teleportation aren't impossible or even strictly unique, but they're still really fucking rare.

This discussion of superhero logistics reminds me of an element of Worm's background worldbuilding that I've always found really interesting, which is that the heroes are running out of teleporters. They had a cloak-style mass teleporter, Strider, who was apparently indispensable for troop deployment at Endbringer fights, but he didn't get the hell out of dodge in time so by the Behemoth fight they mention having to seriously kludge other not-as-good powers to get everyone on-site on time. No one dies forever in comics so the question of "what are the risks of one guy's powers becoming indispensable to our organization" isn't as salient, but here goes Worm, gesturing at the idea that you might just get super fucking unlucky because you became organizationally dependent on a couple golden gooses who you inexplicably keep bringing to live fire situations. If they weren't hard to replace, they wouldn't exactly be superheroes, would they?