#to see if I'm ''too weird'' or not. while having no frame of reference for how normal people act

[hoofpeet]

Seeing how far I can push vent comics before they stop being relatable part 300... I am "going thru it" as they say.. doodles paired with a long journal entry once more 👍

[uravitypng]

pseudo/faux - brother & sister ((toru-nii?)) ??? -oikawa x chubby reader HEAR ME OUT GUYS TORU WOULD HAVE THESE PERVERTED FEELINGS ABOUT SOMEONE WHO GREW UP TOGETHER LIKE SIBLINGS !!! (i've been thinking about this for the last couple days so i had to write it but go easy on me, first time writing this concept.) (there's probably mistakes in this, i wrote it before bed, i'm sleepy, sdfgchjvs)<3 (dark content)(MDNI -18+)(always check the warnings on my writing)

you're the younger sister of hajime by a year and you've been close since you were kids, you were his number one supporter. even though you were a year apart you spent a lot time together because you didn't have many friends you had joined the volleyball team as the manager so you could spend more time with him.

because of hajime it meant that you grew up surrounded by toru as well. you were so close you even called him toru-nii, he was like family, an older brother like hajime but toru didn't see you like that, not anymore...

once he had been your protector from bullies and your tutor to help you pass difficult classes you didn't understand but that was a long time ago now, you're not kids anymore.

in your eyes he's still your toru-nii, just like hajime is your nii-san. people say you need to stop calling them such childish nicknames now that you're in your adulthood but you ignore them, it doesn't sound right coming out of your mouth when you call them their names.

toru doesn't know when his feelings started to change towards you, he doesn't know when his innocent feelings became warped, when he started to feel guilty. all he knows is just one day you came running up to him wrapping your arms around his neck and hugging him, your soft body pressing against him, you hadn't seen each other in weeks since you've both been so busy and barely had any contact at all through texts. oikawa hugged your back just as tightly that day.

all he knows is that day something changed within him, he wanted to hug you all the time, wanted you on your lap. he wanted you to go to every single game of his and wear his oversized jersey, imaging how it would cling to your round frame. he wanted to kiss your chubby cheeks and take you to fancy restaurants. he wants you.

it became a problem that day, you grabbing his hand to take him where you want to go while you call his toru-nii, that should have stopped his feelings in his tracks but it didn't- he got hard. that was the thing that made him guilty, you referring to him as toru-nii made him aroused. he wanted you to call him it again, straight after.

an innocent nickname turned into something more.

to you nothing changed though, you didn't ever think of him differently. you knew girls fawned over him and objectively you understand why but it's weird for you to think about for too long. back at school some of your classmates would say how jealous they are of you because you get to spend so much time with oikawa and you agreed that you were lucky to spend time with him, just for completely different reasons.

what toru didn't realise is his feelings towards you weren't something that he was suppose to feel even when you were both younger. he excused it as an big brother being protective just like iwa is but it wasn't the same. it's not normal to disguise subtle threats with a smile whenever someone got a bit to close up and personal with you asking for your number, he wouldn't want them to hurt your feelings. it's not normal for him to offhandedly make a comment in front of a large group of people about someone who upset you, if a rumour gets spread around school about that person then so well. he did this all platonically of course... hajime would have done exactly the same... right?

so was it really a surprise that late at night he couldn't help himself but stroke his cock, bucking his hips up to meet his hand. wet sounds echo around the room and toru lightly applies more pressure when his hand hits the base of his pelvis. his other hand holds onto his sheet tightly as he groans and moans picturing you there with him.

he starts talking like you're there with him, imagining you bouncing on his cock and your plump figure laying underneath him. stomach rolls squished together when when he's pushed your legs up against your chest and body jiggling with each thrust.

"feels so good baby, you make me feel so good. i know- ffuck- i know i'm big baby but you can take it, can't you. let toru-nii look after you." as soon as he says 'let toru-nii look after you' he cums with a moan of your name.

with every single night that passes he feels less guilty. this weekend you're planning to stay at his for a few days instead of getting a hotel. oikawa knows his walls aren't very thick. 'maybe she'll decide to help her poor toru-nii out. maybe she loves her toru-nii like i love her.'

[beefycupcakes]

I watched the Cars trilogy recently and with that came a wave of nostalgia and a strange desire to make my own designs for the cars as humans. Aka taking all the charm out of Cars but scratching the brain itch.

So, no need to drag out the intro any longer, I have some notes written out about em for those who might be interested or just bored.

Lightning McQueen:

I tried to make his suit look as professional as possible, with references pulled straight from McQueen's paint job/stickers, while also keeping in mind that I do intend to draw him more so I didn't want to go too crazy with the design. In a perfect world I would've let my maximalist cravings win, but alas let's keep it digestible for my sanity.

I feel like everyone's kinda on this unspoken agreement that McQueen as a human would pretty much look just like Owen Wilson, and that's the big picture here. I used Wilson as inspiration while tweaking and exaggerating a few things to my preference. (Okay, well not everyone, lmao.)

The chevron markings on the front cut off at the side seams not wrapping around the entire suit as to not clash with the sponsor logo on the back.

Also, he's wearing special gloves to help him grip & have control over the steering wheel. I think sometimes that looks a little weird when his sleeves are down & cuffed, but I just feel like he needs to have the gloves there— especially when he comes out of the top half of the suit. (It's also lowkey supposed to mirror his 4 tires when you consider his shoes are also black.)

So yeah, that's basically all I have to to say regarding Lightning McQueen's page. I feel like a lot of my design choices are self explanatory and, honestly probably shared universally... I mean, he's really cut & dry. (But I love him ⚡︎)

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Mater:

I'm not gonna lie, Mater was a bit challenging for me. I definitely had to step out of my comfort zone but I wanted to stay true to the character and not butcher anything.

My first thought was to give him a fishing pole to substitute for the tow hook— but then the more I was thinking about it, the more that felt so... out of place? Radiator Springs is in Arizona, which is (not entirely, but mostly depicted in the movie as) a desert. And even though there are beautiful bodies of water in Arizona, in the movie I don't recall seeing any prominent ones, at least in relation to Mater. So, scratch that, instead I gave him a lasso, which isn't supposed to entirely substitute for the tow truck— no, he still drives a tow truck, but the lasso is so he can grab people/things similarly to Tow Truck Mater (very cartoony). My explanation for this is the cattle ranch. Yeah, Mater is a tow truck driver but perhaps he has a side hustle, or hobby, if you will.

Also, I didn't want to make him... dirty(??) Like, yeah, of course, Mater would obviously get a bit filthy from time to time, it's just in his nature, but that is NOT going to be the core of my design. In regards to the rust happening on him, I felt like instead I would substitute this with being very tan. Again, Arizona is a desert. Because of this, he would take off his shirt often, and this would substitute for the missing hood like on Tow Truck Mater. The removal of the shirt also reveals just how tan Mater actually is.

It's his uniformed overalls that have his original aqua color, but from years of wear & tear they've been patched up with brown patches, this would also reference the rusting. The one strap is supposed to mimic the one headlight being broken, and I know that's a stretch, believe me, I wanted to do something with his eyes but eyes are not the headlights in the Cars universe..... think about this. Think about it really hard... if you know what the headlights are in the Cars universe then this actually makes perfect sense.

He is taller and wider than McQueen, which is a reference to the literal frame of their vehicle counterparts. (A little hard to picture with these images, but eventually I'll draw them together!)

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That's all I have to say really, but do let me know what you guys think! Gas it up and it might encourage me to make a part 2 with some of the other characters! Who would you like to see next? ♡ Thank you so much for reading & have a great day, Kachow!!

[hawkinasock]

I ADORE YOU. MORE ABUNDANCE YANQING AND YAOSHI. PLEASE.

So, can you please learn more tell about this theory?

(You draw beautifully.)

GAAAGHHHH this was the first thing I saw in the morning omg tsym <333 dw I've got my mitts on and I'll get to cooking o7 I assume you're asking me to explain the theory? Which I'll gladly do. Very long post incoming.

Essentially, the general idea is that Yanqing is related to abundance in some way, be it simply second-hand association, or he himself being an abomination/denizen of abundance himself - I personally believe in the latter. While I've made art of Yaoshi and Yanqing in a parental dynamic, it's not something I see as a viable theory, so much as it's just a fun little crack theory. Yaoshi is more likely a passive creator than an actual loving parent. There's a bunch of different interpretations for what Yanqing is and how he came to be based on the little pieces of evidence found in canon. One piece of evidence is his blonde hair.

As far as I can tell, the only other blonde Xianzhou characters are Dan Shu and Luocha (Luocha isn't a Xianzhou native himself, but he was a part of the quest so I'm including him anyway), both directly associated with the abundance, as well as Yaoshi themselves.

Interestingly enough, Dan Shu has the same hair part as Yanqing, but that could just be chalked up to design cohesion and framing the face/mask, rather than anything meaningful.

Edit: someone pointed out to me that Dan Shu's hair was initially brown, but after joining the disciples, it turned blonde.

Edit: I somehow forgot to include Phantylia, who has blonde hair in her third phase, and even a hair part. There's also a disciple of Sanctus Medicus in a cell in the shackling prison who also has blonde hair. Every character I've found who has blonde hair is either a disciple, or canonically connected to Yaoshi

(I considered adding Hongling, the fanatic fan in the stands of the Skysplitter, but I think his hair might just be dyed, which isn't too crazy an idea for a stan. Still mentioning him though, since he's a really weird character)

If you look closely at Yanqing's clothes, there's a reoccurring vine-esc pattern on all layers of his hanfu. They can also be seen on his sword. It doesn't necessarily mean much by itself, but it's an interesting detail I and others have noticed.

However, I want to point attention to Yanqing's phone case, because it's actually super interesting, and probably the most convincing piece of evidence imo. Not only does it relay the vine motif, but that to me looks like a leaf detaching from a branch and transforming into a swallow. If the characters' phone cases are meant to reflect their personality/reference lore elements, then this is probably the most blatant in terms of potential lore.

Edit: the little decals on the camera lense are in the image of Yanqing's hair ornament, which happens to look like a pair of leaves, midribs and all.

Speaking of swallows, has anyone noticed that there's flocks of golden swallows inside the roots of the arbor? I only noticed on my second playthrough, but I haven't stopped thinking about them since. How odd is it that out of any other bird, the arbor has swallows specifically. Of course, Swallows aren't Yanqing's motif alone, as the wardance teaser silhouette's have what look like swallows in the background art, but I still think it's important to bring up, considering Yanqing is literally COVERED in them, from his ornaments, to his swallow tail-shaped coat tail, to his entire playstyle.

Low-quality ss of the swallows for reference.

Luocha also has a line about Yanqing that, setting aside any theory-crafting, seems pointless. He has nothing to say, which, if he was truly genuine, what purpose does this line even serve? I can't infer much from the delivery of the other languages, since I have no knowledge on them or their social cues, but in en, the tone is very... discreet? It's just the way he says it is very off, like he's being dishonest. Too quick; too matter-of-fact; It's artificial honesty. I hope you get what I mean lol. I can only assume the va was directed to say it that way for a reason.

A passage from Yanqing's 2nd char story reads: "It's recorded in the military annals of the Cloud Knights how Jing Yuan came to discover the young boy, stood his ground against public opinion, and incorporated him into the armed forces. However, in the family lineage column, Yanqing's lineage was relegated to the category of unknown."

From Yanqing's 4th char story: "Some speculated that he [Jing Yuan] was cultivating an heir, others claimed he only kept him around just to use this kid as a secret weapon. Jing Yuan never offered a response."

Jing Yuan is really suspicious. Like, incredibly suspicious. Even more than Luocha. Yanqing is already known to be an orphan, but the lack of clarity over the details of Jy discovering him, as well as the fact that he has no known relatives in their database is very odd. Speaking to Jing Yuan's npc in-game allows the player to inquire about Yanqing's origin, but Jing Yuan's response is far from helpful. You'd think the man who decks out his Lieutenant in protective charms and locks, and who raised the kid from, at oldest, toddler years, would be a little more eager to spurge on about stories from Yanqing's childhood, but he instead chooses to dance around the topic and make light-hearted remarks about Qingzu's furphies. Obviously, you can't and shouldn't expect to get all of a characters lore in one serving, but revealing so little definitely implies a lot more, as we've seen with Luocha.

These details are the reason why, if Yanqing does turn out to be related to the abundance, be it a spawn of the arbor, or a creation of Yaoshi themselves, I believe that at least Jing Yuan knows and is keeping it all under wraps. Maybe the whole reason Jing Yuan assigned him as his aide in the first place was to keep a close eye on him. Rather ironic a general of the hunt would risk everything to protect the thing he's sworn to destroy.

But that's just my two cents. Thank you anon for giving me a reason to spurge about this theory finally, as it's become so dear to my heart.

More art will be posted as I go along, so don't touch that dial.

[beaniegaebie]

i don't really have any solid conclusions about this yet but i noticed A Thing in a rewatch and i haven't found it mentioned elsewhere yet so here we go

(apologies for the appalling image quality you're about to see, i can't screenshot easily rn pls bear with)

OKAY so in the scene where crowley confronts gabriel about "shut up and die", something about the arrangement of book stacks caught my eye a little

the majority of the books are angled so that we mostly just see the page edges and not the spines clearly, EXCEPT for a particularly shiny and familiar colour combo right here-

but nothing too weird going on there, i thought, crowley coloured books in a bookshop so what? right up until i registered crowley's line when we get a closer look-

hhhhmmmmMMmmmm yes yes "everything just the way you wanted" huh, very interesting considering that we know how much thought goes into props huh

and for most of the shots we get of crowley in this position those freaking books are just quietly nestled right there in the corner-

look at that god damn framing i fuckin see you, you glorious bastards

so i paused to see if i could figure out what the hell was up with those fuckers and this is when i absolutely lost my mind, your honour

A and C you say?? in crowley colours???? framed like this?????? localised entirely within your kitchen???

anyway long story short they're two books from an Agatha Christie Crime Collection set (24 volumes, three stories per volume) and guess whats on the mfing front covers I'm-

(its a rant for another post but when paired with this other set of initials spotted in s2 i want to scream actually)

ANYWAY back to the books, through an absolutely unhinged comparison of the formatting of gold text blobs i reckon the two we have here are:

(on top) The Pale Horse; The Big Four, The Secret Adversary

(on bottom) 4:50 From Paddington, Lord Edgeware Dies, Murder in Mesopotamia

(I'm fairly confident but if anyone has a better image to confirm/correct this pls do)

now here is where I'll need a bunch of help from some Christie-heads out there bc I haven't read any of these and I've only seen the tv adaptation of one of them, so i dont know for sure if these are like A Clue, or A Cool Thing, or if I've just fully brainrotted myself into a fun lil corner here? wa-hoo

but here's some initial stuff that jumped out at me after skimming the basics:

(some of) the titles: Pale Horse/Big Four - death's horse ofc, the four horsemen mayb? the them+adam?? ; Mesopotamia is a very biblical choice bbz ; 4:50 From Paddington- azi likes trains i guess? idk that one's tenuous lmao ; honestly no idea with the other two but Secret Adversary feels a tad ominous

iirc Big Four just has kind of an unusual history, it was initially twelve short stories that she later compiled into one, and it was published fairly soon after christie's mysterious disappearance/reappearance

in Big Four, poirot fakes his death at one point and doesnt even let hastings in on it and I'm hoping sure its totally irrelevant to the ineffable bois

part of the Pale Horse story is a group of assassins that basically try to pass off all their murders as being actually caused by like ✨satanic powers✨ which is interesting

christie knew a fUCkton about poisonings thats why she wrote so many into her work and, while i don't believe the poison coffee theory myself, it sure is an interesting link with how cyanide is associated with almond smell/flavour and that metatron chooses almond syrup in particular

(ALSO random side note that is mostly meaningless but I've worked in a good few uk coffee shops and have never worked anywhere that stocks almond syrup; almond milk yes, hazelnut syrup yes, but never almond syrup...? prob just the places i worked though lmao)

EDIT forgotten point: I've seen some speculation that the bently's plate reading "CURTAIN" could be a reference to poirot's last story, along side that alternate scene of crowley ordering the sherry for "miss marple", its just one too many agatha christie references for my melted brain to handle and I'm SUS

so this is where i run out of idea steam and hand it over to you lot because i have no clue what this could mean, if it even means anything other than a cool set feature

is there something here actually or am i yelling into the void just for fun?

who knows, who cares!

[raconteur-wanpi]

One Piece 1130

Here comes another review / reaction!

Starting with the Yamato cover stories again, it seems whoever is the suspicious kidnapper is also trying to steal Yamato's katana! Or at least, I'm assuming it's the same person. I feel like this means we're going to find out who it is rather soon. Is my bet on Perospero going to be completely and utterly debunked? We'll just wait and see.

Franky and the rest of the strawhats remaining on the giants' ship seem to have decided to call off the search! It's certainly the right decision, because as we'll see later, the rest of the crew is indeed already on Elbaf. It's interesting to see Franky specifically showcasing determination and speaking out the decision, I kinda love it. You have to remember he was the leader of the Franky Family for a long while, nice seeing that element of his again.

The rest of the New Giant Pirates are starting to show up! I remember both Gerd and Goldberg, but getting more dialogue from them is nice, they seem like genuinely charming characters and I love both their designs. They even showed up in Vegapunk's flashback, helping out Saul pick up all the books in Ohara. They seem to not like Rodo very much, which is kinda funny but makes total sense. It's also worth mentioning that apparently, according to Linlin's childhood flashback, Loki, Rodo and Goldberg were all born on the same day, or at least very close to each other! (From chapter 866)

The strawhats unfortunately don't recognize these two, who are certainly their allies, so instead they hide away from them.

This panel of all of them making their escape from Rodo's weird creepy dungeon is pretty cute, I always love seeing the strawhats casually interact. Sanji saying he used to cross a rope bridge like this is very interesting to me, surely there was one in Germa, right?

* Edit: oops, turns out that's Chopper saying it! Big thanks for the corrections in the replies. It's really hard to tell, but that makes more sense, we do see that in Drum Island.

Anyway, Luffy seems to spot something that catches his interest during this walk-away.

Meanwhile, back on the ship with the Giant Warrior Pirates....

Dorry and Broggy have been framed for the Egghead incident by Morgans also! Well, they did go against the government, so it's to be expected. Their bounties increasing to such numbers seems to actually align with real life inflation rates, Oda did his research.

Aaaandd here it is, one of the biggest things in this chapter. Vivi left a message to the strawhats!!!!!!! Being with Morgans, she was obviously able to draw the marking on the photo before it started getting reproduced for publishing. Everyone predicting Vivi joining the strawhats this arc is probably correct, hopefully! Please let it happen. Go get your girl kids!!!!!!

OK, this is the other huge (pun unintended) thing revealed this chapter. More information on Loki and, well.... the revelation Harjudin might be his brother!? They're both the King's sons, right? They both get referred to as princes here, aren't they!?

King Harold is referred to as Loki's father here, so it's safe to assume he was Harjudin's father also. If this is the case, Harjudin going after the Flame Flame Fruit in Dressrosa makes more sense.

Hmm, this narrative is pretty interesting, Loki getting called things like "cursed", "the shame of Elbaf" "not right in the head" etc, it feels like pretty cruel words. Even if he is indeed a horrible and dangerous person, something tells me we're meant to be wary of people being spoken about that way, so it might be a case of the people of Elbaf taking their measures against this guy too far and pushing him into what he eventually turned into.

One Piece loves this narrative, when you have things like Wano's unjust treatment of the Kurozumi Clan or Doflamingo's treatment when he was a child. Yes, Orochi and Doffy did turn out into terrible, horrible people, but the implication of those narratives is that it's the systems that failed them that created those monsters. It's not to feel sympathy towards them or anything, they really don't deserve that at this point, but rather to understand how they were created, and that the people who unwittingly turned them into such dangers were in many ways in the wrong as well. After all, Tama is also a Kurozumi, for example, and Wano needed to get over their treatment of entire clans for the crimes of a few. We even see that with Yamato being hazed for his father being Kaidou in the cover stories, only for Denjiro to scold the younger generation for this behavior. Not to mention, "the shame of Elbaf" does immediately make me think of "the failure of Germa" and such similar things. In fact, if we wanna push that parallel further, Loki being almost married off to the Charlottes' in a similar way, might have in fact been an attempt at "getting rid of the failure" and letting someone else deal with him, rather than an attempt at making amends with Linlin. I do think it's most likely that Loki will be a bad guy, but I think there will also be a narrative on how cruelty breeds more cruelty. Oda's favorite!

And here he is, the "accursed prince". Wow, what a panel! This is such a good drawing in sense of scale and danger. Incredible artistic work. Immediately leaves such a strong impression on who this character is, it's quite the introduction!

[cripplecharacters]

This might be a bit of a weird question as I know this isn't a drawing blog, but do you happen to have any pointers for finding good reference photos for drawing cane users? I'm having trouble finding interesting/dynamic poses, and the vast majority of pose generator sites I've found don't even show people with mobility aids. Stock photo sites and google are also limited in their usefulness, mostly giving me very stiff poses. If you have any tips that would be great.

hello dearest asker!

I tried to be an artists once upon a time so let me direct you to some things that might help! Here is an excellent post written up by @deoidesign shows how motion and functionality with a cane works. Here is a post by @sparrowsocks on the cane design itself and the practicality of it. Here is another "How To" guide that is a bit more simple but covers how the hand changes with different handles.

Here is a reference of hands gripping cylindrical objects that I think might be a little helpful. Grabbing a cane or just moving it are all things that go into it too.

If you're going for more a historical setting, Here is a library of sources of historical walking sticks and canes. That source is more novelty canes and not for practicality for a mobility aid, but Here is another source for History and it has more practical canes.

Also things like old photo rolls when film was just becoming what we know today could be something helpful too.

[Image Description: A black and white picture roll of two sets with twelve frames in each. The first roll is a side angle of a man holding a can and walking then taking a right turn and walking back. The second roll is a backside angle of the man walking with the cane and then taking a right turn and walking back.]

We can see for example in the first two frames how the opposite leg moves with the cane.

And of course we have more photos from the Victorian era of men with canes. Granted canes were used largely for fashion but a lot of people did use them for balance and such too. Also they're good references for poses while holding a cane.

Another thing I can recommend is just watching videos of someone using a cane. Look up disabled YouTubers or people who do physical therapy videos and they show largely how movement with a cane should look and more.

If you're looking for dynamic poses I would recommend looking up cosplayers or models who are disabled and use canes. But also looking up disabled actors that use canes or similar mobility aids and go through their filmography is another good way to see references. A lot of disabled people who are artists also post their own photos and videos for art references specifically too.

One last thing is how the character holds their body and what type of cane they need is gonna depend on how they are disabled. Working that out and doing more research is gonna change some things. But also even though there is a proper way to use a cane, some people use canes in different ways to suit their needs and comfort. The biggest example in media is House from House MD and while Hugh Laurie isn't disabled, he does a pretty accurate portrayal of someone using a cane in an alternative way. I personally (when I was getting fitted for one) would use my cane very much as House does, and other people have said much the same.

Hopefully this helps in some way and your fellow artists may be able to throw more help in the notes. Happy drawing!

~Mod Virus 🌸

[ahgasegotarmy116]

He Doesn't Deserve You | A Jeon Jungkook Series | Chapter Four

Summary: You paths cross again in an unexpected way and you're not sure what to make of it all. Pairing: Noona reader x Jeon Jungkook (She's 28 and he's 22) Word Count: 1.5K~ Warnings: Implied yändere and mentions of signs of trauma because of it. (nothing too extreme) a/n: I wanted to put out another chapter but felt like it ended at a good point so I stopped it a bit short but the next chapter should be a bit longer to make up for it. Thanks for all the love and support on this story so far 🥰

"I'll be there in a second" I yell towards the front door, grabbing my purse so I can give the delivery guy a tip. Ruffling through it I look through all of the possible pockets in it to try and find the cash I had set aside for times like this but I can't for the life of me find it. 

"Perfect" I mutter to myself and roll my eyes, accepting defeat and walking over to open the door. "Hey Ian I'm so sorry I forgot to grab some cash I-" I start to ramble off before the person who I thought would be our regular delivery boy turns around. "You're not Ian" I say with a smile when I see who has happened to show up on my doorstep. 

"No I'm not, but you can call me that if you'd like" Jungkook says with a warm smile. "Hello Jungkook" I say, crossing my arms and leaning up against the door frame.

"What are you doing here?" I ask eyeing him head to toe for a second before looking back up at him. "Um, delivering groceries?" he chuckles holding up the bags with a crooked smile. "Where's Ian?" I laugh, all my worries from today suddenly fading into the background. "Sick, I picked up his shift" he explains and I nod my head in acknowledgement.

"So should I leave these out here or?" he asks trialing off and looking past me into my apartment. "He's not here if that's what you're wondering" I say, widening the door and stepping aside so he can get a full view of the place. 

"So can I come in? You know, so I can carry your groceries into the kitchen for you" he says, holding up the bags again. I stick my head out into the hallway, checking both sides of it and take a glance at the parking lot behind him before even bothering to say something. 

"Y/n" he says and I stand up straight again, my posture gone a bit stiff from the suggestion. "If it makes you feel uncomfortable I ca-" "No! No, um, it's fine you can come in" I say before stepping back and letting him through. 

"This is a really nice place you have here" he compliments, standing and waiting for me to lead the way. "Yeah, I like to keep things more on the simple side" I say in reference to the neutral color story I have going on in the living room. "It makes things a bit less distracting while I'm writing" I explain while he follows behind me. 

"Understandable" he responds, nodding as he walks into the kitchen. I stand there and stop for a second, starting to rethink my decision of letting him inside. "Y/n?" Jungkook says knocking me out of my train of thought. "Yes?" I answer, blinking a few times to bring myself back. 

"You're breathing really fast, are you okay?" he questions, putting the groceries down on the counter behind him. "No, yeah I'm fine" I say clearing my throat and turning around to grab a few glasses out of the cabinet. "Water?" I question and he nods his head wordlessly, leaning up against said counter while he studies me. 

"What?" I asked with an amused smile, trying to cover up the weirdness I had caused moments ago. "No, it's nothing" he says while I walk over and hand him the glass. "I may not know you that well but I do know when people are lying to me" I say, raising an eyebrow at him before taking a sip of my water. 

"I'm just trying to figure you out" he explains. "Care to elaborate?" I say and lean up against the counter opposite of him. "It's just that the way you've been reacting to me being here has gone from surprised, to pleased, to scared, to nervous, to downright terrified, and now you're clearly trying to mask all of that from me" he lists off. 

"That is," I pause, clearing my throat, "That is quite an elaboration". "I'm right though aren't I?" he says, taking a sip of his. "In a few words yes, I guess you're right" I admit, deciding to be truthful since deep down I know he's someone I can trust. "Is that because of him?" he says, nodding towards a picture frame of tae and I from a couple of summers ago; when things were still good between us. 

"Yes" I admit, "You know you don't have to be right? You shouldn't have to be with someone you're scared of" he says, clearly wanting to help me. "He's my husband Jungkook" I say, hoping he'll leave it alone. "Do you know how sad you look when you say that?" he questions, calling me out. "Why do you care so much? I mean I'm just a girl you met in a bar, why have you taken such an interest in me?" I question, crossing my arms over my chest. 

"I told you. I'm in the market for a new best friend" he says giving me a sad smile and pushes himself off the counter. "You're leaving?" I question, following him as he walks out of the kitchen. "Well yeah, I'm on the clock" he says while fixing the vest and hat he's wearing with the grocery store's name on it. 

"One more thing. You know you're a woman right? Not a girl" he says, making me tilt my head in confusion. "Meaning?" I question. "You said you were just some girl I met in a bar. You're a woman y/n. One that's more than capable of making her own decisions" he says walking towards the door.  

"T-tell Ian I hope he gets well soon" I stammer, caught off guard by his statement. "And I'm sorry I didn't have the money to tip you. Seems like I-" "Forgot to grab some cash" he says, finishing my sentence for me. "Yeah" I say, happy to know he had been paying attention from the start. "I'll let him know" he says while opening the front door while I follow behind him. 

"You know how you could make it up to me though?" he says with a lilt in his voice. "And what might that be?" I question, leaning up against the door frame just as I had done before. "Well you could start by answering my emails" he says, nodding towards my laptop on the desk behind me. 

"I'm sorry I-" "Apology accepted" he answers, cutting me off before I can even try to come up with an excuse. "Whats your email address?" I ask, making sure I'll know exactly what I'm looking for. "I'm sure you'll find me" he finishes, sending me a wink before turning to leave. 

I watch him as he goes, not even bothering to look back as he makes his way down the steps at the end of the hallway or even when he gets in his car. 

"Who's the handsome gentleman love?" Mrs. Mitchell says, making me jump. "He's um, he's a friend" I say, watching him drive out of the parking lot before turning my focus to her. "Looks like he might want to be a bit more than friends though" she says, fully admitting to watching our exchange.

"You don't think I would-" "No I don't love, don't worry. Even if you did I wouldn't blame you." she says looking down and grabbing one of my hands that I didn't even realize had been shaking and holding it in both of her hands. 

"I've never said anything to you because I was hoping that you would come to the conclusion sooner or later but you really should start thinking about yourself and your wellbeing instead of the loyalty you feel you must hold up when it comes to Taehyung. No one should have to live like this" she finishes and places a hand on my shoulder before heading back into her apartment, leaving me out in the hallway with my thoughts. 

I stand there for a moment, taking a few deep breaths before finally heading back inside and closing the door behind me.

Sitting down at my desk I open my laptop and pull up my email account and start scrolling until I find one email address that stands out. 

jkjkjk.97  with a subject line titled "Best friend application"  "How charming" I mutter to myself before clicking on it. 

Dear y/n,

I'm not even sure if you'll ever get a chance to read this but I hope you got home safe. 

I enjoyed talking to you and I hope that maybe we could do it again sometime? As just friends you know, I feel like both of us are in need of a good friend. I know I am.

Anyways, I hope I'll hear back from you soon but if not then I hope you take good care of yourself and know that I'll always be rooting for you. 

From your (best?) friend,

Jungkook

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[rhysiana]

Because I saw a post about how modern AU WWX would probably actually be as tall as LWJ, if not taller, since so many modern AUs don't feature him suffering as much childhood privation as canon, which reminded me of another thought I have had, about how an early life period of interrupted growth can in fact just delay a person's growth spurts rather than eliminating them. Thus: WWX who gets confusingly taller after graduating from college.

3 People Wei Ying Talked to About Suddenly Getting Taller and 1 Person Who Definitely Noticed On His Own

[Now also on AO3]

Wen Ning

Wei Ying looked down at his feet, perplexed. "Wen Ning?" he yelled down the hall. "Did something weird happen to the washing machine that you didn't tell me about?"

Wen Ning popped his head around the door to Wei Ying's room. "No? I don't think so."

"Then why are all my pants suddenly too short?" A new thought occurred to him and he looked up, now delighted. "Wen Ning! Are you actually pulling a prank on me? I know I don't have all that many clothes, but still, this must have taken so much work! I respect the dedication." He held out a fist.

Wen Ning just blinked at him. "I think... maybe you got taller, actually?"

Wei Ying scoffed. "I'm way too old for a growth spurt. Seriously, did Nie Huaisang put you up to this?"

Wen Ning gave up arguing and simply produced a tape measure instead.

~*~

Wen Qing

Wei Ying burst into Wen Qing's lab, which he might have felt worse about if she hadn't been babysitting an experiment while no one else was around. He still received an impressive glare, but he didn't have time to worry about that right now.

"Wen Qing, I need you to test me for every weird kind of chemical exposure you can think of!"

She blinked at him, looking remarkably like her brother for a moment. "Wei Ying, you're in computer science. Exactly when do you come in contact with chemicals?"

"Uh. A leak on the science campus somewhere?"

"What is actually wrong with you? Tell me in the next," she glanced at the clock, "three minutes or leave."

"I apparently grew another inch in the last month without noticing. That can't be natural. I'm 23."

She stared at him for a moment, frowned, and then her expression cleared. "You said once that you had a bad time when you were younger. Stopped growing for a while."

"Why do you even remember that?" Wei Ying asked with an uncomfortable laugh, looking away. He must have been drunk; he didn't usually bring that time of his life up in any detail. It just made people sad.

Wen Qing turned away briskly, ignoring his minor display of emotion, and checked some readouts he was pretty sure hadn't actually changed in any way yet. "Well, that's why. Your growth spurts just got delayed, not erased. It's normal. I'll send you some references tomorrow."

He swept her up in a relieved hug. "Thank you, Qing-jie. Even if this does mean I'm not developing some weird superpower mutation."

She poked him cruelly in the ribs to get him to let go. "Go away, you're distracting me."

~*~

Jiang Cheng

"You what?!" Jiang Cheng demanded at full volume. It'd been a while since they'd managed to get together in person--Wei Ying had nearly forgotten how red with frustration Jiang Cheng could get.

Wei Ying grinned and bounced a little on his toes to really rub it in. "Grew another inch."

"No! This isn't allowed! The universe can't do this to me!"

"What's the problem, little brother?" Wei Ying edged closer so he could prop his elbow on Jiang Cheng's shoulder and really lean on him. "I think I should get jiejie to measure me again and mark it on the door frame. Really make it official."

"Don't you dare!"

"Why don't I ask her now, so she'll be all ready when we see her next weekend?" Wei Ying fished out his phone and then held it up over his head, laughing, as Jiang Cheng lunged for it.

Jiang Cheng's eyes narrowed. "An inch isn't really that much," he growled, and hooked Wei Ying's leg in a takedown they'd both learned when they were 11.

Wei Ying tossed his phone out of wrestling range and turned his full attention to finding a hold that would make Jiang Cheng tap out.

~*~

Lan Zhan

"Wei Ying."

Most people claimed Lan Zhan's voice (and face) didn't have any expression, but Wei Ying could clearly hear the shock underlying his name.

"Lan Zhan!" he returned brightly. "You're back! Did you have a good trip? You've been gone for months and months!"

Wei Ying was used to the intensity of Lan Zhan's regard under normal circumstances--one of the many things he loved about being friends with him--but he didn't think he was imagining that it was particularly intense today.

"It was as I texted you," Lan Zhan said shortly, and then, surprisingly, continued before Wei Ying could get a teasing reply in. "Wei Ying... did you get taller?"

"Oh, that!" Wei Ying felt himself start to blush, for some reason. "Yeah, I did. It was so weird at first, but Qing-jie assures me it's normal, and I've almost gotten used to it now. It was just an inch but I had to go buy all new... pants..." He trailed off as Lan Zhan pushed into his personal space much closer than he ever had without Wei Ying initiating it first, as far as Wei Ying could recall. "Hi?"

They were nearly chest to chest now, and he could see it when Lan Zhan actually had to tilt his chin up just a bit to meet Wei Ying's eyes.

"Hello," Lan Zhan said, grave and low and very, very focused.

Wei Ying wasn't entirely sure what was happening right now, but he was pretty sure he was into it.

[leonawriter]

Okay apparently I'm going to do a study on this introduction, because going back to it? Especially knowing more about Hakuba via more recent Magic Kaito chapters? Fascinating stuff.

So. Hakuba's introducing himself, and he starts out by bringing up "My father spoke of you often" and "It seems you're a very sharp detective." Both of those are positive!

Hakuba is... high society, compared to Hattori simply hanging out around high ranking people and treating them like normal. Hattori argues with Kazuha in a very down to earth way, while Hakuba knows how to drink tea and probably how to set the table with a full set of cutlery (or at least how to use them).

So, Hakuba using their fathers to introduce himself is, to him, a normal enough way to say "I've heard good things about you, we're similar, I hope we can get along well."

What's more - Shinichi realises that, pretty quickly. Even if they hadn't met previously, he'd have been able to figure out by the words being used, that Saguru's father knows Heiji's father, or that they're in the same business.

If anything, I'd say that this slight culture clash is the second step of things going wrong between Hattori and Hakuba here, right after Hakuba being present at all, since Hattori had wanted Shinichi to take his rightful place where Hakuba is currently sitting.

Strike one, strike two.

Unfortunately, it gets worse from there, and I'm gonna go into it.

But then Hakuba brings up that he's not even fully based in Japan. To which, mostly Hattori is just "wait, what?" - but although I'm sure he means it simply to be as clear as possible, that could also be read as "I would say that, but I'm actually better." As in, being smug.

Strike three.

Still with "Kudo is the high school detective of the east, that's obvious, isn't it?" and rubbing salt into the insult to Hattori's bro with "they'd have liked me to represent the east in his place" but...

Oh boy.

This... this is also where I just stared and held my head in my hands because now? Because of something Hattori's said, and what he's going to continue saying/leaning into... we need to go back in time.

All the way back in Hakuba Saguru's first appearance, the papers say "just returned from London," suggesting (as I've seen someone say before) that he'd spent at least some, if not much, of his youth in Japan.

Certainly, he doesn't seem to speak with an accent in the present day, so he can't have grown up in the UK and only sometimes lived in Japan.

In Japan, however, he is referred to as...

In Nakamori's (uncouth) words at their first meeting, "Y-you're that bastard from London!"

No mention of how he has a fully Japanese name, partially Japanese features, a Japanese father, and no accent.

His introductory splash also frames him with the Union Jack behind him, showing off his Holmes cosplay and light hair. Almost all the major characters in the series have blue eyes, but here it's rather... plainly emphasising his Western features. His non-Japanese-ness.

Now, I do have to wonder if Gosho wrote that back in 1990 and hadn't given much thought to it. I certainly don't think it was intentionally cruel.

However, by volume 40, released in 2003, he's learned a bit more about social prejudice, and shows this with the Professor's First Love story:

This shows something that happened 40 years ago in-universe, with a girl of Japanese-American descent who has light, gingko colour hair, being very aware of how different she is, and not wanting her friend to see. She calls her hair "weird" and starts to cry.

Coming back to the present - content released in 2006 - let me go back to Hakuba Saguru.

Hattori "That's obvious, isn't it? And yer not even from this country to begin with."

Oh, Hattori. Only the previous case had you seeing how words can be as sharp as knives, and can hurt people.

Saguru doesn't seem too bothered at first, however...

First off, he points out that it isn't even his fault he's "taken Kudo's place" in the first place!

They contacted his housekeeper, who he's been shown to be very close with (I'd hazard a guess to say that, having not seen his mother at all, or seen her mentioned, Baaya is closer to him than his parents are), and when she heard that her charge would only be taking someone else's place since they weren't there, she got offended on his behalf.

Saguru, who loves this woman like she's literally his nanny, could hardly say no at that point.

More to the point: how he says "But it appears I am unfit to represent the East..."

So now we have Hattori having come in wanting his best friend to be represented and not sidelined just because of circumstances out of his control, and being in a bad mood immediately because of someone else having been called in. He also possibly inflates the number of cases he worked on or solved, by including childhood adventures, leading Saguru to point out that his count is only low if you only count the ones in one country. Saguru attempts to make friends with him regardless, and that doesn't work because Hattori is still stuck on how Saguru is "taking Kudo's place" and then focuses in on how Saguru "isn't even from this country" which... starts leaning into the uncomfortable territory of "Hattori I love you to pieces but are you being racist/xenophobic right now?"

I say that in the context of how Japan has a really big problem with seeing anyone who isn't fully Japanese as Not Japanese Enough, as I went into earlier. I don't think he's aware how he's coming across, by the way; he's simply got a big case of foot-in-mouth.

So now instead of having come to this conclusion organically and naturally, Saguru is offering to take the place of "Guest Participant from Overseas" to placate Hattori.

I'd imagine he won't be wanting to tell Baaya about that, for sure.

Saguru goes on to suggest that Conan (i.e, Shinichi himself) should represent the East instead.

I reiterate: they could well have come to this conclusion over a friendly conversation, because of how they have five detectives. But instead now Saguru has ceded his position to (as far as he knows) a child. A very clever child, but a child nonetheless.

The next time we're back at the island with Hattori and the others, he's already decided he doesn't like "that smug guy."

As said before, there are plenty of things that Hattori could have picked up on that'd suggest Saguru "looked down on people" and "had a prideful way of thinking" and he certainly could appear smug in his achievements.

Hattori himself says that Saguru was "was like a copy of [Kudo]." But he has decided he doesn't like Hakuba, therefore he won't like Hakuba.

A moment of Saguru bonding with Natsuki over their natural brown hair, a shared trait - we can see him smiling after saying "But... there aren't any tv cameras yet, so you could do what you want for tonight?"

In a way I feel like I'm making too much of a big deal out of this one thing, but I'm not the one bringing attention to it - Gosho is. Gosho's the one who reminds us that kids get into trouble for their natural brown hair, and Saguru got that too.

Those who've read Magic Kaito will know that he DOES have a Japanese school uniform - but as we saw at the start of the post, when he arrived, he arrived from his school in London.

This further emphasises how he's set apart from the others.

(An aside: it's entirely possible that his "school abroad" is more likely him going to sixth form, since our Secondary schools last (or did for me) up to the age of 16, and depending on the time of year he may have transferred over to the new school year already. Or he's just finishing his last year of Secondary. We don't know.)

Honestly... I'm going to leave this at that for now, because for one thing the post got away from me a bit, and became longer than I expected, and for another thing, I've covered the majority of the first meeting and both of them getting off on the wrong foot.

In short:

Hattori arrived with an idea of slipping Shinichi into the event, and was offended and upset when someone was already in his place. He, being the loyal friend he is, wasn't willing to simply let it lie.

Instead of backing down and accepting the situation and make friends with the new detective - who Shinichi knew and was acting friendly with, and who was willing to befriend him - he let his bad mood get the better of him and made offensive remarks of his own, most of which to the others would seem entirely unwarranted.

Because of that, Hattori still has a bad opinion of Saguru, and Saguru's opinion of Hattori has gone from "my father's spoken of you [positively]" to "rude asshole."

Neither of them are innocent, but when you look at them individually and fairly, neither of them are the only one in the wrong, either.

Like... no wonder they don't get along from here on? Wow.

I did not expect there to be so much in it, but there we go.

[aangarchy]

Netflix atla live action review ep 1-3

So i was able to watch the first three episodes and i wrote down some thoughts. Strap yourselves in, it's gonna be a big post. There's a lot i don't like, but it's not all negative. So let's get the negative out of the way first, then we'll get to the positive.

The cgi is abhorrent. Especially the green screen stuff where a lot of movement is happening. I'm specifically referring to the scenes of Katara and Sokka in the canoe as well as the Omashu railing system, and anytime Aang is flying on his glider. The bending may be better than the original live action, but it's not good either. Bending for me was always gonna be impossible in live action. I never feel like there's any connection between the moves the actor is making and the cgi element. In animation it's much easier to make the two connect, but an actor is basically staring at nothing and moving their hands around a bunch, hoping post will make it look good. This show also fell prey to the "ball of water is consistently losing water and yet remains the same shape and size" trap. I think out of all the elements the airbending looks the best and the earthbending so far the worst. The Avatar state looked very janky as well, some shots looked like there wasn't even an actor there anymore and it was all animated. And not animated in a good way either, some of the movements were way to wobbly, reminding me of that weird broom flying cgi in the first harry potter movie where the character is flopping about awkwardly bc it's badly animated. The animals also look pretty weird to me, i can barely tell where Appa's face is most of the time. Also for some reason they have momo making monkey noises instead of lemur noises? Like he legit sounds like a chimpanzee? I wonder what that's about.

The costumes are very hit or miss. They're very bright and i've often seen them fit awkwardly on the actors. Suki's headband was practically sliding off of her head while doing a fight scene, and in Omashu an extra's headscarf literally slid off of her head as she walked out of frame. Don't even mention Bumi to me either, that guy looks absolutely insane to me and i mean that negative. I can't suspend my disbelief enough to pretend that's a real guy. I liked Suki's makeup however, and i really like how they did Katara's hair and outfit. We got our first glance at Ty Lee and Mai too, and i like that Ty Lee is basically a carbon copy of her cartoon outfit.

Some story choices are.... interesting. Some of them, i'm not sure whether i like them or not yet. I'm confused as to why they combined three different stories into the Omashu storyline. We have Bumi, Teo and the Mechanist, as well as Jet all piled up in the same city, and somehow Zuko is there as well. The Jet story happened way too quickly, and i'm confused as to why Sokka was so upset at Jet's betrayal when he hadn't even spoken to the guy at all, he didn't even know his name. I don't like the choice of having everyone split up in Omashu. There was a lot of focus on Katara and Sokka and Aang barely appeared. I will say i really loved the no bending fight Aang and Zuko had in Omashu. Such a shame that their choreography barely got any time to shine due to the fight scenes being edited like marvel movies to hide mistakes. This has me excited for the blue spirit episode though!

I don't like the way they revealed that Aang is the Avatar in the watertribe. Why is Gran Gran the one that immediately knows? Just bc she's old? I liked that Aang revealed it himself in the original, but in this one it's just Gran Gran telling everyone who he is and Sokka not even believing her.

Then there's the opening for the first episode. I have very mixed feelings. I like that they showed the bond between Gyatso and Aang, and i liked the way they switched between Gyatso's last stand and Aang falling into the water. I'm sticking to my guns however with saying that we didn't need to see the attack on the airtemples play out. I liked it being this mysterious event that happened so long ago it's become legend to anyone alive today. But now, as a viewer, we have more information than our main characters. It also took away from the emotional turmoil of Aang finding Gyatso's skeleton. In the original, there's still this slimmer of hope, are they really dead? Could some still be alive? Only for it to be ripped away then and there. Now the audience already knows Gyatso is dead, we know what Aang is about to find. They also didn't really linger on Aang's emotions after this, like at all? He buried Gyatso and basically went "alright where to next?"

There also seems to be a lot less bonding time, making the relationship between the characters in episode 1 and 2 very weird. Katara and Aang barely had one conversation in the first episode, and Katara was already talking about Aang changing her life and helping improve her bending after only one day. It feels very weird and forced. It gets better by episode 3, but it was definitely bad in the first two.

I'm gonna say it again but i'm mad about Sokka's sexism arc disappearing. Suki was angry at Sokka for just comparing her skills as a warrior to him, when she hadn't even seen him fight yet. She also starts out as being weirdly enchanted by Sokka just bc he's an outsider. He's not even attractive at all, and they're trying to sell him as some sort of heartthrob. I like their bonding time while they trained, but i don't like how immediately Sokka is hung up on her. He still needs to meet Yue, and idk about you but to me it would be weird for him to already like one girl, and suddenly jump to the next.

I'm not sure why Kyoshi is being Aang's main Avatar guide here? I always figured it should be the Avatar right before you that would do the job, so why did Kyoshi get to Aang before Roku? And why did she already give Aang the speech about saving the world? What else is Roku gonna do? I know we get the Hei Bai story in this show, so what's the point of the Hei Bai story when it doesn't lead to Roku's dragon coming to Aang to warn him about the comet? I'm not mad at this btw, genuinely just confused. I don't understand the point yet.

Onto the acting, once again very hit or miss. So far Gordon (Aang) has been one of the best. He's a very good representation of Aang's character, and i like that he brought out Aang's sassier side right away. Kiawentiio (Katara) so far has been really good too, and i like her chemistry with Gordon. I was prepared for Ian (Sokka) to be much worse than he ended up being, and a lot of jokes in the first episode did end up landing for me. Unfortunately the opposite is true for Dallas (Zuko), i was expecting his performance to be better than what it ended up being. It's not bad per se, but definitely less refined than i was hoping. Same for Paul (Iroh). I don't like the way he delivers some lines at all (especially the Jasmine Tea lines, it's way too forced, i don't actually believe he likes jasmine tea rn. In the original uncle barely mentions which tea he's drinking, and only once asks for jasmine tea bc it's his favorite. Otherwise he always just says "cup of tea" and never mentions the flavor. Idk why but the emphasis on jasmine tea really bothered me lol). I really liked Azula so far. Elizabeth brought a very cutthroat energy, which is precisely what i'd expect from a character like Azula. Daniel Dae Kim was also just everything i was hoping for and more. I'm hoping to see more of him (for his acting... no other reason.......)

Idk why but i was elated at seeing the cabbage merchant and hearing him say the line. Best moment of the whole show so far (and that's saying a lot i think lmao).

The music is very good. Some of the placement of the more dramatic music is a bit awkward? Like moments that i feel should have a low quiet melody seem to have a more dramatic flow which makes the scene lose emotional value to me. Maybe that's just my preference though. I like the nods to the original music throughout the show, especially for Kyoshi, the fire nation theme as well as the avatar theme, and then the exact same credits music as the original. I love the more epic/dramatic version of the avatar theme.

Overall, i am enjoying myself. I wasn't expecting greatness from this adaptation, and so far i'm remaining kind of neutral i think. It's not absolutely horrible, and i'm not cringing every five seconds. Of course it's never gonna compare to the beauty of the original animation. That's always going to remain untouchable to me. And this adaptation obviously does not come close at all. But it's fun, i guess, so i'm gonna keep watching.

[winterweary]

You scare me sometimes but I enjoy reading your stories, soooooo how about the Weird Wizard s3x, thanks luv! 😘💕

Unironically "You scare me sometimes but-" is a delightful compliment to me <3 I'm sorry my upsetting horny beel posting scared you bby <33 Have some tentacles to make up for it.

@alpine-forget-me-nots

This was the first idea that came to me for a series I lovingly call "Solomon Uses his Sorcery for Evil".

Also after a few months after I had the idea for this posting, I definitely saw someone else post a delicious smut about accidentally summoning something with tentacles. If I come across it I'll try to link it again...I just wanted to mention it so no one thinks I accidentally or intentionally copied their concept <3

AFAB reader in a skirt. Tentacles etc. A little dubcon? But they're into it.

-

“Well, well, well. What have we here?”

You freeze, one hand fisted around a writhing black tentacle, the other reaching for the textbook that had skittered just out of reach. With a huff, you squirm to look over your shoulder, cursing when the gripped tentacle uses your distraction to flick free of your grip and smack you wetly in the face.

“Very funny, Solomon. Give me a hand here,” you whine to your sorcerer, but he only leans against the doorframe of his office and smiles.

“No, I don’t think I will,” he replies easily, laughing lightly as you narrow your eyes into a glare.

He has caught you in quite the compromised situation.

You hadn’t meant to be snooping. Not exactly anyway. You were working on an assignment and needed a reference book Solomon had shared with you many times before. It just happened to be laying underneath a thicker, more archaic looking tome. This book was covered in Solomon’s signature scribble, though in a language you weren’t familiar with, and on pages black as ink. It had also been oddly damp, like it had been fished out of the sea just hours before and had barely begun to dry out. You hadn’t even really dug into it, just lifted it off your textbook and given an idle ruffle of the pages.

Only to be sprayed in the face by a gush of seawater. While you were sputtering, the tome had fallen and something had burst out of the pages. Something with too many tentacles and a perverted streak…

“Solo-mONnn.” You try to hiss his name but it ends in a squeal as a thick tentacle latches to your thigh and begins to nurse the soft flesh with its wide suckers. One of your arms is pinned to your side now, the other back to wrestling with a cheeky limb that seemed to be trying to nuzzle against your cheek.

“Solomon what?” he coos back, fluttering his lashes at you smugly.

“…bastard.” He laughs and shoves off the door frame, but any hopes you had of him helping you free yourself are dashed as instead he moves to an armchair, settling into it with a content sigh.

“Forgive me, my darling apprentice. I think I’d like to see how this plays out,��� he teases, you can’t help the excited flip in your stomach when you see he’s already hard. Dammit. He Pavlov dogged you there.

“You-“ Again, your frustrations are cut off, this time with a gasp when you feel a push between your legs, an oddly giving press against your clit through your underwear. It makes you realize you’re already slick, something in the way Solomon’s eyes rake over you and the hungry squirm of the tentacles warming your core in eager preparation.

“I hate you,” you pout.

“Mmm,” Solomon replies with a sympathetic hum as he palms his cock lazily through his slacks, “Tell me how much, my love.”  

[lilac-melody]

Anyway, so this was basically Hiyori's anti-fan song and Nonfantasy 2.0.

Most of the song takes place in Hiyori's head- imagining herself as a peasant girl along with lipxlip's Juliettas.

"To every girl, make sure you stay as far away as you can! Make sure you don't catch the infection." Hiyori looks like she's cringing so hard it's physically painful for her...and the lyrics right after are literally "get away from me!"

Followed by this we got the dream of her imagining Aizou and Yujiro doing princely things. The lyrics are as follows:

"This can't be! That's cheating! It's dishonest and unfair!! You don't take responsibility for their feelings for you!! Too much! It's dangerous! So risky and insane!! Cunning is the "power of idols" Still, I can't help it... I need to accept this is how it is."

And then she wakes up with a shocked and mildly terrified expression on her face.

While someone like Chuutan would be crying she woke up from her dream, Hiyori acts as a nice foil against that, knowing what they're really like and, unfortunately, working with them so often she has to see their princely persona and ends up dreaming about it against her will. (And come on, who doesn't have work nightmares?)

The next part of the song is basically Hiyori realizing that, hey, idols get depressed too, they're still people, and realizing that she can't really help them, because...well, I've already gone over lipxlip's relationship here, so if you want to read that, I'd go there afterwards.

This part I think is particularly important because it doesn't take place in her dreams. This is real life. Hiyori tries to offer something to cheer them up (ala some drinks they like). But they completely ignored her, as the lyrics say.

It's sad, but they just won't rely on her for their emotional baggage. You're doing your best Hiyori, just move on...

"Sometimes, their kindness can be a little scary"

I know this is part of Hiyori's dream, but honestly I'm not seeing how this is seen as "aww cute"...anyone showing an ounce of kindness to her, she gets flustered over. To me personally, this reminds me of this moment from HeroineDev...

She superficially fell for Asuka's kindness. And the relationship went absolutely nowhere. Much like how it would be (confirmed by Shito back in 2021 I think it was?) if Hiyori really had actually fallen for lipxlip.

Which, again, who doesn't have nightmares about work?

Afterwards we get more straight bait fanservice while Hiyori sings about how deceitful Aizou and Yujiro are to their fans because their princely persona isn't them. And then it ends off with her singing:

"It's so frustrating but... I'm just as excited as everyone else."

It could be read as "proof Hiyori's falling in love" if you're looking at it through a lhyo shipper lense, but if you're paying attention to the relationship between Hiyori and lxl as a whole, it could easily be seen as "idols are really cool", something that Hiyori has canonically said in the novels. She knows how hard they work and she knows they can charm anyone. That is what Hiyori is referring to.

She doesn't particularly want to be their fan, but she does want to support them. Much like how friends support each other, but still very different from the intimate ways Aizou and Yujiro support each other.

My point is actually proven correct ^ when we see the very next frames.

"This isn't something just anyone can do You need to put in the effort and hardwork."

Hiyori, who is a hard worker herself, admires their hard work and dedication to their fans...which is precisely why the song is her screaming at them for deceiving them lmao.

At the end of the day though, Aizou and Yujiro are still her friends, who get weirded out when she expresses her support towards them.

Or if she's just daydreaming.

The night and day difference between her imagining them doing fanservice in her mind and real life is really...something.

Look how utterly annoyed they look at her for zoning out.

This isn't a cute "I'm falling for my coworkers and daydreaming about them" scenario. This is her trying to imagine them as princes and them not knowing it.

Hiyori is their friend and suspectable to an active imagination. Not just in the MVs but in the novels as well.

And I think it says a lot about their relationship that all of the fanservice is strictly in Hiyori's perspective.

When lipxlip have a fanservice song, they either use Narumi Sena, or just a random girl. But when it's Hiyori imagining them doing the fanservice, it's all in her head. HeroIdol and Nonfantasy are literal proof of this.

It is extremely onesided.

Aizou and Yujiro care for Hiyori- this is undeniable. However, they do not like her in that way. Not only has Aizou canonically stated he doesn't get involved with girls outside of work, but they just don't see her in that light.

I mean, in every single lxl song that included Hiyori, like Kono Sekai or Last Stage, she's there for like 2 small frames and it's her being in the background or trying to stop them from fighting. They never once had a frame where they're talking to her and ignoring the other or venting to her.

She's their "work friend" who they've hung out with like twice outside of work. They only contact her in emergencies.

That's not to say they don't support Hiyori and her dreams, because they do. They support her in finding someone who will take care of her (ie: Nagisa) because they care about her, and they don't see her in that way.

And given that the time skip in HeroHei and Sukiuso shows Hiyori and Nagisa attending the same uni...yeah.

Also, I would like to point out that in HeroIdol, Hiyori thinks of herself as just a peasant girl among the (fake) princes. It's like a metaphor for saying "they're out of my league even though they're really awful". Not a good look for her or for lipxlip, honestly.

But in Herohei, she sees herself as a Cinderella who's worthy of being a heroine. Meanwhile, Sukiuso is about Nagisa saying she's better than Cinderella and she's always been a heroine.

TMK did all three MVs, and I think this was a deliberate choice to show everyone how unhealthy one would be, while the other blossoms naturally.

Not once has Hiyori imagined herself as a princess around lipxlip. Her insecurities come out when she's around them because they poke fun at her too often. (Beat they ass, Nagisa)

The Omoiai album, which is where HeroIdol came from, is about various different relationships. While Aizou and Yujiro's are familial, Hiyori's was a unique one. A, as I've said above, anti-fan song.

Which goes directly against Chuutan's fan songs.

I think it's important to have them both, and I like that we get the perspective of Chuutan, someone who genuinely sees them as princely, and Hiyori, who cringes when she sees their prince-sonas.

And it is important to note that we never get lipxlip's perspective- knowing they find their over excited fans annoying, and only see Hiyori as a friend. Otherwise she would be in more of their MVs and not just a background character.

I think too many people forget to realize that if they were going into a relationship, then we need them to say "yeah I'm falling for her" and not just Hiyori, when she's known to fall into little delusions. (And no, I don't mean that in a negative way)

IN SHORT: No, lhiyo is not canon, and this song was just an anti-fan song.

[nalyra-dreaming]

Hii!

So I'm reading the books for the first time (so far I love it, but I'm also just about a third of the way through the first one) and I have some thoughts about Claudia.

First of all, the thing about Louis loving her and calling her a seductress and such is weirding me out every single time it comes up (but I do understand that there are many much weirder things coming (right, Lestat?))

Ok, but what I mostly wanted to say is that, while in the series she wasn't necessarily my favourite, I generally liked her and understood why she acted the way she did. But her book version, I just really don't like. Maybe because I'm biased towards liking Lestat, maybe because compared to the show, he hasn't done nearly as terrible things and so she and the way she acts towards him seems worse in comparison? Idk how to explain it, she just seems unnecessarily antagonistic and just deciding to kill him because he doesn't want to answer questions.

Maybe I just need to keep on reading, but rn I just wanna ask if me strongly disliking her is alright (at this point in the story) or if I am fully misunderstanding something?

Thank you in advance!!

No, you’re not misunderstanding something, imho.

The thing in the books is that Lestat actually truly didn’t deserve the attempt on his life. Oh, he never blamed Claudia for it, but that is because he understood what kind of hell he condemned her to by turning her. (As a note: in the show this will be pulled into question still as well I bet, we already have Louis calling the reasoning “debatable“ in season 2, and only trusting Lestat after all, and Lestat’s POV is only coming up now after all).

And this otherness you feel from Claudia? Definitely there. Because Claudia in the book was turned so young she never really learned to be human. She was more vampire than either of them, and behaved like that, too. She was a predator, locked in a little girl‘s body - wanting to be free, and it sharpened and changed her mind and wits beyond Louis‘ or Lestat‘s.

That is also where the book canon relationship between Louis and her stems from - it’s… other. Beyond the mortal frame of relationship.

In Merrick, a later book, Claudia’s diary then reveals that she used Louis to kill Lestat because she found him more malleable. It was a big reveal back then, and while it’s not yet relevant for you reading IWTV it will likely come (back) into play in season 3, bc the few shots we got of her diaries already refer to her thoughts going to that manipulation. We‘ll see.

Personally I think the show has done very well to make Claudia’s plight much more relatable. She does not feel like book Claudia, and very intentionally not so. I am also glad they skipped that book relationship between her and Louis.

I hope this makes sense to you and I hope you enjoy reading the book! As said, I think the show improved it, a lot :))) but it’s still very much a classic on its own.

[yurisorcerer]

I'm not gonna pretend I have anything super new or innovative to say about Mobile Suit Gundam. It's one of the most-analyzed anime ever, and I pale in comparison to some of the people who *have* analyzed it, but here I am, thinking about it regardless.

For context, I am watching this as part of a---as she called it---"comet swap" with my good friend @charaznablespeteevee, where I watch a mecha anime she is obsessed with (Gundam) and she watches one I am obsessed with (Code Geass). I'm not sure if I'm going to write a big long post like this about every episode (since I'm going to *try* to watch at least one per day, that would get quite exhausting), but I am liveblogging it more informally over on the worst website on Earth, if you're willing to put up with that Nazi-infested hellhole long enough to read some posts from yours truly.

In any case, Gundam and Code Geass. are many differences between these, the main ones being that Code Geass is more recent and also not widely hailed as a masterpiece of its form. It does *draw* notably from Gundam though despite having very different artistic aims and a different tone, so watching this makes sense in a way. I spent way too much of my teenagerhood obsessed with Lelouch, and now I'm watching the anime that his archetypal grandfather came from. (Goddess have mercy on my soul.)

My experience with Gundam as a franchise prior to this is very limited, but I do have some. For reference, I have seen all of:

Gundam 00, back when it aired on the SyFy channel when they had an anime block many years ago. I really liked this as a teenager but I don't remember it super well.

The Witch From Mercury, lesbian space combat, with a notable Code Geass staff connection. WFM was not perfect or anything but I loved it a lot and Suletta is very dear to me. I actually bought an Aerial gunpla a few months ago that is currently sitting unassembled in my closet.

the first Gundam 0079 compilation movie. Now, it might seem weird that I've seen this and am now going back to watch the TV series. But, while I remember the general outline of what happened, I was SUPER sick when I watched it, and I only remember what happened really, really vaguely. While I have some idea of the general outline of what's to come, I'm mostly going in genuinely blind.

like 4 or 5 episodes of Victory Gundam, which I liked but kind of fell off of. So we're giving the franchise a proper second go here.

I'm a mecha fan more generally, and I'll get into some of that as I write these, but for now that's the relevant stuff.

Anyway, my main impression of 0079's first episode is actually a structural one. It's REALLY well put together. We introduce the setting, we introduce our main characters, and we introduce the main conflict, all very economically and with a lot of style---more style than some shows with significantly less room to work with manage, in fact---and I'm immediately invested in the fate of our main character, Amuro Ray.

From what I gather here (and a little bit from outside information), my impression is that of a kid who loses his innocence very, very rapidly over the course of this story. Here, the space-hab-thing he lives on is attacked, and he ends up in the cockpit of an experimental superweapon called a Gundam (maybe you've heard of them?). I LOVE how the Gundam is framed here, like some kind of genuinely scary war machine. It's an intentionally othering effect i mostly associate with later mecha anime, especially those with outright monstrous mecha like Evangelion or even The Big O, so to see it here in such a comparatively early series in the genre is impressive.

The episode's climax sees him kill two soldiers from the enemy nation of Zeon, but it's not a triumphant thing, really. He's portrayed as kind of not really knowing what he's doing, flailing around inside this gigantic walking tank / mechanical war god. But then when he *does* figure things out, well, he has to deal with the fact that he just killed two dudes. Going by the cliffhangery ending here, it doesn't seem like his troubles are over, either.

[aihoshiino]

Atp i would like to see how ruby and aqua's relarionship will go. Not in "Yasss incest!" way but more of how they (mostly ruby) realize that they need to go their past lives and accept their relation as siblings. Or at least how wrong it is even if ruby wants it so much. There is no way incest would happen because Aka hates it. I am more interested in their psychological state and their conflict and resolving that conflict.

I don't think we can definitely say Akasaka Loves or Hates XYZ just because none of us know him, but there is a weird sense of like... discomfort or maybe avoidance on the topic of incest in OnK that I find kind of interesting to just poke at in my head sometimes. Because like, one of my main issues with the way OnK has handled the incest since 123 is that it just... well, hasn't.

I know that sounds insane in a post 143 world but going through the way the AquRuby stuff (or lbr just Ruby) has been written since 123, it feels like there's a very clear distinction between the ideas of "Ruby having feelings for Aqua, her brother" and "Ruby (& Sarina through her) having feelings for Goro, her doctor". When the story wants to play AquRuby for laughs, it leans into Ruby being attracted to her brother. When it actually takes things seriously, the framing is almost always Ruby addressing Gorou and the concept of incest is so loudly, conspicuously absent. You can even sort of see this line being drawn all the way back in 123, just at the end where Ruby very pointedly first addresses Aqua and then, separately, addresses "Sensei". It's almost as if she's purposely trying to create a divide so she can have one without dealing with the reality of what it would mean to be with the other.

It's hard to tell whether or not this is intentional in the sense of being part of Ruby's arc but it nevertheless creates a sense of the series wanting to have its cake and eat it too, indulging in the shock value and spicy intrigue of incest as a taboo without meaningfully engaging with it as subject matter. I've described it elsewhere recently as the series exclusively toying with the *aesthetics* of incest, its surface level referential language and set dressing, while resolutely avoiding going any deeper and I still stand by that. The 143 kiss is actually a really good example of this - the imagery is that of two siblings kissing but on that very same page, Ruby reminds us that in her eyes, she is talking to and in love with her "Sensei". The series has conducted this deeply convoluted narrative trick where it can depict what is very clearly incest without it technically being incest. Even when roadblocks to the GRSR relationship are addressed, it's only ever in reference to their age gap and Ruby always frames it as something that *used* to stand in their way but is no longer an issue now she's 18.

On days I am feeling charitable towards the series, I'm inclined to think this is an intentional part of Ruby's arc and that she is, in universe, being a bit delulu about the whole thing as an unhealthy coping mechanism - her being avoidant of emotionally inconvenient truths is something we see popping up more than once, so this being an extension of that tendency would make sense. When I am feeling more cynical, however, I tend towards thinking this is just an excuse to indulge in shocking imagery that generates clicks without ever having to actually commit to upsetting readers by sinking *or* canonizing incest ship. My best guess is that the truth is somewhere in the middle but it must be stressed that this is just my thoughts and I have no idea what goes on in Akasaka's brain.

Anyway this is just a long and rambly way of saying "word". Regardless of what direction the story takes AquRuby, I just want the story to finally fucking commit to something instead of chickening out every time it gears up to do so.